卷三十八
3个月前 作者: 陈廷敬
<tr>
<td>
目 录 <span ss="q">八调二十七体,起一百三十九字至一百六十字
玉女摇仙佩二体
六 丑三体
玉抱肚一体
六州歌头九体
夜半乐二体
宝鼎现八体<span ss="q">又名三段子、宝鼎儿
个 侬一体
解红慢一体
玉女摇仙佩 柳永《乐章集》注:正宫。
玉女摇仙佩 <span ss="q">双调一百三十九字,前段十四句六仄韵,后段十三句七仄韵 柳永
飞琼伴侣<span ss="q">句偶别珠宫<span ss="q">句未返神仙行缀<span ss="q">韵取次梳妆<span ss="q">句寻常言语<span ss="q">句有得几多姝丽<span ss="q">韵拟把名花比<span ss="q">韵恐
○○●● ●●○○ ●●○○○● ●●○○ ○○⊙● ●●◎○○● ●●○○● ●
旁人笑我<span ss="q">句谈何容易<span ss="q">韵细思算<span ss="q">读奇葩艳卉<span ss="q">句惟是深红浅白<span ss="q">韵争如这多情<span ss="q">句占得人间<span ss="q">句千娇百
○○●● ⊙○○● ●○◎ ○○●● ○○●●○● ○○●○○ ●●○○ ○○●
媚<span ss="q">韵 须信画堂绣阁<span ss="q">句皓月清风<span ss="q">句忍把光阴轻弃<span ss="q">韵自古及今<span ss="q">句佳人才子<span ss="q">句少得当年双美<span ss="q">韵且
● ○●○○●● ●●○○ ●●○○⊙● ◎●◎○ ○○○● ●●○○○● ●
恁相偎倚<span ss="q">韵未消得<span ss="q">读怜我多才多艺<span ss="q">韵但愿取<span ss="q">读兰心蕙性<span ss="q">句枕前言下<span ss="q">句表余深意<span ss="q">韵为盟誓<span ss="q">韵今生
●○○● ◎○● ⊙●○○○● ●●● ○⊙●● ◎○⊙● ●○○● ○○● ○○
断不辜鸳被<span ss="q">韵
●●○○●
·
此词平仄,校下朱词句法同者。
又一体 <span ss="q">双调一百三十九字,前段十四句七仄韵,后段十三句七仄韵 朱雍
灰飞嶰谷<span ss="q">句佩解江干<span ss="q">句庾岭寒轻梅瘦<span ss="q">韵水面吞蟾<span ss="q">句山光暗斗<span ss="q">韵物色盈枝依旧<span ss="q">韵凭暖危阑久<span ss="q">韵有
○○●● ●●○○ ●●○○○● ●●○○ ○○●● ●●○○○● ●●○○● ●
清香旖旎<span ss="q">句却沾襟袖<span ss="q">韵赋多情<span ss="q">读窥人艳冷<span ss="q">句更是殷勤<span ss="q">句忍重回首<span ss="q">韵谁知道<span ss="q">读春归院落<span ss="q">句缤纷雪
○○●● ●○○● ●○○ ○○●● ●●○○ ●○○● ○○● ○○●● ○○●
飞鸳甃<span ss="q">韵 须谢花神爱惜<span ss="q">句碎璧铺酥<span ss="q">句肯把飞英僝僽<span ss="q">韵念念瑶珂<span ss="q">句乘飙烟浦<span ss="q">句送别犹携纤
○○● ○●○○●● ●●○○ ●●○○●● ●●○○ ○○○● ●●○○○
手<span ss="q">韵馥郁盈芳酒<span ss="q">韵临妆罢<span ss="q">读一点眉峰伤皱<span ss="q">韵又只恐<span ss="q">读收梦断筦<span ss="q">句凄风怨晓<span ss="q">句早催银漏<span ss="q">韵残金
● ●●○○● ○○● ●●○○○● ●●● ○●●● ○○●● ●○○● ○○
兽<span ss="q">韵参横月堕归时候<span ss="q">韵
● ○○●●○○●
·
此词前段第五句押韵,结句作七字一句、六字一句,与前体异。
六 丑 调见《清真乐府》。
六 丑 <span ss="q">双调一百四十字,前段十四句八仄韵,后段十三句九仄韵 周邦彦
正单衣试酒<span ss="q">句恨客里<span ss="q">读光阴虚掷<span ss="q">韵愿春暂留<span ss="q">句春归如过翼<span ss="q">韵一去无迹<span ss="q">韵为问家何在<span ss="q">句夜来风
●○○●● ●●● ○○○● ●○●⊙ ○○○●● ●●○● ●●○○● ◎○⊙
雨<span ss="q">句葬楚宫倾国<span ss="q">韵钗钿堕处遗香泽<span ss="q">韵乱点桃蹊<span ss="q">句轻翻柳陌<span ss="q">韵多情更谁追惜<span ss="q">韵但蜂媒蝶使<span ss="q">句时
● ●◎○○● ○○●●○○● ●●○○ ○○◎● ○○●○○● ●○○●● ⊙
叩窗槅<span ss="q">韵 东园岑寂<span ss="q">韵渐朦胧暗碧<span ss="q">韵静绕珍丛底<span ss="q">句成叹息<span ss="q">韵长条故惹行客<span ss="q">韵似牵衣待话<span ss="q">句
●○● ○○⊙● ●○○●● ●●○○● ○●● ⊙○●●○● ●○○◎●
别情无极<span ss="q">韵残英小<span ss="q">读强簪巾帻<span ss="q">韵终不似<span ss="q">读一朵钗头颤袅<span ss="q">句向人欹侧<span ss="q">韵漂流处<span ss="q">读莫趁潮汐<span ss="q">韵恐
●○○● ○○● ◎○○● ○●● ●●○○●● ●○○● ○○● ◎●○● ●
断鸿<span ss="q">读尚有相思字<span ss="q">句何由见得<span ss="q">韵
●⊙ ●●○○● ⊙○●●
·
此调以此词为正体,方千里、杨泽民、陈允平俱有和词,若吴词、詹词之句读不同,皆变格也。 按,陈词,前段第七句“飞蜂似雨”,飞字平声;杨词,第八句“又留连京国”,留字平声。谱内据之,余参下二词。 此词平仄异同处,遍校诸家,不过数字,可见古人声律之严。
又一体 <span ss="q">双调一百四十字,前段十四句八仄韵,后段十三句九仄韵 吴文英
渐新鹅映柳<span ss="q">句茂苑锁<span ss="q">读东风初掣<span ss="q">韵馆娃旧游<span ss="q">句罗襦香未灭<span ss="q">韵玉夜花节<span ss="q">韵记向留连处<span ss="q">句看街临
●○○●● ●●● ○○○● ●○●○ ○○○●● ●●○● ●●○○● ●○○
晚<span ss="q">句放小帘低揭<span ss="q">韵星河潋滟春云热<span ss="q">韵笑靥敧梅<span ss="q">句仙衣舞缬<span ss="q">韵澄澄素娥宫阙<span ss="q">韵醉西楼十二<span ss="q">句铜
● ●●○○● ○○●●○○● ●●○○ ○○●● ○○●○○● ●○○●● ○
漏催彻<span ss="q">韵 红消翠歇<span ss="q">韵叹霜簪练发<span ss="q">韵过眼年光<span ss="q">句旧情尽别<span ss="q">韵泥深厌听啼鴃<span ss="q">韵恨愁霏润沁<span ss="q">句
●○● ○○●● ●○○●● ●●○○ ●○●● ○○●●○● ●○○●●
