卷三十二
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十一调六十一体
,起一百三字至一百四字
安平乐慢二体
望南云慢一体
情久长一体
西江月慢二体
杏花天慢一体
探春芳五体<span ss="q">又名探春
眉 妩三体<span ss="q">又名百宜娇
湘江静二体<span ss="q">又名潇湘静
金盏子五体
龙山会二体
春云怨一体
升平乐一体
迎新春一体
归朝欢二体<span ss="q">又名菖蒲绿
双声子一体
永遇乐七体<span ss="q">又名消息
二郎神九体<span ss="q">又名转调二郎神、十二郎
倾杯乐十体<span ss="q">又名古倾杯、倾杯
百宜娇一体
月中桂三体<span ss="q">又名月中仙
澡兰香一体
安平乐慢 调见万俟咏《大声集》。
安平乐慢 <span ss="q">双调一百三字,前段十一句五平韵,后段九句四平韵 万俟咏
瑞日初迟<span ss="q">句绪风乍暖<span ss="q">句千花百草争香<span ss="q">韵瑶池路稳<span ss="q">句阆苑春深<span ss="q">句云树水殿相望<span ss="q">韵柳曲沙平<span ss="q">句看尘随
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青盖<span ss="q">句絮惹红妆<span ss="q">韵卖酒绿阴傍<span ss="q">韵无人不醉春光<span ss="q">韵 有十里笙歌<span ss="q">句万家罗绮<span ss="q">句身世疑在仙乡<span ss="q">韵
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行乐知无禁<span ss="q">句五侯半隐少年场<span ss="q">韵舞妙歌妍<span ss="q">句空妒得<span ss="q">读莺娇燕忙<span ss="q">韵念芳菲<span ss="q">读都来几日<span ss="q">句不堪风雨疏
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狂<span ss="q">韵
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此调只有万俟词、曹词二首,故此词可平可仄,悉参曹词。
又一体 <span ss="q">双调一百四字,前段十一句五平韵,后段十句四平韵 曹 勋
圣德如尧<span ss="q">句圣心似舜<span ss="q">句欣逢出震昌期<span ss="q">韵中兴继体<span ss="q">句抚有寰瀛<span ss="q">句三阳方是炎曦<span ss="q">韵万国朝元<span ss="q">句奉崇严
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宸扆<span ss="q">句咫尺天威<span ss="q">韵瑞色满三墀<span ss="q">韵渐嵩呼<span ss="q">读均庆彤闱<span ss="q">韵 正金屋妆成<span ss="q">句翠红围绕<span ss="q">句香霭高散狻
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猊<span ss="q">韵东朝移琱辇<span ss="q">句与坤仪<span ss="q">读同奉瑶卮<span ss="q">韵阖殿花明<span ss="q">句亿万载<span ss="q">读咸歌寿祺<span ss="q">韵视天民<span ss="q">句永祈宝历<span ss="q">句垂衣
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端拱无为<span ss="q">韵
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此与万俟词同,惟前段结句,校万俟词添一字,后段第五句,作上三下四句法异。
望南云慢 调见《乐府雅词》。
望南云慢 <span ss="q">双调一百三字,前段十一句四平韵,后段十二句五平韵 沈公述
木叶轻飞<span ss="q">句乍雨歇亭皋<span ss="q">句帘卷秋光<span ss="q">韵阑隈砌角<span ss="q">句绽拒霜几处<span ss="q">句深浅红芳<span ss="q">韵应恨开时晚<span ss="q">句伴翠菊<span ss="q">读
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风前并香<span ss="q">韵晓来清露<span ss="q">句嫩面低凝<span ss="q">句似带啼妆<span ss="q">韵 堪伤<span ss="q">韵记得佳人<span ss="q">句当时怨别<span ss="q">句盈腮粉泪行行<span ss="q">韵
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而今最苦<span ss="q">句奈千里身心<span ss="q">句两处凄凉<span ss="q">韵感物成消黯<span ss="q">句念旧欢<span ss="q">读空劳寸肠<span ss="q">韵月斜残漏<span ss="q">句梦断孤帏<span ss="q">句一
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枕思量<span ss="q">韵
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此调只此一词,无他首可校。
情久长 调见《圣求词》。
情久长 <span ss="q">双调一百三字,前后段各九句,四仄韵 吕渭老
琐窗夜永<span ss="q">句无聊尽作伤心句<span ss="q">韵甚近日<span ss="q">读带腰移眼<span ss="q">句梨脸沾雨<span ss="q">韵春心偿未足<span ss="q">句怎忍听<span ss="q">读啼血催归杜
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宇<span ss="q">韵暮帆挂<span ss="q">读沈沈暝色<span ss="q">句衮衮长江<span ss="q">句流不尽<span ss="q">读来无据<span ss="q">韵 点检风光<span ss="q">句岁月今如许<span ss="q">韵趁此际<span ss="q">读
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浦花汀草<span ss="q">句一棹东去<span ss="q">韵云窗雾阁<span ss="q">句洞天晓<span ss="q">读同作烟霞伴侣<span ss="q">韵算谁见<span ss="q">读梅帘醉梦<span ss="q">句柳陌晴游<span ss="q">句应未
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许<span ss="q">读春知处<span ss="q">韵
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此调只有此体,吕渭老集中二首,字句悉同,故此词可平可仄,悉参“冰梁跨水”词。 按,吕词别首,前段第一句“冰梁跨水”,冰字平声;第五句“夜寒侵短发”,夜字仄声;后段第一句“鸡咽荒郊”,鸡字平声;第四句“清吟无味”,清字、吟字俱平声;第五句“想伊睡起”,想字仄声;第六句“又念远、楼阁横枝对倚”,念字仄声。谱内可平可仄据此。
西江月慢 调见《圣求词》。
西江月慢 <span ss="q">双调一百三字,前段十句四仄韵,后段八句五仄韵 吕渭老
春风淡淡<span ss="q">句清昼永<span ss="q">读落英千尺<span ss="q">韵桃杏散平郊<span ss="q">句晴蜂来往<span ss="q">句妙香飘掷<span ss="q">韵傍画桥<span ss="q">读煮酒青帘<span ss="q">句绿杨风
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外<span ss="q">句数声长笛<span ss="q">韵记去年<span ss="q">读紫陌朱门<span ss="q">句花下旧相识<span ss="q">韵 向宝帕<span ss="q">读裁书凭燕翼<span ss="q">韵望翠阁<span ss="q">读烟林似
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织<span ss="q">韵闻道春衣犹未整<span ss="q">句过禁烟寒食<span ss="q">韵但记取<span ss="q">读角枕题情<span ss="q">句东窗休误<span ss="q">句这些端的<span ss="q">韵更莫待<span ss="q">读青子绿
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阴春事寂<span ss="q">韵
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此调吕词外,只有无名氏词,句读互异,故不参校平仄。
又一体 <span ss="q">双调一百六字,前段九句四仄韵,后段九句五仄韵 <span ss="q">高丽史·乐志》无名氏
烟笼细柳<span ss="q">句映粉墙<span ss="q">读垂丝轻袅<span ss="q">韵正岁首<span ss="q">读暖律风和<span ss="q">句装点后苑台沼<span ss="q">韵见乍开桃若胭脂染<span ss="q">句便须
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信<span ss="q">读江南春早<span ss="q">韵又数枝<span ss="q">读零乱残花<span ss="q">句飘满地<span ss="q">句未曾扫<span ss="q">韵 幸到此<span ss="q">读芳菲时渐好<span ss="q">韵恨间阻<span ss="q">读佳
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期尚杳<span ss="q">韵听几声<span ss="q">读云里悲鸿<span ss="q">句感动怨愁多少<span ss="q">韵漫目送<span ss="q">句层阁天涯远<span ss="q">句甚无人<span ss="q">读音书来到<span ss="q">韵又只
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恐<span ss="q">读别有深情<span ss="q">句盟言忘了<span ss="q">韵
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此见《高丽史·乐志》,亦宋词也,惟前后段起二句,与吕词同,余俱异。
杏花天慢 调见《松隐集》。
杏花天慢 <span ss="q">双调一百三字,前后段各九句,五仄韵 曹 勋
桃蕊初谢<span ss="q">句双燕来后<span ss="q">句枝上嫩苞时节<span ss="q">韵绛萼滋浩露<span ss="q">句照晓景<span ss="q">读裁剪冰绡标格<span ss="q">韵烟传靓质<span ss="q">韵似澹
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拂<span ss="q">读妆成香颊<span ss="q">韵看暖日<span ss="q">读催吐繁英<span ss="q">句占断上林风月<span ss="q">韵 坛边曾见数枝<span ss="q">句算应是真仙<span ss="q">句故留
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春色<span ss="q">韵顿觉偏造化<span ss="q">句且任他<span ss="q">读桃李成蹊谁说<span ss="q">韵晴霁易雪<span ss="q">韵待等饮<span ss="q">读清赏无歇<span ss="q">韵更爱惜<span ss="q">读留引鹇
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禽<span ss="q">句未须再折<span ss="q">韵
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此词无他首可校。
探春慢 或作《探春》,无“慢”字。
探春慢 <span ss="q">双调一百三字,前后段各十句,四仄韵 姜 夔
