卷三十三

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">二十


    五调五十九体,起一百四字至一百五字


    宴琼林二体


    潇湘逢故人慢二体


    惜余欢一体


    拜星月慢四体<span ss="q">又名拜新月


    绮寮怨三体


    花心动九体<span ss="q">又名好心动、桂香飘、上升花、花心慢动


    向湖边一体


    阳春二体<span ss="q">又名阳春曲


    送入我门来一体


    绕池游慢一体


    索 酒一体


    瑞云浓慢一体


    霜花腴一体


    绮罗香三体


    玉连环一体


    春从天上来四体


    西湖月二体


    爱月夜眠迟慢一体


    合欢带二体


    曲玉管一体


    早梅芳慢一体


    尉迟杯七体


    花发沁园春二体


    赏南枝一体


    南 浦五体


    宴琼林  唐教坊曲名。《宋史·乐志》:双调。


    宴琼林 <span ss="q">双调一百四字,前段十句四仄韵,后段十句五仄韵          黄 裳


    红紫趁春阑<span ss="q">句独万簇琼英<span ss="q">句尤未开罢<span ss="q">韵问谁共<span ss="q">读绿幄宴群真<span ss="q">句皓雪肌肤相亚<span ss="q">韵华堂路<span ss="q">句小桥边<span ss="q">句


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    向晴阴一架<span ss="q">韵为香清<span ss="q">读把作寒梅看<span ss="q">句喜风来偏惹<span ss="q">韵  莫笑因缘<span ss="q">句见影跨春空<span ss="q">句荣称亭榭<span ss="q">韵助巧


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    笑<span ss="q">读晓妆如画<span ss="q">韵有花钿堪借<span ss="q">韵新醅泛<span ss="q">读寒冰几点<span ss="q">句拌今日<span ss="q">读醉尤飞斝<span ss="q">韵翠罗帏中<span ss="q">句卧蟾光碎<span ss="q">句何


    ● ●○○● ●○○⊙● ○○● ○○●● ⊙○● ●○○● ●○○○ ●○○● ○


    须待还舍<span ss="q">韵


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    ·


    此调惟黄裳词二首,句读大同小异。此词可平可仄,即参下词句读同者。


    又一体 <span ss="q">双调一百三字,前段九句四仄韵,后段八句四仄韵         黄 裳


    霜月和银灯<span ss="q">句乍送目楼台<span ss="q">句星汉高下<span ss="q">韵爱东风<span ss="q">读已暖绮罗香<span ss="q">句竞走去来车马<span ss="q">韵红莲万斛<span ss="q">句开尽


    ○●●○○ ●●●○○ ○●○● ●○○ ●●●○○ ●●●○○● ○○●● ○●


    处<span ss="q">读长安一夜<span ss="q">韵少年郎<span ss="q">读两两桃花面<span ss="q">句有余光相借<span ss="q">韵  因甚灵山在此<span ss="q">句是何人<span ss="q">读能运神化<span ss="q">韵


    ● ○○●● ●○○ ●●○○● ●○○○●   ○●○○●● ●○○ ○●○●


    对景便作神仙会<span ss="q">句恐云骈且驾<span ss="q">韵思曾侍<span ss="q">读龙楼俯览<span ss="q">句笑声远<span ss="q">读洞天飞斝<span ss="q">韵向东尤幸时如故<span ss="q">句群


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    芳未开谢<span ss="q">韵


    ○●○●


    ·


    此词前段第六、七句,后段起、结处俱与前首不同。


    潇湘逢故人慢  调见《花庵词选》。


    潇湘逢故人慢 <span ss="q">双调一百四字,前后段各十句,五平韵           王安礼


    薰风微动<span ss="q">句方樱桃弄色<span ss="q">句萱草成窠<span ss="q">韵翠帏敞轻罗<span ss="q">韵试冰簟初展<span ss="q">句几尺湘波<span ss="q">韵疏檐广厦<span ss="q">句称潇湘<span ss="q">读


    ○○○● ○○○◎● ⊙●○○ ●○●○○ ●○●○● ●●○○ ○○●● ●○○


    一枕南柯<span ss="q">韵引多少<span ss="q">读梦魂归绪<span ss="q">句洞庭雨棹烟蓑<span ss="q">韵  惊回处<span ss="q">句闲昼永<span ss="q">句更时时<span ss="q">读燕雏莺友相过<span ss="q">韵


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    正绿影婆娑<span ss="q">韵况庭有幽花<span ss="q">句池有新荷<span ss="q">韵青梅煮酒<span ss="q">句幸随分<span ss="q">读赢得高歌<span ss="q">韵功名事<span ss="q">读到头终在<span ss="q">句岁华


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    忍负清和<span ss="q">韵


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    ·


    此调只有王词及钱词两体,故此词可平可仄,即参钱词句法同者。


    又一体 <span ss="q">双调一百四字,前段十一句四平韵,后段十句五平韵         钱应金


    深秋村落<span ss="q">句夸青菱香熟<span ss="q">句素手甜和<span ss="q">韵擘紫蟹<span ss="q">句蒸黄雀<span ss="q">句知己团聚<span ss="q">句笑语婆娑<span ss="q">韵浓烟淡雪<span ss="q">句剪湘


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    湖<span ss="q">读几尺渔蓑<span ss="q">韵纵消受<span ss="q">读白苹红蓼<span ss="q">句生平未免情多<span ss="q">韵  空怀古<span ss="q">句时悱恻<span ss="q">句十年来<span ss="q">读可偿文债


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    诗魔<span ss="q">韵叹世路蹉跎<span ss="q">韵恐心费参熊<span ss="q">句眉费松螺<span ss="q">韵风期阔绝<span ss="q">句喜今夕<span ss="q">读重话云窝<span ss="q">韵寒潭月<span ss="q">读皎然见


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    底<span ss="q">句问君不醉如何<span ss="q">韵


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    ·


    此调前段第四句,例作五字句、又押韵,第五句作上一下四句法。此词第四句作三字两句、不押韵,张五句作四字一句,与调不合。因此调宋词绝少,采以备体。 《词统》有王秋英仄韵词,句读与王词同,因见明人小说,恐不足据,故不编入。


    惜余欢  黄庭坚自度腔,因词有“少延欢洽”句,取以为名。


    惜余欢 <span ss="q">双调一百四字,前段十一句四仄韵,后段十一句五仄韵        黄庭坚


    四时美景<span ss="q">句正年少赏心<span ss="q">句频启东阁<span ss="q">韵芳酒载盈车<span ss="q">句喜朋侣簪盍<span ss="q">韵杯觯交飞<span ss="q">句劝酬互献<span ss="q">句正酣饮<span ss="q">读


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    醉主公陈榻<span ss="q">韵坐来争奈<span ss="q">句玉山未颓<span ss="q">句兴寻巫峡<span ss="q">韵  歌阑旋烧绛蜡<span ss="q">韵况漏转铜壶<span ss="q">句烟断香鸭<span ss="q">韵犹


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    整醉中花<span ss="q">句借纤手重插<span ss="q">韵相将扶上<span ss="q">句金鞍騕褭<span ss="q">句碾春焙<span ss="q">读愿少延欢洽<span ss="q">韵未须归去<span ss="q">句重寻艳歌<span ss="q">句更


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    留时霎<span ss="q">韵


    ○○●


    ·


    此调只有此词,无别首可校。 前段第七句,坊本脱一“互”字,与调不合,今为增定。


    拜星月慢  一作《拜新月》。唐教坊曲名。《宋史·乐志》:般涉调。


    拜星月慢 <span ss="q">双调一百四字,前段十句四仄韵,后段八句六仄韵         周邦彦


    夜色催更<span ss="q">句清尘收露<span ss="q">句小曲幽坊月暗<span ss="q">韵竹槛灯窗<span ss="q">句识秋娘庭院<span ss="q">韵笑相遇<span ss="q">句似觉<span ss="q">读琼枝玉树相倚<span ss="q">句


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    暖日明霞光烂<span ss="q">韵水眄兰情<span ss="q">句总平生稀见<span ss="q">韵  画图中<span ss="q">读旧识春风面<span ss="q">韵谁知道<span ss="q">读自到瑶台畔<span ss="q">韵眷恋


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    雨润云温<span ss="q">句苦惊风吹散<span ss="q">韵念荒寒<span ss="q">读寄宿无人馆<span ss="q">韵重门闭<span ss="q">读败壁秋虫叹<span ss="q">韵争奈向<span ss="q">读一缕相思<span ss="q">句隔溪


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    山不断<span ss="q">韵


    ○●●


    ·


    此调始自此词,应以此词为正体,吴文英词照此填。若周词之句读小异,陈词、彭词之减字,皆变格也。 此词前段第七句八字,上二字例作一读,第八句六字,与上六字对偶,如吴文英词之“暂负、吟花酌露尊俎,冷玉红香罍洗”,最为合格。 此词前段第五句、结句,后段第四句、结句,例作上一下四句法,如吴文英词之“老扁舟身世”、“古陶洲十里”、“洗湘娥春腻”、“泣秋檠烛外”,皆然。 按,吴文英词,前段第二句“碧霞笼夜”,碧字仄声;第九句“眼眩意迷”,意字仄声。谱内可平可仄据此,其余平仄,悉参周、陈、彭三词。 吴文英词,前段结句“古陶洲十里”,十字入声;后段第六句“吹不散、绣屋重门闭”,不字入声。俱以入作平,不注可仄。


    又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段八句六仄韵          周 密


    腻叶阴清<span ss="q">句孤花香冷<span ss="q">句迤逦芳洲春换<span ss="q">韵薄酒孤吟<span ss="q">句怅相如游倦<span ss="q">韵想人在<span ss="q">读絮幕香帘凝望<span ss="q">句误认几


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    许<span ss="q">句烟樯风幔<span ss="q">韵芳草天涯<span ss="q">句负华堂双燕<span ss="q">韵  记箫声<span ss="q">读淡月梨花院<span ss="q">韵砑红笺<span ss="q">读漫写东风怨<span ss="q">韵一夜


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    落月啼鴂<span ss="q">句唤河桥吟遍<span ss="q">韵荡归心<span ss="q">读又过江南岸<span ss="q">韵清宵梦<span ss="q">读远逐飞花乱<span ss="q">韵几千万<span ss="q">读丝缕垂杨<span ss="q">句系春


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    愁不断<span ss="q">韵


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    ·


    此与周邦彦词同,惟前段第六、七、八句,作九字一句、四字两句异。


    又一体 <span ss="q">双调一百二字,前段十句四仄韵,后段八句六仄韵          陈允平


    漏阁闲签<span ss="q">句琴窗倦谱<span ss="q">句露湿宵萤欲暗<span ss="q">韵雁咽凉声<span ss="q">句寂寞芙蓉院<span ss="q">韵画檐外<span ss="q">句树色惊霜渐改<span ss="q">句澹碧


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    云疏星烂<span ss="q">韵旧约桐阴<span ss="q">句问何时重见<span ss="q">韵  倚银屏<span ss="q">读更忆秋娘面<span ss="q">韵想凌波<span ss="q">读共立河桥畔<span ss="q">韵重念酒


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    污罗襦<span ss="q">句渐金篝香散<span ss="q">韵剪孤灯<span ss="q">读伴宿西风馆<span ss="q">韵黄花梦<span ss="q">读对发凄凉叹<span ss="q">韵但怅望<span ss="q">读一水家山<span ss="q">句被红


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    尘隔断<span ss="q">韵


    ○●●


    ·


    此和周词也,惟前段第七句减二字异。 此调前段第五句,例作上一下四句法,此词泛作五言,与调不合,故不校注。


    又一体 <span ss="q">双调一百一字,前段九句四仄韵,后段八句六仄韵          彭泰翁


    雾滑觚稜<span ss="q">句尘侵团扇<span ss="q">句恨满哀弹倦理<span ss="q">韵控雨笼云<span ss="q">句共闲情孤倚<span ss="q">韵敛娥黛<span ss="q">读怕似流莺历历<span ss="q">句惹得玉


