卷三十一

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">十五调六十二


    体,起一百二字至一百三字


    瑞鹤仙十六体<span ss="q">又名一捻红


    齐天乐八体<span ss="q">又名台城路、五福降中天、如此江山


    昼锦堂五体


    氐州第一二体<span ss="q">又名熙州摘遍


    花发状元红慢一体


    恋芳春慢一体


    瑶 华二体<span ss="q">又名瑶花慢


    湘春夜月一体


    曲游春三体


    竹马儿二体<span ss="q">又名竹马子


    长相思慢四体


    雨霖铃三体


    还京乐六体


    双头莲四体


    忆瑶姬四体<span ss="q">又名别素质、别瑶姬慢


    瑞鹤仙  元高拭词注:正宫。《夷坚志》云,乾道中,吴兴周权知衢州西安县,一日令术士沈延年,邀紫姑神,赋《鹤鹤仙》牡丹词,有“睹娇红一捻”句,因名《一捻红》。


    瑞鹤仙 <span ss="q">双调一百二字,前段十一句七仄韵,后段十一句六仄韵        周邦彦


    悄郊园带郭<span ss="q">韵行路永<span ss="q">句客去车尘漠漠<span ss="q">韵斜阳映山落<span ss="q">韵敛余红<span ss="q">句犹恋孤城阑角<span ss="q">韵凌波步弱<span ss="q">韵过短


    ●○○●● ⊙◎◎ ◎◎○⊙◎● ○○◎⊙● ◎○⊙ ⊙●⊙○○● ⊙○●● ●◎


    亭<span ss="q">读何用素约<span ss="q">韵有流莺劝我<span ss="q">句重解雕鞍<span ss="q">句缓引春酌<span ss="q">韵  不记归时早暮<span ss="q">句上马谁扶<span ss="q">句醒眠朱阁<span ss="q">韵


    ○ ○◎●● ●○○●● ○◎⊙⊙ ●◎○●   ◎●○○◎● ◎◎○⊙ ●⊙○●


    惊飚动幕<span ss="q">韵扶残醉<span ss="q">句绕红药<span ss="q">韵叹西园<span ss="q">句已是花深无地<span ss="q">句东风何事又恶<span ss="q">韵任流光过却<span ss="q">韵犹喜洞天


    ⊙○●● ⊙⊙● ◎○● ●○○ ◎●○○○● ○⊙⊙◎◎● ●○○●● ○◎●○


    自乐<span ss="q">韵


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    ·


    此调始自北宋,应以周词为正体,但南宋人填此调者,悉同史词,今谱内两收周词、史词,凡与二词大同小异者,各以类列。 此词前段第二、三句,第五、六句,皆三字一句、六字一句,前结五字一句、四这两句,后结五字一句、六字一句,前后段十三韵,定格也。若曾词、杨词、毛词、赵词及周词别首之添字、减字,押韵、句读不同,皆变格也。 按,方千里、杨泽民、陈允平和词,句读悉同史词,故不类列。 此词可平可仄,悉参曾、杨、毛、赵四词及周词别首之句法同者。


    又一体 <span ss="q">双调一百二字,前段十一句七仄韵,后段十二句七仄韵        曾 觌


    陡寒生翠幕<span ss="q">韵冻云垂<span ss="q">句缤纷飞雪初落<span ss="q">韵萦风度池阁<span ss="q">韵袅余妍<span ss="q">句时趁舞腰纤弱<span ss="q">韵江天漠漠<span ss="q">韵认残


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    梅<span ss="q">读吹散画角<span ss="q">韵正貂裘乍怯<span ss="q">句黄昏院宇<span ss="q">句入檐飘泊<span ss="q">韵  依约<span ss="q">韵银河迢递<span ss="q">句种玉群仙<span ss="q">句共骖鸶


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    鹤<span ss="q">韵东君未觉<span ss="q">韵先春绽<span ss="q">句万花萼<span ss="q">韵向尊前<span ss="q">句已喜丰年呈瑞<span ss="q">句人间何事最乐<span ss="q">韵拥笙歌绣阁<span ss="q">韵低帷


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    纵欢细酌<span ss="q">韵


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    ·


    此与周词同,惟换头句押短韵异。


    又一体 <span ss="q">双调一百二字,前段十句七仄韵,后段十二句五仄韵         杨无咎


    听梅花再弄<span ss="q">韵残酒醒<span ss="q">句无寐寒轻愁拥<span ss="q">韵凄凉谁与共<span ss="q">韵漫赢得<span ss="q">读别恨离怀千种<span ss="q">韵拂墙树动<span ss="q">韵更晓


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    来<span ss="q">读云阴雨重<span ss="q">韵对伤心好景<span ss="q">句回首旧游<span ss="q">句恍然如梦<span ss="q">韵  欢纵<span ss="q">韵西湖曾返<span ss="q">句画舫争驰<span ss="q">句绣鞍双


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    控<span ss="q">韵归来夜中<span ss="q">句要银烛<span ss="q">句衔金凤<span ss="q">韵到而今<span ss="q">句谁拣花枝同戴<span ss="q">句谁酌酒杯笑捧<span ss="q">韵但逢花对酒<span ss="q">句空秪


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    自歌自送<span ss="q">韵


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    ·


    此与曾词同,惟后段第五句、第十一句,不押韵异。


    又一体 <span ss="q">双调一百二字,前段十一句七仄韵,后段十一句五仄韵       毛 开


    柳风清昼溽<span ss="q">韵山樱晚<span ss="q">句一树高红争熟<span ss="q">韵轻纱睡初足<span ss="q">韵悄无人<span ss="q">句敧枕虚檐鸣玉<span ss="q">韵南园秉烛<span ss="q">韵叹流


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    光<span ss="q">读容易过目<span ss="q">韵送春归去<span ss="q">句有无数弄禽<span ss="q">句满径新竹<span ss="q">韵  闲记追欢寻胜<span ss="q">句杏栋西厢<span ss="q">句粉墙南曲<span ss="q">韵


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    别长会促<span ss="q">韵成何计<span ss="q">句奈幽独<span ss="q">韵纵湘弦难寄<span ss="q">句寒香终在<span ss="q">句屏山蝶梦难续<span ss="q">韵对沿阶<span ss="q">读细草萋萋<span ss="q">句为


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    谁自绿<span ss="q">韵


    ○●●


    ·


    此词与周词校,前段第九句四字,第十句五字,后段第七句五字,第八句四字,结句七字一句、四字一句异。


    又一体 <span ss="q">双调一百字,前段十一句七仄韵,后段十句五仄韵         赵 文


    绿杨深似雨<span ss="q">韵西湖上<span ss="q">句旧日愁丝恨缕<span ss="q">韵风流似张绪<span ss="q">韵羡春风<span ss="q">句依旧年年眉妩<span ss="q">韵宫腰楚楚<span ss="q">韵倚画


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    阑<span ss="q">读曾斗妙舞<span ss="q">韵想如今<span ss="q">句似我零落天涯<span ss="q">句却悔相妒<span ss="q">韵  痛绝长堤别后<span ss="q">句杨白华飞<span ss="q">句旧腔谁谱<span ss="q">韵


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    年光暗度<span ss="q">韵凄凉谁诉<span ss="q">韵记菩提寺路<span ss="q">句段家桥水<span ss="q">句何时重到梦处<span ss="q">韵况柔条老去<span ss="q">句争奈系春不住<span ss="q">韵


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    ·


    此词与周词校,前结作三字一句、六字一句、四字一句,后段第五、六句减二字、作四字一句异。


    又一体 <span ss="q">双调一百三字,前段十一句四仄韵,后段十一句六仄韵       周邦彦


    暖烟笼细柳<span ss="q">句弄万缕千丝<span ss="q">句年年春色<span ss="q">韵晴风荡无际<span ss="q">句浓于酒<span ss="q">句偏醉情人调客<span ss="q">韵阑干倚处<span ss="q">句度花


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    香<span ss="q">读微散酒力<span ss="q">韵对重门半掩<span ss="q">句黄昏淡月<span ss="q">句院宇深寂<span ss="q">韵  愁极<span ss="q">韵因思前事<span ss="q">句洞房佳宴<span ss="q">句正值寒


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    食<span ss="q">韵寻芳遍赏<span ss="q">句金谷里<span ss="q">句铜驼陌<span ss="q">韵到而今<span ss="q">读鱼雁沈沈无信息<span ss="q">韵天涯常是泪滴<span ss="q">韵早归来<span ss="q">读云馆深


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    处<span ss="q">句那人正忆<span ss="q">韵


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    ·


    此词与“悄郊园带郭”词校,前段第二句五字,第三句四字,句读不同。又,前段第一句、第四句、第七句,后段第五句,俱不押韵,第八句添一字押韵异。


    又一体 <span ss="q">双调一百二字,前段十句七仄韵,后段十二句六仄韵        史达祖


    杏烟娇湿鬓<span ss="q">韵过杜若汀洲<span ss="q">句楚衣香润<span ss="q">韵回头翠楼近<span ss="q">韵指鸳鸯沙上<span ss="q">句暗藏春恨<span ss="q">韵归鞭隐隐<span ss="q">韵便不


    ◎○⊙◎● ●◎◎⊙⊙ ◎⊙⊙● ⊙○●○● ◎⊙⊙⊙● ◎○⊙● ⊙○◎● ◎◎


    念<span ss="q">读芳盟未稳<span ss="q">韵自箫声<span ss="q">读吹落云东<span ss="q">句再数故园花信<span ss="q">韵  谁问<span ss="q">韵听歌窗罅<span ss="q">句倚月钩阑<span ss="q">句旧家轻


    ◎ ⊙⊙◎● ●⊙○ ⊙◎⊙⊙ ◎◎◎⊙○●   ○● ⊙⊙⊙◎ ◎◎⊙⊙ ◎⊙⊙


    俊<span ss="q">韵芳心一寸<span ss="q">韵相思后<span ss="q">句总灰烬<span ss="q">韵奈春风多事<span ss="q">句吹花摇柳<span ss="q">句也把幽情唤醒<span ss="q">韵对南溪<span ss="q">读桃萼翻红<span ss="q">句


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    又成瘦损<span ss="q">韵


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    ·


    此词前段第二、三句,第五、六句,皆五字一句、四字一句,前结七字一句、六字一句,后结七字一句、四字一句,前后段十三韵,定格也。刘词、赵词、张词、洪词、白词、张词之添字、减字,句读不同,蒋词、方词之“独木桥”体,皆变格也。 按,史词别首,前段第二句“为助妆酒暖”,妆字平声,酒字仄声,紫姑神词,“似西子当日”,西字平声;辛弃疾词,第三句“去天咫尺”,咫字仄声;康与之词,第五句“听几声归雁”,几字仄声;王千秋词,第七句“起寻芳径”,起字仄声,芳字平声;张元幹词,第八句“怕韶光、容易过却”,易字仄声,张榘词,“甚探梅、也来相约”,也字仄声、相字平声;欧良词,后段第二、三句“故国云迷,佳人日暮”,国字仄声,迷字平声,佳人二字俱平声,日暮二字俱仄声;辛词,第五句“转头陈迹”,转字仄声,陈字平声;康词,第七句“花影乱”,影字仄声;张榘词,第八句“向凤凰池上”,凤字仄声;紫姑神词。第九、十句“赏心乐事,莫惜献酬频叠”,赏字、献字俱仄声,频字平声;吴文英词,第十一句“看雪飞、苹底芦梢”,雪字仄声,李昴英词,“听歌声、犹是未归”,未字仄声。谱内可平可仄据此,余参所采六词之句法同者。 辛弃疾词,换头句“寂寞”,寂字入声,此以入作平,故谱内不注可仄。


    又一体 <span ss="q">双调一百二字,前段十句七仄韵,后段十二句六仄韵        袁去华


    郊原初过雨<span ss="q">韵见败叶零乱<span ss="q">句风定犹舞<span ss="q">韵斜阳挂深树<span ss="q">韵映浓愁浅黛<span ss="q">句遥山眉妩<span ss="q">韵来时旧路<span ss="q">韵尚岩


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    花<span ss="q">读娇黄半吐<span ss="q">韵到而今<span ss="q">读惟有溪边流水<span ss="q">句见人如故<span ss="q">韵  无语<span ss="q">韵邮亭深静<span ss="q">句下马还寻<span ss="q">句旧曾题


