卷三十五
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十二调六十六体,
起一百八字至一百十二字
泛青苕一体<span ss="q">又名感皇恩慢
薄 幸三体
倚阑人一体
惜黄花慢三体
一萼红四体
夺锦标三体<span ss="q">又名清溪怨
菩萨蛮慢一体
杜韦娘二体
无愁可解二体
过秦楼一体
江城子慢二体<span ss="q">又名江神子慢
江南春慢一体
胄马索一体
八宝妆二体<span ss="q">又名八犯玉交枝
疏 影五体<span ss="q">又名绿意、解佩环
大圣乐三体
高山流水一体
慢卷紬二体
选冠子十六体<span ss="q">又名选官子、转调选冠子、惜余春慢、苏武慢、过秦楼
霜叶飞七体<span ss="q">又名半婵娟
五彩结同心二体
透碧霄三体
泛清苕 调见张先词,吴兴泛舟作,即赋题本意也。一名《感皇恩慢》。
泛清苕 <span ss="q">双调一百八字,前后段各十二句,五平韵 张 先
绿净无痕<span ss="q">韵过晓霁清苕<span ss="q">句镜里游人<span ss="q">韵红妆巧<span ss="q">句彩船稳<span ss="q">句当筵主<span ss="q">句秘馆词臣<span ss="q">韵吴娃劝饮韩娥唱<span ss="q">句竞
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艳容<span ss="q">读左右皆春<span ss="q">韵学为行雨<span ss="q">句傍画桨<span ss="q">句从教水溅罗裙<span ss="q">韵 烟溪混月黄昏<span ss="q">韵渐楼台上下<span ss="q">句火影星
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分<span ss="q">韵飞槛倚<span ss="q">句斗牛近<span ss="q">句响箫鼓<span ss="q">句远破重云<span ss="q">韵归轩未至千家待<span ss="q">句掩半妆<span ss="q">读翠箔朱门<span ss="q">韵衣香拂面<span ss="q">句扶
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醉卸簪花<span ss="q">句满袖余氲<span ss="q">韵
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此张先自度曲,无别词可校。
薄 幸 调见《东山乐府》。
薄 幸 <span ss="q">双调一百八字,前段九句五仄韵,后段十句五仄韵 贺 铸
淡妆多态<span ss="q">韵更的的<span ss="q">读频回眄睐<span ss="q">韵便认得<span ss="q">读琴心先许<span ss="q">句与绾合欢双带<span ss="q">韵记画堂<span ss="q">读风月逢迎<span ss="q">句轻颦
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浅笑娇无奈<span ss="q">韵向睡鸭炉边<span ss="q">句翔鸳屏里<span ss="q">句羞把香罗暗解<span ss="q">韵 自过了<span ss="q">读收灯后<span ss="q">句都不见<span ss="q">读踏青挑
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菜<span ss="q">韵几回凭双燕<span ss="q">句丁宁深意<span ss="q">句往来翻恨重帘碍<span ss="q">韵约何时再<span ss="q">韵正春浓酒暖<span ss="q">句人闲昼永无聊赖<span ss="q">韵恹
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恹睡起<span ss="q">句犹有花梢日在<span ss="q">韵
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此调以此词为正体,毛开词正与此同。若沈词之多押一韵、又句读小异,韩词之减字,皆变格也。 按,吕渭老词,前段第五句“记年时、偷掷春心”,年字平声;第八句“宝钗贳酒”,宝字仄声;毛词,结句“小立钗横鬓乱”,小字、鬓字俱仄声;吕词,后段第一、二句“怎忘得、回廊下,携手处、花明月满”,忘字平声,月字仄声;第三句“如今但暮雨”,但字仄声;第四句“蜂愁蝶恨”,蝶字仄声。谱内可平可仄据此,余参所采二词。
又一体 <span ss="q">双调一百八字,前段九句五仄韵,后段十句六仄韵 沈端节
桂轮香满<span ss="q">韵送寒色<span ss="q">读轻风剪剪<span ss="q">韵又还是<span ss="q">读幽窗人静<span ss="q">句梅影参差初转<span ss="q">韵念少年<span ss="q">读孤负芳音<span ss="q">句多时不
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见文君面<span ss="q">韵漫快泻琼舟<span ss="q">句浓熏宝鸭<span ss="q">句终是心情差懒<span ss="q">韵 漫就枕<span ss="q">读浑无寐<span ss="q">句但听彻<span ss="q">读天边飞雁<span ss="q">韵
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闲愁萦万缕<span ss="q">句如何消遣<span ss="q">韵绣衾空忆鸳鸯暖<span ss="q">韵细思量遍<span ss="q">韵倚屏山<span ss="q">读挑尽琴心<span ss="q">句谁识相思怨<span ss="q">韵休文瘦
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损<span ss="q">句陡觉频移带眼<span ss="q">韵
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此与贺词同,惟后段第四句押韵,第七、八句作七字一句、五字一句异。
又一体 <span ss="q">双调一百七字,前段九句五仄韵,后段十句五仄韵 韩元吉
送君南浦<span ss="q">韵对烟柳<span ss="q">读青青万缕<span ss="q">韵更满眼<span ss="q">读残红吹尽<span ss="q">句叶底黄鹂自语<span ss="q">韵甚动人<span ss="q">读多少离情<span ss="q">句楼头水
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阁山无数<span ss="q">韵记竹里题诗<span ss="q">句花边载酒<span ss="q">句魂断江干春暮<span ss="q">韵 都莫问<span ss="q">读功名事<span ss="q">句白发星星如许<span ss="q">韵任鸡
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鸣起舞<span ss="q">句乡关何在<span ss="q">句凭高目尽孤鸿去<span ss="q">韵漫留君住<span ss="q">韵趁酴醾香暖<span ss="q">句持杯且醉瑶台路<span ss="q">韵相思记取<span ss="q">句愁
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绝西窗夜雨<span ss="q">韵
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此与贺词同,惟后段第二句减一字异。
倚阑人 调见《松隐集》,曹勋自度曲。
倚阑人 <span ss="q">双调一百八字,前段十一句四仄韵,后段十句五仄韵 曹 勋
清明池馆<span ss="q">句芳菲渐晚<span ss="q">句晴香满架笼永昼<span ss="q">韵翠拥柔条<span ss="q">句玉铺繁蕊<span ss="q">句袅袅舞低襟袖<span ss="q">韵秀蓓凝浩露<span ss="q">句
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疑挂六铢衣绉<span ss="q">韵檀点芳心<span ss="q">句体熏清馥<span ss="q">句粉容宜撚春风手<span ss="q">韵 肯与芝兰共嗅<span ss="q">韵洞户花<span ss="q">读别是素
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芳依旧<span ss="q">韵剪取长梢<span ss="q">句青蛟喷雪<span ss="q">句挽住晓云争秀<span ss="q">韵楼上人未去<span ss="q">句常恐风欺雨瘦<span ss="q">韵红绡收取<span ss="q">句举觞
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犹喜<span ss="q">句窨得醺醺酒<span ss="q">韵
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此调仅有此词,无他作可校。
惜黄花慢 此调有仄韵、平韵两体。仄韵者,见《逃禅词》;平韵者,见《梦窗词》,与《惜黄花》令词不同。
惜黄花慢 <span ss="q">双调一百八字,前段十一句六仄韵,后段九句五仄韵 杨无咎
霁空如水<span ss="q">韵衬落木坠红<span ss="q">句遥山堆翠<span ss="q">韵独立闲阶<span ss="q">句数声笛度风前<span ss="q">句几点雁横云际<span ss="q">韵已凉天气未寒
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时<span ss="q">句问好处<span ss="q">读一年谁记<span ss="q">韵笑声里<span ss="q">韵摘得半钗<span ss="q">句金蕊来至<span ss="q">韵 横斜为插乌纱<span ss="q">句更揉碎<span ss="q">读泛入金
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尊琼蚁<span ss="q">韵满酌霞觞<span ss="q">句愿教人寿百年<span ss="q">句可奈此时情味<span ss="q">韵牛山何必独沾衣<span ss="q">句对佳节<span ss="q">读惟应欢醉<span ss="q">韵看
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睡起<span ss="q">韵晓蝶也愁花悴<span ss="q">韵
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此调押仄韵者,只有此词及赵词,故可平可仄,悉参赵词。
又一体 <span ss="q">双调一百八字,前段十句七仄韵,后段九句六仄韵 赵以夫
众芳凋谢<span ss="q">韵堪爱处<span ss="q">读老圃寒花幽野<span ss="q">韵照眼如画<span ss="q">韵烂然满地金钱<span ss="q">句买断金天无价<span ss="q">韵古香逸韵似高
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人<span ss="q">句更野服黄冠潇洒<span ss="q">韵向霜夜<span ss="q">韵冷笑暖春<span ss="q">句桃李夭冶<span ss="q">韵 襟期问与谁同<span ss="q">句记往昔<span ss="q">读独自徘徊
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篱下<span ss="q">韵采采盈把<span ss="q">韵此时一段风流<span ss="q">句赖得白衣陶写<span ss="q">韵而今为米负初心<span ss="q">句且细摘<span ss="q">读轻浮三雅<span ss="q">韵沈醉
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也<span ss="q">韵梦落故园茅舍<span ss="q">韵
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此与杨词同,惟前后段第二句俱作九字一句,第三句俱押韵异。
又一体 <span ss="q">双调一百八字,前段十二句六平韵,后段十一句六平韵 吴文英
送客吴皋<span ss="q">韵正试霜夜冷<span ss="q">句枫落长桥<span ss="q">韵望天不尽<span ss="q">句背城渐杳<span ss="q">句离亭黯黯<span ss="q">句恨水迢迢<span ss="q">韵翠香零落红衣
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老<span ss="q">句暮愁锁<span ss="q">读残柳眉梢<span ss="q">韵念瘦腰<span ss="q">韵沈郎旧日<span ss="q">句曾系兰桡<span ss="q">韵 仙人凤咽琼箫<span ss="q">韵怅断魂送远<span ss="q">句九辨
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难招<span ss="q">韵醉鬟留盼<span ss="q">句小窗剪烛<span ss="q">句歌云载恨<span ss="q">句飞上银霄<span ss="q">韵素秋不解随尘去<span ss="q">句败红趁<span ss="q">读一叶寒涛<span ss="q">韵梦翠
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翘<span ss="q">韵怨鸿料过南谯<span ss="q">韵