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    销琼碎<span ss="q">韵可惜阑干<span ss="q">句但苔花沈穗<span ss="q">韵  算天音<span ss="q">读不入人间耳<span ss="q">韵何人漫<span ss="q">读裛损青衫泪<span ss="q">韵不是旧谱都


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    忘<span ss="q">句厌新腔娇脆<span ss="q">韵多生不得丹青意<span ss="q">韵重来又<span ss="q">读花锁重门闭<span ss="q">韵到夜永<span ss="q">读笙鹤归时<span ss="q">句月明天似水<span ss="q">韵


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    ·


    此与陈词同,惟后段第五句又减一字异。 诸家前后段结句,俱作上一下四句法,此词后结,亦与调不合。


    绮寮怨  调见《片玉词》。


    绮寮怨 <span ss="q">双调一百四字,前段八句四平韵,后段九句七平韵          周邦彦


    上马人扶残醉<span ss="q">句晓风吹未醒<span ss="q">韵映水曲<span ss="q">读翠瓦朱檐<span ss="q">句垂杨里<span ss="q">读乍见津亭<span ss="q">韵当时曾题败壁<span ss="q">句蛛丝罩<span ss="q">读


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    淡墨苔晕青<span ss="q">韵念去来<span ss="q">读岁月如流<span ss="q">句徘徊久<span ss="q">读叹息愁思盈<span ss="q">韵   去去倦寻路程<span ss="q">韵江陵旧事<span ss="q">句何曾


    ●●○●○ ●◎○ ●●○○ ○○● ◎●○●○    ◎●◎○●○ ○○◎● ⊙○


    再问杨琼<span ss="q">韵旧曲凄清<span ss="q">韵敛愁黛<span ss="q">读与谁听<span ss="q">韵尊前故人如在<span ss="q">句想念我<span ss="q">读最关情<span ss="q">韵何须渭城<span ss="q">韵歌声未尽


    ●●○○ ◎●○○ ◎⊙● ●○○ ○○◎○○● ◎●● ●○○ ○○●○ ⊙○●◎


    处<span ss="q">句先泪零<span ss="q">韵


    ● ○●○


    ·


    此调以此词为正体,赵文、王学文词,俱依此填。若陈词之前结减二字,鞠词之后结减一字,皆变格也。 按,王词,前段第一句“忽忽东风又老”,又字仄声;第三句“疏帘下、茶鼎孤烟”,疏字、帘字、茶字俱平声;第四句“断桥外、梅豆千林”,断字仄声,梅字平声;赵词,第五句“当时点云滴雨”,点字仄声,王词,“江南庾郎憔悴”,憔字平声;王词,第六句“睡未醒、病酒愁怎禁”,睡字、未字俱仄声;赵词,第七句“算人间、最苦多情”,人字平声;第八句“争知道、天上情更深”,天字平声;王词,后段第一句“千曲囊中古琴”,千字、囊字俱平声;第三句“不堪旧事重寻”,不字仄声;第四句“当日登临”,当字平声;第五句“都化作梦销沈”,化字仄声;第六句“元龙丘坟无恙”,丘字平声;赵词,第七句“吹紫宇、澹成林”,吹字平声;王词,第九句“问何似、啼鸟枝上音”,问字仄声,啼字平声。谱内可平可仄据此,余参所采二词。


    又一体 <span ss="q">双调一百二字,前段八句四平韵,后段九句四平韵          陈允平


    满架酴醿开尽<span ss="q">句杜鹃啼梦醒<span ss="q">韵记晓月<span ss="q">读绿水桥边<span ss="q">句东风又<span ss="q">读折柳旗亭<span ss="q">韵蒙茸轻烟草色<span ss="q">句疏帘净<span ss="q">读


    ●●○○○● ●○○●○ ●●● ●●○○ ○○● ●●○○ ○○○○●● ○○●


    乱织罗带青<span ss="q">韵对一尊别酒<span ss="q">句征衫上<span ss="q">读点滴香泪盈<span ss="q">韵  几度恨沈断云<span ss="q">句飞鸾何处<span ss="q">句连环尚结双


    ●●○●○ ●●○●● ○○● ●●○●○   ●●●○●○ ○○○● ○○●●○


    琼<span ss="q">韵一曲琵琶<span ss="q">句湓江上<span ss="q">读惯曾听<span ss="q">韵依依翠屏香冷<span ss="q">句听夜雨<span ss="q">读动离情<span ss="q">韵春深小楼<span ss="q">句无心对锦瑟<span ss="q">读空


    ○ ●●○○ ○○● ●○○ ○○●○○● ●●● ●○○ ○○●○ ○○●●● ○


    涕零<span ss="q">韵


    ●○


    ·


    此和周词也,惟前段第七句减二字,又后段第四句、第八句俱不押韵异。


    又一体 <span ss="q">双调一百三字,前段八句四平韵,后段九句七平韵         鞠华翁


    又见花阴如水<span ss="q">句两心犹未平<span ss="q">韵正坐久<span ss="q">读主客成三<span ss="q">句空无语<span ss="q">读影落楸枰<span ss="q">韵千年人间事业<span ss="q">句垂成处<span ss="q">读


    ●●○○○● ●○○●○ ●●● ●●○○ ○○● ●●○○ ○○○○●● ○○●


    一著容易倾<span ss="q">韵便解围<span ss="q">读小住何妨<span ss="q">句机锋在<span ss="q">读瞬息天又明<span ss="q">韵  甚似汉吴对营<span ss="q">韵纷纷不了<span ss="q">句孤光照


    ●●○●○ ●●○ ●●○○ ○○● ●●○●○   ●●●○●○ ○○●● ○○●


    彻连城<span ss="q">韵又似残星<span ss="q">韵向零落<span ss="q">读有余情<span ss="q">韵嫦娥笑人迟暮<span ss="q">句念未力<span ss="q">读底须争<span ss="q">韵从亏又成<span ss="q">韵何人正<span ss="q">读隔


    ●○○ ●●○○ ●○● ●○○ ○○●○○● ●●● ●○○ ○○●○ ○○● ●


    屋睡声<span ss="q">韵


    ●●○


    ·


    此亦与周词同,惟后段结句减一字异。


    花心动  金词注:小石调;元词注:双调。曹勋词,名《好心动》;曹冠词,名《桂飘香》;《鸣鹤余音》词,名《上升花》;《高丽史·乐志》,名《花心动慢》。


    花心动 <span ss="q">双调一百四字,前段十句四仄韵,后段八句五仄韵          史达祖


    风约帘波<span ss="q">句锦机寒<span ss="q">读难遮海棠烟雨<span ss="q">韵夜酒未苏<span ss="q">句春枕犹敧<span ss="q">句曾是误成歌舞<span ss="q">韵半褰薇帐云头散<span ss="q">句奈


    ⊙●○○ ●○○ ○○●○○● ◎●◎○ ⊙●○○ ⊙●●○○● ●○○●○○● ◎


    愁味<span ss="q">读不随香去<span ss="q">韵尽沈静<span ss="q">句文园更渴<span ss="q">句有人知否<span ss="q">韵  懒记温柔旧处<span ss="q">韵偏只怕<span ss="q">读临风见他桃树<span ss="q">韵


    ⊙● ◎○○● ●○● ○○●● ●○○●   ●●○○◎● ○◎● ○○●○○●


    绣户锁尘<span ss="q">句锦瑟空弦<span ss="q">句无复画眉心绪<span ss="q">韵待拈银管书春恨<span ss="q">句被双燕<span ss="q">读替人言语<span ss="q">韵望不尽<span ss="q">读垂杨几千


    ◎●◎○ ◎●○○ ⊙●●○○● ◎○⊙●○○● ◎⊙● ◎○○● ●◎● ⊙○●○


    万缕<span ss="q">韵


    ●●


    ·


    此调始自周邦彦,但周词后段多押两韵,宋人照此填者甚少,故以史词作谱。若吴词之多押一韵,赵词之多押两韵、或添字,刘词之句读小异,谢词之句读不同,曹词、无名氏词之减字,悉为类列,以备各体。 谱内可平可仄,参下周、吴、刘、赵四词。 此词前段第二句,例作仄平平,平平仄平平仄,若赵长卿词“暗香飘,扑面无限清楚”,与调不合。又,前后段第三、四句俱四字,第二字例用仄声,第四字例用平声,若张元幹词“簟枕乍闲,襟裾初试”、“旧恨未平,幽欢难驻”,与诸家不同,概不校注平仄。 又按,黄子行词,前段第二句“把谪仙、长笛一声吹裂”,谪字入声,以入作平;张元幹词,前段第八句“夜未阑”,未字仄声,阑字平声;后段结句“南楼画角自语”,角字仄声;马古洲词,前段第二句“被年时、桃花杏花占了”,占字仄声;前后段第七句“试浓抹、当场索笑”、“又何必、拈枝比较”,索字、比字仄声。俱与诸家不同,及谱中刘词,后段第三句“一”字入声,第八句“不”字入声,俱以入作平;赵词前段结句“满”字仄声,曹词后段结句“凤”字仄声,俱与调不合,亦不校注平仄。


    又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段九句七仄韵          周邦彦


    帘卷青楼<span ss="q">句东风满<span ss="q">读杨花乱飘晴昼<span ss="q">韵兰袂褪香<span ss="q">句罗帐褰红<span ss="q">句绣枕旋移相就<span ss="q">韵海棠花谢春融暖<span ss="q">句偎


    ○●○○ ○○● ○○●○○● ○●●○ ○●○○ ●●●○○● ●○○●○○● ○


    人恁<span ss="q">读娇波频溜<span ss="q">韵象床稳<span ss="q">句鸳衾漫展<span ss="q">句浪翻红绉<span ss="q">韵  一夜情浓似酒<span ss="q">韵香汗渍<span ss="q">读鲛绡几番微透<span ss="q">韵


    ○● ○○○● ●○● ○○●● ●○○●   ●●○○●● ○●● ○○●○○●


    鸾困凤慵<span ss="q">句娅姹双眼<span ss="q">句画也画应难就<span ss="q">韵问伊可煞於人厚<span ss="q">韵梅萼露<span ss="q">读胭脂檀口<span ss="q">韵从此后<span ss="q">读纤腰为郎


    ○●●○ ●●○● ●●●○○● ●○●●○○● ○●● ○○○● ○●● ○○●○


    管瘦<span ss="q">韵


    ●●


    ·


    此与史词同,惟后段第六句、第八句俱押韵异。 后段第四句“眼”字仄声,诸家如此填者甚少,故此词虽始自周词,亦不校注平仄。


    又一体 <span ss="q">双调一百四字,前段十句五仄韵,后段九句五仄韵          吴文英


    十里东风<span ss="q">句袅垂杨<span ss="q">读长似舞时腰瘦<span ss="q">韵翠馆朱楼<span ss="q">句紫陌青门<span ss="q">句处处燕莺晴昼<span ss="q">韵乍看摇曳金丝绶<span ss="q">韵春


    ●●○○ ●○○ ○●●○○● ●●○○ ●●○○ ●●●○○● ●○○●○○● ○


    浅映<span ss="q">读鹅黄如酒<span ss="q">韵嫩阴里<span ss="q">句烟滋露染<span ss="q">句翠娇红溜<span ss="q">韵  此际雕鞍去久<span ss="q">韵空追念<span ss="q">读邮亭短枝盈首<span ss="q">韵