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    处<span ss="q">韵无聊倦旅<span ss="q">韵伤离恨<span ss="q">句最愁苦<span ss="q">韵纵收香藏镜<span ss="q">句他年重到<span ss="q">句人面桃花在否<span ss="q">韵念沈沈<span ss="q">读小阁幽窗<span ss="q">句


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    有时梦去<span ss="q">韵


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    ·


    此与史词同,惟前结作九字一句、四字一句异。按,赵彦端词,前结“怪归来、道骨仙风缥缈,迥然非旧”,正与此同。


    又一体 <span ss="q">双调一百二字,前段十一句七仄韵,后段十一句六仄韵       刘一止


    鸳行旧俦侣<span ss="q">韵问底事迟回<span ss="q">句西州西处<span ss="q">韵闲居久如许<span ss="q">韵想邻公对饮<span ss="q">句诗人联句<span ss="q">韵夤缘会遇<span ss="q">韵过高


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    轩<span ss="q">读相逢喜舞<span ss="q">韵正菊天<span ss="q">句景物澄鲜<span ss="q">句切莫趣归言去<span ss="q">韵  看取<span ss="q">韵星扉月户<span ss="q">句雾阁云窗<span ss="q">句非公孰


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    住<span ss="q">韵从容笑语<span ss="q">韵人生易别难聚<span ss="q">韵恨分违有日<span ss="q">句留连无计<span ss="q">句满目离愁忍觑<span ss="q">韵若他时<span ss="q">读鱼雁南来<span ss="q">句


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    把书寄与<span ss="q">韵


    ●○●●


    ·


    此与史词同,惟后段第六、七句,作六字一句异。按,《夷坚志》紫姑神词“云鬓试插,引动独蜂浪蝶”,正与此同。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十二句五仄韵       赵长卿


    败荷擎沼面<span ss="q">句渐叶舞林梢<span ss="q">句光阴何速<span ss="q">韵碧天静如水<span ss="q">句金风透帘幕<span ss="q">句露清蝉伏<span ss="q">韵追思往事<span ss="q">句念当


    ●○○●● ●●●○○ ○○○● ●○●○● ○○●○● ●○○● ○○●● ●○


    年<span ss="q">读悲伤宋玉<span ss="q">韵渐危楼向晚<span ss="q">句魂销处<span ss="q">句倚遍阑干曲<span ss="q">韵  凝目<span ss="q">韵一霎微雨<span ss="q">句塞鸿声断<span ss="q">句酒病相


    ○ ○○●● ●○○●● ○○● ●●○○●   ○● ●●○● ●○○● ●●○


    续<span ss="q">韵无情赏处<span ss="q">句金井梧<span ss="q">句东篱菊<span ss="q">韵渐兰桡归去<span ss="q">句银蟾满夜<span ss="q">句水村烟渡怎宿<span ss="q">韵负伊家<span ss="q">读万愁千恨<span ss="q">韵


    ● ○○●● ○●○ ○○● ●○○○● ○○●● ●○○●●● ●○○ ●○○●


    甚时是足<span ss="q">韵


    ●○●●


    ·


    此词与史词校,惟前结五字一句、三字一句、五字一句,前段第一、第四、第七句,后段第五句俱不押韵异。


    又一体 <span ss="q">双调一百三字,前段十句七仄韵,后段十二句六仄韵        张 枢


    卷帘人睡起<span ss="q">韵放燕子归来<span ss="q">句商量春事<span ss="q">韵风光又能几<span ss="q">韵减芳菲<span ss="q">句都在卖花声里<span ss="q">韵吟边眼底<span ss="q">韵披嫩


    ●○○●● ●●●○○ ○○○● ○○●○● ●○○ ○●●○○● ○○●● ○●


    绿<span ss="q">读移红换紫<span ss="q">韵甚等闲<span ss="q">读半委东风<span ss="q">句半委小溪流水<span ss="q">韵  还是<span ss="q">韵苔痕湔雨<span ss="q">句竹影留云<span ss="q">句待晴犹


    ● ○○●● ●●○ ●●○○ ●●●○○●   ○● ○○●● ●●○○ ●○○


    未<span ss="q">韵兰舟静舣<span ss="q">韵西湖上<span ss="q">句多少歌吹<span ss="q">韵粉蝶儿<span ss="q">读守定落花不去<span ss="q">句湿重寻香两翅<span ss="q">韵怎知人<span ss="q">读一点新


    ● ○○●● ○○● ○●○● ●●○ ●●●○●● ●●○○●● ●○○ ●●○


    愁<span ss="q">句寸心万里<span ss="q">韵


    ○ ●○●●


    ·


    此词与史词校,后段第七句添一字,前段第五、六句作三字一句、六字一句,后段第八、九、十句,作三字一句、六字两句异。


    又一体 <span ss="q">双调一百一字,前段十句六仄韵,后段十二句六仄韵         洪 瑹


    听梅花吹动<span ss="q">句夜凉何其<span ss="q">句明星有烂<span ss="q">韵相看泪如霰<span ss="q">韵问而今去也<span ss="q">句何时会面<span ss="q">韵匆匆聚散<span ss="q">韵恐便作<span ss="q">读


    ●○○○● ●○○○ ○○●● ○○●○● ●○○●● ○○●● ○○●● ●●●


    秋鸿社燕<span ss="q">韵最伤情<span ss="q">读夜来枕上<span ss="q">句断云零雨何限<span ss="q">韵  因念<span ss="q">韵人生万事<span ss="q">句回首悲凉<span ss="q">句都成梦幻<span ss="q">韵芳


    ○○●● ●○○ ●○●● ●○○●○●   ○● ○○●● ○●○○ ○○●● ○


    心缱绻<span ss="q">韵空惆怅<span ss="q">句巫阳馆<span ss="q">韵况船头一转<span ss="q">句三千余里<span ss="q">句隐隐高城不见<span ss="q">韵恨无情<span ss="q">读春水连天<span ss="q">句片帆似


    ○●● ○○● ○○● ●○○●● ○○○● ●●○○●● ●○○ ○●○○ ●○●


    箭<span ss="q">韵


    ●


    ·


    此与史词同,惟前段第二句减一字异。


    又一体 <span ss="q">双调一百字,前段十句六仄韵,后段十二句六仄韵          白 朴


    夕阳王谢宅<span ss="q">韵对草树荒寒<span ss="q">句亭台欹侧<span ss="q">韵乌衣旧时客<span ss="q">韵渺双飞万里<span ss="q">句水云宽窄<span ss="q">韵东风羽翅<span ss="q">句也迷当


    ●○○●● ●●●○○ ○○○● ○○●○● ●○○●● ●○○● ○○●● ●○○


    时巷陌<span ss="q">韵向寻常<span ss="q">读百姓人家<span ss="q">句辜负几回春色<span ss="q">韵  凄恻<span ss="q">韵人空不见<span ss="q">句画栋栖香<span ss="q">句绣帘窥额<span ss="q">韵云兜


    ○●● ●○○ ●●○○ ○●●○○●   ○● ○○●● ●●○○ ●○○● ○○


    雾隔<span ss="q">韵锦书至<span ss="q">句付谁拆<span ss="q">韵刘郎只见<span ss="q">句金陵兴废<span ss="q">句赚得行人鬓白<span ss="q">韵又争如<span ss="q">读复到玄都<span ss="q">句兔葵燕麦<span ss="q">韵


    ●● ●○● ●○● ○○●● ○○○● ●●○○●● ●○○ ●●○○ ●○●●


    ·


    此亦与史词同,惟前后段第七句不押韵,第八句各减一字异。


    又一体 <span ss="q">双调九十字,前段十一句五仄韵,后段九句四仄韵         张 肎


    盈盈罗袜<span ss="q">韵移芳步凌波<span ss="q">句缓踏明月<span ss="q">韵清漪照影<span ss="q">句玉容凝素<span ss="q">句鬓横金凤<span ss="q">句裙拖翠缬<span ss="q">韵渺渺澄江半


    ○○○● ○○●○○ ●●○● ○○●● ●○○● ●○○● ○○●● ●●○○●


    涉<span ss="q">韵晚风生<span ss="q">句寒料峭<span ss="q">句消瘦想愁怯<span ss="q">韵  我僭为兄<span ss="q">句山礬为弟<span ss="q">句也同奇绝<span ss="q">韵余芬賸馥<span ss="q">句尚熏透<span ss="q">读


    ● ●○○ ○●● ○●●○●   ●●○○ ○○○● ●○○● ○○●● ●○●


    霞绡重叠<span ss="q">韵春心未展<span ss="q">句闲情在<span ss="q">读两鬓眉叶<span ss="q">韵便蜂黄褪了<span ss="q">句丰韵媚粉颊<span ss="q">韵


    ○○○● ○○●● ○○● ●●○● ●○○●● ○●●●●


    ·


    此见元张肎《梦庵词集》,自注黄钟商,句读与诸家迥别,采入以备一体。


    又一体 <span ss="q">双调一百二字,前段十句四平韵三叶韵,后段十一句三韵三叶韵    蒋 捷


    玉霜生穗<span ss="q">叶也<span ss="q">句渺洲云翠痕<span ss="q">句雁绳低<span ss="q">韵也<span ss="q">句层帘四垂<span ss="q">韵也<span ss="q">句锦堂寒<span ss="q">句早近开炉时<span ss="q">韵也<span ss="q">句香风递<span ss="q">叶


    ●○○● ● ●○○●○ ●○○ ● ○○●○ ● ●○○ ●●○○○ ● ○○●


    也<span ss="q">句是东篱<span ss="q">读花深处<span ss="q">叶也<span ss="q">句料此花<span ss="q">读伴我仙翁<span ss="q">句未肯放秋归<span ss="q">韵也<span ss="q">句  嬉<span ss="q">韵也<span ss="q">句缯波稳舫<span ss="q">句镜月


    ● ●○○ ○○● ● ●●○ ●●○○ ●●●○○ ●   ○ ● ○○●● ●●


    危楼<span ss="q">句釂琼酏<span ss="q">韵也<span ss="q">句笼鹦睡<span ss="q">叶也<span ss="q">句红妆旋舞衣<span ss="q">韵也<span ss="q">句待纱灯客散<span ss="q">句纱窗月上<span ss="q">句便是严凝序<span ss="q">叶也<span ss="q">句


    ○○ ●○○ ● ○○● ● ○○●●○ ● ●○○●● ○○●● ●●○○● ●


    换青毡<span ss="q">读小帐围春<span ss="q">句又还醉<span ss="q">叶也<span ss="q">句


    ●○○ ●●○○ ●○● ●


    ·


    按,辛弃疾《水龙吟》词,句尾用“些”字,盖仿楚词体。此词之用“也”字,亦其体也。韵脚又用平、上、去三声叶,虽属创见,而句读与史词如一。


    又一体 <span ss="q">双调一百字,前段九句一仄韵六重韵,后段十句六重韵        方 岳


    一年寒尽也<span ss="q">韵问秦沙<span ss="q">读梅放未也<span ss="q">重韵幽寻者谁也<span ss="q">重有何郎佳约<span ss="q">句岁云除也<span ss="q">重南枝暖也<span ss="q">重正同云<span ss="q">读


    ●○○●● ●○○ ○●●●  ○○●○● ●○○○● ●○○● ○○●● ●○○


    商量雪也<span ss="q">重喜东皇<span ss="q">句一转洪钧<span ss="q">句依旧春风中也<span ss="q">重   香也<span ss="q">重骚情酿就<span ss="q">句书味熏成<span ss="q">句这些情也<span ss="q">重


    ○○●● ●○○ ●●○○ ○●○○○●    ○● ○○●● ○●○○ ●○○●


    玉堂春也<span ss="q">重莫道年华归也<span ss="q">重是循环<span ss="q">读三百六旬六日<span ss="q">句生意无穷已也<span ss="q">重但丁宁<span ss="q">读留取微酸<span ss="q">句调商鼎