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此调押平韵者,只有此词及吴词别首,故此词可平可仄,悉参“粉靥金裳”词。 按,吴词别首“粉靥金裳”词,前段第三句“旧日萧娘”,旧字仄声;第四句“翠微高处”,高字平声;第六句“一年最好”,一字仄声;第七句“偏是重阳”,偏字平声;第八句“避春只怕春不远”,只字仄声;后段第三句“深染蜂黄”,深字平声;第七句“百感幽香”,百字仄声;第九句“满城但、风雨凄凉”,风字平声。谱内可平可仄据此,惟后段第八句“不”字以入作平,不注可仄。
一萼红 此调有平韵、仄韵两体。平韵者,见《姜夔词》;仄韵者,见《乐府雅词》,因词有“未教一萼,红开鲜蕊”句,取以为名。
一萼红 <span ss="q">双调一百八字,前段十一句五平韵,后段十句四平韵 姜 夔
古城阴<span ss="q">韵有官梅几许<span ss="q">句红萼未宜簪<span ss="q">韵池面冰胶<span ss="q">句墙腰雪老<span ss="q">句云意还又沈沈<span ss="q">韵翠藤共<span ss="q">读闲穿径竹<span ss="q">句
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渐笑语<span ss="q">读惊起卧沙禽<span ss="q">韵野老林泉<span ss="q">句故王台榭<span ss="q">句呼唤登临<span ss="q">韵 南去北来何事<span ss="q">句荡湘云楚水<span ss="q">句目极
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伤心<span ss="q">韵朱户粘鸡<span ss="q">句金盘簇燕<span ss="q">句宽叹时序侵寻<span ss="q">韵记曾共<span ss="q">读西楼雅集<span ss="q">句想垂柳<span ss="q">读还袅万丝金<span ss="q">韵待得归
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鞍到时<span ss="q">句只怕春深<span ss="q">韵
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此调押平声韵者,以此词为正体,王沂孙词五首,张炎词三首及周密、詹正词,俱如此填。若李词之减字,刘词之少押一韵、句读小异,皆变格也。 按,张炎词,前段第三句“雅志可闲时”,雅字仄声;周密词,第五句“茂陵烟草”,茂字仄声,烟字平声;张词,第六句“忽见倒影凌空”,倒字仄声;尹济翁词,第七句“草草又、一番春梦”,下草字、一字俱仄声,春字平声;张词,第八句“想时将、渔笛静中吹”,将字平声;后段第一句“树挂珊瑚冷月”,树字仄声;第二、三句“叹玉奴妆褪,仙椽诗悭”,玉字仄声,仙字平声;周词,第五句“故园心眼”,故字仄声,心字平声;尹词,第六句“物华冉冉都休”,物字、上冉字俱仄声;周词,第七句“最负他、秦鬟妆镜”,负字仄声,妆字平声;张词,第八句“聚万景、只在此山中”,万字、只字俱仄声,又“好襟怀、初不要人知”,怀字平声;第九句“长日一帘芳草”,长字平声,一字仄声,芳字平声。谱内可平可仄据此,余参李、刘二词。
又一体 <span ss="q">双调一百七字,前段十一句五平韵,后段十句四平韵 李彭老
过蔷薇<span ss="q">韵正风暄云淡<span ss="q">句春去未多时<span ss="q">韵古岸停桡<span ss="q">句单衣试酒<span ss="q">句满眼芳草斜晖<span ss="q">韵故人老<span ss="q">读经年赋别<span ss="q">句
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灯晕里<span ss="q">读相对夜何其<span ss="q">韵泛剡清愁<span ss="q">句买花芳事<span ss="q">句一卷新诗<span ss="q">韵 流水孤帆渐远<span ss="q">句想家山猿鹤<span ss="q">句喜见
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重归<span ss="q">韵北阜寻幽<span ss="q">句青津问钓<span ss="q">句多情杨柳依依<span ss="q">韵最难忘<span ss="q">读吟边旧雨<span ss="q">句数菖蒲老是来期<span ss="q">韵几夕相思梦
○○ ●●○○ ○○●● ○○○●○○ ●○○ ○○●● ●○○●●○○ ●●○○●
蝶<span ss="q">句飞绕苹溪<span ss="q">韵
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·
此与姜词同,惟后段第八句减一字异。
又一体 <span ss="q">双调一百八字,前段十一句四平韵,后段十句四平韵 刘天迪
拥孤衾<span ss="q">句正朔风凄紧<span ss="q">句毡帐夜惊寒<span ss="q">韵春梦无凭<span ss="q">句秋期又误<span ss="q">句迢递烟水云山<span ss="q">韵断肠处<span ss="q">读黄茅瘴雨<span ss="q">句
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恨骢马<span ss="q">读憔悴只空还<span ss="q">韵揉翠盟孤<span ss="q">句啼红怨切<span ss="q">句暗老朱颜<span ss="q">韵 堪叹扬州十载<span ss="q">句甚倡条冶叶<span ss="q">句不省
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春残<span ss="q">韵蔡琰悲笳<span ss="q">句昭君怨曲<span ss="q">句何预当日悲欢<span ss="q">韵漫赢得<span ss="q">读西邻倦客<span ss="q">句空惆怅<span ss="q">读今古上眉端<span ss="q">韵梦破梅
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花<span ss="q">句角声又报更阑<span ss="q">韵
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·
此亦与姜词同,惟前段起句不用韵,后段结句作四字一句、六字一句异。
又一体 <span ss="q">双调一百八字,前段十一句四仄韵,后段十句五仄韵 <span ss="q">《乐府雅词》无名氏
断云漏日<span ss="q">句青阳布<span ss="q">句渐入融和天气<span ss="q">韵糁缀夭桃<span ss="q">句金妆垂杨<span ss="q">句妆点亭台佳致<span ss="q">韵晓露染<span ss="q">读风裁雨晕<span ss="q">句
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是绝艳<span ss="q">读偏称化工美<span ss="q">韵向此际会<span ss="q">句未教一萼<span ss="q">句红开鲜蕊<span ss="q">韵 迤逦渐成春意<span ss="q">韵放妖容秀色<span ss="q">句天真
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难比<span ss="q">韵香上蜂须<span ss="q">句粉沾蝶翅<span ss="q">句忍把芳心萦碎<span ss="q">韵争似便<span ss="q">读移归深院<span ss="q">句将绿盖青帏护风里<span ss="q">韵恁时节<span ss="q">句
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占断与<span ss="q">读偎红倚翠<span ss="q">韵
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·
此调押仄声韵者,只有此词,见《雅词》拾遗,系北宋人作,与姜词押平韵者不同,采入以备一体。
夺锦标 调见《古山词》。白朴词,名《清溪怨》。
夺锦标 <span ss="q">双调一百八字,前段十句四仄韵,后段十句五仄韵 张 埜
凉月横舟<span ss="q">句银潢浸练<span ss="q">句万里秋容如拭<span ss="q">韵冉冉鸾骖鹤驭<span ss="q">句桥倚高寒<span ss="q">句鹊飞空碧<span ss="q">韵问欢情几许<span ss="q">句早收
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拾<span ss="q">读新愁重织<span ss="q">韵恨人间<span ss="q">读会少离多<span ss="q">句万古千秋今夕<span ss="q">韵 谁念文园病客<span ss="q">韵夜色沈沈<span ss="q">句独抱一天
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岑寂<span ss="q">韵忍记穿针亭榭<span ss="q">句金鸭香寒<span ss="q">句玉徽尘积<span ss="q">韵凭新凉半枕<span ss="q">句又依约<span ss="q">读行云消息<span ss="q">韵听窗前<span ss="q">读泪雨浪
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浪<span ss="q">句梦里檐声犹滴<span ss="q">韵
○ ●●○○○●
·
此调以此词为正体,若白词之少押一韵,滕词之减字,皆变格也。 按,王恽词,前段第二句“会稽旁带”,会字仄声,旁字平声;第四句“碧草莫伤春浦”,莫字仄声,春字平声;第八句“望云霓、苦思休息”,苦字仄声;后段第三句“尽慰元郎行色”,元字平声;第四句“镜水绿通朱阁”,绿字仄声。谱内可平可仄据此,余参所采二词。
又一体 <span ss="q">双调一百八字,前后段各十句,四仄韵 白 朴
孤影长嗟<span ss="q">句凭高眺远<span ss="q">句落日新亭西北<span ss="q">韵幸有山河在眼<span ss="q">句风景留人<span ss="q">句楚囚何泣<span ss="q">韵尽纷华蜗角<span ss="q">句算都
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输<span ss="q">读林泉闲适<span ss="q">韵澹悠悠<span ss="q">读流水行云<span ss="q">句任我平生踪迹<span ss="q">韵 谁念江州司马<span ss="q">句沦落天涯<span ss="q">句青衫未免
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沾湿<span ss="q">韵梦里封龙旧隐<span ss="q">句经卷琴囊<span ss="q">句酒樽诗笔<span ss="q">韵对中天凉月<span ss="q">句且高歌<span ss="q">读徘徊今夕<span ss="q">韵陇头人<span ss="q">读应也相
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思<span ss="q">句万里梅花消息<span ss="q">韵
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·
此与张词同,惟换头句不押韵异。
又一体 <span ss="q">双调一百六字,前段十句五仄韵,后段十句四仄韵 滕应宾
老气盘空<span ss="q">句才名盖世<span ss="q">句万里西风行色<span ss="q">韵人物中朝第一<span ss="q">韵司马题桥<span ss="q">句班生投笔<span ss="q">韵记承流宣化<span ss="q">句早威
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声<span ss="q">读先驰殊域<span ss="q">韵看吟鞭<span ss="q">读笑指关河<span ss="q">句历历当年曾识<span ss="q">韵 自古人心忠义<span ss="q">句白水朝东<span ss="q">句众星拱极<span ss="q">韵
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铜柱无端隔断<span ss="q">句瘴雨蛮烟<span ss="q">句天南地北<span ss="q">韵莫回瞻丹阙<span ss="q">句捧红云<span ss="q">读金泥香屑<span ss="q">韵愿明年<span ss="q">读归对大廷<span ss="q">句细
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说安边良策<span ss="q">韵
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·
此亦与张词同,惟前段第四句押韵,后段第三句减二字异。
菩萨蛮慢 调见凤林书院元词,一名《菩萨蛮引》,与《菩萨蛮》令词不同。
菩萨蛮慢 <span ss="q">双调一百八字,前后段各十一句,五仄韵 罗志仁
晓莺催起<span ss="q">韵问当年秀色<span ss="q">句为谁料理<span ss="q">韵怅别后<span ss="q">读屏掩吴山<span ss="q">句便楼燕月寒<span ss="q">句鬓蝉云委<span ss="q">韵锦字无恁<span ss="q">句付
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银烛<span ss="q">读尽烧千纸<span ss="q">韵对寒泓静碧<span ss="q">句又把去鸿<span ss="q">句往恨都洗<span ss="q">韵 桃花自贪结子<span ss="q">韵道东风有意<span ss="q">句吹送流
