卷三十六

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">二十调五十三体,起一百十三字至一百二十五字


    玉山枕一体


    期夜月一体


    轮台子二体


    沁园春七体<span ss="q">又名东仙、寿星明、洞庭春色


    丹凤吟三体


    紫萸香慢一体


    瑶台月三体<span ss="q">又名瑶池月


    宣 清一体


    八 归二体


    摸鱼儿九体<span ss="q">又名买陂塘、陂塘柳、迈陂塘、山鬼谣、双蕖怨


    贺新郎十一体<span ss="q">又名金缕歌、金缕曲、金缕词、乳燕飞、贺新凉、风敲竹、貂裘换酒


    子夜歌一体


    吊严陵一体<span ss="q">又名暮云碧


    金明池二体<span ss="q">又名昆明池、夏云峰


    送征衣一体


    笛 家二体<span ss="q">又名笛家弄慢


    秋思耗一体<span ss="q">又名画屏秋色


    春风袅娜一体


    春雪间早梅一体


    白苎二体


    玉山枕  柳永《乐章集》注:仙吕调。


    玉山枕  <span ss="q">双调一百十三字,前后段各十一句,五仄韵           柳 永


    骤雨新霁<span ss="q">句荡原野<span ss="q">读清如洗<span ss="q">韵断霞散彩<span ss="q">句残阳倒影<span ss="q">句天外云峰<span ss="q">句数朵相倚<span ss="q">韵露荷烟芰满池塘<span ss="q">句


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    见次第<span ss="q">读几番红翠<span ss="q">韵当是时<span ss="q">读河朔飞觞<span ss="q">句避炎蒸<span ss="q">句想风流堪继<span ss="q">韵  晚来高树清风起<span ss="q">韵动帘


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    幕<span ss="q">读生秋气<span ss="q">韵画楼昼寂<span ss="q">句兰堂夜静<span ss="q">句舞艳歌姝<span ss="q">句渐任罗绮<span ss="q">韵讼闲时泰足风情<span ss="q">句便争奈<span ss="q">读雅歌


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    都废<span ss="q">韵省教成<span ss="q">读几阕新歌<span ss="q">句尽新声<span ss="q">句好尊前重理<span ss="q">韵


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    ·


    此调祗有此词,无别首宋词可校。 此词前后段结句,俱作上一下四句法,填者辨之。


    期夜月  《花草粹编》原注:乐部中,惟杖鼓鲜有能工之者,京师官妓杨素娥最工,刘濬酷爱之,作《期夜月》词,素娥以此名动京师。


    期夜月  <span ss="q">双调一百十三字,前段十三句八仄韵,后段十二句六仄韵     刘 濬


    金钩花绶系双月<span ss="q">韵腰肢软低折<span ss="q">韵揎皓腕<span ss="q">句萦绣结<span ss="q">韵轻盈宛转<span ss="q">句妙若凤鸾飞越<span ss="q">韵无别<span ss="q">韵香檀急


    ○○○●●○● ○○●○● ○●● ○●● ○○●● ●●●○○● ○● ○○●


    扣转清切<span ss="q">韵翻纤手飘瞥<span ss="q">韵催画鼓<span ss="q">句追脆管<span ss="q">句锵洋雅奏<span ss="q">句尚与众音为节<span ss="q">韵  当时妙选舞袖<span ss="q">句


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    慧性雅质<span ss="q">句名为殊绝<span ss="q">韵满座倾心注目<span ss="q">句不甚堪回雪<span ss="q">韵纤怯<span ss="q">韵逡巡一曲霓裳彻<span ss="q">韵汗透鲛绡湿<span ss="q">韵


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    教人与<span ss="q">句傅香粉<span ss="q">句媚容秀发<span ss="q">句宛降蕊珠宫阙<span ss="q">韵


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    ·


    《花草粹编》载此词,后段脱第六句及结句,又第八句“汗透鲛绡湿”作“汗透鲛绡肌润”,第九、第十句“教人与,傅香粉”作“教人傅香粉”一句,今照《词纬》本校正。 此调祗有此词,无别首宋词可校。


    轮台子  柳永《乐章集》注:中吕调。


    轮台子  <span ss="q">双调一百十四字,前段八句四仄韵,后段十一句六仄韵      柳 永


    一枕清宵好梦<span ss="q">句可惜被<span ss="q">读邻鸡唤觉<span ss="q">韵匆匆策马登途<span ss="q">句满目淡烟衰草<span ss="q">韵前驱风触鸣珂<span ss="q">句过霜林<span ss="q">读


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    渐觉惊栖鸟<span ss="q">韵冒征尘远况<span ss="q">句自古凄凉长安道<span ss="q">韵  行行又历孤村<span ss="q">句楚天阔<span ss="q">读望中未晓<span ss="q">韵念劳


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    生<span ss="q">读惜芳年壮岁<span ss="q">句离多欢少<span ss="q">韵叹断梗难停<span ss="q">句暮云渐杳<span ss="q">韵但黯黯销魂<span ss="q">句寸肠凭谁表<span ss="q">韵恁驱驰<span ss="q">读


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    何时是了<span ss="q">韵又争似<span ss="q">读却返瑶京<span ss="q">句重买千金笑<span ss="q">韵


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    ·


    此词见《乐章集》,宋人无填此体者,其平仄无可参校。


    又一体  <span ss="q">双调一百四十字,前后段各十三句,八仄韵          柳 永


    雾敛澄江<span ss="q">句烟锁蓝光碧<span ss="q">韵彤霞衬遥天<span ss="q">句掩映断续<span ss="q">句半空残璧<span ss="q">韵孤村望处人寂寞<span ss="q">韵闻钓叟<span ss="q">读甚处


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    一声羌笛<span ss="q">韵九疑山畔才雨过<span ss="q">句斑竹作<span ss="q">读血痕添色<span ss="q">韵感行客<span ss="q">韵翻思故乡<span ss="q">句恨因循阻隔<span ss="q">韵路久沈消


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    息<span ss="q">韵  正老松枯柏青如织<span ss="q">韵闻野猿啼<span ss="q">读愁听得<span ss="q">韵见钓舟初出<span ss="q">句芙蓉渡头<span ss="q">句鸳鸯滩侧<span ss="q">韵干名利


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    禄终无益<span ss="q">韵念岁岁间阻<span ss="q">句迢迢紫陌<span ss="q">韵翠蛾娇艳<span ss="q">句从别经今<span ss="q">句花开柳坼伤魂魄<span ss="q">韵利名牵役<span ss="q">韵又争


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    忍<span ss="q">读把光景抛掷<span ss="q">韵


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    ·


    此词《乐章集》不载,见《花草粹编》,与“一枕清宵”词,句读不同,亦无别首宋词可校。


    沁园春  《金词》注:般涉调。《蒋氏十三调》注:中吕调。张辑词,结句有“号我东仙”句,名《东仙》;李刘词,名《寿星明》;秦观减字词,名《洞庭春色》。


    沁园春 <span ss="q">双调一百十四字,前段十三句四平韵,后段十二句五平韵      苏 轼


    孤馆灯青<span ss="q">句野店鸡号<span ss="q">句旅枕梦残<span ss="q">韵渐月华收练<span ss="q">句晨霜耿耿<span ss="q">句云山摛锦<span ss="q">句朝露漙漙<span ss="q">韵世路无穷<span ss="q">句


    ⊙◎○○ ◎◎⊙⊙ ◎◎◎○ ●◎○⊙● ⊙○◎● ⊙○⊙● ⊙●○○ ◎●○○


    劳生有限<span ss="q">句似此区区长鲜欢<span ss="q">韵微吟罢<span ss="q">句凭征鞍无语<span ss="q">句往事千端<span ss="q">韵  当时共客长安<span ss="q">韵似二陆<span ss="q">读


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    初来俱少年<span ss="q">韵有笔头千字<span ss="q">句胸中万卷<span ss="q">句致君尧舜<span ss="q">句此事何难<span ss="q">韵用舍由时<span ss="q">句行藏在我<span ss="q">句袖手何妨


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    闲处看<span ss="q">韵身长健<span ss="q">句但优游卒岁<span ss="q">句且斗尊前<span ss="q">韵


    ⊙●○ ⊙⊙● ●⊙○◎● ◎●○○


    ·


    此调以此词及贺词为正体,若葛词、林词之添字,张词之衬字,李词之减字,皆变格也。 此调前段第十一句、后段第十句,例作平平仄,如李昴英之“又何须”,何梦桂词之“奇绝处”,赵以夫词之“太平也”,刘过词之“谁羡汝”及类列林词之“动星象”、李词之“愿此去”,皆与调不合,谱内不校注平仄。 按,辛弃疾词,后段起句“更凭歌舞为媒”,更字仄声,歌字平声;黄机词,第二句“为小驻寿君金叵罗”,寿字仄声;张榘词,第三、四句“算支撑厦屋,正资梁栋”,厦字仄声,梁字平声;辛词,第五句“疏篱护竹”,护字仄声;陆游词,第十一句“有灞桥烟柳”,灞字仄声。谱内可平可仄据此,余参类列四词。


    刘过词,前段第十句“浓抹淡妆临镜台”,淡字仄声;后段起句“白云天竺去来”,去字仄声;第七句“逋日不然”,不字仄声,俱与诸家不同,谱内亦不校注。


    又一体  <span ss="q">双调一百十四字,前段十三句四平韵,后段十三句六平韵     贺 铸


    宫烛分烟<span ss="q">句禁池开钥<span ss="q">句凤城暮春<span ss="q">韵向落花香里<span ss="q">句澄波影外<span ss="q">句笙歌迟日<span ss="q">句罗绮芳尘<span ss="q">韵载酒追游<span ss="q">句


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    联镳归晚<span ss="q">句灯火平康寻梦云<span ss="q">韵逢迎处<span ss="q">句最多才自负<span ss="q">句巧笑相亲<span ss="q">韵  离群<span ss="q">韵客宦漳滨<span ss="q">韵但惊


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    见<span ss="q">读来鸿归燕频<span ss="q">韵念日边消耗<span ss="q">句天涯怅望<span ss="q">句楼台清晓<span ss="q">句帘幕黄昏<span ss="q">韵无限悲凉<span ss="q">句不胜憔悴<span ss="q">句断


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    尽危肠销尽魂<span ss="q">韵方年少<span ss="q">句恨浮名误我<span ss="q">句乐事输人<span ss="q">韵


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    ·


    此与苏词同,惟换头句押短韵异。南北宋词,如此填者亦多。


    又一体  <span ss="q">双调一百十六字,前段十三句四平韵,后段十三句六平韵     葛长庚


    黄鹤楼前<span ss="q">句吹笛之时<span ss="q">句先生朗吟<span ss="q">韵想剑光飞过<span ss="q">句朝游南岳<span ss="q">句墨蓝放下<span ss="q">句夜醉东邻<span ss="q">韵铛煮山川<span ss="q">句


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    粟藏世界<span ss="q">句有明月清风知此音<span ss="q">韵还应笑<span ss="q">句笑酿成白酒<span ss="q">句散尽黄金<span ss="q">韵  知音<span ss="q">韵自有相寻<span ss="q">韵休踏


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    破葫芦折断琴<span ss="q">韵唱白苹红蓼<span ss="q">句庐山日暮<span ss="q">句西风黄叶<span ss="q">句渭水秋深<span ss="q">韵三入岳阳<span ss="q">句再游湓浦<span ss="q">句自一去


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    悠悠直至今<span ss="q">韵桃源路<span ss="q">句尽不妨来往<span ss="q">句时共登临<span ss="q">韵


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    ·


    此与贺词同,惟前后段第十句,各添一字异。 按,葛词别首,前段第十句“上更有朱仙朝斗坛”,后段第十句“有桃李时新饤几盘”,正与此同。 又,张先“心膂良臣”词,前段第十句添一字,后段第十句,仍作七字句,与此词又异,注明不另录。