陌头尘袜<span ss="q">韵青鸾杳<span ss="q">读钿车音绝<span ss="q">韵却因甚<span ss="q">读不把欢期<span ss="q">句付与少年花月<span ss="q">韵残梅瘦<span ss="q">读飞趁风雪<span ss="q">韵丙
●○○● ○○● ●○○● ●○● ●●○○ ●●●○○● ○○● ○●○● ●
夜永<span ss="q">读更说长安梦<span ss="q">句灯花正结<span ss="q">韵
●● ●●○○● ○○●●
·
此与周词同,惟后段第三、四句,作四字两句,第九句作七字,第十句作六字异。 按,陈允平和词,后段第九、十句“惊回处、断雨残云,倦倚画阑干侧”,正与此同。
又一体 <span ss="q">双调一百四十字,前段十四句八仄韵,后段十四句九仄韵 詹 正
似东风老大<span ss="q">句那复有<span ss="q">读当时风气<span ss="q">韵有情不定<span ss="q">句江山身是寄<span ss="q">韵浩荡何世<span ss="q">韵但忆临官道<span ss="q">句暂来不
●○○●● ●●● ○○○● ●○●● ○○○●● ●●○● ●●○○● ●○●
住<span ss="q">句便出门千里<span ss="q">韵痴心指望回风坠<span ss="q">韵扇底相逢<span ss="q">句钗头微缀<span ss="q">韵他家万条千缕<span ss="q">韵解遮亭障驿<span ss="q">句不
● ●●○○● ○○●●○○● ●●○○ ○○○● ○○●○○● ●○○●● ●
隔江水<span ss="q">韵 瓜洲曾檥<span ss="q">韵等行人岁岁<span ss="q">韵日下长秋<span ss="q">句城乌夜起<span ss="q">韵帐庐好在春睡<span ss="q">韵共飞归湖上<span ss="q">句
●○● ○○○● ●○○●● ●●○○ ○○●● ●○●●○● ●○○○●
草青无地<span ss="q">韵愔愔雨<span ss="q">读春心如腻<span ss="q">韵欲待化<span ss="q">读丰乐楼前<span ss="q">句帐饮青门都废<span ss="q">韵何人念<span ss="q">读流落无际<span ss="q">韵几
●○○● ○○● ○○○● ●●● ○●○○ ●●○○○● ○○● ○●○● ●
点抟作<span ss="q">句雪绵松润<span ss="q">句为君裛泪<span ss="q">韵
●○● ●○○● ●○●●
·
此与吴词同,惟后段第十二句、第十三句,作四字三句异。
玉抱肚 调见《逃禅词》。
玉抱肚 <span ss="q">双调一百四十一字,前段九句六仄韵,后段十五句九仄韵 杨无咎
同行同坐<span ss="q">韵同携同卧<span ss="q">韵正朝朝暮暮同欢<span ss="q">句怎知终有抛亸<span ss="q">韵记江皋惜别<span ss="q">句那堪被<span ss="q">读流水无情送
○○○● ○○○● ●○○●●○○ ●○○●○● ●○○●● ○○● ○●○○●
轻舸<span ss="q">韵有愁万种<span ss="q">句恨未说破<span ss="q">韵知重见<span ss="q">读甚时可<span ss="q">韵 见也浑闲<span ss="q">句堪嗟处<span ss="q">读山遥水远<span ss="q">句音书也
○● ●○●● ●●●● ○○● ●○● ●●○○ ○○● ○○●● ○○●
无个<span ss="q">韵这眉头<span ss="q">读强展依前锁<span ss="q">韵这泪珠<span ss="q">读强拭依前堕<span ss="q">韵我平生<span ss="q">读不识相思<span ss="q">句为伊烦恼忒大<span ss="q">韵你
○● ●○○ ●●○○● ●●○ ●●○○● ●○○ ●●○○ ●○○●●● ●
还知么<span ss="q">韵你知后<span ss="q">读我也甘心受摧挫<span ss="q">韵又只恐你<span ss="q">句背盟誓<span ss="q">读如风过<span ss="q">韵共别人<span ss="q">读忘著我<span ss="q">韵把扬澜
○○● ●○● ●●○○●○● ●●●● ●○● ○○● ●●○ ○●● ●○○
左蠡<span ss="q">读都卷尽<span ss="q">句也杀不得<span ss="q">读这心头火<span ss="q">韵
●● ○●● ●●●● ●○○●
·
此调只有此词,无别首可校。 按,元曲有商调《玉抱肚》,与此不同。 汲古阁本,此词后段第六句“强拭”作“强收”;第十二句“如风过”作“似风过”;第十四句“左”字下脱一字;第十五句“也”字作“与”字,今从潜采堂抄本订正。
六州歌头 程大昌《演繁录》:《六州歌头》,本鼓吹曲也,近世好事者倚其声为吊古词,音调悲壮,又以古兴亡事实文之。闻其歌,使人慷慨,良不与艳词同科,诚可喜也。
六州歌头 <span ss="q">双调一百四十三字,前段十九句八平韵、八叶韵,后段二十句八平韵、十叶韵
贺 铸
少年侠气<span ss="q">句交结五都雄<span ss="q">韵肝胆洞<span ss="q">叶毛发耸<span ss="q">叶立谈中<span ss="q">韵死生同<span ss="q">韵一诺千金重<span ss="q">叶推翘勇<span ss="q">叶矜豪纵<span ss="q">叶
●○●● ○●●○○ ○○● ○●● ●○○ ●○○ ●●○○● ○○● ○○●
轻盖拥<span ss="q">叶联飞鞚<span ss="q">叶斗城东<span ss="q">韵轰饮酒垆<span ss="q">句春色浮寒瓮<span ss="q">叶吸海垂虹<span ss="q">韵闲呼鹰嗾犬<span ss="q">句白羽摘雕弓<span ss="q">韵狡
○●● ○○● ●○○ ○●●○ ○●○○● ●●○○ ●○○●● ●●●○○ ●
穴俄空<span ss="q">韵乐匆匆<span ss="q">韵 似黄梁梦<span ss="q">叶辞丹凤<span ss="q">叶明月共<span ss="q">叶漾孤篷<span ss="q">韵官冗从<span ss="q">叶怀倥偬<span ss="q">叶落尘笼<span ss="q">韵簿书
●○○ ●○○ ●○○● ○○● ○●● ●○○ ○●● ○●● ●○○ ●○
丛<span ss="q">韵鹖弁如云众<span ss="q">叶共鹿用<span ss="q">叶忽奇功<span ss="q">韵笳鼓动<span ss="q">叶渔阳弄<span ss="q">叶思悲翁<span ss="q">韵不请长缨<span ss="q">句击取天骄种<span ss="q">叶剑吼
○ ●●○○● ○●● ●○○ ○●● ○○● ●○○ ●●○○ ●●○○● ●●
西风<span ss="q">韵恨登山临水<span ss="q">句手寄七弦桐<span ss="q">韵目送归鸿<span ss="q">韵
○○ ●○○○● ●●●○○ ●●○○
·
此调平仄互叶,当以此词为定体。平用东、冬,叶用董、肿、宋、送,不杂他韵。 按,贺铸,北宋人,其用韵,校诸家不同,盖当日倚声,必有所本也。后惟汪元量一词遵之,而体又不同,故不校注平仄。
又一体 <span ss="q">双调一百三十三字,前段十六句八平韵、六叶韵,后段十九句八平韵、八叶韵、
<span ss="q">一叠韵 汪元量