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水<span ss="q">韵漫记得当年<span ss="q">句心嫁卿卿<span ss="q">句是日暮天寒<span ss="q">句翠袖堪倚<span ss="q">韵扇月乘鸾<span ss="q">句尽梦隔<span ss="q">读婵娟千里<span ss="q">韵倒嗔人<span ss="q">读
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从今不信<span ss="q">句画檐鹊喜<span ss="q">韵
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·
此词句读、押韵,与《解连环》调同,所异者,惟后段第四句多二字耳。因《解连环》无添字之例,故不类列。
杜韦娘 唐《教坊记》,有杜韦娘曲。刘禹锡诗“春风一曲杜韦娘”是也,宋人借旧曲名,另翻慢词。
杜韦娘 <span ss="q">双调一百九字,前段九句四仄韵,后段十句五仄韵 杜安世
暮春天气<span ss="q">句莺儿燕子忙如织<span ss="q">韵问嫩叶<span ss="q">读枝亚青梅小<span ss="q">句乍遍水<span ss="q">读新萍圆碧<span ss="q">韵初牡丹谢了<span ss="q">句秋千搭
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起<span ss="q">句垂杨暗锁深深陌<span ss="q">韵暖风轻<span ss="q">句尽日闲把<span ss="q">读榆钱乱掷<span ss="q">韵 恨寂寂<span ss="q">韵芳容衰减<span ss="q">句顿攲玳枕困无
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力<span ss="q">韵为少年<span ss="q">读狂荡恩情薄<span ss="q">句尚未有<span ss="q">读归来消息<span ss="q">韵想当初凤侣鸳俦<span ss="q">句唤作平生<span ss="q">句更不轻离拆<span ss="q">韵倚
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朱扉<span ss="q">句泪眼滴损<span ss="q">读红绡数尺<span ss="q">韵
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·
此调只有杜词及无名氏词两体,故可平可仄,悉参无名氏词句读同者。
又一体 <span ss="q">双调一百九字,前后段各十句,五仄韵 <span ss="q">《乐府雅词》无名氏
华堂深院<span ss="q">句霜笼月彩生寒晕<span ss="q">韵度翠幄<span ss="q">读风触梅香喷<span ss="q">韵渐岁晚<span ss="q">读春光将近<span ss="q">韵惹离恨万种<span ss="q">句多情易
○○○● ○○●●○○● ●●● ○●○○● ●●● ○○○● ●○●●● ○○●
感<span ss="q">句欢难聚少愁成阵<span ss="q">韵拥红炉<span ss="q">句凤枕慵敧<span ss="q">句银灯挑尽<span ss="q">韵 当此际<span ss="q">句争忍前期后约<span ss="q">句度岁无凭
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准<span ss="q">韵对好景<span ss="q">读空积相思恨<span ss="q">韵但自觉<span ss="q">读恹恹方寸<span ss="q">韵拟蛮笺象管<span ss="q">句丹青好手<span ss="q">句写出寄与伊教信<span ss="q">韵尽
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千工万巧<span ss="q">句唯有心期难问<span ss="q">韵
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·
此词与杜词校,押韵不同,后段句法互异,采入以备一体。
无愁可解 调见东坡词,自序云:花日新作越调《解愁》,洛阳刘几伯寿,闻而悦之,为作俚语诗,天下传咏,以为几欲达者。龙丘子笑之,此虽免乎愁,犹有所解也者,夫游于自然,而托之于不得已,人乐亦乐,人愁亦愁,彼且乌乎解哉?乃反其词,作《无愁可解》。
无愁可解 <span ss="q">双调一百九字,前后段各十句,六仄韵 苏 轼
光景百年<span ss="q">句看便一世<span ss="q">韵生来不识愁味<span ss="q">韵问愁何处来<span ss="q">句更开解个甚底<span ss="q">韵万事从来风过耳<span ss="q">韵又何用<span ss="q">读
⊙●◎○ ○◎●● ⊙⊙◎●○● ●○○●⊙ ●○●●●● ●●○○⊙●● ●⊙●
著在心里<span ss="q">韵你唤做<span ss="q">读展却眉头<span ss="q">句便是达者<span ss="q">句也则恐未<span ss="q">韵 此理<span ss="q">韵本不通言<span ss="q">句何曾道<span ss="q">读欢游胜如
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名利<span ss="q">韵道则浑是错<span ss="q">句不道如何即是<span ss="q">韵这里元无我与你<span ss="q">韵甚唤做<span ss="q">读物情之外<span ss="q">韵若须待醉了<span ss="q">句方开解
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时<span ss="q">句问无酒<span ss="q">读怎生醉<span ss="q">韵
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·
此调苏词外,只有无名氏词可校。
又一体 <span ss="q">双调一百十二字,前后段各十句,五仄韵 <span ss="q">《鸣鹤余音》无名氏
返照人间<span ss="q">句忙忙劫劫<span ss="q">韵昼夜辛苦无歇<span ss="q">韵大都能几许<span ss="q">句这百年<span ss="q">读又如春雪<span ss="q">韵可惜天真逐爱欲<span ss="q">句似
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傀儡<span ss="q">读被他牵拽<span ss="q">韵暗悲嗟<span ss="q">读苦海浮生<span ss="q">句改头换面<span ss="q">句看何时彻<span ss="q">韵 听说<span ss="q">韵古往今来名利客<span ss="q">句今
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只有<span ss="q">读兔踪狐穴<span ss="q">韵六朝并五霸<span ss="q">句尽输他<span ss="q">读云水英杰<span ss="q">韵一味真慵为伴侣<span ss="q">句养浩然<span ss="q">读岁寒清节<span ss="q">韵这
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些儿<span ss="q">读冷淡生涯<span ss="q">句与谁共赏<span ss="q">句有松窗月<span ss="q">韵
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·
此词与苏词校,前后段第五句各添一字、俱不押韵,又后段第二、三句添一字、摊破句法、作七字两句,第八、九、十句,作四字三句异。
过秦楼 调见《乐府雅词》,李甲作,因词有“曾过秦楼”句,取以为名。
过秦楼 <span ss="q">双调一百九字,前段十一句五平韵,后段十一句四平韵 李 甲
卖酒垆边<span ss="q">句寻芳原上<span ss="q">句乱花飞絮悠悠<span ss="q">韵已蝶稀莺散<span ss="q">句便拟把长绳<span ss="q">句系日无由<span ss="q">韵漫道莫忘忧<span ss="q">韵也徒
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将<span ss="q">读酒解闲愁<span ss="q">韵正江南春尽<span ss="q">句行人千里<span ss="q">句苹满汀洲<span ss="q">韵 有翠红径里<span ss="q">读盈盈侣<span ss="q">句簇芳茵禊饮<span ss="q">句时
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笑时讴<span ss="q">韵当暖风迟景<span ss="q">句任相将永日<span ss="q">句烂熳狂游<span ss="q">韵谁信盛狂中<span ss="q">句有离情<span ss="q">读忽到心头<span ss="q">韵向尊前拟问<span ss="q">句
●○○ ○●○○● ●○○●● ●●○○ ○●●○○ ●○○ ●●○○ ●○○●●
双燕来时<span ss="q">句曾过秦楼<span ss="q">韵
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·
此调押平韵者,只有此词,无别首宋词可校。 《片玉集》以周邦彦《选官子》词,刻作《过秦楼》,各谱遂名周词为仄韵《过秦楼》,不知《选官子》调,其体不一,应以周词编入《选官子》调内,不得以仄韵《过秦楼》,另分一体。
江城子慢 调见吕渭老集。蔡松年词,名《江神子慢》。与《江城子》令词不同。
江城子慢 <span ss="q">双调一百九字,前段九句七仄韵,后段九句六仄韵 吕渭老
新枝媚斜日<span ss="q">韵花径霁<span ss="q">读晚碧泛红滴<span ss="q">韵近寒食<span ss="q">韵蜂蝶乱<span ss="q">读点检一城春色<span ss="q">韵倦游客<span ss="q">韵门外昏鸦啼梦
⊙○●○● ○●● ◎◎●○● ●○● ○◎● ●●◎○○● ●○● ⊙●○○○●
破<span ss="q">句春心似<span ss="q">读游丝飞远碧<span ss="q">韵燕子又语斜檐<span ss="q">句行云自没消息<span ss="q">韵 当时乌丝夜语<span ss="q">句约桃花时候<span ss="q">句
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同醉瑶瑟<span ss="q">韵甚端的<span ss="q">韵看看是<span ss="q">读榆荚杨花飞掷<span ss="q">韵怎忘得<span ss="q">韵斜倚红楼回泪眼<span ss="q">句天如水<span ss="q">读沈沈连翠璧<span ss="q">韵
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想伊不整啼妆影帘侧<span ss="q">韵
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·
此调只有蔡松年词可校。
又一体 <span ss="q">双调一百十字,前后段各九句,七仄韵 蔡松年
紫云点枫叶<span ss="q">韵崖树小<span ss="q">读婆娑岁寒节<span ss="q">韵占高洁<span ss="q">韵纤苞暖<span ss="q">读酿出梅魂兰魄<span ss="q">韵照浓碧<span ss="q">韵茗盌添春花气
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重<span ss="q">句芸窗晚<span ss="q">读濛濛浮霁月<span ss="q">韵小眠鼻观先通<span ss="q">句庐山旧梦清绝<span ss="q">韵 萧闲平生淡泊<span ss="q">韵独芳温一念<span ss="q">句
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犹未衰歇<span ss="q">韵种种陈迹<span ss="q">韵而今老<span ss="q">读但觅茶烟禅榻<span ss="q">韵寄闲寂<span ss="q">韵风外天花无梦也<span ss="q">句鸳鸯债<span ss="q">读从渠千万
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劫<span ss="q">韵夜寒回施幽香与愁客<span ss="q">韵
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·
此与蔡词同,惟换头句押韵,第四句添一字异。
江南春慢 吴文英自度曲,注小石调。
江南春慢 <span ss="q">双调一百九字,前段十句五仄韵,后段十一句六仄韵 吴文英
风响牙签<span ss="q">句云寒古砚<span ss="q">句芳铭犹在棠笏<span ss="q">韵秋床听雨<span ss="q">句妙谢庭<span ss="q">读春早吟笔<span ss="q">韵城市喧鸣辙<span ss="q">韵清溪上<span ss="q">读小
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山秀洁<span ss="q">韵便向此<span ss="q">读搜松访石<span ss="q">句葺屋营花<span ss="q">句红尘远避风月<span ss="q">韵 瞿塘路<span ss="q">句随汉节<span ss="q">韵记羽扇纶巾<span ss="q">句气
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凌诸葛<span ss="q">韵青天万里<span ss="q">句料漫忆<span ss="q">读蒪丝鲈雪<span ss="q">韵车马从休歇<span ss="q">韵荣华梦<span ss="q">读醉歌耳热<span ss="q">韵真个是<span ss="q">读天与此翁<span ss="q">句