    ●○○● ●●○○○● ●○○ ○●●○●● ○●○○●● ●○○ ○●○○ ○○●


    也<span ss="q">重


    ●


    ·


    按,方岳《秋崖词》自序云,以时文体,按谱而腔之。实用宋词“独木桥”体也。《惜香乐府》赵长卿“无言屈指”词,正与此同。 此词游戏之笔,采以备体,非定格也。


    齐天乐  周密《天基节乐次》:乐奏夹钟宫,第一盏,觱篥起《圣寿齐天乐慢》。姜夔词注:黄钟宫,俗名正宫。周邦彦词,有“绿芜凋尽台城路”句,名《台城路》;沈端节词,名《五福降中天》;张辑词,有“如此江山”句,名《如此江山》。


    齐天乐 <span ss="q">双调一百二字,前段十句五仄韵,后段十一句五仄韵         周邦彦


    绿芜凋尽台城路<span ss="q">句殊乡又逢秋晚<span ss="q">韵暮雨生寒<span ss="q">句鸣蛩劝织<span ss="q">句深阁时闻裁剪<span ss="q">韵云窗静掩<span ss="q">韵叹重拂罗


    ◎○⊙●○○● ○⊙●○⊙● ◎●○○ ⊙○◎● ⊙●⊙○⊙● ⊙○◎● ●⊙●○


    裀<span ss="q">句顿疏花簟<span ss="q">韵尚有練囊<span ss="q">句露萤清夜照书卷<span ss="q">韵  荆江留滞最久<span ss="q">句故人相望处<span ss="q">句离思何限<span ss="q">韵渭


    ○ ◎○○● ◎●○○ ◎○⊙●●○●   ⊙○⊙●◎● ●○○●● ⊙◎○● ◎


    水西风<span ss="q">句长安乱叶<span ss="q">句空忆诗情宛转<span ss="q">韵凭高望远<span ss="q">韵正玉液新篘<span ss="q">句蟹螯初荐<span ss="q">韵醉倒山翁<span ss="q">句但愁斜照


    ●○○ ⊙○◎● ⊙●○○◎● ⊙○◎● ●◎⊙○○ ●○○● ◎●○○ ●○○●


    敛<span ss="q">韵


    ●


    ·


    此调以此词为正体,周词别首及吴词、姜词体,宋人亦间为之,若方词、陆词、吕词之添字、又摊破句法,皆变格也。 按,张炎词,前段第三句“东壁图书”,东字平声;方岳词,第四句“半江烟色”,半字仄声,烟字平声;周密词,第五句“漠漠冻云迷道”,上漠字、冻字俱仄声,吴文英词,“西北城高几许”,几字仄声;张词,第六句“瀑泉喷薄”,瀑字仄声,喷字平声;高观国词,第七句“正玉管吹凉”,玉字仄声;吴词,第八句“虹河平溯”,虹字平声;方词,第九、十句“天岂无情,离骚点点送归客”,天字、离字俱平声;周词,后段第一句“此生此夜此景”,上此字仄声,史达祖词,“人间公道惟此”,惟字平声;周词,第四、五句“枝冷频移,叶疏犹抱”,枝字平声,叶字仄声,犹字平声;滕宾词,第七句“渭川云树”,渭字仄声,云字平声。谱内可平可仄据此,余参所采诸词。 方千里词,前段第七句“黯西风吹老”,风字平声,老字仄声;文天祥词,第八句“菊波沁晓”,沁字仄声;姚云文词,后段第二句“问旧日平原”,旧日二字俱仄声,平原二字俱平声;史达祖词,第三句“容易墮去”,墮字仄声;刘圻父词,第九句“擎天作柱”,擎字平声,作字仄声;赵必象词,结句“月在葡萄架”,在字仄声,萄字平声,文词,“金貂蝉翼小”,金字平声。细校宋词,诸家平仄无如此者,故谱内不注可平可仄。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十一句五仄韵         周邦彦


    疏疏几点黄梅雨<span ss="q">韵佳节又逢重午<span ss="q">韵角黍包金<span ss="q">句香蒲泛玉<span ss="q">句风物依然荆楚<span ss="q">韵形裁艾虎<span ss="q">韵更钗袅朱


    ○○●●○○● ○●●○○● ●●○○ ○○●● ○●○○○● ○○●● ●○●○


    符<span ss="q">句臂缠红缕<span ss="q">韵扑粉香绵<span ss="q">句唤风绫扇小窗午<span ss="q">韵  沈湘人去已远<span ss="q">句劝君休对景<span ss="q">句感时怀古<span ss="q">韵慢


    ○ ●○○● ●●○○ ●○○●●○●   ○○○●●● ●○○●● ●○○● ●


    转莺喉<span ss="q">句轻敲象板<span ss="q">句胜读离骚章句<span ss="q">韵荷香暗度<span ss="q">韵渐引入醄醄<span ss="q">句醉乡深处<span ss="q">韵卧听江头<span ss="q">句画船喧叠


    ●○○ ○○●● ●●○○○● ○○●● ●●●○○ ●○○● ●●○○ ●○○●


    鼓<span ss="q">韵


    ●


    ·


    此与“绿芜凋尽”词同,惟前段起句押韵异。 按,杨无咎词,“后堂芳树阴阴见,疏蝉又还催晚”,又周密词,“宫檐融暖晨妆懒,轻霞未匀酥脸”,正与此同。


    又一体 <span ss="q">双调一百二字,前段十句五仄韵,后段十一句六仄韵        吴文英


    麴尘犹沁伤心水<span ss="q">句歌蝉暗惊春换<span ss="q">韵露藻清啼<span ss="q">句烟罗淡碧<span ss="q">句先结湖山秋怨<span ss="q">韵波帘翠卷<span ss="q">韵叹霞薄轻


    ●○○●○○● ○○●○○● ●●○○ ○○●● ○●○○○● ○○●● ●○●○


    绡<span ss="q">句汜人重见<span ss="q">韵傍柳追凉<span ss="q">句暂疏怀袖负纨扇<span ss="q">韵  南花清斗素靥<span ss="q">韵画船应不载<span ss="q">句坡靖诗卷<span ss="q">韵泛


    ○ ●○○● ●●○○ ●○○●●○●   ○○○●●● ●○○●● ○●○● ●


    酒芳筩<span ss="q">句题名蠹壁<span ss="q">句重集湘鸿江燕<span ss="q">韵平芜未剪<span ss="q">韵怕一夕西风<span ss="q">句镜心红变<span ss="q">韵望眼愁生<span ss="q">句暮天菱唱


    ●○○ ○○●● ○●○○○● ○○●● ●●●○○ ●○○● ●●○○ ●○○●


    远<span ss="q">韵


    ●


    ·


    此与周词同,惟后段起句押韵异。 按,张炎词,“幽情闲苑邃阁,树凉僧坐夏,翻笑行乐”,又滕宾词,“人生如此奇遇,问碧翁何意,萍蓬散聚”,正与此同。


    又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十一句六仄韵        陆 游


    角残钟晚关山路<span ss="q">句行人乍依孤店<span ss="q">韵塞月征尘<span ss="q">句鞭丝帽影<span ss="q">句常把流年虚占<span ss="q">韵藏鸦柳暗<span ss="q">韵叹轻负莺


    ●○○●○○● ○○●○○● ●●○○ ○○●● ○●○○○● ○○●● ●○●○


    花<span ss="q">句漫劳书剑<span ss="q">韵事往情关<span ss="q">句悄然频动壮游念<span ss="q">韵  孤怀谁与强遣<span ss="q">韵市垆沽酒<span ss="q">句酒薄怎当愁酽<span ss="q">韵


    ○ ●○○● ●●○○ ●○○●●○●   ○○○●●● ●○○● ●●●○○●


    倚瑟妍辞<span ss="q">句调铅妙笔<span ss="q">句那写柔情芳艳<span ss="q">韵征途自厌<span ss="q">韵况烟敛芜痕<span ss="q">句雨稀萍点<span ss="q">韵最是眠时<span ss="q">句枕寒门


    ●●○○ ○○●● ●●○○○● ○○●● ●○●○○ ●○○● ●●○○ ●○○


    半掩<span ss="q">韵


    ●●


    ·


    此与吴词同,惟后段第二句减一字、作四字句,第三句添三字、作六字句异。 按,陆词别首,“帽檐风软,且看市楼沽酒”,正与此同。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十一句六仄韵         姜 夔


    庾郎先自吟愁赋<span ss="q">韵凄凄更闻私语<span ss="q">韵露湿铜铺<span ss="q">句苔侵石井<span ss="q">句都是曾听伊处<span ss="q">韵哀音似诉<span ss="q">韵正思妇无


    ●○○●○○● ○○●○○● ●●○○ ○○●● ○●○○○● ○○●● ●○●○


    眠<span ss="q">句起寻机杼<span ss="q">韵曲曲屏山<span ss="q">句夜凉独自甚情绪<span ss="q">韵  西窗又吹暗雨<span ss="q">韵为谁频断续<span ss="q">句相和砧杵<span ss="q">韵候


    ○ ●○○● ●●○○ ●○●●●○●   ○○●○●● ●○○●● ○●○● ●


    馆吟秋<span ss="q">句离宫吊月<span ss="q">句别有伤心无数<span ss="q">韵豳诗漫与<span ss="q">韵笑篱落呼灯<span ss="q">句世间儿女<span ss="q">韵写入琴丝<span ss="q">句一声声更


    ●○○ ○○●● ●●○○○● ○○●● ●○●○○ ●○○● ●●○○ ●○○●


    苦<span ss="q">韵


    ●


    ·


    此与周词同,惟前后段起句俱押韵异。 按,张辑词,“西风扬子江头路,扁舟雨晴呼渡”、“中流笑与客语,把貂裘为换,半生尘土”,张炎词,“扁舟忽过芦花浦,闲情便随鸥去”、“鱼龙吹浪自舞,渺然凌成万顷,如听风雨”,正与此同。


    又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十一句五仄韵         吕渭老


    红香飘没明春水<span ss="q">句寒食万家游舫<span ss="q">韵整整斜斜<span ss="q">句疏疏密密<span ss="q">句帘缬旗红相望<span ss="q">韵江波荡漾<span ss="q">韵称彩舰龙


    ○○○●○○● ○●●○○● ●●○○ ○○●● ○●○○○● ○○●● ●●●○


    舟<span ss="q">句绣衣霞桨<span ss="q">韵舞楫争先<span ss="q">句歌笑箫鼓乱清唱<span ss="q">韵  重来刘郎老<span ss="q">句对故园<span ss="q">读桃红春晚<span ss="q">句尽成惆怅<span ss="q">韵


    ○ ●○○● ●●○○ ●○○●●○●   ○○○○● ●●○ ○○○● ●○○●


    泪雨难晴<span ss="q">句愁眉又结<span ss="q">句翻覆千年手掌<span ss="q">韵如今怎向<span ss="q">韵念舞板歌尘<span ss="q">句远如天上<span ss="q">韵斜日回舟<span ss="q">句醉魂空


    ●●○○ ○○●● ○●○○●● ○○●● ●●●○○ ●○○● ○●○○ ●○○


    舞飏<span ss="q">韵


    ●●


    ·


    此亦周词体,惟后段第一句减一字、作五字句,第二句作七字句异。


    又一体 <span ss="q">双调一百二字,前段十句五仄韵,后段十一句五仄韵         吴文英


    芙蓉心上三更露<span ss="q">句茸香漱泉玉井<span ss="q">韵自洗银舟<span ss="q">句徐开素酌<span ss="q">句月落空杯无影<span ss="q">韵庭阴未暝<span ss="q">韵度一曲新


    ○○○●○○● ○○●○●● ●●○○ ○○●● ●●○○○● ○○●● ●●●○


    蝉<span ss="q">句韵秋堪听<span ss="q">韵瘦骨侵冰<span ss="q">句怕惊纹簟夜深冷<span ss="q">韵  当时湖上载酒<span ss="q">句翠云开处<span ss="q">句共雪面波镜<span ss="q">韵百


    ○ ●○○● ●●○○ ●○○●●○●   ○○○●●● ●○○● ●●●○● ●


    感琼浆<span ss="q">句千茎鬓雪<span ss="q">句烟锁蓝桥花径<span ss="q">韵留连暮景<span ss="q">韵但闲觅孤欢<span ss="q">句强宽秋兴<span ss="q">韵醉倚修篁<span ss="q">句晚风吹半