    ●● ○○○● ●○● ○○●● ●○○●   ●●○○●● ○○● ○○●○○●


    海角天涯<span ss="q">句寒食清明<span ss="q">句泪点絮花沾袖<span ss="q">韵去年折赠行人远<span ss="q">句今年恨<span ss="q">读依然纤手<span ss="q">韵断肠也<span ss="q">句羞眉画应


    ●●○○ ○●○○ ●●●○○● ○○●●○○● ○○● ○○○● ●○● ○○●○


    未就<span ss="q">韵


    ●●


    ·


    此与史词同,惟前段第七句押韵异。 按,张元幹词,“断云却送轻雷去,疏林外、玉钩微吐”,正与此同。


    又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段九句五仄韵          刘 焘


    偏忆江梅<span ss="q">句有尘表丰仪<span ss="q">句世外标格<span ss="q">韵低傍小桥<span ss="q">句斜出疏篱<span ss="q">句似向陇头曾识<span ss="q">韵暗香孤韵冰霜里<span ss="q">句初


    ○●○○ ●○●○○ ●●○● ○●●○ ○●○○ ●●●○○● ●○○●○○● ○


    不怕<span ss="q">读春寒要勒<span ss="q">韵问桃李贤们<span ss="q">句怎生向前争得<span ss="q">韵  省共萧娘去摘<span ss="q">韵玉纤映琼枝<span ss="q">句照人一色<span ss="q">韵淡


    ●● ○○○● ●○●○○ ●○●○○●   ●●○○●● ●○●○○ ●○●● ●


    粉晕酥<span ss="q">句多少工夫<span ss="q">句到得寿阳宫额<span ss="q">韵再三留待东君管<span ss="q">句都拌醉<span ss="q">句别花不惜<span ss="q">韵但只恐<span ss="q">读南楼又三弄


    ●●○ ○●○○ ●●●○○● ●○○●○○● ○○● ●○●● ●●● ○○●○●


    笛<span ss="q">韵


    ●


    ·


    此词亦史词体,惟前后段第五句作五字一句、四字一句,前结作五字一句、六字一句异。


    又一体 <span ss="q">双调一百四字,前段十句五仄韵,后段九句六仄韵          赵长卿


    风软寒轻<span ss="q">句暗香飘<span ss="q">读扑面无限清楚<span ss="q">韵乍淡乍浓<span ss="q">句应想前村<span ss="q">句定是早梅初吐<span ss="q">韵马儿行过坡儿下<span ss="q">句危


    ○●○○ ●○○ ●●○●○● ●●●○ ○●○○ ●●●○○● ●○○●○○● ○


    桥外<span ss="q">读竹梢疏处<span ss="q">韵半斜露<span ss="q">韵花花蕊蕊<span ss="q">句灿然满树<span ss="q">韵  一晌看花凝伫<span ss="q">韵因念我<span ss="q">读西园玉英真素<span ss="q">韵


    ○● ●○○● ●○● ○○●● ●○●●   ●●○○○● ○●● ○○●○○●


    最是系心<span ss="q">句婉娩精神<span ss="q">句伴得水云仙侣<span ss="q">韵断肠没奈人千里<span ss="q">句无计向<span ss="q">读钗头频觑<span ss="q">韵泪如雨<span ss="q">韵那堪又还


    ●●●○ ●●○○ ●●●○○● ●○●●○○● ○●● ○○○● ●○● ●○●○


    日暮<span ss="q">韵


    ●●


    ·


    此亦史词体,惟前后段第九句俱押韵异。 按,《鸣鹤余音》吴真人词,“静无触,气财色酒,一齐须逐”,“异香簇,祥光灿烂,结成仙曲”,正与此同。


    又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段十一句五仄韵        谢 逸


    风里杨花轻薄性<span ss="q">句银烛高烧心热<span ss="q">韵香饵悬钩<span ss="q">句鱼不轻吞<span ss="q">句辜负钓儿虚设<span ss="q">韵桑蚕到老丝长绊<span ss="q">句针


    ○●○○○●● ○●○○○● ○●○○ ○●○○ ○●●○○● ○○●●○○● ○


    剌眼<span ss="q">读泪流成血<span ss="q">韵思量起<span ss="q">句拈枝花朵<span ss="q">句果儿难结<span ss="q">韵   海样情深忍撇<span ss="q">韵似梦里相逢<span ss="q">句不胜欢


    ●● ●○○● ○○● ○○○● ●○○●    ●●○○●● ●●●○○ ●○○


    悦<span ss="q">韵出水双莲<span ss="q">句摘取一枝<span ss="q">句可惜并头分折<span ss="q">韵猛期月满会垣娥<span ss="q">句谁知是<span ss="q">句初生新月<span ss="q">韵折翼鸟<span ss="q">句甚


    ● ●●○○ ●●●○ ●●●○○● ●○●●●○○ ○○● ●●●○ ●●● ●


    日于飞时节<span ss="q">韵


    ●○○○●


    ·


    此词前段第一、二句作七字一句,与诸家不同,因宋人传诵已久,谓其得风人比兴遗意,采以备体。


    又一体 <span ss="q">双调一百字,前段十句四仄韵,后段十句五仄韵           曹 勋


    椒柏称觞<span ss="q">句抚寰瀛良辰<span ss="q">句正临端月<span ss="q">韵瑞应屡臻<span ss="q">句宫籞多祥<span ss="q">句气候暖回微冽<span ss="q">韵圣母七旬寿<span ss="q">句夐无


    ○●○○ ●○○○○ ●○○● ●●●○ ○●○○ ●●●○○● ●●●○● ●○


    前<span ss="q">读天心昭格<span ss="q">韵溥庆处<span ss="q">读坤珍效祉<span ss="q">句宴开清切<span ss="q">韵  金殿箫韶备设<span ss="q">韵锵钧奏留云<span ss="q">句舞容回雪<span ss="q">韵


    ○ ○○○● ●●● ○○●● ●○○●   ○●○○●● ○○●○○ ●○○●


    赭袍绣拥<span ss="q">句袆翟同城<span ss="q">句递捧玉杯欢悦<span ss="q">韵愿将亿万喜<span ss="q">句祝亿万<span ss="q">读从兹无缺<span ss="q">韵太平主<span ss="q">句永隆圣孝凤


    ●○●● ○●○○ ●●●○○● ●○●●● ●●● ○○○● ●○● ●○●●●


    阙<span ss="q">韵


    ●


    ·


    此亦史词体,惟前后段第七句各减二字,俱作五字句异。 按,曹词别首,“瑞非兰麝比”,“最是关情处”,正与此同。 此词平仄,亦与诸家小异。


    又一体 <span ss="q">双调一百五字,前段十一句四仄韵,后段九句六仄韵         赵长卿


    绿水平湖<span ss="q">句浸芙渠烂锦<span ss="q">句艳胜倾国<span ss="q">韵半敛半开<span ss="q">句斜立斜敧<span ss="q">句好似困娇无力<span ss="q">韵水仙应赴瑶池宴<span ss="q">句醉


    ●●○○ ●○○●● ●○○● ●●●○ ○●○○ ●●●○○● ●○○●○○● ●


    归去<span ss="q">读美人扶策<span ss="q">韵驻香驾<span ss="q">句拥波心<span ss="q">句媚容倩妆颜色<span ss="q">韵   曾见苕川澄碧<span ss="q">韵匀粉面<span ss="q">读溪头旧时相


    ○● ●○○● ●○● ●○○ ●○●○○●    ○●○○○● ○●● ○○●○○


    识<span ss="q">韵翠被绣裀<span ss="q">句彩扇香篝<span ss="q">句度岁杳无消息<span ss="q">韵露痕滴尽风前泪<span ss="q">句追往恨<span ss="q">读悠悠踪迹<span ss="q">韵动怨忆<span ss="q">韵多情


    ● ●●●○ ●●○○ ●●●○○● ●○●●○○● ○●● ○○○● ●●● ○○


    自家赋得<span ss="q">韵


    ●○●●


    ·


    此词前结添一字,与诸家异;后结多押一韵,与周词。


    又一体 <span ss="q">双调一百一字,前段九句四仄韵,后段十句五仄韵    <span ss="q">《花草粹编》无名氏


    忽睹菱花<span ss="q">句这一程<span ss="q">读减却风流颜色<span ss="q">韵邻姬戏问<span ss="q">句愧我为羞<span ss="q">句无语低头寥寂<span ss="q">韵珠泪纷纷和粉垂<span ss="q">句襟


    ●●○○ ●●○ ●●○○○● ○○●● ●●○○ ○●○○○● ○●○○○●○ ○


    袂旧痕干又湿<span ss="q">韵但感起愁怀<span ss="q">句堆堆积积<span ss="q">韵  杜宇催春急<span ss="q">韵烟笼花柳<span ss="q">句粉蝶难寻觅<span ss="q">韵紫燕喃喃<span ss="q">句


    ●●○○●● ●●●○○ ○○●●   ●●○○● ○○○● ●●○○● ●●○○


    黄莺恰恰<span ss="q">句对景脂消香浥<span ss="q">韵篆烟将尽愁未休<span ss="q">句乍得御沟玻璃碧<span ss="q">韵教红叶往来<span ss="q">句传个消息<span ss="q">韵


    ○○●● ●●○○○● ●○○●○●○ ●●●○○○● ○○●●○ ○●○●


    ·


    此亦史词体,惟前结减二字,换头句减一字异。 此词前后段第七、八句,句读与诸家不同,平仄亦异。


    向湖边  江纬自制曲,因词有“向湖边柳外”之句,取以为名。


    向湖边 <span ss="q">双调一百四字,前段十句四仄韵,后段十句六仄韵          江 纬


    退处乡关<span ss="q">句幽栖林薮<span ss="q">句舍宇第须茅盖<span ss="q">韵翠巘清泉<span ss="q">句启轩窗遥对<span ss="q">韵遇等闲<span ss="q">读邻里过从<span ss="q">句亲朋临顾<span ss="q">句


    ●●○○ ⊙○○● ◎●◎○⊙● ●●○○ ●○○○● ●◎⊙ ○●○○ ⊙○○●


    草草便成欢会<span ss="q">韵策杖携壶<span ss="q">句向湖边柳外<span ss="q">韵  旋买溪鱼<span ss="q">句便斫银丝鲙<span ss="q">韵谁复欲痛饮<span ss="q">句如长鲸吞


    ◎●◎○○● ◎●○○ ●⊙○◎●   ●●○⊙ ●●○○● ○◎●●● ○○○⊙


    海<span ss="q">韵共惜醺酣<span ss="q">句恐欢娱难再<span ss="q">韵矧清风明月非钱买<span ss="q">韵休追念<span ss="q">读金马玉堂心胆碎<span ss="q">韵且斗尊前<span ss="q">句有阿


    ● ◎●○○ ●○○○● ●○⊙⊙●⊙○● ⊙○● ⊙●◎○○●● ◎●○○ ●◎


    谁身在<span ss="q">韵


    ○○●


    ·


    此词前段第五句、结句,后段第四句、第六句、结句作上一下四句法,填者辨之。 此调只有江纬自制词及张栻和词一首,故此词可平可仄,悉参张词。 按,张词,前段第二句“百花风榭”,百字仄声;第三句“游女翩翩羽盖”,游字、上翩字俱平声,羽字仄声;第六句“矧门外、森立乔松”,门字平声,外字仄声;第七、八句“日光争丽,犹若当年文会”,日字仄声,犹字、当字俱平声;第九、十句“廊庙夔龙,暂卜邻郊外”,廊字平声,卜字仄声,郊字平声;后段第一句“共讲真率”,率字仄声;第三句“同萧散寄傲”,萧字平声;第四句“樽罍倾北海”,北字仄声;第五句“佳处难忘”,佳字平声;第七、八句“况风月不用一钱买。但回首、七虎堂中心欲碎”,月字、不字、一字、但字、七字俱仄声,堂字平声;第九句及结句“千里相思,幸前盟犹在”,千字、前字俱平声。谱内可平可仄据此。