衰草愁烟<span ss="q">句乱鸦送日<span ss="q">句风沙回旋平野<span ss="q">韵拂雪金鞭<span ss="q">句欺寒茸帽<span ss="q">句还记章台走马<span ss="q">韵谁念漂零久<span ss="q">句漫
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赢得<span ss="q">读幽怀难写<span ss="q">韵故人青盼相逢<span ss="q">句小窗闲共情话<span ss="q">韵 长恨离多会少<span ss="q">句重访问竹西<span ss="q">句珠泪盈
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把<span ss="q">韵雁碛沙平<span ss="q">句渔汀人散<span ss="q">句老去不堪游冶<span ss="q">韵无奈苕溪月<span ss="q">句又唤我<span ss="q">读扁舟东下<span ss="q">韵甚日归来<span ss="q">句梅花
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零乱春夜<span ss="q">韵
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此调以此词为正体,若周密词之换头多押一韵,陈允平词之后结句读小异,犹不失正,若吴文英词之句读全异,则变格也。 此词前段第三句,前后段结句,例作拗体,若周词之“客里暗惊时候”,张词之“一抹墙腰月淡”,周词之“毕竟为谁消瘦”,陈词之“体取过湖人少”,张词别首之“恰有梅花一树”,与调不合,谱内概不校注平仄。 按,张炎词,前段第四、五句“投老情怀,薄游滋味”,投字平声,薄字仄声;赵以夫词,第九句“莫惜沈醉风前”,惜字仄声;张词,后段第二句“休忘了盈盈”,忘字平声;第五句“柳蛾暗雪”,柳字仄声;赵词,第六句“得似家山闲暇”,家字平声。谱内可平可仄据此,余参下张词、周词、陈词。 张词,前段第三句“摧残客里时序”,第八句“早瘦了梅花一半”,第九句“也知不作花看”,客字、一字、不字,俱以入作平,不注可仄。
又一体 <span ss="q">双调一百三字,前段十句四仄韵,后段十句五仄韵 张 炎
银浦流云<span ss="q">句绿房迎晓<span ss="q">句一抹墙腰月淡<span ss="q">韵暖玉生烟<span ss="q">句悬冰解冻<span ss="q">句碎滴瑶阶如霰<span ss="q">韵才放些晴意<span ss="q">句早瘦
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了<span ss="q">读梅花一半<span ss="q">韵也知不做花看<span ss="q">句东风何事吹散<span ss="q">韵 摇落似成秋苑<span ss="q">韵甚酿得春来<span ss="q">句怕教春见<span ss="q">韵
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野渡舟回<span ss="q">句前村门掩<span ss="q">句应是不胜清怨<span ss="q">韵次第寻芳去<span ss="q">句灞桥外<span ss="q">读蕙香波暖<span ss="q">韵犹妒檐声<span ss="q">句看灯人在深
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院<span ss="q">韵
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此与姜词同,惟换头句用韵异。
又一体 <span ss="q">双调一百三字,前段十句四仄韵,后段十句五仄韵 周 密
彩胜宜春<span ss="q">句翠盘销夜<span ss="q">句客里暗惊时候<span ss="q">韵剪燕心情<span ss="q">句呼卢音语<span ss="q">句景物总成怀旧<span ss="q">韵愁鬓妒垂杨<span ss="q">句早
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穉眼<span ss="q">读渐浓如豆<span ss="q">韵尽教宽尽春衫<span ss="q">句毕竟为谁消瘦<span ss="q">韵 梅浪半空如绣<span ss="q">韵便管领芳菲<span ss="q">句忍辜诗
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酒<span ss="q">韵映竹占花<span ss="q">句临窗卜镜<span ss="q">句还念岁寒宫袖<span ss="q">韵箫鼓动春城<span ss="q">句竞点缀<span ss="q">读玉梅金柳<span ss="q">韵厮勾元宵<span ss="q">句灯前
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共谁携手<span ss="q">韵
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此与姜词同,惟后段起句押韵异。
又一体 <span ss="q">双调一百三字,前段十句四仄韵,后段十句五仄韵 陈允平
上苑乌啼<span ss="q">句中洲鹭起<span ss="q">句疏钟才度云窈<span ss="q">韵篆冷香篝<span ss="q">句灯微尘幌<span ss="q">句残梦犹吟芳草<span ss="q">韵搔首卷帘看<span ss="q">句认何
●●○○ ○○●● ○○○●○● ●●○○ ○○○● ○●○○○● ○●●○○ ●○
处<span ss="q">读六桥烟柳<span ss="q">韵翠桡才檥西泠<span ss="q">句趁取过湖人少<span ss="q">韵 掠水风花缭绕<span ss="q">韵还暗忆年时<span ss="q">句旗亭歌酒<span ss="q">韵
● ●○○● ●○○●○○ ●●●○○● ●●○○○● ○●●○○ ○○○●
隐约春声<span ss="q">句钿车宝勒<span ss="q">句次第凤城开了<span ss="q">韵惟有踏青心<span ss="q">句纵早起<span ss="q">读不嫌寒峭<span ss="q">韵画阑闲立东风<span ss="q">句旧红谁
●●○○ ●○●● ●●●○○● ○●●○○ ●●● ●○○● ●○○●○○ ●○○
扫<span ss="q">韵
●
·
此与周词同,惟后结作六字一句、四字一句异。
又一体 <span ss="q">双调九十四字,前段十二句四仄韵,后段十一句五仄韵 吴文英
径苔曲深深<span ss="q">句不见故人<span ss="q">句轻敲幽户<span ss="q">韵细草回春<span ss="q">句目送流光一羽<span ss="q">韵重云冷<span ss="q">句哀雁断<span ss="q">句翠微空<span ss="q">句愁蝶
○●●○○ ●●●○ ○○○● ●●○○ ●●○○●● ○○● ○●● ●○○ ○●
舞<span ss="q">韵逞鸣鞭<span ss="q">句游蓬小梦<span ss="q">句枕残惊寤<span ss="q">韵 还识西湖醉路<span ss="q">韵向柳下并鞍<span ss="q">句银袍吹絮<span ss="q">韵事影难追<span ss="q">句那
● ●○○ ○○●● ●○○● ○●○○●● ●●●●○ ○○○● ●●○○ ●
负灯床听雨<span ss="q">韵冰溪凭谁照影<span ss="q">句有明月<span ss="q">句乘兴去<span ss="q">韵暗相思<span ss="q">句梅孤鹤瘦<span ss="q">句共江亭暮<span ss="q">韵
●○○●● ○○○○●● ●○● ○●● ●○○ ○○●● ●○○●
·
此词后段第一、二、三句,与姜词同,余俱异。因调名同,亦为类列。
眉 妩 姜夔词注:一名《百宜娇》。
眉 妩 <span ss="q">双调一百三字,前段十一句五仄韵,后段十一句七仄韵 姜 夔
看垂杨连苑<span ss="q">句杜若吹沙<span ss="q">句愁损未归眼<span ss="q">韵信马青楼去<span ss="q">句重帘下<span ss="q">句娉婷人妙飞燕<span ss="q">韵翠尊共款<span ss="q">韵听艳
●○○○● ●●○○ ○●●○● ●●○○● ○○● ○○○●○● ●○●● ●●
歌<span ss="q">读郎意先感<span ss="q">韵便携手<span ss="q">句月地云阶里<span ss="q">句爱良夜微暖<span ss="q">韵 无限<span ss="q">韵风流疏散<span ss="q">韵有暗藏弓履<span ss="q">句偷寄
○ ○●○● ●○● ●●○○● ●○●○● ○● ○○○● ●●○⊙● ○●
香翰<span ss="q">韵明日闻津鼓<span ss="q">句湘江上<span ss="q">句催人还解春缆<span ss="q">韵乱红万点<span ss="q">韵怅断魂<span ss="q">读烟水遥远<span ss="q">韵又争似相携<span ss="q">句乘
○● ⊙●○○● ○○● ○○○●○● ●○●● ●●○ ○●○● ●○●○○ ○
一舸<span ss="q">读镇长见<span ss="q">韵
●● ●○●
·
此调以此词为正体,若王词之少押一韵,张词之多押两韵,皆变格也。 此词可平可仄,参下王、张二词。
又一体 <span ss="q">双调一百三字,前段十一句五仄韵,后段十句六仄韵 王沂孙
渐新痕悬柳<span ss="q">句澹彩穿花<span ss="q">句依约破初暝<span ss="q">韵便有团圆意<span ss="q">句深深拜<span ss="q">句相逄谁在香径<span ss="q">韵画眉未稳<span ss="q">韵料素
●○○○● ●●○○ ○●●○● ●●○○● ○○● ○○○●○● ●○●● ●●
娥<span ss="q">读犹带离恨<span ss="q">韵最堪爱<span ss="q">句一曲银钩小<span ss="q">句宝帘挂秋冷<span ss="q">韵 千古盈亏休问<span ss="q">韵叹慢磨玉斧<span ss="q">句犹挂金
○ ○●○● ●○● ●●○○● ●○●○● ○●○○○● ●●○●● ○●○
镜<span ss="q">韵太液池犹在<span ss="q">句凄凉处<span ss="q">读何人重赋清景<span ss="q">韵故山夜永<span ss="q">韵试待他<span ss="q">读窥户端正<span ss="q">韵看云外山河<span ss="q">句还老
● ●●○○● ○○● ○○○●○● ●○●● ●●○ ○●○● ●○●○○ ○●
尽<span ss="q">读桂花影<span ss="q">韵
● ●○●
·
此与姜词同,惟换头句不押短韵异。
又一体 <span ss="q">双调一百三字,前段十一句六仄韵,后段十一句八仄韵 张 翥
又蛛分天巧<span ss="q">句鹊误秋期<span ss="q">句银汉会牛女<span ss="q">韵薄命犹如此<span ss="q">句悲欢事<span ss="q">句人间何限夫妇<span ss="q">韵此情更苦<span ss="q">韵怎似
●○○○● ●●○○ ○●●○● ●●○○● ○○● ○○○●○● ●○●● ●●
他<span ss="q">读今夜相遇<span ss="q">韵素娥妒<span ss="q">韵不肯偏留照<span ss="q">句渐凉影催曙<span ss="q">韵 私语<span ss="q">韵钗盟何处<span ss="q">韵但翠屏天远<span ss="q">句清梦
○ ○●○● ●○● ●●○○● ●○●○● ○● ○○○● ●●○○●○●○
云去<span ss="q">韵纵有闲针缕<span ss="q">韵相怜爱<span ss="q">句丝丝空缀愁绪<span ss="q">韵窃香伴侣<span ss="q">韵问甚时<span ss="q">读重画眉妩<span ss="q">韵漫铅泪弹风<span ss="q">句俱
● ●●○○● ○○● ○○○●○● ●○●● ●●○ ○●○● ●○●○○ ○●
付与<span ss="q">读洗车雨<span ss="q">韵
● ●○●
·
此亦与姜词同,惟前段第九句,后段第五句,俱押韵异。
湘江静 调见《乐府雅词》,一名《潇湘静》。
湘江静 <span ss="q">双调一百三字,前段十句五仄韵,后段十一句五仄韵 史达祖
暮草堆青云浸浦<span ss="q">韵记匆匆<span ss="q">读倦篙曾驻<span ss="q">韵渔榔四起<span ss="q">句沙鸥未落<span ss="q">句怕愁沾诗句<span ss="q">韵碧袖一声歌<span ss="q">句石城
⊙◎○⊙○◎● ●○⊙ ●○○● ○○●● ⊙○●● ●○○○● ◎●●○○ ◎○
