卷三十四
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十三调四
十九体,起一百五字至一百八字
西 河六体<span ss="q">又名西河慢、西湖
梦横塘一体
西吴曲一体
秋 霁四体<span ss="q">又名春霁
清风八咏楼一体
暗香疏影一体
真珠髻一体
征部乐一体
解连环三体<span ss="q">又名望梅、杏梁燕
内家娇一体
夜飞鹊慢二体<span ss="q">又名夜飞鹊
泛清波摘遍一体
望明河一体
楚宫春慢二体
望海潮三体
望湘人一体
青门饮三体
落 梅二体<span ss="q">又名落梅慢
飞雪满群山二体<span ss="q">又名遍扁寻旧约、飞雪满堆山
角 招一体
一寸金五体
击梧桐三体
折红梅三体
西 河 《碧鸡漫志》:大石调《西河慢》,声犯正平。张炎词,名《西湖》。
西 河 <span ss="q">三段一百五字,前段六句四仄韵,中段七句四仄韵,后段六句四仄韵 周邦彦
佳丽地<span ss="q">韵南朝盛事谁记<span ss="q">韵山围故国绕清江<span ss="q">句髻鬟对起<span ss="q">韵怒涛寂寞打孤城<span ss="q">句风樯遥度天际<span ss="q">韵断崖
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树<span ss="q">句犹倒倚<span ss="q">韵莫愁艇子曾系<span ss="q">韵空余旧迹郁苍苍<span ss="q">句雾沈半垒<span ss="q">韵夜深月过女墙来<span ss="q">句赏心东望淮水<span ss="q">韵
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酒旗戏鼓甚处市<span ss="q">韵想依稀<span ss="q">读王谢邻里<span ss="q">韵燕子不知何世<span ss="q">韵入寻常<span ss="q">读巷陌人家<span ss="q">句相对如说兴亡<span ss="q">句
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斜阳里<span ss="q">韵
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此调以此词为正体,若辛词之少押一韵,陈词之句读小异,周词别首之少押一韵、又句读参差,刘词之添字,王词之减字,皆变格也。 此词第二段起,例作三字两句,谱内辛词、周词、刘词、王词亦然。 按,张炎词,前段第三句“闹红深处小秦筝”,闹字仄声;吴文英词,后段第二句“残寒退、初卸罗绮”,残字平声,退字仄声。谱内可平可仄据此,余参所采五词。 前段第二句、中段第三句,例作平平仄仄平仄,或仄平平仄平仄,周词别首平仄与诸家不同,辛词正照此填,当自成一体,不可参校。 后段起句,连用五仄声字,陈允平和词亦然。若周词别首及辛词俱作折腰句法,与诸家异。即黄升词之“大江东去、日西坠”亦未合格,谱内概不校注平仄。
又一体<span ss="q"> 三段一百五字,前段六句四仄韵,中段七句四仄韵,后段五句四仄韵 辛弃疾
西江水<span ss="q">韵道是西江人泪<span ss="q">韵无情却解送行人<span ss="q">句月明千里<span ss="q">韵从今日日倚高楼<span ss="q">句伤心烟树如荠<span ss="q">韵会君
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难<span ss="q">句别君易<span ss="q">韵草草不如人意<span ss="q">韵十年著破绣衣茸<span ss="q">句种成桃李<span ss="q">韵问君可是压承明<span ss="q">句东方鼓吹千骑<span ss="q">韵
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对梅花<span ss="q">读更消一醉<span ss="q">韵看明年<span ss="q">读调鼎风味<span ss="q">韵老大自怜憔悴<span ss="q">韵过吾庐<span ss="q">读定有幽人相问<span ss="q">句岁晚渊
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明归来未<span ss="q">韵
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此与周词同,惟后段结句作九字一句、七字一句异。 此词后段起句七字,作一三下四句法,与周词别首同。
又一体<span ss="q"> 三段一百五字,前段六句三仄韵,中段七句五仄韵,后段六句四仄韵 周邦彦
长安道<span ss="q">句潇洒西风时起<span ss="q">韵尘埃车马晚游行<span ss="q">句霸陵烟水<span ss="q">韵乱鸦栖鸟夕阳中<span ss="q">句参差霜树相倚<span ss="q">韵到此
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际<span ss="q">韵愁如苇<span ss="q">韵冷落关河千里<span ss="q">韵追思唐汉昔繁华<span ss="q">句断碑残记<span ss="q">韵未央宫阙已成灰<span ss="q">句终南依旧浓翠<span ss="q">韵
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对此景<span ss="q">读无限愁思<span ss="q">韵绕天涯<span ss="q">读秋蟾如水<span ss="q">韵转使客情如醉<span ss="q">韵算当时<span ss="q">读万古雄名<span ss="q">句尽是作<span ss="q">读后
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来人<span ss="q">句凄凉事<span ss="q">韵
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此与“佳丽地”词同,惟前段起句不用韵,中段换头多押一韵异。
又一体<span ss="q"> 三段一百五字,每段各六句,四仄韵 陈允平
形胜地<span ss="q">韵西陵往事重记<span ss="q">韵溶溶王气满东南<span ss="q">句英雄间起<span ss="q">韵凤游何处古墓空<span ss="q">句长江缥缈无际<span ss="q">韵石头
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城上试倚<span ss="q">韵吴襟楚带如系<span ss="q">韵乌衣巷陌几斜阳<span ss="q">句燕闲旧垒<span ss="q">韵后庭玉树委歌尘<span ss="q">句凄凉遗恨流水<span ss="q">韵
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买花问酒锦绣市<span ss="q">韵醉新亭<span ss="q">读芳草千里<span ss="q">韵梦醒觉非今世<span ss="q">韵对三山<span ss="q">读半落青天<span ss="q">句数点白鹭飞来<span ss="q">句
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西风里<span ss="q">韵
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此和周词也,惟中段第一、二句,作六字一句异。
又一体<span ss="q"> 三段一百十一字,前段六句三仄韵,中段九句五仄韵,后段五句五仄韵 刘一止
山驿晚<span ss="q">句行人昨停征辔<span ss="q">韵白沙翠竹锁柴门<span ss="q">句乱峰相倚<span ss="q">韵一番急雨洗天回<span ss="q">句扫云风定还起<span ss="q">韵断岸
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树<span ss="q">句愁无际<span ss="q">韵念凄断<span ss="q">句谁与寄<span ss="q">韵双鱼尺素难委<span ss="q">韵遥知洞户隔烟窗<span ss="q">句簟横秋水<span ss="q">韵淡花明玉不胜寒<span ss="q">句
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绿尊初试冰蚁<span ss="q">韵 小欢细酌任敧醉<span ss="q">韵扑流萤<span ss="q">读应卜心事<span ss="q">韵谁记天涯憔悴<span ss="q">韵对今宵<span ss="q">读皓月明河
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千里<span ss="q">韵梦越空城疏烟里<span ss="q">韵
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此亦周“佳丽地”词体,惟中段添三字两句异。
又一体<span ss="q"> 三段一百四字,前段六句四仄韵,中段七句四仄韵,后段五句五仄韵 王 彧
天下事<span ss="q">韵问天怎忍如此<span ss="q">韵陵图谁把献君王<span ss="q">句结愁未已<span ss="q">韵少豪气概总成尘<span ss="q">句空余白骨黄苇<span ss="q">韵千古
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恨<span ss="q">句吾老矣<span ss="q">韵东游曾吊淮水<span ss="q">韵绣春台上一回登<span ss="q">句一回揾泪<span ss="q">韵醉归抚剑倚西风<span ss="q">句江涛犹壮人意<span ss="q">韵
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只今袖手野色里<span ss="q">韵望长淮<span ss="q">读犹二千里<span ss="q">韵总有英心谁寄<span ss="q">韵近新来<span ss="q">读又报烽烟起<span ss="q">韵绝域张骞归
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来未<span ss="q">韵
