卷三十七
3个月前 作者: 陈廷敬
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目 录 <span ss="q">十调三十三体,
起一百二十六字至一百三十九字
翠羽吟一体
六 州一体
十二时慢四体
兰陵王五体
大 酺二体
破阵乐二体
瑞龙吟四体
浪淘沙慢四体
歌 头一体
多 丽九体<span ss="q">又名鸭头绿、陇头泉
翠羽吟 调见蒋捷《竹山词》。自序云:王君本示予越调《小梅花引》,俾以飞仙步虚之意为其辞。余谓泛泛言仙,似乎寡味,越调之曲,与梅花宜,罗浮梅花,真仙事也。演以成章,名《翠羽吟》。
翠羽吟 <span ss="q">双调一百二十六字,前段九句六平韵,后段十五句八平韵 蒋 捷
绀露浓<span ss="q">韵映素空<span ss="q">韵楼观峭玲珑<span ss="q">韵粉冻霁英<span ss="q">句冷光摇荡古青松<span ss="q">韵半规黄昏淡月<span ss="q">句梅气山影溟濛<span ss="q">韵
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有丽人<span ss="q">读步依修竹<span ss="q">句翩然态若游龙<span ss="q">韵 绡袂微皱水溶溶<span ss="q">韵仙茎清瀣<span ss="q">句净洗斜红<span ss="q">韵劝我浮香
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桂酒<span ss="q">句环佩暗解<span ss="q">句声飞芳霭中<span ss="q">韵弄春弱柳垂丝<span ss="q">句慢按翠舞娇童<span ss="q">韵醉不知何处<span ss="q">句惊剪剪<span ss="q">读凄紧霜
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风<span ss="q">韵梦醒寻痕访踪<span ss="q">韵但留残月挂遥穹<span ss="q">韵梅花未老<span ss="q">句翠羽双吟<span ss="q">句一片晓峰<span ss="q">韵
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此调只有此词,无别首宋词可校。 汲古阁刻《竹山词》,后段第十二句脱二字,今从《词纬》抄本订定。
六 州 《文献通考》:本朝歌吹,止有四曲,《十二时》、《道引》、《降仙台》并《六州》为四。每大礼宿斋,或行幸,遇夜每更三奏,名为“警场”。政和七年,诏《六州》改名《崇明祀》,然天下仍谓之《六州》,其称谓已熟也。
六 州 <span ss="q">双调一进二十九字,前段十四句七平韵,后段十五句八平韵
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《宋史·乐志》无名氏
良夜永<span ss="q">句玉漏正迟迟<span ss="q">韵丹禁肃<span ss="q">句周庐列<span ss="q">句羽卫绕皇帏<span ss="q">韵严鼓动<span ss="q">读画角声齐<span ss="q">韵金管飘雅韵<span ss="q">句远逐
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轻飔<span ss="q">韵荐嘉玉<span ss="q">读躬祀神祗<span ss="q">韵祈福为黔黎<span ss="q">韵升中盛礼<span ss="q">句增高益厚<span ss="q">句登封检玉<span ss="q">句时迈合周诗<span ss="q">韵
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元文锡<span ss="q">句庆云五色相随<span ss="q">韵甘露降<span ss="q">句醴泉涌<span ss="q">句三秀发灵芝<span ss="q">韵皇猷播<span ss="q">读史册光辉<span ss="q">韵受鸿禧<span ss="q">韵万年永
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固丕基<span ss="q">韵吾君德<span ss="q">句荡荡巍巍<span ss="q">韵迈尧舜文思<span ss="q">韵从今寰宇<span ss="q">句休牛放马<span ss="q">句耕田凿井<span ss="q">句鼓腹乐昌期<span ss="q">韵
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此调只有此词,无别首可校。
十二时慢 宋鼓吹四曲之一。《花草粹编》无“慢”字。 此词有仄韵、平韵两体。
十二时慢 <span ss="q">三段一百三十字,前段十一句五仄韵,中段八句三仄韵,后段八句四仄韵
柳永
晚晴初<span ss="q">句淡烟笼月<span ss="q">句风透蟾光如洗<span ss="q">韵觉翠帐<span ss="q">读凉生秋思<span ss="q">韵渐入微寒天气<span ss="q">韵败叶敲窗<span ss="q">句西风满
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院<span ss="q">句睡不成还起<span ss="q">韵更漏咽<span ss="q">读滴破忧心<span ss="q">句万感并生<span ss="q">句都在离人愁耳<span ss="q">韵 天怎知<span ss="q">句当时一句<span ss="q">句
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做得十分萦系<span ss="q">韵夜永有时<span ss="q">句分明枕上<span ss="q">句觑著孜孜地<span ss="q">韵烛暗时酒醒<span ss="q">句元来又是梦里<span ss="q">韵 睡觉
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来<span ss="q">句披衣独坐<span ss="q">句万种无憀情意<span ss="q">韵怎得伊来<span ss="q">句重谐连理<span ss="q">韵再整馀香被<span ss="q">韵祝告天发愿<span ss="q">句从今永无
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抛弃<span ss="q">韵
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此调押仄韵者,应以此词为正体,葛词句读,多与之同,故平仄悉参之。若朱词之少一段,恐系脱误,不校注入谱, 后段第五句,《花草粹编》作“重谐云雨”,雨字不押韵。
又一体 <span ss="q">双调九十一字,前段十句四仄韵,后段六句三仄韵 朱 雍
粉痕轻<span ss="q">句谢池泛玉<span ss="q">句波暖琉璃初暖<span ss="q">韵睹靓芳<span ss="q">读尘冥春浦<span ss="q">句水曲漪漪遥岸<span ss="q">韵麝气柔<span ss="q">读云容影淡<span ss="q">句
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正日边寒浅<span ss="q">韵闲院寂<span ss="q">读幽管声中<span ss="q">句万感并生<span ss="q">句心事曾陪琼宴<span ss="q">韵 春暗南枝依旧<span ss="q">句但得当初缱
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绻<span ss="q">韵昼永乱英缤纷<span ss="q">句解佩映人轻盈面<span ss="q">韵香暗酒醒处<span ss="q">句年年共副良愿<span ss="q">韵
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此词较柳词少一段,前段第六句七字,与柳词异。后段惟结处句法相似,余俱不同,疑有脱误,姑仍原本存之。
又一体 <span ss="q">三段一百四十一字,前段十一句七仄韵,中段八句四仄韵,后段十句四仄韵
葛长庚
素馨花<span ss="q">句在枝无几<span ss="q">韵秋入阑干十二<span ss="q">韵那茉莉<span ss="q">读如今已矣<span ss="q">韵只有兰英菊蕊<span ss="q">韵霜蟹年时<span ss="q">句香橙天
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气<span ss="q">韵总是悲秋意<span ss="q">韵问宋玉<span ss="q">读当日如何<span ss="q">句对此凄凉<span ss="q">句风月怎生存济<span ss="q">韵 还未知<span ss="q">句幽人心事<span ss="q">韵
