卷三十

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">十


    二调六十九体,一百二字


    西平乐七体<span ss="q">又名西平乐慢


    山亭宴一体


    望春回一体


    水龙吟二十五体<span ss="q">又名丰年瑞、鼓笛慢、龙吟曲、小楼连苑、庄椿岁


    斗百草二体


    石州慢六体<span ss="q">又名柳色黄、石州引


    上林春慢二体


    宴清都十体<span ss="q">又名四代好


    庆春宫二体<span ss="q">又名庆宫春


    忆旧游六体<span ss="q">又名忆旧游慢


    花 犯四体<span ss="q">又名绣鸾凤花犯


    倒 犯三体<span ss="q">又名吉了犯


    西平乐  此调有仄韵、平韵两体。仄韵者,始自柳永,《乐章集》注:小石调;平韵者,始自周邦彦,一名《西平乐慢》。


    西平乐 <span ss="q">双调一百二字,前段八句四仄韵,后段十三句六仄韵         柳 永


    尽日凭高寓目<span ss="q">句脉脉春情绪<span ss="q">韵佳景清明渐近<span ss="q">句时节轻寒乍暖<span ss="q">句天气才晴又雨<span ss="q">韵烟光澹荡<span ss="q">句妆点


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    平芜远树<span ss="q">韵黯凝伫<span ss="q">韵  台榭好<span ss="q">句莺燕语<span ss="q">韵正是和风丽日<span ss="q">句几许繁红嫩绿<span ss="q">句雅称嬉游去<span ss="q">韵奈阻


    ○○◎● ●○●   ○◎● ○●● ◎●○○◎● ◎●○○●● ●●○○● ●●


    隔<span ss="q">读寻芳伴侣<span ss="q">韵秦楼凤吹<span ss="q">句楚馆云约<span ss="q">句空怅望<span ss="q">句在何处<span ss="q">韵寂寞韶光暗度<span ss="q">韵可怜向晚<span ss="q">句村落声声


    ● ○○●● ○○●● ◎⊙○● ○●● ●○● ◎●○○●● ◎○●● ○●○○


    杜宇<span ss="q">韵


    ●●


    ·


    此调押仄声韵者,以此词为正体,若朱词之减字,晁词之添字,皆变格也。 《词律》疑“雅称嬉游去”句,脱一字,因晁词“准拟金樽时举”,作六字句也。若朱词本和柳韵,其后段第五句“好趁飞琼去”,仍作五字句,则知《乐章集》所载,并无伪脱,《词律》臆说不可从。 此词可平可仄,悉参朱词、晁词。


    又一体 <span ss="q">双调一百二字,前段八句五仄韵,后段十三句七仄韵         朱 雍


    夜色娟娟皎月<span ss="q">句梅玉供春绪<span ss="q">韵不使铅华点缀<span ss="q">句超出精神淡泞<span ss="q">韵休妒残英如雨<span ss="q">韵清香眷恋<span ss="q">句只恐


    ●●○○●● ○●○○● ●●○○●● ○●○○●● ○●○○○● ○○●● ●●


    随风满树<span ss="q">韵散难伫<span ss="q">韵  江亭暮<span ss="q">韵鸣佩语<span ss="q">韵正值匆匆乍别<span ss="q">句天远瑶池缟縠<span ss="q">句好趁飞琼去<span ss="q">韵忍孤


    ○○●● ●○●   ○○● ○●● ●●○○●● ○●○○●● ●●○○● ●○


    负瑶台伴侣<span ss="q">韵琼肌瘦尽<span ss="q">句庾岭零落<span ss="q">句空怅望<span ss="q">句动情处<span ss="q">韵画角哀时暗度<span ss="q">韵参横向晓<span ss="q">句吹入深沈院


    ●○○●● ○○●● ●●○● ○●● ●○● ●●○○●● ○○●● ○●○○●


    宇<span ss="q">韵


    ●


    ·


    此和柳词韵,惟前段第四句、后段起句,添押两韵异。


    又一体 <span ss="q">双调一百三字,前段八句四仄韵,后段十三句七仄韵         晁补之


    凤诏传来绛阙<span ss="q">句当宁思贤辅<span ss="q">韵淮海甘棠惠化<span ss="q">句霖雨商岩吉梦<span ss="q">句熊虎周郊旧卜<span ss="q">韵千秋盛际<span ss="q">句催促


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    朝天归去<span ss="q">韵动离绪<span ss="q">韵  空眷恋<span ss="q">句难暂驻<span ss="q">韵新植双亭临水<span ss="q">句风月佳名未睹<span ss="q">韵准拟金尊时举<span ss="q">韵况


    ○○○● ●○●   ○●● ○●● ○●○○○● ○●○○●● ●●○○○● ●


    乐府<span ss="q">读风流一部<span ss="q">韵妍歌妙舞<span ss="q">句萦云回雪<span ss="q">句亲教与<span ss="q">句恨难诉<span ss="q">韵争欲攀辕借住<span ss="q">韵功成绣衮<span ss="q">句重与江


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    山作主<span ss="q">韵


    ○●●


    ·


    此亦与柳永同,惟后段第四句押韵,第五句添一字异。 此调前段第五句,例须押韵,此词“卜”字,按《中原雅音》,读如“补”,亦方言也。


    又一体 <span ss="q">双调一百三十七字,前段十二句四平韵,后段十五句三平韵      周邦彦


    穉绿苏晴<span ss="q">句故溪歇雨<span ss="q">句川迥未觉春赊<span ss="q">韵驼褐侵寒<span ss="q">句正怜初日<span ss="q">句轻阴抵死须遮<span ss="q">韵叹事逐孤鸿尽


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    去<span ss="q">句身与塘蒲共晚<span ss="q">句争知向此征途<span ss="q">句区区伫立尘沙<span ss="q">韵追念朱颜翠发<span ss="q">句曾到处<span ss="q">读故地使人嗟<span ss="q">韵


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    道连三楚<span ss="q">句天低四野<span ss="q">句乔木依前<span ss="q">句临路敧斜<span ss="q">韵重慕想<span ss="q">读东陵晦迹<span ss="q">句彭泽归来<span ss="q">句左右琴书


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    自乐<span ss="q">句松菊相依<span ss="q">句何况风流鬓未华<span ss="q">韵多谢故人<span ss="q">句亲驰郑驿<span ss="q">句时倒融尊<span ss="q">句劝此淹留<span ss="q">韵共过芳时<span ss="q">句


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    翻令倦客思家<span ss="q">韵


    ○○●●○○


    ·


    此调押平声韵者,以此词为正体,若杨、方、陈三词之或摊破句法,或减字,皆变格也。 按,吴文英词,前段结句“十载事、梦惹绿杨丝”,十字入声;后段第六句“菊井招魂”,菊字入声,俱以入作平,不注可仄。 此词可平可仄,悉参杨、方、陈三词。


    又一体 <span ss="q">双调一百三十五字,前段十三句四平韵,后段十五句三平韵      杨泽民


    圃韭畦蔬<span ss="q">句嫩鸡野腊<span ss="q">句邻酝稚子能赊<span ss="q">韵罗幕新裁<span ss="q">句画楼高耸<span ss="q">句松梧柳竹交遮<span ss="q">韵应便作<span ss="q">读归休计


    ○●○○ ●○●● ○●●●○○ ○●○○ ●○○● ○○●●○○ ○●● ○○●


    去<span ss="q">句高揖渊明<span ss="q">句下视林逋<span ss="q">句到此如何<span ss="q">句又走风沙<span ss="q">韵都为啼号累我<span ss="q">句思量事<span ss="q">读未遂即咨嗟<span ss="q">韵


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    连年奔遂<span ss="q">句旁州外邑<span ss="q">句舟楫轻飏<span ss="q">句鞭帽攲斜<span ss="q">韵仍冒触<span ss="q">读烟岚邃险<span ss="q">句风雪纵横<span ss="q">句每值初寒在路<span ss="q">句


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    炎暑登车<span ss="q">句空向长途度岁华<span ss="q">韵消减少年<span ss="q">句英豪气宇<span ss="q">句潇洒襟怀<span ss="q">句似此施为<span ss="q">句纵解封侯<span ss="q">句宁如便


    ○●○○ ○●○○●●○ ○●●○ ○○●● ○●○○ ●●○○ ●●○○ ○○●


    早还家<span ss="q">韵


    ●○○


    ·


    此和周词,惟前段第八、九、十句,减二字、摊破句法,作四字四句异。


    又一体 <span ss="q">双调一百三十五字,前段十二句四平韵,后段十五句三平韵      方千里


    倦踏征尘<span ss="q">句厌驱匹马<span ss="q">句凝望故国犹赊<span ss="q">韵孤馆今宵<span ss="q">句乱山何许<span ss="q">句平林漠漠烟遮<span ss="q">韵怅过眼光阴似


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    瞬<span ss="q">句回首欢娱异昔<span ss="q">句流年迅景<span ss="q">句霜风败苇惊沙<span ss="q">韵无奈轻离易别<span ss="q">句千里意<span ss="q">读刷泪独长嗟<span ss="q">韵


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    绮窗人远<span ss="q">句青门信杳<span ss="q">句钗影何时<span ss="q">句重见云斜<span ss="q">韵空怨忆<span ss="q">读吹箫韵曲<span ss="q">句旋锦回文<span ss="q">句想像宫商蠹损<span ss="q">句


    ●○○● ○○●● ○●○○ ○●○○ ○●● ○○●● ○●○○ ●●○○●●<span ss="q">


    机杼生尘<span ss="q">句谁为新装晕素华<span ss="q">韵那信自怜<span ss="q">句悠飏梦蝶<span ss="q">句浮没书鳞<span ss="q">句纵有心情<span ss="q">句尽为相思<span ss="q">句争如


    ○●○○ ○●○○●●○ ●●●○ ○○●● ○●○○ ●●○○ ●●○○ ○○


    傍早归家<span ss="q">韵


    ●●○○


    ·


    此和周词,惟前段第九、十句减二字,作四字一句、六字一句异。按,吴文英词,前段第九、十句“当时燕子,无言对立斜晖”,正与此同。


    又一体 <span ss="q">双调一百三十六字,前段十三句四平韵,后段十五句三平韵      陈允平


    泛梗飘萍<span ss="q">句入山登陆<span ss="q">句迢递雾迥烟赊<span ss="q">韵漠漠蒹葭<span ss="q">句依依杨柳<span ss="q">句天涯总是愁遮<span ss="q">韵叹寂寞尘埃满


    ●●○○ ●○○● ○●●●○○ ●●○○ ○○○● ○○●●○○ ●●●○○●


    眼<span ss="q">句梦逐孤云缥缈<span ss="q">句春潮带雨<span ss="q">句鸥迎远漵<span ss="q">句雁别平沙<span ss="q">韵寒食梨花素约<span ss="q">句肠断处<span ss="q">读对景暗伤嗟<span ss="q">韵


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    晚钟烟寺<span ss="q">句晨鸡月店<span ss="q">句征褐萧疏<span ss="q">句破帽攲斜<span ss="q">韵几度微吟马上<span ss="q">句长啸舟中<span ss="q">句惯踏新丰巷陌<span ss="q">句旧


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    酒犹香<span ss="q">句憔悴东风自岁华<span ss="q">韵重忆少年<span ss="q">句樱桃渐熟<span ss="q">句松粉初黄<span ss="q">句短楫欢呼<span ss="q">句日日江南<span ss="q">句烟村八


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    九人家<span ss="q">韵


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    ·


    此亦和周词,惟前段第九、十句,摊破六字两句,作四字三句,后段第五句减一字异。


    山亭宴  调见张先词集,有美堂赠彦猷主人作,盖自度曲也。


    山亭宴 <span ss="q">双调一百二字,前后段各八句,五仄韵              张 先


    宴亭永昼喧箫鼓<span ss="q">韵倚青空<span ss="q">读画阑红柱<span ss="q">韵玉莹紫微人<span ss="q">句蔼和气<span ss="q">读春融日煦<span ss="q">韵故宫池馆旧楼台<span ss="q">句


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    约风月<span ss="q">读今宵何处<span ss="q">韵湖水动鲜衣<span ss="q">句竞拾翠<span ss="q">读湖边路<span ss="q">韵  落花荡漾愁空树<span ss="q">韵晓山静<span ss="q">读数声杜


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    宇<span ss="q">韵天意送芳菲<span ss="q">句正黯淡<span ss="q">读疏烟短雨<span ss="q">韵新欢宁似旧欢长<span ss="q">句此会散<span ss="q">读几时还聚<span ss="q">韵试为挹飞云<span ss="q">句


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    问解寄<span ss="q">读相思否<span ss="q">韵


    ●●● ○○●


    ·


    此调只此一词,无别首可校。《词律》以前后段校注平仄者非。


    望春回  调见《乐府雅词》。


    望春回 <span ss="q">双调一百二字,前段十句四仄韵,后段十句五仄韵          李 甲


    霁霞散晓<span ss="q">句射水村渐明<span ss="q">句渔火方灭<span ss="q">韵滩露夜潮痕<span ss="q">句注冻濑凄咽<span ss="q">韵征鸿来时应有信<span ss="q">句见疏柳<span ss="q">读更


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    忆伊同折<span ss="q">韵异乡憔悴<span ss="q">句那堪更值<span ss="q">句岁穷时节<span ss="q">韵  东风暗回暖律<span ss="q">韵算坼遍江梅<span ss="q">句消尽岩雪<span ss="q">韵唯


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    有这愁肠<span ss="q">句恁依旧千结<span ss="q">韵私言窃语曾誓约<span ss="q">句便眠思梦想无休歇<span ss="q">韵这些离恨<span ss="q">句除非对著<span ss="q">句说似明