    又一体  <span ss="q">双调一百十六字,前段十三句四平韵,后段十二句五平韵     林正大


    子陵先生<span ss="q">句故人光武<span ss="q">句以道相忘<span ss="q">韵幸炎符再握<span ss="q">句六龙在御<span ss="q">句看臣来亿兆<span ss="q">句阳德方刚<span ss="q">韵自是先


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    生<span ss="q">句独全高节<span ss="q">句归去江湖乐未央<span ss="q">句动星象<span ss="q">句披关裘傲睨<span ss="q">句人世轩裳<span ss="q">韵   高哉不事侯王<span ss="q">韵


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    爱此地<span ss="q">读山高水更长<span ss="q">韵盖先生心地<span ss="q">句超乎日月<span ss="q">句又谁知光武<span ss="q">句器量包荒<span ss="q">韵立懦廉顽<span ss="q">句有功名


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    教<span ss="q">句万世清风更激扬<span ss="q">韵无今古<span ss="q">句想云山郁郁<span ss="q">句江水泱泱<span ss="q">韵


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    ·


    此亦与苏词同,惟前段第六句、后段第五句,各添一字异。林词三首皆然。


    又一体  <span ss="q">双调一百十二字,前段十三句四平韵,后段十二句五平韵     李 刘


    玉露迎寒<span ss="q">句金风荐冷<span ss="q">句正兰桂香<span ss="q">韵觉秋光过半<span ss="q">句日临三九<span ss="q">句蔥蔥佳气<span ss="q">句霭霭琴堂<span ss="q">韵见说当年<span ss="q">句


    ●●○○ ○○●● ●○●○ ●○○●● ●○○● ○○○● ●●○○ ●●○○


    申生榖旦<span ss="q">句梦叶长庚天降祥<span ss="q">韵文章伯<span ss="q">句英声早著<span ss="q">句腾踏飞黄<span ss="q">韵  双凫暂驻东阳<span ss="q">韵已种得<span ss="q">读春


    ○○●● ●●○○○●○ ○○● ○○●● ○●○○   ○○●●○○ ●●● ○


    阴千树棠<span ss="q">韵有无边风月<span ss="q">句几多事业<span ss="q">句安排青琐<span ss="q">句入与平章<span ss="q">韵百里民歌<span ss="q">句一尊春酒<span ss="q">句争劝殷勤称


    ○○●○ ●○○○● ●○●● ○○○● ●●○○ ●●○○ ●○○● ○●○○○


    寿觞<span ss="q">韵愿此去<span ss="q">句龟龄难老<span ss="q">句长侍君王<span ss="q">韵


    ●○ ●●● ○○○● ○●○○


    ·


    此与苏词同,惟前段第十二句、后段第十一句,各减一字异。 按,韩玉“壮岁耽书”词,两结“凄凉否,缾中匮粟,指下忘琴”,“掀髯笑,一杯有味,无事无心”,各减一字,正与此同。


    又一体  <span ss="q">双调一百十五字,前后段各十二句,四平韵          秦 观


    宿霭迷空<span ss="q">句腻云笼日<span ss="q">句昼景渐长<span ss="q">韵正兰泥皋润<span ss="q">句谁家燕喜<span ss="q">句蜜脾香少<span ss="q">句触处蜂忙<span ss="q">韵尽日无人


    ●●⊙○ ●○○● ●◎●○ ●⊙○⊙● ○○●● ◎○○● ◎●○○ ●●○○


    帘幕挂<span ss="q">句更风递游丝时过墙<span ss="q">韵微雨后<span ss="q">句有桃愁杏怨<span ss="q">句红泪淋浪<span ss="q">韵  风流寸心易感<span ss="q">句但依依


    ○◎● ●⊙●⊙○○●○ ○●● ●○○◎● ○●○○   ⊙○●○◎● ●○○


    伫立<span ss="q">句回尽柔肠<span ss="q">韵念小奁瑶鉴<span ss="q">句重匀绛蜡<span ss="q">句玉笼金斗<span ss="q">句时熨沈香<span ss="q">韵柳下相将游冶处<span ss="q">句便回首


    ●● ○●○○ ●●○⊙● ⊙○◎● ◎○○● ⊙●○○ ◎●⊙○○◎● ●⊙◎


    青楼成异乡<span ss="q">韵相忆事<span ss="q">句纵鸾笺万叠<span ss="q">句难写微茫<span ss="q">韵


    ○○○●○ ○◎● ●○○●● ⊙●○○


    ·


    此亦《沁园春》调之一体,因秦观、程垓、陆游、京镗及《梅苑》无名氏词,俱名《洞庭春色》,故另作一谱。 按,京镗词,前段起句“命驾访稽”,访字仄声;无名氏词,第三句“一枝乍芳”,枝字平声;第四句,“向篱边竹外”,竹字仄声;陆游词,第六句“难如人意”,难字平声;无名氏词,第八句“惹露和烟凝酥艳”,酥字平声;第九句“似潇洒玉人初试妆”,玉字仄声;京词,第十一句“任春来桃李”,桃字平声;无名氏词,后段第一句“倚楼最难忘处”,倚字仄声,忘字平声;京词,第四句“叹里门密迩”,密字仄声;陆词,第五句“笔床茶灶”,笔字仄声,茶字平声;第六、七句,“闲听荷雨,一洗衣尘”,闲字平声,一字仄声;无名氏词,第八句“休怪东君先留意”,留字平声;京词,第九句“念此地徘徊谁似君”,此字仄声。谱内可平可仄据此,余参程词。


    又一体  <span ss="q">双调一百十三字,前段十二句四平韵,后段十一句四平韵     程 垓


    锦字亲裁<span ss="q">句泪巾偷裛<span ss="q">句细说旧时<span ss="q">韵记笑桃门巷<span ss="q">句妆窥宝靥<span ss="q">句弄花庭榭<span ss="q">句香湿罗衣<span ss="q">韵几度相随


    ●●○○ ●○○● ●●●○ ●●○○● ○○●● ●○○● ○●○○ ●●○○


    游冶去<span ss="q">句任月细风尖犹未归<span ss="q">韵多少事<span ss="q">句有垂杨眼见<span ss="q">句红烛心知<span ss="q">韵  如今事都过也<span ss="q">句但赢得


    ○●● ●●●○○○●○ ○●● ●○○●● ○●○○   ○○●○●● ●○●


    双鬓成丝<span ss="q">韵叹半妆红豆<span ss="q">句相思有分<span ss="q">句两分青镜<span ss="q">句重合难期<span ss="q">韵惆怅一春飞絮尽<span ss="q">句梦悠扬<span ss="q">读教人


    ○●○○ ●●○○● ○○●● ●○○● ○●○○ ○●●○○●● ●○○ ○○


    分付谁<span ss="q">韵销魂处<span ss="q">句又梨花雨暗<span ss="q">句半掩重扉<span ss="q">韵


    ○●○ ○○● ●○○●● ●●○○


    ·


    此与秦词同,惟后段第二句减二字异。 按,《梅苑》无名氏词,换头“倚楼最难忘处,正皓月千里流光”,又陆游词,“人间定无可意,怎换得玉脍丝蒪”,京镗词,“因嗟锦城四载,漫赢得齿豁头童”,正与此同。


    丹凤引  调见《清真乐府》。


    丹凤引  <span ss="q">双调一百十四字,前段十二句四仄韵,后段十一句五仄韵     周邦彦


    迤逦春光无赖<span ss="q">句翠藻翻池<span ss="q">句黄蜂游阁<span ss="q">韵朝来风暴<span ss="q">句飞絮乱投帘幕<span ss="q">韵生憎暮景<span ss="q">句倚墙临岸<span ss="q">句杏靥


    ⊙●○○○● ●●○○ ○○○● ○○⊙● ○●●○○● ○○●● ◎○○● ●●


    夭斜<span ss="q">句榆钱轻薄<span ss="q">韵昼永惟思傍枕<span ss="q">句睡起无聊<span ss="q">句残照犹在庭角<span ss="q">韵  况是别离气味<span ss="q">句坐来便觉心


    ○○ ○○○● ●●○○●● ●●○○ ○●○●○●   ●●◎○◎● ●○●●○


    绪恶<span ss="q">韵痛引浇愁酒<span ss="q">句奈愁浓如酒<span ss="q">句无计销铄<span ss="q">韵那堪昏暝<span ss="q">句蔌蔌半檐花落<span ss="q">韵弄粉调朱柔素手<span ss="q">句问


    ●● ◎●○○● ●○○⊙● ⊙◎○● ○○○● ◎◎●○○● ●●⊙○○●● ●


    何时重握<span ss="q">韵此时此意<span ss="q">句长怕人道著<span ss="q">韵


    ○○○● ●○●● ○●○●●


    ·


    此调以此词为正体,方、杨、陈俱有和词,若吴词之句读小异,乃变格也。 张翥词,句读不同,自成一体,谱内不校注平仄。 按,陈允平词,前段第七句“还思年少”,还字平声;后段起句,“过了几番花信”,花字平声;杨泽民词,第三句“虽有丁咛语”,虽字平声;陈词,第四句“把夭桃艳杏”,艳字仄声;方千里词,第七句“匆匆坐惊摇落”,匆匆二字俱平声。谱内可平可仄据此,余参吴词。 吴词前段第三句,结字入声,第七句,刻字入声,第九句,索字入声,此皆以入作平,不注平仄。


    又一体  <span ss="q">双调一百十四字,前段十二句四仄韵,后段十一句五仄韵     吴文英


    丽景长安人海<span ss="q">句避影繁华<span ss="q">句结庐深寂<span ss="q">韵灯窗雪户<span ss="q">句光映夜寒东壁<span ss="q">韵心凋鬓改<span ss="q">句镂冰刻水<span ss="q">句缥简


    ●●○○○● ●●○○ ●○○● ○○●● ○●●○○● ○○●● ●○●● ●●


    离离<span ss="q">句风签索索<span ss="q">韵怕遣花虫蠹粉<span ss="q">句自采秋芸熏架<span ss="q">句香泛纤碧<span ss="q">韵  更上新梯窈窕<span ss="q">句暮山澹著城


    ○○ ○○●● ●●○○●● ●●○○○● ○●○●   ●●○○●● ●○●●○


    外色<span ss="q">韵旧雨江湖远<span ss="q">句问桐阴门巷<span ss="q">句燕曾相识<span ss="q">韵吟壶天小<span ss="q">句不觉翠连云隔<span ss="q">韵桂斧月宫三万手<span ss="q">句记


    ●● ●●○○● ●○○○● ●○○● ○○○● ●●●○○● ●●●○○●● ●


    元和通籍<span ss="q">韵软红满路<span ss="q">句谁聘幽素客<span ss="q">韵


    ○○○● ●○●● ○●○●●


    ·


    此与周词同,惟前结作六字两句、四字一句异。


    又一体  <span ss="q">双调一百字,前段十句五仄韵,后段九句五仄韵         张 翥


    蓬莱花鸟<span ss="q">韵计并宿苔枝<span ss="q">句双双娇小<span ss="q">韵海上仙姝<span ss="q">句唤起绿衣歌笑<span ss="q">韵芳丛有时遣探<span ss="q">句听东风<span ss="q">读数


    ○○○● ●●●○○ ○○○● ●●○○ ●●●○○● ○○●○●● ●○○ ●


    声啼晓<span ss="q">韵月下人归<span ss="q">句凄凉梦醒<span ss="q">句怅别多欢少<span ss="q">韵  念故巢<span ss="q">读犹在瘴云杪<span ss="q">韵甚闭入雕笼<span ss="q">句庭院


