卷二十九

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">二十二调


    五十四体,一百一字


    凤归云三体


    木兰花慢十二体


    彩云归一体


    满朝欢二体


    桂枝香六体<span ss="q">又名疏帘淡月


    锦堂春慢五体<span ss="q">又名锦堂春


    喜朝天二体


    剪牡丹二体


    马家春慢一体


    梅香慢一体


    玉烛新二体


    六花飞一体


    清风满桂楼一体


    映山红慢一体


    真珠帘四体


    曲江秋二体


    翠楼吟一体


    霓裳中序第一三体


    月当厅一体


    寿楼春一体


    秋色横空一体


    舜韶新一体


    凤归云  唐教坊曲名。柳永《乐章集》,平韵一百一字者,注仙吕调;仄韵一百十八字者,注林钟商调。


    凤归云 <span ss="q">双调一百一字,前段十句四平韵,后段十一句三平韵         柳 永


    向深秋<span ss="q">句雨余爽气肃西郊<span ss="q">韵陌上夜阑<span ss="q">句襟袖起凉飚<span ss="q">韵天末残星<span ss="q">句流电未灭<span ss="q">句闪闪隔林梢<span ss="q">韵又是晓


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    鸡声断<span ss="q">句阳乌光动<span ss="q">句渐分山路迢迢<span ss="q">韵  驱驱行役<span ss="q">句苒苒光阴<span ss="q">句蝇头利禄<span ss="q">句蜗角功名<span ss="q">句毕竟成何


    ○○● ○○○● ●○○●○○   ⊙○○● ●●○○ ⊙○◎● ○●○○ ●●○○


    事<span ss="q">读漫相高<span ss="q">韵抛掷林泉<span ss="q">句狎玩尘土<span ss="q">句壮节等闲销<span ss="q">韵幸有五湖烟浪<span ss="q">句一船风月<span ss="q">句会须归老渔樵<span ss="q">韵


    ● ●○○ ○●○○ ●●⊙● ●●●○○ ●●●○○● ●○○● ●○○●○○


    ·


    此体押平韵者,只有赵词可校,谱内可平可仄悉参之。


    又一体 <span ss="q">双调一百一字,前段十句五平韵,后段十一句三平韵         赵以夫


    正愁予<span ss="q">句可堪去马便騑騑<span ss="q">韵拟折一枝<span ss="q">韵堤上万垂丝<span ss="q">韵离思无边<span ss="q">句离席易散<span ss="q">句落日照清漪<span ss="q">韵苦是禁


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    城催鼓<span ss="q">句虚床难寐<span ss="q">句梦魂无路归飞<span ss="q">韵  陡寒还热<span ss="q">句急雨随晴<span ss="q">句化工无准<span ss="q">句将息偏难<span ss="q">句更向分携


    ○○● ○○○● ●○○●○○   ●○○● ●●○○ ●○○● ○●○○ ●●○○


    处<span ss="q">读立多时<span ss="q">韵吟鬓凋霜<span ss="q">句世味嚼蜡<span ss="q">句病骨怯朝衣<span ss="q">韵我有一壶风月<span ss="q">句荔丹芝紫<span ss="q">句约君同话心期<span ss="q">韵


    ● ●○○ ○●○○ ●●●● ●●●○○ ●●●○○● ●○○● ●○○●○○


    ·


    此与柳词同,惟前段第三句,多押一韵异。


    又一体 <span ss="q">双调一百十八字,前段十句四仄韵,后段十一句五仄韵        柳 永


    恋帝里<span ss="q">读金谷园林<span ss="q">句平康巷陌<span ss="q">句触处繁华<span ss="q">句连日疏狂<span ss="q">句未尝轻负<span ss="q">读寸心双眼<span ss="q">韵况佳人<span ss="q">读尽天外行


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    云<span ss="q">句掌上飞燕<span ss="q">韵向玳筵<span ss="q">读一一皆妙选<span ss="q">韵长是因酒沈迷<span ss="q">句被花萦绊<span ss="q">韵   更可惜<span ss="q">读淑景亭台<span ss="q">句暑


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    天枕簟<span ss="q">韵霜月夜明<span ss="q">句雪霰朝飞<span ss="q">句一岁风光<span ss="q">句尽堪随分<span ss="q">读俊游清宴<span ss="q">韵算浮生事<span ss="q">句瞬息光阴<span ss="q">句锱铢名