怨<span ss="q">读西风随去<span ss="q">韵沧波荡晚<span ss="q">句菰蒲弄秋<span ss="q">句还重到<span ss="q">读断魂处<span ss="q">韵 酒易醒<span ss="q">句思正苦<span ss="q">韵想空山<span ss="q">读桂香
● ○○○● ○○●● ○○●⊙ ○⊙● ●○● ●●○ ○●● ●○○ ●○
悬树<span ss="q">韵三年梦冷<span ss="q">句孤吟意短<span ss="q">句屡烟钟津鼓<span ss="q">韵屐齿厌登临<span ss="q">句移橙后<span ss="q">读几番凉雨<span ss="q">韵潘郎渐老<span ss="q">句风流
○● ○○●● ○○●● ●○○○● ◎●●○○ ○○● ●○○● ○○●● ○○
顿减<span ss="q">句闲居未赋<span ss="q">韵
●● ○○●●
·
此调史词外,只有无名氏词,故此词可平可仄,悉参之。但无名氏词,后段第五句“白”字入声,第七句“莫”字入声,俱以入作平,不注可仄。
又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十句四仄韵 <span ss="q">《雅词拾遗》无名氏
珠帘微卷香风逗<span ss="q">韵正明月<span ss="q">读乍圆时候<span ss="q">韵金盘露冷<span ss="q">句玉炉篆烬<span ss="q">句渐红鳞生酒<span ss="q">韵娇唱倚繁弦<span ss="q">句琼枝
●○○●○○● ●○● ●○○● ○○●● ●○●● ●○○○● ○●●○○ ○○
碎<span ss="q">读轻回云袖<span ss="q">韵风台焰短<span ss="q">句铜壶漏永<span ss="q">句人欲醉<span ss="q">读夜如昼<span ss="q">韵 因念流年迅景<span ss="q">句被浮名<span ss="q">读暗孤欢
● ○○○● ○○●● ○○●● ○●● ●○● ○●○○●● ●○○ ●○○
偶<span ss="q">韵人生大抵<span ss="q">句离多会少<span ss="q">句便相将白首<span ss="q">韵何似猛寻芳<span ss="q">句都莫问<span ss="q">读积金过斗<span ss="q">韵歌阑宴阕<span ss="q">句云窗凤
● ○○●● ○○●● ●○○●● ○●●○○ ○●● ●○○● ○○●● ○○●
枕<span ss="q">句钗横麝透<span ss="q">韵
● ○○●●
·
此与史词同,惟换头作六字一句,又不押韵异。
金盏子 此调有平韵、仄韵两体。仄韵者,见《梅溪词》及《梦窗词》;平韵者,见《高丽史·乐志》。
金盏子 <span ss="q">双调一百三字,前段十一句四仄韵,后段十一句六仄韵 吴文英
赏月梧园<span ss="q">句恨广寒宫树<span ss="q">句晓风摇落<span ss="q">韵莓砌扫珠尘<span ss="q">句空肠断<span ss="q">句熏炉烬消残萼<span ss="q">韵殿秋尚有余花<span ss="q">句锁烟
●●○○ ●●○○● ●○○● ⊙●●○○ ○○● ○⊙●○○● ◎⊙●●○○ ●○
窗云幄<span ss="q">韵新雁又<span ss="q">句无端送人江上<span ss="q">句短亭初泊<span ss="q">韵 篱角<span ss="q">韵梦依约<span ss="q">韵人一笑<span ss="q">句惺忪翠袖薄<span ss="q">韵悠然醉
○⊙● ○◎● ⊙⊙●⊙○◎ ●○○● ○● ●○● ○◎● ○⊙●◎● ○○◎
红唤醒<span ss="q">句幽丛畔<span ss="q">句凄香雾雨漠漠<span ss="q">韵晚吹乍颤秋声<span ss="q">句早屏空金雀<span ss="q">韵明朝想<span ss="q">读犹有数点蜂黄<span ss="q">句伴我斟
⊙◎◎ ○○● ○○●●◎● ◎◎●●○○ ●⊙○○● ○○● ⊙●●◎○○ ◎◎⊙
酌<span ss="q">韵
●
·
此调押仄韵者,以吴词及史词为正体,若蒋词、赵词之少押一韵,乃变格也。 前段第七句、后段第八句,例作上一下四句法,四词皆然,填者辨之。 此词可平可仄,悉参蒋、史、赵三词。
又一体 <span ss="q">双调一百三字,前段十一句四仄韵,后段十一句五仄韵 蒋 捷
练月萦窗<span ss="q">句梦乍醒<span ss="q">句黄花翠竹庭馆<span ss="q">韵心事夜香消<span ss="q">句人孤另<span ss="q">句双鹣被他羞看<span ss="q">韵拟待告诉天公<span ss="q">句减秋
●●○○ ●●● ○○●●○● ○●●○○ ○○● ○○●○○● ●●●●○○ ●○
声一半<span ss="q">韵无情雁<span ss="q">句正用恁时飞来<span ss="q">句叫云寻伴<span ss="q">韵 犹记杏栊暖<span ss="q">韵银烛下<span ss="q">句纤影卸佩懒<span ss="q">韵春涡晕
○●● ○○● ●●●○○○ ●○○● ○●●○● ○●● ○●●●● ○○●
红豆小<span ss="q">句莺衣嫩<span ss="q">句珠痕淡印芳汗<span ss="q">韵自从信误青鸾<span ss="q">句想笼鹦停唤<span ss="q">韵风刀快<span ss="q">句剪尽画檐梧桐<span ss="q">句怎剪愁
○●● ○○● ○○●●○● ●○●●○○ ●○○○● ○○● ●●●○○○ ●●○
断<span ss="q">韵
●
·
此与吴词同,惟前段第二句三字,第三句六字异。
又一体 <span ss="q">双调一百一字,前段十一句四仄韵,后段十一句五仄韵 史达祖
奖绿催红<span ss="q">句仰一番膏雨<span ss="q">句始张春色<span ss="q">韵未踏画桥烟<span ss="q">句江南岸<span ss="q">句应是草秾花密<span ss="q">韵湔裙尚忆苹溪<span ss="q">句觉诗
●●○○ ●●○○● ●○○● ●●●○○ ○○● ○●●○○● ○○●●○○ ●○
愁相觅<span ss="q">韵光风外<span ss="q">句除是倩莺烦燕<span ss="q">句漫通消息<span ss="q">韵 梨花夜来白<span ss="q">韵相思梦<span ss="q">句空阑一株雪<span ss="q">韵深深柳枝
○○● ○○● ○●●○○● ●○○● ○○●○● ○○● ○○●○● ○○●○
巷陌<span ss="q">句难重过<span ss="q">句弓弯两袖云碧<span ss="q">韵见说倦理秦筝<span ss="q">句怯春葱无力<span ss="q">韵空遣恨<span ss="q">句当时秀句<span ss="q">句苍苔蠹壁<span ss="q">韵
●● ○○● ○○●●○● ●●●●○○ ●○○○● ○○● ○○●● ○○●●
·
此亦与吴词同,惟后段第十句减二字异。
又一体 <span ss="q">双调一百一字,前段十一句四仄韵,后段十句四仄韵 赵以夫
得水能仙<span ss="q">句向汉皋遗佩<span ss="q">句碧波涵月<span ss="q">韵蓝玉暖生烟<span ss="q">句称缟袂黄冠<span ss="q">句素姿芳洁<span ss="q">韵亭亭独立风前<span ss="q">句照
●●○○ ●●○○● ●○○● ○●●○○ ●●●○○ ●○○● ○○●●○○ ●
冰壶澄彻<span ss="q">韵当时事<span ss="q">句琴心妙处难传<span ss="q">句顿成愁绝<span ss="q">韵 六出自天然<span ss="q">句果一味清香浑胜雪<span ss="q">韵西湖
○○○● ○○● ○○●●○○ ●○○● ●●●○○ ●●●○○○●● ○○
秋菊寒泉<span ss="q">句似坡老风流<span ss="q">句至今人说<span ss="q">韵殷勤折伴梅边<span ss="q">句听玉龙吹裂<span ss="q">韵丁宁道<span ss="q">句百年兄弟<span ss="q">句相看晚
○●○○ ●○●○○ ●○○● ○○●●○○ ●●○○● ○○● ●○○● ○○●
节<span ss="q">韵
●
·
此词与史词校,前段第五句五字,第六句四字,换头句不押韵,后段第二句作八字一句异。
又一体 <span ss="q">双调一百二字,前段十一句四平韵,后段十句五平韵 <span ss="q">《高丽史·乐志》无名氏
丽日舒长<span ss="q">句正葱葱瑞气<span ss="q">句遍满神京<span ss="q">韵九重天上<span ss="q">句五云开处<span ss="q">句丹楼碧阁峥嵘<span ss="q">韵盛宴初开<span ss="q">句锦帐绣幕
●●○○ ●○○●● ●●○○ ●○○● ●○○● ○○●●○○ ●●○○ ●●●●
交横<span ss="q">韵应上元佳节<span ss="q">句君臣际会<span ss="q">句共乐升平<span ss="q">韵 广庭罗绮纷盈<span ss="q">韵动一部笙歌<span ss="q">句尽新声<span ss="q">韵蓬莱宫殿
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神仙景<span ss="q">句浩荡春光<span ss="q">句逦迤王城<span ss="q">韵烟收雨歇<span ss="q">句天色夜更澄清<span ss="q">韵又千寻<span ss="q">读火树灯山<span ss="q">句参差带月鲜明<span ss="q">韵
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·
此调押平韵者,只此一词。其前段第一、二、三句,后段第一、二句,与仄韵词同,其余句读,与仄韵词异。
龙山会 《虚斋乐府》注:商调。
龙山会 <span ss="q">双调一百三字,前段十句六仄韵,后段九句五仄韵 赵以夫
九日无风雨<span ss="q">韵一笑凭高<span ss="q">句浩气横秋宇<span ss="q">韵群峰青可数<span ss="q">韵寒城小<span ss="q">读一水萦回如缕<span ss="q">韵西北最关情<span ss="q">句漫遥
◎●○○● ●●○○ ●●○○● ⊙○○●● ○⊙● ◎●○○○● ⊙●●○○ ●⊙
指<span ss="q">读东徐南楚<span ss="q">韵黯销魂<span ss="q">句斜阳冉冉<span ss="q">句雁声悲苦<span ss="q">韵 今朝寒菊依然<span ss="q">句重上南楼<span ss="q">句草草成欢聚<span ss="q">韵诗
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朋休浪赋<span ss="q">韵旧题处<span ss="q">读俯仰已随尘土<span ss="q">韵莫放酒行疏<span ss="q">句清漏短<span ss="q">读凉蟾当午<span ss="q">韵也全胜<span ss="q">读白衣未至<span ss="q">句独醒
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凝伫<span ss="q">韵
○●
·
此调只有赵词两首及吴文英词,句读悉同,所小异者,惟吴词小押两韵耳,故此词可平可仄,悉参赵词别首及吴词。 按,赵词别首,前段第一句“佳节明朝九”,佳字平声;第六句“碧落杳无边”,碧字仄声;第七句“但玉削、千峰寒瘦”,玉字仄声;第八句“留连久”,留字平声,久字仄声;后段第八句“归去也、东篱好在”,归字平声,去也二字俱仄声,东字平声。谱内可平可仄据此,余参吴词。
又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段九句四仄韵 吴文英
石径幽云罅<span ss="q">韵步障深深<span ss="q">句艳锦青红亚<span ss="q">韵小乔和梦醒<span ss="q">句环佩杳<span ss="q">读烟水茫茫城下<span ss="q">韵何处不秋阴<span ss="q">句问谁
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借<span ss="q">读东风艳冶<span ss="q">韵最娇娆<span ss="q">句愁侵醉颊<span ss="q">句红绡泪洒<span ss="q">韵 摇落翠莽平沙<span ss="q">句欲挽斜阳<span ss="q">句驻短亭车马<span ss="q">韵晚
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妆羞未堕<span ss="q">句沈恨起<span ss="q">读金谷魂飞深夜<span ss="q">韵惊雁落清歌<span ss="q">句酹花底<span ss="q">读觥船快泻<span ss="q">韵后归来<span ss="q">读井梧上有<span ss="q">句玉蟾