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望得眼穿心碎<span ss="q">韵青鸟不来<span ss="q">句彩鸾何处<span ss="q">句云锁三山翠<span ss="q">韵是碧霄有路<span ss="q">句要归归又无计<span ss="q">韵 奈何
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他<span ss="q">句水长天远<span ss="q">句身又何曾生翅<span ss="q">韵手撚芙蓉<span ss="q">句耳听鸿雁<span ss="q">句怕有丹书至<span ss="q">韵纵人间富贵<span ss="q">句一岁复一
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岁<span ss="q">韵此心终日绕香盘<span ss="q">句在篆畦儿里<span ss="q">韵
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此词与柳词校,前段第二句、第七句,中段第二句,俱押韵;后段第五句不押韵,第八句减一字,下又添七字一句、王字一句异。
又一体 <span ss="q">双调一百二十五字,前段十四句十一平韵,后段十四句九平韵
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《宋史·乐志》无名氏
圣明代<span ss="q">句海县澄清<span ss="q">韵惠化洽寰瀛<span ss="q">韵时康岁足<span ss="q">句治定武成<span ss="q">韵遐迩贺升平<span ss="q">韵嘉坛上<span ss="q">读昭事神灵<span ss="q">韵
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荐明诚<span ss="q">韵报本禅云亭<span ss="q">韵俎豆列牺牲<span ss="q">韵宸心蠲洁<span ss="q">句明德荐惟馨<span ss="q">韵纪鸿名<span ss="q">韵千载播天声<span ss="q">韵 燔
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柴毕<span ss="q">句云驭回仙仗<span ss="q">句庆銮辂还京<span ss="q">韵八神扈跸<span ss="q">句四隩来庭<span ss="q">韵嘉气覆重城<span ss="q">韵殊常礼<span ss="q">读旷古难行<span ss="q">韵
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遇文明<span ss="q">韵仁恩苏品汇<span ss="q">句沛泽被簪缨<span ss="q">韵祥符锡祚<span ss="q">句武库永销兵<span ss="q">韵育群生<span ss="q">韵景运保千龄<span ss="q">韵
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此词两段全用平韵,与前三体异,而前后句法相同,於体最为完整,惜无别首可校。
兰陵王 唐教坊曲名。《碧鸡漫志》、《北齐史》及《隋唐嘉话》,称齐文襄之长子长恭封兰陵王,与周师战,尝著假面对敌。击周师金墉城下,勇冠三军,武士共歌谣之,曰《兰陵王入阵曲》。今越调《兰陵王》,凡三段、二十四拍,或曰遗声也。此曲声犯正宫,管色用大凡字,大一字、勾字,故一句《大犯》。
兰陵王 <span ss="q">三段一百三十一字,前段十句六仄韵,中段八句五仄韵,后段九句六仄韵 秦观
雨初歇<span ss="q">韵帘卷一钩淡月<span ss="q">韵望河汉<span ss="q">句几点疏星<span ss="q">句冉冉纤云度林樾<span ss="q">韵此景清更绝<span ss="q">韵谁念温柔蕴结<span ss="q">韵
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孤灯暗<span ss="q">句独步华堂<span ss="q">句蟋蟀莎阶弄时节<span ss="q">韵 沈思恨难说<span ss="q">韵忆花底相逢<span ss="q">句亲赠罗缬<span ss="q">韵春鸿秋雁轻
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离别<span ss="q">韵拟寻个锦鳞<span ss="q">句寄将尺素<span ss="q">句又恐烟波路隔越<span ss="q">韵歌残唾壶缺<span ss="q">韵 凄咽<span ss="q">韵意空切<span ss="q">韵但醉损琼
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卮<span ss="q">句望断瑶阙<span ss="q">韵御沟曾记流红叶<span ss="q">韵待何日重见<span ss="q">句霓裳听彻<span ss="q">韵彩楼天远<span ss="q">句夜夜襟袖染啼血<span ss="q">韵
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此调始于此词,应以此词为定格,但后段结句,作七字句,宋人无如此填者,故以周词作谱,仍采此词以溯其源。
又一体 <span ss="q">三段一百三十字,前段十一句七仄韵,中段八句五仄韵,后段十句六仄韵 周邦彦
柳阴直<span ss="q">韵烟里丝丝弄碧<span ss="q">韵隋堤上<span ss="q">句曾见几番<span ss="q">句拂水飘绵送行色<span ss="q">韵登临望故国<span ss="q">韵谁惜<span ss="q">韵京华倦
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客<span ss="q">韵长亭路<span ss="q">句年去岁来<span ss="q">句应折柔条过千尺<span ss="q">韵 闲寻旧踪迹<span ss="q">韵又酒趁哀弦<span ss="q">句灯照离席<span ss="q">韵梨花
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榆火催寒食<span ss="q">韵愁一箭风快<span ss="q">句半篙波暖<span ss="q">句回头迢递便数驿<span ss="q">韵望人在天北<span ss="q">韵 凄侧<span ss="q">韵恨堆积<span ss="q">韵
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渐别浦萦回<span ss="q">句津堠岑寂<span ss="q">韵斜阳冉冉春无极<span ss="q">韵念月榭携手<span ss="q">句露桥吹笛<span ss="q">韵沈思前事<span ss="q">句似梦里<span ss="q">句泪
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暗滴<span ss="q">韵
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此调以此词为正体,宋元人俱如此填。若辛词、刘词之添韵,陈词之句读小异,皆变格也。 按,此词有葛郯、张元幹、曹冠词及谱中陈词可校。赵必象词,平仄不同者多至二十四字,谱内刘词中段起句,添用一韵,辛词后结用叠韵,另为一体,俱不参校。 前段起句,彭履道词“章台路”,章字平声;第四句,彭词“花气分明”,分字平声;第五句,杨泽民词“芳草侵阶映红叶”,芳字平声,袁去华词“一目千里总佳色”,里字仄声;第六句,李昴英词“别来情绪恶”,别字仄声;第十句,高观国词“欲去又留”,欲字仄声;中段起句,高词“十年迥凄绝”,十字仄声;第二句,张元幹词“想蛾绿轻晕”,晕字仄声;第三句,曹冠词“采笔题石”,采字仄声;第四句,史达祖词“涉江几度和愁摘”,涉字、几字俱仄声;第五句,彭词“唤鸣筝掩面”,唤字仄声,鸣筝二字俱平声,掩字仄声;第六句,葛郯词“乌啼云起”,乌字平声,袁词“古墙竹影”,竹字仄声;第七句,史词“分开绿盖素袂湿”,绿字仄声;第八句,曹词“感往事陈迹”,往字仄声,袁词“甚良宵闲却”,宵字平声;后段第三句,曹词“帅旗鼓文场”,旗字平声;第四句,李词“宝轸慵学”,宝字仄声,高词“沈沈春酌”,下沈字平声;第五句,高词“只愁入夜东风恶”,只字仄声,方千里词“天涯何处相思极”,何字平声;第六句,高词“整新欢罗带”,欢字平声,曹词“有陶令秫酒”,秫字仄声,葛词“要百柁倾珠”,珠字平声;第七句,彭词“瓜洲难渡”,瓜字平声,方词“恨随塞笛”,塞字仄声;第八句,李词“猛拍阑干”,猛字、拍字俱仄声,干字平声;第九句,葛词“又空腹”,空字平声;第十句,高词“更何说”,何字平声。谱内可平可仄据此,余参下陈词。
又一体 <span ss="q">三段一百三十字,前段十句六仄韵,中段八句五仄韵,后段十句四仄韵、