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    月<span ss="q">韵


    ●


    ·


    此调只此一词,无他作可校。 此词前后段第四、五句,俱五字,第五句上一下四句法,填者审之。


    水龙吟  姜夔词注:无射商,俗名越调。曾觌词,结句有“是丰年瑞”句,名《丰年瑞》;吕渭老词,名《鼓笛慢》;史达祖词,名《龙吟曲》;杨樵云词,因秦观词起句,更名《小楼连苑》;方味道词,结句有“伴庄椿岁”句,名《庄椿岁》。


    水龙吟 <span ss="q">双调一百二字,前段十一句四仄韵,后段十一句五仄韵        苏 轼


    霜寒烟冷蒹葭老<span ss="q">句天外征鸿嘹唳<span ss="q">韵银河秋晚<span ss="q">句长门灯悄<span ss="q">句一声初至<span ss="q">韵应念潇湘<span ss="q">句岸遥人静<span ss="q">句水


    ⊙○⊙●○○● ⊙●⊙○○● ⊙○⊙● ⊙○⊙● ◎○⊙● ⊙●○○ ◎○⊙● ◎


    多菰米<span ss="q">韵乍望极平田<span ss="q">句徘徊欲下<span ss="q">句依前被<span ss="q">读风惊起<span ss="q">韵  须信衡阳万里<span ss="q">韵有谁家<span ss="q">读锦书遥寄<span ss="q">韵


    ○⊙● ●◎◎⊙⊙ ⊙○◎● ⊙○● ○○●   ⊙●⊙○◎● ●○○ ◎○⊙●


    万重云外<span ss="q">句斜行横阵<span ss="q">句才疏又缀<span ss="q">韵仙掌月明<span ss="q">句石头城下<span ss="q">句影摇寒水<span ss="q">韵念征衣未捣<span ss="q">句佳人拂杵<span ss="q">句


    ◎○⊙● ⊙○⊙● ⊙○◎● ⊙●◎○ ◎○○● ●○○● ●○○●● ○○◎●


    有盈盈泪<span ss="q">韵


    ◎○○●


    ·


    此调句读,最为参差,今分立二谱,起句七字、第二句六字者,以苏轼词为正格;起句六字、第二句七字者,以秦观词为正格。其余添字、减字,句读、押韵不同者,各以类列。此调之源流正变,尽于此矣。 此调前后段第三句至第八句,例作四字句;前后段第九句五字,第十句四字;前结六字折腰,后结四字。宋人精于审音,添字、减字、摊破句法,悉中律吕,其谱不传,填者但以苏词、秦词为式可也。 此调前后段第九句以下,如谱内苏词,则前段五字一句、四字一句、六字一句,后段五字一句、四字两句;秦词则前段九字一句、六字一句,后段九字一句、四字一句,均为合格。 此词可平可仄,参下类列八词,惟赵长卿“酒潮匀颊”词,前段结句“声”字平声;秦观“乱花丛里”词,后段第二句“玉”字仄声,宋词如此填者堪少,故不注可平可仄。


    又一体 <span ss="q">双调一百二字,前段十一句五仄韵,后段十句四仄韵         赵长卿


    酒潮匀颊双眸溜<span ss="q">韵美映远山横秀<span ss="q">韵风流俊雅<span ss="q">句娇痴体态<span ss="q">句眼前稀有<span ss="q">韵莲步弯弯<span ss="q">句移归拍里<span ss="q">句凌


    ●○○●○○● ○●●○○● ○○●● ○○●● ●○○● ○●○○ ○○●● ○


    波难偶<span ss="q">韵对仙源醉眼<span ss="q">句玉纤笼巧<span ss="q">句拨新声<span ss="q">读鱼纹皱<span ss="q">韵  我自多愁多病<span ss="q">句对人前<span ss="q">读只推伤酒<span ss="q">韵


    ○○● ●○○●● ●○○● ●○○ ○○●   ●●○○○● ●○○ ●○○●


    瞒他不得<span ss="q">句诗情懒倦<span ss="q">句沈腰消瘦<span ss="q">韵多谢东君<span ss="q">句殷勤知我<span ss="q">句曲翻红袖<span ss="q">韵拌来朝<span ss="q">读又是扶头不起<span ss="q">句


    ○○●● ○○●● ●○○● ○●○○ ○○○● ●○○● ○○○ ●●○○●●


    江楼知否<span ss="q">韵


    ○○○●


    ·


    此与苏词同,惟前段起句押韵,后段起句不押韵,第九、十句作九字一句异。


    又一体 <span ss="q">双调一百二字,前后段各十一句,五仄韵              杨无咎


    西湖天下应如是<span ss="q">韵谁唤作<span ss="q">读真西子<span ss="q">韵云凝山秀<span ss="q">句日增波媚<span ss="q">句宜晴宜雨<span ss="q">韵况是深秋<span ss="q">句更当遥夜<span ss="q">句


    ○○○●○○● ○●● ○○● ○○○● ●○○● ○○○● ●●○○ ●○○●


    月华如水<span ss="q">韵记词人解道<span ss="q">句丹青妙手<span ss="q">句应难写<span ss="q">读真奇语<span ss="q">韵   往事输他范蠡<span ss="q">韵泛扁舟<span ss="q">读仍携佳


    ●○○● ●○○●● ○○●● ○○● ○○●    ●●○○●● ●○○ ○○○


    丽<span ss="q">韵毫端幻出<span ss="q">句淡妆浓抹<span ss="q">句可人风味<span ss="q">韵和靖幽居<span ss="q">句老坡遗迹<span ss="q">句也应堪记<span ss="q">韵更凭君画我<span ss="q">句追随二


    ● ○○●● ●○○● ●○○● ○●○○ ●○○● ●○○● ●○○●● ○○●


    老<span ss="q">句游千家寺<span ss="q">韵


    ● ○○○●


    ·


    此与赵词同,惟前段第二句作折腰句法,后段起句仍押韵异。


    又一体 <span ss="q">双调一百一字,前段十一句四仄韵,后段十句五仄韵         赵长卿


    天教占得如簧巧<span ss="q">句声乍啭<span ss="q">读千娇媚<span ss="q">韵金衣衬著<span ss="q">句风流模样<span ss="q">句於中可是<span ss="q">韵红杏香中<span ss="q">句绿杨阴处<span ss="q">句


    ○○●●○○● ○●● ○○● ○○●● ○○○● ○○●● ○●○○ ●○○●


    多应饶你<span ss="q">韵向黄昏苦苦<span ss="q">句娇啼怨别<span ss="q">句那堪更<span ss="q">读东风起<span ss="q">韵   别有诗肠鼓吹<span ss="q">韵未关他<span ss="q">读等闲俗


    ○○○● ●○○●● ○○●● ●○● ○○●    ●●○○●● ●○○ ●○●


    耳<span ss="q">韵双柑斗酒<span ss="q">句当时曾是<span ss="q">句高人留意<span ss="q">韵南国春归<span ss="q">句上阳花落<span ss="q">句正添憔悴<span ss="q">韵念啼声欲碎<span ss="q">句何人解


    ● ○○●● ○○○● ○○○● ○●○○ ●○○● ●○○● ●○○●● ○○●


    作留春计<span ss="q">韵


    ●○○●


    ·


    此与杨无咎“西湖天下”词同,惟后结两句减一字,作七字一句异。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句六仄韵         姜 夔


    夜深客子移舟处<span ss="q">句两两沙禽惊起<span ss="q">韵红衣入桨<span ss="q">句青灯摇浪<span ss="q">句微凉意思<span ss="q">韵把酒临风<span ss="q">句不忘归去<span ss="q">句有


    ●○●●○○● ●●○○○● ○○●● ○○○● ○○●● ●●○○ ●○○● ●


    如此水<span ss="q">韵况茂陵游倦<span ss="q">句长干望久<span ss="q">句芳心事<span ss="q">读箫声里<span ss="q">韵   屈指<span ss="q">韵归期尚未<span ss="q">韵鹊南飞<span ss="q">读有人应


    ○●● ●●○○● ○○●● ○○● ○○●    ●● ○○●● ●○○ ●○○


    喜<span ss="q">韵画阑桂子<span ss="q">句留香小待<span ss="q">句提携影底<span ss="q">韵我已情多<span ss="q">句十年幽梦<span ss="q">句略曾如此<span ss="q">韵甚谢郎<span ss="q">读也恨飘零<span ss="q">句


    ● ●○●● ○○●● ○○●● ●●○○ ●○○● ●○○● ●●○ ●●○○


    解道月明千里<span ss="q">韵


    ●●●○○●


    ·


    此与苏词同,惟换头句藏短韵,后结摊破句法,作七字一句、六字一句异。 赵长卿“暑风吹雨”词,杨无咎“小轩潇洒”词,胡仔“梦寒绡帐”词,俱与此同,惟赵词、杨词,前段第二句作折腰句法,胡词后结作折腰句法。又,杨词、胡词,换头句俱不藏短韵,注明不另列体。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句五仄韵         晁端礼


    夜来深雪前村路<span ss="q">句应是早梅先绽<span ss="q">韵故人赠我<span ss="q">句江头春信<span ss="q">句南枝向暖<span ss="q">韵疏影横斜<span ss="q">句暗香浮动<span ss="q">句月


    ●○○●○○● ○●●○○● ●○●● ○○○● ○○●● ○●○○ ●○○● ●


    明清浅<span ss="q">韵向亭边驿畔<span ss="q">句行人立马<span ss="q">句频回首<span ss="q">读空肠断<span ss="q">韵  别有玉溪仙馆<span ss="q">韵寿阳人<span ss="q">读初匀妆面<span ss="q">韵


    ○○● ●○○●● ○○●● ○○● ○○●   ●●●○○● ●○○ ○○○●


    天教占了<span ss="q">句百花头上<span ss="q">句和羹未晚<span ss="q">韵最是关情处<span ss="q">句高楼上<span ss="q">读一声羌管<span ss="q">韵仗谁人向道<span ss="q">句争如留取<span ss="q">句


    ○○●● ●○○● ○○●● ●●○○● ○○● ●○○● ●○○●● ○○○●


    倚朱栏看<span ss="q">韵


    ○○○●


    ·


    此与苏词同,惟后段第六、七、八句,摊破四字三句,作五字一句、七字一句异。按,周紫芝“小桃零落”词,后段第六、七句“深院帘垂雨,愁人处、碎红千片”,正与此同。


    又一体 <span ss="q">双调一百二字,前段九句五仄韵,后段八句五仄韵         赵长卿


    烟姿玉骨尘埃外<span ss="q">句看自有<span ss="q">读神仙格<span ss="q">韵花中越样风流<span ss="q">句曾是名标清客<span ss="q">韵月夜香魂<span ss="q">句雪天孤艳<span ss="q">句


    ○○●●○○● ●●● ○○● ○○●●○○ ○●○○○● ●●○○ ●○○●


    可堪怜惜<span ss="q">韵向枝间<span ss="q">读且作东风第一<span ss="q">韵和羹事<span ss="q">读期他日<span ss="q">韵  闻道春归未识<span ss="q">韵问伊家<span ss="q">读却知消


    ●○○● ●○○ ●●○○●● ○○● ○○●   ○●○○●● ●○○ ●○○


    息<span ss="q">韵当时恼杀林逋<span ss="q">句空绕团圞千百<span ss="q">韵横管轻吹处<span ss="q">句余香散<span ss="q">读阿谁偏得<span ss="q">韵寿阳宫<span ss="q">读应有佳人<span ss="q">句


    ● ○○●●○○ ○●○○○● ○●○○● ○○● ●○○● ●○○ ○●○○


    待与点<span ss="q">读新妆额<span ss="q">韵


    ●●● ○○●


    ·


    此词与苏词校,前后段第三、四、五句,摊破四字三句,作六字两句;第九、十句,作九字一句;后段第六、七、八句,难破四字三句,作五字一句、八字一句;第九句以下,摊破五字一句、四字两句,作八字一句、六字一句异。


    又一体 <span ss="q">双调一百四字,前段十句五仄韵,后段九句四仄韵          赵长卿


    韶华迤逦三春暮<span ss="q">韵飞尽繁红无数<span ss="q">韵多情为与<span ss="q">句牡丹长约<span ss="q">句年年为主<span ss="q">韵晓露凝香<span ss="q">句柔条千缕<span ss="q">句轻


    ○○●●○○● ○●○○○● ○○●● ●○○● ○○○● ●●○○ ○○○● ○


    盈清素<span ss="q">韵最堪怜<span ss="q">读玉质冰肌婀娜<span ss="q">句江梅漫休争妒<span ss="q">韵   翠蔓扶疏隐映<span ss="q">句似碧纱<span ss="q">读笼罩越溪游


    ○○● ●○○ ●●○○●● ○○●○○●    ●●○○●● ●●○ ○●●○○


    女<span ss="q">韵从前爱惜娇姿<span ss="q">句终日愁风怕雨<span ss="q">韵夜月一帘<span ss="q">句小楼横断<span ss="q">句有思量处<span ss="q">韵恐因循<span ss="q">读易嫁东风<span ss="q">句烂


    ● ○○●●○○ ○●○○●● ●●●○ ●○○● ●○○● ●○○ ●●○○ ●


    漫暗随春去<span ss="q">韵


    ●●○○●


    ·


    此词与苏词校,前段起句用韵,第九、十句作九字一句,后段第二句多二字,第三、四、五句作六字两句,第九句以下摊破句法异。


    又一体 <span ss="q">双调一百六字,前后段各九句,四仄韵              秦 观


    乱花丛里曾携手<span ss="q">句穷艳景<span ss="q">读迷欢赏<span ss="q">韵到如今<span ss="q">读谁把雕鞍锁定<span ss="q">句阻游人来往<span ss="q">韵好梦随春远<span ss="q">句从前