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遥挂<span ss="q">韵
○●
·
此与赵词同,惟前后段第四句,俱不押韵异。
春云怨 调见冯艾子《云月词》,自注:黄钟商。
春云怨 <span ss="q">双调一百三字,前段十一句五仄韵,后段十句五仄韵 冯艾子
春风恶劣<span ss="q">韵把数枝香锦<span ss="q">句和莺吹折<span ss="q">韵雨重柳腰娇困<span ss="q">句燕子欲扶扶不得<span ss="q">韵软日烘烟<span ss="q">句乾风收雾<span ss="q">句
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芍药酴醿弄颜色<span ss="q">韵帘幕轻阴<span ss="q">句图书清润<span ss="q">句日永篆香绝<span ss="q">韵 盈盈笑靥宫黄额<span ss="q">韵试红鸾小扇<span ss="q">句
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丁香双结<span ss="q">韵团凤眉心倩郎贴<span ss="q">韵教洗尊罍<span ss="q">句共看西堂<span ss="q">句醉花新月<span ss="q">韵曲水成空<span ss="q">句丽人何处<span ss="q">句往事暮
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云万叶<span ss="q">韵
○●●
·
此冯艾子自度曲,平仄当遵之。
升平乐 《宋史·乐志》:教坊都知李德升,作《万岁升平乐》曲。周密《天基节乐次》:乐奏夹钟宫,第三盏,笙起《升平乐慢》。
升平乐 <span ss="q">双调一百三字,前后段各十一句,四平韵 吴 奕
水阁层台<span ss="q">句短亭深院<span ss="q">句依稀万木笼阴<span ss="q">韵飞暑无涯<span ss="q">句行云有势<span ss="q">句晚来细雨回晴<span ss="q">韵庭槐转影<span ss="q">句近纱
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厨<span ss="q">读两两蝉鸣<span ss="q">韵幽梦断<span ss="q">句枕金猊旋热<span ss="q">句兰炷微熏<span ss="q">韵 堪命俊才俦侣<span ss="q">句对华筵坐列<span ss="q">句朱履红
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裙<span ss="q">韵檀板轻敲<span ss="q">句金樽满泛<span ss="q">句从教畏日西沈<span ss="q">韵金丝玉管<span ss="q">句间歌喉<span ss="q">读时奏清音<span ss="q">韵唐虞世<span ss="q">句尽陶陶沈
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醉<span ss="q">句且乐升平<span ss="q">韵
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·
此调只有此词,无别首宋词可校。
迎新春 《宋史·乐志》:双角调;《乐章集》注:大石调。
又一体 <span ss="q">双调一百四字,前段八句七仄韵,后段十一句六仄韵 柳 永
嶰管变青律<span ss="q">句帝里阳和新布<span ss="q">韵晴景回轻煦<span ss="q">韵庆嘉节<span ss="q">读当三五<span ss="q">韵列华灯<span ss="q">读千门万户<span ss="q">韵遍九陌<span ss="q">读罗绮
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香风微度<span ss="q">韵十里燃绛树<span ss="q">韵鳌山耸<span ss="q">读喧喧箫鼓<span ss="q">韵 渐天如水<span ss="q">句素月当午<span ss="q">韵香径里<span ss="q">句绝缨掷果无
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数<span ss="q">韵更阑烛影花阴下<span ss="q">句少年人<span ss="q">读往往奇遇<span ss="q">韵太平时<span ss="q">句朝野多欢民康阜<span ss="q">韵堪随分良聚<span ss="q">韵对此争忍<span ss="q">句
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独醒归去<span ss="q">韵
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《词律》刻此词,不分段,今照《花草粹编》分。 此调只此一词,无别首可校。
归朝欢 《乐章集》注:夹钟商。辛弃疾词,有“菖蒲自照清溪绿”句,名菖蒲绿。
归朝欢 <span ss="q">双调一百四字,前后段各九句,六仄韵 柳 永
别岸扁舟三两只<span ss="q">韵葭苇萧萧风淅淅<span ss="q">韵沙汀宿雁破烟飞<span ss="q">句溪桥残月和霜白<span ss="q">韵渐渐分曙色<span ss="q">韵路遥川
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远多行役<span ss="q">韵往来人<span ss="q">句只轮双桨<span ss="q">句尽是利名客<span ss="q">韵 一望乡关烟水隔<span ss="q">韵转觉归心生羽翼<span ss="q">韵愁云
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恨雨两萦牵<span ss="q">句新春残腊相催迫<span ss="q">韵岁华都瞬息<span ss="q">韵浪萍风梗诚何益<span ss="q">韵问归期<span ss="q">句玉楼深处<span ss="q">句有个人相
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忆<span ss="q">韵
●
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此调以此词为正体,苏轼、张先、严仁、辛弃疾、马庄父、詹正诸词,俱如此填。若王词之多押一韵,乃变格也。 按,张词,前段第一句“声转轳辘闻露井”,声字平声,辘字仄声;辛词,第三句“有时光彩射星躔”,有字仄声,光字平声;第四句“却将此石投闲处”,此词仄声;严词,第五句“西风吹梦草”,西风二字俱平声;辛词,第六句“先生拄杖来看汝”,拄字仄声;詹词,第七句“空怅望”,空字平声,怅望二字俱仄声;张词,结句“同作飞梭掷”,同字、飞字俱平声;马词,后段第一句“团团宝月凭纤手”,团团二字俱平声,宝月二字俱仄声,纤字平声;严词,第二句“求剑刻舟应笑汝”,求字平声,刻字仄声;张词,第三句“有情无物不双栖”,有字仄声,无字平声;辛词,第四句“有朋只就芸窗读”,有字、只字俱仄声;马词,第六句“莱衣焕烂潘舆稳”,焕字仄声;詹词,第七、八句“犹记得,颠崖如此”,犹字、颠字俱平声,记得二字俱仄声;张词,结句“帘暮卷花影”,帘字平声,卷字仄声。谱内可平可仄据此,余参王词。
又一体 <span ss="q">双调一百四字,前段九句六仄韵,后段九句七仄韵 王之道
透隙敲窗风摵摵<span ss="q">韵坐见广庭霜缟白<span ss="q">韵长安道上正骑驴<span ss="q">句蔡州城里谁坚壁<span ss="q">韵表表风尘物<span ss="q">韵瑶林琼
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树三豪客<span ss="q">韵对挥毫<span ss="q">句连珠唱玉<span ss="q">句惯把诗笺掷<span ss="q">韵 草草杯盘还促席<span ss="q">韵痛饮狂歌话胸臆<span ss="q">韵前村
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昨夜访梅花<span ss="q">句东邻休把夸颜色<span ss="q">韵清欢那易得<span ss="q">韵明朝乌辔升南极<span ss="q">韵带随车<span ss="q">句黄垆咫尺<span ss="q">韵莫作山河
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隔<span ss="q">韵
●
·
此与柳词同,惟后段第八句押韵异。 按,严仁“五月人间”词,后结“问沧波,乘槎此去,流到天河否”,多押一韵,正与此同。
双声子 《乐章集》注:林钟商。
双声子 <span ss="q">双调一百四字,前段十一句四平韵,后段十句四平韵 柳 永
晚天萧索<span ss="q">句断蓬踪迹<span ss="q">句乘兴兰棹东游<span ss="q">韵三吴风景<span ss="q">句姑苏台榭<span ss="q">句牢落暮霭初收<span ss="q">韵叹夫差旧国<span ss="q">句香径
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没<span ss="q">读徒有荒丘<span ss="q">韵繁华处<span ss="q">句悄无睹<span ss="q">句惟闻麋鹿呦呦<span ss="q">韵 相当年<span ss="q">句空运筹决战<span ss="q">句图王取霸无休<span ss="q">韵江
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山如画<span ss="q">句云涛烟浪<span ss="q">句翻输范蠡扁舟<span ss="q">韵验前经旧史<span ss="q">句嗟漫载<span ss="q">读当日风流<span ss="q">韵斜阳暮草茫茫<span ss="q">句尽成万古
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遗愁<span ss="q">韵
○○
·
此调只有柳永一词,其平仄亦遵之。
永遇乐 周密《天基节乐次》:乐奏夹钟宫,第五盏,觱篥起《永遇乐慢》。此调有平韵、仄韵两体。仄韵者,始自北宋,《乐章集》注:林钟商。晁补之词,名《消息》,自注:越调。平韵者,始自南宋,陈允平创为之。
永遇乐 <span ss="q">双调一百四字,前后段各十一句,四仄韵 苏 轼
明月如霜<span ss="q">句好风如水<span ss="q">句清景无限<span ss="q">韵曲港跳鱼<span ss="q">句圆荷泻露<span ss="q">句寂寞无人见<span ss="q">韵紞如五鼓<span ss="q">句铮然一叶<span ss="q">句黯
⊙●○○ ◎○⊙● ⊙◎○● ◎●○○ ⊙○◎● ◎●○○● ◎○◎● ⊙○◎● ◎
黯梦云惊断<span ss="q">韵夜茫茫<span ss="q">读重寻无处<span ss="q">句觉来小园行遍<span ss="q">韵 天涯倦客<span ss="q">句山中归路<span ss="q">句望断故园心眼<span ss="q">韵燕
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子楼空<span ss="q">句佳人何在<span ss="q">句空锁楼中燕<span ss="q">韵古今如梦<span ss="q">句何曾梦觉<span ss="q">句但有旧欢新怨<span ss="q">韵异时对<span ss="q">读黄楼夜景<span ss="q">句为
●○○ ⊙○⊙● ⊙●○○● ◎○⊙● ⊙⊙◎● ◎●◎○○● ◎○◎ ⊙⊙◎● ◎
余浩叹<span ss="q">韵
○●●
·
此调押仄韵者,以此词为正体,宋词俱如此填。若晁词之前段结句六字折腰,柳词两首及张词、无名氏词之句读异同,皆变格也。 此调前段第一句,如柳词之“熏风解愠”,无名氏词之“孤衾不暖”,第二句如柳词之“昼景晴和”,第八句如柳词之“华渚流虹,云拥双旌”,第十句如晁词之“想沈江、怨魄归来”,柳词之“拥朱幡、喜气欢声”,后段第八句,如柳词之“槐府登贤”,第十句如晁词之“算何须、楚泽雄风”,柳词之“祝尧龄、北极齐尊”,“且乘闲、弘阁长开”,平仄与诸家不同,谱内概不校注。 按,周紫芝词,前段第五句“小荷擎雨”,小字仄声;张元幹词,第八句“访公良夜”,访字仄声;赵以夫词,第九句“隐隐光华流渚”,光字平声;第十句“妆楼上、青瓜玉果”,妆字平声,上字仄声;周词,第十一句“还对彩绦无语”,还字平声;赵师侠词,后段第一句“绿丛红萼”,红字平声;晁补之词,第二句“紫葳枝上”,紫字仄声;苏词别首,第九句“夜永霜华侵被”,霜字平声;解昉词,第十句“空赢得、斜阳暮草”,空字平声。谱内可平可仄据此,余参所采仄韵词。 苏轼别词,前段第六句“月随人千里”,随字平声,赵以夫词,“清绝无点暑”,点字仄声;张元幹词,前段结句“络”字、后段第六句“熟”字,俱入声;杨无咎词,前段第十句“折一枝、钗头未插”,一字入声;张元幹词,后段第四句“何事十年”,十字入声;无名氏词,第九句“万种断也无限”,也字仄声;赵彦端词,第十句“问少陵、酣歌拓戟”,少字仄声。或以入作平,或与调不协,谱内亦概不校注。