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此亦与周“佳丽地”词同,惟后段结减一字,作八字一句、七字一句异。
梦横塘 调见《苕溪词》。
梦横塘<span ss="q"> 双调一百五字,前段十一句四仄韵,后段十句四仄韵 刘一止
浪痕经雨<span ss="q">句林影吹寒<span ss="q">句晓来无限萧瑟<span ss="q">韵埜色分桥<span ss="q">句剪不断<span ss="q">读前溪风物<span ss="q">韵船系朱藤<span ss="q">句路迷烟寺<span ss="q">句
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远鸥浮没<span ss="q">韵听疏钟断鼓<span ss="q">句似近还遥<span ss="q">句惊心事<span ss="q">读伤羇客<span ss="q">韵 新醅旋压鹅黄<span ss="q">句拌清愁在眼<span ss="q">句酒病
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萦骨<span ss="q">韵绣阁娇慵<span ss="q">句争解说<span ss="q">读短书传忆<span ss="q">韵念谁伴<span ss="q">读涂妆绾髻<span ss="q">句嚼蕊吹花弄秋色<span ss="q">韵恨对南云<span ss="q">句此时
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凄断<span ss="q">句有何人知得<span ss="q">韵
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此调只有此词,无别首可校。
西吴曲 调见《龙洲集》。
西吴曲<span ss="q"> 双调一百五字,前段八句五仄韵,后段十一句四仄韵 刘 过
说襄阳<span ss="q">读旧事重省<span ss="q">韵记铜驼巷陌<span ss="q">读醉还醒<span ss="q">韵笑莺花别后<span ss="q">句刘郎憔悴萍梗<span ss="q">韵倦客天涯<span ss="q">句还买个<span ss="q">读西
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风轻艇<span ss="q">韵便欲访<span ss="q">读骑马山翁<span ss="q">句问岘首<span ss="q">读那时风景<span ss="q">韵 楚王城里<span ss="q">句知几度经过<span ss="q">句摩挲故宫柳瘿<span ss="q">韵
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慢吊景<span ss="q">韵冷烟衰草凄迷<span ss="q">句伤心兴废<span ss="q">句赖有阳春古郢<span ss="q">韵乾坤谁望<span ss="q">句六百里路中原<span ss="q">句空老尽英雄<span ss="q">句肠
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断剑锋冷<span ss="q">韵
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此调仅见此词,无他作可校。
秋 霁 一名《春霁》。按,此调始自胡浩然,赋春晴词,即名《春霁》;赋秋晴词,即名《簩霁》。
秋 霁<span ss="q"> 双调一百五字,前段十句六仄韵,后段十一句四仄韵 史达祖
江水苍苍<span ss="q">句望倦柳愁荷<span ss="q">句共感秋色<span ss="q">韵废阁先凉<span ss="q">句古帘空暮<span ss="q">句雁程最嫌风力<span ss="q">韵故园信息<span ss="q">韵爱渠入眼
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南山碧<span ss="q">韵念上国<span ss="q">韵谁是<span ss="q">读脍鲈江汉未归客<span ss="q">韵 还又岁晚<span ss="q">句瘦骨临风<span ss="q">句夜闻秋声<span ss="q">句吹动岑寂<span ss="q">韵露
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蛩悲<span ss="q">读清灯冷屋<span ss="q">句繙书愁上鬓毛白<span ss="q">韵年少俊游浑断得<span ss="q">韵但可怜处<span ss="q">句无奈苒苒魂惊<span ss="q">句采香南浦<span ss="q">句剪
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梅烟驿<span ss="q">韵
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此调以此词为正体,胡浩然词二首,正与此同。若吴词之多押一韵,陈词之少押一韵,曾词之减字,皆变格也。 此词前段第二句,上一下四句法,例作仄仄仄平平,周密词“记芳园载酒”,与诸家不同;又,第六句例作仄平仄平平仄,胡词“妆点上林春色”、“远状水乡秋色”,亦与诸家不同;又,后段第六句,例作平平平仄仄平仄,曾词“惟有残英共寂寞”,亦与诸家不同;第十句,例作仄平平仄,曾词“弄粉吹花”,亦与诸家不同。谱内概不校注平仄。 按,周词,前段第六句“依依似旧相识”,旧字仄声;第七句“年华易失”,年字平声;后段第三、四句“转眼西风,又成陈迹”,眼字、又字俱仄声,成字平声。谱内可平可仄据此,余参吴、陈、曾三词。 吴词,后段结句“水宫六六”,上六字入声,以入作平,故不注可仄。
又一体<span ss="q"> 双调一百五字,前段十一句六仄韵,后段十一句五仄韵 吴文英
一水盈盈<span ss="q">句汉影隔游尘<span ss="q">句净洗寒绿<span ss="q">韵秋沐平烟<span ss="q">句日回西照<span ss="q">句乍惊饮虹天北<span ss="q">韵彩兰翠馥<span ss="q">韵锦云直下
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花成屋<span ss="q">韵试纵目<span ss="q">韵空际醉来<span ss="q">句风露跨黄鹄<span ss="q">韵 追想缥缈<span ss="q">句钓雪松江<span ss="q">句恍然烟蓑<span ss="q">句秋梦重续<span ss="q">韵问
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何如<span ss="q">读临池鲙玉<span ss="q">韵扁舟空檥洞庭宿<span ss="q">韵也胜饮湘然楚竹<span ss="q">韵夜久人悄<span ss="q">句玉妃唤月归来<span ss="q">句挂笙声里<span ss="q">句水
○○ ○○●● ○○○●●○● ●●●○○●● ●●○● ●○●●○○ ●○○● ●
宫六六<span ss="q">韵
○●●
·
此与史词同,惟前结作四字一句、五字一句,后段第五句押韵异。
又一体<span ss="q"> 双调一百五字,前段十一句五仄韵,后段十一句四仄韵 陈允平
千顷玻璃<span ss="q">句送满目斜阳<span ss="q">句渐下林阒<span ss="q">韵题叶人归<span ss="q">句采菱舟散<span ss="q">句望中水天一色<span ss="q">韵碾空桂魄<span ss="q">韵玉绳低转
○●○○ ●●●○○ ●●○● ○●○○ ●○○● ●○●○●● ●○●● ●○○●
云无迹<span ss="q">韵有素鸥<span ss="q">句闲伴夜深<span ss="q">句呼棹过环碧<span ss="q">韵 相思万里<span ss="q">句顿隔婵媛<span ss="q">句几回瑶台<span ss="q">句同驻鸾翼<span ss="q">韵对
○○● ●●○ ○●●○ ○●●○● ○○●● ●●○○ ●○○○ ○●○● ●
西风<span ss="q">读凭谁问取<span ss="q">句人间那得有今夕<span ss="q">韵应笑广寒宫殿窄<span ss="q">韵露冷烟淡<span ss="q">句还看数点残星<span ss="q">句两行新雁<span ss="q">句倚
○○ ○○●● ○○●●●○● ○●●○○●● ●●○● ○●●●○○ ●○○● ●
楼横笛<span ss="q">韵
○○●
·
此亦与史词同,惟前段第九句不押韵,结句作四字一句、五字一句异。 前段第六句,“一”字以入作平,谱内不注可仄。
又一体<span ss="q"> 双调一百三字,前段十句六仄韵,后段十句四仄韵 曾 纡
木落山明<span ss="q">句暮江碧<span ss="q">句楼倚太虚寥廓<span ss="q">韵素手飞觞<span ss="q">句钗头笑取<span ss="q">句金英满浮桑落<span ss="q">韵鬓云漫约<span ss="q">韵酒红拂
●●○○ ●○● ○●●○○● ●●○○ ○○●● ○○●○○● ●○●● ●○●
破香腮薄<span ss="q">韵细细酌<span ss="q">韵帘外任教<span ss="q">读月转画阑角<span ss="q">韵 当年快意登临<span ss="q">句异乡节物<span ss="q">句难禁离索<span ss="q">韵故人
●○○● ●●● ○●●○ ●●●○● ○○●●○○ ●○●● ○○○● ●○
远<span ss="q">读凌波何在<span ss="q">句惟有残英共寂寞<span ss="q">韵愁到断肠无处著<span ss="q">韵寄寒香与<span ss="q">句凭渠问讯佳时<span ss="q">句弄粉吹花<span ss="q">句为
● ○○○● ○●○○●●● ○●●○○●● ●○○● ○○●●○○ ●●○○ ●
谁梳掠<span ss="q">韵
○○●
·
此亦与史词同,惟前段第二句三字、第三句六字,又后段第一、二句减二字,作六字句异。
清风八咏楼 沈隐侯守东阳,建八咏楼,其地又有双溪之胜,故曰“明月双溪水,清风八咏楼”,调名取此。王行词注林钟商曲。《清风八咏楼》者,南宋词林所制也。
又一体<span ss="q"> 双调一百五字,前后段各十句,五仄韵 王 行