    阳 春  一名《阳春曲》。


    阳 春 <span ss="q">双调一百四字,前段九句五仄韵,后段八句五仄韵          杨无咎


    蕙风轻<span ss="q">句莺语巧<span ss="q">句应喜乍离幽谷<span ss="q">韵飞过北窗前<span ss="q">句迎清晓<span ss="q">读丽日明透翠帏縠<span ss="q">韵篆台芬馥<span ss="q">韵初睡起<span ss="q">读


    ●○○ ○◎● ○●●○○● ○●●○○ ○○● ●●○●●○● ●○○● ○●●


    横斜簪玉<span ss="q">韵因甚自觉腰肢瘦<span ss="q">句新来又宽裙幅<span ss="q">韵  对青镜无心<span ss="q">读忺梳裹<span ss="q">句谁问著<span ss="q">读余酲带宿<span ss="q">韵寻


    ⊙○○● ○●●●○○● ○○●○○●   ●○●○○ ○○● ○●● ○○●● ○


    思前欢往事<span ss="q">句似惊回<span ss="q">读好梦难续<span ss="q">韵花亭遍倚槛曲<span ss="q">韵厌满眼<span ss="q">读争春凡木<span ss="q">韵尽憔悴<span ss="q">读过了清明候<span ss="q">句愁


    ○○○●● ●○○ ●●○● ○○●●●● ●●● ○○○● ●○● ●●○○● ○


    红惨绿<span ss="q">韵


    ○●●


    ·


    此调宋人填者甚少,其可平可仄,惟史达祖一词可校。


    又一体 <span ss="q">双调一百四字,前段九句五仄韵,后段八句五仄韵          史达祖


    杏花烟<span ss="q">句梨花月<span ss="q">句谁与晕开春色<span ss="q">韵坊巷晓愔愔<span ss="q">句东风断<span ss="q">读旧火销处近寒食<span ss="q">韵少年踪迹<span ss="q">韵愁暗隔<span ss="q">读


    ●○○ ○○● ○●●○○● ○●●○○ ○○● ●●○●●○● ●○○● ○●●


    水南山北<span ss="q">韵还是宝络雕鞍<span ss="q">句被莺声<span ss="q">读唤来香陌<span ss="q">韵  记飞盖西园<span ss="q">读寒犹凝<span ss="q">句惊醉耳<span ss="q">读谁家夜笛<span ss="q">韵


    ●○○● ○●●●○○ ●○○ ●○○●   ●○●○○ ○○● ○●● ○○●●


    灯前重帘不挂<span ss="q">句殢华裾<span ss="q">读粉泪曾拭<span ss="q">韵如今故里信息<span ss="q">韵赖海燕<span ss="q">读年时相识<span ss="q">韵奈芳草<span ss="q">读正锁江南梦<span ss="q">句


    ○○○○●● ●○○ ●●○● ○○●●●● ●●● ○○○● ●○● ●●○○●


    春衫怨碧<span ss="q">韵


    ○○●●


    ·


    此与杨词同,惟前段第八句六字、第九句七字异。


    送入我门来  调见《草堂诗余》,宋胡浩然除夕词,有“东风尽力,一齐吹送,入此门来”之句,取以为名。


    送入我门来 <span ss="q">双调一百四字,前后段各十句,四平韵            胡浩然


    荼垒安扉<span ss="q">句灵馗挂户<span ss="q">句神傩烈竹轰雷<span ss="q">韵动念流光<span ss="q">句四序式週回<span ss="q">韵须知今岁今宵尽<span ss="q">句似顿觉明年


    ○●○○ ○○●● ○○●●○○ ●●○○ ●●●○○ ○○○●○○● ●●●○○


    明日催<span ss="q">韵向今夕<span ss="q">句是处迎春送腊<span ss="q">句罗绮筵开<span ss="q">韵  今古偏同此夜<span ss="q">句贤愚共添一岁<span ss="q">句贵贱仍偕<span ss="q">韵


    ○●○ ●○● ●●○○●● ○●○○   ○●○○●● ○○●○●● ●●○○


    互祝遐龄<span ss="q">句山海固难摧<span ss="q">韵石崇富贵籛铿寿<span ss="q">句更潘岳仪容子建才<span ss="q">韵仗东风尽力<span ss="q">句一齐吹送<span ss="q">句入此


    ●●○○ ○●●○○ ●○●●○○● ●○●○○●●○ ●○○●● ●○○● ●●


    门来<span ss="q">韵


    ○○


    ·


    此体创自胡浩然,明人有减字者,恐不中律吕,故不编入。


    绕池游慢  调见《涧泉词》,韩淲西湖看荷作。


    绕池游慢 <span ss="q">双调一百四字,前后段各十句,四平韵             韩 淲


    荷花好处<span ss="q">句是红酣落照<span ss="q">句翠蔼余凉<span ss="q">韵绕郭从前无此乐<span ss="q">句空浮动<span ss="q">读山影林篁<span ss="q">韵几度薰风晚<span ss="q">句留望


    ○○●● ●○○●● ●●○○ ●●○○○●● ○○● ○●○○ ●●○○● ○●


    眼<span ss="q">读立尽濠梁<span ss="q">韵谁知好事<span ss="q">句初移画舫<span ss="q">句特地相将<span ss="q">韵   惊起双飞属玉<span ss="q">句萦小楫冲岸<span ss="q">句犹带生


    ● ●●○○ ○○●● ○○●● ●●○○    ○●○○●● ○●●○● ○●○


    香<span ss="q">韵莫问西湖西畔路<span ss="q">句但九里<span ss="q">读松下侯王<span ss="q">韵且举觞寄兴<span ss="q">句看闲人<span ss="q">读来伴吟章<span ss="q">韵寸折柄枝<span ss="q">句蓬分


    ○ ●●○○○●● ●●● ○●○○ ●●○●● ●○○ ○●○○ ●●●○ ○○


    莲实<span ss="q">句徒系柔肠<span ss="q">韵


    ○● ○●○○


    ·


    此韩淲自度腔,无他首宋词可校。


    索 酒  调见《松隐集》,自注四时景物须酒之意。


    索 酒 <span ss="q">双调一百四字,前段十句四仄韵,后段九句四仄韵          曹 勋


    乍喜惠风初到<span ss="q">句上林红翠<span ss="q">句竞开时候<span ss="q">韵四吹花香扑鼻<span ss="q">句露裁烟染<span ss="q">句天地如绣<span ss="q">韵渐觉南薰<span ss="q">句总冰绡


    ●●●○○● ●○○● ●○○● ●○○○●● ●○○● ○●○● ●●○○ ●○○


    纱扇避烦昼<span ss="q">韵共游凉亭销暑<span ss="q">句细酌轻讴须酒<span ss="q">韵  江枫装锦雁横秋<span ss="q">句正皓月莹空<span ss="q">句翠阑侵斗<span ss="q">韵


    ○●●○● ●○○○○● ●●○○○●   ○○○●●○○ ●●●●○ ●○○●


    况素商霜晓<span ss="q">句对径菊<span ss="q">读金玉芙蓉争秀<span ss="q">韵万里同云<span ss="q">句散飞霙<span ss="q">读炉中焰红兽<span ss="q">韵便须点水傍边<span ss="q">句最宜著


    ●●○○● ●●● ○●○○○● ●●○○ ●○○ ○○●○● ●○●●○○ ●○●


    酉<span ss="q">韵


    ●


    ·


    此曹勋自制曲,其平仄宜从之。


    瑞云浓慢  按,杨无咎《逃禅集》,有七十五字《瑞云浓》,与此不同。


    瑞云浓慢 <span ss="q">双调一百四字,前段十句四仄韵,后段十句五仄韵        陈 亮


    蔗浆酪粉<span ss="q">句玉壶冰醑<span ss="q">句朝罢更闻宣赐<span ss="q">韵去天咫尺<span ss="q">句下拜再三<span ss="q">句幸今有母可遗<span ss="q">韵年年此日<span ss="q">句共道


    ●○●● ●○○● ○●●○○● ●○●● ●●●○ ●○●●●● ○○●● ●●


    是<span ss="q">读月入怀中最贵<span ss="q">韵向暑天<span ss="q">读正风云会遇<span ss="q">句有甚嘉瑞<span ss="q">韵  鹤冲霄<span ss="q">句鱼得水<span ss="q">韵一超便<span ss="q">读直入神


    ● ●●○○●● ●●○ ●○○●● ●●○●   ●○○ ○●● ●○● ●●○


    仙地<span ss="q">韵植根江表<span ss="q">句开拓两河<span ss="q">句做得黑头公未<span ss="q">韵骑鲸赤手<span ss="q">句问如何<span ss="q">读长鞭尺箠<span ss="q">韵算向来<span ss="q">读数王谢


    ○● ●○○● ○●●○ ●●●○○● ○○●● ●○○ ○○●● ●●○ ●○●


    风流<span ss="q">句只今管是<span ss="q">韵


    ○○ ●○●●


    ·


    坊本此词,后段脱“算”字、“数”字,今从《龙川集》校正,平仄无他首可校。


    霜花腴  吴文英自度腔,因词有“霜饱花腴”句,取以为名。


    霜花腴 <span ss="q">双调一百四字,前后段各十句,五平韵              吴文英


    翠微路窄<span ss="q">句醉晚风<span ss="q">句凭谁为整敧冠<span ss="q">韵霜饱花腴<span ss="q">句烛销人瘦<span ss="q">句秋光作也都难<span ss="q">韵病怀强宽<span ss="q">韵恨雁声<span ss="q">读


    ●○●● ●●○ ○○●●○○ ○●○○ ●○○● ○○●●○○ ●○●○ ●●○


    偏落歌前<span ss="q">韵记年时<span ss="q">读旧宿凄凉<span ss="q">句暮烟秋雨野桥寒<span ss="q">韵  妆靥鬓英争艳<span ss="q">句度清商一曲<span ss="q">句暗坠金蝉<span ss="q">韵


    ○●○○ ●○○ ●●○○ ●○○●●○○   ○●○○○● ●○○●● ●●○○


    芳节多阴<span ss="q">句兰情稀会<span ss="q">句晴晖称拂吟笺<span ss="q">韵更移画船<span ss="q">韵引佩环<span ss="q">读邀下婵娟<span ss="q">韵算明朝<span ss="q">读未了重阳<span ss="q">句紫萸


    ○●○○ ○○○● ○○●●○○ ●○●○ ●●○ ○●○○ ●○○ ●●○○ ●○


    应耐看<span ss="q">韵


    ○●○


    ·


    此调只有此词,无别首可校,其平仄当遵之。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>


    绮罗香  调始《梅溪词》。


    绮罗香 <span ss="q">双调一百四字,前后段各九句,四仄韵               史达祖


    做冷欺花<span ss="q">句将烟困柳<span ss="q">句千里偷催春暮<span ss="q">韵尽日冥迷<span ss="q">句愁里欲飞还住<span ss="q">韵惊粉重<span ss="q">读蝶宿西园<span ss="q">句喜泥润<span ss="q">读


    ◎●○○ ○○●● ⊙●○○○● ◎●○○ ⊙●●○○● ⊙◎● ◎●○○ ●⊙●


    燕归南浦<span ss="q">韵最妨他<span ss="q">读佳约风流<span ss="q">句钿车不到杜陵路<span ss="q">韵  沈沈江上望极<span ss="q">句还被春潮晚急<span ss="q">句难寻官


    ◎○○● ●⊙⊙ ⊙●○○ ◎○◎●●○●   ○○○●◎● ○●○○◎● ⊙⊙○


    渡<span ss="q">韵隐约遥峰<span ss="q">句和泪谢娘眉妩<span ss="q">韵临断岸<span ss="q">读新绿生时<span ss="q">句是落红<span ss="q">读带愁流处<span ss="q">韵记当日<span ss="q">读门掩梨花<span ss="q">句剪