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    宦<span ss="q">韵正欢笑<span ss="q">读试恁暂分散<span ss="q">韵即是恨雨秋云<span ss="q">句地遥天远<span ss="q">韵


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    ·


    此体押仄韵,与平韵词句读不同,宫调亦异,无别首宋词可校。 汲古阁刻《乐章集》,“霜月夜明”句脱一“明”字,今照《花草粹编》增定。起处二十七字始用韵,恐有误,但无善本可校,姑仍之。


    木兰花慢  宋柳永《乐章集》注:高平调。


    木兰花慢 <span ss="q">双调一百一字,前段十句五平韵,后段十句七平韵         柳 永


    坼桐花烂漫<span ss="q">句乍疏雨<span ss="q">读洗清明<span ss="q">韵正艳杏烧林<span ss="q">句缃桃绣野<span ss="q">句芳景如屏<span ss="q">韵倾城<span ss="q">韵尽寻胜赏<span ss="q">句骤雕鞍绀


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    幰出郊坰<span ss="q">韵风暖繁弦脆管<span ss="q">句万家竞奏新声<span ss="q">韵  盈盈<span ss="q">韵斗草踏青<span ss="q">韵人艳冶<span ss="q">读递逢迎<span ss="q">韵向路傍<span ss="q">读往


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    往遗簪堕珥<span ss="q">句珠翠纵横<span ss="q">韵欢情<span ss="q">韵对佳丽地<span ss="q">句信金罍罄竭玉山倾<span ss="q">韵拌却明朝永日<span ss="q">句画堂一枕春酲<span ss="q">韵


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    ·


    此调押短韵者,以柳词二首为正体,若蒋词之句读小异,曹词之句读参差,乃变格也。 此词前段第六句,后段第一句、第七句,皆押短韵。张炎词,前后段第八句“怕依然认得米家船”、“好林泉都在卧游编”,又藏“然”、“泉”二韵于句中,此亦偶然,非定格也。 按,李莱老词,前后段第一句“向烟霞堆里”,堆字平声;张炎词,第二句“青未了、路婆娑”,青字平声,未字仄声;柳词别首,第三句“咏人物鲜明”,人字平声;赵孟頫词,第四句“故家乔木”,故字仄声,乔字平声;李彭老词,第七句“满阶榆荚”,榆字平声;李莱老词,第九句“晓色千松逗冷”,晓字仄声,赵词,“拌却眼迷朱碧”,眼字仄声,朱字平声;第十句“惭无笔写琼瑰”,惭字平声;张词,后段第二句“歌引巾车”,歌字、巾字俱平声;吴文英词,第五句“一杼新诗”,一字仄声;李彭老词,第七句“梦云飞远”,飞字平声;吴词,第八句“更软红先有探芳人”,软字仄声,先字平声;李词,第九句“三十六梯树杪”,六字仄声,赵词“但愿朱颜长在”,长字平声;吴词,结句“落梅烟雨黄昏”,烟字平声。谱内可平可仄据此,余参柳词别首及蒋、曹二词。


    又一体 <span ss="q">双调一百一字,前段十句五平韵,后段十一句六平韵         柳 永


    倚危楼伫立<span ss="q">句乍萧索<span ss="q">读晚晴初<span ss="q">韵渐素景衰残<span ss="q">句风砧韵冷<span ss="q">句霜叶红疏<span ss="q">韵云衢<span ss="q">韵见新雁过<span ss="q">句奈佳人


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    自别阻音书<span ss="q">韵空遣悲秋念远<span ss="q">句寸肠万恨萦纡<span ss="q">韵  皇都<span ss="q">韵暗想欢游<span ss="q">句成往事<span ss="q">读动欷歔<span ss="q">韵念对酒


    ●●●○○ ○●○○●● ●○●●○○   ○○ ●●○○ ○●● ●○○ ●●●


    当歌<span ss="q">句低帏并枕<span ss="q">句翻恁轻孤<span ss="q">韵归途<span ss="q">韵纵凝望处<span ss="q">句但斜阳暮霭满平芜<span ss="q">韵赢得无言悄悄<span ss="q">句凭阑尽日