    ●○○●○○● ○●● ○○● ●○○ ○●○○●● ●○○○● ●●○○● ○○


    事<span ss="q">读不堪思想<span ss="q">韵念香闺正杳<span ss="q">句佳欢未偶<span ss="q">句难留恋<span ss="q">读空惆怅<span ss="q">韵  永夜婵娟未满<span ss="q">句叹玉楼<span ss="q">读几时


    ● ●○○● ●○○●● ○○●● ○○● ○○●   ●●○○●● ●●○ ●○


    重上<span ss="q">韵那堪万里<span ss="q">句却寻归路<span ss="q">句指阳关孤唱<span ss="q">韵苦恨东流水<span ss="q">句桃源路<span ss="q">读欲回双桨<span ss="q">韵仗何人<span ss="q">读细与丁


    ○● ○○●● ●○○● ●○○○● ●●○○● ○○● ●○○● ●○○ ●●○


    宁问呵<span ss="q">句我如今怎向<span ss="q">韵


    ○●○ ●○○●●


    ·


    此添字《水龙吟》也,又兼摊破句法。前段第三、四、五句添二字,摊破四字三句,作九字一句、五字一句;第六、七、八句,摊破四字三句,作五字一句、七字一句;后段第五句添一字;第六、七、八句,亦摊破四字三句,作五字一句、七字一句;结句又添一字。若删去添字,便与诸家无异矣,采入以备一体。 以上九词,皆前段第一句七字、第二句六字者,类列以备参考。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句五仄韵         秦 观


    小楼连苑横空<span ss="q">句下窥绣辇雕鞍骤<span ss="q">韵疏帘半卷<span ss="q">句单衣初试<span ss="q">句清明时候<span ss="q">韵破暖轻风<span ss="q">句弄晴微雨<span ss="q">句欲


    ◎○⊙●○○ ◎○◎●○○● ⊙○◎● ⊙○⊙● ⊙○⊙● ◎●○○ ◎○○● ◎


    无还有<span ss="q">韵卖花声过尽<span ss="q">句垂杨院宇<span ss="q">句红成阵<span ss="q">读飞鸳甃<span ss="q">韵  玉佩丁东别后<span ss="q">韵怅佳期<span ss="q">读参差难又<span ss="q">韵


    ○○● ●⊙○◎● ⊙○◎● ⊙⊙● ○○●   ◎●⊙○◎● ●○⊙ ⊙○⊙●


    名缰利锁<span ss="q">句天还知道<span ss="q">句和天也瘦<span ss="q">韵花下重门<span ss="q">句柳边深巷<span ss="q">句不堪回首<span ss="q">韵念多情<span ss="q">读但有当时皓月<span ss="q">句


    ⊙○●● ⊙○⊙● ⊙○◎● ⊙●○○ ◎○⊙● ◎○○● ●○○ ●●○○●●


    照人依旧<span ss="q">韵


    ●○○●


    ·


    此词前段第一句六字,第二句七字,宋词如此填者最多,后结作九字一句、四字一句,与前诸家异。 此词可平可仄,参下类列十二词。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句四仄韵         黄 机


    晴江滚滚东流<span ss="q">句为谁流得新愁去<span ss="q">韵新愁都在<span ss="q">句长亭望际<span ss="q">句扁舟行处<span ss="q">韵歌罢翻香<span ss="q">句梦回呵酒<span ss="q">句别


    ○○●●○○ ●○○●○○● ○○○● ○○●● ○○○● ○●○○ ●○○● ●


    来无据<span ss="q">韵恨酴醿吹尽<span ss="q">句樱桃过了<span ss="q">句便只恁<span ss="q">读成孤负<span ss="q">韵  须信情钟易感<span ss="q">句数良辰<span ss="q">读佳期应误<span ss="q">韵


    ○○● ●○○○● ○○●● ●●● ○○●   ○●○○●● ●○○ ○○○●


    才高自叹<span ss="q">句彩云空咏<span ss="q">句凌波漫赋<span ss="q">韵团扇尘生<span ss="q">句吟笺泪渍<span ss="q">句一觞慵举<span ss="q">韵但丁宁<span ss="q">读双燕明年<span ss="q">句还解


    ○○●● ●○○● ○○●● ○●○○ ○○●● ●○○● ●○○ ○●○○ ○●


    寄平安否<span ss="q">韵


    ●○○●


    ·


    此与秦词同,惟后段起句不押韵,结句七字一句、六字一句异。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十二句六仄韵        吴文英


    有人独立空山<span ss="q">句翠髯未觉霜颜老<span ss="q">韵新香秀粒<span ss="q">句浓光绿浸<span ss="q">句千年春小<span ss="q">韵布影参旗<span ss="q">句障空云盖<span ss="q">句沈


    ●○●●○○ ●○●●○○● ○○●● ○○●● ○○○● ●●○○ ●○○● ○


    沈秋晓<span ss="q">韵驷苍虬万里<span ss="q">句笙吹凤女<span ss="q">句骖飞乘<span ss="q">读天风袅<span ss="q">韵   般巧<span ss="q">韵霜斤不到<span ss="q">韵汉游仙<span ss="q">读相从最


    ○○● ●○○●● ○○●● ○○● ○○●    ○● ○○●● ●○○ ○○●


    早<span ss="q">韵皱鳞细雨<span ss="q">句层阴藏月<span ss="q">句朱弦古调<span ss="q">韵问讯东桥<span ss="q">句故人南岭<span ss="q">句倚天长啸<span ss="q">韵待凌宵谢了<span ss="q">句山深岁


    ● ●○●● ○○○● ○○●● ●●○○ ●○○● ●○○● ●○○●● ○○●


    晚<span ss="q">句素心才表<span ss="q">韵


    ● ●○○●


    ·


    此与秦词同,惟换头句藏一短韵,结处五字一句、四字两句异。 章咨楶“燕忙莺懒”词,第二句“正堤上、柳花飘坠”,作上三下四折腰句法,余皆同,不另列体。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句五仄韵         程 垓


    夜来风雨匆匆<span ss="q">句故园定是花无几<span ss="q">韵愁多怨极<span ss="q">句等闲辜负<span ss="q">句一年芳意<span ss="q">韵柳困桃慵<span ss="q">句杏青梅小<span ss="q">句对


    ●○○●○○ ●○●●○○● ○○●● ●○○● ●○○● ●●○○ ●○○● ●


    人容易<span ss="q">韵算好春长在<span ss="q">句好花长见<span ss="q">句元只是<span ss="q">读人憔悴<span ss="q">韵  回首池南旧事<span ss="q">韵恨星星<span ss="q">读不堪重记<span ss="q">韵


    ○○● ●●○○● ●○○● ○●● ○○●   ○●○○●● ●○○ ●○○●


    如今但有<span ss="q">句霜花老眼<span ss="q">句伤时清泪<span ss="q">韵不怕逢花瘦<span ss="q">句只愁怕<span ss="q">读老来风味<span ss="q">韵待繁红乱处<span ss="q">句留云借月<span ss="q">句


    ○○●● ○○●● ○○○● ●●○○● ●○● ●○○● ●○○●● ○○●●


    也须拌醉<span ss="q">韵


    ●○○●


    ·


    此与秦词同,惟后段第六、七、八句,摊破四字三句,作五字一句、七字一句异。吴文英“望中璇海”词,后段第六、七句“花萼楼高处,连清晓、千秋传宴”,正与此同。


    又一体 <span ss="q">双调一百二字,前段十句四仄韵,后段十一句六仄韵         吴文英


    望春楼外沧波<span ss="q">句旧年照眼青铜镜<span ss="q">韵炼成宝月<span ss="q">句飞来天上<span ss="q">句银河流影<span ss="q">韵绀玉钩帘处<span ss="q">句横犀尘<span ss="q">读天


    ●○○●○○ ●○●●○○● ●○●● ○○○● ○○○● ●●○○● ○○● ○


    香分鼎<span ss="q">韵记般云殿琐<span ss="q">句裁花剪露<span ss="q">句曲江畔<span ss="q">读春风劲<span ss="q">韵   槐省<span ss="q">韵红尘画静<span ss="q">韵午朝回<span ss="q">读吟生晚


    ○○● ●○○●● ○○●● ●○● ○○●    ○● ○○●● ●○○ ○○●


    兴<span ss="q">韵春霖绣笔<span ss="q">句莺边清昼<span ss="q">句金狨旋整<span ss="q">韵阆苑芝仙貌<span ss="q">句生绡对<span ss="q">读绿窗深景<span ss="q">韵弄琼英数点<span ss="q">句宫梅信


    ● ○○●● ○○○● ○○●● ●●○○● ○○● ●○○● ●○○●● ○○●


    早<span ss="q">句占年光永<span ss="q">韵


    ● ●○○●


    ·


    此亦秦词体,惟前后段第六、七、八句,俱摊破四字三句,作五字一句、七字一句,换头句藏一短韵异。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句五仄韵         刘 过


    谪仙狂客何如<span ss="q">句看来毕竟归田好<span ss="q">韵玉堂无此<span ss="q">句三山海上<span ss="q">句虚无缥缈<span ss="q">韵读罢离骚<span ss="q">句暗香犹在<span ss="q">句觉


    ●○○●○○ ○○●●○○● ●○○● ○○●● ○○●● ●●○○ ●○○● ●


    人间小<span ss="q">韵任菜花葵麦<span ss="q">句刘郎去后<span ss="q">句桃开处<span ss="q">读知多少<span ss="q">韵  一夜雪迷兰棹<span ss="q">韵傍寒溪<span ss="q">读欲寻安道<span ss="q">韵


    ○○● ●●○○● ○○●● ○○● ○○●   ●●●○○● ●○○ ●○○●


    而今纵有<span ss="q">句刘乂冰柱<span ss="q">句有知音否<span ss="q">韵想见鸾飞<span ss="q">句如椽健笔<span ss="q">句檄书亲草<span ss="q">韵算平生<span ss="q">读白傅风流<span ss="q">句未肯


    ○○●● ○○○● ●○○● ●●○○ ○○●● ●○○● ●○○ ●●○○ ●●


    向<span ss="q">读香山老<span ss="q">韵


    ● ○○●


    ·


    此亦秦词体,惟后结作七字一句、六字一句异。刘镇“三山腊雪”词,杨樵云“多情不在”词,俱与此同,惟换头句俱不押韵。又,李昴英“驿飞稳驾”词,结句六字不折腰,注明不另列体。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段九句五仄韵         吴文英


    夜分溪馆渔灯<span ss="q">句巷声乍寂西风定<span ss="q">韵河桥送远<span ss="q">句玉箫吹断<span ss="q">句霜丝舞影<span ss="q">韵薄絮秋云<span ss="q">句淡蛾山色<span ss="q">句宦


    ●○○●○○ ●○●●○○● ○○●● ●○○● ○○●● ●●○○ ●○○● ●


    情归兴<span ss="q">韵怕烟江渡后<span ss="q">句桃花又泛<span ss="q">句宫沟上<span ss="q">读春流紧<span ss="q">韵  新句欲题还省<span ss="q">韵透香煤<span ss="q">读重笺误隐<span ss="q">韵


    ○○● ●○○●● ○○●● ○○● ○○●   ○●●○○● ●○○ ○○●●


    西园已负<span ss="q">句林亭移酒<span ss="q">句松泉荐茗<span ss="q">韵携手同归处<span ss="q">句玉奴唤<span ss="q">读绿窗春近<span ss="q">韵想骄骢<span ss="q">读又踏西湖<span ss="q">句二十


    ○○●● ○○○● ○○●● ○●○○● ●○● ●○○● ●○○ ●●○○ ●●


    四番花信<span ss="q">韵


    ●○○●


    ·


    此与程垓词同,惟后结七字一句、六字一句异。


    又一体 <span ss="q">双调一百四字,前段十一句四仄韵,后段十一句五仄韵        葛立方


    九州雄杰溪山<span ss="q">句遂安自古称佳处<span ss="q">韵云迷半岭<span ss="q">句风号浅濑<span ss="q">句轻舟斜渡<span ss="q">韵朱阁横飞<span ss="q">句渔矶无恙<span ss="q">句鸟


    ●○○●○○ ●○●●○○● ○○●● ○○●● ○○○● ○●○○ ○○○● ●


    啼林坞<span ss="q">韵吊高人陈迹<span ss="q">句空瞻遗像<span ss="q">句知英烈<span ss="q">读雄千古<span ss="q">韵  忆昔龙飞光武<span ss="q">韵怅当年<span ss="q">读故人何许<span ss="q">韵


    ○○● ●○○○● ○○○● ○○● ○○●   ●●○○○● ●○○ ●○○●


    羊裘自贵<span ss="q">句龙章难换<span ss="q">句不如归去<span ss="q">韵七里溪边<span ss="q">句鸬鸶滩畔<span ss="q">句一蓑烟雨<span ss="q">韵叹如今荡子<span ss="q">句翻将钓手<span ss="q">句


    ○○●● ○○○● ●○○● ●●○○ ○○○● ●○○● ●○○●● ○○●●


    遮日向<span ss="q">读西秦路<span ss="q">韵


    ○●● ○○●


    ·


    此亦秦词体,惟后段结句添二字异。按,张孝祥“望九华”词,“怅世缘未了,匆匆又去,空凝伫、烟霄里”,正与此同。


    又一体 <span ss="q">双调一百六字,前段十二句四仄韵,后段九句四仄韵        张 雨


    古来宰相神仙<span ss="q">句有谁得似东泉老<span ss="q">韵今朝佳宴<span ss="q">句杨枝解唱<span ss="q">句花枝解笑<span ss="q">韵钟鼎山林<span ss="q">句同时行辈<span ss="q">句