    ○○● ●●○○ ○○●● ●●○○●   ●●○ ○●●○● ●●●○○ ○●


    深悄<span ss="q">韵信断羁栖远<span ss="q">句镇怨情萦绕<span ss="q">韵翠襟近来渐短<span ss="q">句看梅花<span ss="q">读又还开了<span ss="q">韵纵解收香寄与<span ss="q">句柰罗


    ○● ●●○○● ●●○○● ●○●○●● ●○○ ●○○● ●●○○●● ●○


    浮春杳<span ss="q">韵


    ○○●


    ·


    此与周词句读不同,因调名同,故为类列。 此词前后段两结句,及后段第五句,例作上一下四句法,填者辨之。


    紫萸香慢  调见凤林书院元词,姚云文自度腔。因词有“紫萸一枝传赐”句,取以为名。


    紫萸香慢  <span ss="q">双调一百十四字,前段十句四平韵,后段十二句七平韵     姚云文


    近重阳<span ss="q">读偏多风雨<span ss="q">句绝怜此日暄明<span ss="q">韵问秋香浓未<span ss="q">句待携客<span ss="q">句出西城<span ss="q">韵正自羁怀多感<span ss="q">句怕荒台


    ●○○ ○○○● ●○●●○○ ●○○○● ●○● ●○○ ●●○○○● ●○○


    高处<span ss="q">句更不胜情<span ss="q">韵向尊前<span ss="q">读又忆漉酒插花人<span ss="q">句只座上<span ss="q">读已无老兵<span ss="q">韵  凄清<span ss="q">韵浅醉还醒<span ss="q">韵愁


    ○● ●●○○ ●○○ ●●●●●○○ ●●● ●○●○   ○○ ●●○○ ○


    不肯<span ss="q">读与诗平<span ss="q">韵记长楸走马<span ss="q">句雕弓笮柳<span ss="q">句前事休评<span ss="q">韵紫萸一枝传赐<span ss="q">句梦谁到<span ss="q">读汉家陵<span ss="q">韵尽乌


    ●● ●○○ ●○○●● ○○●● ○●○○ ●○●○○● ●○● ●○○ ●○


    纱<span ss="q">读便随风去<span ss="q">句要天知道<span ss="q">句华发如此星星<span ss="q">韵歌罢涕零<span ss="q">韵


    ○ ●○○● ●○○● ○●○●○○ ○●●○


    ·


    此姚自制词,无他词可校。


    瑶台月  调见《梅苑》。《鸣鹤余香》无名氏词,名《瑶池月》。


    瑶台月  <span ss="q">双调一百十四字,前段十三句六仄韵,后段十二句七仄韵  <span ss="q">《梅苑》无名氏


    岩风凛列<span ss="q">句万木冻<span ss="q">句园林萧静如洗<span ss="q">韵寒梅占早<span ss="q">句争先暗吐香蕊<span ss="q">韵逞素容<span ss="q">读探暖欺寒<span ss="q">句偏妆点<span ss="q">读


    ○○◎● ◎◎● ○○○●○● ○○●⊙ ⊙⊙◎◎○● ◎◎⊙ ◎◎●● ⊙⊙●


    亭台佳致<span ss="q">韵通一气<span ss="q">句超群卉<span ss="q">韵值腊后<span ss="q">句雪清丽<span ss="q">韵开筵共赏<span ss="q">句南枝宴会<span ss="q">韵  好折赠<span ss="q">读东君驿


    ○○⊙● ⊙◎● ○○● ◎◎● ◎⊙● ○○●● ○○●●   ●◎◎ ⊙⊙◎


    使<span ss="q">韵把陇头信息远寄<span ss="q">韵遇诗朋酒侣<span ss="q">句尊前吟缀<span ss="q">韵且优游<span ss="q">读对景欢娱<span ss="q">句更莫厌<span ss="q">读陶陶沈醉<span ss="q">韵羌


    ● ●●⊙◎◎◎● ◎⊙⊙◎● ⊙○○● ●⊙⊙ ◎●○○ ●●● ○○○● ⊙


    管怨<span ss="q">句琼花坠<span ss="q">韵结子用<span ss="q">句调鼎饵<span ss="q">韵将军止渴<span ss="q">句思得此味<span ss="q">韵


    ◎● ⊙○● ◎⊙● ⊙◎● ○○●● ○◎◎●


    ·


    此调以此词为正体,若葛词及无名氏词之各添短韵,皆变格也。 此词可平可仄,即参所采二词句法同者。


    又一体 <span ss="q">双调一百二十字,前段十四句八仄韵,后段十三句七仄韵      葛长庚


    烟霄凝碧<span ss="q">韵问紫府清都<span ss="q">句今夕何夕<span ss="q">韵桐阴下<span ss="q">句幽情远与秋无极<span ss="q">韵念陈迹<span ss="q">读虎殿虬宫<span ss="q">句记往事<span ss="q">读


    ○○○● ●●●○○ ○●○● ○○● ○○●●○○● ●○● ●●○○ ●●●


    龙箫凤笛<span ss="q">韵露华冷<span ss="q">句蟾光白<span ss="q">韵云影净<span ss="q">句天籁息<span ss="q">韵知得<span ss="q">韵是蓬莱不远<span ss="q">句身无羽翼<span ss="q">韵  广寒宫<span ss="q">读


    ○○●● ●○● ○○● ○●● ○●● ○● ●○○●● ○○●●   ●○○


    舞彻霓裳<span ss="q">句白玉台<span ss="q">读歌罢瑶席<span ss="q">韵争不思下界<span ss="q">句有人岑寂<span ss="q">韵羡博望<span ss="q">读两泛仙槎<span ss="q">句与曼倩<span ss="q">读三偷


    ●●○○ ●●○ ○●○● ○●○●● ●○○● ●●● ●●○○ ●●● ○○


    桃实<span ss="q">韵把丹鼎<span ss="q">句暗融液<span ss="q">韵乘云气<span ss="q">句醉麾斥<span ss="q">韵嗟惜<span ss="q">韵但城南老树<span ss="q">句人谁我识<span ss="q">韵


    ○● ●○● ●○● ○○● ●○● ○● ●○○●● ○○●●


    ·


    此词与《梅苑》词校,前段第二、三句,作五字一句、四字一句,第四、五句,作三字一句、七字一句,换头句不押韵。又,两结各添短韵,前段第十三句,后段第十二句,俱各添一字异。


    又一体 <span ss="q">双调一百十八字,前段十四句八仄韵,后段十三句八仄韵 <span ss="q">《鸣鹤余音》无名氏


    扁舟寓兴<span ss="q">韵江湖上<span ss="q">句无人知道名姓<span ss="q">韵忘机对景<span ss="q">句咫尺群鸥相认<span ss="q">韵烟雨急<span ss="q">读一片篷声<span ss="q">句倚醉眼<span ss="q">读


    ○○●● ○○● ○○○●○● ○○●● ●●○○○● ○●● ●●○○ ●●●


    看山还醒<span ss="q">韵晴云断<span ss="q">句狂风信<span ss="q">韵寒潭倒<span ss="q">句远峰影<span ss="q">韵谁听<span ss="q">韵横琴数曲<span ss="q">句瑶池夜冷<span ss="q">韵  这些子<span ss="q">读


    ○○○● ○○● ○○● ○○● ●○● ○● ○○●● ○○●●   ●○●


    名利休问<span ss="q">韵况是物<span ss="q">读都归幻境<span ss="q">韵须臾百年梦<span ss="q">句去来无定<span ss="q">韵向婵娟<span ss="q">读留住青春<span ss="q">句笑世上<span ss="q">读风流


    ○●○● ●●● ○○●● ○○●○● ●○○● ●○○ ○●○○ ●●● ○○


    多病<span ss="q">韵蒹葭渚<span ss="q">句芙蓉径<span ss="q">韵放侯印<span ss="q">句趁渔艇<span ss="q">韵争甚<span ss="q">韵须知九鼎<span ss="q">句金砂如莹<span ss="q">韵


    ○● ○○● ○○● ●○● ●○● ○● ○○●● ○○○●


    ·


    此与《梅苑》词同,惟前后两结,各添二字短韵异。


    宣 清  柳永《乐章集》注:林钟宫。


    宣 清 <span ss="q">双调一百十五字,前段十一句四仄韵,后段十二句五仄韵      柳 永


    残月朦胧<span ss="q">句小宴阑珊<span ss="q">句归来轻寒凛凛<span ss="q">韵背银釭<span ss="q">读孤馆乍眠<span ss="q">句拥重衾<span ss="q">读醉魂犹噤<span ss="q">韵永漏频传<span ss="q">句前


    ○●○○ ●●○○ ○○○○●● ●○○ ○●●○ ●○○ ●○○● ●●○○ ○


    欢已去<span ss="q">句离愁一枕<span ss="q">韵暗寻思<span ss="q">句旧追游<span ss="q">句神京风物如锦<span ss="q">韵  念掷果朋侪<span ss="q">句绝缨宴会<span ss="q">句当时曾痛


    ○●● ○○●● ●○○ ●○○ ○○○●○●   ●●●○○ ●○●● ○○○●


    饮<span ss="q">韵命舞燕翩翻<span ss="q">句歌珠贯串<span ss="q">句向玳筵前<span ss="q">句尽是神仙流品<span ss="q">韵至更阑<span ss="q">读疏狂转甚<span ss="q">韵更相将<span ss="q">读凤帏鸳


    ● ●○●○○ ○○●● ●●○○ ●●○○○● ●○○ ○○●● ●○○ ●○○


    寝<span ss="q">韵玉钗横处<span ss="q">句任散尽高阳<span ss="q">句这欢娱<span ss="q">读甚时重恁<span ss="q">韵


    ● ●○○● ●●●○○ ●○○ ●○○●


    ·


    汲古阁刻此词,后段脱“歌珠贯串”至“更相将”二十四字,今从《花草粹编》增定。 此调祗有此词,无别词可校。


    八 归  此调有仄韵、平韵两体。仄调者,见《白石词》,姜夔自度平钟商曲。平韵者,见《竹屋痴语》,高观国自度曲。


    八 归 <span ss="q">双调一百十五字,前段十句四仄韵,后段十一句四仄韵       姜 夔


    芳莲坠粉<span ss="q">句疏桐吹绿<span ss="q">句庭院暗雨乍歇<span ss="q">韵无端抱影销魂处<span ss="q">句还见篠墙萤暗<span ss="q">句藓阶蛩切<span ss="q">韵送客重


    ○○●● ○○○● ○●●●◎● ○○●●○○● ○●●○○● ○⊙○● ●●⊙


    寻西去路<span ss="q">句问水面琵琶谁拨<span ss="q">韵最可惜<span ss="q">读一片江山<span ss="q">句总付与啼鴃<span ss="q">韵  长恨相从未款<span ss="q">句而今何


    ○○●● ●●●○○○● ●●● ◎●○○ ●●●○●   ○●○○●● ○○○


    事<span ss="q">句又对西风离别<span ss="q">韵渚寒烟淡<span ss="q">句棹移人远<span ss="q">句飘渺行舟如叶<span ss="q">韵想文君望久<span ss="q">句倚竹愁生步罗袜<span ss="q">韵


    ● ●●○○○● ●○○● ●○○● ●●○○○● ●○○●● ●●○○●○●


    归来后<span ss="q">读翠尊双饮<span ss="q">句下了珠帘<span ss="q">句玲珑闲看月<span ss="q">韵


    ○○● ●○○● ●●○○ ○○○●●


    ·


    此调押仄声韵者,祗有此词及史达祖词,故可平可仄,悉校史词。 按,史词前段第三句“人看画阁愁独”,愁字平声;第六句“秀句难续”,句字仄声;第七句“冷眼尽归图画上”,尽字仄声;第九句“想半属渔市樵村”,渔字平声。谱内可平可仄据此。