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    踟蹰<span ss="q">韵


    ○○


    ·


    此与“坼桐花”词同,惟后段第二句不押韵,第四句摊破作两句异。


    又一体 <span ss="q">双调一百一字,前段十句五平韵,后段十一句七平韵         蒋 捷


    傍池阑倚遍<span ss="q">句问山影<span ss="q">读是谁偷<span ss="q">韵但鹭敛琼丝<span ss="q">句鸳藏绣羽<span ss="q">句碍浴妨浮<span ss="q">韵寒流<span ss="q">韵暗冲片响<span ss="q">句似犀椎带


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    月静敲秋<span ss="q">韵因念凉荷院宇<span ss="q">句粉丸曾泛金瓯<span ss="q">韵  妆楼<span ss="q">韵晓涩翠罂油<span ss="q">韵倦鬓理还休<span ss="q">韵更有何意绪<span ss="q">句


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    怜他半夜<span ss="q">句瓶破梅愁<span ss="q">韵红裯<span ss="q">韵泪乾万点<span ss="q">句待穿来寄与薄情收<span ss="q">韵只恐东风未转<span ss="q">句误人日望归舟<span ss="q">韵


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    ·


    此与前词同,惟后段第二、三句,俱作五字句异。


    又一体 <span ss="q">双调一百一字,前段十一句五平韵,后段十一句六平韵一重韵     曹 勋


    断虹收霁雨<span ss="q">句卷帘幕<span ss="q">读与风期<span ss="q">韵正燕子将雏<span ss="q">句莺儿弄巧<span ss="q">句日影迟迟<span ss="q">韵棱醿<span ss="q">韵牡丹过也<span ss="q">句但游丝


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    上下网晴晖<span ss="q">韵三月韶华<span ss="q">句转头易失<span ss="q">句密荫匀齐<span ss="q">韵  常思<span ss="q">韵入夏景偏奇<span ss="q">韵是梅雨霏微<span ss="q">韵更乍著


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    轻纱<span ss="q">句凉摇素羽<span ss="q">句翠点清池<span ss="q">韵还思<span ss="q">重故山旧隐<span ss="q">句想葱茏翠竹销窗扉<span ss="q">韵独倚西楼漫久<span ss="q">句此怀冷淡


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    谁知<span ss="q">韵


    ○○


    ·


    此与蒋词同,惟前段第九、十句,摊破六字两句,作四字三句异。


    又一体 <span ss="q">双调一百一字,前段九句四平韵,后段九句五平韵          程 垓


    倩娇莺姹燕<span ss="q">句说不尽<span ss="q">读此时情<span ss="q">韵正小院春兰<span ss="q">句芳园昼镇<span ss="q">句人去花零<span ss="q">韵凭高试回望眼<span ss="q">句奈遥山远


    ◎⊙○◎● ◎◎● ●○○ ●◎●○○ ⊙○◎● ⊙●○○ ⊙⊙◎○◎● ●⊙○◎


    水隔重云<span ss="q">韵谁遣风狂雨横<span ss="q">句便教无计留春<span ss="q">韵  情知雁杳与鸿冥<span ss="q">韵自难寄丁宁<span ss="q">韵纵竹院颦深<span ss="q">句


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    桃门笑在<span ss="q">句知属何人<span ss="q">韵衣篝几回忘了<span ss="q">句奈残香犹有旧时熏<span ss="q">韵空使风头卷絮<span ss="q">句为他飘荡花城<span ss="q">韵


    ⊙○◎● ⊙●○○ ⊙⊙◎○○● ●⊙○⊙●●○○ ⊙●⊙○◎● ◎○⊙●○○


    ·


    此调不押短韵者,以此词为正体,若李词以下之句、韵不同,曾字以下之添字、减字,皆变格也。 黄机词,前段起句“叹镜中白发”,镜字仄声,张榘词,“渐稠红飞尽”,飞字平声;京镗词,第二句“皆胜赏、况重阳”,皆字平声;辛弃疾词,第六句“蜀人从来好事”,蜀字仄声,从字平声,王炎词,“青鸟杳无消息”,鸟字仄声;辛词,后段第一句“近来堪入画图看”,堪字平声;黄词,第六句“此事正烦公等”,此事二字俱仄声。谱内据此,余参后词。