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芳芷嘉名<span ss="q">句纫兰佩兮琼玦<span ss="q">韵
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·
此系梦窗自度腔,无别词可校。
胄马索 调见《梅苑》。
胄马索 <span ss="q">双调一百九字,前段九句四仄韵,后段十一句五仄韵 <span ss="q">《梅苑》无名氏
晓窗明<span ss="q">句庭外寒梅向残月<span ss="q">韵吴溪庾岭<span ss="q">句一枝偷把阳和泄<span ss="q">韵冰姿素艳<span ss="q">句自然天赋<span ss="q">句品格真香殊常
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别<span ss="q">韵奈北人<span ss="q">读不识南枝<span ss="q">句唤作腊前杏先发<span ss="q">韵 奇绝<span ss="q">韵照溪临水<span ss="q">句素禽飞下<span ss="q">句玉羽琼芳斗清
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洁<span ss="q">韵懊恨春来何晚<span ss="q">句伤心邻妇争先折<span ss="q">韵多情立马<span ss="q">句待得黄昏<span ss="q">句疏影斜斜微酸结<span ss="q">韵恨马融<span ss="q">读一声
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羌笛起处<span ss="q">句纷纷落如雪<span ss="q">韵
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·
《花草粹编》载此词,后段第五、六句作“懊恨春工来何晚,伤临媚眉先折”,今从《梅苑》本订正,其平仄无他词可校。
八宝妆 仇远词,名《八宝玉交枝》,与《新雁过妆楼》别名《八宝妆》者不同。
八宝妆 <span ss="q">双调一百十字,前段十句四仄韵,后段九句五仄韵 李 甲
门掩黄昏<span ss="q">句画堂人寂<span ss="q">句暮雨乍收残暑<span ss="q">韵帘卷疏星庭户悄<span ss="q">句隐隐严城钟鼓<span ss="q">韵空阶烟暝<span ss="q">句半开斜月
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朦胧<span ss="q">句银河澄淡风凄楚<span ss="q">韵还是凤楼人远<span ss="q">句桃源无路<span ss="q">韵 惆怅夜久星繁<span ss="q">句碧云望断<span ss="q">句玉箫声在
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何处<span ss="q">韵念谁伴<span ss="q">读茜裙翠袖<span ss="q">句共携手<span ss="q">读瑶台归去<span ss="q">韵对修竹<span ss="q">读森森院宇<span ss="q">韵曲屏香暖凝沈炷<span ss="q">韵问对酒
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当歌<span ss="q">句情怀记得刘郎否<span ss="q">韵
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·
此调只有仇远词可校。
又一体 <span ss="q">双调一百十字,前段十句五仄韵,后段九句七仄韵 仇 远
沧岛云连<span ss="q">句绿瀛秋入<span ss="q">句暮景却沈洲屿<span ss="q">韵无浪无风天地白<span ss="q">句听得湖生人语<span ss="q">韵擎空孤柱<span ss="q">韵翠倚高阁
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恁虚<span ss="q">句中流苍碧迷烟雾<span ss="q">韵惟见广寒门外<span ss="q">句青无重数<span ss="q">韵 不知是水是山<span ss="q">句不知是树<span ss="q">韵漫漫知是
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何处<span ss="q">韵倩谁问<span ss="q">读凌波轻步<span ss="q">韵漫凝睇<span ss="q">读乘鸾秦女<span ss="q">韵想庭曲<span ss="q">读霓裳正舞<span ss="q">韵莫须长笛吹愁去<span ss="q">韵怕唤起
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鱼龙<span ss="q">句三更喷作前山雨<span ss="q">韵
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此与李词同,惟前段第六句,后段第二句、第四句俱押韵异。
疏 影 姜夔自度仙吕宫曲。张炎词,咏荷叶,易名《绿意》;彭远逊词,有“遗佩环浮沈澧浦”句,名《解佩环》。
疏 影 <span ss="q">双调一百十字,前段十句五仄韵,后段十句四仄韵 姜 夔
苔枝缀玉<span ss="q">韵有翠禽小小<span ss="q">句枝上同宿<span ss="q">韵客里相逢<span ss="q">句篱角黄昏<span ss="q">句无言自倚修竹<span ss="q">韵昭君不惯龙沙远<span ss="q">句但
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暗忆<span ss="q">读江南江北<span ss="q">韵想佩环<span ss="q">读月夜归来<span ss="q">句化作此花幽独<span ss="q">韵 犹记深宫旧事<span ss="q">句那人正睡里<span ss="q">句飞近蛾
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绿<span ss="q">韵莫似春风<span ss="q">句不管盈盈<span ss="q">句早与安排金屋<span ss="q">韵还教一片随波去<span ss="q">句又却怨<span ss="q">读玉龙哀曲<span ss="q">韵等恁时<span ss="q">读重觅
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幽香<span ss="q">句已入小窗横幅<span ss="q">韵
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·
此调以此词为正体,若陈允平、张炎、张翥词之押韵不同、句读互异,皆变格也。 按,周密词,前段第三句“一花初发”,一字仄声;赵以夫词,第七句“玉仙缓辔江城路”,玉字仄声,王沂孙词,“离魂分破东风恨”,分字平声;赵以夫词,第八句“全不羡、扬州东阁”,全字平声;第九句“似天教、瑶佩琼裾”,天字平声;赵文词,第十句“寂历如闻幽咽”,如字平声;吴文英词,后段第五句“图入凌烟”,图字平声;第七句“相将初识红盐味”,初字平声;赵以夫词,第九句“醉归来、梦断西窗”,归字平声,王沂孙词,“早又是、翠阴蒙茸”,是字仄声。谱内可平可仄据此,余参所采四词。 张词,前段第三句“千峰独立”,独字入声;又一首,后段第三句“独抱孤洁”,独字入声,此皆以入作平,不注可仄。 彭元逊词,后段起句“日晏山深闻笛”,日字以入作平,闻字平声,与诸家不同,谱内不注可平可仄。
又一体 <span ss="q">双调一百十字,前段九句五仄韵,后段十句四仄韵 张 炎
柳黄未结<span ss="q">韵放嫩晴<span ss="q">读销尽断桥残雪<span ss="q">韵隔水人家<span ss="q">句浑是花阴<span ss="q">句曾醉好春时节<span ss="q">韵轻车几度新堤晓<span ss="q">句想
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如今<span ss="q">读燕莺犹说<span ss="q">韵纵艳游<span ss="q">读得似当年<span ss="q">句早是旧情都别<span ss="q">韵 重到翻疑梦醒<span ss="q">句弄泉试照影<span ss="q">句惊见华
○○ ●○○● ●●○ ●●○○ ●●●○○● ○●○○●● ●○●●● ○●○
发<span ss="q">韵却笑归来<span ss="q">句石老云荒<span ss="q">句身世飘然一叶<span ss="q">韵闭门约住青山色<span ss="q">句自容与<span ss="q">读吟窗清绝<span ss="q">韵怕夜寒吹到梅
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花<span ss="q">句休卷半帘明月<span ss="q">韵
○ ○●●○○●
·
此与姜词同,惟前段第二、三句,作九字一句异。又一首,后段第二句“怕飞去、漫绉留仙裙摺”,亦作九字句,注明不另列。
又一体 <span ss="q">双调一百十字,前后段各十句,四仄韵 陈允平
千峰玉立<span ss="q">句送孤云伴我<span ss="q">句罗村清宿<span ss="q">韵拂晓凭虚<span ss="q">句春碧生寒<span ss="q">句衣单瘦倚筇竹<span ss="q">韵东风不解吹愁醒<span ss="q">句但
○○●● ●○○●● ○○○● ●●○○ ○●○○ ●○●●○● ○○●●○○● ●
芳草<span ss="q">读溪城南北<span ss="q">韵认雾鬟<span ss="q">读遥锁修颦<span ss="q">句眉妩为谁愁独<span ss="q">韵 江上轻鸥似识<span ss="q">句背昭亭两两<span ss="q">句飞破晴
○● ○○○● ●●○ ○●○○ ○●●○○● ○●○○●● ●○○●● ○●○
渌<span ss="q">韵一片苍烟<span ss="q">句隔断家山<span ss="q">句梦绕石窗萝屋<span ss="q">韵相看不厌朝还暮<span ss="q">句算几度<span ss="q">读赤阑干曲<span ss="q">韵待倩诗<span ss="q">读收拾
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归来<span ss="q">句写作卧游屏幅<span ss="q">韵
○○ ●●●○○●
·
此亦与姜词同,惟首句不押韵异。
又一体 <span ss="q">双调一百十字,前段十句四仄韵,后段十句五仄韵 张 炎
雪空四野<span ss="q">句照归心万里<span ss="q">句千峰独立<span ss="q">韵身与天游<span ss="q">句一洗襟怀<span ss="q">句海镜倒涌秋白<span ss="q">韵相逢懒问盈亏事<span ss="q">句但
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脉脉<span ss="q">读此情何极<span ss="q">韵是几番<span ss="q">读飞盖追随<span ss="q">句桂底露衣香湿<span ss="q">韵 闲款楼台夜色<span ss="q">韵料水光未许<span ss="q">句人世先
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得<span ss="q">韵影里分明<span ss="q">句认得山河<span ss="q">句一笑乱山横碧<span ss="q">韵乾坤许大须容我<span ss="q">句浑忘了<span ss="q">读醉乡犹客<span ss="q">韵待倩谁<span ss="q">读招下
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清风<span ss="q">句共结岁寒三益<span ss="q">韵
○○ ●●●○○●
·
此与陈词同,惟换头句押韵异。 按,张词别首,换头“窥镜娥眉淡抹,为容不在貌,独抱孤洁”,多押一韵,正与此同。
又一体 <span ss="q">双调一百十字,前段十一句五仄韵,后段十句四仄韵 张 翥
山阴赋客<span ss="q">韵怪几番睡起<span ss="q">句窗影生白<span ss="q">韵缥缈仙姝<span ss="q">句飞下瑶台<span ss="q">句淡泞东风颜色<span ss="q">韵微霜恰护朦胧月<span ss="q">句更
○○●● ●●○●● ○●○● ●●○○ ○●○○ ●●○○○● ○○●●○○● ●
想像<span ss="q">读暝烟低隔<span ss="q">韵恨翠禽啼处<span ss="q">句惊残一夜<span ss="q">句梦云无迹<span ss="q">韵 惟有龙煤解染<span ss="q">句数枝入画里<span ss="q">句如印溪
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碧<span ss="q">韵老树枯苔<span ss="q">句玉晕冰围<span ss="q">句满幅寒香狼藉<span ss="q">韵墨池雪岭春长好<span ss="q">句悄不管<span ss="q">读小楼横笛<span ss="q">韵怕有人<span ss="q">读误认
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寒花<span ss="q">句欲点晓来妆额<span ss="q">韵
○○ ●●●○○●
·
此亦姜词体,惟前结摊破句法,作五字一句、四字两句异。 按,南曲黄钟宫《疏影》调,正照此填。
大圣乐 《宋史·乐志》:道调宫。此高速有平韵、仄韵两体。平韵者,见《顺斋乐府》;仄韵者,见《苹洲渔笛谱》。
大圣乐 <span ss="q">双调一百十字,前段十一句一叶韵三平韵,后段十一句四平韵 康与之