    又一体 <span ss="q">双调一百十三字,前段十句五平韵,后段十一句五平韵       高观国


    楚峰翠冷<span ss="q">句吴波烟远<span ss="q">句吹袂万里西风<span ss="q">韵关河迥隔新愁外<span ss="q">句遥怜倦客音尘<span ss="q">句未见征鸿<span ss="q">韵雨帽风巾


    ●○●● ○○○● ○●●●○○ ○○●●○○● ○○●●○○ ●●○○ ●●○○


    归梦杳<span ss="q">句想吟思<span ss="q">读吹入飞蓬<span ss="q">韵料恨满<span ss="q">读幽苑离宫<span ss="q">韵正愁黯文通<span ss="q">韵  秋浓<span ss="q">韵新霜初试<span ss="q">句重阳催


    ○●● ●○● ○●○○ ●●● ○●○○ ●○●○○   ○○ ○○○● ○○○


    近<span ss="q">句醉红偷染江枫<span ss="q">韵瘦筇相伴<span ss="q">句旧游回首<span ss="q">句吹帽知与谁同<span ss="q">韵想萸囊酒盏<span ss="q">句暂时冷落菊花丛<span ss="q">韵两


    ● ●○○●○○ ●○○● ●○○● ○●○●○○ ●○○●● ●○●●●○○ ●


    凝伫<span ss="q">读壮怀无奈<span ss="q">句立尽微云斜照中<span ss="q">韵


    ○● ●○○● ●●○○○●○


    ·


    此调押平声韵者,祗有此词,无别首可校。


    摸鱼儿  一名《摸鱼子》,唐教坊曲名。晁补之词,有“买陂塘,旋栽杨柳”句,更名《买陂塘》,又名《陂塘柳》,或名《迈陂塘》;辛弃疾赋怪石词,名《山鬼谣》;李冶赋并蒂荷词,有“请君试听双蕖怨”句,名《双蕖怨》。


    摸鱼儿 <span ss="q">双调一百十六字,前段十句六仄韵,后段十一句七仄韵       晁补之


    买陂塘<span ss="q">读旋栽杨柳<span ss="q">句依稀淮岸湘浦<span ss="q">韵东皋雨足轻痕涨<span ss="q">句沙嘴鹭来鸥聚<span ss="q">韵堪爱处<span ss="q">韵最好是<span ss="q">读一川


    ●○○ ◎○○● ⊙○⊙●○● ⊙○◎●○○● ⊙●◎○○● ○●● ◎●● ◎○


    夜月光流渚<span ss="q">韵无人自舞<span ss="q">韵任翠幕张天<span ss="q">句柔茵藉地<span ss="q">句酒尽未能去<span ss="q">韵  青绫被<span ss="q">句休忆金闺故步<span ss="q">韵


    ◎●○○● ⊙○◎● ●◎●○○ ⊙○◎● ◎●◎○●   ○○● ⊙●○○◎●


    儒冠曾把身误<span ss="q">韵弓刀千骑成何事<span ss="q">句荒了邵平瓜圃<span ss="q">韵君试觑<span ss="q">韵满青镜<span ss="q">读星星鬓影今如许<span ss="q">韵功名浪


    ⊙○⊙●○● ⊙○⊙●○○● ⊙●◎○○● ○●● ◎⊙● ⊙○◎●○○● ⊙○◎


    语<span ss="q">韵便做得班超<span ss="q">句封侯万里<span ss="q">句归计恐迟暮<span ss="q">韵


    ● ◎◎●○○ ⊙○◎● ⊙●●○●


    ·


    此调当以晁、辛、张三词为正体,余多变格。至若欧阳修、《梅苑》无名氏词,又自成一体也。 按,程垓词,前段起句、第二句“掩凄凉黄昏庭院,角声何处呜咽”,黄字平声,角字仄声;第七句“倚阑愁绝”,愁字平声;唐珏词,后段第三句“故人应动高兴”,故字仄声;程词,第八句“不堪重说”,不字仄声;李昴英词,第十句“后期长在”,后字仄声。谱内可平可仄据此,余参下七词。 何梦桂词,前段第四句“折不尽长亭柳”;李彭老词,后段第五句“一叶又秋风起”,俱作折腰句法,与诸家不同。 姜夔词,前段第五、六句“闲记省,又还是斜河旧约今再整”,后段第六、七句“云路迥,漫说道年年野鹊曾并影”,再字、并字俱仄声,亦与诸家不同。 何梦桂词,前段第四句“空操离鸾烈女”,烈字仄声;第五句“试回首”,试字仄声,回字平声;后段起句“还自笑”,自字仄声;第三句“忘却儿童迎候”,却字仄声,童字平声;第五句“一曲啼红满袖”,满字仄声;第六句“眉休皱”,休字平声。又,李俊民词,前段起句“这光景能消几度”,景字、几字俱仄声;张炎词,后段起句“景如许”,景字仄声。俱与调不合,谱内亦不校注平仄。


    又一体 <span ss="q">双调一百十六字,前段十句七仄韵,后段十一句七仄韵       辛弃疾


    更能消<span ss="q">读几番风雨<span ss="q">韵匆匆春又归去<span ss="q">韵惜春长怕花开早<span ss="q">句何况落红无数<span ss="q">韵春且住<span ss="q">韵见说道<span ss="q">读天涯


    ●○○ ●○○● ○○○●○● ●○○●○○● ○●●○○● ○●● ●●● ○○


    芳草无归路<span ss="q">韵怨春不语<span ss="q">韵算只有殷勤<span ss="q">句画檐蛛纲<span ss="q">句尽日惹风絮<span ss="q">韵  长门事<span ss="q">句准拟佳期又误<span ss="q">韵


    ○●○○● ●○●● ●●●○○ ●○○● ●●●○●   ○○● ●●○○●●


    娥眉曾有人妒<span ss="q">韵千金纵买相如赋<span ss="q">句脉脉此情谁诉<span ss="q">韵君莫舞<span ss="q">韵君不见<span ss="q">读玉环飞燕皆尘土<span ss="q">韵闲愁最


    ○○○●○● ○○●●○○● ●●●○○● ○●● ○●● ●○○●○○● ○○●


    苦<span ss="q">韵休去倚危阑<span ss="q">句斜阳正在<span ss="q">句烟柳断肠处<span ss="q">韵


    ● ○●●○○ ○○●● ○●●○●


    ·


    此与晁词同,惟前段起句押韵异。


    又一体 <span ss="q">双调一百十六字,前段十一句六仄韵,后段十二句八仄韵      李 演


    又西风<span ss="q">读四桥疏柳<span ss="q">句惊蝉相对秋语<span ss="q">韵琼荷万笠花云重<span ss="q">句袅袅红衣如舞<span ss="q">韵鸿北去<span ss="q">韵渺岸芷汀芳<span ss="q">句


    ●○○ ●○○● ○○○●○● ○○●●○○● ●●○○○● ○●● ●●●○○


    几点斜阳雨<span ss="q">韵吴亭旧树<span ss="q">韵又系我扁舟<span ss="q">句渔乡钓里<span ss="q">句秋色澹归鹭<span ss="q">韵  长干路<span ss="q">韵蔓草疏烟断墅<span ss="q">韵


    ●●○○● ○○●● ●●●○○ ○○●● ○●●○●   ○○● ●●○○●●


    商歌如写羁旅<span ss="q">韵丹溪翠岫登临事<span ss="q">句苔屐尚黏苍土<span ss="q">韵鸥且住<span ss="q">韵怕月冷吟魂<span ss="q">句婉冉空江暮<span ss="q">韵明灯


    ○○○●○● ○○●●○○● ○●●○○● ○●● ●●●○○ ●●○○● ○○


    暗浦<span ss="q">韵更短笛衔风<span ss="q">句长云弄晚<span ss="q">句天际画秋句<span ss="q">韵


    ●● ●●●○○ ○○●● ○●●○●


    ·


    此词与晁词校,前段第六、七句,后段第七、八句,俱作五字两句,又换头句押韵异。


    又一体 <span ss="q">双调一百十六字,前段十一句七仄韵,后段十二句八仄韵      张 炎


    爱吾庐<span ss="q">读傍湖千顷<span ss="q">韵苍茫一片清润<span ss="q">韵晴岚暖翠融融处<span ss="q">句花影倒窥天镜<span ss="q">韵沙浦迥<span ss="q">韵看野水涵波<span ss="q">句


    ●○○ ●○○● ○○●●○● ○○●●○○● ○●●○○● ○●● ●●●○○


    隔柳横孤艇<span ss="q">韵眠鸥未醒<span ss="q">韵甚占得蒪乡,都无人见<span ss="q">句斜照起春暝<span ss="q">韵  还重省<span ss="q">韵岂料山中秦晋<span ss="q">韵


    ●●○○● ○○●● ●●●○○ ○○○● ○●○○●   ○○● ●●○○○●


    桃源今度难认<span ss="q">韵林间却是长生路<span ss="q">句一笑元非捷径<span ss="q">韵深更静<span ss="q">韵待散发吹箫<span ss="q">句跨鹤天风冷<span ss="q">韵凭高


    ○○○●○● ○○●●○○● ●●○○●● ○●● ●●●○○ ●●○○● ○○


    ●露饮<span ss="q">韵正碧落尘空<span ss="q">句光摇半壁<span ss="q">句月在万松顶<span ss="q">韵


    ● ●●●○○ ○○●● ●●●○●


    ·


    此与晁词同,惟前后段起句俱押韵异。


    又一体 <span ss="q">双调一百十六字,前段十一句八仄韵,后段十二句九仄韵      白 朴


    问双星<span ss="q">读有情几许<span ss="q">韵消磨不尽今古<span ss="q">韵年年此夕风流会<span ss="q">句香暖月窗云户<span ss="q">韵听笑语<span ss="q">韵知几处<span ss="q">韵彩楼


    ●○○ ●○●● ○○●●○● ○○●●○○● ○●●○○● ○●● ○●● ●○


    瓜果祈牛女<span ss="q">韵蛛丝暗度<span ss="q">韵似抛掷金梭<span ss="q">句萦回锦字<span ss="q">句织就旧时句<span ss="q">韵  愁云暮<span ss="q">韵漠漠苍烟挂树<span ss="q">韵


    ○●○○● ○○●● ●○●○○ ○○●● ●●●○●   ○○● ●●○○●●


    人间心更谁诉<span ss="q">韵擘钗分钿蓬山远<span ss="q">句一样绛河银浦<span ss="q">韵鸟鹊渡<span ss="q">韵离别苦<span ss="q">韵啼妆洒尽新秋雨<span ss="q">韵云屏且


    ○○○●○● ●○○●○○● ●●●○○● ○●● ○●● ○○●●○○● ○○●


    驻<span ss="q">韵算犹胜姮娥<span ss="q">句仓皇奔月<span ss="q">句只有去时路<span ss="q">韵


    ● ●○●○○ ○○○● ●●●○●


    ·


    此与张词同,惟前段第六句、后段第七句,各藏短韵异。按,元好问词,前段“欢乐趣,离别苦,就中更有痴儿女”,后段“天也妒,未信与,莺儿燕子俱黄土”,正与此同。


    又一体 <span ss="q">双调一百十四字,前段十一句七仄韵,后段十二句七仄韵      赵从橐


    指庭前<span ss="q">读翠云合雨<span ss="q">韵霏霏香满仙宇<span ss="q">韵一清透彻浑秋水<span ss="q">句灌注百川流处<span ss="q">韵君试数<span ss="q">韵此样襟怀<span ss="q">句顿