    又一体 <span ss="q">双调一百一字,前段九句四平韵,后段十句六平韵          李芸子


    占西风早处<span ss="q">句一番雨<span ss="q">读一番秋<span ss="q">韵记故国斜阳<span ss="q">句去年今日<span ss="q">句落叶林幽<span ss="q">韵悲歌几回激烈<span ss="q">句寄疏狂<span ss="q">读酒


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    令与诗筹<span ss="q">韵遗恨清商易改<span ss="q">句多情紫燕难留<span ss="q">韵  嗟休<span ss="q">韵触绪茧丝抽<span ss="q">韵旧事续何由<span ss="q">韵奈予怀渺渺<span ss="q">句


    ●●○○ ○●○○●● ○○●●○○   ○○ ●●●○○ ●●●○○ ●○○●●


    羁愁郁郁<span ss="q">句归梦悠悠<span ss="q">韵生平不如老杜<span ss="q">句便如它<span ss="q">读飘泊也风流<span ss="q">韵寄语庭柯径菊<span ss="q">句甚时得棹孤舟<span ss="q">韵


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    ·


    此与程词同,惟换头句仍押短韵异。


    又一体 <span ss="q">双调一百一字,前段九句四平韵,后段九句五平韵          严 仁


    东风吹雾雨<span ss="q">句更吹起<span ss="q">读裌衣寒<span ss="q">韵正莽莽丛林<span ss="q">句潭潭伐鼓<span ss="q">句郁郁焚兰<span ss="q">韵阑干曲<span ss="q">读多少意<span ss="q">句看青烟如


    ○○○●● ●○● ●○○ ●●●○○ ○○●● ●●○○ ○○● ○●● ●○○○


    篆绕溪湾<span ss="q">韵桑柘绿阴犹薄<span ss="q">句杏桃红雨初翻<span ss="q">韵  飞花片片走潺湲<span ss="q">韵问何日西还<span ss="q">韵叹扰扰人生<span ss="q">句


    ●●○○ ○●●○○● ●○○●○○   ○○●●●○○ ●○●○○ ●●●○○


    纷纷离合<span ss="q">句渺渺悲欢<span ss="q">韵想云軿<span ss="q">读何处也<span ss="q">句对芳时<span ss="q">读应只在人间<span ss="q">韵惆怅回纹锦字<span ss="q">句断肠斜日云山<span ss="q">韵


    ○○○● ●●○○ ●○○ ○●● ●○○ ○●●○○ ○●○○●● ●○○●○○


    ·


    此亦与程词同,惟前后段第六句,折腰句法异。


    又一体 <span ss="q">双调一百一字,前段九句四平韵,后段十句五平韵          吕渭老


    石榴花谢了<span ss="q">句正荷叶<span ss="q">读盖平池<span ss="q">韵试玛瑙杯深<span ss="q">句琅玕簟冷<span ss="q">句临水帘帷<span ss="q">韵知他故人甚处<span ss="q">句晚霞明断


    ●○○●● ●○● ●○○ ●●●○○ ○○●● ○●○○ ○○●○●● ●○○●


    浦<span ss="q">读柳枝垂<span ss="q">韵唯有松风水月<span ss="q">句向人长似当时<span ss="q">韵  依依<span ss="q">韵望断水穷云起处<span ss="q">句是天涯<span ss="q">韵奈燕子楼


    ● ●○○ ○●○○●● ●○○●○○   ○○ ●●●○○●● ●○○ ●●●○


    高<span ss="q">句江南梦断<span ss="q">句虚费相思<span ss="q">韵新愁暗生旧恨<span ss="q">句更流萤弄月入纱衣<span ss="q">韵除却幽花软草<span ss="q">句此情未许人知<span ss="q">韵


    ○ ○○●● ○●○○ ○○●○●● ●○○●●●○○ ○●○○●● ●○●●○○


    ·


    此与李词同,惟后段第二句七字,第三句三字异。


    又一体 <span ss="q">双调一百二字,前段九句四平韵,后段九句五平韵          刘应雄


    梅妆堪点额<span ss="q">句觉残雪<span ss="q">读未全消<span ss="q">韵忽春递南枝<span ss="q">句小窗明透<span ss="q">句渐褪寒骄<span ss="q">韵天公似怜人意<span ss="q">句便挽回和气