    ●○●●○○ ●○●●○○● ○○○● ○○●● ○○●● ○●○○ ○○●●


    故人应少<span ss="q">韵问功成身退<span ss="q">句何须更学<span ss="q">句鸱夷子<span ss="q">句烟波渺<span ss="q">韵  我自深衣独乐<span ss="q">句尽从渠<span ss="q">读黄尘乌


    ●○○● ●○○○● ○○●● ○○● ○○●   ●●○○●● ●○○ ○○○


    帽<span ss="q">韵后来官职清高<span ss="q">句一品还他三少<span ss="q">韵不须十载光阴<span ss="q">句渭水相逢<span ss="q">句又入飞熊梦了<span ss="q">韵到恁时<span ss="q">读拂


    ● ●○○●○○ ●●○○○● ●○●●○○ ●●○○ ●●○○●● ●●○ ●


    袖逍遥<span ss="q">句胜戏十洲三岛<span ss="q">韵


    ●○○ ●●●○○●


    ·


    此词后结句读,与吴文英“夜分深馆”词同,惟后段起句不押韵,第三、四、五句摊破四字三句,作六字两句,第六句添二字,第八句添二字异。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句四仄韵         曹 组


    晓天谷雨晴时<span ss="q">句翠罗护日轻烟里<span ss="q">韵酴醿径暖<span ss="q">句柳花风淡<span ss="q">句千葩浓丽<span ss="q">韵三月春光<span ss="q">句上林池馆<span ss="q">句西


    ●○●●○○ ●○●●○○● ○○●● ●○○● ○○○● ○●○○ ●○○● ○


    都花市<span ss="q">韵看轻盈隐约<span ss="q">句何须解语<span ss="q">句凝情处<span ss="q">读无穷意<span ss="q">韵  金殿筠笼岁贡<span ss="q">句最姚黄<span ss="q">读一枝娇贵<span ss="q">韵


    ○○● ●○○●● ○○●● ○○● ○○●   ○●○○●● ●○○ ●○○●


    东风既与花王<span ss="q">句芍药须为近侍<span ss="q">韵歌舞筵中<span ss="q">句满装归帽<span ss="q">句斜簪云髻<span ss="q">韵有高情未已<span ss="q">句齐烧绛蜡<span ss="q">句向


    ○○●●○○ ●●○○●● ○●○○ ●○○● ○○○● ●○○●● ○○●● ●


    阑边醉<span ss="q">韵


    ○○●


    ·


    此亦秦词体,惟后段第三、四、五句,摊破四字三句,作六字两句异。


    又一体 <span ss="q">双调一百二字,前段十句四仄韵,后段九句四仄韵          赵长卿


    先来天与精神<span ss="q">句更因丽景添殊态<span ss="q">韵拖轻苒苒<span ss="q">句才凝一段<span ss="q">句还分五彩<span ss="q">韵毕竟非烟<span ss="q">句有时为雨<span ss="q">句惹


    ○○○●○○ ●○●●○○● ○○●● ○○●● ○○●● ●●○○ ●○○● ●


    情无奈<span ss="q">韵道无心<span ss="q">读怎被歌声遏断<span ss="q">句迟迟向<span ss="q">读青天外<span ss="q">韵  宜伴先生醉卧<span ss="q">句得饶到<span ss="q">读和山须买<span ss="q">韵


    ○○● ●○○ ●●○○●● ○○● ○○●   ○●○○●● ●○● ○○○●


    也曾恼杀襄王<span ss="q">句谁道依前不会<span ss="q">韵我欲乘归去<span ss="q">句翻恨怅<span ss="q">读帝乡何在<span ss="q">韵念佳期未展<span ss="q">句天长暮合<span ss="q">句尽


    ●○●●○○ ○●○○●● ●●○○● ○●● ●○○● ●○○●● ○○●● ●


    空相对<span ss="q">韵


    ○○●


    ·


    此与曹组词同,惟后段第六、七、八句,又摊破四字三句,作五字一句、七字一句异。


    又一体 <span ss="q">双调一百一字,前段十句四仄韵,后段九句四仄韵         赵长卿


    淡烟轻霭濛濛<span ss="q">句望中乍歇凝晴昼<span ss="q">韵才惊一霎催花<span ss="q">句还又随风过了<span ss="q">韵清带梨梢<span ss="q">句晕含桃脸<span ss="q">句添春


    ●○○●○○ ●○●●○○● ○○●●○○ ○●○○●● ○●○○ ●○○● ○○


    多少<span ss="q">韵向海棠点点<span ss="q">句香红染遍<span ss="q">句分明是<span ss="q">读胭脂透<span ss="q">韵  无奈芳心滴碎<span ss="q">句阻游人<span ss="q">读踏青携手<span ss="q">韵檐


    ○● ●●○●● ○○●● ○○● ○○●   ○●○○●● ●○○ ●○○● ○


    头线断<span ss="q">句空中丝乱<span ss="q">句才晴却又<span ss="q">韵帘幕闲垂处<span ss="q">句轻风送<span ss="q">读一番寒峭<span ss="q">韵正留君不住<span ss="q">句潇潇更下黄昏


    ○●● ○○○● ○○●● ○●○○○ ○○● ○○○● ●○○●● ○○●●○○


    后<span ss="q">韵


    ●


    ·


    此亦秦词体,惟前段第三、四、五句,摊破四字三句,作六字两句,后段第六、七、八句,摊破四字三句,作五字一句、七字一句,第九、第十句减一字,作五字一句、七字一句异。


    又一体 <span ss="q">双调一百二字,前后段各十一句,四仄韵       <span ss="q">高丽史·乐志》无名氏


    洞天景色常春<span ss="q">句嫩红浅白开轻萼<span ss="q">韵琼筵镇起<span ss="q">句金炉烟重<span ss="q">句香凝锦幄<span ss="q">韵窈窕神仙<span ss="q">句妙呈歌舞<span ss="q">句攀


    ●○●●○○ ●○●●○○● ○○●● ○○○● ○○●● ●●○○ ●○○● ○


    花相约<span ss="q">韵彩云月转<span ss="q">句朱丝网除<span ss="q">句任语笑<span ss="q">读抛球乐<span ss="q">韵  绣袂风翻凤举<span ss="q">句转星眸<span ss="q">读柳腰柔弱<span ss="q">韵头


    ○○● ●○●● ○○●○ ●●● ○○●   ●●○○●● ●○○ ●○○● ○


    筹得胜<span ss="q">句欢声近地<span ss="q">句花光容约<span ss="q">韵满座嘉宾<span ss="q">句喜听仙乐<span ss="q">句交传觥爵<span ss="q">韵龙吟欲罢<span ss="q">句彩云摇曳<span ss="q">句相将


    ○●● ○○●● ○○○● ●●○○ ●○○● ○○○● ○○●● ●○○● ○○


    去<span ss="q">读归寥廓<span ss="q">韵


    ● ○○●


    ·


    此见《高丽史·乐志》,名《水龙吟令》,抛球乐队舞曲也。亦与秦词同,惟前后段第九句各减一字,后段结句添二字异。 以上词十三首,皆前段第一句六字、第二句七字者,类列以备参考。


    又一体 <span ss="q">双调一百二字,前后段各十一句,四仄韵             李之仪


    晚风轻拂<span ss="q">句游云尽卷<span ss="q">句霁色寒相射<span ss="q">韵银潢半掩<span ss="q">句秋毫欲数<span ss="q">句分明不夜<span ss="q">韵玉管传声<span ss="q">句羽衣催舞<span ss="q">句


    ●○○● ○○●● ●●○○● ○○●● ○○●● ○○●● ●●○○ ●○○●


    此欢难借<span ss="q">韵凛清辉<span ss="q">读但觉圆光罩影<span ss="q">句冰壶莹<span ss="q">读真无价<span ss="q">韵   闻道水晶宫殿<span ss="q">句蕙炉熏<span ss="q">读珠帘高


    ●○○● ●○○ ●●○○●● ○○● ○○●    ○●●○○● ●○○ ○○○


    挂<span ss="q">韵琼枝半倚<span ss="q">句瑶觞更劝<span ss="q">句莺娇燕姹<span ss="q">韵目断魂飞<span ss="q">句翠萦红绕<span ss="q">句空怜小砑<span ss="q">韵想归来醉里<span ss="q">句鸾篦凤


    ● ○○●● ○○●● ○○●● ●●○○ ●○○● ○○●● ●○○●● ○○●


    朵<span ss="q">句待何人卸<span ss="q">韵


    ● ●○○●


    ·


    此词前段第一、二句,作四字两句、五字一句。按,曹勋《松隐集》,《水龙吟》词五首,前段起处皆与此同,又《梅苑》无名氏词亦与此同,则知此体宋人亦间为之,采之以备一体。


    又一体 <span ss="q">双调一百二字,前段十句五平韵,后段九句五平韵          辛弃疾


    听兮清佩琼瑶<span ss="q">韵些<span ss="q">句明兮镜秋毫<span ss="q">韵些<span ss="q">句君无此去<span ss="q">句流昏涨腻<span ss="q">读生蓬蒿<span ss="q">韵些<span ss="q">句虎豹甘人<span ss="q">句渴而饮


    ●○○●○○ ● ○○●○○ ● ○○●● ○○●● ○○○ ● ●●○○ ●○●


    汝<span ss="q">句宁猿猱<span ss="q">韵些<span ss="q">句大而流江海<span ss="q">句覆舟如芥<span ss="q">句君无助<span ss="q">读狂涛<span ss="q">韵些<span ss="q">句  路险兮山高<span ss="q">韵些<span ss="q">句予愧独


    ● ○○○ ● ●○○○● ●○○● ○○● ○○ ●   ●●○○○ ● ○●●


    处无聊<span ss="q">韵些<span ss="q">句冬槽春盎<span ss="q">句归来为我<span ss="q">读制松醪<span ss="q">韵些<span ss="q">句其外芳芬<span ss="q">句团龙片凤<span ss="q">句煮云膏<span ss="q">韵些<span ss="q">句古人兮


    ●○○ ● ○○○● ○○●● ●○○ ● ○●○○ ○○●● ●○○ ● ●○○


    既往<span ss="q">句嗟予之乐<span ss="q">读乐箪瓢<span ss="q">韵些<span ss="q">句


    ●● ○○○● ●○○ ●


    ·


    此词见《稼轩集》,仿楚词体,每韵下用一“些”字,采以备体。 按,蒋捷《竹山词》,《水龙吟》调,亦有仿此体者,因字句悉同,不另列。


    又一体 <span ss="q">双调一百二字,前段八句五仄韵,后段九句四仄韵  <span ss="q">《高丽史·乐志》无名氏


    玉皇金阙长春<span ss="q">句民仰高天欣戴<span ss="q">韵年年一度定佳期<span ss="q">句风情多感慨<span ss="q">韵绮罗竞交会<span ss="q">韵争折花枝两相


    ●○○●○○ ○●○○○● ○○●●●○○ ○○○●● ●○●○● ○●○○●○


    对<span ss="q">韵舞袖翩翩歌声妙<span ss="q">句掩粉面<span ss="q">读斜窥翠黛<span ss="q">韵  锦额门开<span ss="q">句彩架球儿<span ss="q">句当先诱<span ss="q">读神仙队<span ss="q">韵融


    ● ●●○○○○● ●●● ○○●●   ●●○○ ●●○○ ○○● ○○● ○


    香拂席舞霓裳<span ss="q">句动铿锵环佩<span ss="q">韵宝座巍巍五云密<span ss="q">句欢呼争拜退<span ss="q">韵管弦众作欲归去<span ss="q">句愿吾皇<span ss="q">读万


    ○●○●○○ ●○○○● ●●○○●○● ○○○●● ●○●●●○● ●○○ ●


    年恩爱<span ss="q">韵


    ○○●


    ·


    此见《高丽史·乐志》,名《水龙吟慢》,与苏词、秦词,句读全异,采入以备一体。


    斗百草  调见《琴趣外篇》。


    斗百草 <span ss="q">双调一百二字,前段十句四仄韵,后段十句五仄韵          晁补之


    别日常多<span ss="q">句会时常寡天难晓<span ss="q">韵正喜花开<span ss="q">句又愁花谢<span ss="q">句春也似人易老<span ss="q">韵惨无言<span ss="q">读念旧日朱颜<span ss="q">句清


    ●●○○ ●○⊙●○○● ●●○○ ●○○● ○●●○●● ●○○ ●●●○○ ○


    欢莫笑<span ss="q">韵便苒苒如云<span ss="q">句霏霏似雨<span ss="q">句去无音耗<span ss="q">韵   追想墙头梅下<span ss="q">句门里桃边<span ss="q">句名利为伊都忘


    ○◎● ●●●○○ ○○●● ●○⊙●    ○●○○⊙● ○●○○ ○●●○○●


    了<span ss="q">韵血写香笺<span ss="q">句泪封罗帕<span ss="q">句记三日<span ss="q">读离肠浪搅<span ss="q">韵如今事<span ss="q">句十二楼空凭谁到<span ss="q">韵此情悄<span ss="q">韵拟回船<span ss="q">读


    ● ◎●○○ ●○○● ●○◎ ○○●● ○○● ◎●○○⊙○● ●○● ●○○


    武陵路杳<span ss="q">韵


    ●○●●


    ·


    此调只晁词二首,故可平可仄,即参下词。


    又一体 <span ss="q">双调一百二字,前段十句三仄韵,后段十句六仄韵          晁补之


    往事临邛<span ss="q">句旧游雅态羞重忆<span ss="q">韵解赋才高<span ss="q">句好音情慧<span ss="q">句琴里句中暗识<span ss="q">韵正当年<span ss="q">读似阆苑琼枝<span ss="q">句朝