<span ss="q">一叠韵
辛弃疾
一丘壑<span ss="q">韵老子风流占却<span ss="q">韵茅檐上<span ss="q">句松月挂云<span ss="q">句脉脉石泉透山脚<span ss="q">韵寻思前事错<span ss="q">韵恼杀晨猿夜鹤<span ss="q">韵
●○● ●●○○●● ○○● ○●●○ ●●●○●○● ○○○●● ●●○○●●
终须是<span ss="q">句邓禹辈人<span ss="q">句锦绣麻霞坐黄阁<span ss="q">韵 长歌自深酌<span ss="q">韵看天阔鸢飞<span ss="q">句渊静鱼跃<span ss="q">韵西风黄菊香
○○● ●●●○ ●●○○●○● ○○●○● ●○●○○ ○●○● ○○○●○
喷薄<span ss="q">韵怅日暮云合<span ss="q">句佳人何处<span ss="q">句纫兰结佩带杜若<span ss="q">韵入江海会约<span ss="q">韵 遇合<span ss="q">句事难托<span ss="q">韵莫击磬门
○● ●●●○● ○○○● ○○●●●●● ●○●●● ●● ●○● ●●●○
前<span ss="q">句荷蒉人过<span ss="q">句仰天大笑冠簪落<span ss="q">韵待说与穷达<span ss="q">句不须疑著<span ss="q">韵古来贤者<span ss="q">句进亦乐<span ss="q">韵退亦乐<span ss="q">叠
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·
此词与周词校,后段第四句不押韵、第九句押韵、第十句叠韵异。 中段第五句“云合”,合字非韵。
又一体 <span ss="q">三段一百三十字,前段十句六仄韵,中段八句五仄韵,后段十句六仄韵 陈允平
古堤直<span ss="q">韵隔水轻盈飏碧<span ss="q">韵东风路<span ss="q">句还是舞烟眠露<span ss="q">句年年自春色<span ss="q">韵红尘遍京国<span ss="q">韵留滞高阳醉客<span ss="q">韵
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斜阳外<span ss="q">句千缕翠条<span ss="q">韵仿佛流莺度金尺<span ss="q">韵 长亭半陈迹<span ss="q">韵记曾系征鞍<span ss="q">句频护歌席<span ss="q">韵匆匆江上又
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寒食<span ss="q">韵回首处<span ss="q">句应念旧曾攀折<span ss="q">句依然离恨遍西驿<span ss="q">韵倦游尚南北<span ss="q">韵 恻恻<span ss="q">韵怨怀积<span ss="q">韵渐楚榭寒
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收<span ss="q">句隋苑春寂<span ss="q">韵颦眉不尽相思极<span ss="q">韵想人在何处<span ss="q">句倚阑横笛<span ss="q">韵闲情似絮<span ss="q">句更那听<span ss="q">句夜雨滴<span ss="q">韵
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·
此和周词也。前段第四、五句,作六字一句、四字一句。杨泽民和词,“几度啸日迎风,怡怡钓秋色”,与此同。又,中段第五、六句,作三字一句、六字一句,亦与周词小异。
又一体 <span ss="q">三段一百三十字,前段十句六仄韵,中段九句七仄韵,后段十句六仄韵 刘辰翁
送春去<span ss="q">韵春去人间无路<span ss="q">韵秋千外<span ss="q">句芳草连天<span ss="q">句谁遣风沙暗南浦<span ss="q">韵依依甚意绪<span ss="q">韵漫忆海门飞絮<span ss="q">韵
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乱鸦过<span ss="q">句斗转城荒<span ss="q">句不见来时试灯处<span ss="q">韵 春去<span ss="q">韵最谁苦<span ss="q">韵但箭雁沈边<span ss="q">句梁燕无主<span ss="q">韵杜鹃声里
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长门暮<span ss="q">韵想玉树凋霜<span ss="q">句泪盘如露<span ss="q">韵咸阳送客屡回顾<span ss="q">韵斜日未能度<span ss="q">韵 春去<span ss="q">韵尚来否<span ss="q">韵正江令
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恨别<span ss="q">句庾信愁赋<span ss="q">韵苏堤尽日风和雨<span ss="q">韵叹神游故国<span ss="q">句花记前度<span ss="q">韵人生流落<span ss="q">句顾孺子<span ss="q">句共夜语<span ss="q">韵
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大 酺 调见《清真乐府》。按,唐教坊曲有《大酺乐》,《羯鼓录》亦有太簇商《大酺乐》。宋词盖借旧曲名,自制新声也。
大 酺 <span ss="q">双调一百三十三字,前段十五句五仄韵,后段十一句七仄韵 周邦彦
对宿烟收<span ss="q">句春禽静<span ss="q">句飞雨时鸣高屋<span ss="q">韵墙头青玉旆<span ss="q">句洗铅霜都尽<span ss="q">句嫩梢相触<span ss="q">韵润逼琴丝<span ss="q">句寒侵
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枕障<span ss="q">句虫网吹粘帘竹<span ss="q">韵邮亭无人处<span ss="q">句听檐声不断<span ss="q">句困眠初熟<span ss="q">韵奈愁极频惊<span ss="q">句梦轻难记<span ss="q">句自怜
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幽独<span ss="q">韵 行人归意速<span ss="q">韵最先念<span ss="q">读流潦妨车毂<span ss="q">韵怎奈向<span ss="q">读兰成憔悴<span ss="q">句卫玠清羸<span ss="q">句等闲时<span ss="q">读易
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伤心目<span ss="q">韵未怪平阳客<span ss="q">句双泪落<span ss="q">读笛中哀曲<span ss="q">韵况萧索<span ss="q">读青芜国<span ss="q">韵红糁铺地<span ss="q">句门外荆桃如菽<span ss="q">韵夜
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游共谁秉烛<span ss="q">韵
⊙◎⊙●●
·
此调始自此词,有方千里、杨泽民、陈允平和词可校。 此词后段第六句疑亦是韵,查杨和韵词“遇双鱼客”可证。 此调有刘辰翁词一首,与此词平仄多不同,《词律》云:刘用字,每多出入,不足为法。故不参校入谱。 按,前段第三句,吴文英词“林沼半销红碧”,半字仄声;第五句,杨泽民词“引游蜂戏蝶”,戏字仄声;第六句,陈允平词“飞红翻触”,飞字平声;第七句,颜奎词“公子狐裘”,公字平声;第九句,颜词“怎见此时情否”,怎字、此字俱仄声;第十句,颜词“天上知音杳”,上字仄声;第十三、四句,颜词“记画扇题诗,单衣试酒”,画字仄声,单字平声,试字仄声;后段起句,杨词“仙郎去又速”,去字仄声;第二句,杨词“料今在何许伫双毂”,伫字仄声;第三句,陈词“漫辜负”,辜字平声;第四句,吴文英词“逋塚梅荒”,逋字平声;第七句,吴词“集楚裳西风催著”,裳字、西字俱平声;第八句,陈词“梦不到华胥国”,不字仄声;第十一句,赵以夫词“极目水云漠漠”,目字仄声,杨词“寸心天上可烛”,天字平声,上字仄声。谱内据此,余校下周密词。
又一体 <span ss="q">双调一百三十三字,前段十五句五仄韵,后段十一句七仄韵 周 密
又子规啼<span ss="q">句酴醿谢<span ss="q">句寂寂春阴池阁<span ss="q">韵罗窗人病酒<span ss="q">句奈牡丹初放<span ss="q">句晚风还恶<span ss="q">韵燕燕归迟<span ss="q">句莺莺
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声懒<span ss="q">句闲明秋千红索<span ss="q">韵三分春过半<span ss="q">句早朱桁尘凝<span ss="q">句翠衣香薄<span ss="q">韵傍鸳径莺笼<span ss="q">句一池萍碎<span ss="q">句半檐