    ○○○●● ●○● ●○○ ●○●○○ ●○○● ●●○○ ○○●○○● ●●○○●


    做元宵<span ss="q">韵太守公家事了<span ss="q">句何妨银烛高烧<span ss="q">韵  旋开铁锁粲星桥<span ss="q">韵快灯市<span ss="q">读客相邀<span ss="q">韵且同乐时平<span ss="q">句


    ●○○ ●●○○●● ○○○●○○   ●○●●●○○ ●○● ●○○ ●○●○○


    唱弹弦索<span ss="q">句对舞纤腰<span ss="q">韵传柑记陪佳宴<span ss="q">句待说来<span ss="q">读须更换金貂<span ss="q">韵只恐出关人早<span ss="q">句鸡鸣又报趋朝<span ss="q">韵


    ●○○● ●●○○ ○○●○○● ●●○ ○●○○○ ●●●○○● ○○●●○○


    ·


    此亦与程词同,惟后段第二句,作六字折腰句法异。


    又一体 <span ss="q">双调一百一字,前段十句四平韵,后段九句五平韵          曾 觌


    正枝头荔子<span ss="q">句晚红皱<span ss="q">读袅熏风<span ss="q">韵对碧瓦迷云<span ss="q">句青山似浪<span ss="q">句返照浮空<span ss="q">韵高台称吟眺处<span ss="q">句繁华清胜<span ss="q">句


    ●○○●● ●○● ●○○ ●●●○○ ○○●● ●●○○ ○○●○●● ○○○●


    两两无穷<span ss="q">韵帘卷榕阴暮合<span ss="q">句万家香霭溟濛<span ss="q">韵  年光冉冉逐飞鸿<span ss="q">韵叹雨迹云踪<span ss="q">韵渐暑退兰房<span ss="q">句


    ●●○○ ○●○○●● ●○○●○○   ○○●●●○○ ●●●○○ ●●●○○


    凉生象簟<span ss="q">句知与谁同<span ss="q">韵临鸾晚妆初罢<span ss="q">句怨清宵好梦不相逢<span ss="q">韵看即天涯秋也<span ss="q">句恨随一叶梧桐<span ss="q">韵


    ○○●● ○●○○ ○○●○○● ●○○●●●○○ ●●○○○● ●○●●○○


    ·


    此与程词同,惟前段第七句,作四字两句异。


    又一体 <span ss="q">双调一百字,前段九句四平韵,后段八句五平韵           卢祖皋


    汀莲凋晚艳<span ss="q">句又苹末<span ss="q">读起秋风<span ss="q">韵漫搔首徐吟<span ss="q">句微云河汉<span ss="q">句疏雨梧桐<span ss="q">韵飘零倦寻酒醆<span ss="q">句记那回歌


    ○○○●● ●○● ●○○ ●○●○○ ○○○● ○●○○ ○○●○●● ●●○○


    管小楼中<span ss="q">韵玉果蛛丝暗卜<span ss="q">句钿钗蝉鬓轻笼<span ss="q">韵  吴云别后重重<span ss="q">韵凉宴几时同<span ss="q">韵纵人间<span ss="q">读信有犀


    ●●○○ ●●○○●● ●○○●○○   ○○●●○○ ○●●○○ ●○○ ●●○


    灵鹊喜<span ss="q">句密意难通<span ss="q">韵双星分携最苦<span ss="q">句念经年犹有一相逢<span ss="q">韵寂寞桥边旧月<span ss="q">句可堪频照西东<span ss="q">韵


    ○●● ●●○○ ○○○○●● ●○○○●●○○ ●●○○●● ●○○●○○


    ·


    此亦与程词同,惟换头句六字,第三、四句摊破句法,作九字一句异。


    又一体 <span ss="q">双调一百三字,前段九句四平韵,后段九句五平韵      <span ss="q">《梅苑》无名氏


    饱经霜古树<span ss="q">句怕春寒<span ss="q">读趁腊引青枝<span ss="q">韵逗一点阳和<span ss="q">句隔年信息<span ss="q">句远报佳期<span ss="q">韵凄葩未容易吐<span ss="q">句但凝酥


    ●○○●● ●○○ ●●●○○ ●●●○○ ●○●● ●●○○ ○○●○●● ●○○


    半面点胭脂<span ss="q">韵山路相逢驻马<span ss="q">句暗香微染征衣<span ss="q">韵  风前袅袅含情<span ss="q">句虽不语<span ss="q">读引长思<span ss="q">韵似怨感芳