千朵奇峰<span ss="q">句半轩微雨<span ss="q">句晓来初过<span ss="q">叶渐燕子<span ss="q">读引教雏飞<span ss="q">句菡萏暗薰芳草<span ss="q">句池面凉多<span ss="q">韵浅斟琼卮浮绿
○●○○ ●○○● ●○○● ●●● ●●○○ ●●●○○● ○●○○ ●○○○○●
蚁<span ss="q">句展湘簟<span ss="q">读双纹生细波<span ss="q">韵轻纨举<span ss="q">句动团圞素月<span ss="q">句仙桂婆娑<span ss="q">韵 临风对月恣乐<span ss="q">句便好把<span ss="q">读千金
● ●○● ○○○●○ ○○● ●○○●● ○●○○ ○○●●●● ●◎● ○○
邀艳娥<span ss="q">韵幸太平无事<span ss="q">句击壤鼓腹<span ss="q">句携酒高歌<span ss="q">韵富贵安居<span ss="q">句功名天赋<span ss="q">句争奈皆由时命呵<span ss="q">韵休眉锁<span ss="q">句
○●○ ●●○○● ●◎●● ○●○○ ●●○○ ○○○● ⊙●○○○●○ ○○●
问朱颜去了<span ss="q">句还更来么<span ss="q">韵
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·
此调押平声韵者,只有此词,前段第三句叶一仄韵,以下皆押平韵。如蒋捷词“笙月凉边,翠翘双舞,寿仙曲破”,亦叶仄韵,正与此同。 按,蒋词,后段第二句“记曾趁、雷志飞快梭”,曾字平声;第四句“抚松采菊”,松字平声;第八句“淡处还他滋味多”,淡字仄声。谱内可平可仄据此,惟前段第八句,“展一笑、微微红透涡”,一字入声;后段第十句,“有碧荷贮酒”,碧字入声,此皆以入作平,不注可仄。
又一体 <span ss="q">双调一百八字,前段十一句四仄韵,后段九句五仄韵 周 密
虹雨霓风<span ss="q">句翠萦苹浦<span ss="q">句锦翻葵径<span ss="q">韵正小亭曲沼幽深<span ss="q">句冰簟沁肌<span ss="q">句催觉绿窗人静<span ss="q">韵暗忆兰汤初洗
⊙●○○ ●○○● ●○○● ●●○◎●○○ ⊙●●○ ○●◎○○● ●●⊙○○◎
罢<span ss="q">句衬碧雾<span ss="q">读笼绡垂蕙领<span ss="q">韵轻妆了<span ss="q">句袅花侵绛缕<span ss="q">句香满鸾镜<span ss="q">韵 人间午迟漏永<span ss="q">韵看双燕<span ss="q">读将
● ●●● ○○○●● ○○● ●○⊙●◎ ○●○● ○○●○●● ●⊙● ○
雏穿藻井<span ss="q">韵喜玉壶无暑<span ss="q">句凉涵荷气<span ss="q">句波摇帘影<span ss="q">韵画舫西湖浑如旧<span ss="q">句又菰冷蒲香惊梦醒<span ss="q">韵归舟晚<span ss="q">句
○○●● ●●○○● ○○⊙● ○○○● ●●⊙○○○● ●○●○○○●● ○○●
听谁家<span ss="q">读紫箫声近<span ss="q">韵
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·
此调押仄声韵者,只有周词及张词,故可平可仄,悉参张词。 此词校平韵词减二字,句读亦小异。
又一体 <span ss="q">双调一百十字,前段十一句五仄韵,后段九句六仄韵 张 炎
隐市山林<span ss="q">句傍家池馆<span ss="q">句顿成佳趣<span ss="q">韵是几番<span ss="q">读临水看云<span ss="q">句就树揽香<span ss="q">句诗满阑干横处<span ss="q">韵翠径小车行花
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影<span ss="q">句听一片<span ss="q">读春声人笑语<span ss="q">韵深亭宇<span ss="q">韵对清昼渐长<span ss="q">句闲教鹦鹉<span ss="q">韵 芳情缓寻细数<span ss="q">韵爱碧草如烟
● ●●● ○○○●● ○○● ●○●●○ ○●○● ○○●○●● ●●●○○
花自雨<span ss="q">韵任燕来莺去<span ss="q">句香凝翠暖<span ss="q">句歌酒清时钟鼓<span ss="q">韵二十四帘冰壶里<span ss="q">句有谁在<span ss="q">读箫台犹醉舞<span ss="q">韵吹笙
○●● ●●○○● ○○●● ○●○○○● ●●●○○○● ●○● ○○○●● ○○
侣<span ss="q">韵倚高寒<span ss="q">读半天风露<span ss="q">韵
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·
此词与周词校,前段第九句、后段第八句俱押韵,后段第五句添二字、作六字句异。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
高山流水 调见《梦窗词》,吴文英自度曲,赠丁基仲妾作也。妾善琴,故以《高山流水》为调名。
高山流水 <span ss="q">双调一百十字,前段十句六平韵,后段十一句六平韵 吴文英
素弦一一起秋风<span ss="q">韵写柔情<span ss="q">读多在春葱<span ss="q">韵徽外断肠声<span ss="q">句霜霄暗落惊鸿<span ss="q">韵低颦处<span ss="q">读剪绿裁红<span ss="q">韵仙郎
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伴<span ss="q">句新制还赓旧曲<span ss="q">句映月帘栊<span ss="q">韵似名花并蒂<span ss="q">句日日醉春浓<span ss="q">韵 吴中<span ss="q">韵空传有西子<span ss="q">句应不解<span ss="q">读
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换徵移宫<span ss="q">韵兰蕙满襟怀<span ss="q">句唾碧总喷花茸<span ss="q">韵后堂深<span ss="q">读想费春工<span ss="q">韵客愁重<span ss="q">句时听蕉寒雨碎<span ss="q">句泪湿琼
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钟<span ss="q">韵恁风流也<span ss="q">句称金屋<span ss="q">读贮娇慵<span ss="q">韵
○ ●○○● ●○● ●○○
·
此调文英自制,无别首宋词可校,其平仄当从之。
慢卷紬 柳永《乐章集》注:夹钟商。
慢卷紬 <span ss="q">双调一百十一字,前段十三句四仄韵,后段十一句五仄韵 柳 永
闲窗烛暗<span ss="q">句孤帏夜永<span ss="q">句欹枕难成寐<span ss="q">韵细屈指寻思<span ss="q">句旧事前欢<span ss="q">句都来未尽<span ss="q">句平生深意<span ss="q">韵到得如今<span ss="q">句
⊙⊙◎◎ ○○●● ⊙●○○● ●⊙●○○ ●●○○ ⊙⊙●◎ ○○⊙● ●●○○
万般追悔<span ss="q">句空只添憔悴<span ss="q">韵对好景良宵<span ss="q">句皱着眉儿<span ss="q">句成甚滋味<span ss="q">韵 红茵翠被<span ss="q">韵当时事<span ss="q">读一一堪垂
●○○● ⊙●○○● ●●●○○ ●●○○ ○●○● ○○●● ○○● ◎●○○
泪<span ss="q">韵怎生得依前<span ss="q">句似恁偎香倚暖<span ss="q">句抱着日高犹睡<span ss="q">韵算得伊家<span ss="q">句也应随分<span ss="q">句烦恼心儿里<span ss="q">韵又争似从
● ●⊙●○○ ●●○○●● ●●●○○● ●●⊙○ ●○○● ⊙●○○● ●⊙●○
前<span ss="q">句澹澹相看<span ss="q">句免恁萦系<span ss="q">韵
○ ●●○○ ◎●○●
·
此调柳词外,只有李甲词可校。
又一体 <span ss="q">双调一百十字,前段十二句四仄韵,后段十二句五仄韵 李 甲
绝羽沈鳞<span ss="q">句埋香葬玉<span ss="q">句杳杳悲前事<span ss="q">韵对一盏寒灯<span ss="q">句数点流萤<span ss="q">句悄悄画屏<span ss="q">句巫山十二<span ss="q">韵蕣脸星眸<span ss="q">句
●●○○ ○○●● ●●○○● ●●●○○ ●●○○ ●●●○ ○○●● ●●○○
蕙情兰性<span ss="q">句一旦成流水<span ss="q">韵纵有甘泉妙手<span ss="q">句鸿都方士何济<span ss="q">韵 香闺宝砌<span ss="q">韵临妆处<span ss="q">读迤逦苔痕翠<span ss="q">韵
●○○● ●●○○● ●●○○●● ○○○●○● ○○●● ○○● ○●○○●
更不忍看伊<span ss="q">句绣残鸳侣<span ss="q">句而今尚有<span ss="q">句啼红粉渍<span ss="q">韵好梦不来<span ss="q">句断云飞去<span ss="q">句黯黯情无际<span ss="q">韵漫饮尽香
●●●○○ ●○○● ○○●● ○○●● ●●●○ ●○○● ●●○○● ●●●○
醪<span ss="q">句奈向愁肠<span ss="q">句消遣无计<span ss="q">韵
○ ●●○○ ○●○●
·
此词与柳词校,前结减一字、摊破句法,作六字两句;后段第四、五句摊破句法,作四字三句异。
选冠子 一名《选官子》。曹勋词,名《转调选冠子》;鲁逸仲词,名《惜余春慢》;侯寘词,名《苏武慢》,一名《仄韵过秦楼》。
选冠子 <span ss="q">双调一百十一字,前段十二句四仄韵,后段十一句四仄韵 周邦彦
水浴清蟾<span ss="q">句叶喧凉吹<span ss="q">句巷陌雨声初断<span ss="q">韵闲依露井<span ss="q">句笑扑流萤<span ss="q">句惹破画罗轻扇<span ss="q">韵人静夜久凭阑<span ss="q">句愁
◎●○○ ◎○⊙● ◎●◎○○● ○○●● ◎●○○ ◎●●○○● ○●◎◎⊙○ ⊙
不归眠<span ss="q">句立残更箭<span ss="q">韵叹年华一瞬<span ss="q">句人今千里<span ss="q">句梦沈书远<span ss="q">韵 空见说<span ss="q">读鬓怯琼梳<span ss="q">句容销金镜<span ss="q">句渐
●○○ ◎○⊙● ●⊙○◎● ⊙⊙○● ●○○● ⊙◎◎ ◎●○○ ⊙○⊙● ◎
懒趁时匀染<span ss="q">韵梅风地溽<span ss="q">句虹雨苔滋<span ss="q">句一架舞红都变<span ss="q">韵谁信无聊<span ss="q">句为伊才减江淹<span ss="q">句情伤荀倩<span ss="q">韵但明
●◎○○● ○○●● ⊙●○○ ◎●●○○● ⊙●○○ ●○⊙●○○ ⊙○⊙● ●○
河影下<span ss="q">句还看疏星几点<span ss="q">韵
○◎● ○●⊙○◎●
·
此调以此词为正体,方、杨、陈俱有和词,其余或句读小异,或添字,或减字,皆变格也。 此词可平可仄,悉参谱内所采诸词,或有以入作平及平仄与诸家不同者,注明各词之下,概不校注平仄。
又一体 <span ss="q">双调一百十一字,前段十二句四仄韵,后段十一句四仄韵 蔡 伸
雁落平沙<span ss="q">句烟笼寒水<span ss="q">句古垒鸣笳声断<span ss="q">韵青山隐隐<span ss="q">句败叶萧萧<span ss="q">句天际暝鸦零乱<span ss="q">韵楼上黄昏<span ss="q">句片帆千
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里归程<span ss="q">句年华将晚<span ss="q">韵望碧云空暮<span ss="q">句佳人何处<span ss="q">句梦魂俱远<span ss="q">韵 忆旧游<span ss="q">读邃馆朱扉<span ss="q">句小园香径<span ss="q">句尚
●○○ ○○○● ●●○○● ○○○● ●○○● ●●○ ●●○○ ●○○● ●
想桃花人面<span ss="q">韵书盈锦轴<span ss="q">句恨满金徽<span ss="q">句难写寸心幽怨<span ss="q">韵两地离愁<span ss="q">句一尊芳酒凄凉<span ss="q">句危阑倚遍<span ss="q">韵尽迟
●○○○● ○○●● ●●○○ ○●●○○● ●●○○ ●○○●○○ ○○●● ●○
留<span ss="q">读凭仗西风<span ss="q">句吹干泪眼<span ss="q">韵
○ ○●○○ ○○●●
·
此词与周词校,前后段第七句作四字句,第八句作六字句,又后结作七字一句、四字一句异。
又一体 <span ss="q">双调一百十一字,前段十二句四仄韵,后段十一句四仄韵 吴文英
藻国凄迷<span ss="q">句麹澜澄映<span ss="q">句怨入粉烟蓝雾<span ss="q">韵香笼麝水<span ss="q">句腻涨红波<span ss="q">句一镜万妆争妒<span ss="q">韵湘女归魂<span ss="q">句佩环玉
●●○○ ●○○● ●●●○○● ○○●● ●●○○ ●●●○○● ○●○○ ●○●
冷无声<span ss="q">句凝情谁诉<span ss="q">韵又江空月堕<span ss="q">句凌波尘起<span ss="q">句彩鸳愁舞<span ss="q">韵 还暗忆<span ss="q">读钿合兰膏<span ss="q">句丝牵琼腕<span ss="q">句见
●○○ ○○○● ●○○●● ○○○● ●○○● ○●● ●●○○ ○○○● ●