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花落<span ss="q">韵 冉冉春梦弱<span ss="q">韵楚台远<span ss="q">读负雨期云约<span ss="q">韵漫念想<span ss="q">读清歌锦瑟<span ss="q">句翠管瑶尊<span ss="q">句几回重醉东
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园酌<span ss="q">韵但兔葵燕麦<span ss="q">句倩谁访<span ss="q">读画阑红药<span ss="q">韵况多病<span ss="q">读腰如削<span ss="q">韵相如老去<span ss="q">句赋笔吟簪闲却<span ss="q">韵此情
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更谁问著<span ss="q">韵
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·
此即周词体,惟后段第六句不押韵异。 按,方千里词“老去疏狂减”、陈允平词“冷透金篝湿”,正与此同。
破阵乐 唐教坊曲名。《宋史·乐志》:正宫。柳永《乐章集》注:林钟商。
破阵乐 <span ss="q">双调一百三十三字,前段十四句五仄韵,后段十六句五仄韵 柳 永
露花倒影<span ss="q">句烟芜蘸碧<span ss="q">句灵沼波暖<span ss="q">韵金柳摇风树树<span ss="q">句系彩舫龙舟遥岸<span ss="q">韵千步虹桥<span ss="q">句参差雁齿<span ss="q">句
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直趋水殿<span ss="q">韵绕金堤<span ss="q">读曼衍鱼龙戏<span ss="q">句簇春娇罗绮<span ss="q">句喧天丝管<span ss="q">韵霁色荣光<span ss="q">句望中似睹<span ss="q">句蓬莱清浅<span ss="q">韵
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时见<span ss="q">韵凤辇宸游<span ss="q">句鸾觞禊饮<span ss="q">句临翠水<span ss="q">句开镐宴<span ss="q">韵两两轻舠飞画楫<span ss="q">句竞夺锦标霞烂<span ss="q">韵声欢
○● ●●○○ ○○●● ○●● ○●● ●●○○○●● ●●●○○● ⊙○
娱<span ss="q">句歌鱼藻<span ss="q">句徘徊宛转<span ss="q">韵别有盈盈游女<span ss="q">句各委明珠<span ss="q">句争收翠羽<span ss="q">句相将归去<span ss="q">句渐觉云海沈沈<span ss="q">句
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洞天日晚<span ss="q">韵
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·
此词载《乐章集》,颇有脱误。后段第七句“声欢娱”,“声”字或系“馨”字之伪;第十句“各”字下刻本脱一字,今从《词纬》抄本校正。 可平可仄,参下张词。
又一体 <span ss="q">双调一百三十三字,前段十四句四仄韵,后段十六句五仄韵 张 先
四堂互映<span ss="q">句双门并丽<span ss="q">句龙阁开府<span ss="q">韵郡美东南第一<span ss="q">句望故园楼阁霏雾<span ss="q">韵垂柳池塘<span ss="q">句流泉巷陌<span ss="q">句
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吴歌处处<span ss="q">韵近黄昏<span ss="q">读渐更宜良夜<span ss="q">句簇繁星灯烛<span ss="q">句长衢如画<span ss="q">句暝色韶光<span ss="q">句几帘粉面<span ss="q">句飞甍朱户<span ss="q">韵
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欢聚<span ss="q">韵雁齿桥红<span ss="q">句裙腰草绿<span ss="q">句云际寺<span ss="q">句林下路<span ss="q">韵酒熟梨花宾客醉<span ss="q">句但觉满山箫鼓<span ss="q">韵尽朋
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游<span ss="q">句因民乐<span ss="q">句芳菲有主<span ss="q">韵自此归从泥诏<span ss="q">句去指沙堤<span ss="q">句南屏水石<span ss="q">句西湖风月<span ss="q">句好作千骑行春<span ss="q">句
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画图写取<span ss="q">韵
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·
此即柳词体,惟前段第十一句,不押韵异。
瑞龙吟 黄昇云:此调前两段,双拽头,属正平调,后一段犯大石调,“归骑晚”以下,仍属正平调也。
瑞龙吟 <span ss="q">三段一百三十三字,前两段各六句、三仄韵,后一段十七句九仄韵 周邦彦
章台路<span ss="q">韵还是褪粉梅梢<span ss="q">句试花桃树<span ss="q">韵愔愔坊陌人家<span ss="q">句定巢燕子<span ss="q">句归来旧处<span ss="q">韵 黯凝伫<span ss="q">韵因
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念个人痴小<span ss="q">句乍窥门户<span ss="q">韵侵晨浅约宫黄<span ss="q">句障风映袖<span ss="q">句盈盈笑语<span ss="q">韵 前度刘郎重到<span ss="q">句访邻寻
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里<span ss="q">句同时歌舞<span ss="q">韵唯有旧家秋娘<span ss="q">句声价如故<span ss="q">韵吟笺赋笔<span ss="q">句犹记燕台句<span ss="q">韵知谁伴<span ss="q">读名园露饮<span ss="q">句东
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城闲步<span ss="q">韵事与孤鸿去<span ss="q">韵探春尽是<span ss="q">句伤离意绪<span ss="q">韵官柳低金缕<span ss="q">韵归骑晚<span ss="q">句纤纤池塘飞雨<span ss="q">韵断肠院
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落<span ss="q">句一帘风絮<span ss="q">韵
● ◎○⊙●
·
此调以此词为正体,方千里、杨泽民、陈允平,俱有和词。吴文英别首及张翥词,俱照此填。若翁词之后段第四句、第十五句不作拗体,另为一格,不参校入谱。 前段第三句,吴词别首“住船系柳”,系字仄声;中段第二句,“笔底离情多少”,笔字仄声;第五句,方词“消凝怅望”,消字平声,吴词“露黄迷漫”,迷字平声;后段第三句,“一宵歌酒”,一字仄声;第四句,杨词“可谓望风知心”,可字仄声;第六句,“犹殢香玉”,殢字仄声,香字平声;第七句,张词“总是关心句”,总字仄声;第十三句,吴词“莫唱朱樱口”,莫字仄声。谱内可平可仄据此,余校下吴、陈二词。 按,此词后段第十一句“探春尽是”,探字有平仄两音,历查宋、元诸词,此处俱用仄声字填,不可误作平声。
又一体 <span ss="q">三段一百三十三字,前两段各六句、三仄韵,后一段十八句九仄韵 吴文英
大溪面<span ss="q">韵遥望绣羽冲烟<span ss="q">句锦梭飞练<span ss="q">韵桃花三十六陂<span ss="q">句鲛宫睡起<span ss="q">句娇雷乍转<span ss="q">韵 去如箭<span ss="q">韵催
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趁戏旗游鼓<span ss="q">句素澜雪溅<span ss="q">韵东风冷湿蛟腥<span ss="q">句澹阴送昼<span ss="q">句轻霏弄晚<span ss="q">韵 洲上青苹生处<span ss="q">句斗春不