    ●○○ ○○●● ○●○○○● ○○●● ●○●○○ ●○○● ●●○○ ●○○●


    醒<span ss="q">韵


    ●


    ·


    此亦与周词同,惟后段第二句四字,第三句五字异。 刘圻父词,后段第二、三句“幔亭何惜,为曾孙留住”,正与此同。


    又一体 <span ss="q">双调一百四字,前段十句五仄韵,后段十一句五仄韵         方千里


    碧纱窗外黄鹂语<span ss="q">句声声似愁春晚<span ss="q">韵岸柳飘绵<span ss="q">句庭花堕雪<span ss="q">句惟有平芜如剪<span ss="q">韵重门向掩<span ss="q">韵看风动疏


    ●○○●○○● ○○●○○● ●●○○ ○○●● ○●○○○● ○○●● ●○●○


    帘<span ss="q">句浪铺湘簟<span ss="q">韵暗想前欢<span ss="q">句旧游心事寄诗卷<span ss="q">韵  鳞鸿音信未睹<span ss="q">句梦魂寻访后<span ss="q">句关山又隔无限<span ss="q">韵


    ○ ●○○● ●●○○ ●○○●●○●   ○○○●●● ●○○●● ○○●●○●


    客馆愁思<span ss="q">句天涯倦迹<span ss="q">句几许良宵展转<span ss="q">韵闲情意远<span ss="q">韵记密阁深闺<span ss="q">句绣衾罗荐<span ss="q">韵睡起无人<span ss="q">句料应眉


    ●●○○ ○○●● ●●○○●● ○○●● ●●●○○ ●○○● ●●○○ ●○○


    黛敛<span ss="q">韵


    ●●


    ·


    此与周词同,惟后段第三句添二字,作六字句异。


    昼锦堂  此调有平韵、仄韵两体。平韵者,见周邦彦《片玉集》;仄韵者,见陈允平《日湖渔唱》。


    昼锦堂 <span ss="q">双调一百二字,前段十句四平韵,后段十一句五平韵         周邦彦


    雨洗桃花<span ss="q">句风飘柳絮<span ss="q">句日日飞满雕檐<span ss="q">韵懊恼一春幽恨<span ss="q">句尽属眉尖<span ss="q">韵愁闻双飞新燕语<span ss="q">句更堪孤枕


    ◎●○○ ○○●● ◎◎○●○○ ●●◎○○● ◎●○○ ⊙⊙⊙⊙○◎● ◎○⊙●


    宿酲忺<span ss="q">韵云鬟乱<span ss="q">句独步画堂<span ss="q">句轻风暗触珠帘<span ss="q">韵  多厌<span ss="q">韵静昼永<span ss="q">句琼户悄<span ss="q">句香销金兽慵添<span ss="q">韵自


    ●○○ ○○● ◎●◎○ ○○●●○○   ○○ ◎●● ○●● ⊙○⊙●○○ ●


    与萧郎别后<span ss="q">句事事俱嫌<span ss="q">韵短歌新曲无心理<span ss="q">句凤箫龙管不曾拈<span ss="q">韵空惆怅<span ss="q">句长是每年三月<span ss="q">句病酒恹


    ●○○◎● ●●○○ ◎○⊙●○○● ◎○⊙●●○○ ○○● ○●◎○⊙● ◎●○


    恹<span ss="q">韵


    ○


    ·


    此调押平声韵者,以此词为正体,吴文英词,悉照此填。若蒋词之换头叶仄韵,宋词、孙词之句读异同,皆变体也。 按,吴文英词,前段第四、五句“旧雨残云仍在,门巷都非”,残字、门字俱平声;第六句“愁结春情迷醉眼”,结字仄声;后段第四句“十年轻负心期”,十字仄声;第八句“瘦腰折尽六桥丝”,折字仄声。谱内可平可仄据此,余参蒋、宋、孙三词。


    又一体 <span ss="q">双调一百二字,前段十句四平韵,后段十一句两叶韵四平韵      蒋 捷


    染柳烟消<span ss="q">句敲菰雨断<span ss="q">句历历犹寄斜阳<span ss="q">韵掩冉玉妃芳袂<span ss="q">句拥出灵场<span ss="q">韵倩他鸳鸯来寄语<span ss="q">句驻君舴艋


    ●●○○ ○○●● ●●○●○○ ●●●○○● ●●○○ ●○○○○●● ●○●●


    亦何妨<span ss="q">韵渔榔静<span ss="q">句独奏棹歌<span ss="q">句邀妃试酌清觞<span ss="q">韵  湖上<span ss="q">叶云渐暝<span ss="q">句秋浩荡<span ss="q">叶鲜风支尽蝉粮<span ss="q">韵赠


    ●○○ ○○● ●●●○ ○○●●○○   ○● ○●● ○●● ○○○●○○ ●


    我非环非佩<span ss="q">句万斛生香<span ss="q">韵半蜗茅屋归炊影<span ss="q">句数螺苔石压波光<span ss="q">韵鸳鸯笑<span ss="q">句何似且留双檝<span ss="q">句翠隐红


    ●○○○● ●●○○ ●○○●○○● ●○○●●○○ ○○● ○●●○○● ●●○


    藏<span ss="q">韵


    ○


    ·


    此与周词同,惟换头句及第三句,用本部三声叶韵异。


    又一体 <span ss="q">双调一百二字,前段十句四平韵,后段十一句五平韵         宋自逊


    荷叶龟游<span ss="q">句庭皋鹤舞<span ss="q">句应是秋满淮涯<span ss="q">韵昨夜将星明处<span ss="q">句彷彿峨眉<span ss="q">韵干戈已净银河淡<span ss="q">句尘沙不动


    ○●○○ ○○●● ○●○●○○ ●●●○○● ●●○○ ○○●●○○● ○○●●


    翠烟微<span ss="q">韵邦人道<span ss="q">句半月中秋<span ss="q">句当歌不饮何为<span ss="q">韵  谁知<span ss="q">韵心事远<span ss="q">句但感慨登临<span ss="q">句白羽频挥<span ss="q">韵恨


    ●○○ ○○● ●●○○ ○○●●○○   ○○ ○●● ●●●○○ ●●○○ ●


    不明朝出塞<span ss="q">句猎猎旌旗<span ss="q">韵文南一矢澶渊劲<span ss="q">句夔门三箭武关奇<span ss="q">韵挑灯看<span ss="q">句龙吼传家旧剑<span ss="q">句曾斩吴


    ●○○●● ●●○○ ○○●●○○● ○○○●●○○ ○○● ○●○○●● ○●○


    曦<span ss="q">韵


    ○


    ·


    此与周词同,惟后段第三句五字,第四句四字异。


    又一体 <span ss="q">双调一百二字,前段十句四平韵,后段十一句五平韵         孙惟信


    薄袖禁寒<span ss="q">句轻妆媚晚<span ss="q">句落梅庭院春妍<span ss="q">韵映户盈盈<span ss="q">句回倩笑<span ss="q">读整花钿<span ss="q">韵柳裁云剪腰支小<span ss="q">句凤蟠鸦耸


    ●●○○ ○○●● ●○○●○○ ●●○○ ○●● ●○○ ●○○●○○● ●○○●


    髻鬟偏<span ss="q">韵东风里<span ss="q">句香步翠摇<span ss="q">句蓝桥那日因缘<span ss="q">韵  婵娟<span ss="q">韵留慧盼<span ss="q">句浑当了<span ss="q">句匆匆密受深怜<span ss="q">韵梦过


    ●○○ ○○● ○●●○ ○○●●○○   ○○ ○●● ○●● ○○●●○○ ●●


    阑干<span ss="q">句犹认冷月秋千<span ss="q">韵杏梢空闹相思眼<span ss="q">句燕翎难系断肠笺<span ss="q">韵银屏下<span ss="q">句争信有人<span ss="q">句真个病也天天<span ss="q">韵


    ○○ ○●●●○○ ●○○●○○● ●○○●●○○ ○○● ○●●○ ○●●●○○


    ·


    此词与周词校,前段第四、五句,后段第五、六句俱作四字一句、六字一句,第十句四字,结句六字异。 前段第五句,虽作折腰句法,实六字句也,不可误填三字两句。


    又一体 <span ss="q">双调一百二字,前段十句五仄韵,后段十一句七仄韵         陈允平


    上苑寒收<span ss="q">句西塍雨散<span ss="q">句东风是处花柳<span ss="q">韵步锦笼纱<span ss="q">句依旧五陵台沼<span ss="q">韵绣帘珠箔金翠袅<span ss="q">句琐窗雕槛


    ●●○○ ○○●● ○○●●○● ●●○○ ○●●○○● ●○○●○●● ●○○●


    青红斗<span ss="q">韵频回首<span ss="q">韵茶灶酒垆<span ss="q">句前度几番携手<span ss="q">韵  知否<span ss="q">韵人渐老<span ss="q">韵嗟眼为花狂<span ss="q">句肩为诗瘦<span ss="q">韵唤


    ○○● ○○● ○●●○ ○●●○○●   ○● ○●● ○●●○○ ○●○● ●


    醒乡心<span ss="q">句无奈数声啼鸟<span ss="q">韵秉烛清游嫌夜短<span ss="q">句采香新意输年少<span ss="q">韵归来好<span ss="q">韵皈趁故园池阁<span ss="q">句绿阴芳


    ●○○ ○●●○○● ●●○○○●● ●○○●○○● ○○● ●●●○○● ●○○


    草<span ss="q">韵


    ●


    ·


    此调押仄声韵者,只此一体,句读与平韵词,大同小异,无别首宋词可校。


    氐州第一  调始《清真乐府》,一名《熙州摘遍》。


    氐州第一 <span ss="q">双调一百二字,前段十一句四仄韵,后段九句五仄韵       周邦彦


    波落寒汀<span ss="q">句村渡向晚<span ss="q">句遥看数点帆小<span ss="q">韵乱叶翻鸦<span ss="q">句惊风破雁<span ss="q">句天角孤云缥缈<span ss="q">韵官柳萧疏<span ss="q">句甚尚


    ○●○○ ○◎●● ○○●●○● ●●○○ ○○◎● ○●○○◎● ○●○○ ●●


    挂<span ss="q">读微微残照<span ss="q">韵景物关情<span ss="q">句川途换目<span ss="q">句顿来催老<span ss="q">韵  渐解狂朋欢意少<span ss="q">韵奈犹被<span ss="q">读思牵情绕<span ss="q">韵


    ● ○○○● ◎●○○ ⊙○◎● ●○○●   ●●⊙○○●● ◎⊙● ◎○○●


    座上琴心<span ss="q">句机中锦字<span ss="q">句觉最萦怀抱<span ss="q">韵也知人<span ss="q">读悬望久<span ss="q">句蔷薇谢<span ss="q">读归来一笑<span ss="q">韵欲梦高唐<span ss="q">句未成眠<span ss="q">读


    ●●○○ ○○●● ●●○○● ●○○ ⊙●● ○○● ○○●● ●●○○ ●○○


    霜空已晓<span ss="q">韵


    ○○●●


    ·


    此调创自此词,方千里、赵文、邵享贞词,俱照此填。惟陈词句读小异,故另列一体。 按,赵词,前段第六句“当日文星高照”,高字平声;杨词,第九句“情态方浓”,情字平声;方词,后段第一句“倦客自叹情兴少”,自字仄声;赵词,第二句“漫猎较、逢场一笑”,猎字仄声,逢字平声;杨词,第六句“但多才、强傅粉”,强字仄声。谱内可平可仄据此,余参陈词。 杨词,前段第三句“佳人就中娇小”,后段起句“阆苑春回花枝小”,中字、枝字俱平声,查宋词此字,无用平声者,故不注可平。赵词,后段第二句,“一”字入声,以入作平,亦不注可仄。 方词,后段起句,“叹”字平声,不可误认仄声。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段九句六仄韵         陈允平


    闲倚江楼<span ss="q">句凉生半臂<span ss="q">句天高过雁来小<span ss="q">韵紫芡波寒<span ss="q">句青芜烟淡<span ss="q">句南浦云帆缥缈<span ss="q">韵潮带离愁去<span ss="q">句冉冉


    ○●○○ ○○●● ○○●●○● ●●○○ ○○○● ○●○○●● ○●○○● ●●


    夕阳空照<span ss="q">韵寂寞东篱<span ss="q">句白衣人远<span ss="q">句渐黄花老<span ss="q">韵  见说西湖鸥鹭少<span ss="q">韵孤山路<span ss="q">读醉魂飞绕<span ss="q">韵荻蟹初