又一体 <span ss="q">双调一百四字,前后段各十一句,五仄韵 晁补之
红日葵开<span ss="q">句映墙遮牖<span ss="q">句小斋端午<span ss="q">韵杯展荷金<span ss="q">句簪抽笋玉<span ss="q">句幽事还堪数<span ss="q">韵绿窗纤手<span ss="q">句朱奁轻缕<span ss="q">韵争
○●○○ ●○○● ●○○● ○●○○ ○○●● ○●○○● ●○○● ○○○● ○
斗彩幡艾虎<span ss="q">韵想沈江<span ss="q">读怨魄归来<span ss="q">句空惆怅<span ss="q">读对菰黍<span ss="q">韵 朱颜老去<span ss="q">韵清风好在<span ss="q">句未减佳辰欢趣<span ss="q">韵
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蜡酒深斟<span ss="q">句菖葅细糁<span ss="q">句围坐从儿女<span ss="q">韵还同子美<span ss="q">句江村长夏<span ss="q">句闲对燕飞鸥舞<span ss="q">韵算何须<span ss="q">读楚泽雄风<span ss="q">句
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方消畏暑<span ss="q">韵
○○●●
·
此与苏词同,惟前段结句六字折腰,又前段第八句、后段第一句俱押韵异。
又一体 <span ss="q">双调一百四字,前段十二句四仄韵,后段十一句四仄韵 柳 永
熏风解愠<span ss="q">句昼景晴和<span ss="q">句新霁时候<span ss="q">韵火德流光<span ss="q">句萝图荐祉<span ss="q">句累庆金枝秀<span ss="q">韵璇枢绕电<span ss="q">句华渚流虹<span ss="q">句是
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日挺生元后<span ss="q">韵缵唐虞垂拱<span ss="q">句千载应期<span ss="q">句万灵敷佑<span ss="q">韵 殊方异域<span ss="q">句争贡琛賮<span ss="q">句架巘航波奔凑<span ss="q">韵三
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殿称觞<span ss="q">句九仪就列<span ss="q">句韶濩锵金奏<span ss="q">韵藩侯瞻望彤庭<span ss="q">句亲携僚吏<span ss="q">句竞歌元首<span ss="q">韵祝尧龄<span ss="q">读北极齐尊<span ss="q">句南
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山共久<span ss="q">韵
○●●
·
此亦与苏词同,惟前结作五字一句、四字两句,后段第七句六字,第八、九句四字异。
又一体 <span ss="q">双调一百四字,前后段各十一句,四仄韵 柳 永
天阁英游<span ss="q">句内朝密侍<span ss="q">句当世荣遇<span ss="q">韵汉守分麾<span ss="q">句尧图请瑞<span ss="q">句方面凭心膂<span ss="q">韵风驰千骑<span ss="q">句云拥双旌<span ss="q">句向
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晓洞开严署<span ss="q">韵拥朱幡<span ss="q">读喜气欢声<span ss="q">句处处竞歌来暮<span ss="q">韵 吴王旧国<span ss="q">句今古江山秀异<span ss="q">句人烟繁富<span ss="q">韵甘
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雨车行<span ss="q">句仁风扇动<span ss="q">句雅称安黎庶<span ss="q">韵棠郊成政<span ss="q">句槐府登贤<span ss="q">句非久定须归去<span ss="q">韵且乘闲<span ss="q">读弘阁长开<span ss="q">句融
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尊盛举<span ss="q">韵
○●●
·
此亦与苏词同,惟后段第二句六字,第三句四字异。
又一体 <span ss="q">双调一百四字,前段十一句四仄韵,后段十一句五仄韵 张元幹
月印金盆<span ss="q">句江萦罗带<span ss="q">句凉飚天际<span ss="q">韵摩诘丹青<span ss="q">句营丘平远<span ss="q">句一望穷千里<span ss="q">韵白鸥盟在<span ss="q">句黄粱梦破<span ss="q">句投
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老此心如水<span ss="q">韵耿无眠<span ss="q">读披衣顾影<span ss="q">句乍闻绕阶络纬<span ss="q">韵 百年倦客<span ss="q">句三生习气<span ss="q">韵今古到头谁是<span ss="q">韵夜
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色苍茫<span ss="q">句浮云灭没<span ss="q">句举世方熟寐<span ss="q">韵谁人著眼<span ss="q">句放神八极<span ss="q">句逸想寄<span ss="q">读尘寰内<span ss="q">韵独凭阑<span ss="q">读鸡鸣日上<span ss="q">句
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海山雾起<span ss="q">韵
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·
此亦苏词体,惟后段第二句押韵,第九句六字折腰异。
又一体 <span ss="q">双调一百四字,前后段各十一句,四仄韵 <span ss="q">《古今词话》无名氏
孤衾不暖<span ss="q">句静闻银漏<span ss="q">句敧枕难稳<span ss="q">韵细想多情<span ss="q">句多才多貌<span ss="q">句总是多愁本<span ss="q">韵而今幽会难成<span ss="q">句佳期顿
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阻<span ss="q">句只恁萦方寸<span ss="q">韵知他莫是今生<span ss="q">句共伊此欢无分<span ss="q">韵 寻思断肠肠断<span ss="q">句珠泪揾了<span ss="q">句依前重揾<span ss="q">韵
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终待临岐<span ss="q">句分明说与<span ss="q">句我这厌厌闷<span ss="q">韵得伊知后<span ss="q">句教人成病<span ss="q">句万种断也无恨<span ss="q">韵只恐他<span ss="q">读恁不分晓<span ss="q">句
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漫劳瘦损<span ss="q">韵
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此词前段第七句以下,至后段第一、二、三句,句读参差,余俱与苏词同。
又一体 <span ss="q">双调一百四字,前后段各十一句,四平韵 陈允平
玉腕笼寒<span ss="q">句翠阑凭晓<span ss="q">句莺调新簧<span ss="q">韵暗水穿苔<span ss="q">句游丝度柳<span ss="q">句人静芳昼长<span ss="q">韵云南归雁<span ss="q">句楼西飞燕<span ss="q">句去
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来惯认炎凉<span ss="q">韵王孙远<span ss="q">读青青草色<span ss="q">句几回望断柔肠<span ss="q">韵 蔷薇旧约<span ss="q">句尊前一笑<span ss="q">句等闲孤负年光<span ss="q">韵斗
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草庭空<span ss="q">句抛梭架冷<span ss="q">句帘外风絮香<span ss="q">韵伤春情绪<span ss="q">句惜花时候<span ss="q">句日斜尚未成妆<span ss="q">韵闻嬉笑<span ss="q">读谁家女伴<span ss="q">句又
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还采桑<span ss="q">韵
○●○
·
此词用平韵,其句读与苏轼仄韵词同。 此见《日湖渔唱》,自注旧上声,今移入平声,盖是允平创作,其平仄当从之。
二郎神 唐教坊曲名。《乐章集》注:双调。徐伸词,名《转调二郎神》;吴文英词,名《十二郎》。
二郎神 <span ss="q">双调一百四字,前段八句五仄韵,后段十句五仄韵 柳 永
炎光谢<span ss="q">韵过暮雨<span ss="q">读芳尘轻洒<span ss="q">韵乍露冷风清庭户爽<span ss="q">句天如水<span ss="q">读玉钩遥挂<span ss="q">韵应是星娥嗟久阻<span ss="q">句叙旧
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约<span ss="q">读飚轮欲驾<span ss="q">韵极目处<span ss="q">读微云暗度<span ss="q">句耿耿银河高泻<span ss="q">韵 闲雅<span ss="q">韵须知此景<span ss="q">句古今无价<span ss="q">韵运巧
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思<span ss="q">读穿针楼上女<span ss="q">句抬粉面<span ss="q">读云鬟相亚<span ss="q">韵钿合金钗私语处<span ss="q">句算谁在<span ss="q">读回廊影下<span ss="q">韵愿天上人间<span ss="q">句占
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得欢娱<span ss="q">句年年今夜<span ss="q">韵
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·
此调有两体,前段起句三字者,名《二郎神》;前段起句四字者,名《转调二郎神》,其前段第三、四句,后段第四、五句,第六、七句句及两结句读,亦不同。《词律》疏于考证,以转调为本调误矣。谱内各以类列,庶不蒙混。 此词可平可仄,悉参王、张二词。 王词,换头“日”字,以入作平,故不注可仄。
又一体 <span ss="q">双调一百四字,前段八句七仄韵,后段九句七仄韵 王十朋
深深院<span ss="q">韵夜雨过<span ss="q">读帘栊高卷<span ss="q">韵正满槛海棠开欲半<span ss="q">韵仍朵朵<span ss="q">读红深红浅<span ss="q">韵遥认三千宫女面<span ss="q">韵匀点
○○● ●●● ○○○● ●●●●○○●● ○●● ○○○● ○●○○○●● ○●
点<span ss="q">读胭脂未遍<span ss="q">韵更微带<span ss="q">读春醪宿酒<span ss="q">句袅娜香肌娇艳<span ss="q">韵 日暖<span ss="q">韵芳心暗吐<span ss="q">句含羞轻颤<span ss="q">韵笑繁杏