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管<span ss="q">句怀沙人远<span ss="q">韵残日半开<span ss="q">句一川花影零乱<span ss="q">韵山屏醉缬<span ss="q">句连棹东西岸<span ss="q">韵阑干倒<span ss="q">句千红妆靥<span ss="q">韵铅
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香不断<span ss="q">韵傍暝疏帘卷<span ss="q">韵翠涟皱净<span ss="q">句笙歌未散<span ss="q">韵簪柳娇桃嫩<span ss="q">句犹自有玉龙<span ss="q">句黄昏吹怨<span ss="q">韵重云暗
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阁<span ss="q">句春霏一片<span ss="q">韵
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·
此即周词体,惟后段第四句四字、第五句六字、第十五句五字、第十六句四字异。或谓周词亦可以“惟有旧家”四字作一句,“秋娘声价如故”六字作一句,查方千里和词,“追想向来欢娱,怀抱非故”,杨泽民和词,“可谓望风知心,倾盖如故”,句法皆与周词同,故知此词,当另列一体也。
又一体 <span ss="q">三段一百三十三字,前两段各六句、三仄韵,后一段十八句九仄韵 陈允平
长安路<span ss="q">韵还是燕乳莺娇<span ss="q">句度帘迁树<span ss="q">韵层楼十二阑干<span ss="q">句绣帘半卷<span ss="q">句相思处处<span ss="q">韵 漫凭伫<span ss="q">韵因
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念彩云初到<span ss="q">句锁窗琼户<span ss="q">韵梨花犹怯春寒<span ss="q">句翠羞粉怨<span ss="q">句尊前解语<span ss="q">韵 空有章台烟柳<span ss="q">句瘦纤仍
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似<span ss="q">句宫腰飞舞<span ss="q">韵憔悴暗觉文园<span ss="q">句双鬓非故<span ss="q">韵闲拈断叶<span ss="q">句重托段勤句<span ss="q">韵频回首<span ss="q">句河桥素约<span ss="q">句津
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亭归步<span ss="q">韵恨逐芳尘去<span ss="q">韵眩醉眼<span ss="q">句尽游丝乱绪<span ss="q">韵肠结愁千缕<span ss="q">韵深院静<span ss="q">句东风落红如雨<span ss="q">韵画屏梦
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绕<span ss="q">句一篝香絮<span ss="q">韵
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·
此亦周词体,惟后段第十二句三字,第十三句五字异。
又一体 <span ss="q">三段一百三十二字,前两段各六句、三仄韵,后一段十七句九仄韵 翁元龙
清明近<span ss="q">韵还是递趱东风<span ss="q">句做成花讯<span ss="q">韵芳时一刻千金<span ss="q">句半晴半雨<span ss="q">句酬春未准<span ss="q">韵 雁归尽<span ss="q">韵数
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字向人慵写<span ss="q">句暗云难认<span ss="q">韵西园猛忆逢迎<span ss="q">句翠纨障面<span ss="q">句花间笑隐<span ss="q">韵 曲径池莲平砌<span ss="q">句绛裙曾
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与<span ss="q">句濯香湔粉<span ss="q">韵无奈燕幕莺帘<span ss="q">句轻负娇俊<span ss="q">韵青榆巷陌<span ss="q">句踏马红成寸<span ss="q">韵十年梦<span ss="q">句秋千吊影<span ss="q">句袜
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罗尘褪<span ss="q">韵事往凭谁问<span ss="q">韵昼长病酒添新恨<span ss="q">韵烟冷斜阳暝<span ss="q">韵山黛远<span ss="q">句曲曲阑干凭损<span ss="q">韵柳丝万尺<span ss="q">句
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半堤风紧<span ss="q">韵
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·
此词后段第九句用韵,与吴文英词同,第十二句减一字,作七字句,与各体异。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt">
</h5>
浪淘沙慢 柳永《乐章集》注:歇指调。
浪淘沙慢 <span ss="q">双调一百三十三字,前段九句四仄韵,后段十六句五仄韵 柳 永
梦觉<span ss="q">读透窗风一线<span ss="q">句寒灯吹息<span ss="q">韵那堪酒醒<span ss="q">句又闻空阶<span ss="q">句夜雨频滴<span ss="q">韵嗟因循久作天涯客<span ss="q">韵负佳
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人<span ss="q">读几许盟言<span ss="q">句更忍把<span ss="q">读从前欢会<span ss="q">句陡顿翻成忧戚<span ss="q">韵 愁极<span ss="q">韵再三追思<span ss="q">句洞房深处<span ss="q">句几度
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饮散歌阑<span ss="q">句香暖鸳鸯被<span ss="q">句岂暂时疏散<span ss="q">句费伊心力<span ss="q">韵殢雨尤云<span ss="q">句有万般千种相怜惜<span ss="q">韵到如今<span ss="q">读
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天长漏永<span ss="q">句无端自家疏隔<span ss="q">韵知何时<span ss="q">读却拥秦云态<span ss="q">句愿低帏昵枕<span ss="q">句轻轻细说与<span ss="q">句江乡夜夜<span ss="q">句数
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寒更思忆<span ss="q">韵
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此词平仄,无别首可校。 后段第九句,《花草粹编》作“相怜相惜”,今从汲古阁本。
又一体 <span ss="q">双调一百三十三字,前段八句五仄韵,后段十五句九仄韵 周邦彦
万叶战<span ss="q">读秋声露结<span ss="q">句雁度沙碛<span ss="q">韵细草和烟尚绿<span ss="q">句遥山向晚更碧<span ss="q">韵见隐隐云边新月白<span ss="q">韵映落照<span ss="q">读
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千家帘幕<span ss="q">句听数声<span ss="q">读何处倚楼笛<span ss="q">韵装点尽秋色<span ss="q">韵 脉脉<span ss="q">韵旅情暗自消释<span ss="q">韵念珠玉<span ss="q">读临水犹悲
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感<span ss="q">句何况天涯客<span ss="q">韵忆少年歌酒<span ss="q">句当时踪迹<span ss="q">韵岁华易老<span ss="q">句衣带宽<span ss="q">句懊恼心肠终窄<span ss="q">韵飞散后<span ss="q">读风流