    ● ●●○○ ⊙●●○○● ⊙◎◎ ⊙●○○ ◎◎⊙ ●○○● ◎⊙◎ ⊙●○○ ●


    灯深夜语<span ss="q">韵


    ○○●●


    ·


    此调以此词为正体,陈允平、王沂孙、张槃、张翥诸词,俱如此填。若张炎词之多押一韵、或减一字,皆变格也。 按,陈词,前段结句“断无新句到重九”,新字平声;王词,后段第一句“佳期浑似流水”,流字平声;张槃词,第二句“还被东风无懒”,无字平声;王词,第三句“舞衣吹断”,舞字仄声;第七句“怕犹有、寄情芳草”,犹字平声;陈词,第八句“记画帘、灯影沈沈”,画字仄声。谱内可平可仄据此,余参张词。 张炎“万里飞霜”词,前段第三句,不字入声,此以入作平,故不注可仄。


    又一体 <span ss="q">双调一百四字,前段九句四仄韵,后段九句五仄韵          张 炎


    万里飞霜<span ss="q">句千林落木<span ss="q">句寒艳不招春妒<span ss="q">韵枫冷吴江<span ss="q">句独客又吟愁句<span ss="q">韵正船檥<span ss="q">读流水孤村<span ss="q">句似花绕<span ss="q">读


    ●●○○ ○○●● ○●●○○● ○●○○ ●●●○○● ●○● ○●○○ ●○●


    斜阳归路<span ss="q">韵甚荒沟<span ss="q">读一片凄凉<span ss="q">句载情不去载愁去<span ss="q">韵  长安谁问倦旅<span ss="q">韵羞见衰颜借酒<span ss="q">句飘零如


    ○○○● ●○○ ●●○○ ●○●●●○●   ○○○●●● ○●○○●● ○○○


    许<span ss="q">韵漫倚新妆<span ss="q">句不入洛阳花谱<span ss="q">韵为回风<span ss="q">读起舞尊前<span ss="q">句尽化作<span ss="q">读断霞千缕<span ss="q">韵记阴阴<span ss="q">读绿遍江南<span ss="q">句夜


    ● ●●○○ ●●●○○● ●○○ ●●○○ ●●● ●○○● ●○○ ●●○○ ●


    窗听暗雨<span ss="q">韵


    ○○●●


    ·


    此与史词同,惟换头句押韵异。


    又一体 <span ss="q">双调一百三字,前段九句四仄韵,后段九句五仄韵          张 炎


    候馆深灯<span ss="q">句辽天断羽<span ss="q">句近日音书疑绝<span ss="q">韵转眼伤心<span ss="q">句慵看剩歌残阕<span ss="q">韵才忘了<span ss="q">读还著思量<span ss="q">句待去也<span ss="q">读


    ●●○○ ○○●● ●●○○○● ●●○○ ○●●○○● ○○● ○●○○ ●●●


    怎禁离别<span ss="q">韵恨只恨<span ss="q">读桃叶空江<span ss="q">句殷勤不似谢红叶<span ss="q">韵  良宵谁见哽咽<span ss="q">韵对熏炉象尺<span ss="q">句闲伴凄切<span ss="q">韵


    ●○○● ●●● ○●○○ ○○●●●○●   ○○○●●● ●○○●● ○●○●


    独立西风<span ss="q">句犹忆旧家时节<span ss="q">韵随款步<span ss="q">读花密藏春<span ss="q">句听怯语<span ss="q">读柳疏嫌月<span ss="q">韵今休问<span ss="q">读燕约莺期<span ss="q">句梦游空


    ●●○○ ○●●○○● ○●● ○●○○ ○●● ●○○● ○○● ●●○○ ●○○


    趁蝶<span ss="q">韵


    ●●


    ·


    此与“飞霜万里”词同,惟后段第二句减一字异。


    玉连环  调见《云月词》,与《一落索》别名《玉连环》不同。


    玉连环 <span ss="q">双调一百四字,前段十一句四仄韵,后段十句四仄韵         冯艾子


    谪仙往矣<span ss="q">句问当年<span ss="q">读饮中俦侣<span ss="q">句於今谁在<span ss="q">韵叹沈香醉梦<span ss="q">句边尘日月<span ss="q">句流浪锦袍宫带<span ss="q">韵高吟三峡


    ●○●● ●○○ ●○○● ○○○● ●○○●● ○○●● ○●●○○● ○○○●


    动<span ss="q">句舞剑九州隘<span ss="q">韵玉皇归觐<span ss="q">句半空遗下<span ss="q">句诗囊酒佩<span ss="q">韵  云月仰挹清芬<span ss="q">句揽虬须<span ss="q">读尚友风流千


    ● ●●●○● ●○○● ●○○● ○○●●   ○●●●○○ ●○○ ●●○○○


    载<span ss="q">韵算晋宋颓波<span ss="q">句羲皇淳俗<span ss="q">句都付尊酒一慨<span ss="q">韵待相将共蹑<span ss="q">句向龙肩鲸背<span ss="q">韵苍茫极目<span ss="q">句海山何处<span ss="q">句


    ● ●●●○○ ○○○● ○●○●●● ●○○●● ●○○○● ○○●● ●○○●


    五云叆叆<span ss="q">韵


    ●○●●


    ·


    此冯艾子自度腔,无别首可校,平仄亦从之。


    春从天上来  调见《中州乐府》吴激词。


    春从天上来 <span ss="q">双调一百四字,前段十一句六平韵,后段十一句五平韵     吴 激


    海角飘零<span ss="q">韵叹汉苑秦宫<span ss="q">句坠露飞萤<span ss="q">韵梦里天上<span ss="q">句金屋银屏<span ss="q">韵歌吹竞举青冥<span ss="q">韵问当时遗谱<span ss="q">句有绝


    ◎●○○ ●●●○○ ◎●○○ ◎●○● ⊙●○○ ⊙●●●○○ ●○○○● ●◎


    艺<span ss="q">读鼓瑟湘灵<span ss="q">韵促哀弹<span ss="q">句似林莺呖呖<span ss="q">句山溜泠泠<span ss="q">韵   梨园太平乐府<span ss="q">句醉几度春风<span ss="q">句鬓发星


    ● ●●○○ ●○○ ●○○●● ⊙●○○    ○○●○◎● ●●●○○ ◎●○


    星<span ss="q">韵舞彻中原<span ss="q">句尘飞沧海<span ss="q">句风雪万里龙庭<span ss="q">韵写秋笳幽怨<span ss="q">句人憔悴<span ss="q">读不似丹青<span ss="q">韵酒醒醒<span ss="q">韵对一轩


    ○ ◎●○○ ⊙○○● ⊙●◎●○○ ●○○○● ○⊙● ◎●○○ ●○○ ●●○


    凉月<span ss="q">句灯火青荧<span ss="q">韵


    ○● ○●○○


    ·


    此调以此词为正体,若张翥词之多押一韵,张炎词之添字,周伯阳词之减字,皆变格也。 按,王恽词,前段第一句“罗绮深宫”,罗字平声;第三句“当日昭容”,当字平声;后段第一句“回头五云深处”,深字平声;第八句“和泪点弹与孤鸿”,泪字仄声。谱内可平可仄据此,余参张翥、周伯阳二词。 王恽词,前段第七句“正台门事捷”,事字仄声;后段第六句“十年一梦无踪”,年字平声;第七句“写杜娘哀怨”,杜字仄声,俱与诸家不同,谱内不校注平仄。


    又一体 <span ss="q">双调一百四字,前段十一句七平韵,后段十一句五平韵        张 翥


    袅袅秋风<span ss="q">韵听响彻云间<span ss="q">句彩凤啼雄<span ss="q">韵蠃女飞下<span ss="q">句玉佩玲珑<span ss="q">韵肠断十二台空<span ss="q">韵渺霜天如海<span ss="q">句写不


    ●●○○ ●●●○○ ●●○○ ○●○● ●●○○ ○●●●○○ ●○○○● ●●


    尽<span ss="q">读客里情浓<span ss="q">韵烛销红<span ss="q">韵更锵金振羽<span ss="q">句变徵移宫<span ss="q">韵   扬州旧时月色<span ss="q">句叹水调如今<span ss="q">句谁唱谁


    ● ●●○○ ●○○ ●○○●● ●●○○    ○○●○●● ●●●○○ ○●○


    工<span ss="q">韵露叶残蛾<span ss="q">句蟾花遗粉<span ss="q">句寂寞琼树香中<span ss="q">韵问坡仙何处<span ss="q">句沧江上<span ss="q">读鹤梦无踪<span ss="q">韵思难穷<span ss="q">韵把一襟


    ○ ●●○○ ○○○● ●●○●○○ ●○○○● ○○● ●●○○ ●○○ ●●○


    幽怨<span ss="q">句吹与鱼龙<span ss="q">韵


    ○● ○●○○


    ·


    此与吴词同,惟前段第九句押韵异。


    又一体 <span ss="q">双调一百六字,前段十一句六平韵,后段十二句六平韵        张 炎


    海上回槎<span ss="q">韵认旧时鸥鹭<span ss="q">句犹恋蒹葭<span ss="q">韵影散香消<span ss="q">句水流云在<span ss="q">句疏树十里寒沙<span ss="q">韵难问钱塘苏小<span ss="q">句都不


    ●●○○ ●●○○● ○●○○ ●●○○ ●○○● ○●●●○○ ○●○○○● ○●


    见<span ss="q">读擘竹分茶<span ss="q">韵更堪嗟<span ss="q">韵似荻花江上<span ss="q">句谁弄琵琶<span ss="q">韵   烟霞<span ss="q">韵自延晚照<span ss="q">句尽换了西林<span ss="q">句窈窕纹


    ● ●●○○ ●○○ ●●○○● ○●○○    ○○ ●○●● ●●●○○ ●●○


    纱<span ss="q">韵蝴蝶飞来<span ss="q">句不知是梦<span ss="q">句犹疑春在邻家<span ss="q">韵一掬幽怀难写<span ss="q">句春何处<span ss="q">读春已天涯<span ss="q">韵减繁华<span ss="q">韵是山中


    ○ ○●○○ ●○●● ○○○●○○ ●●○○○● ○○● ○●○○ ●○○ ●○○


    杜宇<span ss="q">句不是杨花<span ss="q">韵


    ●● ●●○○


    ·


    此亦与吴词同,惟前后段第五句俱不押韵,又第七句俱添一字、作六字句,换头句藏一短韵异。 此词平仄与诸家不同,不参校入谱。


    又一体 <span ss="q">双调一百二字,前段十一句六平韵,后段十一句四平韵        周伯阳


    浩荡青冥<span ss="q">韵正凉露如洗<span ss="q">句万里虚明<span ss="q">韵鼓角悲健<span ss="q">句秋入重城<span ss="q">韵彷彿石上三生<span ss="q">韵指蓬莱云路<span ss="q">句渺何


    ●●○○ ●○●○● ●●○○ ●●○● ○●○○ ●●●●○○ ●○○○● ●○


    许<span ss="q">读月冷风清<span ss="q">韵倚南楼<span ss="q">句一声长笛<span ss="q">句几点残星<span ss="q">韵  西风旧年有约<span ss="q">句听候蛩语夜<span ss="q">句客里心惊<span ss="q">韵


    ● ●●○○ ●○○ ●○○● ●●○○   ○○●○●● ●●○●● ●●○○


    红树山深<span ss="q">句翠苔门掩<span ss="q">句想见露草疏萤<span ss="q">韵便乘风归去<span ss="q">句阑干外<span ss="q">读河汉西倾<span ss="q">韵笑淹留<span ss="q">句划然孤啸<span ss="q">句