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夭桃争烂漫<span ss="q">韵爱容易<span ss="q">读出墙临岸<span ss="q">韵子美当年游蜀苑<span ss="q">韵又岂是<span ss="q">读无心眷恋<span ss="q">韵都只为<span ss="q">读天然体态<span ss="q">句
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难把诗工裁剪<span ss="q">韵
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·
此词与柳词校,前段第三句、第五句,后段第四句、第六句,俱押韵;又,后段第八、九、十句,摊破句法,作七字一句、六字一句异。
又一体 <span ss="q">双调一百五字,前段八句五仄韵,后段十句五仄韵 张安国
坐中客<span ss="q">韵共千里<span ss="q">读潇湘秋色<span ss="q">韵渐万宝西成农事了<span ss="q">句罢亚看<span ss="q">读黄云阡陌<span ss="q">韵桥口橘洲风浪稳<span ss="q">句岳镇
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耸<span ss="q">读倚天青壁<span ss="q">韵追前事<span ss="q">读兴亡相续<span ss="q">句空与山川陈迹<span ss="q">韵 南国<span ss="q">韵都会繁盛<span ss="q">句依然似昔<span ss="q">韵聚翠羽
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明珠三市满<span ss="q">句楼观涌<span ss="q">读参差金碧<span ss="q">韵乞巧处<span ss="q">读家家追乐事<span ss="q">句争要做<span ss="q">读丰年七夕<span ss="q">韵愿明年强健<span ss="q">句百
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姓欢娱<span ss="q">句还如今日<span ss="q">韵
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·
此与柳词同,惟后段第六句,添一衬字异。
又一体 <span ss="q">双调一百五字,前段十句四仄韵,后段十一句五仄韵 徐 伸
闷来弹鹊<span ss="q">句又搅碎<span ss="q">读一帘花影<span ss="q">韵漫试著春衫<span ss="q">句还思纤手<span ss="q">句薰彻金猊烬冷<span ss="q">韵动是愁多如何向<span ss="q">句但怪
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得<span ss="q">读新来多病<span ss="q">韵想旧日沈腰<span ss="q">句而今潘鬓<span ss="q">句不堪临镜<span ss="q">韵 重省<span ss="q">韵别来泪滴<span ss="q">句罗衣犹凝<span ss="q">韵料为我厌
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厌<span ss="q">句日高慵起<span ss="q">句长托春酲未醒<span ss="q">韵雁翼不来<span ss="q">句马蹄轻驻<span ss="q">句门掩一庭芳景<span ss="q">韵空伫立<span ss="q">读尽日阑干倚遍<span ss="q">句
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昼长人静<span ss="q">韵
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此名《转调二郎神》,与《二郎神》本词句读不同。 此词前段第一句“弹”字,第五句“烬”字,后段第六句“不”字,例用去声;又,后段结句,例作仄平平仄,如曹词之平平仄仄,便不合调。 按,吴潜词,前段第四句“绣帘朱户”,绣字仄声,赵以夫词,“修蟾斧妙”,斧字仄声;赵词,第九句“落花流水”,落字仄声;吴词,后段第二句“问春何事”,何字平声;赵词,第四句“任诗酒抛荒”,诗字平声;吴词,第十句“珠泪滴、应把寸肠万结”,寸字仄声。谱内可平可仄据此,余参赵、曹、马、汤四词。 曹词,前段第二句“薄”字入声,以入作平,不注可仄。又,曹词前段第二句“寒”字平声,马词第五句“相”字平声,赵词第六句“思”字仄声,细校宋词,无如此者,谱内亦不校注平仄。
又一体 <span ss="q">双调一百五字,前段十句四仄韵,后段十一句四仄韵 赵以夫
野塘暗碧<span ss="q">句渐点点<span ss="q">读翠钿明镜<span ss="q">韵想昼永珠帘<span ss="q">句人闲金屋<span ss="q">句时倚妆台照影<span ss="q">韵睡起阑干凝思处<span ss="q">句漫数
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尽<span ss="q">读归鸦栖暝<span ss="q">韵知月下莺黄<span ss="q">句云边蛾绿<span ss="q">句为谁重整<span ss="q">韵 曾倩雁传鹊报<span ss="q">句心期罕定<span ss="q">韵奈柳絮浮
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云<span ss="q">句桃花流水<span ss="q">句长是参差不并<span ss="q">韵莫怨春归<span ss="q">句莫愁柘老<span ss="q">句蚕已三眠将醒<span ss="q">韵肠断句<span ss="q">句枉费丹青<span ss="q">句漠漠
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水遥烟冥<span ss="q">韵
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此词换头句不押短韵,后结作六字句,与前各词异。 按,赵词别首,后结“拌酩酊,断送春归,恰好听鸠呼妇”,正与此同。
又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十一句五仄韵 曹 勋
半阴未雨<span ss="q">韵霁晓寒<span ss="q">读轻烟薄暮<span ss="q">韵乍过了挑青<span ss="q">句名园深院<span ss="q">句把酒偏宜细步<span ss="q">韵满槛梅花<span ss="q">句绕堤溪柳<span ss="q">句
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径暖迁莺相语<span ss="q">韵春澹澹<span ss="q">读渐觉清明<span ss="q">句相傍小桃才吐<span ss="q">韵 凝伫<span ss="q">韵山村水馆<span ss="q">句难堪羇旅<span ss="q">韵甚觑著花
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开<span ss="q">句频惊屈指<span ss="q">句漫写奚奴丽句<span ss="q">韵幸有家山<span ss="q">句青鸾应报<span ss="q">句为我整齐歌舞<span ss="q">韵一恁待<span ss="q">读醉倚群红<span ss="q">句花沾
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酒污<span ss="q">韵
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此词与徐词校,前段起句多押一韵,第六、七句作四字两句、六字一句,结作七字一句、六字一句,后结减二字,作七字一句、上字一句异。 按,杨无咎“炎光欲谢”词,正与此同,但杨词后结,叶一平韵耳。
又一体 <span ss="q">双调一百三字,前段九句四仄韵,后段十二句五仄韵 马庄父
日高睡起<span ss="q">句又恰见<span ss="q">读柳梢飞絮<span ss="q">韵倩说与<span ss="q">读年年相挽<span ss="q">句却又因他相误<span ss="q">韵南北东西何时定<span ss="q">句看碧沼<span ss="q">读
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青萍无数<span ss="q">韵念蜀郡风流<span ss="q">句金陵年少<span ss="q">句那寻张绪<span ss="q">韵 应许<span ss="q">韵雪花比并<span ss="q">句扑帘堆户<span ss="q">韵更羽缀游丝<span ss="q">句
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毡铺小径<span ss="q">句肠断鹁鸠唤雨<span ss="q">韵舞态颠狂<span ss="q">句恨腰轻怯<span ss="q">句散了几回重聚<span ss="q">韵空暗想<span ss="q">句昔日长亭别酒<span ss="q">句杜鹃
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催去<span ss="q">韵
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此与徐词同,惟前段第三、四句减二字,作七字一句异。
又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段十二句五仄韵 汤 恢
琐窗睡起<span ss="q">句闲伫立<span ss="q">读海棠花影<span ss="q">韵记翠楫银塘<span ss="q">句红牙金缕<span ss="q">句杯泛梨花冷<span ss="q">韵燕子衔来相思字<span ss="q">句道玉
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瘦<span ss="q">读不禁春病<span ss="q">韵应蝶粉半销<span ss="q">句鸦云斜坠<span ss="q">句暗尘侵镜<span ss="q">韵 还省<span ss="q">韵香痕碧唾<span ss="q">句春衫都凝<span ss="q">韵悄一似
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酴醿<span ss="q">句玉肌翠帔<span ss="q">句消得东风唤醒<span ss="q">韵青杏单衣<span ss="q">句杨花小扇<span ss="q">句闲却晚春风景<span ss="q">韵最苦是<span ss="q">句蝴蝶盈盈弄
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晚<span ss="q">句一帘风静<span ss="q">韵
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此和徐词,惟前段第五句减一字,作五字句异。
又一体 <span ss="q">双调一百字,前后段各九句,五仄韵 吕渭老
西池旧约<span ss="q">韵燕语柳梢桃萼<span ss="q">韵向紫陌<span ss="q">读秋千影下<span ss="q">句同挽双双凤索<span ss="q">韵过了莺花休则问<span ss="q">句风共月<span ss="q">读一时
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闲却<span ss="q">韵知谁去<span ss="q">句唤得秋阴<span ss="q">句满眼败垣红叶<span ss="q">韵 飘泊<span ss="q">韵江湖载酒<span ss="q">句十年行乐<span ss="q">韵甚近日<span ss="q">读伤高念
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远<span ss="q">句不觉风前泪落<span ss="q">韵橘熟橙黄堪一醉<span ss="q">句断未负<span ss="q">读晚凉池阁<span ss="q">韵只愁被<span ss="q">读撩拨春心<span ss="q">句烦恼怎生安著<span ss="q">韵
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此与徐词校,前段第二句减一字,第三、四句减二字,后段第四、五句减二字,句读参差,不便校注。 前后段第五句,“则”字、“一”字亦是以入作平。