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人阻<span ss="q">句兰桥约<span ss="q">读怅恨路隔<span ss="q">韵马蹄过<span ss="q">读犹嘶旧巷陌<span ss="q">韵叹往事<span ss="q">读一一堪伤<span ss="q">句旷望极<span ss="q">韵凝思又把阑干
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拍<span ss="q">韵
●
·
按,《清真集》二词,句韵互有不同,此词方千里、杨泽民、陈允平俱无和韵之作,填者当以“晓阴重”一词为正体。
又一体 <span ss="q">双调一百三十三字,前段九句六仄韵,后段十五句十仄韵 周邦彦
晓阴重<span ss="q">句霜凋岸草<span ss="q">句雾隐城堞<span ss="q">韵南陌脂车待发<span ss="q">韵动门帐饮乍阕<span ss="q">韵正拂面垂杨堪揽结<span ss="q">韵掩红泪<span ss="q">读
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玉手亲折<span ss="q">韵念汉浦离鸿去何许<span ss="q">韵经时信音绝<span ss="q">韵 情切<span ss="q">韵望中地远天阔<span ss="q">韵向露冷风清<span ss="q">句无人
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处<span ss="q">读耿耿寒漏咽<span ss="q">韵嗟万事难忘<span ss="q">句唯是轻别<span ss="q">韵翠尊未竭<span ss="q">韵凭断云留取<span ss="q">句西楼残月<span ss="q">韵罗带花销纹
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衾叠<span ss="q">韵连环解<span ss="q">读旧香顿歇<span ss="q">韵怨歌永<span ss="q">读琼壶敲尽缺<span ss="q">韵恨春去<span ss="q">读不与人期<span ss="q">句弄夜色<span ss="q">句空余满地梨
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花雪<span ss="q">韵
○●
·
此词后段句读,与“万叶战”词不同,方千里、杨泽民、吴文英、陈允平,俱有和词,故以此词作谱。 前段第六句,杨词“情绪似丁香千百结”,情字平声;第七句,吴词“有新燕画帘低说”,帘字平声;后段第一句,吴词“曲折”,曲字仄声;第四句,“楼阁畔缥缈鸿去绝”,阁字仄声;第五句,杨词“闻西度阳关”,西字平声;第十一句,“那更第四声未歇”,那、更二字俱仄声;第十二句,吴词“料池柳不攀春送别”,不字仄声;第十三句,吴词“倩玉兔别捣秋香”,玉字仄声,余参下陈词。
又一体 <span ss="q">双调一百三十二字,前段九句六仄韵,后段十六句十仄韵 陈允平
暮烟愁<span ss="q">句鸦归古树<span ss="q">句雁过空堞<span ss="q">韵南浦牙樯渐发<span ss="q">韵阳关歌尽半阕<span ss="q">韵恨入回肠千万结<span ss="q">韵长亭柳<span ss="q">读寸
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寸攀折<span ss="q">韵望日下长安近<span ss="q">句莫遣鳞鸿成间绝<span ss="q">韵 凄切<span ss="q">韵去帆浪远江阔<span ss="q">韵怅顿解连环<span ss="q">句西窗下<span ss="q">读
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对烛频哽咽<span ss="q">韵叹百岁光阴<span ss="q">句几度离别<span ss="q">韵翠消粉竭<span ss="q">韵信乍圆易散<span ss="q">句彩云明月<span ss="q">韵浙水吴山重重叠<span ss="q">韵
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流苏帐<span ss="q">读阳台梦歇<span ss="q">韵暗尘锁<span ss="q">读孤鸾秦镜缺<span ss="q">韵羞人问<span ss="q">句怕说相思<span ss="q">句正满院<span ss="q">句杨花落尽东风雪<span ss="q">韵
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·
此词前段第六句,校周词少一字,或系刻本脱落。第八、九句,作六字一句、七字一句,与周词异。
歌 头 《尊前集》注:大石调。
歌 头 <span ss="q">双调一百三十六字,前段十四句八仄韵,后段十九句五仄韵 唐庄宗
赏芳春<span ss="q">读暖风飘箔<span ss="q">韵莺啼绿树<span ss="q">句轻烟笼晚阁<span ss="q">韵杏桃红<span ss="q">句开繁萼<span ss="q">韵灵和殿<span ss="q">读禁柳千行<span ss="q">句斜金丝络<span ss="q">韵
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夏云多<span ss="q">读奇峰如削<span ss="q">韵纨扇动微凉<span ss="q">句轻绡薄<span ss="q">韵梅雨霁<span ss="q">句火云烁<span ss="q">韵临水槛<span ss="q">读永日逃烦暑<span ss="q">句泛觥酌<span ss="q">韵
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露华浓<span ss="q">句冷高梧<span ss="q">句凋万叶<span ss="q">韵一霎晚风<span ss="q">句蝉声新雨歇<span ss="q">韵暗惜此光阴<span ss="q">句如流水<span ss="q">句东篱菊残时<span ss="q">句
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叹萧索<span ss="q">韵繁阴积<span ss="q">句岁时暮<span ss="q">句景难留<span ss="q">句不觉朱颜失却<span ss="q">韵好容光<span ss="q">句旦旦须呼宾友<span ss="q">句西园长宵<span ss="q">句宴云
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谣<span ss="q">句歌皓齿<span ss="q">句且行乐<span ss="q">韵
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·
此词无别首可校。
多 丽 一名《鸭头绿》,周格非词名《陇头泉》。 此调有平韵仄韵两体。
多 丽 <span ss="q">双调一百三十九字,前段十三句六平韵,后段十一句五平韵 晁补之
新秋近<span ss="q">句晋公别馆开筵<span ss="q">韵喜清时<span ss="q">读衔杯乐圣<span ss="q">句未饶绿野堂边<span ss="q">韵绣屏深<span ss="q">读丽人乍出<span ss="q">句坐中雷雨起
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鹍弦<span ss="q">韵花暖间关<span ss="q">句水凝幽咽<span ss="q">句宝钗摇动坠金钿<span ss="q">韵未弹了<span ss="q">读昭君遗怨<span ss="q">句四坐已凄然<span ss="q">韵西风里<span ss="q">读香
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街驻马<span ss="q">句嬉笑微传<span ss="q">韵 算从来<span ss="q">读司空见惯<span ss="q">句断肠初对云鬟<span ss="q">韵夜将阑<span ss="q">读井梧下叶<span ss="q">句砌蛩收响悄
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林蝉<span ss="q">韵赖得多愁<span ss="q">句浔阳司马<span ss="q">句当时不在绮筵前<span ss="q">韵竞叹赏<span ss="q">读檀槽倚困<span ss="q">句沈醉到觥船<span ss="q">韵芳春调<span ss="q">读红
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英翠萼<span ss="q">句重变新妍<span ss="q">韵
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·