    ●○○● ●●○○ ●○○● ●○○●   ●●○○○●● ○○● ●○○● ●●○


    肥<span ss="q">句蓴鲈更美<span ss="q">句尽酒怀诗抱<span ss="q">韵待南枝<span ss="q">读春信早<span ss="q">韵巡檐对<span ss="q">读梅花索笑<span ss="q">韵月落乌啼<span ss="q">句渐霜天<span ss="q">读钟残梦


    ○ ○○●● ●●○○● ●○○ ○●● ○○● ○○●● ●●○○ ●○○ ○○●


    晓<span ss="q">韵


    ●


    ·


    此和周词也。前段第七句五字,第八句六字,后段第七句多押一韵异。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt">


    <span ss="q">


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    花发状元红慢  宋叶梦得《避暑录话》:刘几在神宗时,与范蜀公重定大乐,洛阳花品曰状元红,为一时之冠。乐工花日新,能为新声,汴妓郜懿以色著,秘监致仕刘焘,精音律,熙宁中,几携花日新就郜懿家,赏花欢咏,乃撰此曲,填词以赠之。


    花发状元红慢 <span ss="q">双调一百二字,前后段各十句,五仄韵          刘 几


    三春向暮<span ss="q">句万卉成阴<span ss="q">句有嘉艳方坼<span ss="q">韵娇姿嫩质<span ss="q">韵冠群品<span ss="q">句共赏倾城倾国<span ss="q">韵上苑晴画暄<span ss="q">句千素万


    ○○●● ●●○○ ●○●○● ○○●● ●○● ●●○○○● ●●○●○ ○●●


    红尤奇特<span ss="q">韵绮筵开<span ss="q">句会咏歌才子<span ss="q">句压倒元白<span ss="q">韵  别有芳幽苞小<span ss="q">句步障华丝<span ss="q">句绮轩油壁<span ss="q">韵与紫


    ○○○● ●○○ ●●○○● ●●○●   ●●○○○● ●●○○ ●○○● ●●


    鸳鸯<span ss="q">句素蛱蝶<span ss="q">韵自清旦<span ss="q">读往往连夕<span ss="q">韵巧莺喧翠管<span ss="q">句娇燕语雕梁留客<span ss="q">韵武陵人<span ss="q">句念梦后意浓<span ss="q">句堪


    ○○ ●●● ●○● ●●○● ●○○●● ○●●○○○● ●○○ ●●●●○ ○


    遣情溺<span ss="q">韵


    ●○●


    ·


    此调无他词可校,其平仄亦遵之。


    恋芳春慢  调见万俟咏《大声集》。崇宁中,咏充大晟府制撰,依月用律制词,多应制之作。此词自注寒食前进,故以《恋芳春》为名也。


    恋芳春 <span ss="q">双调一百二字,前段九句四平韵,后段十句四平韵          万俟咏


    蜂蕊分香<span ss="q">句燕泥破润<span ss="q">句暂寒天气清新<span ss="q">韵帝里繁华<span ss="q">句昨夜细雨初匀<span ss="q">韵万品花藏四苑<span ss="q">句望一带<span ss="q">读柳


    ○●○○ ●○●● ●○○●○○ ●●○○ ●●●●○○ ●●○○●● ●●● ●


    接重津<span ss="q">韵寒食近<span ss="q">读蹴踘秋千<span ss="q">句又是无限游人<span ss="q">韵  红妆趁戏<span ss="q">句绮罗夹道<span ss="q">句青帘卖酒<span ss="q">句台榭侵云<span ss="q">韵


    ●○○ ○●● ●●○○ ●●○●○○   ○○●● ●○●● ○○●● ○●○○


    处处笙歌<span ss="q">句不负治世良辰<span ss="q">韵共见西城路好<span ss="q">句翠华定<span ss="q">读将出严宸<span ss="q">韵谁知道<span ss="q">读仁主祈祥为民<span ss="q">句非事


    ●●○○ ●●●●○○ ●●○○●● ●○● ○●○○ ○○● ○●○○●○ ○●


    行春<span ss="q">韵


    ○○


    ·


    此调只此一词,无别首可校。


    瑶 华  调见《梦窗词》,一名《瑶华慢》。


    瑶 华 <span ss="q">双调一百二字,前段九句五仄韵,后段九句四仄韵          周 密


    朱钿宝玦<span ss="q">韵天上飞琼<span ss="q">句比人间春别<span ss="q">韵江南江北<span ss="q">句曾未见<span ss="q">读漫拟梨云梅雪<span ss="q">韵淮山春晚<span ss="q">句问谁识<span ss="q">读芳


    ○○◎● ⊙●○○ ●⊙○○● ○○⊙● ⊙●● ◎●○○○● ○○⊙● ●⊙● ○


    心高洁<span ss="q">韵消几番<span ss="q">读花落花开<span ss="q">句老了玉关豪杰<span ss="q">韵  金壶剪送琼枝<span ss="q">句看一骑红尘<span ss="q">句香度瑶阙<span ss="q">韵韶华


    ○○● ⊙◎○ ○●○○ ●●◎○○●   ⊙○◎●○○ ●◎●○○ ⊙●○● ○○


    正好<span ss="q">句应自喜<span ss="q">读初识长安蜂蝶<span ss="q">韵杜郎老矣<span ss="q">句想旧事<span ss="q">读花须能说<span ss="q">韵记少年<span ss="q">读一梦扬州<span ss="q">句二十四桥明


    ●● ○●● ⊙●⊙○○● ●○◎● ●●● ○○○● ●●⊙ ◎●○○ ●●◎○○


    月<span ss="q">韵


    ●


    ·


    此调始自吴文英,因吴词有伪字,故采此词作谱。 按,吴词,前段第五句“应笑著、空锁凌烟高阁”,空字平声;结句“瘦马青芻南陌”,青字平声;后段第二句“荡波底蛟腥”,波字平声;第五句“红袖暖、十里湖山行乐”,十字仄声;第六句“老仙何处”,何字平声;结句“艳锦东风成幄”,东字平声。谱内可平可仄据此,余参张词。


    又一体 <span ss="q">双调一百二字,前后段各九句,四仄韵              张 雨


    筛冰为雾<span ss="q">句屑玉成尘<span ss="q">句借阿姨风力<span ss="q">韵千岩竞秀<span ss="q">句怎一夜<span ss="q">读换作连城之璧<span ss="q">韵先生闭户<span ss="q">句怪短日<span ss="q">读寒


    ○○○● ●●○○ ●●○○● ○○●● ●●● ●●○○○● ○○●● ●●● ○


    催驹隙<span ss="q">韵想平沙<span ss="q">读鸿爪成行<span ss="q">韵恰似醉时书迹<span ss="q">韵  未随埋没双尖<span ss="q">句便淡扫蛾眉<span ss="q">句与斗颜色<span ss="q">韵裁诗


    ○○● ●○○ ○●○○ ●●●○○●   ●○○●○○ ●●●○○ ●●○● ○○


    白战<span ss="q">句驴背上<span ss="q">读驮取灞桥吟客<span ss="q">韵撚须自笑<span ss="q">句尽未让<span ss="q">读诸峰头白<span ss="q">韵看洗出<span ss="q">读宫柳梢头<span ss="q">句已偕淡黄涂


    ●● ○●● ○●●○○● ●○●● ●●● ○○○● ●●● ○●○○ ●●●○○


    额<span ss="q">韵


    ●


    ·


    此与周词同,惟前段起句不用韵异。 按,张雨此词,本和仇远词韵。仇作,前段第五句“转眼见、化作方圭圆璧”,本九字句,或因《花草粹编》刻,脱一“见”字,另编一体者误。


    湘春夜月  黄孝迈自度曲。


    湘春夜月 <span ss="q">双调一百二字,前段十句四平韵,后段十一句四平韵        黄孝迈


    近清明<span ss="q">句翠禽枝上销魂<span ss="q">韵可惜一片清歌<span ss="q">句都付与黄昏<span ss="q">韵欲共柳花低诉<span ss="q">句怕柳花轻薄<span ss="q">句不解伤春<span ss="q">韵


    ●○○ ●○○●○○ ●●●●○○ ○●●○○ ●●●○○● ●●○○● ●●○○


    念楚乡旅宿<span ss="q">句柔情别绪<span ss="q">句谁共温存<span ss="q">韵  空樽夜泣<span ss="q">句青山不语<span ss="q">句残月当门<span ss="q">韵翠玉楼前<span ss="q">句惟是有<span ss="q">读


    ●●○●● ○○●● ○●○○   ○○●● ○○●● ○●○○ ●●○○ ○●●


    一江湘水<span ss="q">句摇荡湘云<span ss="q">韵天长梦短<span ss="q">句问甚时<span ss="q">读重见桃根<span ss="q">韵这次第<span ss="q">句算人间没个<span ss="q">读并刀剪断<span ss="q">句心上愁


    ●○○● ○●○○ ○○●● ●●○ ○●○○ ●●● ●○○●● ○○●● ○●○


    痕<span ss="q">韵


    ○


    ·


    此调只有此一词,无他作可校。


    曲游春  调见《苹州渔笛谱》。


    曲游春 <span ss="q">双调一百二字,前段十句五仄韵,后段十一句七仄韵         周 密


    禁苑东风外<span ss="q">句飏暖丝晴絮<span ss="q">句春思如织<span ss="q">韵燕约莺期<span ss="q">句恼芳情偏在<span ss="q">句翠深红隙<span ss="q">韵漠漠香尘隔<span ss="q">韵沸十


    ◎●○○● ●◎○○● ○●○● ●●○○ ●⊙○⊙● ◎○○● ●●○○● ◎●


    里<span ss="q">读乱丝丛笛<span ss="q">韵看画船<span ss="q">读尽入西泠<span ss="q">句闲却半湖春色<span ss="q">韵  柳陌<span ss="q">韵新烟凝碧<span ss="q">韵映帘底宫眉<span ss="q">句堤上


    ● ●○○● ●●○ ●●○○ ○◎●⊙○●   ●● ○○⊙● ●⊙●○○ ○●


    游勒<span ss="q">韵轻暝笼烟<span ss="q">句怕梨云梦冷<span ss="q">句杏香愁幂<span ss="q">韵歌管酬寒食<span ss="q">韵奈蝶怨<span ss="q">读良宵岑寂<span ss="q">韵正恁醉月摇花<span ss="q">句


    ○● ⊙●○○ ◎○○●● ◎○○● ⊙●○○● ●●● ⊙○⊙● ◎●◎●○○


    怎生去得<span ss="q">韵


    ◎○●●


    ·


    此调始自此词,应以此词为正体,若施词之添字,赵词之减字,皆变格也。 此词只有施、赵二词可校,故谱内可平可仄,悉参二词。


    又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十一句七仄韵        施 岳


    画舸西泠路<span ss="q">句占柳阴花影<span ss="q">句芳意如织<span ss="q">韵小楫冲波<span ss="q">句度麴尘扇底<span ss="q">句粉香帘隙<span ss="q">韵岸转斜阳隔<span ss="q">韵又过


    ●●○○● ●●○○● ○●○● ●●○○ ●●○●● ●○○● ●●○○● ●●


    尽<span ss="q">读别船箫笛<span ss="q">韵傍断桥<span ss="q">读翠绕红围<span ss="q">句相对半篙晴色<span ss="q">韵  顷刻<span ss="q">韵千山暮碧<span ss="q">韵向沽酒楼前<span ss="q">句犹系


    ● ●○○● ●●○ ●●○○ ○●●○○●   ●● ○○●● ●○●○○ ○●


    金勒<span ss="q">韵乘月归来<span ss="q">句正梨花夜缟<span ss="q">句海棠烟幂<span ss="q">韵院宇明寒食<span ss="q">韵醉乍醒<span ss="q">读一庭春寂<span ss="q">韵任满身<span ss="q">读露湿东