倾杯乐 唐教坊曲名。《乐府杂录》云:《倾杯乐》,宣宗喜吹芦管,自制此曲。见《宋史·乐志》者,二十七宫调。柳永《乐章集》注:宫调七。一名《古倾杯》,亦名《倾杯》。
倾杯乐 <span ss="q">双调一百四字,前段十句四仄韵,后段十一句五仄韵 柳 永
楼锁轻烟<span ss="q">句水横斜照<span ss="q">句遥山半隐愁碧<span ss="q">韵片帆岸远<span ss="q">句行客路杳<span ss="q">句簇一天寒色<span ss="q">韵楚梅映雪数枝艳<span ss="q">句报
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青春消息<span ss="q">韵年华梦促<span ss="q">句音信断<span ss="q">读声远飞鸿南北<span ss="q">韵 算伊别来无绪<span ss="q">句翠消红减<span ss="q">句双带长抛掷<span ss="q">韵但
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泪眼沈迷<span ss="q">句看朱成碧<span ss="q">句惹闲愁堆积<span ss="q">韵雨意云心<span ss="q">句酒情花态<span ss="q">句辜负高阳客<span ss="q">韵恨难极<span ss="q">韵和梦也<span ss="q">读多时
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间隔<span ss="q">韵
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此调柳永《乐章集》中,凡七首,自一百四字至一百十六字,各注宫调,然亦有同一宫调,而字句参差者。旧谱失传,不能强为论定也。 此调《乐章集》属林钟商,又注水调。按《碧鸡漫志》,南吕商时号水调,俗呼中管林钟商。中管者,南吕宫与林钟宫同字谱,故以南吕为中管也。 此词可平可仄,悉参“木落霜洲”词。
又一体 <span ss="q">双调一百四字,前段十句四仄韵,后段十二句六仄韵 柳 永
木落霜洲<span ss="q">句雁横烟渚<span ss="q">句分明画出秋色<span ss="q">韵暮雨乍歇<span ss="q">句小楫夜泊<span ss="q">句宿苇村山驿<span ss="q">韵何人月下临风处<span ss="q">句起
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一声羌笛<span ss="q">韵离愁万绪<span ss="q">句闻岸草<span ss="q">读切切蛩吟如织<span ss="q">韵 为忆<span ss="q">韵芳容别后<span ss="q">句水遥山远<span ss="q">句何计凭鳞翼<span ss="q">韵
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想绣阁深沈<span ss="q">句争知憔悴损<span ss="q">句天涯行客<span ss="q">韵楚峡云归<span ss="q">句高阳人散<span ss="q">句寂寞狂踪迹<span ss="q">韵望京国<span ss="q">韵空目断<span ss="q">读远
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峰凝碧<span ss="q">韵
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此与“楼锁轻烟”词句读同,宫调亦同,惟换头句藏一短韵,后段第六句五字、第七句四字异。 此词《乐章集》属林钟商,又注散水调。按《册府元龟》,唐改南吕商为散水调,即水调。俗名中管林钟商也。
又一体 <span ss="q">双调一百六字,前段十一句五仄韵,后段七句六仄韵 柳 永
禁漏花深<span ss="q">句绣工日永<span ss="q">句蕙风布暖<span ss="q">韵变韶景<span ss="q">读都门十二<span ss="q">句元宵三五<span ss="q">句银蟾光满<span ss="q">韵连云复道凌飞观<span ss="q">韵
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耸皇居丽<span ss="q">句嘉气瑞烟葱蒨<span ss="q">韵翠华宵幸<span ss="q">句是处层城阆苑<span ss="q">韵 龙凤烛<span ss="q">读交光星汉<span ss="q">韵对咫尺鳌山<span ss="q">读开
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雉扇<span ss="q">韵会乐府<span ss="q">读两籍神仙<span ss="q">句梨园四部弦管<span ss="q">韵向晓色<span ss="q">读都人未散<span ss="q">韵盈万井<span ss="q">读山呼鳌抃<span ss="q">韵愿岁岁天仗
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里<span ss="q">句常瞻凤辇<span ss="q">韵
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此词《乐章集》注仙吕宫,曾觌、杨无咎词,正与此同。 按,杨词,前段第二句“东负解冻”,东字平声;曾词,第四句“望空际、瑶峰微吐”,微字平声;杨词,第五句“柳枝金软”,柳字仄声;第九句“一夜万花开遍”,一字仄声,曾词,“依稀管弦台榭”,稀字平声;曾词,第十一句“一行珠帘不下”,行字平声;杨词,后段第三句“携襦袴、千里歌谣”,千字平声。谱内可平可仄据此,余参程词。 杨词,后段第一句“罗绮簇、欢声一片”,一字以入作平,不注可仄。
又一体 <span ss="q">双调一百六字,前段十一句六仄韵,后段八句六仄韵 程 珌
銮殿秋深<span ss="q">句玉堂宵永<span ss="q">句千门人静<span ss="q">韵问天上<span ss="q">读西风几度<span ss="q">句金盘光满<span ss="q">句露浓银井<span ss="q">韵碧云飞下双鸾影<span ss="q">韵
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迤逦笙歌笑语<span ss="q">句群仙隐隐<span ss="q">韵更前问讯<span ss="q">韵堕在红尘今省<span ss="q">韵 渐曙色<span ss="q">读晓风清迥<span ss="q">韵更积霭沈阴<span ss="q">读都
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卷尽<span ss="q">韵向窗前<span ss="q">读引镜看来<span ss="q">句尚喜精神炯炯<span ss="q">韵便折简<span ss="q">读浮丘共饮<span ss="q">韵奈天也<span ss="q">读未教酩酊<span ss="q">韵来岁却笑群
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仙<span ss="q">句月寒空冷<span ss="q">韵
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此与“禁漏花深”词校,前段第八句六字,第九句四字,第十句押韵异。
又一体 <span ss="q">双调一百七字,前段十三句四仄韵,后段九句六仄韵 张 先
飞云过尽<span ss="q">句明河浅<span ss="q">句天无畔<span ss="q">韵草色栖萤<span ss="q">句霜华清暑<span ss="q">句轻飔弄袂<span ss="q">句澄澜拍岸<span ss="q">韵宴玉尘谭宾<span ss="q">句倚琼
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枝<span ss="q">读秀挹雕觞满<span ss="q">韵午夜中秋<span ss="q">句十分圆月<span ss="q">句香槽拨凤<span ss="q">句朱弦轧雁<span ss="q">韵 正是欲醒还醉<span ss="q">句临空怅
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远<span ss="q">韵壶更叠换<span ss="q">韵对东西<span ss="q">读数里回塘<span ss="q">句恨零落芙蓉<span ss="q">读春不管<span ss="q">韵笼灯待散<span ss="q">韵谁知道<span ss="q">读座有离人<span ss="q">句目
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断双歌伴<span ss="q">韵烟江艇子归来晚<span ss="q">韵
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·
此词亦名《倾杯》,句、韵与柳词不同。张先集中凡二首。其一首,前段第九句“凭阑坐久飞云远”,作七字句,当是“凭雕阑、坐久飞云远”,脱一字,故不编入。 按,张词别首,前段第四句“浮玉无尘”,浮字平声;第五句“五亭争景”,五字仄声;第六句“画桥对起”,画字仄声;第八句“爱溪上琼楼”,溪字平声;第十句“人在虚空”,人字平声;后段第五句“风雨暴、千岩啼鸟怨”,风字平声,雨字仄声;第八句“青子枝头满”,青字平声;结句“使君莫放等春缓”,使字仄声。谱内可平可仄据此。
又一体 <span ss="q">双调一百八字,前段十一句四仄韵,后段九句五仄韵 柳 永
离宴殷勤<span ss="q">句兰舟凝滞<span ss="q">句看看送行南浦<span ss="q">韵情知道世<span ss="q">句,难使皓月长圆<span ss="q">句彩云镇聚<span ss="q">韵算人生<span ss="q">读悲莫悲
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于轻别<span ss="q">句最苦正欢娱<span ss="q">句便分鸳侣<span ss="q">韵泪流琼脸<span ss="q">句梨花一枝春带雨<span ss="q">韵 惨黛蛾<span ss="q">读盈盈无绪<span ss="q">韵共黯然
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消魂<span ss="q">句重携纤手<span ss="q">句话别临行<span ss="q">句再三问道君须去<span ss="q">韵频耳畔低语<span ss="q">韵知多少<span ss="q">读他日深盟<span ss="q">句平生丹素<span ss="q">韵从
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今尽托凭鳞羽<span ss="q">韵
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·
此词《乐章集》注林钟商,无他作可校。
又一体 <span ss="q">双调一百八字,前段十二句五仄韵,后段十句六仄韵 柳 永
冻水消痕<span ss="q">读晓风生暖<span ss="q">读春满东郊道<span ss="q">句迟迟淑景<span ss="q">读烟和露润<span ss="q">读遍染长堤芳草<span ss="q">韵断鸿隐隐归飞<span ss="q">句江天
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杳杳<span ss="q">韵遥山变色<span ss="q">句妆眉淡扫<span ss="q">韵目极千里<span ss="q">句闲倚危樯迥眺<span ss="q">韵 动几许<span ss="q">读伤春怀抱<span ss="q">韵念何处<span ss="q">读韶阳
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偏早<span ss="q">韵想帝里看看<span ss="q">句名园芳榭<span ss="q">句烂漫莺花好<span ss="q">韵追思往昔年少<span ss="q">韵继日恁<span ss="q">读把酒听歌<span ss="q">句量金买笑<span ss="q">韵别
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后暗负<span ss="q">句光阴多少<span ss="q">韵
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·
此词《乐章集》亦注林钟商,然句、韵与前一首又不同。