绿芜城上<span ss="q">句恨古恨依依<span ss="q">韵淮山碎<span ss="q">叶江波逝<span ss="q">叶昔人非<span ss="q">韵令人悲<span ss="q">韵惆怅隋天子<span ss="q">叶锦帆里<span ss="q">叶环珠履<span ss="q">叶
●○○● ○●●○○ ○○● ○○● ●○○ ○○○ ○●○○● ●○● ○○●
丛香绮<span ss="q">叶展旌旗<span ss="q">叶荡涟渏<span ss="q">韵击鼓挝金吹玉<span ss="q">句拥琼璈<span ss="q">读恣意游嬉<span ss="q">韵斜日晖晖<span ss="q">韵乱莺啼<span ss="q">韵 销魂
○○● ●○○ ●○○ ●●○○○● ●○○ ●●○○ ○●○○ ●○○ ○○
此际<span ss="q">叶君臣醉<span ss="q">叶貔貅敝<span ss="q">叶事如飞<span ss="q">韵山河坠<span ss="q">叶烟尘起<span ss="q">叶风凄凄<span ss="q">韵雨霏霏<span ss="q">韵草木皆垂泪<span ss="q">叶家园弃<span ss="q">叶
●● ○○● ○○● ●○○ ○○● ○○● ○○○ ●○○ ●●○○● ○○●
竟忘归<span ss="q">韵笙歌地<span ss="q">叶欢娱地<span ss="q">叠尽荒畦<span ss="q">韵惟有当时皓月<span ss="q">句依然挂<span ss="q">读杨柳青枝<span ss="q">韵听堤边渔叟<span ss="q">句一笛醉
●○○ ○○● ○○● ●○○ ○●○○●● ○○● ○●○○ ●○○○● ●●●
中吹<span ss="q">韵兴废谁知<span ss="q">韵
○○ ○●○○
·
此词用三声叶韵,与贺词同。惟“游嬉”句下,“斜日”句上,少五字两句,前段十三、十四两句,后段十五、十六两句,句法亦与贺词异。
又一体 <span ss="q">双调一百四十三字,前段十九句八平韵、两叶韵、五仄韵,后段二十句八平韵、
<span ss="q">七仄韵 韩元吉
东风著意<span ss="q">句先上小桃枝<span ss="q">平韵红粉腻<span ss="q">叶娇如醉<span ss="q">叶依朱扉<span ss="q">平韵记年时<span ss="q">韵隐映新妆面<span ss="q">换仄韵临水岸<span ss="q">韵
○○●● ○●●○○<span ss="q"> ○●● ○○● ●○○<span ss="q"> ●○○ ●●○○●<span ss="q"> ○●●
春将半<span ss="q">韵云日暖<span ss="q">韵斜桥转<span ss="q">韵夹城西<span ss="q">平韵草软沙平<span ss="q">句跋马垂杨渡<span ss="q">句玉勒争嘶<span ss="q">韵认蛾眉凝笑<span ss="q">句脸薄
○○● ○●● ○○● ●○○<span ss="q"> ●●○○ ●●○○● ●●○○ ●○○○● ●●
拂胭脂<span ss="q">韵绣户曾窥<span ss="q">韵恨依依<span ss="q">韵 昔携手处<span ss="q">换仄韵香如雾<span ss="q">韵红随步<span ss="q">韵怨春迟<span ss="q">平韵消瘦损<span ss="q">换仄韵
●○○ ●●○○ ●○○ ●○●●<span ss="q"> ○○● ○○● ●○○<span ss="q"> ○●●
凭谁问<span ss="q">韵只花知<span ss="q">平韵泪空垂<span ss="q">韵旧日堂前燕<span ss="q">句和烟雨<span ss="q">句又双飞<span ss="q">韵人自老<span ss="q">换仄韵春长好<span ss="q">韵梦佳期<span ss="q">平韵
○○● ●○○<span ss="q"> ●○○ ●●○○● ○○● ●○○ ○●●<span ss="q"> ○○● ●○○
前度刘郎<span ss="q">句几许风流地<span ss="q">句到也应悲<span ss="q">韵但茫茫暮霭<span ss="q">句目断武陵溪<span ss="q">韵往事难追<span ss="q">韵
○●○○ ●●○○● ●●○○ ●○○●● ●●●○○ ●●○○
·
此词平韵,用支、微、齐韵,而仄韵不专用纸、尾、寘、未诸韵用叶,凡换五仄韵,又自成一格也。
又一体 <span ss="q">双调一百四十三字,前段十九句八平韵、六仄韵,后段二十句八平韵、六仄韵
李 冠
秦亡草昧<span ss="q">句刘项起吞并<span ss="q">平韵驱龙虎<span ss="q">仄韵鞭寰宇<span ss="q">韵斩长鲸<span ss="q">平韵扫欃枪<span ss="q">韵血染彭门战<span ss="q">换仄韵视余耳<span ss="q">句
○○●● ○●●○○<span ss="q"> ○○●<span ss="q"> ○○● ●○○<span ss="q"> ●○○ ●●○○●<span ss="q"> ●○●
皆鹰犬<span ss="q">韵平祸乱<span ss="q">韵归炎汉<span ss="q">韵势奔倾<span ss="q">平韵兵散月明风急<span ss="q">句旌旗乱<span ss="q">句刁斗三更<span ss="q">韵共虞姬相对<span ss="q">句泣听
○○● ○●● ○○● ●○○<span ss="q"> ○●●○○● ○○● ○●○○ ●○○○● ●●
楚歌声<span ss="q">韵玉帐魂惊<span ss="q">韵泪盈盈<span ss="q">韵 恨花无主<span ss="q">换仄韵凝愁绪<span ss="q">韵挥雪刃<span ss="q">句掩泉扃<span ss="q">平韵时不利<span ss="q">换仄韵骓
●○○ ●●○○ ●○○ ●○○●<span ss="q"> ○○● ○●● ●○○<span ss="q"> ○●●<span ss="q"> ○
不逝<span ss="q">韵困阴陵<span ss="q">平韵叱追兵<span ss="q">韵喑呜摧天地<span ss="q">句望归路<span ss="q">句忍偷生<span ss="q">韵功盖世<span ss="q">换仄韵成闲纪<span ss="q">韵见遗灵<span ss="q">平韵江
●● ●○○<span ss="q"> ●○○ ○○○○● ●○● ●○○ ○●●<span ss="q"> ○○● ●○○<span ss="q"> ○
静水寒烟冷<span ss="q">句波纹细<span ss="q">句古木凋零<span ss="q">韵遣行人到此<span ss="q">句追念益伤情<span ss="q">韵胜负难凭<span ss="q">韵
●●○○● ○○● ●●○○ ●○○●● ○●●○○ ●●○○
·
此词即程大昌所称“音节悲壮”者也。前段第八句、后段第三句,俱不押韵;又前段第十三句六字、第十四句三字,后段第十五句六字、第十六句三字,与前词异。
以上四体,俱平仄间押者。
又一体 <span ss="q">双调一百四十三字,前段十九句八平韵,后段十九句七平韵 刘 褒