此词与“晚云收”词,句法小异,查宋、元人少有填此体者,故以下词作谱。
又一体 <span ss="q">双调一百三十九字,前段十四句六平韵,后段十二句五平韵 晁端礼
晚云收<span ss="q">句淡天一片琉璃<span ss="q">韵烂银盘<span ss="q">读来从海底<span ss="q">句皓色千里澄辉<span ss="q">韵莹无尘<span ss="q">读素娥淡伫<span ss="q">句静可数<span ss="q">读丹
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桂参差<span ss="q">韵玉露初零<span ss="q">句金风未凛<span ss="q">句一年无似此佳时<span ss="q">韵向坐久<span ss="q">读疏星时度<span ss="q">句乌鹊正南飞<span ss="q">韵瑶台冷<span ss="q">句
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阑干凭暖<span ss="q">句欲下迟迟<span ss="q">韵 念佳人<span ss="q">读音尘隔后<span ss="q">句对此应解相思<span ss="q">韵最关情<span ss="q">读漏声正永<span ss="q">句暗断肠<span ss="q">读
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花阴潜移<span ss="q">韵料得来宵<span ss="q">句清光未减<span ss="q">句阴晴天气又争知<span ss="q">韵共凝恋<span ss="q">读如今别后<span ss="q">句还是隔年期<span ss="q">韵人总
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健<span ss="q">句清尊素月<span ss="q">句长愿相随<span ss="q">韵
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·
此调押平韵者,以此词为正体。前段第五、六句,后段第三、四句,俱作上三下四句法,宋、元人多依此填,若李词以下之句读、押韵、字数不同者,皆变格也。 前段第三句,葛立方词“未回穷腊”,未字仄声,穷字平声;第四句,杨无咎词“碧溪万里澄波”,万字仄声;第五句,李清照词“也不似贵妃醉脸”,不、似二字俱仄声;第八句,张元幹词“一双白璧”,一字仄声;第九句,王安中词“圜扉铃索镇常闲”,圜字平声,李清照词“莫将比拟未新奇”,比字仄声;第十二句,张元幹词“三十载”,十字仄声;第十三句,晁词别首“依稀向人”,向字仄声,人字平声;后段第一句,张元幹词“念向来浩歌独往”,向字、浩字俱仄声,葛立方词“算何人为伊消断”,消字平声;第三句,张纲词“蒔七松便为小隐”,七字仄声,杨无咎词“且高歌细敲檀板”,擅字平声;第四句,张纲词“开三径且乐余年”,且字仄声,张元幹词“望爽气西山忘言”,山字平声;第七句,王安中词“琵琶数转语绵蛮”,数字仄声;第八句,张纲词“君试听阳春佳阕”,君字平声;第九句,葛立方词“又是隔年长”,又字仄声;第十句至结句,晁词别首“拌沈醉,身世恍然,一梦游仙”,世字仄声,然字平声。谱内据此,余参后张翥词。
又一体 <span ss="q">双调一百三十七字,前段十五句七平韵,后段十二句五平韵 李 漳
好人人<span ss="q">韵去来欲见无因<span ss="q">韵记当时<span ss="q">读窃香倚暖<span ss="q">句岂期蝶散鹣分<span ss="q">韵到而今<span ss="q">读漫劳梦想<span ss="q">句叹后会<span ss="q">读惨
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啼痕<span ss="q">韵绣阁银屏<span ss="q">句知他何处<span ss="q">句一重山尽一重云<span ss="q">韵暮天杳<span ss="q">句梗踪萍迹<span ss="q">句还是寄孤村<span ss="q">韵寂廖月<span ss="q">句今
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宵为谁<span ss="q">句虚照黄昏<span ss="q">韵 细追思<span ss="q">读深诚密爱<span ss="q">句黯然一晌销魂<span ss="q">韵仗游鱼<span ss="q">读漫传尺素<span ss="q">句望塞鸿<span ss="q">读空
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咽回文<span ss="q">韵帐衾寒<span ss="q">句香消尘满<span ss="q">句博山沈水更谁熏<span ss="q">韵断肠也<span ss="q">读无聊情味<span ss="q">句惟是殢芳尊<span ss="q">韵沈吟久<span ss="q">句移
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灯向壁<span ss="q">句掩上重门<span ss="q">韵
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此词前段起句用韵,第六句减一字作六字句,后段第五句减一字作三字句,与晁词异。
又一体 <span ss="q">双调一百三十九字,前段十三句六平韵,后段十二句五平韵 张孝祥
景萧疏<span ss="q">句楚江那更高秋<span ss="q">韵远连天<span ss="q">读茫茫都是<span ss="q">句败芦枯蓼汀洲<span ss="q">韵认炊烟<span ss="q">读几家蜗舍<span ss="q">句映夕照<span ss="q">读一
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簇渔舟<span ss="q">韵去国虽遥<span ss="q">句宁亲渐近<span ss="q">句数峰青处是吾州<span ss="q">韵便乘取<span ss="q">读波平风静<span ss="q">句荃棹且夷犹<span ss="q">韵关情有<span ss="q">读
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冥冥去雁<span ss="q">句拍拍轻鸥<span ss="q">韵 忽追思<span ss="q">读当年往事<span ss="q">句惹起无限羇愁<span ss="q">韵拄笏朝来多爽气<span ss="q">句秉烛夜永足
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清游<span ss="q">韵翠袖香寒<span ss="q">句朱弦韵悄<span ss="q">句无情江水只东流<span ss="q">韵舵楼晚<span ss="q">读清商哀怨<span ss="q">句还听隔船讴<span ss="q">韵无言久<span ss="q">句余
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霞散绮<span ss="q">句烟际帆收<span ss="q">韵
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此词前段第十二句七字,后段第三、四句俱不作折腰句法,与晁词异。
又一体 <span ss="q">双调一百三十九字,前段十四句七平韵,后段十二句五平韵 张 翥
晚山青<span ss="q">韵一川云树冥冥<span ss="q">韵正参差<span ss="q">读烟凝紫翠<span ss="q">句斜阳画出南屏<span ss="q">韵馆娃归<span ss="q">读吴台游鹿<span ss="q">句铜仙去<span ss="q">读汉
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苑飞萤<span ss="q">韵怀古情多<span ss="q">句凭高望极<span ss="q">句且将樽酒慰飘零<span ss="q">韵自湖上<span ss="q">读爱梅仙远<span ss="q">句鹤梦几时醒<span ss="q">韵空留得<span ss="q">句
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六桥疏柳<span ss="q">句孤屿危亭<span ss="q">韵 待苏堤<span ss="q">读歌声散尽<span ss="q">句更须携妓西泠<span ss="q">韵藕花深<span ss="q">读雨凉翡翠<span ss="q">句菰蒲软<span ss="q">读