又一体 <span ss="q">双调一百八字,前段十句四仄韵,后段十一句五仄韵 柳 永
水乡天气<span ss="q">句洒蒹葭<span ss="q">读露结寒生早<span ss="q">韵客馆更堪秋杪<span ss="q">韵空阶下<span ss="q">读木叶飘零<span ss="q">句飒飒声乾<span ss="q">句狂风乱扫<span ss="q">韵黯
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无绪<span ss="q">读人静酒初醒<span ss="q">句天外征鸿<span ss="q">句知送谁家归信<span ss="q">句穿云悲叫<span ss="q">韵 蛩响幽窗<span ss="q">句风窥寒砚<span ss="q">句一点银釭
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闲照<span ss="q">韵梦枕频惊<span ss="q">句愁衾半拥<span ss="q">句万里归心悄悄<span ss="q">韵往事追思多少<span ss="q">韵赢得空使方寸搅<span ss="q">韵断不成眠<span ss="q">句此夜
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厌厌<span ss="q">韵就中难晓<span ss="q">韵
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此词《乐章集》注黄钟调,无他首可校。
又一体 <span ss="q">双调一百八字,前段十一句五仄韵,后段九句五仄韵 柳 永
金风淡荡<span ss="q">句渐秋光老<span ss="q">读清宵永<span ss="q">韵小院新晴天气<span ss="q">句轻烟乍敛<span ss="q">句皓月当轩练净<span ss="q">韵对千里寒光<span ss="q">句念幽期
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阻<span ss="q">句当残景<span ss="q">韵早是多愁多病<span ss="q">韵那堪细把<span ss="q">句旧约前欢重省<span ss="q">韵 最苦碧云信断<span ss="q">句仙乡路杳<span ss="q">句归鸿难
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倩<span ss="q">韵每高歌<span ss="q">读强遣离怀<span ss="q">句奈惨咽<span ss="q">读翻成心耿耿<span ss="q">韵漏残露冷<span ss="q">韵空赢得<span ss="q">读悄悄无言<span ss="q">句愁绪终难整<span ss="q">韵又
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是立尽梧桐碎影<span ss="q">韵
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此词《乐章集》注大石调,无他首可校。
又一体 <span ss="q">双调一百十六字,前段十句六仄韵,后段九句四仄韵 柳 永
皓月初圆<span ss="q">句暮云飘散<span ss="q">句分明夜色如晴昼<span ss="q">韵渐消尽<span ss="q">读醺醺残酒<span ss="q">韵危阁迥<span ss="q">读凉生襟袖<span ss="q">韵追旧事<span ss="q">读一晌
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凭阑久<span ss="q">韵如何媚容艳态<span ss="q">句抵死孤欢偶<span ss="q">韵朝思暮想<span ss="q">句自家空恁添清瘦<span ss="q">韵 算到头<span ss="q">读谁与伸剖<span ss="q">韵向
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道我别来<span ss="q">句为伊牵系<span ss="q">句度岁经年<span ss="q">句偷眼觑<span ss="q">读也不忍觑花柳<span ss="q">韵可惜恁<span ss="q">读好景良宵<span ss="q">句未曾略展双眉暂
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开口<span ss="q">韵问甚时与你<span ss="q">句深怜痛惜还依旧<span ss="q">韵
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·
此词《乐章集》亦注大石调,然句读与前一首又不同。
百宜娇 调见《圣求词》,与《眉妩》词别名《百宜娇》者不同。
百宜娇 <span ss="q">双调一百四字,前段十句四仄韵,后段十句五仄韵 吕渭老
隙月垂篦<span ss="q">句乱蛩催织<span ss="q">句秋晚嫩凉庭户<span ss="q">韵燕拂帘旌<span ss="q">句鼠窥窗纲<span ss="q">句寂寂飞萤来去<span ss="q">韵金铺镇掩<span ss="q">句漫记
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得<span ss="q">读花时南浦<span ss="q">韵约重阳<span ss="q">读萸糁菊英<span ss="q">句小楼遥夜歌舞<span ss="q">韵 银烛暗<span ss="q">读佳期细数<span ss="q">韵帘幕渐西风<span ss="q">句午
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窗秋雨<span ss="q">韵叶底翻红<span ss="q">句水面皱碧<span ss="q">句灯火裁缝砧杵<span ss="q">韵登高望极<span ss="q">句正雾锁<span ss="q">读官槐归路<span ss="q">韵定须将<span ss="q">读宝马
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钿车<span ss="q">句访吹箫侣<span ss="q">韵
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·
此调只有此词,无别首可校。
月中桂 调见赵彦端词集。赵孟頫词,平仄韵互押者,名《月中仙》。
月中桂 <span ss="q">双调一百四字,前段十一句五仄韵,后段十句五仄韵 赵彦端
露醑无情<span ss="q">句送长歌未终<span ss="q">句已醉离别<span ss="q">韵何如暮雨<span ss="q">句酿一襟凉润<span ss="q">句来留佳客<span ss="q">韵好山侵座碧<span ss="q">韵胜昨夜<span ss="q">读
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疏星淡月<span ss="q">韵君欲翩然去<span ss="q">句人间底许<span ss="q">句员峤问帆席<span ss="q">韵 诗债病非畴昔<span ss="q">韵赖亲朋对影<span ss="q">句且慰良夕<span ss="q">韵
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风流雨散<span ss="q">句定几回肠断<span ss="q">句能禁头白<span ss="q">韵为君烦素手<span ss="q">句剪碧藕<span ss="q">读轻丝细雪<span ss="q">韵去去江南路<span ss="q">句犹应水云秋
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共色<span ss="q">韵
●●
·
此调赵词外,只有无名氏词,故此词可平可仄悉参之。
又一体 <span ss="q">双调一百四字,前段十一句四仄韵,后段十句四仄韵 <span ss="q">《鸣鹤余音》无名氏
日色西沈<span ss="q">句上高台<span ss="q">句迥观天地寥廓<span ss="q">韵疏星隐现<span ss="q">句又一轮明月<span ss="q">句昭昭无著<span ss="q">韵晧然三界外<span ss="q">句似百炼<span ss="q">读
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青铜镜濯<span ss="q">韵处处恩光被<span ss="q">句家家照临<span ss="q">句庭户起冥漠<span ss="q">韵 长安万里清风<span ss="q">句助乾坤荡摇<span ss="q">句云雾难作<span ss="q">韵
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仙宫玉殿<span ss="q">句正炼霞金碧<span ss="q">句相辉参错<span ss="q">韵大哉清夜景<span ss="q">句镇万古<span ss="q">读含弘磊落<span ss="q">韵有志攀青桂<span ss="q">句蟾宫兔边看
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捣药<span ss="q">韵
●●
·
此词与赵词校,前段第二句三字,第三句六字,第七句及换头句俱不押韵异。
又一体 <span ss="q">双调一百二字,前段十一句四平韵两叶韵,后段十句两平韵三叶韵 赵孟頫
春满皇州<span ss="q">韵见祥烟拥日<span ss="q">句初照龙楼<span ss="q">韵宫花苑柳<span ss="q">句映仙仗云移<span ss="q">句金鼎香浮<span ss="q">韵宝光生玉斧<span ss="q">句听鸣凤<span ss="q">读
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箫韶乐奏<span ss="q">叶德与和气游<span ss="q">韵天生圣人<span ss="q">句千载希有<span ss="q">叶 祥瑞电绕虹流<span ss="q">韵有云成五色<span ss="q">句芝生三秀<span ss="q">叶
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四海太平<span ss="q">句致民物雍熙<span ss="q">句朝野歌讴<span ss="q">韵千官齐拜舞<span ss="q">句玉杯进<span ss="q">读长生春酒<span ss="q">叶愿皇庆万年<span ss="q">句天子与天齐
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寿<span ss="q">叶
●
·
此词句读,与仄韵词同,惟前后段结句各减一字。 此词平仄韵互押,亦是本部三声叶,然遵古韵,与元曲不同。
澡兰香 调见吴文英《梦窗甲稿》,因词有“午镜澡兰帘幕:句,取以为名。
澡兰香 <span ss="q">双调一百四字,前后段各十句,四仄韵 吴文英
盘丝系腕<span ss="q">句巧篆垂簪<span ss="q">句玉隐绀纱睡觉<span ss="q">韵银瓶露井<span ss="q">句彩箑云窗<span ss="q">句往事少年依约<span ss="q">韵为当时<span ss="q">读曾写榴
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裙<span ss="q">句伤心红绡褪萼<span ss="q">韵炊黍梦<span ss="q">读光阴渐老<span ss="q">句汀洲烟蒻<span ss="q">韵 莫唱江南古调<span ss="q">句怨抑难招<span ss="q">句楚江沈
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魄<span ss="q">韵薰风燕乳<span ss="q">句暗雨梅黄<span ss="q">句午镜澡兰帘幕<span ss="q">韵念秦楼<span ss="q">读也拟人归<span ss="q">句应剪菖蒲自酌<span ss="q">韵但怅望<span ss="q">读一缕
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新蟾<span ss="q">句随人天角<span ss="q">韵
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·
此吴文英自度曲,无他作可校,其平仄亦从之。