凭深负阻<span ss="q">句蜂午肆奔腾<span ss="q">韵龙江上<span ss="q">句妖氛涨<span ss="q">句鲸海外<span ss="q">句白波惊<span ss="q">韵羽檄交飞急<span ss="q">句玉帐静<span ss="q">句金韬闭<span ss="q">句
○○◎● ⊙●●○○ ⊙⊙● ○⊙● ○●● ●○○ ○●○○● ●◎◎ ○○●
恹远驭<span ss="q">句振长缨<span ss="q">韵密分兵<span ss="q">韵细草黄沙渺渺<span ss="q">句西关路<span ss="q">句风袅高旌<span ss="q">韵听飞霜令肃<span ss="q">句坚壁夜无声<span ss="q">韵鼓
○◎● ●○○ ●○○ ●●○○◎● ○⊙● ○●○○ ●○○●● ⊙●●○○ ●
角何神<span ss="q">韵地中鸣<span ss="q">韵 看追风骑<span ss="q">句攒云槊<span ss="q">句殷雷毂<span ss="q">句彻天钲<span ss="q">韵飞箭集<span ss="q">句旌头坠<span ss="q">句长围掩<span ss="q">句郭东
●○○ ●○○ ●○○● ○⊙● ●⊙● ●○○ ○◎● ○⊙● ○○● ●○
倾<span ss="q">韵振旅观旋凯<span ss="q">句笳鼓竞<span ss="q">句绣旗明<span ss="q">韵刀换犊<span ss="q">句戈藏革<span ss="q">句士休营<span ss="q">韵黄色赤云交映<span ss="q">句论功何止蔡州
○ ●●○○● ⊙◎● ●○○ ○●● ○⊙● ●○○ ⊙●◎○⊙● ●○○●●○
平<span ss="q">韵想环城苍玉<span ss="q">句深刻入青冥<span ss="q">韵永诏来今<span ss="q">韵
○ ●○○⊙● ⊙●●○○ ●●○○
·
此词全押平韵,句读亦与平仄韵押体小异。可平可仄,悉参袁、卢二词。
又一体 <span ss="q">双调一百四十三字,前段十八句七平韵,后段二十一句八平韵 袁去华
柴桑高隐<span ss="q">句丘壑岁寒姿<span ss="q">韵北窗下<span ss="q">句羲黄上<span ss="q">句古人期<span ss="q">韵俗人疑<span ss="q">韵束带真难事<span ss="q">句赋归去<span ss="q">句吾庐好<span ss="q">句
○○○● ○●●○○ ●○● ○○● ●○○ ●○○ ●●○○● ●○● ○○●
斜川路<span ss="q">句携筇杖<span ss="q">句看云飞<span ss="q">韵六翮冥冥高举<span ss="q">句青霄外<span ss="q">句矰缴何施<span ss="q">韵且流行坎止<span ss="q">句人世任相违<span ss="q">韵采
○○● ○○● ●○○ ●●○○○● ○○● ○●○○ ●○○●● ○●●○○ ●
菊东篱<span ss="q">韵 正悠然<span ss="q">句见南山处<span ss="q">句无穷景<span ss="q">句与心会<span ss="q">句有谁知<span ss="q">韵琴中趣<span ss="q">句杯中物<span ss="q">句醉中诗<span ss="q">韵可忘
●○○ ●○○ ●○○● ○○● ●○● ●○○ ○○● ○○● ●○○ ●○
饥<span ss="q">韵一笑骑鲸去<span ss="q">句向千载<span ss="q">句赏音稀<span ss="q">韵嗟倦翼<span ss="q">句瞻遗像<span ss="q">句是吾师<span ss="q">韵门外空余衰柳<span ss="q">句摇疏翠<span ss="q">句斜日
○ ●●○○● ●○● ●○○ ○●● ○○● ●○○ ○●○○○● ○○● ○●
晖晖<span ss="q">韵遣行人到此<span ss="q">句感叹不胜悲<span ss="q">韵物是人非<span ss="q">韵
○○ ●○○●● ●●●○○ ●●○○
·
此即刘词体,惟后段第十六句,摊破作三字一句、四字一句异。 又,此调前段结句,三字押韵,此词移作后段第一句,又不叶韵,与诸家异。 按,谱中韩词,前段结句“恨依依”三字,刻本亦有属下段者,今从《词律》本订定。若此词,则断然属下无疑,以其有押韵不押韵之辨也。
又一体 <span ss="q">双调一百四十三字,前段十九句七平韵,后段十九句八平韵 刘 过
镇长淮<span ss="q">句一都会<span ss="q">句古扬州<span ss="q">韵升平日<span ss="q">句珠帘十里<span ss="q">句春风小红楼<span ss="q">韵谁知艰难去<span ss="q">句边尘暗<span ss="q">句胡马扰<span ss="q">句
●○○ ●○● ●○○ ○○● ○○●● ○○●○○ ○○○○● ○○● ○●●
笙歌散<span ss="q">句衣冠渡<span ss="q">句使人愁<span ss="q">韵屈指细思<span ss="q">句血战成何事<span ss="q">句万户封侯<span ss="q">韵但琼花无恙<span ss="q">句开落几经秋<span ss="q">韵故
○○● ○○● ●○○ ●●●○ ●●○○● ●●○○ ●○○○● ○●●○○ ●
垒荒丘<span ss="q">韵似含羞<span ss="q">韵 怅望金陵宅<span ss="q">句丹阳郡<span ss="q">句山不断绸缪<span ss="q">韵兴亡梦<span ss="q">句荣枯泪<span ss="q">句水东流<span ss="q">韵甚时
●○○ ●○○ ●●○○● ○○● ○●●○○ ○○● ○○● ●○○ ●○
休<span ss="q">韵野灶炊烟里<span ss="q">句依然是<span ss="q">句宿貔貅<span ss="q">韵叹灯火<span ss="q">句今萧索<span ss="q">句尚淹留<span ss="q">韵莫上醉翁亭看<span ss="q">句濛濛雨<span ss="q">句杨柳
○ ●●○○● ○○● ●○○ ●○● ○○● ●○○ ●●●○○● ○○● ○●
丝柔<span ss="q">韵笑书生无用<span ss="q">句富贵拙身谋<span ss="q">韵骑鹤来游<span ss="q">韵
○○ ●○○○● ●●●○○ ○●○○
·
此词前段起作三字三句,第四、五、六句,作三字一句、四字一句、五字一句,后段起作五字一句、三字一句、又五字一句,与诸词异。
又一体 <span ss="q">双调一百四十一字,前段十八句六平韵,后段十八句七平韵 程 珌
向来抵掌<span ss="q">句未必总谈空<span ss="q">韵难遍举<span ss="q">句质三事<span ss="q">句试从公<span ss="q">韵记当年<span ss="q">句赋得一丘一壑<span ss="q">句天鸢阔<span ss="q">句渊鱼
●○●● ●●●○○ ○●● ●○● ●○○ ●○○ ●●●○●● ○○● ○○
静<span ss="q">句莫击磬<span ss="q">句但酌酒<span ss="q">句尽从容<span ss="q">韵一水西来他日<span ss="q">句会从公<span ss="q">读曳杖其中<span ss="q">韵问前回归去<span ss="q">句笑白发成
● ●●● ●●● ●○○ ●●○○○● ●○○ ●●○○ ●○○○● ●●●○