    ●○○ ●○●● ○○○●○● ●○●●○○● ●●●○○● ○●● ●●○○ ●


    得乾坤住<span ss="q">韵闲情半许<span ss="q">韵听万物氤氲<span ss="q">句从来形色<span ss="q">句每向静中觑<span ss="q">韵  琪花落<span ss="q">句相接西池寿母<span ss="q">韵年


    ●○○● ○○●● ●●●○○ ○○○● ●●●○●   ○○● ○●○○●● ○


    年弦月时序<span ss="q">韵荷衣菊佩寻常事<span ss="q">句分付两山容与<span ss="q">韵天证取<span ss="q">韵此老平生<span ss="q">句可向青天语<span ss="q">韵瑶卮缓举<span ss="q">韵


    ○○●○● ○○●●○○● ○●●○○● ○●● ●●○○ ●●○○● ○○●●


    要见我何心<span ss="q">句西湖万顷<span ss="q">句来去自鸥鹭<span ss="q">韵


    ●●●○○ ○○●● ○●●○●


    ·


    此与辛词同,惟前段第六句、后段第七句,各减一字异。


    又一体 <span ss="q">双调一百十四字,前后段各十一句,七仄韵            徐一初


    对茱萸<span ss="q">读一年一度<span ss="q">韵龙山今在何处<span ss="q">韵参军莫道无勋业<span ss="q">句消得从容尊俎<span ss="q">韵君看取<span ss="q">韵便破帽飘零<span ss="q">句


    ●○○ ●○●● ○○○●○● ○○●●○○● ○●○○○● ○●● ●●●○○


    也得传千古<span ss="q">韵当年幕府<span ss="q">韵知多少时流<span ss="q">句等闲收拾<span ss="q">句有个客如许<span ss="q">韵  追往事<span ss="q">句满目山河晋土<span ss="q">韵


    ●●○○● ○○●● ○○●○○ ●○○● ●●●○●   ○●● ●●○○●●


    征鸿又递边羽<span ss="q">韵登临莫上高层望<span ss="q">句怕见故宫禾黍<span ss="q">韵觞绿醑<span ss="q">韵浇万斛牢愁<span ss="q">句泪阁新亭雨<span ss="q">韵黄花


    ○○●●○● ○○●●○○● ●●●○○● ○●● ○●●○○ ●●○○● ○○


    无语<span ss="q">韵毕竟是<span ss="q">读西风披拂<span ss="q">句犹忆旧游侣<span ss="q">韵


    ○● ●●● ○○○● ○●●○●


    ·


    此亦与辛词同,惟后段第十句减二字异。


    又一体 <span ss="q">双调一百十七字,前段十一句六仄韵,后段十二句五仄韵      欧阳修


    卷绣帘<span ss="q">读梧桐秋院落<span ss="q">句一霎雨添新绿<span ss="q">韵对小池<span ss="q">读闲理残妆浅<span ss="q">句向晚水纹如榖<span ss="q">韵凝远目<span ss="q">韵恨人去


    ●●○ ○○○●● ●●●○○● ●●○ ○●○○● ●●●○○● ○●● ●○●


    寂寂<span ss="q">句凤枕孤难宿<span ss="q">韵倚阑不足<span ss="q">韵看燕拂风檐<span ss="q">句蝶翻露草<span ss="q">句两两长相逐<span ss="q">韵  双眉促<span ss="q">韵可惜年华


    ●● ●●○○● ●○●● ●●●○○ ●○●● ●●○○●   ○○● ●●○○


    晼晚<span ss="q">句西风初弄庭菊<span ss="q">韵况伊家年少<span ss="q">句多情未已难拘束<span ss="q">韵那堪更<span ss="q">读趁凉景追寻<span ss="q">句甚处垂杨曲<span ss="q">韵佳


    ●● ○○○●○● ●○○○● ○○●●○○● ●○● ●○●○○ ●●○○● ○


    期过尽<span ss="q">句但不说归来<span ss="q">句多应忘了<span ss="q">句云屏去时嘱<span ss="q">韵


    ○●● ●●●○○ ○○○● ○○●○●


    ·


    此词前段起句及第三句,多一衬字,又后段第四、五句,句读不同,疑有伪误。因相传已久,采入以备参考。


    又一体 <span ss="q">双调一百十六字,前段十一句三叶韵、四仄韵,后段十二句两叶韵、五仄韵


    <span ss="q">《梅苑》无名氏


    岁华向晚<span ss="q">句遥天布同云<span ss="q">句霰雪轻飞<span ss="q">叶前村昨夜漏春光<span ss="q">句楚梅先放南枝<span ss="q">叶叹东君<span ss="q">句运巧思<span ss="q">韵栽琼


    ●○●● ○○●○○ ●●○○ ○○●●●○○ ●○○●○○ ●○○ ●●● ○○


    镂玉妆繁蕊<span ss="q">韵花中偏异<span ss="q">韵解向严冬逞芳菲<span ss="q">叶免使游蜂粉蝶戏<span ss="q">韵  梁台上<span ss="q">句汉宫里<span ss="q">韵殷勤仗高


    ●●○○● ○○○● ●●○○●○○ ●●○○●●●   ○○● ●○● ○○●○


    楼<span ss="q">句羌管休吹<span ss="q">叶何妨留取凭阑干<span ss="q">句大家吟玩欢醉<span ss="q">韵待明年<span ss="q">句念芳草王孙<span ss="q">句万里归得未<span ss="q">韵仙源应


    ○ ○●○○ ○○○●●○○ ●○○●○● ●○○ ●○●○○ ●●○●● ○○○


    是<span ss="q">韵又被花开向天涯<span ss="q">叶泪洒东风对桃李<span ss="q">韵


    ● ●●○○●○○ ●●○○●○●


    ·


    此词用本部三声叶,句法多与本调不同,因见《梅苑》词,系北宋人作,采以备体。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt">


    </h5>


    贺新郎  叶梦得词,有“唱金缕”句,名《金缕歌》,又名《金缕曲》,又名《金缕词》;苏轼词,有“乳燕飞华屋”句,名《乳燕飞》,有“晚凉新浴”句,名《贺新凉》,有“风敲竹”句,名《风敲竹》;张辑词,有“把貂裘换酒长安市”句,名《貂裘换酒》。


    贺新郎  <span ss="q">双调一百十六字,前后段各十句,六仄韵           叶梦得


    睡起流莺语<span ss="q">韵掩苍苔<span ss="q">读房栊向晓<span ss="q">句乱红无数<span ss="q">韵吹尽残花无人问<span ss="q">句惟有垂杨自舞<span ss="q">韵渐暖霭<span ss="q">读初回


    ⊙●○○● ●○○ ⊙○◎● ◎○○● ○●○○○○● ⊙●⊙○◎● ◎◎● ⊙○


    轻暑<span ss="q">韵宝扇重寻明月影<span ss="q">句暗尘侵<span ss="q">读上有乘鸾女<span ss="q">韵惊旧恨<span ss="q">句镇如许<span ss="q">韵  江南梦断蘅江渚<span ss="q">韵浪黏


    ⊙● ◎●⊙○○●● ●⊙○ ◎●○○● ⊙●● ◎○●   ⊙○◎●○○● ●⊙


    天<span ss="q">读蒲萄涨绿<span ss="q">句半空烟雨<span ss="q">韵无限楼前沧波意<span ss="q">句谁采苹花寄取<span ss="q">韵但怅望<span ss="q">读兰舟容与<span ss="q">韵万里云帆何


    ⊙ ⊙⊙◎⊙ ◎○⊙● ○●○○○○◎ ⊙●◎○◎● ●◎● ⊙○⊙● ◎●⊙○○


    时到<span ss="q">句送孤鸿<span ss="q">读目断千山阻<span ss="q">韵谁为我<span ss="q">句唱金缕<span ss="q">韵


    ⊙● ●⊙○ ◎●○○● ⊙●● ◎○●


    ·


    此调始自苏轼,因苏词后段“花前对酒”句少一字,且格调未谐,故以此词作谱。 按,前后段第四句,惟此词及苏词,俱作拗体,余各不同,若校注入谱,恐易混淆,填者任择一体宗之可也。又,王迈词之前后两结句“数贤者,一不肖”,“清献后,又有赵”,又一首词后结“看卿等,上霄汉”,及谱中类列《豹隐纪谈》词之前后段第二句,“荷东君著意看承”,“怕仙槎轻转旌旗”,吕词之前段第五句“桃花面皮似熟”,后段第四句“春山子规更切”,俱与调不合,概不校注平仄。 按,辛弃疾词,前段第二句“染胭脂苎罗山下”,山字平声;李玉词,第六句“渐玉枕腾腾梦醒”,梦字仄声;刘克庄词,第七句“阁老凤楼修造手”,凤字仄声;辛词,第八句“转越江刬地迷归路”,越字仄声;后段第六句“为豁散蛮烟瘴雨”,瘴字仄声;第八句“怕壮怀激烈须歌者”,壮字仄声,谱内可平可仄据此,余参所采诸词。 宋自选词,前段起句“步自雪堂去”,雪字入声;辛词,第三句“清泉一勺”,一字入声,此皆以入作平,谱内亦不校注平仄。


    又一体 <span ss="q">双调一百十六字,前后段各十句,八仄韵           辛弃疾


    瑞气笼清晓<span ss="q">韵卷珠帘<span ss="q">读次第笙歌<span ss="q">句一时齐奏<span ss="q">韵无限神仙离蓬岛<span ss="q">韵凤驾辇车初到<span ss="q">韵见拥个<span ss="q">读仙娥


    ●●○○● ●○○ ●●○○ ●○○● ○●○○○○● ●●●○○● ●●● ○○


    窈窕<span ss="q">韵玉佩丁璫风缥缈<span ss="q">韵正娇姿<span ss="q">读一似垂杨袅<span ss="q">韵天上有<span ss="q">句人间少<span ss="q">韵  刘郎正是当年少<span ss="q">韵更那


    ●● ●●○○○●● ●○○ ●●○○● ○●● ○○●   ○○●●○○● ●○


    堪<span ss="q">读天教付与<span ss="q">句最多才貌<span ss="q">韵玉树琼枝相映耀<span ss="q">韵谁与安排忒好<span ss="q">韵有多少<span ss="q">读风流欢笑<span ss="q">韵直待来春成


    ○ ○○●● ●○○● ●●○○○●● ○●○○●● ●○● ○○○● ●●○○○


    名了<span ss="q">韵马如龙<span ss="q">读绿绶欺芳草<span ss="q">韵同富贵<span ss="q">句又偕老<span ss="q">韵


    ○● ●○○ ●●○○● ○●● ●○●


    ·


    此与叶词同,惟前后段第四句、第七句,俱押韵异。 此词前段第二句,平仄与调不合。


    又一体 <span ss="q">双调一百十五字,前后段各十句,六仄韵           苏 轼


    乳燕飞华屋<span ss="q">韵悄无人<span ss="q">读槐阴转午<span ss="q">句晚凉新浴<span ss="q">韵手弄生绡白团扇<span ss="q">句扇手一时似玉<span ss="q">韵渐困倚<span ss="q">读孤眠


    ●●○○● ●○○ ○○●● ●○○● ●●○○●○● ●●●○●● ●●● ○○


    清熟<span ss="q">韵帘外谁来推绣户<span ss="q">句枉教人<span ss="q">读梦断瑶台曲<span ss="q">韵又却是<span ss="q">句风敲竹<span ss="q">韵  石榴半吐红巾蹙<span ss="q">韵待浮


    ○● ○●○○○●● ●○○ ●○○○● ●●● ○○●   ●○●●○○● ●○


    花浪蕊都尽<span ss="q">句伴君幽独<span ss="q">韵秾艳一枝细看取<span ss="q">句芳意千重似束<span ss="q">韵又恐被<span ss="q">读秋风惊绿<span ss="q">韵若待得君来向