    ○●○○ ●○○● ●●●●○○ ●○○○● ○○● ○●○○ ●○○ ●○○●


    云白天青<span ss="q">韵


    ○●○○


    ·


    此与吴词同,惟前后段第九句俱不押韵,第十句俱减一字、作四字句异。 前后段第二句与调不合,不便参校。


    西湖月  调见凤林书院元词,黄子行自度商调曲。


    西湖月 <span ss="q">双调一百四字,前后段各十句,四仄韵              黄子行


    初弦月挂林梢<span ss="q">句又一度西园<span ss="q">句探梅消息<span ss="q">韵粉墙朱户<span ss="q">句苔枝露蕊<span ss="q">句淡匀轻饰<span ss="q">韵玉儿应有恨<span ss="q">句为怅


    ○○●●○○ ●●●○○ ●○○● ●○⊙● ○○●● ●○○● ◎○○●● ●●


    望<span ss="q">读东昏相记忆<span ss="q">韵便解佩<span ss="q">读飞入云阶<span ss="q">句长伴此花倾国<span ss="q">韵  还嗟瘦损幽人<span ss="q">句记立马攀条<span ss="q">句倚阑


    ● ○○○●● ●●● ⊙●○○ ⊙●●○○●   ⊙○●●○○ ●●●○○ ●⊙


    横笛<span ss="q">韵少年风味<span ss="q">句拈花弄蕊<span ss="q">句爱香怜色<span ss="q">韵扬州何逊在<span ss="q">句试点染<span ss="q">读吟笺留醉墨<span ss="q">韵漫赢得<span ss="q">读疏影寒


    ○● ●○○● ○○●● ●○○● ○○○●● ●●● ○○○●● ●○● ○●○


    窗<span ss="q">句夜深孤寂<span ss="q">韵


    ○ ●⊙○●


    ·


    此调只有黄词二首,故此词可平可仄,悉参“湖光冷浸”词。


    又一体 <span ss="q">双调一百三字,前后段各十句,四仄韵              黄子行


    湖光冷浸玻璃<span ss="q">句荡一晌薰风<span ss="q">句小舟如叶<span ss="q">韵藕花十丈<span ss="q">句云梳雾洗<span ss="q">句翠娇红怯<span ss="q">韵壼觞围坐处<span ss="q">句正酒醁


    ○○●●○○ ●●●○○ ●○○● ●○●● ○○●● ●○○● ○○○●● ●●●


    吹波<span ss="q">读潮晕颊<span ss="q">韵尚记得<span ss="q">读玉臂生凉<span ss="q">句不放汗香轻浃<span ss="q">韵   殢人小摘墙榴<span ss="q">句为碎掐猩红<span ss="q">句细认裙


    ○○ ○●● ●●● ●●○○ ●●●○○●    ●○●●○○ ●●●○○ ●●○


    褶<span ss="q">韵旧游如梦<span ss="q">句新愁似织<span ss="q">句泪珠盈睫<span ss="q">韵秋娘风味在<span ss="q">句怎得对<span ss="q">读银釭生笑靥<span ss="q">韵消瘦沈约诗腰<span ss="q">句彷彿


    ● ●○○● ○○●● ●○○● ○○○●● ●●● ○○○●● ○●●●○○ ●●


    堪捻<span ss="q">韵


    ○●


    ·


    此与“初弦月挂”词同,惟后段第九句减一字异。


    爱月夜眠迟慢  调见《高丽史·乐志》,宋词也,即赋本意。


    爱月夜眠迟慢 <span ss="q">双调一百四字,前后段各十句,四平韵    <span ss="q">《高丽史·乐志》无名氏


    禁鼓初敲<span ss="q">句觉六街夜悄<span ss="q">句车马人稀<span ss="q">韵幕天澄淡<span ss="q">句云收雾卷<span ss="q">句亭亭皎月如珪<span ss="q">韵冰轮碾出遥空<span ss="q">句照临


    ●●○○ ●●○●● ○●○○ ●○○● ○○●● ○○●●○○ ○○●●○○ ●○


    千里无私<span ss="q">韵最堪怜<span ss="q">读有情风<span ss="q">句送得丹桂香微<span ss="q">韵  唯愿素魄长圆<span ss="q">句把流霞对饮<span ss="q">句满泛觥卮<span ss="q">韵醉凭


    ○●○○ ●○○ ●○○ ●●○●○○   ○●●●○○ ●○○●● ●●○○ ●○


    阑处<span ss="q">句赏玩不忍<span ss="q">句辜负好景良时<span ss="q">韵清歌妙舞连宵<span ss="q">句踟蹰懒入罗帏<span ss="q">韵任佳人<span ss="q">读尽嗔我<span ss="q">句爱月每夜眠


    ○● ●●●● ○●●●○○ ○○●●○○ ○○●●○○ ●○○ ●○● ●●●●○


    迟<span ss="q">韵


    ○


    ·


    此调只有此词,无别首可校。


    合欢带  《乐章集》注:林钟商。


    合欢带 <span ss="q">双调一百五字,前段九句五平韵,后段十句四平韵          柳 永


    身材儿<span ss="q">读早是妖娆<span ss="q">韵算风措<span ss="q">读实难描<span ss="q">韵一个肌肤浑似玉<span ss="q">句更都来<span ss="q">读占了千娇<span ss="q">韵妍歌艳舞<span ss="q">句莺惭巧


    ○○○ ●●○○ ●○● ●○○ ●●○○○●● ●○○ ●●○○ ○○●● ○○●


    舌<span ss="q">句柳妒纤腰<span ss="q">韵自相逢<span ss="q">读便觉韩娥价减<span ss="q">句飞燕声销<span ss="q">韵  桃花零落<span ss="q">句溪水潺湲<span ss="q">句重寻仙境非遥<span ss="q">韵


    ● ●●○○ ●○○ ●●○○●● ○●○○   ○○○● ○●○○ ○○○●○○


    莫道千金酬一笑<span ss="q">句便明珠<span ss="q">读万斛须邀<span ss="q">韵檀郎幸有<span ss="q">句凌云词赋<span ss="q">句掷果风标<span ss="q">韵况当年<span ss="q">读便好相携<span ss="q">句凤


    ●●○○○●● ●○○ ●●○○ ○○●● ○○⊙● ◎●○○ ●○○ ●◎○○ ●


    楼深处吹箫<span ss="q">韵


    ○○●○○


    ·


    此调只有柳词及杜词两体,其平仄亦不甚异同。


    又一体 <span ss="q">双调一百五字,前后段各九句,五平韵              杜安世


    楼台高下玲珑<span ss="q">韵斗芳树<span ss="q">读绿阴浓<span ss="q">韵芍药孤栖香艳晚<span ss="q">句见樱桃<span ss="q">读万颗初红<span ss="q">韵巢喧乳燕<span ss="q">句珠帘缕曳<span ss="q">句


    ○○○●○○ ●○● ●○○ ●●○○○●● ●○○ ●●○○ ○○●● ○○●●


    满户香风<span ss="q">韵罩纱帏<span ss="q">读象床屏枕<span ss="q">句昼眠才是朦胧<span ss="q">韵  起来无语更兼慵<span ss="q">韵念分明<span ss="q">读往事成空<span ss="q">韵被你


    ●●○○ ●○○ ●○○● ●○○●○○   ●○○●●○○ ●○○ ●●○○ ●●


    厌厌牵系我<span ss="q">句怪纤腰<span ss="q">读绣带宽松<span ss="q">韵春来早是<span ss="q">句分飞两处<span ss="q">句长恨西东<span ss="q">韵到如今<span ss="q">读扇移明月<span ss="q">句簟铺寒


    ○○○●● ●○○ ●●○○ ○○●● ○○●● ○●○○ ●○○ ●○○● ●○○


    浪与谁同<span ss="q">韵


    ●○●●


    ·


    此词与柳词校,前段起句减一字、作六字句,结作七字一句、六字一句,后段第一、二句减一字,作七字一句、押韵,第三句添一字、作七字句,结添一字作七字句异。


    曲玉管  唐教坊曲名。《乐章集》注:大石调。


    曲玉管 <span ss="q">双调一百五字,前段十二句二两叶韵四平韵,后段十句三平韵     柳 永


    陇首云飞<span ss="q">句江边日晚<span ss="q">句烟波满目凭阑久<span ss="q">叶一望关河萧索<span ss="q">句千里清秋<span ss="q">韵忍凝眸<span ss="q">韵杳杳神京<span ss="q">句盈盈仙


    ●●○○ ○○●● ○○●●○○● ●●○○○● ○●○○ ●○○ ●●○○ ○○○


    子<span ss="q">句别来锦字终难偶<span ss="q">叶断雁无凭<span ss="q">句冉冉飞下汀洲<span ss="q">韵思悠悠<span ss="q">韵  暗想当初<span ss="q">句有多少<span ss="q">读幽欢佳会<span ss="q">句


    ● ●○●●○○● ●●○○ ●●○●○○ ●○○   ●●○○ ●○● ○○○●


    岂知聚散难期<span ss="q">句翻成雨恨云愁<span ss="q">韵阻追游<span ss="q">韵悔登山临水<span ss="q">句惹起平生心事<span ss="q">句一场销黯<span ss="q">句永日无言<span ss="q">句却


    ●○●●○○ ○○●●○○ ●○○ ●○○○● ●●○○○● ●○○● ●●○○ ●


    下层楼<span ss="q">韵


    ●○○


    ·


    此词前段,截然两对,即《瑞龙吟》调,所谓拽头也。间叶两仄韵,亦是本部三声叶,无别首宋词可校。


    早梅芳慢  调见柳永词,与《早梅芳近》不同。


    早梅芳慢 <span ss="q">双调一百五字,前段十二句四仄韵,后段十二句三仄韵      柳 永


    海霞红<span ss="q">句山烟翠<span ss="q">韵故都风景繁华地<span ss="q">韵谯门画戟<span ss="q">句下临万井<span ss="q">句金碧楼台相倚<span ss="q">韵芰荷浦漵<span ss="q">句杨柳汀


    ●○○ ○○● ●○○●○○● ○○●● ●○●● ○●○○○● ●○●● ○●○


    洲<span ss="q">句映虹桥倒影<span ss="q">句兰舟飞棹<span ss="q">句游人聚散<span ss="q">句一片湖光里<span ss="q">韵  汉元侯<span ss="q">句自从破敌征蛮<span ss="q">句峻陟枢庭


    ○ ●○○●● ○○○● ○○●● ●●○○●   ●○○ ●○●●○○ ●●○○


    贵<span ss="q">韵筹帷厌久<span ss="q">句盛年昼锦<span ss="q">句归来吾乡我里<span ss="q">韵黔斋少讼<span ss="q">句宴馆多欢<span ss="q">句未周星<span ss="q">句便死皇家<span ss="q">句图任勋


    ● ○○●● ●○●● ○○○○●● ○○●● ●●○● ●○○ ●●○○ ○●○


    贤<span ss="q">句又作登庸计<span ss="q">韵


    ○ ●●○○●


    ·


    此见《花草粹编》选本,《乐章集》不载,无别首宋词可校。


    尉迟杯  此调有平韵、仄韵两体。仄韵者,见柳永《乐章集》,注夹钟商;平韵者,见晁补之《琴趣外篇》。


    尉迟杯 <span ss="q">双调一百五字,前段八句六仄韵,后段九句六仄韵          柳 永


    宠嘉丽<span ss="q">韵算九衢红粉皆难比<span ss="q">韵天然嫩脸修蛾<span ss="q">句不假施朱描翠<span ss="q">韵盈盈秋水<span ss="q">韵恣雅态<span ss="q">读欲语先娇媚<span ss="q">韵