蓬<span ss="q">韵不识如今<span ss="q">句几西风<span ss="q">韵 蒙庄多事<span ss="q">句论虱豕<span ss="q">句推羊蚁<span ss="q">句未辞终<span ss="q">韵又骤说<span ss="q">句鱼得计<span ss="q">句孰能
○ ●●○○ ●○○ ○○○● ●●● ○○● ●○○ ●●● ○●● ●○
通<span ss="q">韵叹如云网罟<span ss="q">句龙伯啖<span ss="q">句渺难穷<span ss="q">韵凡三惑<span ss="q">句谁使我<span ss="q">句释然融<span ss="q">韵岂是瓠瓜系者<span ss="q">句把行藏<span ss="q">读悉
○ ●○○●● ○●● ●○○ ○○● ○●● ●○○ ●●○○●● ●○○ ●
付鸿濛<span ss="q">韵且从头检校<span ss="q">句想见共迎公<span ss="q">韵湖上千松<span ss="q">韵
●○○ ●○○●● ●●●○○ ○●○○
·
此亦刘词体,惟前段第七句添一字,后段第六句下,少三字一句异。以其押韵参差,故不校注入谱。 按,词中凡三用公字,前段第五句是韵,第十四句是读,后段第十八句押重,或系翁字之误。
又一体 <span ss="q">双调一百四十四字,前段十九句八平韵,后段二十句八平韵 卢 挚
诗成雪岭<span ss="q">句画里见岷峨<span ss="q">韵浮锦水<span ss="q">句历滟滪<span ss="q">句灭坡陀<span ss="q">韵汇江沱<span ss="q">韵唤醒高唐残梦<span ss="q">句动奇思<span ss="q">句闻巴
○○●● ●●●○○ ○●● ●●● ●○○ ●○○ ○●○○○● ●○○ ○○
唱<span ss="q">句观楚舞<span ss="q">句邀宋玉<span ss="q">句访巫娥<span ss="q">韵拟赋离骚九辩<span ss="q">句空目断<span ss="q">句云树烟萝<span ss="q">韵渺湘灵不见<span ss="q">句木落洞庭
● ○●● ○●● ●○○ ●●○○●● ○●● ○●○○ ●○○●● ●●●○
波<span ss="q">韵抚卷长哦<span ss="q">韵重摩娑<span ss="q">韵 问南楼月<span ss="q">句痴老子<span ss="q">句兴不浅<span ss="q">句夜如何<span ss="q">韵千载后<span ss="q">句多少恨<span ss="q">句付渔
○ ●●○○ ●○○ ●○○● ○●● ●●● ●○○ ○●● ○●● ●○
蓑<span ss="q">韵醉时歌<span ss="q">韵日暮天门远<span ss="q">句愁欲滴<span ss="q">句两青蛾<span ss="q">韵曾一舸<span ss="q">句奇绝处<span ss="q">句半经过<span ss="q">韵万古金焦伟观<span ss="q">句鲸
○ ●○○ ●●○○● ○●● ●○○ ○●● ○●● ●○○ ●●○○●● ○
鳌背<span ss="q">句尽意婆娑<span ss="q">韵更乘槎欲就<span ss="q">句织女看飞梭<span ss="q">韵直到银河<span ss="q">韵
○● ●●○○ ●○○●● ●●●○○ ●●○○
·
此与刘褒词同,惟前段第七句作六字句,又前段第五句押韵,第十一句不押韵,后段第七句押韵异。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
夜半乐 唐教坊曲名。柳永《乐章集》注:中吕调。盖借旧曲名,另倚新声也。《碧鸡漫志》:唐史,明皇自潞州还京师,夜半举兵诛韦后,制《夜半乐》、《还京乐》二曲。今黄钟宫有《三台夜半乐》,中吕调有慢、有近拍、有序。
夜半乐 <span ss="q">三段一百四十四字,前段十五句五仄韵,中段九句四仄韵,后段七句五仄韵 柳永
冻云黯淡天气<span ss="q">句扁舟一叶<span ss="q">句乘兴离江渚<span ss="q">韵渡万壑千岩<span ss="q">句越溪深处<span ss="q">韵怒涛渐息<span ss="q">句樵风乍起<span ss="q">韵更闻
●○●●○● ○○●● ○●○○● ●●●○○ ●○○● ●○●● ○○●● ●○
商旅相呼<span ss="q">句片帆高举<span ss="q">韵泛画鷁<span ss="q">读翩翩过南浦<span ss="q">韵 望中酒旆闪闪<span ss="q">句一簇烟村<span ss="q">句数行霜树<span ss="q">韵残日
○●○○ ●○○● ●●● ○○●○● ●○●●●● ●●○○ ●○○● ○●
下<span ss="q">读渔人鸣榔归去<span ss="q">韵败荷零落<span ss="q">句衰杨掩映<span ss="q">句岸边两两三三<span ss="q">句浣纱游女<span ss="q">韵避行客<span ss="q">读含羞笑相语<span ss="q">韵
● ○○○○○● ●○○● ○○●● ●○●●○○ ●○○● ●○● ○○●○●
到此因念<span ss="q">句绣阁轻抛<span ss="q">句浪萍难驻<span ss="q">韵叹后约<span ss="q">读丁宁竟何据<span ss="q">韵惨离怀<span ss="q">读空恨岁晚归期阻<span ss="q">韵凝泪
●●○● ●●○○ ●○○● ●●● ○○●○● ●○○ ○●●●○○● ○●
眼<span ss="q">读杳杳神京路<span ss="q">韵断鸿声远长天暮<span ss="q">韵
● ●●○○● ●○○●○○●
·
此调只有柳词二首,其句读亦大同小异,无别首宋词可校。
又一体 <span ss="q">三段一百四十五字,前两段各十句,四仄韵,后一段七句五仄韵 柳 永
艳阳天气<span ss="q">句烟细风暖<span ss="q">句芳草郊汀闲凝伫<span ss="q">韵渐妆点亭台<span ss="q">句参差佳树<span ss="q">韵舞腰困力<span ss="q">句垂杨绿映<span ss="q">句浅
●○○● ○●○● ○●○○○○● ●○●○○ ○○○● ●○●● ○○●● ●
桃秾李<span ss="q">句小白嫩红无数<span ss="q">韵度绮燕流莺斗双语<span ss="q">韵 翠娥南陌簇簇<span ss="q">句蹑影红阴<span ss="q">句缓移娇步<span ss="q">韵抬
○○● ●●●○○● ●●●○○●○● ●○○●●● ●●○○ ●○○● ○
粉面<span ss="q">句韶容花光相妒<span ss="q">韵绛绡袖举<span ss="q">句云鬟风颤<span ss="q">句半遮檀口含羞<span ss="q">句背人偷顾<span ss="q">韵竞斗草<span ss="q">读金钗笑争
●● ○○○○○● ●○●● ○○○● ●○○●○○ ●○○● ●●● ○○●○
赌<span ss="q">韵 对此佳景<span ss="q">句顿觉销凝<span ss="q">句惹成愁绪<span ss="q">韵念解佩轻盈在何处<span ss="q">韵忍良时<span ss="q">读辜负少年等闲度<span ss="q">韵
● ●●○● ●●○○ ●○○● ●●●○○●○● ●○○ ○●●○●○●
空望极<span ss="q">读回首斜阳暮<span ss="q">韵叹浪萍风梗如何去<span ss="q">韵