    ○●●○● ●○○● ○●●○●●● ○●○○●● ●●● ○○○● ●●●○○●


    此<span ss="q">句花前对酒不忍触<span ss="q">韵共粉泪<span ss="q">句两簌簌<span ss="q">韵


    ● ○○●●●●● ●●● ●●●


    ·


    <span ss="q">


    此与叶词同,惟后段第八句减一字异。按,韩淲词“一身闲处谁能缚”,又一首“撒盐起絮分才劣”,正与此合。 此词平仄,多与诸家不同,结句上“簌”字,以入作平。


    又一体 <span ss="q">双调一百十七字,前后段各十句,七仄韵           辛弃疾


    柳暗凌波路<span ss="q">韵送春归<span ss="q">读一番新绿<span ss="q">句猛风暴雨<span ss="q">韵千里潇湘葡萄涨<span ss="q">句人解扁舟欲去<span ss="q">韵又樯燕<span ss="q">读留人


    ●●○○● ●○○ ●○○● ●○●● ○●○○○○● ○●○○●● ●○● ○○


    相语<span ss="q">韵艇子飞来生尘步<span ss="q">韵唾花寒<span ss="q">读唱我新番句<span ss="q">韵波似箭<span ss="q">句催鸣橹<span ss="q">韵  黄陵祠下山无数<span ss="q">韵听湘


    ○● ●●○○○○● ●○○ ●●○○● ○●● ○○●   ○○○●○○● ●○


    娥<span ss="q">读冷冷曲罢<span ss="q">句为谁情苦<span ss="q">韵行到东吴春已暮<span ss="q">韵正江阔<span ss="q">读潮平稳渡<span ss="q">韵望金雀<span ss="q">读觚棱翔舞<span ss="q">韵前度刘


    ○ ○○●● ●○○● ○●○○○●● ●○● ○○●● ●○● ○○○● ○●○


    郎今重到<span ss="q">句问元都<span ss="q">读千树花存否<span ss="q">韵愁为倩<span ss="q">句幺弦诉<span ss="q">韵


    ○○○● ●○○ ○●○○● ○●● ○○●


    ·


    此亦与叶词同,惟后段第五句,添一衬字异。按,韩淲词“览德已而歌凤去”,正与此同。 此词前段第七句作拗体,多与诸家异,故不校注入谱。


    又一体 <span ss="q">双调一百十七字,前后段各十句,七仄韵      <span ss="q">《豹隐纪谈》平江妓


    春色元无主<span ss="q">韵荷东君<span ss="q">读著意看承<span ss="q">句等闲分付<span ss="q">韵多少无情风与浪<span ss="q">句又那更<span ss="q">读蝶欺蜂妒<span ss="q">韵算燕雀<span ss="q">读


    ○●○○● ●○○ ●●○○ ●○○● ○●○○○●● ●●● ●○○● ●●●


    眼前无数<span ss="q">韵纵使帘栊能爱护<span ss="q">韵到如今<span ss="q">读已是成迟暮<span ss="q">韵芳草碧<span ss="q">句遮归路<span ss="q">韵  看看做到难言处<span ss="q">韵


    ●○○● ●●○○○●● ●○○ ●●○○● ○●● ○○●   ○○●●○○●


    怕仙槎<span ss="q">读轻转旌旗<span ss="q">句易歌襦袴<span ss="q">韵月满西楼弦索静<span ss="q">句云蔽昆城阆府<span ss="q">韵便恁地<span ss="q">读一帆轻举<span ss="q">韵独倚阑


    ●○○ ○●○○ ●○○● ●●○○○●● ○●○○●● ●●● ●○○● ●●○


    干愁拍破<span ss="q">韵惨玉容<span ss="q">读泪眼如红雨<span ss="q">韵去与住<span ss="q">句两难诉<span ss="q">韵


    ○○●● ●○○ ●●○○● ●●● ●○●


    ·


    此亦与叶词同,惟前后段第五句,添一字异。


    又一体 <span ss="q">双调一百十六字,前后段各十句,六仄韵           史达祖


    西子相思切<span ss="q">韵委萧萧<span ss="q">读风裳水佩<span ss="q">句照人清越<span ss="q">韵山染蛾眉波曼睩<span ss="q">句聊可与之娱悦<span ss="q">韵便莫赋<span ss="q">读湘妃


    ○●○○● ●○○ ○○●● ●○○● ○●○○○●● ○●●○○● ●●● ○○


    罗袜<span ss="q">韵怕见绿荷相倚恨<span ss="q">句恨白鸥<span ss="q">读占了凉波阔<span ss="q">韵拣凉处<span ss="q">句放船歇<span ss="q">韵  道人不是尘埃物<span ss="q">韵纵狂


    ○● ●●●○○●● ●●○ ●●○○● ●○● ●○●<span ss="q">   ●○●●○○● ●○


    吟落魄<span ss="q">句吹乱一巾凉发<span ss="q">韵不觉引杯浇肺渴<span ss="q">句正要清歌骇发<span ss="q">韵更坐上<span ss="q">读其人冰雪<span ss="q">韵截取断虹堪作


    ○●● ○●●○○● ●●●○○●● ●●○○○● ●●● ○○○● ●●●○○●


    钓<span ss="q">句待玉奁<span ss="q">读今夜来时节<span ss="q">韵也胜钓<span ss="q">句石城月<span ss="q">韵


    ● ●●○ ○●○○● ●●● ●○●


    ·


    此亦与叶词同,惟后段第二、三句,摊破句法,作五字一句、六字一句异。按,李昴英词四首,并与此同。 此词前段第九句,亦与调不合。


    又一体 <span ss="q">双调一百十六字,前后段各十句,六仄韵           史达祖


    绿障南城树<span ss="q">句有高楼衔城<span ss="q">句楼下芰荷无数<span ss="q">韵客自倚阑鱼亦避<span ss="q">句恐是持竿伴侣<span ss="q">韵对前浦<span ss="q">读扁舟


    ●●○○● ●○○○○ ○●●○○● ●●●○○●● ●●○○●● ●○● ○○


    容与<span ss="q">韵杨柳影间风不到<span ss="q">句倩诗情<span ss="q">读飞过鸳鸯浦<span ss="q">韵人正在<span ss="q">句断肠处<span ss="q">韵  两山带著冥冥雨<span ss="q">韵想


    ○● ○●●○○●● ●○○ ○●○○● ○●● ●○●   ●○●●○○● ●


    低帘短额<span ss="q">句谁见恨时眉妩<span ss="q">韵别为青尊眠锦瑟<span ss="q">句怕被歌留愁住<span ss="q">韵便欲趁<span ss="q">读采莲归去<span ss="q">韵前度刘郎


    ○○●● ○●●○○● ●●○○○●● ●●○○○● ●●● ●○○● ○●○○


    虽老矣<span ss="q">句奈年来<span ss="q">读犹道多情句<span ss="q">韵应笑煞<span ss="q">句旧鸥鹭<span ss="q">韵


    ○●● ●○○ ○●○○● ○●● ●○●


    ·


    此与“西子相思”词同,惟前段第二、三句,俱作五字一句、六字一句异,史词四首皆然。又,杨炎词“梦里骖鸾驭,望蓬莱不远,翩然被风吹去”,亦与此同。


    又一体 <span ss="q">双调一百十六字,前后段各十句,六仄韵           李南金


    流落今如许<span ss="q">韵我亦三生杜牧<span ss="q">句为秋娘著句<span ss="q">韵先自多愁多感慨<span ss="q">句更值江南春暮<span ss="q">韵君看取<span ss="q">读落花


    ○●○○● ●●○○●● ●○○●● ○●○○○●● ●●○○○● ○●● ●○


    飞絮<span ss="q">韵也有吹来穿绣幌<span ss="q">句有因风<span ss="q">读飘堕随尘土<span ss="q">韵人世事<span ss="q">句总无据<span ss="q">韵  佳人命薄君休诉<span ss="q">韵若


    ○● ●●○○○●● ●○○ ○●○○● ○●● ●○●   ○○●●○○● ●


    说与<span ss="q">读英雄心事<span ss="q">句一生更苦<span ss="q">韵且尽尊前今日意<span ss="q">句休记绿窗眉妩<span ss="q">韵但春到<span ss="q">读儿家庭户<span ss="q">韵幽恨一


    ●● ○○○● ●○●● ●●○○○●● ○●●○○● ●○● ○○○● ○●●


    帘烟月晓<span ss="q">句恐明朝<span ss="q">读雁亦无寻处<span ss="q">韵浑欲倩<span ss="q">句莺留住<span ss="q">韵


    ○○●● ●○○ ●●○○● ○●● ○○●


    ·


    此亦叶词体,惟前段第二句减一字,作六字句,第三句添一字,作五字句异。


    又一体 <span ss="q">双调一百十五字,前后段各十句,八仄韵           马庄父


    客里伤春浅<span ss="q">韵问今年梅蕊<span ss="q">句因甚化工不管<span ss="q">韵陌上芳尘行处满<span ss="q">韵可计天涯近远<span ss="q">韵见说道<span ss="q">读迷楼


    ●●○○● ●○○○● ○●●○●● ●●○○○●● ●●○○●● ●●● ○○


    左畔<span ss="q">韵一似江南先得暖<span ss="q">韵向何郎<span ss="q">读庭下都寻遍<span ss="q">韵辜负了<span ss="q">句看花眼<span ss="q">韵  古来好物难为伴<span ss="q">韵只


    ●● ●●○○○●● ●○○ ○●○○● ○●● ●○●   ●○●●○○● ●


    琼花一种<span ss="q">句传来仙苑<span ss="q">韵独许扬州作珍产<span ss="q">韵须胜了<span ss="q">读千千万万<span ss="q">韵又却待<span ss="q">读东风吹绽<span ss="q">韵自昔闻名


    ○○●● ○○○● ●●○○●○● ○●● ○○●● ●●● ○○○● ●●○○


    今见面<span ss="q">韵数归期<span ss="q">读屈指家山晚<span ss="q">韵归去说<span ss="q">句也希罕<span ss="q">韵


    ○●● ●○○ ●●○○● ○●● ●○●


    ·


    此亦叶词体,惟后段第二句减二字、第五句添一字异。


    又一体 <span ss="q">双调一百十三字,前后段各十句,六仄韵           吕渭老


    斜日封残雪<span ss="q">韵记别时<span ss="q">读檀槽按舞<span ss="q">句霓裳初彻<span ss="q">韵唱煞阳关留不住<span ss="q">句桃花面皮似热<span ss="q">韵渐点点<span ss="q">读珍珠


    ○●○○● ●●○ ○○●● ○○○● ●●○○○●● ○○●○●● ●●● ○○


    承睫<span ss="q">韵门外潮平风席正<span ss="q">句指佳期<span ss="q">读共约花同折<span ss="q">韵情未忍<span ss="q">句带双结<span ss="q">韵  钗金未断肠先结<span ss="q">韵下扁


    ○● ○●○○○●● ●○○ ●●○○● ○●● ●○●   ○○●●○○● ●○


    舟<span ss="q">读更有暮山千叠<span ss="q">韵别后武陵无好梦<span ss="q">句春山子规更切<span ss="q">韵但孤坐<span ss="q">读一帘明月<span ss="q">韵蚕共茧<span ss="q">句花同蒂<span ss="q">句


    ○ ●●●○○○ ●●●○○●● ○○●○●● ●○● ●○○● ○●● ○○●


    甚人生见底多离别<span ss="q">韵谁念我<span ss="q">句泪如血<span ss="q">韵


    ●○○●●○○● ○●● ●○●


    ·


    此亦叶词体,惟后段第二、三句减二字,作九字一句,第八句减一字,作三字两句异。 此词前段第二句,“别”字亦以入作平。


    又一体 <span ss="q">双调一百十五字,前段十句六仄韵,后段十一句六仄韵      周紫芝


    白首归何晚<span ss="q">韵笑一椽<span ss="q">读天教付与<span ss="q">句楚江南岸<span ss="q">韵门外春山晚无数<span ss="q">句只有匡庐似染<span ss="q">韵但想像<span ss="q">读红妆