菂更怜心苦<span ss="q">韵玲珑翠幄<span ss="q">句轻薄冰绡<span ss="q">句稳倩锦云留住<span ss="q">韵生怕哀蛩<span ss="q">句早惊秋破红衰<span ss="q">句泪珠零露<span ss="q">韵耐西
●●○○● ○○●● ○●○○ ●●●○○● ○●○○ ●○○●○○ ●○○● ●○
风老尽<span ss="q">句羞趁东风嫁与<span ss="q">韵
○●● ○●○○●●
·
此与蔡词同,惟后结五字一句、六字一句,仍照周词填。
又一体 <span ss="q">双调一百十一字,前段十二句四仄韵,后段十一句四仄韵 曹 勋
细柳排空<span ss="q">句高榆拥岸<span ss="q">句乍觉楚天秋意<span ss="q">韵凉随夜雨<span ss="q">句望极长淮<span ss="q">句孤馆漫成留滞<span ss="q">韵天净无云<span ss="q">句浪痕清
●●○○ ○○●● ●●●○○● ○○●● ●●○○ ○●●○○● ○●○○ ●○○
影<span ss="q">句窗户闲临烟水<span ss="q">韵叹驱驰尘事<span ss="q">句殊喜萧散<span ss="q">句暂来闲适<span ss="q">韵 常念想<span ss="q">读圣主垂衣<span ss="q">句临朝北顾<span ss="q">句泛
● ○●○○○● ●○○○● ○●○● ●○○● ○●● ●●○○ ○○●● ●
遣聊宽忧寄<span ss="q">韵輶轩载揽<span ss="q">句虎节严持<span ss="q">句谈笑挂帆千里<span ss="q">韵凭仗皇威<span ss="q">句滥陪枢筦<span ss="q">句一语折冲遐裔<span ss="q">韵待归
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来<span ss="q">读瞻对天颜<span ss="q">句须知有喜<span ss="q">韵
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·
此与蔡词同,惟前后段第八、九句摊破句法,作四字一句、六字一句异。 后段第二句“北”字以入作平,不注可仄。
又一体 <span ss="q">双调一百十三字,前后段各十二句,四仄韵 鲁逸仲
弄月馀花<span ss="q">句团风轻絮<span ss="q">句露湿池塘春草<span ss="q">韵莺莺恋友<span ss="q">句燕燕将雏<span ss="q">句惆怅睡残清晓<span ss="q">韵还是初相见时<span ss="q">句携
●●○○ ○○○● ●●○○○● ○○●● ●●○○ ○●●○○● ○●○○●○ ○
手旗亭<span ss="q">句酒香梅小<span ss="q">韵向登临长是<span ss="q">句伤春滋味<span ss="q">句泪弹多少<span ss="q">韵 因甚却<span ss="q">读轻许风流<span ss="q">句终非长久<span ss="q">句又
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说分飞烦恼<span ss="q">韵罗衣瘦损<span ss="q">句绣被香消<span ss="q">句那更乱红如扫<span ss="q">韵门外无穷路岐<span ss="q">句天若有情<span ss="q">句和天须老<span ss="q">韵念高
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唐归梦<span ss="q">句凄凉何处<span ss="q">句水流云绕<span ss="q">韵
○○● ○○○● ●○○●
·
此与周词同,惟后段添二字、作四字两句异。
又一体 <span ss="q">双调一百十三字,前段十一句四仄韵,后段十二句四仄韵 张景修
嫩水拖蓝<span ss="q">句遥堤影翠<span ss="q">句半雨半烟桥畔<span ss="q">韵鸣禽弄舌<span ss="q">句梦草萦心<span ss="q">句偏称谢家池馆<span ss="q">韵红粉墙头<span ss="q">句步摇金
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缕<span ss="q">句纤柔舞腰低软<span ss="q">韵被和风<span ss="q">读搭在阑干<span ss="q">句终日画帘高卷<span ss="q">韵 春易老<span ss="q">读细叶舒眉<span ss="q">句轻花吐絮<span ss="q">句渐
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觉绿阴成幔<span ss="q">韵章台系马<span ss="q">句灞水维舟<span ss="q">句谁念凤城人远<span ss="q">韵惆怅故国阳关<span ss="q">句杯酒飘零<span ss="q">句惹人肠断<span ss="q">韵恨青
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青客舍<span ss="q">句江头风笛<span ss="q">句乱云空晚<span ss="q">韵
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·
此词与鲁词校,前段第七句作四字句,第九句作六字句,又结作七字一句、六字一句异。
又一体 <span ss="q">双调一百十三字,前后段各十一句,四仄韵 <span ss="q">《梅苑》无名氏
憔悴江山<span ss="q">句凄凉古道<span ss="q">句寒日淡烟残雪<span ss="q">韵行人立马<span ss="q">句手折江梅<span ss="q">句红萼素英初发<span ss="q">韵月下瑶台<span ss="q">句弄玉飞
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琼<span ss="q">句不老年年春色<span ss="q">韵被东君<span ss="q">读唤遣娆红<span ss="q">句高韵且饶清白<span ss="q">韵 因动感<span ss="q">读野水溪桥<span ss="q">句竹篱茅舍<span ss="q">句何
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似玉堂金阙<span ss="q">韵天教占了<span ss="q">句第一枝春<span ss="q">句何处不宜风月<span ss="q">韵休问庾岭止渴<span ss="q">句金鼎调羹<span ss="q">句有谁如得<span ss="q">韵傲冰
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霜<span ss="q">读雅态清香<span ss="q">句花里自称三绝<span ss="q">韵
○ ●●○○ ○●●○○●
·
此词与鲁词校,前段第四句作六字句,第六句作四字句,第七句作四字句,第九句作六字句,两结俱作七字一句、六字一句异。又一首“庾岭烟光”词,正与此同。 此词及陈词、曹词,后段第七句,平仄与诸家不同,不参校入谱。
又一体 <span ss="q">双调一百十三字,前后段各十二句,四仄韵 陆 游
澹霭空濛<span ss="q">句轻阴清润<span ss="q">句绮陌细尘初静<span ss="q">韵平桥系马<span ss="q">句画阁移舟<span ss="q">句湖水倒空如镜<span ss="q">韵掠岸飞花<span ss="q">句傍檐新
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燕<span ss="q">句都是学人无定<span ss="q">韵叹连年戎帐<span ss="q">句经春边垒<span ss="q">句暗凋颜鬓<span ss="q">韵 空记忆<span ss="q">读杜曲池台<span ss="q">句新丰歌管<span ss="q">句怎
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得故人音信<span ss="q">韵羁怀易感<span ss="q">句老伴无多<span ss="q">句谈麈久闲犀柄<span ss="q">韵惟有翛然<span ss="q">句笔床茶灶<span ss="q">句自适笋舆烟艇<span ss="q">韵待绿
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荷遮岸<span ss="q">句红蕖浮水<span ss="q">句更乘幽兴<span ss="q">韵
○○● ○○○● ●○○●
·
此与张词同,惟前后段两结,俱作五字一句、四字两句异。 按,侯寘“暗雨收梅”词,“况吟烟啸月,弹丝吹竹,太平歌咏”、“看飞云丹诏,行沙金勒,待公归觐”,两结正与此同。 《鸣鹤余音》冯尊师词二十首,名《苏武慢》,俱如此填。
又一体 <span ss="q">双调一百十三字,前段十二句四仄韵,后段十一句四仄韵 虞 集
归去来兮<span ss="q">句昨非今是<span ss="q">句惆怅独悲奚语<span ss="q">韵迷途未远<span ss="q">句晨景熹微<span ss="q">句乃命僕夫先路<span ss="q">韵风飏舟轻<span ss="q">句候门童
○●○○ ●○○● ○●●○○● ○○●● ○●○○ ●●●○○● ○●○○ ●○○
稚<span ss="q">句此日再瞻衡宇<span ss="q">韵酒盈尊<span ss="q">句三径虽荒<span ss="q">句松菊宛然如故<span ss="q">韵 聊寄傲<span ss="q">读与世相违<span ss="q">句旧交俱息<span ss="q">句更
● ●●●○○● ●○○ ○●○○ ○●●○○● ○●● ●●○○ ●○○● ●
复驾言焉取<span ss="q">韵琴书情话<span ss="q">句寻壑经丘<span ss="q">句倦鸟岫云容与<span ss="q">韵农人告我<span ss="q">句有事西畴<span ss="q">句孤櫂赋诗春雨<span ss="q">韵但乐
●●○○● ○○○● ○●○○ ●●●○○● ○○●● ●●○○ ○●●○○● ●●
夫<span ss="q">读天命何疑<span ss="q">句乘化任渠留去<span ss="q">韵
○ ○●○○ ○●●○○●
·
此与陆词同,惟前后段两结,俱作七字一句、六字一句异。
又一体 <span ss="q">双调一百十三字,前后段各十二句,四仄韵 陈允平
谷雨收寒<span ss="q">句茶烟飏晓<span ss="q">句又是牡丹时候<span ss="q">韵浮龟碧水<span ss="q">句听鹤丹山<span ss="q">句彩屋幔亭依旧<span ss="q">韵和气缥缈人间<span ss="q">句满
●●○○ ○○●● ●●●○○● ○○●● ●●○○ ●●●○○● ○●●●○○ ●
谷红云<span ss="q">句德星呈秀<span ss="q">韵向东风种就<span ss="q">句一庭兰茁<span ss="q">句玉香初茂<span ss="q">韵 还遥想<span ss="q">读曲度娇莺<span ss="q">句舞低轻燕<span ss="q">句二
●○○ ●○○● ●○○●● ●○○● ●○○● ○○● ●●○○ ●○○● ●
十四帘芳昼<span ss="q">韵清溪九曲<span ss="q">句上巳风光<span ss="q">句觞咏似山阴否<span ss="q">韵翠阁凝清<span ss="q">句正宜瀹茗银甖<span ss="q">句熨香金斗<span ss="q">韵又双
●●○○● ○○●● ●●○○ ○●●○○● ●●○○ ●○●●○○ ●○○● ●○
鸾飞下<span ss="q">句长生殿里<span ss="q">句赐蔷薇酒<span ss="q">韵
○○● ○○●● ●○○●
·
此词与陆词校,前段第七句添二字、作六字句,第九句减二字、作四字句,后段第八句添二字、作六字句,第九句减二字、作四字句异。
又一体 <span ss="q">双调一百十三字,前后段各十二句,四仄韵 陈允平
倦听蛩砧<span ss="q">句初抛鸾扇<span ss="q">句隔浦乱钟催晚<span ss="q">韵湘蒲簟冷<span ss="q">句楚竹帘稀<span ss="q">句窗下乍闻裁剪<span ss="q">韵倦柳拖烟<span ss="q">句枯莲蘸
●●○○ ○○○● ●●●○○● ○○●● ●●○○ ○●●○○● ●●○○ ○○●
水<span ss="q">句芙蓉翠深红浅<span ss="q">韵对半床灯火<span ss="q">句虚堂凄寂<span ss="q">句近书思遍<span ss="q">韵 夜漏永<span ss="q">读玉宇尘收<span ss="q">句银河光烂<span ss="q">句梦
● ○○●○○● ●●○○● ○○○● ●○○● ●●● ●●○○ ○○○● ●
断楚天空远<span ss="q">韵婆娑月树<span ss="q">句缥缈仙香<span ss="q">句身在广寒宫殿<span ss="q">韵无奈离愁乱织<span ss="q">句藉酒消磨<span ss="q">句倩花排遣<span ss="q">韵渐江
●●○○● ○○●● ●●○○ ○●●○○● ○●○○●● ●●○○ ●○○● ●○
空霜晓<span ss="q">句黄芦漠漠<span ss="q">句一声来雁<span ss="q">韵
○○● ○○●● ●○○●
·
此与陆词同,惟后段第七句添二字、作六字句,第九句减二字、作四字句异。
又一体 <span ss="q">双调一百十四字,前段十一句四仄韵,后段十二句四仄韵 虞 集
云淡风轻<span ss="q">句傍花随柳<span ss="q">句将谓少年行乐<span ss="q">韵高阁林间<span ss="q">句小车城里<span ss="q">句千古太平西洛<span ss="q">韵瞻彼泱泱<span ss="q">句言思君
○●○○ ●○○● ○●●○○● ○●○○ ●○○● ○●●○○● ○●○○ ○○○