○●● ○●○○● ●●○○●○○●
·
此词前段起处,四字二句、七字一句,与前体异。后段结处,八字一句,亦与前体异。 按,汲古阁刻本,前段第三句,作“芳草郊灯明闲凝伫”,多一字,文义又不可解;第九句“小白”作“夭夭”,“无数”作“光数”;次段结句,“金钗”作“金敛”,皆伪也。
宝鼎现 调见《顺庵乐府》。李弥逊词名《三段子》;陈合词名《宝鼎儿》。
又一体 <span ss="q">三段一百五十七字,前一段九句四仄韵,后两段各八句,五仄韵 康与之
夕阳西下<span ss="q">句暮霭红隘<span ss="q">句香风罗绮<span ss="q">韵乘夜景<span ss="q">读华灯争放<span ss="q">句浓焰烧空连锦砌<span ss="q">韵睹皓月<span ss="q">读浸严城如
◎○⊙● ●●○◎ ○○○● ○●● ○○○● ○●○○○●● ○◎● ●○○⊙
画<span ss="q">句花影寒笼绛蕊<span ss="q">韵渐掩映<span ss="q">读芙蕖万顷<span ss="q">句迤逦齐开秋水<span ss="q">韵 太守无限行歌意<span ss="q">韵拥麾幢<span ss="q">读光
● ⊙●○○●● ●●◎ ⊙⊙◎◎ ⊙●○○○● ●●⊙●○○● ●○○ ⊙
动金翠<span ss="q">韵倾万井<span ss="q">读歌台舞榭<span ss="q">句瞻望朱轮骈鼓吹<span ss="q">韵控宝马<span ss="q">读耀貔貅千骑<span ss="q">句银烛交光数里<span ss="q">韵似烂
●○● ○●● ○○◎● ○●○○○●● ●◎● ●○○⊙● ⊙●○○●● ●●
簇<span ss="q">读寒星万点<span ss="q">句引入蓬壶影里<span ss="q">韵 来伴宴阁多才<span ss="q">句环艳粉<span ss="q">读瑶簪珠履<span ss="q">韵恐看看<span ss="q">读丹诏归春<span ss="q">句
◎ ○○●● ◎●○○◎● ○●●●○○ ○●● ○○○● ●○○ ○●○○<span ss="q">
宸游燕侍<span ss="q">韵便趁早<span ss="q">读占通宵醉<span ss="q">韵募放笙歌起<span ss="q">韵任画角<span ss="q">读吹老寒梅<span ss="q">句月落西楼十二<span ss="q">韵
○○●● ●◎● ●○○● ●●○○● ●●◎ ⊙◎⊙⊙ ◎◎●●◎●
·
此调以此词为正体,其余或添字、或减字押韵句读不同,皆变格也。 谱中惟赵词与此词大同小异,故可平可仄悉参之。其后段第一句“绮席成行”,减六字为四字,或系传写之伪,不可为法。 按,此词后段第三、四句,七字一句、四字一句,查各家俱作上五下六句法,疑此有误。又汲古阁本及《词律》,第四句作“催奉宸游燕侍”,未知所本,今姑仍旧,亦阙疑之意也。
又一体 <span ss="q">三段一百五十五字,前段九句五仄韵,中段八句五仄韵,后段九句六仄韵 赵长卿
嚣尘尽扫<span ss="q">句碧落辉腾<span ss="q">句元宵三五<span ss="q">韵更漏永<span ss="q">读迟迟停鼓<span ss="q">韵天上人间当此遇<span ss="q">韵正年少<span ss="q">读尽香车宝
○○●● ●●○○ ○○○● ○●● ○○○● ○●○○○●● ●○● ●○○●
马<span ss="q">句次第追随士女<span ss="q">韵看往来<span ss="q">读巷陌连甍<span ss="q">句簇起星毬无数<span ss="q">韵 政简物阜清闲处<span ss="q">句听笙歌<span ss="q">读鼎
● ●●○○●● ●●○ ●●○○ ●●○○○● ●●●●○○● ●○○ ●
沸频举<span ss="q">韵灯焰暖<span ss="q">读庭帏高下<span ss="q">句红影相交知几户<span ss="q">韵恣欢笑<span ss="q">读道今宵景色<span ss="q">句胜却前时几度<span ss="q">韵细算
●○● ○●● ○○○● ○●○○○●● ●○● ●○○●● ●●○○●● ●●
来<span ss="q">读皇都此夕<span ss="q">句消得喧传今古<span ss="q">韵 绮席成行<span ss="q">句炉喷袅<span ss="q">读沈檀轻缕<span ss="q">韵睹遨游彩仗<span ss="q">句疑是神仙
○ ○○●● ○●○○○● ●●○○ ○●● ○○○● ●○○●● ○●○○
伴侣<span ss="q">韵欲飞去<span ss="q">读恨难留住<span ss="q">韵渐到蓬瀛步<span ss="q">韵愿永逢<span ss="q">读恁时恁节<span ss="q">句且与风光为主<span ss="q">韵
●● ●○● ●○○● ●●○○● ●●○ ●○●● ●●○○○●
·
此即康词体,惟前段第五句用韵,后段起句四字,第三句五字,第四句六字异。
又一体 <span ss="q">三段一百五十七字,前段十一句四仄韵,中段九句五仄韵,后段八句四仄韵
<span ss="q">《梅苑》无名氏
东君著意<span ss="q">句化工恩被<span ss="q">句灼灼妖艳<span ss="q">韵袅嫩梢轻蓓<span ss="q">句萦风惹露<span ss="q">句偏早香英绽<span ss="q">韵似向人<span ss="q">读故矜夸标
○○●● ●○○● ●●○● ●●○○● ○○●● ○●○○● ●●○ ●○○○
致<span ss="q">句倚阑全如顾盼<span ss="q">韵尚困怯余寒<span ss="q">句柔情弱态<span ss="q">句天真无限<span ss="q">韵 断桥压柳时非浅<span ss="q">韵先百花<span ss="q">读风
● ●○○○●● ●●●○○ ○○●● ○○○● ●○●●○○● ○●○ ○
光独占<span ss="q">韵当送腊初归<span ss="q">句锓春欲至<span ss="q">句芳姿偏婉娈<span ss="q">韵料碎剪就<span ss="q">读缯纨辉丽<span ss="q">句更把胭脂重染<span ss="q">韵自赋
○●● ○●●○○ ○○●● ○○○●● ●●●● ○○○● ●●○○○● ●●
得<span ss="q">读一般容冶<span ss="q">句宛胜神仙妆脸<span ss="q">韵 折送小阁幽窗<span ss="q">句酷爱处<span ss="q">读令亲几砚<span ss="q">韵尽孜孜观赏<span ss="q">句不枉
● ●○○● ●●○○○● ●●●●○○ ●●● ○○●● ●○○○● ●●
人称妙选<span ss="q">韵待密付<span ss="q">读如膏雨泽<span ss="q">句金玉仍妆点<span ss="q">韵任扰扰<span ss="q">读百卉千花<span ss="q">句掩迹一时羞见<span ss="q">韵
○○●● ●●● ○○●● ○●○○● ●●● ●●○○ ●●●○○●
·
此词前段第四句五字,第五句四字,第六、第九句俱五字,第十、第十一句俱四字;中段第三句五字,第四句四字,第五句五字;后段第三句五字,第四句六字,又少押一韵,与康词异。
又一体 <span ss="q">三段一百五十七字,前段十句五仄韵,中段八句六仄韵,后段八句五仄韵 李弥逊