    ●●○○ ●○●●○○● ●●○○ ●○○● ○●●○●● ●○○ ●●●○○ ○


    朝相倚<span ss="q">句便涤器何妨<span ss="q">句当垆正好<span ss="q">句镇同比翼<span ss="q">韵   谁使褰裳佩失<span ss="q">韵推枕云归<span ss="q">句惆怅至今遗恨


    ○○● ●●●○○ ○○●● ●○●●    ○●○○●● ○●○○ ○●●○○●


    积<span ss="q">韵双鲤书来<span ss="q">句大刀诗意<span ss="q">句纵章台<span ss="q">读青青似昔<span ss="q">韵重寻事<span ss="q">句前度刘郎转愁寂<span ss="q">韵漫赢得<span ss="q">韵倚东风<span ss="q">读


    ● ○●○○ ●○○● ●○○ ○○●● ○○● ○●○○●○● ●○● ●○○


    对花叹息<span ss="q">韵


    ●○●●


    ·


    此与前词同,惟前段第七句少押一韵,后段第一句多押一韵异。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>


    石州慢  《宋史·乐志》:越调。贺铸词,有“长亭柳色才黄”句,名《柳色黄》;谢懋词,名《石州引》。


    石州慢 <span ss="q">双调一百二字,前段十句四仄韵,后段十一句五仄韵         贺 铸


    薄雨催寒<span ss="q">句斜照弄晴<span ss="q">句春意空阔<span ss="q">韵长亭柳色才黄<span ss="q">句远客一枝先折<span ss="q">韵烟横水际<span ss="q">句映带几点归鸦<span ss="q">句


    ◎●○○ ○●●○ ⊙●○● ⊙○◎●○○ ◎●◎○○● ○○◎● ◎◎◎●○○


    东风消尽龙沙雪<span ss="q">韵还记出关时<span ss="q">句恰而今时节<span ss="q">韵  将发<span ss="q">韵画楼芳酒<span ss="q">句红泪清歌<span ss="q">句顿成轻别<span ss="q">韵已


    ⊙○⊙●○○● ⊙●●○○ ●○○○●   ○● ●○⊙● ⊙◎⊙⊙ ◎○⊙● ●


    是经年<span ss="q">句杳杳音尘都绝<span ss="q">韵欲知方寸<span ss="q">句共有几许清愁<span ss="q">句芭蕉不展丁香结<span ss="q">韵枉望断天涯<span ss="q">句两厌厌风


    ●○○ ◎●⊙○○● ◎○⊙● ◎◎◎●○○ ⊙○◎●○○● ◎●●○○ ●○○○


    月<span ss="q">韵


    ●


    ·


    此调以此词为正体,若蔡词、二张词之摊破句法,王词之句读全异,皆变格也。 此词前后段两结句,例作上一下四句法,填者辨之。 按,元好问词,前段第七句“而今憔悴登楼”,后段第八句“萧萧两鬓黄尘”,而字、上萧字俱平声,谱内据此,余参下四词。


    又一体 <span ss="q">双调一百二字,前段十句四仄韵,后段十句五仄韵          蔡松年


    云海蓬莱<span ss="q">句风雾鬓鬟<span ss="q">句不假梳掠<span ss="q">韵仙衣卷尽云霓<span ss="q">句方见宫腰纤弱<span ss="q">韵心


    期得处<span ss="q">句世间言语非真<span ss="q">句


    ○●○○ ○●●○ ●●○● ○○●●○○ ○●○○○● ○○●● ●○○●○○


    海犀一点通寥廓<span ss="q">韵无物比情浓<span ss="q">句觅无情相博<span ss="q">韵   离索<span ss="q">韵晓来一枕余香<span ss="q">句酒病赖花医却<span ss="q">韵滟


    ●○●●○○● ○●●○○ ●○○○●    ○● ●○●●○○ ●●●○○● ●


    滟金尊<span ss="q">句收拾新愁重酌<span ss="q">韵片帆云影<span ss="q">句载将无际关山<span ss="q">句梦魂应被杨花觉<span ss="q">韵梅子雨丝丝<span ss="q">句满江干楼


    ●○○ ○●○○○● ●○○● ●○○●○○ ●○○●○○● ○●●○○ ●○○○


    阁<span ss="q">韵


    ●


    ·


    此与贺词同,惟后段第二、三、四句,摊破作六字两句异。 按,张埜词,后段第二、三句“天涯几许离情,化作暮云千缕”,正与此同。又,白朴词,“疗饥赖有楚萍,暖老尚须燕玉”,作一对联,文法又小异。


    又一体 <span ss="q">双调一百二字,前段十句四仄韵,后段十一句五仄韵         张元幹


    寒水依痕<span ss="q">句春意渐回<span ss="q">句沙际烟阔<span ss="q">韵溪梅晴照生香<span ss="q">句冷蕊数枝争发<span ss="q">韵天涯旧恨<span ss="q">句试看几许消魂<span ss="q">句


    ○●○○ ○●●○ ○●○● ○○○●○○ ●●●○○● ○○●● ●○●●○○


    长亭门外山重叠<span ss="q">韵不尽眼中青<span ss="q">句是愁来时节<span ss="q">韵  情切<span ss="q">韵画楼深闭<span ss="q">句想见东风<span ss="q">句暗消肌雪<span ss="q">韵辜


    ○○○●○○● ●●●○○ ●○○○●   ○● ●○○● ●●○○ ●○○● ○


    负枕前云雨<span ss="q">句尊前花月<span ss="q">韵心期切处<span ss="q">句更有多少凄凉<span ss="q">句殷勤留与归时说<span ss="q">韵到得再相逢<span ss="q">句恰经年离


    ●●○○● ○○○● ○○●● ●●○●○○ ○○○●○○● ●●●○○ ●○○○


    别<span ss="q">韵


    ●


    ·


    此亦与贺词同,惟后段第五句六字、第六句四字异。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十一句五仄韵       张 炎


    野色惊秋<span ss="q">句随意散愁<span ss="q">句踏碎黄叶<span ss="q">韵谁家篱落<span ss="q">句闲花似语<span ss="q">句试妆娇怯<span ss="q">韵行行步影<span ss="q">句未教背写腰


    ●●○○ ○●●○ ●●○● ○○○● ○○●● ●○○● ○○●● ●○●●○


    肢<span ss="q">句一枝犹立门前雪<span ss="q">韵依约镜中春<span ss="q">句又无端轻别<span ss="q">韵  痴绝<span ss="q">韵汉皋何处<span ss="q">句解佩何人<span ss="q">句应须情


    ○ ●○○●○○● ○●●○○ ●○○○●   ○● ●○○● ●●○○ ○○○


    切<span ss="q">韵空引东邻<span ss="q">句遗恨丁香空结<span ss="q">韵十年旧恨<span ss="q">句尚余恍惚云窗<span ss="q">句可怜不是当时蝶<span ss="q">韵深夜醉醒来<span ss="q">句


    ● ●●○○ ○●○○○● ●○●● ●○●●○○ ●○●●○○● ○●●○○


    怅一庭风月<span ss="q">韵


    ●●○○●


    ·


    此亦与贺词同,惟前段第四、五句,摊破作四字三句异。 此词后段结句,一字入声,以入作平,故贺词此字不注可仄。


    又一体 <span ss="q">双调一百二字,前段九句四仄韵,后段十一句五仄韵         张 雨


    落日空城禾黍<span ss="q">句夜深砧杵才歇<span ss="q">韵怪他萝薜絺衣<span ss="q">句风露润滋凉浃<span ss="q">韵清愁多少<span ss="q">句只消目送飞鸿<span ss="q">句五


    ●●○○○● ●○○●○● ●○○●○○ ○●●○○● ○○○● ●○●●○○ ●


    弦已是心悲咽<span ss="q">韵把酒问青天<span ss="q">句又中秋时节<span ss="q">韵   闻说<span ss="q">韵谪仙去后<span ss="q">句何人敢拟<span ss="q">句诗豪酒杰<span ss="q">韵草


    ○●●○○● ●●●○○ ●○○○●    ○● ●○●● ○○●● ○○●● ●


    草山林<span ss="q">句还我旧时明月<span ss="q">韵书帷冷落<span ss="q">句纵教万事都忘<span ss="q">句闲文闲字偏情热<span ss="q">韵孤负楮先生<span ss="q">句有一庭红


    ●○○ ○●●○○● ○○●● ●○●●○○ ○○○●○○● ○●●○○ ●●○○


    叶<span ss="q">韵


    ●


    ·


    此亦与贺词同,惟前段第一、二、三句,摊破作六字两句异。


    又一体 <span ss="q">双调一百二字,前段十二句四仄韵,后段十二句五仄韵        王之道


    天迥楼高<span ss="q">句日长院静<span ss="q">句琴声幽咽<span ss="q">韵昵昵恩情<span ss="q">句叨叨言语<span ss="q">句似伤离别<span ss="q">韵子期何处<span ss="q">句只今漫讶<span ss="q">句高


    ○●○○ ●○●● ○○○● ●●○○ ○○○● ●○○● ●○○● ●○●● ○


    山流水<span ss="q">句又逐新声彻<span ss="q">韵彷佛江州<span ss="q">句夜听琵琶凄切<span ss="q">韵   休说<span ss="q">韵春寒料峭<span ss="q">句夜来花柳<span ss="q">句弄风摇


    ○○● ●●○○● ●●○○ ●●○○○●    ○● ○○●● ●○○● ●○○


    雪<span ss="q">韵大错因谁<span ss="q">句算不啻六州铁<span ss="q">韵波下双鱼<span ss="q">句云中乘雁<span ss="q">句嗣音无计<span ss="q">句空叹初谋拙<span ss="q">韵但愿相逢<span ss="q">句同


    ● ●●○○ ●●●●○● ○●○○ ○○●● ●○○● ○●○○● ●●○○ ○


    心再绾重结<span ss="q">韵


    ○●●○●


    ·


    此词句读多与诸家不同,采以备体,不参校入谱。


    上林春慢  《宋史·乐志》:中吕宫。


    上林春慢 <span ss="q">双调一百二字,前段十一句四仄韵,后段九句五仄韵        晁补之


    帽落宫花<span ss="q">句衣惹御香<span ss="q">句凤辇晚来初过<span ss="q">韵鹤降诏飞<span ss="q">句龙衔烛戏<span ss="q">句端门万枝灯火<span ss="q">韵满城车马<span ss="q">句对明


    ◎●○○ ○●●⊙ ●●◎○○● ●◎◎⊙ ○○●● ○○●○○● ●○⊙● ●○


    月<span ss="q">读有谁闲坐<span ss="q">韵任狂游<span ss="q">句更许傍禁街<span ss="q">句不扃金锁<span ss="q">韵   玉楼人<span ss="q">读暗中掷果<span ss="q">韵珍帘下<span ss="q">读笑著春


    ● ●○⊙● ●○○ ●◎◎●⊙ ◎○○●    ●○○ ●○●● ○○● ●●○


    衫袅娜<span ss="q">韵素蛾绕钗<span ss="q">句轻蝉扑鬓<span ss="q">句垂垂柳丝梅朵<span ss="q">韵夜阑饮散<span ss="q">句但赢得<span ss="q">读翠翘双亸<span ss="q">韵醉归来<span ss="q">句又重


    ○◎● ●⊙◎⊙ ○○◎● ○⊙●○○● ◎○●● ●○● ●○○● ●○○ ●⊙


    向<span ss="q">读晓窗梳裹<span ss="q">韵


    ● ●○○●


    ·


    此调两晁词,俱为正体。此词有曾纡词可校。 按,曾词,前段第二句“豪健放乐”,乐字仄声;第四句“靓妆微步”,微字平声;第十句“念流水易失”,流水二字俱平声,失字仄声;第十一句“幽姿堪惜”,幽字平声;后段第三句“旧游回首”,回字平声,首字仄声;第四句“前欢如梦”,如字平声;第六句“稠红乱蕊”,稠字平声。谱内可平可仄据此,余参下词。


    又一体 <span ss="q">双调一百二字,前段十一句四仄韵,后段十句五仄韵         晁补之


    天惜中秋<span ss="q">句三夜淡云<span ss="q">句占得今宵明月<span ss="q">韵孟陬岁好<span ss="q">句金风气爽<span ss="q">句清时挺生贤哲<span ss="q">韵相门出相<span ss="q">句算钟


    ○●○○ ○●●○ ●●○○○● ●○●● ○○●● ○○●○○● ●○●● ●○


    庆<span ss="q">读自应累叶<span ss="q">韵乍归来<span ss="q">句暂燕处<span ss="q">句共仰赤松高辙<span ss="q">韵   想人生<span ss="q">读会须自悦<span ss="q">韵浮云事<span ss="q">读笑里尊


    ● ●○●● ●○○ ●●● ●●●○○●    ●○○ ●○●● ○○● ●●○


    前休说<span ss="q">韵旧有衮衣<span ss="q">句公归未晚<span ss="q">句千岁盛明时节<span ss="q">韵命圭相印<span ss="q">句看重赏<span ss="q">读晋公勋业<span ss="q">韵济生灵<span ss="q">句共富


    ○○● ●●●○ ○○●● ○●●○○● ●○●● ●○● ●○○● ●○○ ●●


    贵<span ss="q">句海深天阔<span ss="q">韵


    ● ●○○●


    ·


    此与前词同,惟前结作三字一句、六字一句异。


    宴清都  调始《清真乐府》,程垓词名《四代好》。


    宴清都 <span ss="q">双调一百二字,前段十句五仄韵,后段十句四仄韵         周邦彦


    地僻无钟鼓<span ss="q">韵残灯灭<span ss="q">句夜长人倦难度<span ss="q">韵寒吹断梗<span ss="q">句风翻暗雪<span ss="q">句洒窗填户<span ss="q">韵宾鸿漫说传书<span ss="q">句算