子<span ss="q">句流水俨然如昨<span ss="q">韵但清游<span ss="q">读天际轻阴<span ss="q">句未便暮愁离索<span ss="q">韵 长记得<span ss="q">读童冠相随<span ss="q">句浴沂归去<span ss="q">句吟
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咏鸢飞鱼跃<span ss="q">韵逝者如斯<span ss="q">句吾衰甚矣<span ss="q">句调理自存斟酌<span ss="q">韵清庙朱丝<span ss="q">句旧堂金石<span ss="q">句隐几似闻更作<span ss="q">韵农人
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告我<span ss="q">句有事西畴<span ss="q">句窈窕挂书牛角<span ss="q">韵
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·
此与“归去来兮”词同,惟后段第十句添一字、作四字两句异。 此词前后段第四、五句,第七、八句,平仄与诸家不同,张雨词亦然。
又一体 <span ss="q">双调一百十三字,前段十一句四仄韵,后段十二句五仄韵 张 雨
清露晨流<span ss="q">句新桐初引<span ss="q">句消受北窗凉晓<span ss="q">韵经卷熏炉<span ss="q">句笔床茶具<span ss="q">句长物任他围绕<span ss="q">韵老子无情<span ss="q">句年光有
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限<span ss="q">句只似木人花鸟<span ss="q">韵拟凝云<span ss="q">读数朵奇峰<span ss="q">句曾见汉唐池沼<span ss="q">韵 还自笑<span ss="q">韵老学蟫鱼<span ss="q">句金题玉躞<span ss="q">句书
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里也容身了<span ss="q">韵阿对泉头<span ss="q">句布衣无恙<span ss="q">句占断雨苔风筿<span ss="q">韵独鹤归来<span ss="q">句西山缺处<span ss="q">句掠过乱鸦林表<span ss="q">韵抚琴
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心<span ss="q">读三叠胎仙<span ss="q">句坐到月高山小<span ss="q">韵
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·
此与虞词同,惟换头句藏短韵异。
又一体 <span ss="q">双调一百七字,前段十二句四仄韵,后段十一句四仄韵 吕渭老
雨湿花房<span ss="q">句风斜燕子<span ss="q">句池阁昼长春晚<span ss="q">韵檀盘战象<span ss="q">句宝局铺棋<span ss="q">句筹画未分还懒<span ss="q">韵谁念少年<span ss="q">句齿怯梅
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酸<span ss="q">句病疏霞盏<span ss="q">韵正青钱遮路<span ss="q">句绿丝明水<span ss="q">句倦寻歌扇<span ss="q">韵 空记得<span ss="q">读小阁题名<span ss="q">句红笺亲制<span ss="q">句灯火夜
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深裁剪<span ss="q">韵明眸似水<span ss="q">句妙语如弦<span ss="q">句不觉晓霜鸡唤<span ss="q">韵闻道近来<span ss="q">句筝谱慵看<span ss="q">句金铺长掩<span ss="q">韵瘦一枝梅影<span ss="q">句
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回首江南路远<span ss="q">韵
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·
此与周词同,惟前后段第七句各减二字、作四字句异。 后段第十句“一”字,以入作平,不注可仄。
又一体 <span ss="q">双调一百九字,前后段各十二句,四仄韵 张 肎
袅袅芙蕖<span ss="q">句平铺断港<span ss="q">句路人锦云处<span ss="q">韵香浮绿水<span ss="q">句浪卷晴舟<span ss="q">句宛在翠红香里<span ss="q">韵湘妃余酣未醒<span ss="q">句拥盖
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藏羞<span ss="q">句含娇欲语<span ss="q">韵想凌波尘远<span ss="q">句遥鸣佩<span ss="q">句风飘艳绮<span ss="q">韵 望中宛似若耶溪<span ss="q">句隔水只欠<span ss="q">句小艇采莲
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女<span ss="q">韵最怜芳意<span ss="q">句佳藕难寻<span ss="q">句肠断寸丝千缕<span ss="q">韵叶老房空<span ss="q">句漫嗟此际<span ss="q">句一点春心更苦<span ss="q">韵且休歌水调<span ss="q">句
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恐惊起<span ss="q">句文鸳双侣<span ss="q">韵
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·
此即一百一十三字鲁词体,前后段第三句、第十一句各减一字异。 换头句不作上三下四折腰句法,后段第七、八句俱四字,第九句六字,亦与鲁词不同。 前段第七句、后段第四句、第八、九句,平仄与诸家不同,谱内亦不校注。
又一体 <span ss="q">双调一百十三字,前段十二句四仄韵,后段十一句四仄韵 曹 勋
秀木撑空<span ss="q">句凝云藏岫<span ss="q">句处处群山横翠<span ss="q">韵霜风冽面<span ss="q">句酒力潜销<span ss="q">句征辔暂指天际<span ss="q">韵红叶黄花<span ss="q">句水光山
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色<span ss="q">句常爱晓云晴霁<span ss="q">韵念尘埃眯眼<span ss="q">句年华易老<span ss="q">句觉远行非易<span ss="q">韵 常自感<span ss="q">读羽客难寻<span ss="q">句蓬莱难到<span ss="q">句
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强作林泉活计<span ss="q">韵鱼依密藻<span ss="q">句雁过烟空<span ss="q">句家信渐遥千里<span ss="q">韵还是关河冷落<span ss="q">句斜阳衰草<span ss="q">句苇村山驿<span ss="q">韵又
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鸡声茅店<span ss="q">句鸦啼露井重唤起<span ss="q">韵
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·
此见《松隐集》,别名《转调选冠子》,采以备体,不参校入谱。
霜叶飞 调见《片玉集》,因词有“素娥青女斗婵娟”句,更名《斗婵娟》。
霜叶飞 <span ss="q">双调一百十一字,前段十句六仄韵,后段十句五仄韵 周邦彦
露迷衰草<span ss="q">韵疏星挂<span ss="q">句凉蟾低下林表<span ss="q">韵素娥青女斗婵娟<span ss="q">句正倍添凄悄<span ss="q">韵渐飒飒<span ss="q">读丹枫撼晓<span ss="q">韵横天云
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浪鱼鳞小<span ss="q">韵见皓月相看<span ss="q">句又透入<span ss="q">读清辉半晌<span ss="q">句特地留照<span ss="q">韵 迢递望极关山<span ss="q">句波穿千里<span ss="q">句度日如
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岁难到<span ss="q">韵凤楼今夜听西风<span ss="q">句奈五更愁抱<span ss="q">韵想玉匣哀弦闭了<span ss="q">韵无心重理相思调<span ss="q">韵念故人<span ss="q">读牵离恨<span ss="q">句
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屏掩孤颦<span ss="q">句泪流多少<span ss="q">韵
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·
此调以此词为正体,若方词、张词之减字,张词别首之句读小异,沈词二首及黄词之摊破句法,皆变格也。 前段起句,方、杨、陈和词俱不押韵,吴文英词“断烟离绪”,绪字押韵,南宋人俱如此填。 前段第八句,例作仄仄仄平平,方、杨、陈和词皆然,惟谱内张炎二词及沈词独异,故不校注入谱。 此词可平可仄,悉参谱内所采诸词,惟沈词后段第二句“一”字入声,张词后段结句“一”字入声,此皆以入作平,不注可仄。
又一体 <span ss="q">双调一百九字,前后段各十句,五仄韵 方千里
寒云垂地<span ss="q">句堤烟重<span ss="q">句燕鸿初度江表<span ss="q">韵露荷风柳向人疏<span ss="q">句台榭还清悄<span ss="q">韵恨脉脉<span ss="q">读离情怨晓<span ss="q">韵相思
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魂梦银屏小<span ss="q">韵奈倦客征衣<span ss="q">句自遍拂尘埃<span ss="q">句玉镜羞照<span ss="q">韵 无限静陌幽坊<span ss="q">句追欢寻赏<span ss="q">句未落人后
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先到<span ss="q">韵少年心事转头空<span ss="q">句况近春怀抱<span ss="q">韵尽落叶红英过了<span ss="q">韵离声慵整当时调<span ss="q">韵问丽质<span ss="q">读从憔悴<span ss="q">句
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消减腰围<span ss="q">句似郎多少<span ss="q">韵
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·
此和周词,惟前段第一句不押韵,第九句减二字异。 按,杨泽民和词,前起“溯风严紧,长空布,同云低黯天表”,亦不押韵;前结“听美人都惊,忽老尽群山,远近相照”,亦减二字,正与此同。
又一体 <span ss="q">双调一百十一字,前段十句七仄韵,后段十句五仄韵 张 炎
旧家池沼<span ss="q">韵寻芳处<span ss="q">句从教飞燕频绕<span ss="q">韵一湾柳护水房春<span ss="q">句看镜鸾窥晓<span ss="q">韵晕宿酒<span ss="q">读双蛾淡扫<span ss="q">韵罗襦飘
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带腰围小<span ss="q">韵尽醉方归去<span ss="q">句又暗约<span ss="q">读明朝斗草<span ss="q">韵谁解先到<span ss="q">韵 心绪乱若晴丝<span ss="q">句那回游处<span ss="q">句坠红争
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恋残照<span ss="q">韵近来心事渐无多<span ss="q">句尚被莺声恼<span ss="q">韵便白发如今纵少<span ss="q">韵情怀不似前时好<span ss="q">韵漫伫立<span ss="q">读东风外<span ss="q">句
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愁极还醒<span ss="q">句背花一笑<span ss="q">韵
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·
此与周词同,惟前段第九句押韵异。
又一体 <span ss="q">双调一百十字,前段十句六仄韵,后段十句五仄韵 张 炎
故园空杳<span ss="q">韵霜风劲<span ss="q">句南塘吹断瑶草<span ss="q">韵已无清气碍云山<span ss="q">句奈此时怀抱<span ss="q">韵尚记得<span ss="q">读修门赋晓<span ss="q">韵杜陵
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花竹归来早<span ss="q">韵傍雅亭幽榭<span ss="q">句惯款语英游<span ss="q">句好怀无限欢笑<span ss="q">韵 不见换羽移商<span ss="q">句杏梁尘远<span ss="q">句可怜
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都付残照<span ss="q">韵坐中泣下最谁多<span ss="q">句叹赏音人少<span ss="q">韵怅一夜<span ss="q">读梅花顿老<span ss="q">韵今年因甚无诗到<span ss="q">韵待唤起清魂<span ss="q">句