    ●●○○● ●●○ ○○●● ●○○● ○●○○●○● ●●○○●● ●●● ○○


    不见<span ss="q">韵谁念香山当日事<span ss="q">句漫青衫<span ss="q">读泪湿人谁管<span ss="q">韵歌旧曲<span ss="q">句空凄怨<span ss="q">韵  将军未老身归汉<span ss="q">韵算功


    ●● ○●○○○●● ●○○ ●●○○● ○●● ○○●   ○○●●○○● ●○


    名过了<span ss="q">句惟有古祠尘满<span ss="q">韵谁似渊明拌得老<span ss="q">句饱看云山万点<span ss="q">韵况此老<span ss="q">读斜川不远<span ss="q">韵终待我他年<span ss="q">句


    ○●● ○●●○○● ○●○○○●● ●●○○●● ●●● ○○●● ○●●○○


    自剪黄花<span ss="q">句一酹重阳盏<span ss="q">韵君为我<span ss="q">句休辞劝<span ss="q">韵


    ●●○○ ●●○○● ○●● ○○●


    ·


    此亦叶词体,惟后段第二、三句,摊破句法,儿五字一句、六字一句,第七、八句减一字,摊破句法,作五字一句、四字一句、五字一句异。 前段第二句“一字”,亦以入作平。


    子夜歌  调见凤林书院元词,与《菩萨蛮令》词别名《子夜歌》者不同。


    子夜歌 <span ss="q">双调一百十七字,前段十句四仄韵,后段十二句五仄韵      彭元逊


    视春衫<span ss="q">读箧中半在<span ss="q">句浥浥酒痕花露<span ss="q">韵恨桃李<span ss="q">读如风过尽<span ss="q">句梦里故人如雾<span ss="q">韵临颖美人<span ss="q">句秦川公


    ●○○ ●○●● ●●●○○● ●○● ○○●● ●●●○○● ○●●○ ○○○


    子<span ss="q">句晚共何人语<span ss="q">韵对人家<span ss="q">读花柳池台<span ss="q">句回首故园<span ss="q">句咫尺未成归去<span ss="q">韵  昨宵听<span ss="q">读危弦急管<span ss="q">句


    ● ●●○○● ●○○ ○●○○ ○●●○ ●●●○○●   ●○● ○○●●


    酒醒不知何处<span ss="q">韵漂泊情多<span ss="q">句哀迟感易<span ss="q">句无限堪怜许<span ss="q">韵似尊前眼底<span ss="q">句红颜消几寒暑<span ss="q">韵年少风流<span ss="q">句


    ●●●○○● ○●○○ ○○●● ○●○○● ●○○●● ○○○●○● ○●○○


    未谙春事<span ss="q">句追与东风赋<span ss="q">韵待他年<span ss="q">读君老巴山<span ss="q">句共君听雨<span ss="q">韵


    ●○○● ○●○○● ●○○ ○●○○ ●○○●


    ·


    此调只有此词,无别首可校。


    吊严陵  调见《乐府雅词》,李甲作,因词有“严光钓址空遗迹”及“离觞吊古寓目”句,取以为名。又,结句有“回首暮云千古碧”句。名《暮云碧》。


    吊严陵 <span ss="q">双调一百十九字,前段十四句七仄韵,后段十句六仄韵       李 甲


    蕙兰香泛<span ss="q">句孤屿潮平<span ss="q">句惊鸥散雪<span ss="q">韵迤逦点破<span ss="q">句澄江秋色<span ss="q">韵暝霭向敛<span ss="q">句疏雨乍收<span ss="q">句染出蓝峰千


    ●○○● ○●○○ ○○●● ○●●● ○○○● ●●●● ○●●○ ●●○○○


    尺<span ss="q">韵渔舍孤烟锁寒碛<span ss="q">韵画鷁翠帆旋解<span ss="q">句轻舣晴霞岸侧<span ss="q">韵正念往悲酸<span ss="q">句怀乡惨切<span ss="q">韵何处引羌笛<span ss="q">韵


    ● ○●○○●○● ●●●○●● ○●○○●● ●●●○○ ○○●● ○●●○●


    追惜<span ss="q">韵当时富春佳地<span ss="q">句严光钓址空遗迹<span ss="q">韵华星沈后<span ss="q">句扁舟泛去<span ss="q">句潇洒闲名图籍<span ss="q">韵离觞吊


    ○● ○○●○○● ○○●●○○● ○○○● ○○●● ○●○○○● ○○●


    古寓目<span ss="q">韵意断魂消泪滴<span ss="q">韵渐洞天晓<span ss="q">句回首暮云千古碧<span ss="q">韵


    ●●● ●●○○●● ●●○● ○●●○○●●


    ·


    此调只有此词,无别首可校。


    金明池  调见《淮海词》,赋东京金明池,即以调为题也。李弥逊词名《昆明池》,僧挥词名《夏云峰》。


    金明池 <span ss="q">双调一百二十字,前段十句四仄韵,后段十一句五仄韵       秦 观


    琼苑金池<span ss="q">句青门紫陌<span ss="q">句似雪杨花满路<span ss="q">韵云日淡<span ss="q">读天低昼永<span ss="q">句过三点两点细雨<span ss="q">韵好花枝<span ss="q">读半出墙


    ⊙●○○ ○○◎● ●●○○◎● ⊙◎◎ ○○●● ⊙○●◎◎◎● ●○○ ●●○


    头<span ss="q">句似怅望<span ss="q">读芳草王孙何处<span ss="q">韵更水绕人家<span ss="q">句桥当门巷<span ss="q">句燕燕莺莺飞舞<span ss="q">韵  怎得东君长为主<span ss="q">韵


    ○ ◎●● ⊙●○○○● ●◎●○○ ⊙○○● ●●○○○●   ●●○○○⊙●


    把绿鬓朱颜<span ss="q">句一时留住<span ss="q">韵佳人唱<span ss="q">读金衣莫惜<span ss="q">句才子倒<span ss="q">读玉山休诉<span ss="q">韵况春来<span ss="q">读倍觉伤心<span ss="q">句念故国


    ●●●○○ ◎○○● ○○● ○○◎● ⊙◎● ◎○○● ◎○⊙ ◎●○○ ●◎●


    情多<span ss="q">句新年愁苦<span ss="q">韵纵宝马嘶风<span ss="q">句红尘拂面<span ss="q">句也只寻芳归去<span ss="q">韵


    ○○ ⊙○○● ●◎●○○ ⊙○◎● ●●⊙○○●


    ·


    此调始于秦观,有李弥逊词可校。 按,李词,前段第一、二句“帐锦笼庭,囊香飘榭”,帐字仄声,飘字平声;第四、五句“觅残红蜂须趁日,占新绿莺喉诧暖”,觅字仄声,红字平声,占字仄声;第七句“春去也、把酒南山谁伴”,春字平声,把字仄声;第八、九句“更帘暮垂垂,恼人飞絮”,帘字平声,恼字仄声;后段第四、五句“临黄菊、曾吹纱帽,讶彩楼、催颁纨扇”,纱字平声,讶字仄声;第六句“算功名於我如云”,於字平声;第八句“满簪霜换”,满字仄声;第十句“鹡鴒原上”,鹡字仄声,原字平声。谱内可平可仄据此,余参僧挥词。


    又一体 <span ss="q">双调一百二十字,前段十一句四仄韵,后段十一句五仄韵      僧 挥


    天阔云高<span ss="q">句溪横水远<span ss="q">句晚日寒生轻晕<span ss="q">韵闲阶静<span ss="q">读杨花渐少<span ss="q">句朱门掩<span ss="q">读莺声犹嫩<span ss="q">韵悔匆匆<span ss="q">读过


    ○●○○ ○○●● ●●○○○● ○○● ○○●● ○○● ○○○● ●○○ ●


    却清明<span ss="q">句旋占得余芳<span ss="q">句已成幽恨<span ss="q">韵却几日沈阴<span ss="q">句连宵慵困<span ss="q">句起见韶华都尽<span ss="q">韵  怨入双眉闲


    ●○○ ●●●○○ ●○○● ●●●○○ ○○○● ●●○○○●   ●●○○○


    斗损<span ss="q">韵乍品得情怀<span ss="q">句看承全近<span ss="q">韵深深态<span ss="q">读无非自许<span ss="q">句厌厌意<span ss="q">读终羞人问<span ss="q">韵争知道<span ss="q">读梦里蓬莱<span ss="q">句


    ●● ●●●○○ ○○○● ○○● ○○●● ○○● ○○○● ○○● ●●○○


    待忘了余香<span ss="q">句时传音信<span ss="q">韵纵留得莺花<span ss="q">句东风不住<span ss="q">句也只眼前愁闷<span ss="q">韵


    ●○●○○ ○○○● ●○●○○ ○○●● ●●●○○●


    ·


    此与秦词同,惟前段第七句作五字一句、四字一句异。


    送征衣  柳永《乐章集》注:中吕宫。


    送征衣 <span ss="q">双调一百二十一字,前段十二句七平韵,后段十一句六平韵     柳 永


    过昭阳<span ss="q">韵璿枢电绕<span ss="q">句华渚虹流<span ss="q">句运应千载会昌<span ss="q">韵罄寰宇<span ss="q">读荐殊祥<span ss="q">韵吾皇<span ss="q">韵诞弥月<span ss="q">读瑶图缵庆<span ss="q">句


    ●○○ ○○●● ○●○○ ●●○●●○ ●○● ●○○ ○○ ●○● ○○●●


    玉叶腾芳<span ss="q">韵并景贶<span ss="q">读三灵眷祐<span ss="q">句挺英哲<span ss="q">读掩前王<span ss="q">韵遇年年<span ss="q">读嘉节清和<span ss="q">句颁率土称觞<span ss="q">韵  无


    ●●○○ ●●● ○○●● ●○● ●○○ ●○○ ○●○○ ○●●○○   ○


    间要荒华夏<span ss="q">句尽万里<span ss="q">读走梯航<span ss="q">韵彤庭舜张大乐<span ss="q">句禹会群方<span ss="q">韵鸳行<span ss="q">句趋上国<span ss="q">读山呼鳌抃<span ss="q">句遥爇


    ●○○○● ●●● ●○○ ○○●○●● ●●○○ ○○ ○●● ○○○● ○●


    炉香<span ss="q">韵竞就日瞻云献寿<span ss="q">句指南山<span ss="q">读等无疆<span ss="q">韵愿巍巍<span ss="q">读宝历鸿基<span ss="q">句齐天地遥长<span ss="q">韵


    ○○ ●●●○○●● ●○○ ●○○ ●○○ ●●○○ ○○●○○


    ·


    此调只有此词,无别词可校。 前段第六句、后段第五句,俱押二字短韵;两结句,俱作上一下四句法。填者辨之。


    笛 家  一名《笛家弄慢》,柳永《乐章集》注:仙吕宫。


    笛 家 <span ss="q">双调一百二十一字,前段十四句四仄韵,后段十四句五仄韵     柳 永


    花发西园<span ss="q">句草薰南陌<span ss="q">句韶光明媚<span ss="q">句乍晴轻暖清明后<span ss="q">韵水嬉舟动<span ss="q">句禊饮筵开<span ss="q">句银塘似染<span ss="q">句金堤如


    ○●○○ ●⊙○● ○○○● ●○○●○○● ●⊙○● ●●○○ ⊙○●● ○○○


    绣<span ss="q">韵是处王孙<span ss="q">句几多游妓<span ss="q">句往往携纤手<span ss="q">韵遣离人<span ss="q">句对嘉景<span ss="q">句触目尽成感旧<span ss="q">韵  别久<span ss="q">韵帝城当