远兴引游踪<span ss="q">句漫偏踏天涯<span ss="q">句萋萋芳草<span ss="q">韵偏爱双溪好<span ss="q">韵有隐侯旧踪<span ss="q">句层楼云表<span ss="q">韵碧崖丹嶂<span ss="q">句看缥
●●●○○ ●●●○○ ○○○● ○●○○● ●●○●○ ○○○● ●○○● ●●
缈<span ss="q">读凭阑吟啸<span ss="q">韵偶佳遇<span ss="q">读留捣元霜<span ss="q">句岁星旋又周了<span ss="q">韵 归期谁道无据<span ss="q">句几回首兴怀<span ss="q">句故林猿
● ○○○● ●○● ○●○○ ●○●●○● ○○○●○● ●○●○○ ●○○
鸟<span ss="q">韵拟春空杳<span ss="q">韵与鸳俦鸿侣<span ss="q">句共还池岛<span ss="q">韵川途迢递<span ss="q">句纵南翔<span ss="q">读仍诉幽抱<span ss="q">韵莫轻负<span ss="q">读今日相看<span ss="q">句
● ●●○○● ●○○○● ●○○● ○○○● ●○○ ○●○● ●○● ●●○○
但得翠尊同倒<span ss="q">韵
●●●○○●
·
此调只有此词,无别首可校。
暗香疏影 张肎自度曲,以《暗香》调前段,《疏影》调后段,合而为一。自注夹钟宫。
暗香疏影<span ss="q"> 双调一百五字,前段九句五仄韵,后段九句四仄韵 张 肎
冰肌莹洁<span ss="q">韵更暗香零乱<span ss="q">句淡笼晴雪<span ss="q">韵清瘦轻盈<span ss="q">句悄悄嫩寒犹自怯<span ss="q">韵一枕罗浮梦醒<span ss="q">句闲纵步<span ss="q">读风摇
○○●● ●●○○● ●○○● ○●○○ ●●●○○●● ●●○○●● ○●● ○○
琼玦<span ss="q">韵向记得<span ss="q">读此际相逢<span ss="q">句临水半痕月<span ss="q">韵 妖艳不同桃李<span ss="q">句凌寒又不与<span ss="q">读众芳同歇<span ss="q">韵古驿人
○● ●●● ●●○○ ○●●○● ○●●○○● ○○●●● ●○○● ●●○
遥<span ss="q">句东阁吟残<span ss="q">句忍与何郎轻别<span ss="q">韵粉痕轻点宫妆巧<span ss="q">句怕叶底<span ss="q">读青圆时节<span ss="q">韵问谁人<span ss="q">读黄鹤楼头<span ss="q">句玉笛
○ ○●○○ ●●○○○● ●○○●○○● ●●● ○○○● ●○○ ○●○○ ●●
莫叫吹彻<span ss="q">韵
●○○●
·
按,姜夔《暗香》、《疏影》二曲,入仙吕宫,此词入夹钟宫,虽同属宫声,而声之高下清浊,毕竟不同,故不校注平仄。
真珠髻 调见《梅苑》词。
真珠髻<span ss="q"> 双调一百五字,前段十句四仄韵,后段十句五仄韵 <span ss="q">《梅苑》无名氏
重重山外<span ss="q">句苒苒流光<span ss="q">句又是残冬时节<span ss="q">韵小园幽径<span ss="q">句池边楼畔<span ss="q">句翠木嫩条春别<span ss="q">韵纤蕊轻苞<span ss="q">句粉萼
○○○● ●●○○ ●●○○○● ●○○● ○○○● ●●●○○● ○●○○ ●●
染<span ss="q">读猩猩红血<span ss="q">韵乍几日<span ss="q">读好景和风<span ss="q">句次第一齐催发<span ss="q">韵 天然香艳殊绝<span ss="q">韵此双成皎皎<span ss="q">句倍增芳
● ○○○● ●●● ●●○○ ●●●○○● ○○○●○● ●○○●● ●○○
洁<span ss="q">韵去年因遇<span ss="q">句东归驿使<span ss="q">句赠远忆曾攀折<span ss="q">韵岂谓浮云<span ss="q">句终不放<span ss="q">读满枝明月<span ss="q">韵但叹息<span ss="q">读时饮金钟<span ss="q">句
● ●○○● ○○●● ●●●○○● ●●○○ ○●● ●○○● ●●● ○●○○
更绕丛丛繁雪<span ss="q">韵
●●○○○●
·
此调只有此词,无别首可校。 《花草粹编》,此词后段第三句脱“增”字,第四、五、六句作“去年因遇东归使,指远恨意曾攀折”,今从《梅苑》词订正。
征部乐 柳永《乐章集》注:夹钟商。
征部乐<span ss="q"> 双调一百六字,前段九句六仄韵,后段十句五仄韵 柳 永
雅欢幽会<span ss="q">句良夜可惜虚抛掷<span ss="q">韵每追念<span ss="q">读狂踪旧迹<span ss="q">韵长只恁<span ss="q">读愁闷朝夕<span ss="q">韵凭谁去<span ss="q">句花衢觅<span ss="q">韵细说
●○○● ○●●●○○● ●○● ○○●● ○●● ○●○● ○○● ○○● ●●
与<span ss="q">读此中端的<span ss="q">韵道向我<span ss="q">读转觉厌厌<span ss="q">句梦役魂劳苦相忆<span ss="q">韵 须知最有<span ss="q">句风前月下<span ss="q">句心事始终难
● ●○○● ●●● ●●○○ ○●○○●○● ○○●● ○○●● ○●●○○
得<span ss="q">韵但愿我<span ss="q">读虫虫心下<span ss="q">句把人看待<span ss="q">句长似初相识<span ss="q">韵况渐逢春色<span ss="q">韵便是有<span ss="q">读举觞消息<span ss="q">韵待这回<span ss="q">读
● ●●● ○○○● ●○○● ○●○○● ●●○○● ●●● ●○○● ●●○
好好怜伊<span ss="q">句更不轻离拆<span ss="q">韵
●●○○ ●●○○●
·
汲古阁刻此词,前段第三句脱“每”字,后段第七句脱“渐”字,结句脱“离”字,今从《花草粹编》校正。
解连环 此调始自柳永,以词有“信早梅、偏占阳和”及“时有香来,望明艳、遥知非雪”句,名《望梅》;后因周邦彦词有“妙手能解连环”句,更名《解连环》;张辑词,有“把千种旧愁,付与杏梁雨燕”句,又名《杏梁燕》。
解连环<span ss="q"> 双调一百六字,前段十一句五仄韵,后段十句五仄韵 柳 永
小寒时节<span ss="q">韵正同云暮惨<span ss="q">句劲风朝冽<span ss="q">韵信早梅<span ss="q">读偏占阳和<span ss="q">句向日处<span ss="q">句凌晨数枝争发<span ss="q">韵时有香来<span ss="q">句望
●○○● ●○○●● ●○○● ●●○ ○●○○ ●●● ○○●○○● ○●○○ ●
明艳<span ss="q">读遥知非雪<span ss="q">韵想玲珑嫩蕊<span ss="q">句弄粉素英<span ss="q">句旖旎清绝<span ss="q">韵 仙姿更谁并列<span ss="q">韵有幽光映水<span ss="q">韵疏影笼
○● ○○○● ●○○●● ●●●○ ●●○● ○○●○●● ●○○●● ○●○
月<span ss="q">韵且大家<span ss="q">读留倚阑干<span ss="q">句对绿醑飞觥<span ss="q">句锦笺吟阕<span ss="q">韵桃李繁华<span ss="q">句奈彼此<span ss="q">读芬芳俱别<span ss="q">韵等和羹待用<span ss="q">句
● ●●○ ○●○○ ●●●○○ ●○○● ○●○○ ●●● ○○○● ●○○●●
休把翠条漫折<span ss="q">韵
○●●○●●
·
此调始于此词,但宋、元人多填周邦彦体,故此调可平可仄,详注周词之下。 张辑词,后结“把千种旧愁,付与杏梁雨燕”,句读正与此同,但前段第五、六句“更细与品题,屡呵冰砚”,仍照周词填。
又一体<span ss="q"> 双调一百六字,前段十一句五仄韵,后段十句五仄韵 周邦彦
怨怀无托<span ss="q">韵嗟情人断绝<span ss="q">句信音辽邈<span ss="q">韵纵妙手<span ss="q">读能解连环<span ss="q">句似风散雨收<span ss="q">句雾轻云薄<span ss="q">韵燕子楼空<span ss="q">句暗
●○○● ⊙○○●● ●○○● ●●◎ ⊙●○○ ●⊙●◎○ ●○○● ◎●○○ ◎
尘锁<span ss="q">读一床弦索<span ss="q">韵想移根换叶<span ss="q">句尽是旧时<span ss="q">句手种红药<span ss="q">韵 汀洲渐生杜若<span ss="q">韵料舟依岸曲<span ss="q">句人在天
⊙● ◎○○● ●⊙○●● ◎●◎○ ◎◎○● ○○●○●● ●○○●● ⊙◎○
角<span ss="q">韵漫记得<span ss="q">读当日音书<span ss="q">句把闲语闲言<span ss="q">句待总烧却<span ss="q">韵水驿春回<span ss="q">句望寄我<span ss="q">读江南梅萼<span ss="q">韵拌今生<span ss="q">读对花
● ●●○ ○●○○ ●⊙●○○ ●◎○● ●●○○ ●◎● ⊙○○● ⊙○⊙ ●○
对酒<span ss="q">句为伊泪落<span ss="q">韵
●● ●○●●
·
此与柳词同,惟后结作七字一句、四字一句异。宋、元词俱如此填。 按,高观国词,前段第八句“眉黛浅、三眠初歇”,眉字平声;吴文英词,第九句“想练帷倦人”,练字仄声;高词,第十句“萦绊游蜂”,萦字、游字俱平声;结句“絮飞晴雪”,飞字平声,张辑词,“移尽更箭”,移字平声;张炎词,后段第三句“锦筝弹怨”,锦字仄声,筝字平声;高词,第八句“恨闲损、春风时节”,闲字平声,张词,“算惟有、画阑曾见”,画字仄声;姜夔词,第九句“念惟有、夜来皓月”,有字仄声。谱内可平可仄据此,余参柳词、杨词。 又按,张炎词,前段第十句“残毡拥雪”,后段第九句“未羞他、双燕归来”,平仄与诸家不同,谱内不与参校。又,张炎词,前段第四句“叹贞元朝士无多”,贞字平声;共水村词,前段起句“凤楼倚倦”,倚字仄声;蒋捷词,后段起句“天汉霁虹似昨”,汉字仄声;吴文英词,第二句“叹梧桐未秋”,秋字平声;黄词,第四句“漫记得、栩栩多情”,上栩字仄声;吴文英词,第五句“向别枕倦醒”,倦字仄声;姜夔词,第八句“又见在、曲屏近底”,近字仄声;高观国词,结句“浸愁千斛”,千字平声。遍校宋词,无如此者,谱内亦不参注平仄。
又一体<span ss="q"> 双调一百六字,前后段各十句,五仄韵 杨无咎