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说与凄凉<span ss="q">句定应愁了<span ss="q">韵
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·
此与周词同,惟后段第八句减一字,不作六字折腰句法异。
又一体 <span ss="q">双调一百十一字,前后段各十一句,五仄韵 沈 唐
霜林凋晚<span ss="q">句危楼迥<span ss="q">句登临无限秋思<span ss="q">韵望中闲想<span ss="q">句洞庭波面<span ss="q">句乱红初坠<span ss="q">韵更萧索<span ss="q">读风吹渭水<span ss="q">韵长安
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飞舞千门里<span ss="q">韵变景摧芳榭<span ss="q">句唯賸有<span ss="q">读兰衰暮丛<span ss="q">句菊残馀蕊<span ss="q">韵 回念花满华堂<span ss="q">句美人一去<span ss="q">句镇掩
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香闺经岁<span ss="q">韵又观珠露<span ss="q">句碎点苍苔<span ss="q">句败梧飘砌<span ss="q">韵漫赢得<span ss="q">读相思泪眼<span ss="q">韵东君早作归来计<span ss="q">韵便莫惜<span ss="q">读丹
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青手<span ss="q">句重与芳菲<span ss="q">句万红千翠<span ss="q">韵
○● ○●○○ ●○○●
·
此词与周词校,前后段第四、五句摊破句法、作四字三句,前段起句不押韵异。 又,前段第十句,平仄与诸家不同,不参校入谱。
又一体 <span ss="q">双调一百十一字,前后段各十一句,五仄韵 沈 唐
故宫秋晚<span ss="q">句余芳尽<span ss="q">句轻阴闲淡池阁<span ss="q">韵凤泥银暗<span ss="q">句玳纹花卷<span ss="q">句断肠帘幕<span ss="q">韵渐砌菊<span ss="q">读遗金谢却<span ss="q">韵芙
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蓉才共清霜约<span ss="q">韵半弄蕊澄波<span ss="q">句浅拂胭脂<span ss="q">句翠琼连并凋萼<span ss="q">韵 应是曾倚东君<span ss="q">句纵艳姿轻盈<span ss="q">句映
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损丹杏红药<span ss="q">韵旋成深妒<span ss="q">句判与西风<span ss="q">句任从开落<span ss="q">韵况衰晚渊明意薄<span ss="q">韵重阳羞对花吟酌<span ss="q">韵待说与江
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梅<span ss="q">句早傅粉匀香<span ss="q">句慰伊萧索<span ss="q">韵
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·
此与“霜林凋晚”词同,惟后段第二句添一字,两结句句读亦小异。
又一体 <span ss="q">双调一百十二字,前段十句七仄韵,后段十一句六仄韵 黄 裳
谁能留得年华住<span ss="q">韵韶华今在何处<span ss="q">韵万林飞尽<span ss="q">句但惊天籁<span ss="q">句半空无数<span ss="q">韵望消息<span ss="q">读霜催雁过<span ss="q">韵佳人愁
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起云垂暮<span ss="q">韵就绣幕<span ss="q">读红炉去<span ss="q">韵金鸭时飘异香<span ss="q">句柳腰人舞<span ss="q">韵 休道行且分飞<span ss="q">句还共乐一岁<span ss="q">句见景
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长是欢聚<span ss="q">韵大来芳意<span ss="q">句既与名园<span ss="q">句是花为主<span ss="q">韵翠娥并<span ss="q">读尊前笑语<span ss="q">韵来年管取人如故<span ss="q">韵向寂寞<span ss="q">读中
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先喜<span ss="q">韵俄顷飞琼<span ss="q">句化成寰宇<span ss="q">韵
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·
此词与“霜林凋晚”词校,前段第一、二句作七字一句、不押韵,两结各多押一韵,句读亦小异。
五彩结同心 此调有平韵、仄韵两体。平韵者,见赵彦端《介庵词》;仄韵者,见《乐府雅词》。
五彩结同心 <span ss="q">双调一百十一字,前后段各九句,四平韵 赵彦端
人间尘断<span ss="q">句雨处风回<span ss="q">句凉波自泛仙槎<span ss="q">韵非郭还非埜<span ss="q">句闲莺燕<span ss="q">读时傍笑语清佳<span ss="q">韵铜壶花漏长如线<span ss="q">句
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金铺碎<span ss="q">读香暖檐牙<span ss="q">韵谁知道<span ss="q">读东园五亩<span ss="q">句种成国艳天葩<span ss="q">韵 主人汉家龙种<span ss="q">句正翩翩迥立<span ss="q">句雪纻
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乌纱<span ss="q">韵歌舞承平旧<span ss="q">句围红袖<span ss="q">读诗兴自写春华<span ss="q">韵未知三斗朝天去<span ss="q">句定何似<span ss="q">读鸿宝丹砂<span ss="q">韵且一醉<span ss="q">读朱
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颜相庆<span ss="q">句共看玉井浮花<span ss="q">韵
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此调押平韵者,只有此词,无别首可校。
又一体 <span ss="q">双调一百十一字,前段九句五仄韵,后段九句六仄韵 <span ss="q">《乐府雅词》无名氏
珠帘垂户<span ss="q">韵金索悬窗<span ss="q">句家接浣纱溪路<span ss="q">韵相见桐阴下<span ss="q">句一钩月<span ss="q">读恰在凤凰栖处<span ss="q">韵素琼碾就宫腰小<span ss="q">句
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花枝袅<span ss="q">读盈盈娇步<span ss="q">韵新妆浅<span ss="q">读满腮红雪<span ss="q">句绰约片云欲度<span ss="q">韵 尘寰岂能留住<span ss="q">韵唯只愁化作<span ss="q">句彩云
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飞去<span ss="q">韵蝉翼衫儿薄<span ss="q">句冰肌莹<span ss="q">读轻罩一团香雾<span ss="q">韵彩笺巧缀相思苦<span ss="q">韵脉脉动<span ss="q">读怜才心绪<span ss="q">韵好作个<span ss="q">读秦
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楼活计<span ss="q">句要待吹箫伴侣<span ss="q">韵
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·
此调押仄韵者,亦只有此词,无别首可校。
透碧霄 柳永《乐章集》注:南吕宫。
透碧霄 <span ss="q">双调一百十二字,前段十二句六平韵,后段十二句五平韵 柳 永
月华边<span ss="q">韵万年芳树起祥烟<span ss="q">韵帝居壮丽<span ss="q">句皇家熙盛<span ss="q">句宝运当千<span ss="q">韵端门清昼<span ss="q">句觚稜照日<span ss="q">句双阙中天<span ss="q">韵
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太平时<span ss="q">读朝野多欢<span ss="q">韵遍锦街香陌<span ss="q">句钧天歌吹<span ss="q">句阆苑神仙<span ss="q">韵 昔观光得意<span ss="q">句狂游风景<span ss="q">句再睹更精
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妍<span ss="q">韵傍柳阴<span ss="q">读寻花径<span ss="q">句空恁亸辔垂鞭<span ss="q">韵乐游雅戏<span ss="q">句平康艳质<span ss="q">句应也依然<span ss="q">韵仗何人<span ss="q">读多谢婵娟<span ss="q">韵道
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宦途踪迹<span ss="q">句歌酒情怀<span ss="q">句不似当年<span ss="q">韵
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·
此调始于此词,应以此为定格。若查词之句读小异,曹词之句读不同,皆变体也。 此词可平可仄,参校查词,若曹词自成一体,即不校注。
又一体 <span ss="q">双调一百十二字,前段十二句六平韵,后段十二句五平韵 查 荎
檥兰舟<span ss="q">韵十分端是载离愁<span ss="q">韵练波送远<span ss="q">句屏山遮断<span ss="q">句此去难留<span ss="q">韵相从争奈<span ss="q">句心期久要<span ss="q">句屡变霜秋<span ss="q">韵
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叹人生<span ss="q">读杳似萍浮<span ss="q">韵又翻成轻别<span ss="q">句都将深恨<span ss="q">句付与东流<span ss="q">韵 想斜阳影里<span ss="q">句寒烟明处<span ss="q">句双桨去悠
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悠<span ss="q">韵爱渚梅<span ss="q">读幽香动<span ss="q">句须采掇<span ss="q">读倩纤柔<span ss="q">韵艳歌粲发<span ss="q">句谁传余韵<span ss="q">句来说仙游<span ss="q">韵念故人<span ss="q">读留此遐州<span ss="q">韵
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但春风老后<span ss="q">句秋月圆时<span ss="q">句独倚江楼<span ss="q">韵
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此与柳词同,惟后段第五句作折腰句法异。
又一体 <span ss="q">双调一百十七字,前段十句六平韵,后段十三句六平韵 曹 勋
阆苑喜新晴<span ss="q">韵正桂华<span ss="q">读飘下太清<span ss="q">韵宝篽凉秋<span ss="q">句梦祥明月<span ss="q">句天开辅盈成<span ss="q">韵宫闱女职遵慈训<span ss="q">句见海宇
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仪型<span ss="q">韵奉东朝<span ss="q">读晨夕趋承<span ss="q">韵化内外<span ss="q">读咸知柔顺<span ss="q">句已看彤管赋和平<span ss="q">韵 宴坤宁<span ss="q">韵香腾金猊<span ss="q">句烟暖
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秘殿彩衣轻<span ss="q">韵六乐丝竹<span ss="q">句绕云萦水<span ss="q">句总按新声<span ss="q">韵天临帝幄<span ss="q">句亲颁寿酒<span ss="q">句恩意兼勤<span ss="q">韵雁行缀<span ss="q">读宰府
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殊荣<span ss="q">韵愿万亿斯年<span ss="q">句南山并永<span ss="q">句坤厚赞尧明<span ss="q">韵
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·
此词校柳词,添五字,句读小异。《松隐集》中只有此词,无别首可校。