    ●●●○○ ○●○○●● ●○○●○○   ○○●●○○ ○●● ●○○ ●●●○


    姿<span ss="q">韵山高水远<span ss="q">句折赠何迟<span ss="q">韵分明为传驿使<span ss="q">句寄一枝春色写新词<span ss="q">韵寄语市桥官柳<span ss="q">句此先占了芳菲<span ss="q">韵


    ○ ○○●● ●●○○ ○○●○●● ●●○○●●○○ ●●●○○● ●○●●○○


    ·


    此亦程词体,惟前段第二句添二字,换头句减一字,第二句作折腰句法异。


    彩云归  《宋史·乐志》:仙吕调;《乐章集》注:中吕调。


    彩云归 <span ss="q">双调一百一字,前段八句五平韵,后段十句五平韵          柳 永


    蘅皋向晚檥轻航<span ss="q">韵卸云帆<span ss="q">读水驿鱼乡<span ss="q">韵当暮天霁色如晴昼<span ss="q">句江练静<span ss="q">读皎月飞光<span ss="q">韵那堪听<span ss="q">读远村羌


    ○○●●●○○ ●○○ ●●○○ ○●○●●○○● ○●● ●●○○ ●○● ●○○


    篴<span ss="q">句引离人断肠<span ss="q">韵此际恨<span ss="q">读浪萍风梗<span ss="q">句度岁茫茫<span ss="q">韵   堪伤<span ss="q">韵朝欢暮散<span ss="q">句被多情<span ss="q">读赋与凄凉<span ss="q">韵


    ● ●○○●○ ●●● ●○○● ●●○○    ○○ ○○●● ●○○ ●●○○


    别来最苦<span ss="q">句襟带衣约<span ss="q">句尚有余香<span ss="q">韵算得伊<span ss="q">读鸳衾凤枕<span ss="q">句夜永争不思量<span ss="q">韵牵情处<span ss="q">句惟有临岐一句难


    ●○●● ○●○● ●●○○ ●●○ ○○●● ●●○●○○ ○○● ○●○○●●○


    忘<span ss="q">韵


    ○


    ·


    此调只此一词,无他首可校。 汲古阁刻《乐章集》,前段第七句脱一“恨”字,今从《花草粹编》增定。


    满朝欢  《乐章集》注:大石调。


    满朝欢 <span ss="q">双调一百一字,前段十一句四仄韵,后段十句四仄韵         柳 永


    花隔铜壶<span ss="q">句露晞金掌<span ss="q">句都门十二清晓<span ss="q">韵帝里风光烂漫<span ss="q">句偏爱春杪<span ss="q">韵烟轻昼永<span ss="q">句引莺啭上林<span ss="q">句鱼游


    ○●○○ ●○○● ○○●●○● ●●○○●● ○●○● ○○●● ●○●●○ ○○


    灵沼<span ss="q">韵巷陌乍晴<span ss="q">句香尘染惹<span ss="q">句垂杨芳草<span ss="q">韵  因念秦楼彩凤<span ss="q">句楚馆朝云<span ss="q">句往昔曾迷歌笑<span ss="q">韵别来岁


    ○● ●●●○ ○○●● ○○○●   ○●○○●● ●●○○ ●●○○○● ●○●


    久<span ss="q">句偶忆欢盟重到<span ss="q">韵人面桃花<span ss="q">句未知何处<span ss="q">句但掩朱门悄悄<span ss="q">韵尽日伫立无言<span ss="q">句羸得凄凉怀抱<span ss="q">韵


    ● ●●○○○● ○●○○ ●○○● ●●○○●● ●●●●○○ ○●○○○●


    ·


    此体无他词可校。


    又一体 <span ss="q">双调一百字,前段九句五仄韵,后段九句六仄韵           李 刘


    一点箕星<span ss="q">句近天边<span ss="q">句光彩辉耀南极<span ss="q">韵竹马儿童<span ss="q">句尽道使君生日<span ss="q">韵元是凤池仙客<span ss="q">韵曾曳履<span ss="q">读持荷簪


    ●●○○ ●○○ ○●○●○● ●●○○ ●●●○○● ○●●○○● ○●● ○○○


    笔<span ss="q">韵称觞处<span ss="q">读晚节花香<span ss="q">句月周犹待五夕<span ss="q">韵   谁道久拘禁掖<span ss="q">韵任双旌五马<span ss="q">句暂从游逸<span ss="q">韵九棘三