素书谁托<span ss="q">韵嗟鳞沈雁断<span ss="q">句水遥山邈<span ss="q">韵问别来<span ss="q">读几许离愁<span ss="q">句但只觉衣宽<span ss="q">句不禁消薄<span ss="q">韵岁岁年年<span ss="q">句又
●○○● ○○○●● ●○○● ●●○ ●●○○ ●●●○○ ●○○● ●●○○ ●
岂是<span ss="q">读春光萧索<span ss="q">韵自无心<span ss="q">读强陪醉笑<span ss="q">句负他满庭花药<span ss="q">韵 援琴试弹贺若<span ss="q">韵尽清于别鹤<span ss="q">句悲甚霜
●● ○○○● ●○○ ●○●● ●○●○○● ○○●○●● ●○○●● ○●○
角<span ss="q">韵怎得去<span ss="q">读斜拥檀槽<span ss="q">句看小品吟商<span ss="q">句玉纤推却<span ss="q">韵旋暖熏炉<span ss="q">句更自炷<span ss="q">读龙津双萼<span ss="q">韵正怀思<span ss="q">读又还
● ●●● ○●○○ ●●●○○ ●○○● ●●○○ ●●● ○○○● ●○○ ●○
夜永<span ss="q">句烛花自落<span ss="q">韵
●● ●○●●
·
此和周词也,惟前结唋七字一句、六字一句异。
内家娇 《乐章集》注:林钟商。
内家娇<span ss="q"> 双调一百六字,前段十句四仄韵,后段十句七仄韵 柳 永
煦景朝升<span ss="q">句烟光昼敛<span ss="q">句疏雨夜来新霁<span ss="q">韵垂杨艳杏<span ss="q">句丝软霞轻<span ss="q">句绣出芳郊明媚<span ss="q">韵处处踏青斗草<span ss="q">句人
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人偎红倚翠<span ss="q">韵奈少年<span ss="q">读自有新愁旧恨<span ss="q">句消遣无计<span ss="q">韵 帝里<span ss="q">韵风光当此际<span ss="q">句正好恁携佳丽<span ss="q">韵阻归
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程迢递<span ss="q">韵奈何好景难留<span ss="q">句旧欢频弃<span ss="q">韵早是伤春情绪<span ss="q">韵那堪困人天气<span ss="q">韵但赢得<span ss="q">读独立高原<span ss="q">句断肠一
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晌凝睇<span ss="q">韵
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此调仅见此词,无他作可校。
夜飞鹊慢 调见《片玉词》,一名《夜飞鹊》。
夜飞鹊慢<span ss="q"> 双调一百六字,前段十句五平韵,后段十句四平韵 周邦彦
河桥送人处<span ss="q">句凉夜何其<span ss="q">韵斜月远堕余辉<span ss="q">韵铜盘烛泪已流尽<span ss="q">句霏霏凉露沾衣<span ss="q">韵相将散离会<span ss="q">句探风
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前津鼓<span ss="q">句树杪参旗<span ss="q">韵华骢会意<span ss="q">句纵扬鞭<span ss="q">读亦自行迟<span ss="q">韵 迢递路回清埜<span ss="q">句人语渐无闻<span ss="q">句空带愁
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归<span ss="q">韵何意重经前地<span ss="q">句遗钿不见<span ss="q">句斜迳多迷<span ss="q">韵兔葵燕麦<span ss="q">句向残阳<span ss="q">读影与人齐<span ss="q">韵但徘徊班草<span ss="q">读欷歔
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酹酒<span ss="q">句极望天西<span ss="q">韵
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·
此调以此词为正体,卢祖皋、吴文英、陈允平、张炎词,俱如此填。若赵词之句读小异,乃变格也。 按,张词,前段第三句“都缘水国秋清”,缘字平声;吴词,第四句“天街曾醉美人畔”,曾字平声,张词,“绿房一夜迎向晓”,绿字、向字俱仄声,迎字平声;卢词,第五句“最怜香霭霏霏”,最字仄声,陈词,“砧声几处寒衣”,几字仄声;张词,结句“料相逢、依旧光阴”,依字平声;卢词,后段第四句“一自秋娘迢递”,一字仄声;张词,第五句“颉颃万里”,颉字仄声;卢词,第七句“新来院落”,新字平声;第八句“雁难寻、帘幕长垂”,帘字平声;结句“应也颦眉”,应字平声。谱内可平可仄据此,余参赵词。 赵词,前段第四句“峨眉乞得天孙巧”,不作拗体,与调不协,谱内不与参校。 又,吴词,前段结句“寄横竹、吹裂哀云”;陈词,后段第八句“渐落霞孤鹜飞齐”,竹字、落字俱以入作平,亦不注可仄。
又一体<span ss="q"> 双调一百六字,前段十句五平韵,后段十一句四平韵 赵以夫
凝云拂斜月<span ss="q">句万籁声沈<span ss="q">韵凉露暗坠桐阴<span ss="q">韵蛾眉乞得天孙巧<span ss="q">句愔愔楼上穿针<span ss="q">韵佳期鹊桥误<span ss="q">句到年
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时此夕<span ss="q">句欢浅愁深<span ss="q">韵人间儿女<span ss="q">句说风流<span ss="q">读直至如今<span ss="q">韵 河汉几曾风浪<span ss="q">句因景物牵情<span ss="q">句自是人
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心<span ss="q">韵长记秋庭往事<span ss="q">句钿花剪翠<span ss="q">句钗股分金<span ss="q">韵道人无著<span ss="q">句正萧然<span ss="q">读竹枕疏衾<span ss="q">韵梦回时<span ss="q">句天淡星稀<span ss="q">句
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闲弄一曲瑶琴<span ss="q">韵
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此与周词同,惟后结作三字一句、四字一句、六字一句异。
泛清波摘遍 按,《宋史·乐志》有林钟商《泛清波》大曲。沈括《笔谈》:凡曲每解有数叠者,裁截用之,谓之摘遍。此盖摘《泛清波》曲之一遍也。
泛清波摘遍<span ss="q"> 双调一百六字,前段十一句五仄韵,后段十句六仄韵 晏几道
催花雨小<span ss="q">句著柳风柔<span ss="q">句都似去年时候好<span ss="q">韵露红烟绿<span ss="q">句尽有狂情斗春早<span ss="q">韵长安道<span ss="q">韵秋千影里<span ss="q">句丝
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管声中<span ss="q">句谁放艳阳轻过了<span ss="q">韵倦客登临<span ss="q">句暗惜光阴恨多少<span ss="q">韵 楚天渺<span ss="q">韵归思正如乱云<span ss="q">句短梦未
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成芳草<span ss="q">韵空把吴霜点鬓华<span ss="q">句自悲清晓<span ss="q">韵帝城杳<span ss="q">韵双凤旧约渐虚<span ss="q">句孤鸿后期难到<span ss="q">韵且趁朝花夜月<span ss="q">句
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翠尊频倒<span ss="q">韵
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此调只有此词,其平仄亦从之。
望明河 调见《苕溪集》。
望明河<span ss="q"> 双调一百六字,前段九句四仄韵,后段九句五仄韵 刘一止
华旌耀日<span ss="q">句报天上使星<span ss="q">句初辞金阙<span ss="q">韵许国精忠<span ss="q">句试此日傅岩<span ss="q">读济川舟楫<span ss="q">韵向来鸡林外<span ss="q">句况传咏<span ss="q">读
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篇章夸雄绝<span ss="q">韵问人地<span ss="q">读真是唐朝第一<span ss="q">句未论勋业<span ss="q">韵 鲸波霁云千叠<span ss="q">韵望仙驭缥缈<span ss="q">句神山明灭<span ss="q">韵
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万里勤劳<span ss="q">句也等是壮年<span ss="q">读绣衣持节<span ss="q">韵丈夫功名事<span ss="q">句未肯向<span ss="q">读尊前伤轻别<span ss="q">韵看飞棹<span ss="q">读归侍宸游<span ss="q">句宴
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赏太平风月<span ss="q">韵
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此调只有此词,无他首可校。
楚宫春慢 调见《宝月词》。
楚宫春慢<span ss="q"> 双调一百六字,前段十句五仄韵,后段九句四仄韵 僧 挥