    ◎○● ●◎⊙⊙●⊙⊙● ○○●●○○ ◎◎⊙⊙○● ○○⊙● ◎◎● ◎◎⊙⊙●


    每相逄<span ss="q">读月夕花朝<span ss="q">句自有怜才深意<span ss="q">韵  绸缪凤枕鸳被<span ss="q">韵深深处<span ss="q">读琼枝玉树相倚<span ss="q">韵困极欢余<span ss="q">句芙


    ●○○ ●●○○ ●◎○⊙○●   ○⊙●●○● ○○● ○○●◎○● ●●○○ ○


    蓉帐暖<span ss="q">句别是恼人情味<span ss="q">韵风流事<span ss="q">读难逄双美<span ss="q">韵况已断<span ss="q">读香云为盟誓<span ss="q">韵且相将<span ss="q">读尽意平生<span ss="q">句未肯轻


    ○●● ◎●◎○⊙● ○○◎ ○○⊙● ●◎● ⊙⊙⊙⊙● ●○○ ●●○○ ●◎⊙


    分连理<span ss="q">韵


    ⊙○●


    ·


    此调押仄韵者,以此词、无名氏词、周词为正体,若贺词之多作折腰句法,万俟词之添字,皆变格也。 此词可平可仄,悉参谱内仄韵诸词。


    又一体 <span ss="q">双调一百五字,前段八句六仄韵,后段九句五仄韵      <span ss="q">《梅苑》无名氏


    岁云暮<span ss="q">韵叹光阴苒苒能几许<span ss="q">韵江梅尚怯余寒<span ss="q">句长安信音犹阻<span ss="q">韵春风无据<span ss="q">韵凭阑久<span ss="q">读欲去还凝伫<span ss="q">韵


    ●○● ●○○●●○●● ○○●●○○ ○○●○○● ○○○● ○○● ●●○○●


    忆溪边<span ss="q">读月夜徘徊<span ss="q">句暗香疏影庭户<span ss="q">韵  朝来冻解霜消<span ss="q">句南枝上<span ss="q">读香英数点微露<span ss="q">韵把酒看花<span ss="q">句无


    ○○○ ●●○○ ●○○●○●   ○○●●○○ ○○● ○○●●○● ●●○○ ○


    言有泪<span ss="q">句还是那时情绪<span ss="q">韵花依旧<span ss="q">读晨妆何处<span ss="q">韵漫赢得<span ss="q">读花前愁千缕<span ss="q">韵尽高楼<span ss="q">读画角频吹<span ss="q">句任教纷


    ○●● ○●●○○● ○○● ○○○● ●○● ○○○○● ●○○ ●●○○ ●○○


    纷飞素<span ss="q">韵


    ○○●


    ·


    此与柳词同,惟换头句不押韵异。按,尹公远“冰弦语”词,“何事梦断湖山,尚九里松声,八月潮怒”,正与此同。


    又一体 <span ss="q">双调一百五字,前段十句六仄韵,后段十句八仄韵         贺 铸


    胜游地<span ss="q">韵信东吴绝景饶佳丽<span ss="q">韵平湖底<span ss="q">句见层岚<span ss="q">句凉月下<span ss="q">句闻清吹<span ss="q">韵人如秾李<span ss="q">韵泛衿袂<span ss="q">读香润苹风


    ●○● ●○○●●○○● ○○● ●○○ ○●● ○○● ○○○● ●○● ○●○○


    起<span ss="q">韵喜凌波<span ss="q">读素袜逢迎<span ss="q">句领略当歌深意<span ss="q">韵  鄂君被<span ss="q">韵双鸳绮<span ss="q">韵垂杨荫<span ss="q">读夷犹画舲相檥<span ss="q">韵宝瑟弦


    ● ●○○ ●●○○ ●●○○○●   ●○● ○○● ○○● ○○●○○● ●●○


    调<span ss="q">句明珠佩委<span ss="q">韵回首碧云千里<span ss="q">韵归鸿后<span ss="q">读芳音谁寄<span ss="q">韵念怀系<span ss="q">读青鬓今无几<span ss="q">韵枉分将<span ss="q">读镜里华年<span ss="q">句


    ○ ○○●● ○●●○○● ○○● ○○○● ●○● ○●○○● ●○○ ●●○○


    付与楼前流水<span ss="q">韵


    ●●○○○●


    ·


    此与柳词同,惟前段第三、四句及换头摊破句法,俱作三字两句,换头多一押韵异。


    又一体 <span ss="q">双调一百五字,前段八句五仄韵,后段八句四仄韵         周邦彦


    隋堤路<span ss="q">韵渐日晚<span ss="q">读密霭生深树<span ss="q">韵阴阴淡月笼沙<span ss="q">句还宿河桥深处<span ss="q">韵无情画舸<span ss="q">句都不管<span ss="q">读烟波隔前


    ○○● ●●● ●●○○● ○○●●○○ ○●○○○● ○○●● ○●● ○○●○


    浦<span ss="q">韵等行人<span ss="q">读醉拥重衾<span ss="q">句载将离恨归去<span ss="q">韵  因念旧客京华<span ss="q">句长偎傍<span ss="q">读疏林小槛欢聚<span ss="q">韵冶叶倡


    ● ●○○ ●●○○ ●○○●○●   ○○●●○○ ○○● ○○●●○● ●●○


    条俱相识<span ss="q">句仍惯见<span ss="q">读珠歌翠舞<span ss="q">韵如今向<span ss="q">读渔村水驿<span ss="q">句夜如岁<span ss="q">读焚香独自语<span ss="q">韵有何人<span ss="q">读念我无聊<span ss="q">句


    ○○○● ○●● ○○●● ○○● ○○●● ●○● ○○●●● ●○○ ●●○○


    梦魂凝想鸳侣<span ss="q">韵


    ●○○●○●


    ·


    此与柳词同,惟前后段第五句俱不押韵,又后段第三、四、五摊破句法,作七字两句异。 按,吴文英“垂杨径”词,正与此同。


    又一体 <span ss="q">双调一百六字,前段八句六仄韵,后段十句六仄韵          万俟咏


    碎云薄<span ss="q">韵向碧玉枝上<span ss="q">读缀万萼<span ss="q">韵如将汞粉匀开<span ss="q">句疑使柏麝熏却<span ss="q">韵雪魄未应若<span ss="q">韵况天赋<span ss="q">读标艳仍绰


    ●○● ●●●○● ●●● ○○●●○○ ○●●●○● ●●●○● ●○● ○●○●


    约<span ss="q">韵当暄风皎日佳处<span ss="q">句戏蝶游蜂粘著<span ss="q">韵  重重绣帟珠箔<span ss="q">韵障浓艳霏霏<span ss="q">句异香漠漠<span ss="q">韵见说徐妃<span ss="q">句


    ● ○○○●●○● ●●○○○●   ○○●●○● ●○●○○ ●○●● ●●○○


    当年嫁了<span ss="q">句信任玉钿零落<span ss="q">韵无言自啼露萧索<span ss="q">韵夜深待<span ss="q">读月上阑干角<span ss="q">韵广寒宫<span ss="q">读要与姮娥<span ss="q">句素妆一


    ○○●● ●●●○○● ○○●○●○● ●○● ●●○○● ●○○ ●●○○ ●○●


    夜相觉<span ss="q">韵


    ●○●


    ·


    此亦与柳词同,惟前段第五句添一字、作五字句,前后段第七句不作折腰句法异。 按,蔡松年“紫云暖”词,第五、六句“红潮照玉盌”,正与此同。


    又一体 <span ss="q">双调一百四字,前段八句五仄韵,后段九句四仄韵         陈允平


    长亭路<span ss="q">韵望渭北<span ss="q">读漠漠春天树<span ss="q">韵殷勤别酒重斟<span ss="q">句明日相思何处<span ss="q">韵晴丝飏暖<span ss="q">句芳草外<span ss="q">读斜阳自南


    ○○● ●●● ●●○○● ○○●●○○ ○●○○○● ○○●● ○●● ○○●○


    浦<span ss="q">韵望孤帆<span ss="q">读影接天涯<span ss="q">句一江潮带愁去<span ss="q">韵  回首杜若汀洲<span ss="q">句叹泛梗飘萍<span ss="q">句乍散还聚<span ss="q">韵满径残


    ● ●○○ ●●○○ ●○○●○●   ○●●●○○ ●●●○○ ●●○● ●●○


    红春归后<span ss="q">句犹有杨花乱舞<span ss="q">韵怅金徽<span ss="q">读梁尘暗锁<span ss="q">句算谁是<span ss="q">读知音堪共语<span ss="q">韵尽天涯<span ss="q">读梦断东风<span ss="q">句彩


    ○○○● ○●○○●● ●○○ ○○●● ●○● ○●○●● ●○○ ●●○○ ●


    云鸾凤无侣<span ss="q">韵


    ○○●○●


    ·


    此和周词也,惟后段第二句作五字一句、四字一句,第五句减一字异。


    又一体 <span ss="q">双调一百六字,前段八句五平韵,后段九句五平韵          晁补之


    去年时<span ss="q">韵正愁绝<span ss="q">读过却红杏飞<span ss="q">韵沈吟杏子青时<span ss="q">句追悔负好花枝<span ss="q">韵今年又春到<span ss="q">句傍小阑<span ss="q">读日日数花


    ●○○ ●○● ●●○●○ ○○●●○○ ○●●●○○ ○○●○● ●●○ ●●●○


    期<span ss="q">韵花有信<span ss="q">读人却无凭<span ss="q">句故教芳意迟迟<span ss="q">韵  及至待得融怡<span ss="q">韵未攀条拈蕊<span ss="q">句又叹春归<span ss="q">韵怎得春如


    ○ ○●● ○●○○ ●○○●○○   ●●●●○○ ●○○○● ●●○○ ●●○○


    天不老<span ss="q">句更教花与月相随<span ss="q">韵都将命<span ss="q">读拌与酬花<span ss="q">句似岘山<span ss="q">读落日客犹迷<span ss="q">韵尽归路<span ss="q">读拍手拦街<span ss="q">句笑人


    ○●● ●○○●●○○ ○○● ○●○○ ●●○ ●●●○○ ●○● ●●○○ ●○


    沈醉如泥<span ss="q">韵


    ○●○○


    ·


    此调押平韵者,只此一体,无别首宋词可校。 此词前段第五句五字,与万俟词同;后段第四、五句七字,与周词同。


    花发沁园春  此调有平韵、仄韵两体,俱见花庵《绝妙词选》,与《沁园春》不同。


    花发沁园春 <span ss="q">双调一百五字,前段十句五仄韵,后段十句六仄韵       刘圻父


    换谱伊凉<span ss="q">句选歌燕赵<span ss="q">句一番乐事重起<span ss="q">韵花新笑靥<span ss="q">句柳软纤腰<span ss="q">句齐楚众芳围里<span ss="q">韵年年佳会<span ss="q">韵长是


    ●●○○ ●○○● ●○●●○● ○○●● ◎●○○ ○●●○○● ○○⊙● ○●


    傍<span ss="q">读清明天气<span ss="q">韵正魏紫衣染天香<span ss="q">句蜀红妆破春睡<span ss="q">韵  一簇猩罗凤翠<span ss="q">韵遍东园西城<span ss="q">句点检芳字<span ss="q">韵


    ● ○○○● ●●●○●○○ ◎○○●○●   ●●○○●● ●○○○○ ●●○●


    铨斋吏散<span ss="q">句画馆人稀<span ss="q">句几阕管弦清脆<span ss="q">韵人生适意<span ss="q">韵流转共<span ss="q">读风光游戏<span ss="q">韵到遇景<span ss="q">读取次成欢<span ss="q">句怎