    ○● ○●○○ ●○○●● ●○○● ●●○○● ●●● ●○○● ●●○ ●●○


    风<span ss="q">句欲眠未得<span ss="q">韵


    ○ ●○●●


    ·


    此和周词也,惟后段第十句添一衬字异。


    又一体 <span ss="q">双调一百一字,前段十句五仄韵,后段十句六仄韵         赵 文


    千树玲珑罩<span ss="q">句正蒲风微过<span ss="q">句梅雨新霁<span ss="q">韵客里幽窗<span ss="q">句算无春可到<span ss="q">句和愁都闭<span ss="q">韵万种人生计<span ss="q">韵应不


    ○●○○● ●○○○● ○●○● ●●○○ ●○○●● ○○○● ●●○○● ○●


    似<span ss="q">读午天闲睡<span ss="q">韵起来踏碎松阴<span ss="q">句萧萧欲动疑水<span ss="q">韵  借问归舟归未<span ss="q">韵望柳色烟光<span ss="q">句何处明媚<span ss="q">韵


    ● ●○○● ●○●●○○ ○○●●○●   ●●○○○● ●●●○○ ○●○●


    抖擞人间<span ss="q">句除离情别恨<span ss="q">句乾坤余几<span ss="q">韵一笑晴凫起<span ss="q">韵酒醒后<span ss="q">读阑干独倚<span ss="q">韵时见双燕飞来<span ss="q">句斜阳满


    ●●○○ ○○○●● ○○○● ●●○○● ●●● ○○●● ○●○●○○ ○○●


    地<span ss="q">韵


    ●


    ·


    此亦与周词同,惟前段第九句减一字,换头句不押短韵异。


    竹马儿  一名《竹马子》。《乐章集》注:仙吕调。


    竹马儿 <span ss="q">双调一百三字,前段十二句四仄韵,后段十句五仄韵        柳 永


    登孤垒荒凉<span ss="q">句危亭旷望<span ss="q">句静临烟渚<span ss="q">韵对雌霓挂雨<span ss="q">句雄风拂槛<span ss="q">句微收烦暑<span ss="q">韵渐觉一叶惊秋<span ss="q">句残蝉


    ○○●○○ ○○●● ●○○● ●○◎●● ○⊙◎● ○○○● ●●◎●○○ ○○


    噪晚<span ss="q">句素商时序<span ss="q">韵览景想前欢<span ss="q">句指神京<span ss="q">句非雾非烟深处<span ss="q">韵  向此成追感<span ss="q">句新愁易积<span ss="q">句故人难


    ●● ●○○● ◎●●○○ ●○○ ○●○○○●   ●●○○● ○○●● ●○○


    聚<span ss="q">韵凭高尽日凝伫<span ss="q">韵赢得销魂无语<span ss="q">韵极目霁霭霏微<span ss="q">句暝鸦零乱<span ss="q">句萧索江城暮<span ss="q">韵南楼画角<span ss="q">句又逐


    ● ○○●◎○● ⊙●○○○● ●●●●○○ ●○○● ○●○○● ○○●● ●◎


    残阳去<span ss="q">韵


    ○○●


    ·


    此调始自此词,应为正体。若叶词之句读小异,乃变格也。 此调只有叶词一首可校,故可平可仄,悉参之。


    又一体 <span ss="q">双调一百三字,前段十一句四仄韵,后段十句五仄韵         叶梦得


    与君记<span ss="q">读平山堂前细柳<span ss="q">句几回同挽<span ss="q">韵又狂帆夜落<span ss="q">句危槛依旧<span ss="q">句遥临云巘<span ss="q">韵自笑来往匆匆<span ss="q">句朱颜


    ●○● ○○○○●● ●○○● ●○○●● ○●○● ○○○● ●●○●○○ ○○


    渐改<span ss="q">句故人俱远<span ss="q">韵横笛想遗声<span ss="q">句但寒松千丈<span ss="q">句倾崖苍藓<span ss="q">韵  世事终何已<span ss="q">句田园纵在<span ss="q">句岁阴仍


    ●● ●○○● ○●●○○ ●○○○● ○○○●   ●●○○● ○○●● ●○○


    晚<span ss="q">韵稽康老来仍懒<span ss="q">韵只要蓴羹菰饭<span ss="q">韵却欲便买茅庐<span ss="q">句短篷轻楫<span ss="q">句尊酒犹能办<span ss="q">韵君能过我<span ss="q">句水云


    ● ○○●○○● ●●○○○● ●●●●○○ ●○○● ○●○○● ○○●● ●○


    聊为伴<span ss="q">韵


    ○○●


    ·


    此词与柳词校,前段第一、二句作九字一句,第十句作五字一句,结句作四字一句异。


    长相思慢  《乐章集》注:商调。


    长相思慢 <span ss="q">双调一百三字,前段十一句六平韵,后段十句四平韵        柳 永


    画鼓喧街<span ss="q">句兰灯满市<span ss="q">句皎月初照严城<span ss="q">韵清都绛阙夜景<span ss="q">句风传银箭<span ss="q">句露暖金茎<span ss="q">韵巷陌纵横<span ss="q">韵过平康


    ●●○○ ○○◎● ◎●○●○○ ○○●●●● ○○○● ●●○○ ●●○○ ●○○


    款辔<span ss="q">句缓听歌声<span ss="q">韵凤烛荧荧<span ss="q">韵那人家<span ss="q">读未掩香屏<span ss="q">韵  向罗绮丛中<span ss="q">句认得依稀旧日<span ss="q">句雅态轻盈<span ss="q">韵


    ◎● ●●○○ ●●○○ ●○○ ●●○○   ●○●○○ ●●○○●● ●●○○


    娇波艳冶<span ss="q">句巧笑依然<span ss="q">句有意相迎<span ss="q">韵墙头马上<span ss="q">句漫迟留<span ss="q">读难写深诚<span ss="q">韵又岂知<span ss="q">读名宦拘检<span ss="q">句年来减尽


    ○○●● ◎●○○ ●●○○ ○○●● ●○○ ○●○○ ●⊙○ ○●○● ○○●●


    风情<span ss="q">韵


    ○○


    ·


    此调以柳词、秦词为正体,若周词、袁词之句读小异,皆变格也。 此词与周词大同小异,故可平可仄,悉参周词。


    又一体 <span ss="q">双调一百三字,前段十一句六平韵,后段十一句四平韵        周邦彦


    夜色澄明<span ss="q">句天街如水<span ss="q">句风力微冷帘旌<span ss="q">韵幽期再偶<span ss="q">句坐久相看<span ss="q">句才喜欲叹还惊<span ss="q">韵醉眼重醒<span ss="q">韵映雕阑


    ●●○○ ○○○● ○●○●○○ ○○●● ●●○○ ○●●●○○ ●●○○ ●○○


    修竹<span ss="q">句共数流萤<span ss="q">韵细语轻盈<span ss="q">韵尽银台<span ss="q">读挂蜡潜听<span ss="q">韵  自初识伊家<span ss="q">句便惜妖娆艳质<span ss="q">句美盼柔情<span ss="q">韵


    ○● ●●○○ ●●○○ ●○○ ●●○○   ●○●○○ ●●○○●● ●●○○


    桃溪换世<span ss="q">句鸾驭凌空<span ss="q">句有愿须成<span ss="q">韵游丝荡絮<span ss="q">句任轻狂<span ss="q">读相逐牵萦<span ss="q">韵但连环不解<span ss="q">句流水长东<span ss="q">句难负


    ○○●● ○●○○ ●●○○ ○○●● ●○○ ○●○○ ●○○●● ○●○○ ○●


    深盟<span ss="q">韵


    ○○


    ·


    此词与柳词校,前段第四、五、六句,作四字两句、六字一句,后段第九、十句、结句,作五字一句、四字两句异。


    又一体 <span ss="q">双调一百四字,前段十一句六平韵,后段九句五仄韵         秦 观


    铁瓮城高<span ss="q">句蒜山渡阔<span ss="q">句干云十二层楼<span ss="q">韵开尊待月<span ss="q">句掩箔披风<span ss="q">句依然灯火扬州<span ss="q">韵绮陌南头<span ss="q">韵记歌


    ●●○○ ●○●● ⊙⊙◎●○○ ○○●● ●●○○ ⊙○○●○○ ●●○○ ●○


    名宛转<span ss="q">句乡号温柔<span ss="q">韵曲槛俯清流<span ss="q">韵想花阴<span ss="q">读谁系兰舟<span ss="q">韵  念凄绝秦弦<span ss="q">句感深荆赋<span ss="q">句相望几许


    ○◎● ⊙●○○ ◎●●○○ ●○○ ⊙●○○   ●⊙●○○ ●○○● ○◎●●


    凝愁<span ss="q">韵勤勤裁尺素<span ss="q">句奈双鱼<span ss="q">读难渡瓜洲<span ss="q">韵晓鉴堪羞<span ss="q">韵潘鬓短<span ss="q">读吴霜渐稠<span ss="q">韵幸于飞<span ss="q">读鸳鸯未老<span ss="q">句


    ○○ ○○○◎● ●○○ ⊙●○○ ◎●○○ ○●● ○○●○ ●○○ ○○●●


    不应同是悲秋<span ss="q">韵


    ◎○⊙●○○


    ·


    此即柳词体,但前段第十句添一字,作五字句。杨无咎“急雨回风”词,悉照此填。 旧刻后结脱四字,今据《花草粹编》增定。 按,杨词,前段第六句“一尊同醉青州”,一字仄声;第八句“记檀槽凄绝”,凄字平声;后段第一句“况得意情怀”,得字仄声;第三句“寻思可奈离愁”,思字平声;第五句“任征帆、只抵芦州”,只字仄声;结句“绸缪莫负清秋”,莫字仄声。谱内可平可仄据此,余参袁词句法同者。


    又一体 <span ss="q">双调一百四字,前段十一句六平韵,后段九句四平韵         袁去华


    叶舞殷红<span ss="q">句水摇瘦碧<span ss="q">句隐约天际帆归<span ss="q">韵寒鸦影里<span ss="q">句断雁声中<span ss="q">句依然残照辉辉<span ss="q">韵立马看梅<span ss="q">韵试寻香


    ●●○○ ●○●● ●●○●○○ ○○●● ●●○○ ○○○●○○ ●●○○ ●○○


    嚼蕊<span ss="q">句醉折繁枝<span ss="q">韵山翠扫修眉<span ss="q">韵记人人<span ss="q">读蹙黛愁时<span ss="q">韵  叹客里<span ss="q">读光阴易失<span ss="q">句霜侵短鬓<span ss="q">句尘染征


    ●● ●●○○ ○●●○○ ●○○ ●●○○   ●●● ○○●● ○○●● ○●○


    衣<span ss="q">韵阳台云归后<span ss="q">句到如今<span ss="q">读重见无期<span ss="q">韵流怨清商<span ss="q">句空细写<span ss="q">读琴心向谁<span ss="q">韵更难将<span ss="q">读愁随梦去<span ss="q">句相思


    ○ ○○○○● ●○○ ○●○○ ○●○○ ○●● ○○●○ ●○○ ○○●● ○○


    惟有天知<span ss="q">韵


    ○●○○


    ·


    此词与秦词校,后段第一句七字,第二、三句皆四字,第六句不押韵异。


    雨霖铃  一名《雨霖铃慢》,唐教坊曲名。《明皇杂录》:帝幸蜀,初入斜谷,霖雨弥日,栈道中闻铃声,采其声为《雨霖铃》曲。宋词盖借旧曲名,另倚新声也。调见柳永《乐章集》,属双调。


    雨霖铃 <span ss="q">双调一百三字,前段十句五仄韵,后段九句五仄韵          柳 永


    寒蝉凄切<span ss="q">韵对长亭晚<span ss="q">句骤雨初歇<span ss="q">韵都门帐饮无绪<span ss="q">句方留恋处<span ss="q">句兰舟催发<span ss="q">韵执手相看泪眼<span ss="q">句竟无语


    ○○⊙● ●○○● ●●○● ○○◎◎⊙● ○○●● ○○○● ●●○○◎● ●○◎


    凝咽<span ss="q">韵念去去<span ss="q">读千里烟波<span ss="q">句暮霭沈沈楚天阔<span ss="q">韵  多情自古伤离别<span ss="q">韵更那堪<span ss="q">读冷落清秋节<span ss="q">韵今宵