轻盈绛雪<span ss="q">韵乍团聚同心<span ss="q">句千点珠结<span ss="q">韵画馆绣帏<span ss="q">句低舞融融香彻<span ss="q">韵笑里精神放纵<span ss="q">句断未许<span ss="q">读年华偷
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歇<span ss="q">韵信任芳春<span ss="q">句都不管<span ss="q">读淅淅南薰<span ss="q">句别是一家风月<span ss="q">韵 扁舟去后<span ss="q">句回望处<span ss="q">读娃宫凄凉凝咽<span ss="q">韵身
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似断云<span ss="q">句零落深心难说<span ss="q">韵不与雕阑寸地<span ss="q">句忍觑著<span ss="q">读漂流离缺<span ss="q">韵尽日恹恹<span ss="q">读总无语<span ss="q">句不及高唐<span ss="q">句梦
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里相逢时节<span ss="q">韵
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此调自此词外,只有周密添字词,故可平可仄,悉参周词。
又一体<span ss="q"> 双调一百八字,前段十句五仄韵,后段九句五仄韵 周 密
香迎晓白<span ss="q">韵看烟佩霞绡<span ss="q">句美女金谷<span ss="q">韵倦倚画阑<span ss="q">句无语情深娇足<span ss="q">韵云拥瑶房帐暖<span ss="q">句翠幕卷<span ss="q">读东风倾
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国<span ss="q">韵半捻愁红<span ss="q">句念旧游<span ss="q">读凝伫兰翘<span ss="q">句瑞鸾低舞庭绿<span ss="q">韵 犹想沈香亭北<span ss="q">韵人醉里<span ss="q">读芳笔曾题新
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曲<span ss="q">韵轻裛露痕<span ss="q">句移取春归华屋<span ss="q">韵绿障银屏静掩<span ss="q">句悄未许<span ss="q">读莺窥蝶宿<span ss="q">韵绛蜡良宵<span ss="q">读酒半阑<span ss="q">句重绕鸳
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机<span ss="q">句醉靥争妍红玉<span ss="q">韵
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此与僧挥词同,惟换头句添二字、又押韵异。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
望海潮 柳永《乐章集》注:仙吕调。
望海潮 <span ss="q">双调一百七字,前段十一句五平韵,后段十一句六平韵 柳 永
东南形胜<span ss="q">句江湖都会<span ss="q">句钱塘自古繁华<span ss="q">韵烟柳画桥<span ss="q">句风帘翠幕<span ss="q">句参差十万人家<span ss="q">韵云树绕堤沙<span ss="q">韵怒涛
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卷霜雪<span ss="q">句天堑无涯<span ss="q">韵市列珠玑<span ss="q">句户盈罗绮竞豪奢<span ss="q">韵 重湖叠巘清佳<span ss="q">韵有三秋桂子<span ss="q">句十里荷花<span ss="q">韵
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羌管弄晴<span ss="q">句菱歌泛夜<span ss="q">句嬉嬉钓叟莲娃<span ss="q">韵千骑拥高牙<span ss="q">韵乘醉听箫鼓<span ss="q">句吟赏烟霞<span ss="q">韵异日图将好景<span ss="q">句归
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去凤池夸<span ss="q">韵
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此调以此词为正体,秦观、张元幹、史巂之、石孝友、赵可、折元礼诸词,俱照此填。若秦词别首之句读小异,邓词之换头押短韵,皆变格也。 此词前结“市列珠玑,户盈罗绮”,例作对偶,宋、元人如此填者甚多。 按,折词,前段第一句“地雄河岳”,地字仄声;张词,第三句“玉簪罗带绸缪”,玉字仄声,罗字平声;折词,第六句“野烟萦带沧州”,野字仄声,萦字平声;第七句“虎旆拥貔貅”,虎字仄声;赵词,第九句“似隔盈盈”,似字仄声;刘一止词,第十句“双阙连云”,双字平声;史词,第十一句“驹留空谷接英游”,驹字平声,吕渭老词,“半篙绿水漫斜桥”,绿字仄声;张词,后段第一句“使君冠世风流”,使字仄声,晁补之词,“年年高会江阳”,高字平声;石词,第二句“奈碧云暗断”,碧字仄声;折词,第六句“贺阑烽火新收”,贺字仄声,烽字平声;张词,第七句“逸兴醉无休”,逸字仄声;石词,第八句“但乌啼渡口”,乌字平声;张翥词,第九句“酾酒长澜”,酾字仄声;石词,第十句、十一句“拟把无穷幽恨,万叠写霜绡”,幽字平声,万字仄声。谱内可平可仄据此,余参秦、邓二词。 前后段第四、五句,例作平仄仄平,平平仄仄,石词之前后段第四句“柳色摇金”、“春草生池”,摇字、生字俱平声;赵词之前段第五句“百街高选”,石词之后段第五句“芳尘凝榭”,高字、凝字俱平声,及邓词之前段第四句“错”字仄声,俱与调不合,谱内不校注平仄。
又一体 <span ss="q">双调一百七字,前段十一句五平韵,后段十一句六平韵 秦 观
梅英疏淡<span ss="q">句冰澌溶洩<span ss="q">句东风暗换年华<span ss="q">韵金谷俊游<span ss="q">句铜驼巷陌<span ss="q">韵新晴细履平沙<span ss="q">韵长记误随车<span ss="q">韵正絮
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翻蝶舞<span ss="q">句芳思交加<span ss="q">韵柳下桃蹊<span ss="q">句乱分春色到人家<span ss="q">韵 西园夜饮鸣笳<span ss="q">韵有华灯碍月<span ss="q">句飞盖妨花<span ss="q">韵
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兰苑未空<span ss="q">句行人渐老<span ss="q">句重来是事堪嗟<span ss="q">韵烟暝酒旗斜<span ss="q">韵但倚楼极目<span ss="q">句时见栖鸦<span ss="q">韵无奈归心<span ss="q">句暗随流
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水到天涯<span ss="q">韵
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此与柳词同,惟后结作四字一句、七字一句异。 按,晁补之、吕渭老、刘一止、张翥、沈公述词,俱与此同,唯沈词前段第八、九句“少年人,一一锦带吴钩”,句读与此小异,注明不另列。
又一体 <span ss="q">双调一百七字,前段十一句五平韵,后段十二句七平韵 邓千江
云雷天堑<span ss="q">句金汤地险<span ss="q">句名藩自古皋兰<span ss="q">韵营屯绣错<span ss="q">句山形米聚<span ss="q">句襟喉百二秦关<span ss="q">韵鏖战血犹殷<span ss="q">韵见
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阵云冷落<span ss="q">句时有雕盘<span ss="q">韵静塞楼头<span ss="q">句晓月依旧玉弓弯<span ss="q">韵 看看<span ss="q">韵定远西还<span ss="q">韵有元戎阃令<span ss="q">句上
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将斋坛<span ss="q">韵瓯脱昼空<span ss="q">句兜鍪夕解<span ss="q">句甘泉又报平安<span ss="q">韵吹笛虎牙间<span ss="q">韵且宴陪朱履<span ss="q">句歌按云鬟<span ss="q">韵招取英
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灵毅魄<span ss="q">句长绕贺兰山<span ss="q">韵
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·
此与柳词同,惟换头藏短韵异。
望湘人 调见《东山乐府》。
望湘人 <span ss="q">双调一百七字,前段十一句五仄韵,后段十句六仄韵 贺 铸
厌莺声到枕<span ss="q">句花气动帘<span ss="q">句醉魂愁梦相半<span ss="q">韵被惜余熏<span ss="q">句带惊剩眼<span ss="q">韵几许伤春春晚<span ss="q">韵泪竹痕鲜<span ss="q">句佩兰
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香老<span ss="q">句湘天浓暖<span ss="q">韵记小江<span ss="q">读风月佳时<span ss="q">句屡约非烟游伴<span ss="q">韵 须信鸾弦易断<span ss="q">韵奈云和再鼓<span ss="q">句曲终人
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远<span ss="q">韵认罗袜无踪<span ss="q">句旧处弄波清浅<span ss="q">韵青翰棹<span ss="q">句檥白苹洲畔<span ss="q">韵尽目临皋飞观<span ss="q">韵不解寄<span ss="q">读一字相思<span ss="q">句幸