    ● ○○● ●●○○ ●○○●●●    ○●●○●● ●○○●● ●○○● ●●○


    槐<span ss="q">句都是等闲亲植<span ss="q">韵见说玉皇侧席<span ss="q">韵但早晚<span ss="q">读促归调燮<span ss="q">韵功成了<span ss="q">读笑傲南山<span ss="q">句寿如南山松柏<span ss="q">韵


    ○ ○●●○○● ●●●○●● ●●● ●○○● ○○● ●●○○ ●○○○○●


    ·


    此与柳词句读迥别,因调名同,故为类列,亦无他首宋词可校。


    桂枝香  调见《乐府雅词》。张辑词,有“疏帘淡月”句,又名《疏帘淡月》。


    桂枝香 <span ss="q">双调一百一字,前后段各十句,五仄韵               王安石


    登临送目<span ss="q">韵正故国晚秋<span ss="q">句天气初肃<span ss="q">韵千里澄江似练<span ss="q">句翠峰如簇<span ss="q">韵归帆去棹残阳里<span ss="q">句背西风<span ss="q">读酒旗


    ⊙○◎● ●◎●◎○ ⊙◎○● ⊙●○○●● ●○○● ⊙○◎●○○● ●○○ ◎⊙


    斜矗<span ss="q">韵彩舟云淡<span ss="q">句星河鹭起<span ss="q">句画图难足<span ss="q">韵  念自昔<span ss="q">读繁华竞逐<span ss="q">韵叹门外楼头<span ss="q">句悲恨相续<span ss="q">韵千古


    ○● ●○○● ⊙○◎● ◎○○●   ●◎◎ ○○●● ●⊙●○⊙ ⊙◎○● ⊙●


    凭高<span ss="q">句对此漫嗟荣辱<span ss="q">韵六朝旧事如流水<span ss="q">句但寒烟衰草凝绿<span ss="q">韵至今商女<span ss="q">句时时犹唱<span ss="q">句后庭遗曲<span ss="q">韵


    ○○ ◎●●○○● ◎○◎●○○● ●○○⊙◎○● ◎○⊙● ⊙○⊙◎ ●○○●


    ·


    此调以此词及陈词为正体,若张辑词之多押两韵,张炎词之句读小异,周词之减字,黄词之之句读不同,皆变格也。 按,詹正词,前段第一句“紫薇花露”,紫字仄声,花字平声;陈允平词,第四句“寂寞天香院宇”,寂字仄声;詹词,第十句“依然南浦”,依字平声;王学文词,后段第八句“茶香酒熟”,茶字平声;李彭老词,第九句“浮沈醉乡”,乡字平声。谱内可平可仄据此,余参所采诸词句法同者。


    又一体 <span ss="q">双调一百一字,前后段各十句,五仄韵               陈 亮


    天高气肃<span ss="q">韵正月色分明<span ss="q">句秋容新沐<span ss="q">韵桂子初收<span ss="q">句三十六宫都足<span ss="q">韵不辞散落人间去<span ss="q">句怕群花<span ss="q">读自嫌


    ○○●● ●●●○○ ○○○● ●●○○ ○●●○○● ●○●●○○● ●○○ ●○


    凡俗<span ss="q">韵向他秋晚<span ss="q">句唤回春意<span ss="q">句几曾幽独<span ss="q">韵  是天公<span ss="q">读余膏剩馥<span ss="q">韵怪一树香风<span ss="q">句十里相续<span ss="q">韵坐对


    ○● ●○○● ●○○● ●○○●   ●○○ ○○●● ●●●○○ ●●○● ●●


    花旁<span ss="q">句但见色浮金粟<span ss="q">韵芙蓉只解添秋思<span ss="q">句况东篱<span ss="q">读凄凉黄菊<span ss="q">韵入时太浅<span ss="q">句背时太远<span ss="q">句爱寻高躅<span ss="q">韵