层林烟霁<span ss="q">句巨壁天半<span ss="q">句鸿飞无路<span ss="q">韵云断处<span ss="q">读两山之间<span ss="q">句十万琅玕环翠羽<span ss="q">韵转秀谷<span ss="q">读枕苹花汀
○○○● ●●○● ○○○● ○●● ●○○○ ●●○○○●● ●●● ●○○○
溆<span ss="q">韵短柳疏篱向暮<span ss="q">韵看外垄牛归<span ss="q">句横舟人去<span ss="q">句平芜鸥鹭<span ss="q">韵 并游不见鞭鸾侣<span ss="q">韵只僧前<span ss="q">读松
● ●●○○●● ●●●○○ ○○○● ○○○● ●○●●○○● ●○○ ○
子随步<span ss="q">韵回径险<span ss="q">读凌风遐想<span ss="q">句小憩清泉依茂树<span ss="q">韵正笋蕨<span ss="q">读过如酥新雨<span ss="q">韵矶下游鱼可数<span ss="q">韵纵窈
●○● ○●● ○○○● ●●○○○●● ●●● ●○○○● ○●○○●● ●●
窕<span ss="q">读云关长启<span ss="q">句寂寂谁争子所<span ss="q">韵 世上丹毂朱缨<span ss="q">句春梦觉<span ss="q">读南柯何许<span ss="q">韵况荣枯无定<span ss="q">句中有
● ○○○● ●●○○●● ●●○●○○ ○●● ○○○● ●○○○● ○●
欢离愁聚<span ss="q">韵尽笑我<span ss="q">读诧盘谷趣<span ss="q">韵为读昌黎赋<span ss="q">韵会有人<span ss="q">读秣马膏车<span ss="q">句相属一尊清醑<span ss="q">韵
○○○● ●●● ●○●● ●●○○● ●●○ ●●●○ ○●●○○●
·
此词前段第八句五字,第九、十句俱四字,后段第三句五字,第四句六字,又多押两韵,与康词异。 后段第七句“膏”字去声。
又一体 <span ss="q">三段一百五十八字,前一段十句四仄韵,后两段各九句、五仄韵 张元幹
山庄图画<span ss="q">句锦囊吟咏<span ss="q">句胸中丘壑<span ss="q">韵年少日<span ss="q">读如虹豪气<span ss="q">句吐凤词华浑忘却<span ss="q">韵便袖手<span ss="q">读向岩前溪
○○○● ●○○● ○○○● ○●● ○○○● ●●○○○○● ●●● ●○○○
畔<span ss="q">句种满烟梢雾箨<span ss="q">韵想别墅平泉<span ss="q">句当时草木<span ss="q">句风流如昨<span ss="q">韵 瘦藤闲倚看锄药<span ss="q">韵双芒鞋<span ss="q">读雨
● ●●○○●● ●●●○○ ○○●● ○○○● ●○○●○○● ○○○ ●
后常著<span ss="q">韵目送处<span ss="q">读飞鸿灭没<span ss="q">句谁问蓬蒿争燕雀<span ss="q">韵乍霁月<span ss="q">读望松云南渡<span ss="q">句短艇敧沙夜泊<span ss="q">韵正万
●○● ●●● ○○●● ○●○○○●● ●●● ●○○○● ●●○○●● ●●
里青冥<span ss="q">句千林虚籁<span ss="q">句从渠矰缴<span ss="q">韵 携幼尚有筠丁<span ss="q">句谁会得<span ss="q">读人生行乐<span ss="q">韵岸帻纶巾归去<span ss="q">句深
●○○ ○○○● ○○○● ○●●●○○ ○●● ○○○● ●●○○○● ○
户香迷翠幕<span ss="q">韵恐未免<span ss="q">读上凌烟阁<span ss="q">韵好在秋天鹗<span ss="q">韵念小山丛桂<span ss="q">句今宵狂客<span ss="q">句不胜杯勺<span ss="q">韵
●○○●● ●●● ●○○● ●●○○● ●●○○● ○○○● ●○○●
·
此词三段结俱作五字一句、四字两句,又后段第三句添一字,作六字句,与诸家异。
又一体 <span ss="q">三段一百五十七字,前段十一句五仄韵,中段十句五仄韵,后段九句四仄韵 陈合
虞弦清暑<span ss="q">韵佳气葱郁<span ss="q">句非烟非雾<span ss="q">韵人正在<span ss="q">读东闱堂上<span ss="q">句分瑞祥辉腾翠渚<span ss="q">韵奉玉斝<span ss="q">句总欢呼称
○○○● ○●○● ○○○● ○●● ○○○● ○●○○○●● ●●● ●○○○
颂<span ss="q">句争羡神光葆聚<span ss="q">韵庆诞节<span ss="q">句弥生二佛<span ss="q">句接踵瑶池仙母<span ss="q">韵 最好英慧由天赋<span ss="q">韵有仁慈宽厚
● ○●○○●● ●●● ○○●● ●●○○○● ●●○●○○● ●○○○●
襟宇<span ss="q">韵每留念<span ss="q">读修身诚意<span ss="q">句博问谦勤亲保傅<span ss="q">韵染宝翰<span ss="q">句镇规随宸画<span ss="q">句心授家传有素<span ss="q">韵更吟咏<span ss="q">句
○● ●○● ○○○● ●●○○○●● ●●● ●○○○● ○●○○●● ●○●
形容雅颂<span ss="q">句隐隐赓歌风度<span ss="q">韵 恩重汉殿传觞<span ss="q">句宣付祝<span ss="q">读恭承天语<span ss="q">韵对南薰初试<span ss="q">句宫院笙箫
○○●● ●●○○○● ○●●●○○ ○●● ○○○● ●○○○● ○●○○
竞举<span ss="q">韵但长愿<span ss="q">读际升平世<span ss="q">句万载皇基巩固<span ss="q">韵问寝日<span ss="q">句俟鸡鸣舞拜<span ss="q">句龙楼深处<span ss="q">韵
●● ●○● ●○○● ●●○○●● ●●● ●○○●● ○○○●
·
此词前段起句即用韵,后段第三句五字,第四、第六句俱六字,第七句三字,第八句五字,第九句四字,与康词异。
又一体 <span ss="q">三段一百五十八字,前段九句五仄韵,中段八句六仄韵,后段八句五仄韵 陈允平
六鳌初驾<span ss="q">句缥缈蓬阆<span ss="q">句移来州岛<span ss="q">韵还又似<span ss="q">读梅飘冰泮<span ss="q">句一夜青阳回海表<span ss="q">韵渐媚景<span ss="q">读傍元宵时
●○○● ●●○● ○○○● ○●● ○○○● ●●○○○●● ●●● ●○○○
候<span ss="q">韵花底余寒料峭<span ss="q">韵更喜报<span ss="q">读三边晏静<span ss="q">句人乐清平宇宙<span ss="q">韵 画鼓簇队行春早<span ss="q">韵拥烟花<span ss="q">读粉
● ○●○○●● ●●● ○○●● ○●○○●● ●●●●○○● ●○○ ●
黛缭绕<span ss="q">韵开洞府<span ss="q">读桃源路杳<span ss="q">韵戟外东风吹岸柳<span ss="q">韵正翠霭<span ss="q">读映星桥月榭<span ss="q">句十里红莲绽了<span ss="q">韵庆万
●○● ○●● ○○●● ●●○○○●● ●●● ●○○●● ●●○○●● ●●