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有归来双燕<span ss="q">韵
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·
此调只有此词,无他作可校。
青门饮 调见《淮海词》。黄裳词,亦名《青门引》,然与《青门引》令词不同。
青门饮 <span ss="q">双调一百七字,前段十二句四仄韵,后段十一句五仄韵 秦 观
风起云间<span ss="q">句雁横天末<span ss="q">句严城画角<span ss="q">句梅花三奏<span ss="q">韵塞草西风<span ss="q">句冻云笼月<span ss="q">句窗外晓寒轻透<span ss="q">韵人去香犹
○●○○ ●○○● ○○●● ⊙○○● ●●○○ ●○○● ○●●○○● ⊙●○○
在<span ss="q">句孤衾拥<span ss="q">读长闲余绣<span ss="q">韵恨与宵长<span ss="q">句一夜熏炉<span ss="q">句添尽香兽<span ss="q">韵 前事空劳回首<span ss="q">韵虽梦断春归<span ss="q">句
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相思依旧<span ss="q">韵湘瑟声沈<span ss="q">句庾梅信断<span ss="q">句谁念画眉人瘦<span ss="q">韵一句难忘处<span ss="q">句怎忍辜<span ss="q">读耳边轻咒<span ss="q">韵任人攀折<span ss="q">句
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可怜又学<span ss="q">句章台杨柳<span ss="q">韵
◎○●● ○○○●
·
此调以此词为正体,黄裳词正与此同。若曹词、无名氏词之减字,皆变格也。 按,黄词,后段第六句“且看翠园红绕”,且字仄声;第十句“丹台梦觉”,丹字平声。谱内可平可仄据此,余参所采二词。
又一体 <span ss="q">双调一百五字,前段十二句五仄韵,后段十句四仄韵 曹 组
山静烟沈<span ss="q">句岸空潮去<span ss="q">韵晴天万里<span ss="q">句飞鸿南渡<span ss="q">韵冉冉黄花<span ss="q">句翠翘金钿<span ss="q">句还是倚风凝露<span ss="q">韵岁岁青门
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饮<span ss="q">句尽龙山高阳俦侣<span ss="q">韵旧赏成空<span ss="q">句回首旧游<span ss="q">句人在何处<span ss="q">韵 此际谁怜萍泛<span ss="q">句空自感光阴<span ss="q">句暗
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伤羁旅<span ss="q">韵醉里悲歌<span ss="q">句夜深惊梦<span ss="q">句无奈觉来情绪<span ss="q">韵孤馆昏还晓<span ss="q">句厌时闻<span ss="q">读南楼钟鼓<span ss="q">韵泪眼临风<span ss="q">句
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肠断望中归路<span ss="q">韵
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·
此与秦词同,惟前段第二句押韵,换头句不押韵,后结减二字,作四字一句、六字一句异。
又一体 <span ss="q">双调一百六字,前段十二句四仄韵,后段十一句五仄韵 <span ss="q">《花草粹编》无名氏
边马嘶风<span ss="q">句汉旗翻雪<span ss="q">句彤云又吐<span ss="q">句一竿残照<span ss="q">韵古木连空<span ss="q">句乱山无数<span ss="q">句行尽暮沙衰草<span ss="q">韵星斗横幽
○●○○ ●○○● ○○●● ●○○● ●●○○ ●○○● ○●●○○● ○●○○
馆<span ss="q">句夜无眠<span ss="q">读灯花空老<span ss="q">韵雾浓香鸭<span ss="q">句冰凝泪烛<span ss="q">句霜天难晓<span ss="q">韵 长记小妆才了<span ss="q">韵一杯未尽<span ss="q">句离
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怀多少<span ss="q">韵醉里秋波<span ss="q">句梦中朝雨<span ss="q">句都是醒时烦恼<span ss="q">韵料有牵情处<span ss="q">句忍思量<span ss="q">句耳边曾道<span ss="q">韵甚时跃马归
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来<span ss="q">句认得迎门轻笑<span ss="q">韵
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·
此亦秦词体,惟后段第二句减一字,结作六字两句异。
落 梅 《梅苑》无名氏词,名《落梅慢》。
落 梅 <span ss="q">双调一百七字,前段十二句四仄韵,后段十句五仄韵 王 诜
寿阳妆晚<span ss="q">句慵匀素脸<span ss="q">句经宵醉痕堪惜<span ss="q">韵前村雪里<span ss="q">句几枝初绽<span ss="q">句正冰姿仙格<span ss="q">韵忍被东风<span ss="q">句乱飘满
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地<span ss="q">句残英堆积<span ss="q">韵可堪江上起离愁<span ss="q">句凭谁说寄<span ss="q">句肠断未归客<span ss="q">韵 流恨声传羌笛<span ss="q">韵感行人<span ss="q">读水亭
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山驿<span ss="q">韵越溪信阻<span ss="q">句仙乡路杳<span ss="q">句但风流尘迹<span ss="q">韵香艳浓时<span ss="q">句未多吟赏<span ss="q">句已成轻掷<span ss="q">韵愿身长健且凭阑<span ss="q">句
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明年还放春消息<span ss="q">韵
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·
此与《梅苑》无名氏词,句读不同,故不参校平仄。
又一体 <span ss="q">双调一百六字,前段九句四仄韵,后段九句五仄韵 <span ss="q">《梅苑》无名氏
带烟和雪<span ss="q">句繁枝淡泞<span ss="q">句谁将粉融酥滴<span ss="q">韵疏枝冷蕊压群芳<span ss="q">句年年长占春色<span ss="q">韵江路溪桥漫倒<span ss="q">句袅袅
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风中无力<span ss="q">韵暗香染动冰姿<span ss="q">句明月里<span ss="q">读想无花比高格<span ss="q">韵 争奈光阴瞬息<span ss="q">韵动幽怨<span ss="q">读潜生羌笛<span ss="q">韵
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新花斗巧<span ss="q">句有天然闲态<span ss="q">句倚阑堪惜<span ss="q">韵零乱残英片片<span ss="q">句飞上舞筵歌席<span ss="q">韵断肠忍泪念前期<span ss="q">句经岁还
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有芳容隔<span ss="q">韵
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·
此词前起三句、后起二句、后结二句,与王词同,余则摊破余法,自成一格。
飞雪满群山 调见《友古词》。因词有“长记得、扁舟寻旧约”句,更名《扁舟寻旧约》。张榘词,名《飞雪满堆山》。
飞雪满群山 <span ss="q">双调一百七字,前段十一句四平韵,后段十句四平韵 蔡 伸
冰结金壶<span ss="q">句寒生罗幕<span ss="q">句夜阑霜月侵门<span ss="q">韵翠筠敲韵<span ss="q">句疏梅弄影<span ss="q">句数声雁过南云<span ss="q">韵酒醒敧粲枕<span ss="q">句怆犹
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有<span ss="q">读残妆泪痕<span ss="q">韵绣衾孤拥<span ss="q">句余香未减<span ss="q">句犹是那时熏<span ss="q">韵 长记得<span ss="q">读扁舟寻旧约<span ss="q">句听小窗风雨<span ss="q">句灯
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火昏昏<span ss="q">韵锦茵才展<span ss="q">句琼签报曙<span ss="q">句宝钗又是轻分<span ss="q">韵黯然携手处<span ss="q">句倚朱箔<span ss="q">读愁凝黛颦<span ss="q">韵梦回云散<span ss="q">句山
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遥水远空断魂<span ss="q">韵
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·
此调自此词外,只有张词可校。 后段结句,例作拗句,张词亦然,填者辨之。
又一体 <span ss="q">双调一百六字,前段十一句四平韵,后段十句四平韵 张 榘