    ◎●○○● ○⊙● ◎⊙○●○● ○○◎● ⊙⊙◎◎ ◎○○● ○○●●○○ ●


    过尽<span ss="q">读千俦万侣<span ss="q">韵始信得<span ss="q">读庾信愁多<span ss="q">句江淹恨极须赋<span ss="q">韵  凄凉病损文园<span ss="q">句徽弦乍拂<span ss="q">句音韵


    ◎● ⊙○●● ◎◎◎ ◎●○○ ⊙○◎●○●   ○○●●○○ ⊙○◎● ○◎


    先苦<span ss="q">韵淮山夜月<span ss="q">句金城暮草<span ss="q">句梦魂飞去<span ss="q">韵秋霜半入清镜<span ss="q">句叹带眼<span ss="q">读多移旧处<span ss="q">韵更久长<span ss="q">读不见


    ⊙● ⊙○●● ⊙○◎● ●○○● ⊙○◎●○◎ ◎◎● ⊙○◎● ●◎⊙ ◎●


    文君<span ss="q">句归时认否<span ss="q">韵


    ○○ ⊙○●●


    ·


    此调以此词为正体,若卢词之多押两韵,曹词、吴词之多押三韵,袁词、陈词之减字,皆变格也。 按,前段第三句,赵必象词“宾鸿三两飞度”,宾字平声;第四句,赵词“茅檐春小”,春字平声;第五句,赵善扛词“玉光万顷”,玉字仄声;第六句,赵必象词“青山当户”,青字平声;第八句,赵词“浑忘却、耕徒钓侣”,忘字平声;第九句,赵词“何时寻、斗酒红鲈”,何字、时字俱平声;后段第二句,周密词“事随花谢”,事字仄声,花字平声;第三句,赵善扛词“花晨月午”,月字仄声;第四、五句,赵必象词“秫田二顷,菊松三径”,秋字、菊字俱仄声;第七句,赵善扛词“别情未抵遗爱”,别字仄声,赵必象词“山林休勒俗驾”,休字平声;第八句,赵词“容我卧、草堂深处”,容字平声,草字仄声,深字平声;第十句,周密词“半蟾弄晚”,半字仄声。谱内可平可仄据此,余参卢、曹、吴、袁、陈五词。 吴文英词,前段结句“此景此情多感”、又一首“天留建章春晚”,后段第七句“区区去情何限”、又一首“凭谁为歌长恨”;曹勋词,后段结句“常奉舜殿”、又一首“俱献圣寿”,景字仄声,情字、章字、情字、歌字俱平声,奉字、献字俱仄声,校诸家独异,故谱内不校注平仄。 赵善扛词,后段第七句“山林休勒俗驾”,俗字入声,此皆以入作平,亦不注可仄。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十句五仄韵          卢祖皋


    春讯飞琼管<span ss="q">韵风日薄<span ss="q">句度墙啼鸟声乱<span ss="q">韵江城次第<span ss="q">句笙歌翠合<span ss="q">句绮罗香暖<span ss="q">韵溶溶涧绿冰泮<span ss="q">韵醉梦


    ○●○○● ○●● ●○○●○● ○○●● ○○●● ●○○● ○○●●○● ●●


    里<span ss="q">读年华暗换<span ss="q">韵料黛眉重锁隋堤<span ss="q">句芳心还动梁苑<span ss="q">韵  新来雁阔云音<span ss="q">句鸾分鉴影<span ss="q">句无计重见<span ss="q">韵


    ○ ○○●● ●●○○●○○ ○○○●○●   ○○●●○○ ○○●● ○●○●


    啼春细雨<span ss="q">句笼愁淡月<span ss="q">句恁时庭院<span ss="q">韵离肠未语先断<span ss="q">韵算犹有<span ss="q">读凭高望眼<span ss="q">韵更那堪<span ss="q">读芳草连天<span ss="q">句飞


    ○○●● ○○●● ●○○● ○○●●○● ●○● ○○●● ●○○ ○●○○ ○


    梅弄晚<span ss="q">韵


    ○●●


    ·


    此与周词同,惟前后段第七句,多押两韵异。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十一句六仄韵         曹 勋


    凤苑东风软<span ss="q">韵春容早<span ss="q">句岁端新律初转<span ss="q">韵宫云丽晓<span ss="q">句人日应钟<span ss="q">句庆符闺范<span ss="q">韵元妃懿德尊显<span ss="q">韵位四


    ●●○○● ○○● ●○○●○● ○○●● ○●●○ ●○○● ○○●●○● ●●


    圣<span ss="q">读晋芳避辇<span ss="q">韵佐圣主<span ss="q">读美化重宣<span ss="q">句光被海宇弥远<span ss="q">韵   香满<span ss="q">韵帝渥恩隆<span ss="q">句歌珠舞雪<span ss="q">句俱陈


    ● ●○●● ●●● ●●○○ ○●●●○●   ○● ●●○○ ○○●● ●○


    丝管<span ss="q">韵彤闱共悦<span ss="q">句天颜有喜<span ss="q">句寿觞亲劝<span ss="q">韵今年外家华焕<span ss="q">韵拥使节<span ss="q">读新班侍宴<span ss="q">韵愿万载<span ss="q">读永冠椒


    ○● ○○●● ○○●● ●○○● ○○●○○● ●●● ○○●● ●●● ●●○


    房<span ss="q">句常奉舜殿<span ss="q">韵


    ○ ○●●●


    ·


    此与卢词同,惟换头句押短韵异。


    又一体 <span ss="q">双调一百二字,前后段各十句,六仄韵              吴文英


    万里关河眼<span ss="q">韵愁凝处<span ss="q">句渺渺残照红敛<span ss="q">韵天低远树<span ss="q">句潮分断港<span ss="q">句路回淮甸<span ss="q">韵吟鞭又指孤店<span ss="q">韵对玉


    ●●○○● ○○● ●●○●○● ○○●● ○○●● ●○○● ○○●●○● ●●


    露金风送晚<span ss="q">韵恨自古<span ss="q">读才子佳人<span ss="q">句此景此情多感<span ss="q">韵  吴王故苑<span ss="q">韵别来良朋雅集<span ss="q">句空叹蓬转<span ss="q">韵


    ●○○●● ●●● ○○○● ●●●○○●   ○○●● ●○○○●● ○●○●


    挥毫刻烛<span ss="q">句飞觞趁月<span ss="q">句梦消香断<span ss="q">韵区区去程何限<span ss="q">韵倩片纸<span ss="q">读丁宁过雁<span ss="q">韵寄相思<span ss="q">读寒雨灯窗<span ss="q">句芙


    ○○●● ○○●● ●○○● ○○●○○● ●●● ○○●● ●○○ ○●○○ ○


    蓉旧院<span ss="q">韵


    ○●●


    ·


    此亦与卢词同,惟后段第一句四字押韵,第二句六字异。


    又一体 <span ss="q">双调九十九字,前段九句五仄韵,后段十句四仄韵          陈允平


    听彻南楼鼓<span ss="q">韵玉壶冰漏迟度<span ss="q">韵重温锦幄<span ss="q">句低护青毡<span ss="q">句曲通朱户<span ss="q">韵巡檐细嚼寒梅<span ss="q">句叹寂寞<span ss="q">读孤山


    ●●○○● ●○○●○● ○○●● ○●○○ ●○○● ○○●●○○ ●●● ○○


    伴侣<span ss="q">韵更信有<span ss="q">读铁石心肠<span ss="q">句广平几度曾赋<span ss="q">韵  寒深试拥羊裘<span ss="q">句松醪自酌<span ss="q">句谁伴吟苦<span ss="q">韵摩挲醉


    ●● ●●● ●●○○ ●○●●○●   ○○●●○○ ○○●● ○●○● ○○●


    眼<span ss="q">句阑干相拍<span ss="q">句白鸥惊去<span ss="q">韵梁园胜赏重约<span ss="q">句渐玉树琼花处处<span ss="q">韵怕柳条<span ss="q">读未觉春风<span ss="q">句青青在否<span ss="q">韵


    ● ○○○● ●○○● ○○●●○● ●●●○○●● ●●○ ●●○○ ○○●●


    ·


    此亦与周词同,惟前段减去第二句异。


    又一体 <span ss="q">双调一百一字,前段十句五仄韵,后段十句四仄韵         袁去华


    暮雨消烦暑<span ss="q">韵房栊顿觉<span ss="q">句秋意如许<span ss="q">韵天高回杳<span ss="q">句山横绀碧<span ss="q">句桂华初吐<span ss="q">韵空庭静掩桐阴<span ss="q">句便苒


    ●●○○● ○○●● ○●○● ○○●● ○○●● ●○○● ○○●●○○ ●●


    苒<span ss="q">读流萤暗度<span ss="q">韵记那时<span ss="q">读朱户迎风<span ss="q">句西厢待月私语<span ss="q">韵  佳期易失难重<span ss="q">句余香破镜<span ss="q">句虽在何


    ● ○○●● ●●○ ○●○○ ○○●●○●   ○○●●○○ ○○●● ○●○


    据<span ss="q">韵如今要见<span ss="q">句除非是梦<span ss="q">句几时重做<span ss="q">韵人言雁足传书<span ss="q">句待尽写<span ss="q">读相思寄与<span ss="q">韵又怎生<span ss="q">读说得愁


    ● ○○●● ○○●● ●○○● ○○●●○○ ●●● ○○●● ●●○ ●●○


    肠<span ss="q">句千丝万缕<span ss="q">韵


    ○ ○○●●


    ·


    此与周词同,惟前段第二、三句,俱作四字异。


    又一体 <span ss="q">双调一百二字,前段十二句六仄韵三叠韵,后段十一句六仄韵     何 籀


    细草沿阶软<span ss="q">韵红日薄<span ss="q">句蕙风轻蔼微暖<span ss="q">韵春工靳惜<span ss="q">句桃英尚小<span ss="q">句柳芽犹短<span ss="q">韵罗帏绣幕高卷<span ss="q">韵早已


    ●●○○● ○◎● ●⊙○◎○● ⊙○◎● ○○●⊙ ◎○○● ○○●◎○● ●●


    是<span ss="q">读歌慵笑懒<span ss="q">韵凭画楼<span ss="q">读那更天远<span ss="q">韵山远<span ss="q">叠水远<span ss="q">叠人远<span ss="q">叠  堪叹<span ss="q">韵傅粉疏狂<span ss="q">句窃香俊雅<span ss="q">句无计


    ● ○○◎● ⊙●○ ◎●⊙● ○● ●● ○●   ○● ●●○○ ◎○●● ⊙◎


    拘管<span ss="q">韵青丝绊马<span ss="q">句红裙劝酒<span ss="q">句甚处迷恋<span ss="q">韵无言泪珠零乱<span ss="q">韵翠袖尽<span ss="q">读重重渍遍<span ss="q">韵故要得<span ss="q">读别后思


    ○● ⊙⊙●◎ ○○●● ●◎○● ○○●○⊙● ●◎● ○○●● ●●◎ ◎●○


    量<span ss="q">句归时觑见<span ss="q">韵


    ○ ○○◎●


    ·


    此《宴清都》调之变格,前结叠用四韵,自成一体。其可平可仄,悉参下程、曹二词。


    又一体 <span ss="q">双调一百二字,前段十二句六仄韵三叠韵,后段十一句四仄韵五叠韵   程 垓


    翠幕东风早<span ss="q">韵兰窗梦<span ss="q">句又被莺声惊觉<span ss="q">韵起来空对<span ss="q">句平阶弱絮<span ss="q">句满庭芳草<span ss="q">韵厌厌未忺怀抱<span ss="q">韵记柳


    ●●○○● ○○● ●●○○○● ●○○● ○○●● ●○○● ○○●○○● ●●


    外<span ss="q">读人家曾到<span ss="q">韵凭画阑<span ss="q">读那更春好<span ss="q">韵花好<span ss="q">叠酒好<span ss="q">叠人好<span ss="q">叠  春好<span ss="q">叠尚恐阑珊<span ss="q">读花好<span ss="q">叠又怕飘零


    ● ○○○● ○●○ ●●○● ○● ●● ○●   ○● ●●○○ ○● ●●○○


    难保<span ss="q">韵直饶酒好<span ss="q">叠酒好<span ss="q">叠未抵意中人好<span ss="q">叠相逢尽拌醉倒<span ss="q">韵况人与<span ss="q">读才情未老<span ss="q">韵又岂关<span ss="q">读春去春


    ○● ●○●● ●● ●●●○○● ○○●○●● ●○● ○○●● ●●○ ○●○


    来<span ss="q">句花愁花恼<span ss="q">韵


    ○ ○○○●


    ·


    此与何词同,惟后段第三、四句,第六、七句,各摊破四字两句,作二字一句、六字一句异。 又,后段五叠“好”字韵,亦属游戏之笔,非定格也。


    又一体 <span ss="q">双调一百二字,前段十二句五仄韵三叠韵,后段十一句六仄韵     曹 勋


    野水澄空<span ss="q">句远山随眼<span ss="q">句笋舆乘兴庐阜<span ss="q">韵天池最极<span ss="q">句云溪最隐<span ss="q">句翠迷归路<span ss="q">韵三峡两龙翔翥<span ss="q">韵尽半


    ●●○○ ●○○● ●○○●○● ○○●● ○○●● ●○○● ○●●○○● ●●


    月<span ss="q">读犹贪杖屦<span ss="q">韵闲引杯<span ss="q">读相赏好处<span ss="q">韵奇处<span ss="q">叠险处<span ss="q">叠清处<span ss="q">叠  凝伫<span ss="q">韵道友重陪<span ss="q">句西山胜迹<span ss="q">句玉