    ● ●●○○ ●○○● ●●○○● ●○○ ●○● ●●●○●●   ●● ●⊙○


    日<span ss="q">句兰堂夜烛<span ss="q">句百万呼卢<span ss="q">句画阁春风<span ss="q">句十千沽酒<span ss="q">韵未省<span ss="q">读宴处能忘弦管<span ss="q">句醉里不寻花柳<span ss="q">韵岂知


    ● ○○●● ●●○○ ●●○○ ◎○○● ●● ●●○○○● ●●◎○○● ◎⊙


    秦楼<span ss="q">句玉箫声断<span ss="q">句前事难重偶<span ss="q">韵空遗恨<span ss="q">句望仙乡<span ss="q">句一晌泪沾襟袖<span ss="q">韵


    ○○ ●○○● ⊙●○○● ○○● ●○○ ●●●○○●


    ·


    此调只有朱雍和词可校。


    又一体 <span ss="q">双调一百二十一字,前后段十四句,五仄韵           朱 雍


    琼质仙姿<span ss="q">句缟袂清格<span ss="q">句天然疏秀<span ss="q">韵静轩烟锁黄昏后<span ss="q">韵影瘦零乱<span ss="q">句艳冷珑璁<span ss="q">句雪肌莹暖<span ss="q">句冰枝萦


    ○●○○ ●●○● ○○○● ●○○●○○● ●●○● ●●○○ ●○●● ○○○


    绣<span ss="q">韵更赋风流<span ss="q">句几番攀赠<span ss="q">句细撚香盈手<span ss="q">韵与东君<span ss="q">句叙暌远<span ss="q">句脉脉两情有旧<span ss="q">韵  立久<span ss="q">韵阆苑凝


    ● ●●○○ ●○○● ●●○○● ●○○ ●○● ●●●○●●   ●● ●●○


    夕<span ss="q">句瑶窗淡月<span ss="q">句百琲尊芳<span ss="q">句醉玉谭群<span ss="q">句千钟酬酒<span ss="q">韵向此<span ss="q">读是处难忘攀蕊<span ss="q">句送远何劳随柳<span ss="q">韵空听


    ● ○○●● ●●○○ ●●○○ ○○○● ●● ●●○○○● ●●○○○● ○●


    高楼<span ss="q">句笛声凄断<span ss="q">句乐事人非偶<span ss="q">韵空余恨<span ss="q">句惹幽香不灭<span ss="q">句尚沾春袖<span ss="q">韵


    ○○ ●○○● ●●○○● ○○● ●○○●● ●○○●


    ·


    此与柳词同,惟前段第三句押韵,后结作五字一句、四字一句异。


    秋思耗  调见《梦窗词》,吴文英自度腔,因词有“偏称画屏秋色”句,更名《画屏秋色》。


    秋思耗 <span ss="q">双调一百二十三字,前段十一句六仄韵,后段十二句九仄韵     吴文英


    堆枕香鬟侧<span ss="q">韵骤夜声<span ss="q">读偏称画屏秋色<span ss="q">韵风碎串珠<span ss="q">句润侵歌板<span ss="q">句愁压眉窄<span ss="q">韵动罗箑清商<span ss="q">读寸心低


    ○●○○● ●●○ ○●●○○● ○●●○ ●○○● ○●○● ●○●○○ ●○○


    诉叙怨抑<span ss="q">韵映梦窗<span ss="q">读零乱碧<span ss="q">韵待涨绿春深<span ss="q">句落花香泛<span ss="q">句料有断红流处<span ss="q">句暗题相忆<span ss="q">韵  欢夕<span ss="q">韵


    ●●●● ●●○ ○●● ●●●○○ ●○○● ●●●○○● ●○○●   ○●


    檐花细滴<span ss="q">韵送故人<span ss="q">读粉黛重饰<span ss="q">韵漏侵琼瑟<span ss="q">韵丁东敲断<span ss="q">句弄晴月白<span ss="q">韵悄一曲霓裳未终<span ss="q">句催去骖凤


    ○○●● ●●○ ●●○● ●○○● ○○○● ●○●● ●●●○○●○ ○●○●


    翼<span ss="q">韵叹谢客<span ss="q">读犹未识<span ss="q">韵漫瘦却东阳<span ss="q">句灯前无梦到得<span ss="q">韵路隔重云雁北<span ss="q">韵


    ● ●●● ○●● ●●●○○ ○○○●●● ●●○○●●


    ·


    此调只有此词,无别首宋词可校。


    春风袅娜  调见《云月词》,冯艾子自度腔,注黄钟羽,即般涉调。


    春风袅娜 <span ss="q">双调一百二十五字,前段十二句五平韵,后段十五句五平韵    冯艾子


    被梁间双燕<span ss="q">句话尽春愁<span ss="q">韵朝粉谢<span ss="q">句午花柔<span ss="q">韵倚红阑<span ss="q">读故与蝶围蜂绕<span ss="q">句柳绵无数<span ss="q">句飞上搔头<span ss="q">韵


    ●○○○● ●●○○ ○●● ●○○ ●○○ ●●●○○● ●○○● ○●○○


    凤管声圆<span ss="q">句蚕房香暖<span ss="q">句笑揽罗衫须少留<span ss="q">韵隔院兰馨趁风远<span ss="q">句邻墙桃影伴烟收<span ss="q">韵  些子风情


    ●●○○ ○○○● ●●○○○●○ ●●○○●○● ○○○●●○○   ○●○○


    未减<span ss="q">句眉头眼尾<span ss="q">句万千事<span ss="q">读欲说还休<span ss="q">韵蔷薇露<span ss="q">句牡丹毬<span ss="q">韵殷勤记省<span ss="q">句前度绸缪<span ss="q">韵梦里飞红<span ss="q">句


    ●● ○○●● ●○● ●●○○ ○○● ●○○ ○○●● ○●○○ ●●○○


    觉来无觅<span ss="q">句望中新绿<span ss="q">句别后空稠<span ss="q">韵相思难偶<span ss="q">句叹无情明月<span ss="q">句今年已是<span ss="q">句三度如钩<span ss="q">韵


    ●○○● ●○○● ●●○○ ○○○● ●○○○● ○○●● ○●○○


    ·


    此调只有此词,无别首宋词可校。


    春雪间早梅  调见《梅苑》词,隐括韩愈《春雪间早梅》长律诗,即以题为调名。


    春雪间早梅 <span ss="q">双调一百二十五字,前段十句六平韵,后段十一句五平韵 <span ss="q">《梅苑》无名氏


    梅将雪共春<span ss="q">韵彩艳灼灼不相因<span ss="q">韵逐吹霏霏能争密<span ss="q">句排枝碎碎巧妆新<span ss="q">韵谁令香生满座<span ss="q">句独使净


    ○○●●○ ●●●●●○○ ●●○○○○● ○○●●●○○ ○○○○●● ●●●


    敛无尘<span ss="q">韵芳意饶呈瑞<span ss="q">句寒光助照人<span ss="q">韵玲珑次第开已遍<span ss="q">句点缀坐来频<span ss="q">韵  那是俱怀疑似<span ss="q">句须


    ●○○ ○●○○● ○○●●○ ○○●●○●● ●●●○○   ○●○○○● ○


    知造化<span ss="q">句两各逼天真<span ss="q">韵荧煌清影初乱眼<span ss="q">句浩荡逸气忽迷神<span ss="q">韵未许琼花比并<span ss="q">句将从玉树相亲<span ss="q">韵


    ○●● ●●●○○ ○○○●○●● ●●●●●○○ ●●○○●● ○○●●○○


    先期迎戏岁<span ss="q">句同歌酒占兹辰<span ss="q">韵六花腊蒂相辉映<span ss="q">句轻盈敢自珍<span ss="q">韵


    ○○○●● ●○○●●○○ ●○●●○○● ○○●●○


    ·


    此词采之《梅苑》与刘伯寿《梅花曲》,隐括王安石诗者,同一体制,编入以备一体。


    白 苎  按,《古乐府》有《白苎》曲,宋人盖借旧曲名,别倚新声也。王灼《颐年堂集》云:白苎词,传者至少,其正宫一阕,世以为紫姑神作,今从《花草粹编》为柳永词。


    白 苎 <span ss="q">双调一百二十五字,前段十二句七仄韵,后段十五句六仄韵     柳 永


    绣帘垂<span ss="q">句画堂悄<span ss="q">句寒风淅沥<span ss="q">韵遥天万里<span ss="q">句黯淡同云幂幂<span ss="q">韵渐纷纷<span ss="q">读六花零乱散空碧<span ss="q">韵姑射<span ss="q">韵宴


    ●○○ ●○● ○○●● ○○●● ●●○○●● ●○○ ●○○●●○● ○● ●


    瑶池<span ss="q">句把琗玉零珠抛掷<span ss="q">韵林峦望中<span ss="q">句高下琼瑶一色<span ss="q">韵严子陵<span ss="q">读钓台归路迷踪迹<span ss="q">韵  追惜<span ss="q">韵燕


    ○○ ●●●○○○● ○○◎⊙ ○●○○●● ○●○ ●○○●○○●   ⊙● ⊙


    然画角<span ss="q">句宝峤珊瑚<span ss="q">句是时丞相<span ss="q">句虚作银城换得<span ss="q">韵当此际偏宜<span ss="q">句访袁安宅<span ss="q">韵醺醺醉了<span ss="q">句任金钗舞


    ⊙◎◎ ●◎○⊙ ●○○● ○●○○●● ⊙●●○○ ●○○● ○○●● ●○○●


    困<span ss="q">句玉壶频侧<span ss="q">韵又是东君<span ss="q">句暗遣花神<span ss="q">句先报南国<span ss="q">韵昨夜江梅<span ss="q">句漏洩春消息<span ss="q">韵


    ● ●○○● ●●○○ ●●○○ ○●○● ●●○○ ●●○○●


    ·


    此调只有蒋捷词可校。


    又一体 <span ss="q">双调一百二十一字,前段十二句七仄韵,后段十四句六仄韵     蒋 捷


    正春晴<span ss="q">句又春冷<span ss="q">句云低欲落<span ss="q">韵琼苞未剖<span ss="q">句早是东风作恶<span ss="q">韵旋安排<span ss="q">读一双银蒜镇罗幕<span ss="q">韵幽壑<span ss="q">韵水


    ●○○ ●○● ○○●● ○○●● ●●○○●● ●○○ ●○○●●○● ○● ●


    生漪<span ss="q">句皱嫩绿<span ss="q">读潜鳞初跃<span ss="q">韵愔愔门巷<span ss="q">句桃树红才约略<span ss="q">韵知甚时<span ss="q">读霁华烘破青青萼<span ss="q">韵  忆昨<span ss="q">韵


    ○○ ●●● ○○○● ○○○● ○●○○●● ○●○ ●○○●○○●   ●●


    引蝶花边<span ss="q">句近来重见<span ss="q">句身学垂杨瘦削<span ss="q">韵问小翠眉山<span ss="q">句为谁攒却<span ss="q">韵斜阳院宇<span ss="q">句任蛛丝罥遍<span ss="q">句玉筝


    ●●○○ ●○○● ○●○○●● ●●●○○ ●○○● ○○●● ●○○●● ●○


    弦索<span ss="q">韵户外惟闻<span ss="q">句放剪刀声<span ss="q">句深在妆阁<span ss="q">韵料想裁缝<span ss="q">句白苎春衫薄<span ss="q">韵


    ○● ●●○○ ●●○○ ○●○● ●●○○ ●●○○●


    ·


    此与柳词同,惟换头短韵下,减四字一句异。
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