    ○○●● ●●○○ ●●●○○● ○○●● ○●● ⊙○○● ●◎● ●●○○ ●


    教良夜休醉<span ss="q">韵


    ○○●○●


    ·


    此调押平韵者,只有此词及黄升词,故此词可平可仄,悉参黄词。 按,黄词,前段第五句“杨柳吹绵”,杨字平声;第七句“翻阶傍砌”,傍字仄声;第十句“猩红轻透罗袂”,猩字平声;后段第八句“人正在、翠红围里”,翠字仄声;第九句“问谁是、第一风流”,谁字平声。谱内可平可仄据此。


    又一体 <span ss="q">双调一百五字,前后段各十句,四平韵              王 诜


    帝里春归<span ss="q">句早先妆点<span ss="q">句皇家池馆园林<span ss="q">韵雏莺未迁<span ss="q">句燕子乍归<span ss="q">句时节戏弄晴阴<span ss="q">韵琼楼珠阁<span ss="q">句恰正


    ●●○○ ●○○● ○○○●○○ ○○●○ ●●●○ ○●●●○○ ○○○● ●●


    在<span ss="q">读柳曲花心<span ss="q">韵翠袖艳<span ss="q">读依凭阑干<span ss="q">句惯闻弦管新音<span ss="q">韵  此际相携宴赏<span ss="q">句纵行乐随处<span ss="q">句芳树遥


    ● ●●○○ ●●● ○●○○ ●○○●○○   ●●○○●● ●○●○● ○●○


    岑<span ss="q">韵桃腮杏脸<span ss="q">句嫩英万叶<span ss="q">句千枝绿浅红深<span ss="q">韵轻风终日<span ss="q">句泛暗香<span ss="q">读长满衣襟<span ss="q">韵洞户醉<span ss="q">读归访笙歌<span ss="q">句


    ○ ○○●● ●○●● ○○●●○○ ○○○● ●●○ ○●○○ ●●● ○●○○


    晚来云海沈沈<span ss="q">韵


    ●○●●○○


    ·


    此调押平韵者,只有此词,无别首宋、元词可校。


    赏南枝  调见《梅苑》词,曾巩自度曲。


    又一体 <span ss="q">双调一百五字,前段九句五平韵,后段九句六平韵          曾 巩


    暮冬天地闭<span ss="q">句正柔木冻折<span ss="q">句瑞雪飘飞<span ss="q">韵对景见南山<span ss="q">句岭梅露<span ss="q">读几点清雅容姿<span ss="q">韵丹染萼<span ss="q">读玉缀枝<span ss="q">韵


    ●○○●● ●○●●● ●●○○ ●●●○○ ●○● ●●○●○○ ○●● ●●○


    又岂是<span ss="q">读一阳有私<span ss="q">韵大抵化工独许<span ss="q">句使占却先时<span ss="q">韵  霜威莫苦凌持<span ss="q">韵此花根性<span ss="q">句想群卉争知<span ss="q">韵


    ●●● ●○●○ ●●●○●● ●●●○○   ○○●●○○ ●○○● ●○●○○


    贵用在和羹<span ss="q">句三春里<span ss="q">读不管绿是红非<span ss="q">韵攀赏处<span ss="q">读宜酒卮<span ss="q">韵醉撚嗅<span ss="q">读幽香更奇<span ss="q">韵倚阑仗何人去<span ss="q">句嘱


    ●●●○○ ○○● ●●●●○○ ○●● ○●○ ●●● ○○●○ ●○●○○● ●


    羌管休吹<span ss="q">韵


    ○●○○


    ·


    此调只有此词,无他首可校。


    南 浦  按,唐《教坊记》,有《南浦子》曲,宋词盖借旧曲名,另倚新声也。 此调有仄韵、平韵两体,宋人多填仄韵词,其平韵惟鲁词一体。


    南 浦 <span ss="q">双调一百五字,前后段各十句,五仄韵               程 垓


    金鸭懒熏香<span ss="q">句向晚来<span ss="q">句春酲一枕无绪<span ss="q">韵浓绿涨瑶窗<span ss="q">句东风外<span ss="q">读吹尽乱红飞絮<span ss="q">韵无言伫立<span ss="q">句断肠惟


    ○●●○○ ●●○ ○○●●○● ○●●○○ ○○● ○●●○○● ○○●● ●○○


    有流莺语<span ss="q">韵碧云欲暮<span ss="q">韵空惆怅韶华<span ss="q">句一时虚度<span ss="q">韵  追思旧日心情<span ss="q">句记题叶西楼<span ss="q">句吹花南浦<span ss="q">韵老


    ●○○● ●○●● ○○●○○ ●○○●   ○○●●○○ ●○●○○ ○○○● ●


    去觉欢疏<span ss="q">句伤春恨<span ss="q">读都付断云残雨<span ss="q">韵黄昏院落<span ss="q">句问谁犹在凭阑处<span ss="q">韵可堪杜宇<span ss="q">韵空只解声声<span ss="q">句催他


    ●●○○ ○○● ○●●○○● ○○●● ●○○●○○● ●○●● ○●●○○ ○○


    春去<span ss="q">韵


    ○●


    ·


    此调程词及周词、史词三体,宋、元人填者甚少,惟张炎词体,填者颇多,故此词以张词作谱。 此词前后段第八句俱押韵。


    又一体 <span ss="q">双调一百五字,前段十句四仄韵,后段九句四仄韵          周邦彦


    浅带一帆风<span ss="q">句向晚来<span ss="q">读扁舟稳下南浦<span ss="q">韵迢递阻潇湘<span ss="q">句衡皋迥<span ss="q">读斜檥蕙兰汀渚<span ss="q">韵危樯影里<span ss="q">句断云黯


    ●●●○○ ●●○ ○○●●○● ○●●○○ ○○● ○●●○○● ○○●● ●○●


    黯遥天暮<span ss="q">韵菡萏袅风斜<span ss="q">句偷送清香<span ss="q">句时时微度<span ss="q">韵  吾家旧有簪缨<span ss="q">句甚顿作<span ss="q">读天涯经岁羁旅<span ss="q">韵羌


    ●○○● ●●●○○ ○●○○ ○○○●   ○○●●○○ ●●● ○○○●○● ○


    管怎知情<span ss="q">句烟波上<span ss="q">读黄昏万斛愁绪<span ss="q">韵无言对月<span ss="q">句皓彩千里人何处<span ss="q">韵恨身无凤翼<span ss="q">句只待而今<span ss="q">句飞将


    ●●○○ ○○● ○○●●○● ○○●● ●●○●○○● ●○○●● ●●○○ ○○


    归去<span ss="q">韵


    ○●


    ·


    此与程词同,惟前后段第八句俱作五字、不押韵,第九句作四字,后段第二、三句作九字一句异。


    又一体 <span ss="q">双调一百五字,前后段各十句,四仄韵               史达祖


    玉树晓飞香<span ss="q">句待倩它<span ss="q">句和愁点破妆镜<span ss="q">韵轻嫩一天春<span ss="q">句平白地<span ss="q">读都护雨昏烟冥<span ss="q">韵幽花露湿<span ss="q">句定应独


    ●●●○○ ●●○ ○○●●○● ○●●○○ ○●● ○●●○○● ○○●● ●○●


    把阑干凭<span ss="q">韵谢屐未蜡<span ss="q">句安排共文鸳<span ss="q">句重游芳径<span ss="q">韵  年来梦里扬州<span ss="q">句怕事随歌残<span ss="q">句情趁云冷<span ss="q">韵娇


    ●○○● ●●●● ○○●○○ ○○○●   ○○●●○○ ●●○○○ ○●○● ○


    眄隔东风<span ss="q">句无人会<span ss="q">读莺燕暗中心性<span ss="q">韵深盟纵约<span ss="q">句尽同晴雨全无定<span ss="q">韵海棠梦在<span ss="q">句相思过西园<span ss="q">句秋千


    ○●○○ ○○● ○●●○○● ○○●● ●○○●○○● ●○●● ○○●○○ ○○


    红影<span ss="q">韵


    ○●


    ·


    此与程词同,惟前后段第八句俱不押韵异。


    又一体 <span ss="q">双调一百五字,前段九句四仄韵,后段八句五仄韵         张 炎


    波暖绿粼粼<span ss="q">句燕飞来<span ss="q">句好是苏堤才晓<span ss="q">韵鱼没浪痕圆<span ss="q">句流红去<span ss="q">读翻笑东风难扫<span ss="q">韵荒桥断浦<span ss="q">句柳阴


    ⊙●●○○ ●⊙○ ◎◎⊙⊙○● ○●●○○ ○⊙● ○◎⊙○○● ⊙○●● ◎○


    撑出扁舟小<span ss="q">韵回道池塘青欲遍<span ss="q">句绝似梦中芳草<span ss="q">韵  和云流出空山<span ss="q">句甚年年<span ss="q">读净洗花香不了<span ss="q">韵


    ⊙●○○● ○●○○○●● ◎●●○○●   ○○⊙●○○ ●⊙⊙ ◎◎⊙⊙◎●


    新渌乍生时<span ss="q">句孤村路<span ss="q">读犹忆那回曾到<span ss="q">韵余情渺渺<span ss="q">韵茂林觞咏如今悄<span ss="q">韵前度刘郎归去后<span ss="q">句溪上碧


    ⊙●●○○ ○○● ⊙◎●⊙○● ⊙○●● ●⊙○●○○● ⊙●○○○●● ○●●


    桃多少<span ss="q">韵


    ○○●


    ·


    此与程词同,惟前后段第八、九、十句摊破句法,作七字一句、六字一句异。 按,王沂孙、张翥、陶宗仪俱如此填。 王词,前段第五句“巴山路、蛾眉乍窥清镜”,眉字平声;第六句“绿痕无迹”,绿字仄声;陶词,第七句“鸥旁常是寻盟去”,鸥字平声;张词,结句“秋满鹤汀凫渚”,秋声平声;陶词,后段第二句“荡晴晖、另有越中真趣”,越字仄声;王词,第四句“苹花岸、漠漠雨昏烟冥”,上漠字仄声;陶词,第五句“水葓摇晚”,水字仄声;第七句“欲问渔郎无恙否”,欲字仄声。谱内可平可仄据此,余参上三词。 王词,前后两结句“弄波素袜至甚处,空把落红流尽”、“只愁双燕衔春去,拂破蓝光千顷”,又一首“再来涨绿迷旧处,添却残红几片”、“采香幽径鸳鸯睡,谁道湔裙人远”,与调不合,故不能校入谱。


    又一体 <span ss="q">双调一百二字,前段九句四平韵,后段八句四平韵          鲁逸仲


    风悲画角<span ss="q">句听单于<span ss="q">读三弄落谯门<span ss="q">韵投宿骎骎征骑<span ss="q">句飞雪浦孤村<span ss="q">韵酒市渐阑灯火<span ss="q">句正敲窗<span ss="q">读乱叶舞


    ○○●● ●○○ ○●●○○ ○●○○○● ○●●○○ ●●●○○● ●○○ ●●●


    纷纷<span ss="q">韵送数声惊雁<span ss="q">句乍离烟水<span ss="q">句嘹唳度寒云<span ss="q">韵  好在半胧淡月<span ss="q">句到如今<span ss="q">读无处不销魂<span ss="q">韵故国梅


    ○○ ●●○○● ●○○● ○●●○○   ●●●○●● ●○○ ○●●○○ ●○○


    花归梦<span ss="q">句愁损绿罗裙<span ss="q">韵为问暗香闲艳<span ss="q">句也相思<span ss="q">读万点付啼痕<span ss="q">韵算翠屏应是<span ss="q">句两眉余恨倚黄昏<span ss="q">韵


    ○○● ○●●○○ ●●●○○● ●○○ ●●●○○ ●●○○● ●○○●●○○


    ·


    此调押平声韵者,只此一词,无别首宋词可校。
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