    ● ○○●● ●●○ ○●●● ○● ●● ○●   ○● ●●○○ ○○●● ●


    隆风御<span ss="q">韵滕阁下临<span ss="q">句晴峰万里<span ss="q">句水云千古<span ss="q">韵飞觞且同豪举<span ss="q">韵喜醉客<span ss="q">读龙吟曲度<span ss="q">韵待记成佳话<span ss="q">句


    ○○● ○●●○ ○○●● ●○○● ○○●○○● ●●● ○○●● ●●○○●


    归时从头细数<span ss="q">韵


    ○○○○●●


    ·


    此与何词同,惟前段第一、二句作四字两句,后段第十句、第十一句作五字一句、六字一句异。


    庆春宫  一名《庆宫春》。此调有平韵、仄韵两体。平韵体,始自北宋,有周邦彦诸词;仄韵体,始自南宋,有王沂孙诸词。


    庆春宫 <span ss="q">双调一百二字,前段十一句四平韵,后段十一句五平韵        周邦彦


    云接平冈<span ss="q">句山围寒野<span ss="q">句路回渐转孤城<span ss="q">韵衰柳啼鸦<span ss="q">句惊风驱雁<span ss="q">句动人一片秋声<span ss="q">韵倦途休驾<span ss="q">句澹烟


    ⊙●○○ ○○⊙● ●○◎●○○ ⊙●○○ ⊙○⊙● ◎⊙◎⊙○○ ●○○● ●⊙


    里<span ss="q">读微茫见星<span ss="q">韵尘埃憔悴<span ss="q">句生怕黄昏<span ss="q">句离思牵萦<span ss="q">韵  华堂旧日逢迎<span ss="q">韵花艳参差<span ss="q">句香雾飘零<span ss="q">韵


    ● ○○●○ ⊙○○● ○●⊙○ ⊙●○○   ⊙○●●○○ ⊙◎○⊙ ⊙●○○


    弦管当头<span ss="q">句偏怜娇凤<span ss="q">句夜深簧暖笙清<span ss="q">韵眼波传意<span ss="q">句恨密约<span ss="q">读匆匆未成<span ss="q">韵许多烦恼<span ss="q">句只为当时<span ss="q">句


    ⊙●○○ ⊙○⊙● ◎⊙⊙●○○ ◎○○● ●◎● ○○●○ ◎○⊙● ◎●⊙○


    一饷留情<span ss="q">韵


    ◎●○○


    ·


    此调押平韵者,只此一体,宋人俱依此填。 按,前段第一句,方千里词“宿霭笼晴”,宿字仄声;第二句,张炎词“邻分杏酪”,杏字仄声;第三句,张词“一枝曾伴凉宵”,曾字平声;第四句,张词“罥索飞仙”,罥字仄声;第五句,张词“戏船移景”,戏字仄声,又张枢词“情疏宝扇”,宝字仄声;第六句,张炎词“浓艳到此都消”,浓字平声,艳字仄声,吴文英词“翠房人去深扃”,人字平声;第八句,张炎词“听隔柳、谁家卖饧”,隔字仄声;第九句,张词“粟肌微润”,粟字仄声;第十句,张枢词“依约远峰”,远字仄声;第十一句,吴词“玉腕谁凭”,玉字仄声;后段第一句,张炎词“小山旧隐重招”,小字仄声;第二、三句,陈允平词“最怜堤柳,白露先零”,最字、柳字、白字俱仄声,怜字平声;第四、五、六句,张炎词“被酒长歌,插花短舞,谁在水国吹箫”,被字、插字、短字俱仄声,谁字平声,在字、水字俱仄声;第七句,张词“余音何处”,余字平声;第八句,吴词“断云隔、巫山几层”,云字平声;第九句,张炎词“梨花落尽”,梨字平声,落字仄声;第十句,张枢词“帘卷翠楼”,帘字平声,翠字仄声;第十一句,吴词“消瘦云英”,消字平声。谱内可平可仄据此。


    又一体 <span ss="q">双调一百二字,前后段各十一句,四仄韵             王沂孙


    明玉擎金<span ss="q">句纤罗飘带<span ss="q">句为君起舞回雪<span ss="q">韵柔影参差<span ss="q">句幽芳零乱<span ss="q">句翠围腰瘦一捻<span ss="q">韵岁华相误<span ss="q">句记前


    ○●⊙○ ⊙○○● ●○●●○● ⊙●○○ ○○⊙● ●○○●◎● ●○○● ●⊙


    度<span ss="q">读湘皋怨别<span ss="q">韵哀弦重诉<span ss="q">句都是凄凉<span ss="q">句未须弹彻<span ss="q">韵  国香到此谁怜<span ss="q">句烟冷沙昏<span ss="q">句顿成愁绝<span ss="q">韵


    ● ○○◎● ○○⊙● ⊙●○○ ◎⊙○●   ●○◎●○○ ⊙●○○ ●○○●


    花恼难禁<span ss="q">句酒消欲尽<span ss="q">句门外冰澌欲结<span ss="q">韵试招仙魄<span ss="q">句怕今夜<span ss="q">读瑶簪冻折<span ss="q">韵携盘独出<span ss="q">句空想咸阳<span ss="q">句


    ○◎⊙○ ◎○◎● ⊙●⊙○◎● ◎○⊙● ●⊙● ○○◎● ⊙○◎● ⊙●○○


    故宫落叶<span ss="q">韵


    ●○◎●


    ·


    此调押仄韵者,亦只此一体,周密、刘澜、王易简诸词,俱如此填。 按,前段第一、二句,刘词“春剪绿波,日明金渚”,绿字、日字俱仄声;第四、五句,刘词“喜溢双蛾,迎风一笑”,喜字、一字俱仄声;第六句,周词“棹歌人语呜咽”,呜字平声;第八句,周词“正百里、冰河乍合”,百字仄声,刘词“锦袍湿、乌纱敧侧”,敧字平声;第九句,周词“千山换色”,换字仄声;第十句、十一句,刘词“满目青山,飞下孤白”,满字、下字俱仄声,飞字平声;后段第一句,刘词“片帆谁上天门”,谁字平声;第二句,周词“表里空明”,表字仄声;第四、五、六句,周词“高堂在否,登临休赋,忍见旧时明月”,堂字、登字、休字、明字俱平声,在字、忍字、旧字俱仄声;第七句,刘词“矶头绿树”,矶字平声,绿字仄声;第八句,刘词“见白马、书生破敌”,白字仄声,周词“怕空负、年芳轻别”,轻字平声;第九句、十句、十一句,刘词“百年前事,欲问东风,酒醒长笛”,百字、欲字俱仄声,前字、长字俱平声。谱内可平可仄据此。


    忆旧游  调始《清真乐府》,一名《忆旧游慢》。


    忆旧游 <span ss="q">双调一百二字,前段十一句四平韵,后段十一句五平韵        周邦彦


    记愁横浅黛<span ss="q">句泪洗红铅<span ss="q">句门掩秋宵<span ss="q">韵坠叶惊离思<span ss="q">句听寒蛩夜泣<span ss="q">句乱雨萧萧<span ss="q">韵凤钗半脱云鬓<span ss="q">句窗


    ●⊙○◎● ◎●○○ ⊙●○○ ◎◎○○● ●⊙○◎● ◎●○○ ◎⊙●◎○● ⊙


    影烛花摇<span ss="q">韵渐暗竹敲凉<span ss="q">句疏萤照晓<span ss="q">句两地魂消<span ss="q">韵  迢迢<span ss="q">韵问音信<span ss="q">句道径底花阴<span ss="q">句时认鸣镳<span ss="q">韵


    ●●○○ ●◎●○○ ⊙○◎● ◎●○○   ○○ ●○● ●◎◎⊙⊙ ⊙●○○


    也拟临朱户<span ss="q">句叹因郎憔悴<span ss="q">句羞见郎招<span ss="q">韵旧巢更有新燕<span ss="q">句杨柳拂河桥<span ss="q">韵但满目京尘<span ss="q">句东风竟日吹


    ◎◎○⊙● ●⊙○⊙● ⊙●○○ ◎⊙◎◎○● ⊙●●○○ ●◎●○○ ⊙○◎●○


    露桃<span ss="q">韵


    ●○


    ·


    此调以此词为正体,方千里、杨泽民、陈允平、赵以夫、张炎等词,俱依此填。若吴词之减字,周词、刘词之添字,皆变格也。 前段起句,例作上一下四句法,彭泰翁词,作“平环扶残醉”,此亦偶误,不可从。后段结句,例作拗体,填者辨之。 按,张炎词,前段第四句“休问神仙事”,休字平声;第五、六句“正绿章封事,飞上层青”,绿字仄声;第七句“忘了牡丹名字”,了字仄声;第十句“采芳难赠”,采字仄声;后段第八句“露台深锁丹气”,深字平声;第九句“醉后醒还惊”,醉字仄声;第十句“纵忘却归期”,忘字平声;第十一句“鹤衣散影都是雪”,鹤字仄声,又“阳关西出无故人”,西字平声。谱内可平可仄据此,余参所采诸词。


    又一体 <span ss="q">双调一百二字,前段十一句四平韵,后段十句四平韵         张 炎


    记琼筵卜夜<span ss="q">句花槛移春<span ss="q">句同恼莺娇<span ss="q">韵暗水流花径<span ss="q">句正无风院落<span ss="q">句银烛迟销<span ss="q">韵闹枝浅压髫髻<span ss="q">句香


    ●○○●● ○●○○ ○●○○ ●●○○● ●○○●● ○●○○ ●○●●○● ○


    脸泛红潮<span ss="q">韵甚如此游情<span ss="q">句还将乐事<span ss="q">句轻趁冰绡<span ss="q">韵  飘零又成梦<span ss="q">句但长歌袅袅<span ss="q">句柳色迢迢<span ss="q">韵一


    ●●○○ ●○●○○ ○○●● ○●○○   ○○●○● ●○○●● ●●○○ ●


    叶江心冷<span ss="q">句望美人不见<span ss="q">句隔浦难招<span ss="q">韵认得旧时鸥鹭<span ss="q">句重过月明桥<span ss="q">韵溯万里天风<span ss="q">句清声漫忆何处


    ●○○● ●●○●● ●●○○ ●●●○○● ○●●○○ ●●●○○ ○○●●○●


    箫<span ss="q">韵


    ○


    ·


    此与周词同,惟换头句不押短韵异。


    又一体 <span ss="q">双调一百二字,前后段各十句,四平韵              吴文英


    送人犹未苦<span ss="q">句苦送春<span ss="q">读随人去天涯<span ss="q">韵片红都飞尽<span ss="q">句正阴阴润绿<span ss="q">句暗里啼鸦<span ss="q">韵赋情顿雪双鬓<span ss="q">句飞


    ●○○●● ●●○ ○○●○○ ●○○○● ●○○●● ●●○○ ●○●●○● ○


    梦逐尘沙<span ss="q">韵叹病渴凄凉<span ss="q">句分香瘦减<span ss="q">句两地看花<span ss="q">韵  西湖断桥路<span ss="q">句想系马垂杨<span ss="q">句依旧攲斜<span ss="q">韵葵


    ●●○○ ●●●○○ ○○●● ●●○○   ○○●○● ●●●○○ ○●○○ ○


    麦迷烟处<span ss="q">句问离巢孤燕<span ss="q">句飞过谁家<span ss="q">韵故人为写深怨<span ss="q">句空壁扫秋蛇<span ss="q">韵但醉上吴台<span ss="q">句残阳草色归思


    ●○○● ●○○○● ○●○○ ●○●●○● ○●●○○ ●●●○○ ○○●●○●


    赊<span ss="q">韵


    ○


    ·


    此与周词同,惟前段第二、三句作上三下五八字一句,换头句不藏短韵异。


    又一体 <span ss="q">双调一百三字,前后段各十一句,四平韵             周 密


    记移灯剪雨<span ss="q">句换火篝香<span ss="q">句去岁今朝<span ss="q">韵乍见翻疑梦<span ss="q">句向梅边携手<span ss="q">句笑挽吟桡<span ss="q">韵依依故人情味<span ss="q">句歌


    ●○○●● ●●○○ ●●○○ ●●○○● ●○○○● ●●○○ ○○●○○● ○


    舞试春娇<span ss="q">韵对婉娩年芳<span ss="q">句漂零身世<span ss="q">句酒趁愁消<span ss="q">韵  天涯未归客<span ss="q">句望锦羽沈沈<span ss="q">句翠水迢迢<span ss="q">韵叹


    ●●○○ ●●●○○ ○○○● ●●○○   ○○●○● ●●●○○ ●●○○ ●


    菊荒薇老<span ss="q">句负故人猿鹤<span ss="q">句旧隐难招<span ss="q">韵疏花漫捺愁思<span ss="q">句无句到寒梢<span ss="q">韵但梦绕西陵<span ss="q">句空江冷月<span ss="q">句魂


    ●○○● ●●○○● ●●○○ ○○●●○● ○●●○○ ●●●○○ ○○●● ○


    断随潮<span ss="q">韵


    ●○○


    ·


    此亦与周词同,惟换头句不藏短韵,后段结句添一字、作四字两句异。


    又一体 <span ss="q">双调一百四字,前段十一句四平韵,后段十二句五平韵        周 密


    记花阴剪烛<span ss="q">句柳影飞梭<span ss="q">句庭户东风<span ss="q">韵彩笔争春艳<span ss="q">句任香迷舞袖<span ss="q">句醉忆歌丛<span ss="q">韵画帘静卷芳昼<span ss="q">句云