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风弄蜻蜓<span ss="q">韵澄碧生秋<span ss="q">句闹红驻景<span ss="q">句采菱新唱最堪听<span ss="q">韵见一片<span ss="q">读水天无际<span ss="q">句渔火两三星<span ss="q">韵多情
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月<span ss="q">句为人留照<span ss="q">句未过前汀<span ss="q">韵
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此词字句,悉与晁词同,惟首句用韵异。
又一体 <span ss="q">双调一百三十九字,前段十四句七平韵,后段十三句六平韵 傅按察
静中看<span ss="q">韵循环兴废无端<span ss="q">韵记昔日<span ss="q">读淮山隐隐<span ss="q">句宛若虎踞龙盘<span ss="q">韵下樊襄<span ss="q">读指挥湘汉<span ss="q">句鞭云骑<span ss="q">读围
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绕江干<span ss="q">韵势不成三<span ss="q">句时当混一<span ss="q">句过唐之数不为难<span ss="q">韵谁知道<span ss="q">读仓皇南渡<span ss="q">句半壁几何间<span ss="q">韵陈桥驿<span ss="q">句
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孤儿寡妇<span ss="q">句久假当还<span ss="q">韵 挂征帆<span ss="q">韵龙舟催发<span ss="q">句紫宸初卷朝班<span ss="q">韵禁庭空<span ss="q">读土花晕碧<span ss="q">句辇路悄<span ss="q">读
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呼喝声干<span ss="q">韵纵余得<span ss="q">读西湖风景<span ss="q">句花柳亦凋残<span ss="q">韵去国三千<span ss="q">句游仙一梦<span ss="q">句依然天淡夕阳闲<span ss="q">韵昨宵
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也<span ss="q">句一轮明月<span ss="q">句还照临安<span ss="q">韵
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此体前后段起句俱用韵,后段第六、七、八、九、十句,句法亦与各体异。
又一体 <span ss="q">双调一百三十九字,前段十三句六平韵,后段十二句五平韵 葛立方
破波光如镜<span ss="q">句双翼轻舟<span ss="q">韵对雨余<span ss="q">读重岩叠嶂<span ss="q">句何妨影堕清流<span ss="q">韵望芙蕖<span ss="q">读渺然如海<span ss="q">句张云锦<span ss="q">读掩
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映汀洲<span ss="q">韵出水奇姿<span ss="q">句凌波艳态<span ss="q">句眼看一叶弄新秋<span ss="q">韵恍疑是<span ss="q">读金沙池内<span ss="q">句玉井认峰头<span ss="q">韵花深处<span ss="q">读
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田田叶底<span ss="q">句鱼戏龟游<span ss="q">韵 正微凉<span ss="q">句西风初度<span ss="q">句一弯斜月如钩<span ss="q">韵想天津<span ss="q">读鹊桥将驾<span ss="q">句看宝奁<span ss="q">读
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蛛网初抽<span ss="q">韵晒腹何堪<span ss="q">句穿针无绪<span ss="q">句不如溪上少淹留<span ss="q">韵竞笑语追寻<span ss="q">句惟有沈醉可忘忧<span ss="q">韵凭清唱<span ss="q">读
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一声檀板<span ss="q">句惊起沙鸥<span ss="q">韵
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·
此词前段起句五字,第二句四字,后段第八句五字,第九句七字,与晁词异。
又一体 <span ss="q">双调一百四十字,前段十四句六仄韵,后段十二句五仄韵 聶冠卿
想人生<span ss="q">句美景良辰堪惜<span ss="q">韵向其间<span ss="q">读赏心乐事<span ss="q">句古来难是并得<span ss="q">韵况东城<span ss="q">读凤台沁苑<span ss="q">句泛清波<span ss="q">读残
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照金碧<span ss="q">韵露洗华桐<span ss="q">句烟菲丝柳<span ss="q">句绿阴摇曳<span ss="q">句荡春一色<span ss="q">韵画堂迥<span ss="q">读玉簪琼佩<span ss="q">句高会尽词客<span ss="q">韵清歌
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久<span ss="q">读重燃绛蜡<span ss="q">句别就瑶席<span ss="q">韵 有翩若惊鸿体态<span ss="q">句暮为行雨标格<span ss="q">韵逞朱唇<span ss="q">读缓歌妖丽<span ss="q">句似听流
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莺乱花隔<span ss="q">韵慢舞萦回<span ss="q">句娇鬟低亸<span ss="q">句腰肢纤细困无力<span ss="q">韵忍分散<span ss="q">读彩云归后<span ss="q">句何处更寻觅<span ss="q">韵休辞
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醉<span ss="q">句明月好花<span ss="q">句莫漫轻掷
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此词与曹词,俱用仄韵,为此调之变格,然句读互异,未可参校作谱。
又一体 <span ss="q">双调一百四十字,前段十六句七仄韵,后段十三句六仄韵 曹 勋
喜雨薰泛景<span ss="q">句翠云低柳<span ss="q">韵正凉生殿阁<span ss="q">句梅润晓天<span ss="q">句暑风时候<span ss="q">韵应乘乾<span ss="q">读彩虹流渚<span ss="q">句惊电绕<span ss="q">读
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璇霄枢斗<span ss="q">韵大业辉光<span ss="q">句益建火德<span ss="q">句梯航四海尽奔走<span ss="q">韵六府焕修<span ss="q">句多方平定<span ss="q">句寰宇歌元首<span ss="q">韵凝
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九有<span ss="q">韵三辰拱北<span ss="q">句万邦孚佑<span ss="q">韵 对祥烟霁色清和<span ss="q">句凤韶九成仪昼<span ss="q">韵听山声<span ss="q">读响传呼舞<span ss="q">句腾
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紫府<span ss="q">读香浓金兽<span ss="q">韵禁御升平<span ss="q">句慈闱燕适<span ss="q">句袆衣共上玉觞酒<span ss="q">韵齐奉舜图<span ss="q">句南山同永<span ss="q">句合殿备奏<span ss="q">韵
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祝圣寿<span ss="q">韵圣寿无疆<span ss="q">句两仪并久<span ss="q">韵
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此词添押两韵,前后段句读,亦多与聶词不同。