    ○● ●●◎ ○●○○ ●●○○●○●   ⊙○●●○○● ●○○ ●●○○● ⊙○


    酒醒何处<span ss="q">句杨柳岸<span ss="q">读晓风残月<span ss="q">韵此去经年<span ss="q">句应是良辰<span ss="q">句好景虚设<span ss="q">韵便纵有<span ss="q">读千种风情<span ss="q">句更与何人


    ●◎⊙● ⊙●● ●○○● ●●○○ ○●○○ ●◎○● ●●● ⊙●○○ ●●○○


    说<span ss="q">韵


    ●


    ·


    此调以此词为正体,王安石“孜孜矻矻”词,正与此同。若王词、黄词之句读小异,乃变格也。 按,王安石词,前段第四句“浮名浮利何济”,下浮字平声,谱内据此,其余可平可仄,悉参王、黄二词。


    又一体 <span ss="q">双调一百三字,前后段各九句,五仄韵              王庭珪


    琼楼玉宇<span ss="q">韵满人寰<span ss="q">读似海边洲渚<span ss="q">韵蓬莱又还水浅<span ss="q">句鲸涛静见<span ss="q">句银宫如许<span ss="q">韵紫极鸣箫声断<span ss="q">句望霓舟


    ○○●● ●○○ ●●○○● ○○●○●● ○○●● ○○○● ●●○○○● ●○○


    何处<span ss="q">韵待夜深<span ss="q">读重倚层霄<span ss="q">句认得瑶池广寒路<span ss="q">韵  郢中旧曲谁能度<span ss="q">韵恨歌声<span ss="q">读响入青云去<span ss="q">韵西湖


    ○● ●●○ ○●○○ ●●○○●○●   ●○●●○○● ●○○ ●●○○● ○○


    近时绝唱<span ss="q">句总不道<span ss="q">读月梅盐絮<span ss="q">韵暗想当年<span ss="q">句宾从毫端<span ss="q">句有惊人句<span ss="q">韵漫说向<span ss="q">读枚叟邹生<span ss="q">句共作梁园


    ●○●● ●●● ●○○● ●●○○ ○●○○ ●○○● ●●● ○●○○ ●●○○


    赋<span ss="q">韵


    ●


    ·


    此与柳词同,惟前段第二、三句,作八字一句异。


    又一体 <span ss="q">双调一百三字,前后段各九句,五仄韵              黄 裳


    天南游客<span ss="q">韵甚而今<span ss="q">读却送君南国<span ss="q">韵西风万里无限<span ss="q">句吟蝉暗续<span ss="q">句离情如织<span ss="q">韵秣马脂车<span ss="q">句去即去<span ss="q">读多


    ○○○● ●○○ ●●○○● ○○●●○● ○○●● ○○○● ●●○○ ●●● ○


    少人惜<span ss="q">韵望百里<span ss="q">读烟惨云山<span ss="q">句送两程<span ss="q">读愁作行色<span ss="q">韵  飞帆过浙西封域<span ss="q">韵到秋深<span ss="q">读且檥荷花泽<span ss="q">韵


    ●○● ●●● ○●○○ ●●○ ○●○●   ○○●●○○● ●○○ ●●○○●


    就船买得鲈鳜<span ss="q">句新谷破<span ss="q">读雪堆香粒<span ss="q">韵此兴谁同<span ss="q">句须记东秦<span ss="q">句有客相忆<span ss="q">韵愿听了<span ss="q">读一阙歌声<span ss="q">句醉倒


    ●○●●○● ○●● ●○○● ●●○○ ○●○○ ●●○● ●●● ●●○○ ●●


    拌今日<span ss="q">韵


    ○○●


    ·


    此词与王词校,前段第六句四字,第七句、第八句、结句俱作上三下四七字句异。


    还京乐  唐教坊曲名。《唐书》:明皇自潞州还京师,制《还京乐》曲。宋词盖借旧曲名,另翻新声也。


    还京乐 <span ss="q">双调一百三字,前后段各十句,五仄韵              周邦彦


    禁烟近<span ss="q">句触处浮香秀色相料理<span ss="q">韵正泥花时候<span ss="q">句奈何客里<span ss="q">句光阴虚费<span ss="q">韵望箭波无际<span ss="q">韵迎风漾日黄


    ◎○● ◎●○○●●○◎● ●◎○⊙● ●○◎● ○○○● ●●○○● ⊙○●●○


    云委<span ss="q">韵任去远<span ss="q">句中有万点<span ss="q">句相思清泪<span ss="q">韵   到长淮底<span ss="q">韵过当时楼下<span ss="q">句殷勤为说<span ss="q">句春来羁旅况


    ○● ●●● ○●◎◎ ○○○●    ●○○● ●⊙○○● ○○●● ○⊙⊙◎●


    味<span ss="q">韵堪嗟误约乖期<span ss="q">句向天涯<span ss="q">读自看桃李<span ss="q">韵想如今<span ss="q">读应恨墨盈笺<span ss="q">句愁妆照水<span ss="q">韵怎得青鸾翼<span ss="q">句飞归


    ● ○○●●○○ ●○○ ●○○● ●○○ ⊙●●○○ ○○●● ●●○○● ⊙○


    教见憔悴<span ss="q">韵


    ○●○●


    ·


    此调始自此词,应以此词为正体,若方、杨、吴、张四词之句读异同,皆变格也。 谱内可平可仄,悉参下词。 此词句法,多一气贯下,蝉联不断。陈、杨、方和词皆然,当是音律所寓,填者遵之。


    又一体 <span ss="q">双调一百三字,前段十句五仄韵,后段十句六仄韵          陈允平


    彩鸾去<span ss="q">句适怨清和<span ss="q">读锦瑟谁共理<span ss="q">韵奈春光渐老<span ss="q">句万金难买<span ss="q">句榆钱空费<span ss="q">韵岸草烟无际<span ss="q">韵落花满地芳


    ●○● ●●○○ ●●○●● ●○○●● ●○○● ○○○● ●●○○● ●○●●○


    尘委<span ss="q">韵翠袖里<span ss="q">句红粉溅溅<span ss="q">句东风吹泪<span ss="q">韵  任鸳帏底<span ss="q">韵宝香寒<span ss="q">句金兽慵熏绣被<span ss="q">韵依依离别意味<span ss="q">韵


    ○● ●●● ○●○○ ○○○●   ●○○● ●○○ ○●○○●● ○○●○●●


    琼钗暗画心期<span ss="q">句倩啼鹃<span ss="q">读为催行李<span ss="q">韵黯消魂<span ss="q">读但梦绕巫山<span ss="q">句情牵渭水<span ss="q">韵待得归来后<span ss="q">句灯前深诉憔


    ○○●●○○ ●○○ ●○○● ●○○ ●●●○○ ○○○● ●●○○● ○○○●○


    悴<span ss="q">韵


    ●


    ·


    此词后段第二句三字,第三、四句皆六字,又多押一韵,与周词异。


    又一体 <span ss="q">双调一百三字,前段九句五仄韵,后段十句五仄韵          方千里


    岁华惯<span ss="q">句每到和风丽日欢再理<span ss="q">韵为妙歌新调<span ss="q">句粲然一曲<span ss="q">句千金轻费<span ss="q">韵记夜阑深际<span ss="q">韵更衣换酒珠


    ●○● ●●○○●●○●● ●●○○● ●○●● ○○○● ●●○○● ○○●●○


    玑委<span ss="q">韵怅桦烛摇影<span ss="q">句易积银盘红泪<span ss="q">韵   向笙歌底<span ss="q">韵问何人<span ss="q">读能道平生<span ss="q">句聚合欢娱<span ss="q">句离别兴


    ○● ●●●○● ●●○○○●    ●○○● ●○○ ○●○○ ●●○○ ○●●


    味<span ss="q">韵谁怜露浥烟笼<span ss="q">句尽栽培<span ss="q">读艳桃秾李<span ss="q">韵漫萦牵<span ss="q">读空坐隔千山<span ss="q">句情遥万水<span ss="q">韵纵有丹青笔<span ss="q">句应难


    ● ○○●●○○ ●○○ ●○○● ●○○ ○●●○○ ○○●● ●●○○● ○○


    摹画憔悴<span ss="q">韵


    ○●○●


    ·


    此亦和周词也,前结五字一句、六字一句,后段第二句七字,第三、四句皆四字,与周词异。


    又一体 <span ss="q">双调一百三字,前段九句六仄韵,后段十句五仄韵          杨泽民


    春光至<span ss="q">韵欲访清歌妙舞重为理<span ss="q">韵念燕轻莺怯媚容<span ss="q">句百斛明珠须费<span ss="q">韵算枕前盟誓<span ss="q">韵深诚密约堪凭


    ○○● ●●○○●●○●● ●●○○●●○ ●●○○○● ●●○○● ○○●●○○


    委<span ss="q">韵意正美<span ss="q">句娇眼又洒<span ss="q">句梨花春泪<span ss="q">韵   记罗帷底<span ss="q">韵向鸳鸯<span ss="q">读灯畔相偎<span ss="q">句共把前回<span ss="q">句词语咏


    ● ●●● ○●●● ○○○●    ●○○● ●○○ ○●○○ ●●○○ ○●●


    味<span ss="q">韵无端浪迹萍蓬<span ss="q">句奈区区<span ss="q">读又催行李<span ss="q">韵忍重看<span ss="q">读小岸柳梳风<span ss="q">句江梅鉴水<span ss="q">韵待学鹣鹣翼<span ss="q">句从他


    ● ○○●●○○ ●○○ ●○○● ●○○ ●●●○○ ○○●● ●●○○● ○○


    名利荣悴<span ss="q">韵


    ○●○●


    ·


    此和周词也,前段起句用韵,第三句四字,第四句六字,后段第二句七字,第三、四句皆四字,与周词异。


    又一体 <span ss="q">双调一百三字,前段十句四仄韵,后段十句五仄韵          吴文英


    宴兰漵<span ss="q">句促奏丝萦管裂飞繁响<span ss="q">韵似汉宫人去<span ss="q">句夜深独语<span ss="q">句胡沙凄咽<span ss="q">韵对雁斜玫柱<span ss="q">句琼琼弄月临


    ●○● ●●○○●●○○● ●●○○● ●○●● ○○○● ●●○○● ○○●●○


    秋影<span ss="q">韵凤吹远<span ss="q">句河汉去槎<span ss="q">句天风吹冷<span ss="q">韵   泛清商竟<span ss="q">韵转铜壶敲漏<span ss="q">句瑶床二八青娥<span ss="q">句环佩再


    ○● ●●● ○●●○ ○○○●    ●○○● ●○○○● ○○●●○○ ○●●


    整<span ss="q">韵菱歌四碧无声<span ss="q">句变须臾<span ss="q">读翠繁红暝<span ss="q">韵叹梨园<span ss="q">读今调绝音希<span ss="q">句愁深未醒<span ss="q">韵桂楫轻如翼<span ss="q">句归霞


    ● ○○●●○○ ●○○ ●○○● ●○○ ○●●○○ ○○●● ●●○○● ○○


    时点清镜<span ss="q">韵


    ○●○●


    ·


    此亦周词体,惟前段第七句不押韵,后段第三句六字,第四句四字异。


    又一体 <span ss="q">双调一百三字,前段九句六仄韵,后段十句四仄韵         张 炎


    胜游处<span ss="q">韵多是琴尊坐石松下语<span ss="q">韵有笔床茶灶<span ss="q">句瘦筇相引<span ss="q">句逢花须住<span ss="q">韵正翠阴迷路<span ss="q">韵年光荏苒成


    ●○● ○●○○●●○●● ●●○○● ●○○● ○○○● ●●○○● ○○●●○


    孤旅<span ss="q">韵待趁燕樯<span ss="q">句休忘了<span ss="q">读元都前度<span ss="q">韵   渐烟波远<span ss="q">句怕五湖凄冷<span ss="q">句佳人袖薄<span ss="q">句修竹依依日


    ○● ●●●○ ○○● ○○○●    ●○○● ●●○○● ○○●● ○●○○●


    暮<span ss="q">韵知他甚处重逢<span ss="q">句便匆匆<span ss="q">读带潮归去<span ss="q">韵莫因循<span ss="q">读却误了幽期<span ss="q">句还孤旧雨<span ss="q">韵伫立山风晚<span ss="q">句月明