爱日烘晴<span ss="q">句梅梢春动<span ss="q">句晓窗客梦方还<span ss="q">韵江天万里<span ss="q">句高低烟树<span ss="q">句四望犹拥螺鬟<span ss="q">韵是谁邀滕六<span ss="q">句酿薄
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暮<span ss="q">读同云沍寒<span ss="q">韵却原来是<span ss="q">句铃阁云蒸<span ss="q">句俄忽老青山<span ss="q">韵 都尽道<span ss="q">读来年须更好<span ss="q">句无缘农事<span ss="q">句雨涩
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风悭<span ss="q">韵鹅池夜半<span ss="q">句衔枚飞渡<span ss="q">句看尊俎折冲间<span ss="q">韵尽青油谈笑<span ss="q">句琼花露<span ss="q">读杯深量宽<span ss="q">韵功名做了<span ss="q">句云台
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写作图画看<span ss="q">韵
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·
此与蔡词同,惟后段第二句减一字异。 前后段第七句,俱作上一下四句法,与蔡词亦不同。
角 招 调见赵以夫《虚斋集》,自注:姜夔制《角招》、《徵招》二曲,余以《角招》赋梅。古乐府有大、小《梅花》,皆角声也。
角 招 <span ss="q">双调一百七字,前段十一句八仄韵,后段十二句九仄韵 赵以夫
晓风薄<span ss="q">韵苔枝上<span ss="q">句剪成万点冰萼<span ss="q">韵暗香无处著<span ss="q">韵立马断魂<span ss="q">句晴雪篱落<span ss="q">韵溪横略彴<span ss="q">韵恨寄驿<span ss="q">读音书
●○● ○○● ●○●●○● ●○○●● ●●●○ ○●○● ○○●● ●●● ○○
辽邈<span ss="q">韵梦绕扬州东阁<span ss="q">韵风流旧日何郎<span ss="q">句想依然林壑<span ss="q">韵 离索<span ss="q">韵引杯自酌<span ss="q">韵相看冷淡<span ss="q">句一笑人
○● ●●○○○● ○○●●○○ ●○○○● ○● ●○●● ○○●● ●●○
如削<span ss="q">韵水云寒漠漠<span ss="q">韵底处群仙<span ss="q">句飞来霜鹤<span ss="q">韵芳姿绰约<span ss="q">韵正月满<span ss="q">读瑶台珠箔<span ss="q">韵徙倚阑干寂寞<span ss="q">韵尽分
○● ●○○●● ●●○○ ○○○● ○○●● ●●● ○○○● ●●○○●● ●○
付<span ss="q">读许多愁<span ss="q">句城头角<span ss="q">韵
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·
此调保有此词,无别首可校。
一寸金 调见柳永词。
一寸金 <span ss="q">双调一百八字,前段十句四仄韵,后段十一句四仄韵 柳 永
井络天开<span ss="q">句剑岭云横控西夏<span ss="q">韵地胜异<span ss="q">读锦里风光<span ss="q">句蚕市繁华<span ss="q">句簇簇歌台舞榭<span ss="q">韵雅俗多游赏<span ss="q">句轻裘
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俊<span ss="q">读靓妆艳冶<span ss="q">韵当春昼<span ss="q">句摸石池边<span ss="q">读浣花溪上景如画<span ss="q">韵 梦应三刀<span ss="q">句桥名万里<span ss="q">句中和政多暇<span ss="q">韵
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仗汉节<span ss="q">读揽辔澄清<span ss="q">句高掩武侯勋业<span ss="q">句文翁风化<span ss="q">韵台鼎思贤久<span ss="q">句方镇静<span ss="q">读又还命驾<span ss="q">韵空遗爱<span ss="q">句两蜀
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山川<span ss="q">句异日成佳话<span ss="q">韵
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·
此调始于此词,但后段句读参差,且宋词多照周邦彦词体填,故可平可仄,俱注周词之下。 前段结句,平仄与诸家不同,不参校入谱。
又一体 <span ss="q">双调一百八字,前段十句四仄韵,后段十一句四仄韵 周邦彦
州夹苍崖<span ss="q">句下枕江山是城郭<span ss="q">韵望海霞接日<span ss="q">句红翻水面<span ss="q">句晴风吹草<span ss="q">句青摇山脚<span ss="q">韵波暖凫鹥泳<span ss="q">句沙痕
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退<span ss="q">读夜潮正落<span ss="q">韵疏林外<span ss="q">读一点炊烟<span ss="q">句渡口参差正寥廓<span ss="q">韵 自叹劳生<span ss="q">句经年何事<span ss="q">句京华信漂泊<span ss="q">韵
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念渚蒲汀柳<span ss="q">句空归闲梦<span ss="q">句风轮雨楫<span ss="q">句终辜前约<span ss="q">韵情景牵心眼<span ss="q">句流连处<span ss="q">读利名易薄<span ss="q">韵回头谢<span ss="q">读冶叶
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倡条<span ss="q">韵便入渔钓乐<span ss="q">韵
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·
此调以此词为正体,吴文英、陈允平词,俱如此填。若李词之多押两韵,曹词之句读参差,无名氏词之减字,皆变格也。 此词前段第二句及结句例作仄仄平平仄平仄,谱内诸词皆然;后段结句例作仄平平仄仄,若李、曹、无名氏三词,则照柳词填,自成一体,谱内不校注平仄。 前段第三句例作仄仄平仄仄,或作仄仄平平仄,后段第四句,例作仄仄平平仄,谱内李词平仄,与诸家不同,亦不校注。 按,吴词,前段第三句“见骇毛飞雪”,飞字平声;第五句“臞腰束缟”,束字仄声;第八句“红锦透、尚欺暗烛”,锦字仄声;后段起句“顽老情怀”,顽字平声;第五句“折钗锦字”,折字、锦字俱仄声;第六句“黠髯掀舞”,掀字平声。谱内可平可仄据此,余参所采四词。 吴词,前段第六句“汤沐疏邑”,沐字以入作平,不注可仄。
又一体 <span ss="q">双调一百八字,前后段各十一句,五仄韵 李弥逊
仙李盘根<span ss="q">句自有天潢蔼芳裔<span ss="q">韵更溜雨霜皮<span ss="q">句临风玉树<span ss="q">句紫髯丹颊<span ss="q">句长生久视<span ss="q">韵鹤帐琅书至<span ss="q">韵长庚
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梦<span ss="q">读当年暗记<span ss="q">韵邀欢处<span ss="q">句回首西风<span ss="q">句渐喜秋英弄霜蕊<span ss="q">韵 暂卷双旌<span ss="q">句鸣金吹竹<span ss="q">句高堂伴新戏<span ss="q">韵
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对璧月流光<span ss="q">句屏山供翠<span ss="q">句碧云乍合<span ss="q">句飞觞如缀<span ss="q">韵早晚岩廊侍<span ss="q">韵终不负<span ss="q">读黄楼一醉<span ss="q">韵丹青手<span ss="q">读先与
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翻阶<span ss="q">句万叶增春媚<span ss="q">韵
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·
此与周词同,惟前段第七句、后段第八句各押韵异。
又一体 <span ss="q">双调一百八字,前段十句四仄韵,后段十一句四仄韵 曹 勋
霜落鸳鸯<span ss="q">句绣隐芙蓉小春节<span ss="q">韵应运看<span ss="q">读月魄分辉<span ss="q">句坤顺同符<span ss="q">句文母徽音芳烈<span ss="q">韵诞育乾坤主<span ss="q">句均慈
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爱<span ss="q">读练裙岂别<span ss="q">韵经沙塞<span ss="q">句涉履烟尘<span ss="q">句瑞色怡然更英发<span ss="q">韵 上圣中兴<span ss="q">句严恭问寝<span ss="q">句宫庭正和悦<span ss="q">韵
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看寿筵高启<span ss="q">句龙香低转<span ss="q">句声入霓裳<span ss="q">句檀槽新拨<span ss="q">韵翠衮同行乐<span ss="q">句钧韶奏<span ss="q">读喜盈绛阙<span ss="q">韵倾心愿<span ss="q">读亿载
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慈宁<span ss="q">句醉赏闲风月<span ss="q">韵
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·