    ●○○●● ●●○○ ○●○○ ●●○○● ●○○●● ●●○○ ●○●●○● ○


    剪玉璁珑<span ss="q">韵奈恨绝冰弦<span ss="q">句尘侵翠谱<span ss="q">句别凤引离鸿<span ss="q">韵   鸳笼<span ss="q">韵怨春远<span ss="q">句但翠冷闲阶<span ss="q">句坠粉飘


    ●●○○ ●●●○○ ○○●● ●●●○○    ○○ ●○● ●●●○○ ●●○


    红<span ss="q">韵事逐年华换<span ss="q">句叹水流花谢<span ss="q">句燕去楼空<span ss="q">韵绣鸳暗老薇径<span ss="q">句残梦绕雕笼<span ss="q">韵怅宝瑟无声<span ss="q">句愁痕沁


    ○ ●●○○● ●●○○● ●●○○ ●○●●○● ○●●○○ ●●●○○ ○○●


    碧<span ss="q">句江上孤峰<span ss="q">韵


    ● ○●○○


    ·


    此词前结五字句,后结四字两句,与周邦彦词异。


    又一体 <span ss="q">双调一百三字,前段十一句四平韵,后段十句五平韵        刘将孙


    正落花时节<span ss="q">句憔悴东风<span ss="q">句绿满愁痕<span ss="q">韵悄客梦<span ss="q">读惊呼伴侣<span ss="q">句断鸿有约<span ss="q">句回泊归云<span ss="q">韵江空共道惆


    ●●○○● ○●○○ ●●○○ ●●● ○○●● ●○●● ○●○○ ○○●●○


    怅<span ss="q">句夜雨隔篷闻<span ss="q">韵尽世外纵横<span ss="q">句人间恩怨<span ss="q">句细酌重论<span ss="q">韵  叹他乡异县<span ss="q">句渺旧雨新知<span ss="q">句历落


    ● ●●●○○ ●●●○○ ○○○● ●●○○   ●○○●● ●●●○○ ●●


    情真<span ss="q">韵匆匆那忍别<span ss="q">句料当君思我<span ss="q">句我亦思君<span ss="q">韵人生自非麋鹿<span ss="q">句无计久同群<span ss="q">韵此去重消魂<span ss="q">韵黄


    ○○ ○○○●● ●○○○● ●●○○ ○○●○○● ○●●○○ ●●●○○ ○


    昏细雨深闭门<span ss="q">韵


    ○●●○●○


    ·


    此亦与周邦彦词同,惟前段第四句添二字,第五句减一字,后段第九句多押一韵异。


    花 犯  调始《清真乐府》,周密词名《绣鸾凤花犯》。


    花 犯 <span ss="q">双调一百二字,前段十句六仄韵,后段九句四仄韵          周邦彦


    粉墙低<span ss="q">句梅花照眼<span ss="q">句依然旧风味<span ss="q">韵露痕轻缀<span ss="q">韵疑净洗铅华<span ss="q">句无限佳丽<span ss="q">韵去年胜赏曾孤倚<span ss="q">韵冰盘


    ●○○ ○○◎● ○○●○● ●○○● ⊙●●○○ ⊙●○● ◎○●●○○● ○○


    同燕喜<span ss="q">韵更可惜<span ss="q">读雪中高树<span ss="q">句香篝熏素被<span ss="q">韵  今年对花最匆匆<span ss="q">句相逢似有恨<span ss="q">句依依愁悴<span ss="q">韵吟


    ○●● ●●● ◎○⊙● ○○○●●   ○○●⊙●○○ ○○●●● ○○○● ○


    望久<span ss="q">句青苔上<span ss="q">读旋看飞坠<span ss="q">韵相将见<span ss="q">读脆圆荐酒<span ss="q">句人正在<span ss="q">读空江烟浪里<span ss="q">韵但梦想<span ss="q">读一枝潇洒<span ss="q">句黄


    ●● ○○● ◎○○● ○○● ●○●● ⊙◎● ⊙○○●● ◎●● ◎○○● ⊙


    昏斜照水<span ss="q">韵


    ○○●●


    ·


    此调以此词为正体,宋人皆如此填。若吴文英词之少押一韵、或多押一韵,周密词之减字,皆变格也。 《词律》论此调后段第七句“烟浪里”三字,必然平、去、上,结句“照水”二字,必须去、上,细校宋词皆然,填者审之。 按,谭宣子词,后段第五句“秋江上、朝云轻散”,朝字平声,谱内据此,余参下词。 方千里词,后段第二句“朱颜迎缟露”,第四句“腰肢小”,迎字、支字俱平声,查宋词无用平声者,故不注可平。又,王沂孙词,前段第四句“断魂十里”,十这入声,此以入作平,亦不注可仄。


    又一体 <span ss="q">双调一百二字,前段十句五仄韵,后段九句四仄韵          吴文英


    剪横枝<span ss="q">句清溪分影<span ss="q">句翛然镜空晓<span ss="q">韵小窗春到<span ss="q">韵怜夜冷孀娥<span ss="q">句相伴孤照<span ss="q">韵古苔泪锁霜千点<span ss="q">句苍华


    ●○○ ○○○● ○○●○● ●○○● ○●●○○ ○●○● ●○●●○○● ○○


    人共老<span ss="q">韵料浅雪<span ss="q">读黄昏驿路<span ss="q">句飞香遗冷草<span ss="q">韵  行云梦中认琼娘<span ss="q">句冰肌瘦<span ss="q">句窈窕风前纤缟<span ss="q">韵残


    ○●● ●●● ○○●● ○○○●●   ○○●○●○○ ○○● ●●○○○● ○


    醉醒<span ss="q">句屏山外<span ss="q">读翠禽声小<span ss="q">韵寒泉贮<span ss="q">读绀壶渐暖<span ss="q">句年事对<span ss="q">读青灯惊换了<span ss="q">韵但恐舞<span ss="q">读一帘蝴蝶<span ss="q">句玉


    ●● ○○● ●○○● ○○● ●○●● ○●● ○○○●● ●●● ●○○● ●


    龙吹又杳<span ss="q">韵


    ○○●●


    ·


    此与周词同,惟前段第七句不押韵,后段第二句三字,第三句六字异。 谭宣子词,前段第七句“象床试锦新翻样”,不押韵,正与此同。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段九句五仄韵          吴文英


    小娉婷<span ss="q">句青铅素靥<span ss="q">句蜂黄暗偷晕<span ss="q">韵翠翘攲鬓<span ss="q">韵昨夜冷中庭<span ss="q">句月下相认<span ss="q">韵睡浓更苦凄风紧<span ss="q">韵惊回


    ●○○ ○○●● ○○●○● ●○○● ●●●○○ ●●○● ●○●●○○● ○○


    心未稳<span ss="q">韵送晓色<span ss="q">读一壶葱蒨<span ss="q">句才知花梦准<span ss="q">韵  湘娥化作此幽芳<span ss="q">句凌波路<span ss="q">句古岸云沙遗恨<span ss="q">韵临


    ○●● ●●● ●○○● ○○○●●   ○○●●●○○ ○○● ●●○○○● ○


    砌影<span ss="q">句寒香乱<span ss="q">读冻梅藏韵<span ss="q">韵熏炉畔<span ss="q">读旋移傍枕<span ss="q">韵还又见<span ss="q">读玉人垂绀鬒<span ss="q">韵料唤赏<span ss="q">读清华池馆<span ss="q">句台


    ●● ○○● ●○○● ○○● ●○●● ●○● ●○○●● ●●● ○○○● ○


    杯须满引<span ss="q">韵


    ○○●●


    ·


    此亦与周词同,惟后段第六句多押一韵异。


    又一体 <span ss="q">双调一百一字,前段十句六仄韵,后段九句四仄韵         周 密


    楚江湄<span ss="q">句湘娥乍见<span ss="q">句无言洒清泪<span ss="q">韵淡然春意<span ss="q">韵空独倚东风<span ss="q">句芳思谁记<span ss="q">韵凌波路冷秋无际<span ss="q">韵香云


    ●○○ ○○●● ○○●○● ●○○● ○●●○○ ○●○● ○○●●○○● ○○


    随步起<span ss="q">韵漫记得<span ss="q">读汉宫仙掌<span ss="q">句亭亭明月底<span ss="q">韵  冰弦写怨更多情<span ss="q">句骚人恨<span ss="q">句枉赋芳兰幽芷<span ss="q">韵春


    ○●● ●●● ●○○● ○○○●●   ○○●●●○○ ○○● ●●○○○● ○


    思远<span ss="q">句谁赏国香风味<span ss="q">韵相将共<span ss="q">读岁寒伴侣<span ss="q">句小窗净<span ss="q">读沈烟熏翠被<span ss="q">韵幽梦觉<span ss="q">读涓涓清露<span ss="q">句一枝灯


    ●● ○●●○○● ○○● ●○●● ●○● ○○○●● ○●● ○○○● ●○○


    影里<span ss="q">韵


    ●●


    ·


    此与吴文英“剪横枝”词同,惟后段第五句减一字异。


    倒 犯  调始《清真乐府》,一名《吉了犯》。


    倒 犯 <span ss="q">双调一百二字,前段九句六仄韵,后段十一句六仄韵        周邦彦


    霁景<span ss="q">读对霜蟾乍升<span ss="q">句素烟如扫<span ss="q">韵千林夜缟<span ss="q">韵徘徊处<span ss="q">读渐移深窈<span ss="q">韵何人正弄<span ss="q">读孤影蹁跹西窗悄<span ss="q">韵


    ●● ●○○●○ ●○○● ○○●● ○○● ●○○● ○○●● ○●○○○○●


    冒露冷貂裘<span ss="q">句玉斝邀云表<span ss="q">韵共寒光<span ss="q">读饮清醥<span ss="q">韵  淮左旧游<span ss="q">句记送行人<span ss="q">句归来山路窎<span ss="q">韵驻马望


    ●●●○○ ◎●○○● ●○○ ●○●   ○●◎○ ●●○○ ○○○●● ●●●


    素魄<span ss="q">句印遥碧<span ss="q">句金枢小<span ss="q">韵爱秀色<span ss="q">读初娟好<span ss="q">韵念漂浮<span ss="q">读绵绵思远道<span ss="q">韵料异日宵征<span ss="q">句必定还相照<span ss="q">韵


    ◎● ●○● ○⊙● ●●● ○○● ●⊙○ ○⊙○◎● ◎●●○○ ◎●○○●


    奈何人自老<span ss="q">韵


    ●○○●●


    ·


    此调以此词为正体,若吴词、陈词之句读或异,皆变格也。 此调前段起句七字,上二字例作一读,如方千里和词“尽日、任梧桐自飞,翠阶慵扫”,悉照此填,不可误作上三下四句法。 此词可平可仄,悉参吴、陈二词。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十一句六仄韵        吴文英


    茂苑<span ss="q">读共莺花醉吟<span ss="q">句岁寒如许<span ss="q">韵江湖夜雨<span ss="q">韵传书问<span ss="q">读雁多幽阻<span ss="q">韵清溪上<span ss="q">句惯来往扁舟<span ss="q">读轻如


    ●● ●○○●○ ●○○● ○○●● ○○● ●○○● ○○● ●○●○○ ○○


    羽<span ss="q">韵到兴懒归来<span ss="q">句玉冷耕云圃<span ss="q">韵按琼箫<span ss="q">句赋金缕<span ss="q">韵  回首词场<span ss="q">句动地声名<span ss="q">句春雷初启户<span ss="q">韵


    ● ●●●○○ ●●○○● ●○○ ●○●   ○●○○ ●●○○ ○○○●●


    枕水卧漱石<span ss="q">句数间屋<span ss="q">句梅一坞<span ss="q">韵待共结<span ss="q">读良朋侣<span ss="q">韵载清尊<span ss="q">句随花追野步<span ss="q">韵要未若城南<span ss="q">句分取


    ●●●●● ●○● ○●● ●●● ○○● ●●○ ○○○●● ○●●○○ ○●


    溪隈住<span ss="q">韵昼长看柳舞<span ss="q">韵


    ○○● ●○○●●


    ·


    此与周词同,惟前段第五、六句,作三字一句、八字一句异。


    又一体 <span ss="q">双调一百二字,前段十句六仄韵,后段十一句六仄韵         陈允平


    百尺凤凰楼<span ss="q">句碧天暮云初扫<span ss="q">韵冰华散缟<span ss="q">韵双鸾驾<span ss="q">读镜悬空窈<span ss="q">韵婆娑桂影<span ss="q">句香满西风阑干悄<span ss="q">韵渐


    ●●●○○ ●○●○○● ○○●● ○○● ●○○● ○○●● ○●○○○○● ●


    玉魄金辉<span ss="q">句飞度千山表<span ss="q">韵饵元霜<span ss="q">句醉琼醥<span ss="q">韵  身在九霄<span ss="q">句独步丹梯<span ss="q">句飘飘轻雾窵<span ss="q">韵缥缈广寒


    ●●○○ ○●○○● ●○○ ●○●   ○●●○ ●●○○ ○○○●● ●●●○


    殿<span ss="q">句觉尘世<span ss="q">句山河小<span ss="q">韵爱十二<span ss="q">读琼楼好<span ss="q">韵算谁知<span ss="q">读消息盈虚道<span ss="q">韵任地久天长<span ss="q">句今古无私照<span ss="q">韵但


    ● ●○● ○○● ●●● ○○● ●○○ ○●○○● ●●●○○ ○●○○● ●


    仙娥不老<span ss="q">韵


    ○○●●


    ·


    此和周词,惟前段第一句五字,第二句六字异。按,杨泽民词,“画舫并仙舟,远窥眉黛新扫”,正与此同。
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