    ● ○○●●○○ ●○○ ●○○● ●○○ ●●●○○ ○○●● ●●○○● ●○


    摇碎江树<span ss="q">韵


    ○●○●


    ·


    此词与周词校,前段第九句四字,结句七字,又换头句不押韵异。


    双头莲  此调一百三字者,见周邦彦《片玉集》;一百字者,见陆游《放翁集》。


    双头莲 <span ss="q">双调一百三字,前段十三句三仄韵,后段十二句五仄韵        周邦彦


    一抹残霞<span ss="q">句几行新雁<span ss="q">句天染断红<span ss="q">句云迷阵影<span ss="q">句隐约望中<span ss="q">句点破晚空澄碧<span ss="q">韵助秋色<span ss="q">韵门掩西风<span ss="q">句桥


    ●●○○ ●○○● ○●●○ ○○●● ●●●○ ●●●○○● ●○● ○●○○ ○


    横斜照<span ss="q">句青翼未来<span ss="q">句浓尘自起<span ss="q">句咫尺凤帏<span ss="q">句合有人相识<span ss="q">韵  叹乖隔<span ss="q">韵知甚时恣与<span ss="q">句同携欢适<span ss="q">韵


    ○○● ○●●○ ○○●● ●●●○ ●●○○●   ●○● ○●○●● ○○○●


    度曲传觞<span ss="q">句并鞯飞辔<span ss="q">句绮陌画堂连夕<span ss="q">韵楼头千里<span ss="q">句帐底三更<span ss="q">句尽堪泪滴<span ss="q">韵怎生向<span ss="q">句总无聊<span ss="q">句但只


    ●●○○ ●○○● ●●●○○● ○○○● ●●○○ ●○●● ●○● ●○○ ●●


    听消息<span ss="q">韵


    ●○●


    ·


    此词《清真集》不载,故方千里、杨泽民、陈允平皆无和词,或疑前段直至第六句始用韵,似有伪脱,不知宋人以韵少者为慢曲子,韵多者为急曲子。细玩此词,文法甚顺,决无伪脱,但无他词援证耳。


    又一体 <span ss="q">双调一百字,前段十句六仄韵,后段十句五仄韵           陆 游


    华鬓星星<span ss="q">句惊壮志成虚<span ss="q">句此身如寄<span ss="q">韵萧条病骥<span ss="q">韵向暗里<span ss="q">读消尽当年豪气<span ss="q">韵梦断故国山川<span ss="q">句隔重重


    ⊙●○○ ○●●○○ ●○○● ⊙○●● ●●● ○●○○○● ●●◎●⊙○ ●○○


    烟水<span ss="q">韵身万里<span ss="q">韵旧社凋零<span ss="q">句青门俊游谁记<span ss="q">韵  尽道锦里繁华<span ss="q">句叹官闲昼永<span ss="q">句柴荆添睡<span ss="q">韵清愁自


    ○● ○◎● ●●○○ ○○●○○●   ◎●●●○○ ●○○●● ○○○● ○○●


    醉<span ss="q">韵念此际<span ss="q">读付与何人心事<span ss="q">韵纵有楚柁吴樯<span ss="q">句知何时东逝<span ss="q">韵空怅望<span ss="q">句鲙美菰香<span ss="q">句秋风又起<span ss="q">韵


    ● ●●● ●●○○○● ●●●●○○ ⊙○○○● ○●● ●●○○ ○○◎●


    ·


    此与周词句读迥异,因调名同,故为类列。 前后段第八句,例作上一下四句法,填者辨之。 谱内可平可仄,悉参陆词别首及《梅苑》无名氏词。


    又一体 <span ss="q">双调一百字,前段十一句六仄韵,后段十句六仄韵          陆 游


    风卷征尘<span ss="q">句堪叹处<span ss="q">句青骢正摇金辔<span ss="q">韵客襟贮泪<span ss="q">韵漫万点如血<span ss="q">句凭谁持寄<span ss="q">韵伫想艳态幽情<span ss="q">句压江南


    ○●○○ ○●○ ○○●○○● ●○●● ●●●○● ○○○● ●●●●○○ ●○○


    佳丽<span ss="q">韵春正媚<span ss="q">韵怎忍长亭<span ss="q">句匆匆顿分连理<span ss="q">韵  目断淡日平芜<span ss="q">句望烟浓树远<span ss="q">句微茫如荠<span ss="q">韵悲欢梦


    ○● ○●● ●●○○ ○○●○○●   ●●●●○○ ●○○●● ○○○● ○○●


    里<span ss="q">韵奈倦客<span ss="q">读又是关河千里<span ss="q">韵最苦唱彻骊歌<span ss="q">句重迟留无计<span ss="q">韵何限事<span ss="q">韵待与丁宁<span ss="q">句行时已醉<span ss="q">韵


    ● ●●● ●●○○○● ●●●●○○ ○○○○● ○●● ●●○○ ○○●●


    ·


    此词与“华鬓星星”词校,前段第二句三字,第三名六字,第五句摊破句法,作五字一句、四字一句,后段第八句押韵异。


    又一体 <span ss="q">双调一百字,前后段各十句,四仄韵            <span ss="q">《梅苑》无名氏


    触目庭台<span ss="q">句当岁晚凋残<span ss="q">句恁时方见<span ss="q">韵琼英细蕊<span ss="q">句似美玉碾就<span ss="q">句轻冰裁剪<span ss="q">韵暗想蜂蝶不知<span ss="q">句有清香


    ●●○○ ○●●○○ ●○○● ○○●● ●●●●● ○○○● ●●○●●○ ●○○


    为援<span ss="q">韵深疑是<span ss="q">读傅粉酡颜<span ss="q">句何殊寿阳妆面<span ss="q">韵  惟恐易落难留<span ss="q">句仗何人巧把<span ss="q">句名词褒羡<span ss="q">韵狂风横


    ○● ○○● ●●○○ ○○●○○●   ○●●●○○ ●○○●● ○○○● ○○●


    雨<span ss="q">句枉坠落<span ss="q">读细蕊纷纷千片<span ss="q">韵异日结实成阴<span ss="q">句托称殊非浅<span ss="q">韵调鼎鼐<span ss="q">句试作和羹<span ss="q">句佳名方显<span ss="q">韵


    ● ●●● ●●○○○● ●●●●○○ ●○○○● ○●● ●●○○ ○○○●


    ·


    此词与陆词校,前段第四句摊破句法,作五字一句、四字一句,前后段第四句俱不押韵异。


    忆瑶姬  此调有仄韵、平韵两体。仄韵者,始自曹组,一名《别素质》;平韵者,始自万俟咏,一名《别瑶姬慢》。


    忆瑶姬 <span ss="q">双调一百三字,前段九句五仄韵,后段九句六仄韵          曹 组


    雨细云轻<span ss="q">句花娇玉软<span ss="q">句于中好个情性<span ss="q">韵争奈无缘相见<span ss="q">句有分孤另<span ss="q">韵香笺细写频相问<span ss="q">韵我一句句


    ●●○○ ○○●● ○○●●○● ○●○○○● ●●○● ○○●●○○● ●●●●


    儿都听<span ss="q">韵到如今<span ss="q">读不得同欢<span ss="q">句伏惟与他耐静<span ss="q">韵  此事凭谁执证<span ss="q">韵有楼前明月<span ss="q">句窗外花影<span ss="q">韵拌


    ○○● ●○○ ●●○○ ●○●○●●   ●●○○●● ●○○○● ○●○● ○


    了一生烦恼<span ss="q">句为伊成病<span ss="q">韵祗愁更把风流逞<span ss="q">韵便因循<span ss="q">读误人无定<span ss="q">韵凭时节<span ss="q">读若要眼儿厮觑<span ss="q">句除非


    ●●○○● ●○○● ●○●●○○● ●○○ ●○○● ●○● ●●●○○● ○○


    会圣<span ss="q">韵


    ●●


    ·


    此调押仄韵者,只此一词,无别首宋词可校。


    又一体 <span ss="q">双调一百五字,前段十一句五平韵,后段十一句四平韵        万俟咏


    可惜香红<span ss="q">韵又一番骤雨<span ss="q">句几阵狂风<span ss="q">韵霎时留不住<span ss="q">句便夜来和月<span ss="q">句飞过帘栊<span ss="q">韵离愁未了<span ss="q">句酒病相


    ◎●○○ ●◎○●● ●●○○ ●○○●● ●●○⊙● ○●○○ ○○●● ●●○


    仍<span ss="q">句便堪此恨中<span ss="q">韵片片随<span ss="q">读流水斜阳去<span ss="q">句各自西东<span ss="q">韵  又还是<span ss="q">读九十春光<span ss="q">句误双飞戏蝶<span ss="q">句并


    ○ ●⊙◎●○ ●●○ ○●○○● ◎●○○   ●⊙● ●●○○ ●○○●● ●


    采游蜂<span ss="q">韵人生能几许<span ss="q">句细算来何物<span ss="q">句得似情浓<span ss="q">韵沈腰暗减<span ss="q">句潘鬓先秋<span ss="q">句寸心不易供<span ss="q">韵望暮云<span ss="q">读


    ●○○ ○○○●● ●●○○● ◎●○○ ◎○●● ⊙●○○ ●○◎●○ ●●⊙


    千里沈沈障翠峰<span ss="q">韵


    ○●○○●●○


    ·


    此调押平韵者,以此词为正体,若蔡词之多押一韵,史词之添字、又句读异同,皆变格也。 此词句读与蔡词同,故谱内可平可仄,悉参蔡词。


    又一体 <span ss="q">双调一百五字,前后段各十一句,五平韵             蔡 伸


    微雨初晴<span ss="q">韵洗瑶空万里<span ss="q">句月挂冰轮<span ss="q">韵广寒宫阙迥<span ss="q">句望素娥缥缈<span ss="q">句丹桂亭亭<span ss="q">韵金盘露冷<span ss="q">句玉树风


    ○●○○ ●○○●● ●●○○ ●○○●● ●●○●● ○●○○ ○○●● ●●○


    轻<span ss="q">句倍觉秋思清<span ss="q">韵念去年<span ss="q">读曾共吹箫侣<span ss="q">句同赏蓬瀛<span ss="q">韵  奈此夜<span ss="q">读旅泊江城<span ss="q">韵漫花光眩目<span ss="q">句绿


    ○ ●●○●○ ●●○ ○●○○● ○●○○   ●●● ●●○○ ●○○●● ●


    酒如渑<span ss="q">韵幽怀终有恨<span ss="q">句恨绮窗清影<span ss="q">句虚照娉婷<span ss="q">韵蓝桥路杳<span ss="q">句楚馆云深<span ss="q">句拟凭归梦轻<span ss="q">韵强就枕<span ss="q">句


    ●○○ ○○○●● ●●○○● ○●○○ ○○●● ●●○○ ●○○●○ ●●●


    无奈孤衾梦易惊<span ss="q">韵


    ○●○○●●○


    ·


    此与万俟词同,惟换头句押韵异。


    又一体 <span ss="q">双调一百九字,前段十句四平韵,后段十句五平韵          史达祖


    娇月笼烟<span ss="q">句下楚岭<span ss="q">句香分两朵湘云<span ss="q">韵花房时渐密<span ss="q">句弄杏笺初会<span ss="q">句歌里殷勤<span ss="q">韵沈沈夜久西窗<span ss="q">句屡


    ○●○○ ●●● ○○●●○○ ○○○●● ●●○○● ○●○○ ○○●●○○ ●


    隔兰灯幔影昏。自彩鸾、飞入芳巢,绣屏罗荐粉光新<span ss="q">韵  十年未始轻分<span ss="q">韵念此飞花<span ss="q">句可怜柔


    ●○○●●○ ●●○ ○●○○ ●○○●●○○   ●○●●○○ ●●○○ ●○○


    脆销春<span ss="q">韵空余双泪眼<span ss="q">句到旧家时节<span ss="q">句漫染愁巾<span ss="q">韵神仙说道凌虚<span ss="q">句一夜相思玉样人<span ss="q">韵但起来<span ss="q">读梅


    ●○○ ○○○●● ●●○○● ●●○○ ○○●●○○ ●●○○●●○ ●●○ ○


    发窗前<span ss="q">句哽咽疑是君<span ss="q">韵


    ●○○ ●●○●○


    ·


    此词前后段第四、五、六句,与万俟词同,余俱异。
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