家<span ss="q">读珠帘半卷<span ss="q">句绰约歌裙舞袖<span ss="q">韵 重锦绣幄围香<span ss="q">句阖凤管鸾丝环奏<span ss="q">韵望非烟非雾<span ss="q">句春在壶
○ ○○●● ●●○○●● ○●●●○○ ●●●○○○● ●○○○● ○●○
天易晓<span ss="q">韵早隐隐<span ss="q">读半空星斗<span ss="q">韵看取收灯后<span ss="q">韵趁凤书<span ss="q">读催入黄扉<span ss="q">句立马金门待玉漏<span ss="q">韵
○●● ●●● ●○○● ●●○○● ●●○ ○●○○ ●●○○●●●
·
此词后段结句七字,校诸词独异。
又一体 <span ss="q">三段一百五十八字,前段九句六仄韵,中段八句八仄韵,后段八句五仄韵 刘辰翁
红妆春骑<span ss="q">韵踏月呼影<span ss="q">句千旗穿市<span ss="q">韵望不见<span ss="q">读璚楼歌舞<span ss="q">句习习香尘莲步底<span ss="q">韵箫声断<span ss="q">读约彩鸾归
○○○● ●●○● ○○○● ●●● ○○○● ●●○○○●● ○○● ●●○○
去<span ss="q">句未怕金吾呵醉<span ss="q">韵甚辇路<span ss="q">读喧阗且止<span ss="q">韵听得念奴歌起<span ss="q">韵 父老犹记宣和事<span ss="q">韵抱铜仙<span ss="q">读清
● ●●○○○● ●●● ○○●● ●●●○○● ●●○●○○● ●○○ ○
泪如水<span ss="q">韵还转盼<span ss="q">读沙河多丽<span ss="q">韵滉漾明光连邸第<span ss="q">韵帘影动<span ss="q">读散红光成绮<span ss="q">韵月浸蒲桃十里<span ss="q">韵看往
●○● ○●● ○○○● ●●○○○●● ○●● ●○○○● ●●○○●● ●●
来<span ss="q">读神仙才子<span ss="q">韵肯把菱花扑碎<span ss="q">韵 肠断竹马儿童<span ss="q">句空见说<span ss="q">读三千乐指<span ss="q">韵等多时<span ss="q">读春不归来<span ss="q">句
○ ○○○● ●●○○●● ○●●●○○ ○●● ○○●● ●○○ ○●○○
到春时欲睡<span ss="q">韵又说向<span ss="q">读灯前拥髻<span ss="q">韵暗滴鲛珠坠<span ss="q">韵便当日<span ss="q">读亲见霓裳<span ss="q">句天上人间梦里<span ss="q">韵
●○○●● ●●● ○○●● ●●○○● ●○● ○●○○ ○●○○●●
·
此词后段第四句作五字一句,又多押五韵,与康词异。
个 侬 调见廖莹中词,即用起句为名。
个 侬 <span ss="q">双调一百五十九字,前段十六句六仄韵,后段十六句八仄韵 廖莹中
恨个侬无赖<span ss="q">句卖娇眼<span ss="q">读春心偷掷<span ss="q">韵沙软芳堤<span ss="q">句苔平苍径<span ss="q">句却印下<span ss="q">读几弓纤迹<span ss="q">韵花不知名<span ss="q">句香
●●○○● ●○● ○○○● ○●○○ ○○○● ●●● ●○○● ○●○○ ○
才闻气<span ss="q">句似月下箜篌<span ss="q">句蒋山倾国<span ss="q">韵半解罗襟<span ss="q">句蕙熏微度<span ss="q">句镇宿粉<span ss="q">读栖香双蝶<span ss="q">韵语态眠情<span ss="q">句感
○○● ●●●○○ ●○○● ●●○○ ●○○● ●●● ○○○● ●●○○ ●
多时<span ss="q">读轻留细阅<span ss="q">韵休问望宋墙高<span ss="q">句窥韩路隔<span ss="q">韵 寻寻觅觅<span ss="q">韵又暮雨<span ss="q">读遥峰凝碧<span ss="q">韵花径横烟<span ss="q">句
○○ ○○●● ○●●●○○ ○○●● ○○●● ●●● ○○○● ○●○○
竹扉映月<span ss="q">句尽一刻<span ss="q">读千金堪值<span ss="q">韵卸袜熏笼<span ss="q">句藏灯衣桁<span ss="q">句任裹臂金斜<span ss="q">句搔头玉滑<span ss="q">韵更怪檀郎<span ss="q">句
●○●● ●●● ○○○● ●●○○ ○○○● ●●●○○ ○○●● ●●○○
恶怜深惜<span ss="q">韵几颤袅<span ss="q">读周旋倾侧<span ss="q">韵碾玉香钩<span ss="q">句甚无端<span ss="q">读凤珠微脱<span ss="q">韵多少怕晓听钟<span ss="q">句琼钗暗擘<span ss="q">韵
●○○● ●●● ○○○● ●●○○ ●○○ ●○○● ○●●●○○ ○○●●
·
此调只此一词,无别首可校。
解红慢 调见《鸣鹤余音》。
解红慢 <span ss="q">双调一百六十字,前段十七句八仄韵、一叶韵,后段十八句五仄韵、四叶韵
<span ss="q">《鸣鹤余音》无名氏
杖藜徐步<span ss="q">韵过小桥<span ss="q">句逍遥游南浦<span ss="q">韵韶华暗改<span ss="q">句俄然又翠密红疏<span ss="q">叶东郊雨霁<span ss="q">句何处绵蛮黄鹂
●○○● ●●○ ○○○○● ○○●● ○○●●●○○ ○○●● ○●○○○○
语<span ss="q">韵见云山掩映<span ss="q">句烟溪外<span ss="q">句斜阳暮<span ss="q">韵晚凉趁<span ss="q">句竹风清<span ss="q">句荷香度<span ss="q">韵这闲里<span ss="q">读光阴向谁诉<span ss="q">韵尘
● ●○○●● ○○● ○○● ●○● ●○○ ○○● ●○● ○○●○● ○
寰百岁能几许<span ss="q">韵似浮沤出没<span ss="q">句迷者难悟<span ss="q">韵 归去来<span ss="q">句恐田园荒芜<span ss="q">叶东篱畔<span ss="q">句坦荡笑傲琴
○●●○●● ●○○●● ○●○● ○●○ ●○○○○ ○○● ●●●○○
书<span ss="q">叶青松影里<span ss="q">句茅檐下<span ss="q">句保养残躯<span ss="q">叶一任世间<span ss="q">句物态翻腾催今古<span ss="q">韵争如我<span ss="q">读懒散生涯<span ss="q">句贫
○ ○○●● ○○● ●●○○ ●●●○ ●●○○○○● ○○● ●●○○ ○
与素<span ss="q">韵兴时歌<span ss="q">句困时眠<span ss="q">句狂时舞<span ss="q">韵把万事<span ss="q">读纷纷总不顾<span ss="q">韵从他人笑真愚鲁<span ss="q">韵伴清风皓月<span ss="q">句
●● ●○○ ●○○ ○○● ●●● ○○●●● ○○○●○○● ●○○●●
幽隐蓬壶<span ss="q">叶
○●○○
·
此元词也。用“鱼虞语麌遇”本部三声叶,与中原音韵北曲不同。 此调只有此词,无别首可校。