此词前段与柳词同,后段与周词同。
又一体 <span ss="q">双调一百五字,前段十一句四仄韵,后段十二句四仄韵 <span ss="q">《鸣鹤余音》无名氏
堪叹群迷<span ss="q">句梦空花<span ss="q">句几人悟<span ss="q">韵更假饶<span ss="q">读锦帐铜山<span ss="q">句朱履玉簪<span ss="q">句毕竟于身何故<span ss="q">韵未若红尘外<span ss="q">句幽隐
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竹篱蓬户<span ss="q">韵青松下<span ss="q">句一曲高歌<span ss="q">句笑傲年华换今古<span ss="q">韵 紫府春光<span ss="q">句清都雅会<span ss="q">句时妙有真趣<span ss="q">韵看自
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然天乐<span ss="q">句星楼月殿<span ss="q">句鸾飞凤舞<span ss="q">句白云深处<span ss="q">韵壶内神仙景<span ss="q">句谁肯少年回顾<span ss="q">韵逍遥界<span ss="q">句独我归来<span ss="q">句复
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入寥阳去<span ss="q">韵
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·
此词前段亦与柳词同,惟第二句减一字、作三字两句,又第八句减一字、作六字句异。后段亦与周词同,惟第九句减一字、作六字句异。
击梧桐 此调有两体:一百八字者,见《乐章集》,注中吕调;一百十字者,见《乐府雅词》。
击梧桐 <span ss="q">双调一百八字,前段十句四仄韵,后段九句四仄韵 柳 永
香靥深深<span ss="q">句姿姿媚媚<span ss="q">句雅格奇容天与<span ss="q">韵自识伊来<span ss="q">句好好看承<span ss="q">句会得妖娆心素<span ss="q">韵临期再约同欢<span ss="q">句
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定是都把平生相许<span ss="q">韵又恐恩情<span ss="q">读易破难成<span ss="q">句未免千般思虑<span ss="q">韵 近日书来<span ss="q">句寒暄而已<span ss="q">句苦没忉
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忉言语<span ss="q">韵便认得<span ss="q">读听人教当<span ss="q">句拟把前言轻负<span ss="q">韵见说兰台宋玉<span ss="q">句多才多艺善词赋<span ss="q">韵试与问<span ss="q">读朝朝
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暮暮<span ss="q">句行云何处去<span ss="q">韵
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·
此词只有《梅苑》无名氏词可校,故谱内可平可仄,悉参无名氏词。
又一体 <span ss="q">双调一百八字,前段十一句四仄韵,后段九句四仄韵 <span ss="q">《梅苑》无名氏
雪叶红凋<span ss="q">句烟林翠减<span ss="q">句独有寒梅难并<span ss="q">韵瑞雪香肌<span ss="q">句碎玉奇姿<span ss="q">句迥得佳人风韵<span ss="q">韵清标暗折芳心<span ss="q">句
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又是轻洩江南春信<span ss="q">韵最好山前水畔<span ss="q">句幽闲自有<span ss="q">句横斜疏影<span ss="q">韵 尽日凭阑<span ss="q">句寻思无语<span ss="q">句可惜飘
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琼飞粉<span ss="q">韵但怅望<span ss="q">读王孙未赏<span ss="q">句空使清香成阵<span ss="q">韵怎得移根帝苑<span ss="q">句开时不许众芳近<span ss="q">韵免教向<span ss="q">读深岩
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暗谷<span ss="q">句结成千万恨<span ss="q">韵
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此与柳词同,惟前结作六字一句、四字两句异。
又一体 <span ss="q">双调一百十字,前段十句五仄韵,后段十句四仄韵 李 甲
杳杳春江阔<span ss="q">韵收细雨<span ss="q">读风蹙波声无歇<span ss="q">韵雁去汀洲暖<span ss="q">句岸芜静<span ss="q">读翠染遥山一抹<span ss="q">韵群鸥聚散<span ss="q">句征航来
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去<span ss="q">句隔水相望楚越<span ss="q">韵对此<span ss="q">读凝情久<span ss="q">句念往岁上国<span ss="q">句嬉游时节<span ss="q">韵 斗草园林<span ss="q">句卖花巷陌<span ss="q">句触处
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风光奇绝<span ss="q">韵正恁浓欢里<span ss="q">句悄不意<span ss="q">读顿有天涯离别<span ss="q">韵看即梅生翠实<span ss="q">句柳飘狂絮<span ss="q">句没个人共折<span ss="q">韵把而
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今<span ss="q">读愁烦滋味<span ss="q">句教向谁说<span ss="q">韵
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·
此词只有李珏词可校。 按,李珏词,前段起句“枫叶沈于染”,枫字平声;第六句“朝生暮落”,暮字仄声;第七句“人似吴潮展转”,人字平声;后段第一、二句“双屐行春,扁舟啸晚”,双字、扁字俱平声;第六句“惆望明朝何处”,何字平声。谱内可平可仄据此。
折红梅 调见《寿域词》。
折红梅 <span ss="q">双调一百八字,前段十句五仄韵,后段十句六仄韵 杜安世
睹南翔征雁<span ss="q">句疏林败叶<span ss="q">句凋霜零乱<span ss="q">韵独红梅<span ss="q">读自守岁寒<span ss="q">句天教最后开绽<span ss="q">韵盈盈水畔<span ss="q">韵疏影蘸<span ss="q">读横
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斜清浅<span ss="q">韵化工似把<span ss="q">读深色胭脂<span ss="q">句怪姑射冰姿<span ss="q">句剩与红间<span ss="q">韵 谁人宠眷<span ss="q">韵待金锁不开<span ss="q">句凭阑先
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看<span ss="q">韵曾飞落<span ss="q">读寿阳粉额<span ss="q">句妆成汉宫传遍<span ss="q">韵江南风暖<span ss="q">韵春信喜<span ss="q">读一枝清远<span ss="q">韵对酒便好<span ss="q">读折取奇葩<span ss="q">句
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撚清香重嗅<span ss="q">句举杯重劝<span ss="q">韵
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·
此杜自度曲,集中仄韵词四首,句读悉同,惟平仄各异,若概为参校,恐滋蒙混,谱内采仄韵词二首,填者择一体宗之可也。 此词前后段第六句押韵。按,杜词别首,“盈盈素面,刚强点、胭脂深浅”、“笛声体怨,怕恐使、群芳零乱”,正与此同。
又一体 <span ss="q">双调一百八字,前段十句四仄韵,后段十句六仄韵 杜安世
喜冰澌初泮<span ss="q">句微和渐入<span ss="q">句郊原时节<span ss="q">韵春消息<span ss="q">读夜来陡觉<span ss="q">句红梅数枝争发<span ss="q">韵玉溪仙馆<span ss="q">句不似个<span ss="q">读寻
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常标格<span ss="q">韵化工别与<span ss="q">读一种风情<span ss="q">句似匀点胭脂<span ss="q">句染成香雪<span ss="q">韵 重吟细阅<span ss="q">韵比繁杏夭桃<span ss="q">句品流终
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别<span ss="q">韵只愁共<span ss="q">读彩云易散<span ss="q">句冷落谢池风月<span ss="q">韵凭谁向说<span ss="q">韵三弄处<span ss="q">读龙吟休咽<span ss="q">韵大家留取<span ss="q">读时倚阑干<span ss="q">句
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闻有花堪折<span ss="q">句劝君须折<span ss="q">韵
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·
此与“睹南翔征雁”词同,惟前后段第六句不押韵异。