    ○○ ●●●○○● ○○●●○○● ●○○ ○○○● ●○●● ●○●● ●○○●


    ·


    此即王词体,惟前后段第四句俱四字,第五句俱六字异。


    又一体 <span ss="q">双调一百一字,前后段各十句,六仄韵               张 辑


    梧桐雨细<span ss="q">韵渐滴作秋声<span ss="q">句被风惊碎<span ss="q">韵润逼衣篝<span ss="q">句线袅蕙炉沈水<span ss="q">韵悠悠岁月天涯醉<span ss="q">韵一分秋<span ss="q">读一分


    ○○●● ●●●○○ ●○○● ●●○○ ●●●○○● ○○●●○○● ●○○ ●○


    憔悴<span ss="q">韵紫箫吹断<span ss="q">句素笺恨切<span ss="q">句夜寒鸿起<span ss="q">韵  又何苦<span ss="q">读凄凉客里<span ss="q">韵负草堂春绿<span ss="q">句竹溪空翠<span ss="q">韵落叶


    ○● ●○○● ●○●● ●○○●   ●○● ○○●● ●●○○● ●○○● ●●


    西风<span ss="q">句吹老几番尘世<span ss="q">韵从前谙尽江湖味<span ss="q">韵听商歌<span ss="q">读兴归千里<span ss="q">韵露侵宿酒<span ss="q">句疏帘淡月<span ss="q">句照人无寐<span ss="q">韵


    ○○ ○●●○○● ○○○●○○● ●○○ ●○○● ●○●● ○○●● ●○○●


    ·


    此与陈词同,惟前后段第六句,多押一韵异。


    又一体 <span ss="q">双调一百一字,前段九句五仄韵,后段十句五仄韵          张 炎


    琴书半室<span ss="q">韵向桂边<span ss="q">读偶然一见秋色<span ss="q">韵老树香迟<span ss="q">句清露缀花凝滴<span ss="q">韵山翁翻笑如泥醉<span ss="q">句笑平生<span ss="q">读无此


    ○○●● ●●○ ●○●●○● ●●○○ ○●●○○● ○○○●○○● ●○○ ○●


    狂逸<span ss="q">韵晋人游处<span ss="q">句幽情付与<span ss="q">句酒尊吟笔<span ss="q">韵  任萧散<span ss="q">读披襟岸帻<span ss="q">韵叹千古犹今<span ss="q">句休问何夕<span ss="q">韵发短


    ○● ●○○● ○○●● ●○○●   ●○● ○○●● ●○●○○ ○●○● ●●


    霜浓<span ss="q">句知恐浩歌消得<span ss="q">韵明年野客重来此<span ss="q">句探枝头<span ss="q">读几分消息<span ss="q">韵望西楼远<span ss="q">句西湖更远<span ss="q">句也寻梅驿<span ss="q">韵


    ○○ ○●●○○● ○○●●○○● ●○○ ●○○● ●○○● ○○●● ●○○●


    ·


    此亦与陈词同,惟前段第二、三句,作上三下六九字一句异。


    又一体 <span ss="q">双调一百字,前后段各十句,五仄韵               周 密


    岩飞逗绿<span ss="q">韵又凉入小山<span ss="q">句千树幽馥<span ss="q">韵仙影悬霜<span ss="q">句粲夜楚宫六六<span ss="q">韵明霞洞窅珊瑚冷<span ss="q">句对清商<span ss="q">读吟思


    ○○●● ●○●●○ ○●○● ○●○○ ●●●○●● ○○●●○○● ●○○ ○●


    堪掬<span ss="q">韵麝痕微沁<span ss="q">句蜂黄浅约<span ss="q">句数枝秋足<span ss="q">韵   别有雕阑翠屋<span ss="q">韵任薄帽珠尘<span ss="q">句挨听香玉<span ss="q">韵瘦倚西


    ○● ●○○● ○○●● ●○○●    ●●○○●● ●●●○○ ○●○● ●●○


    风<span ss="q">句惟见露侵肌粟<span ss="q">韵好秋能几花前笑<span ss="q">句绕凉云<span ss="q">读重唤银烛<span ss="q">韵宝屏空晓<span ss="q">句珍丛怨月<span ss="q">句梦回金谷<span ss="q">韵


    ○ ○●●○○● ●○○●○○● ●○○ ○●○● ●○○● ○○●● ●○○●


    ·


    此亦与陈词同,惟换头句减一字异。


    又一体 <span ss="q">双调一百一字,前段十一句五仄韵,后段九句五仄韵         黄 裳


    插云翠壁<span ss="q">韵为送目<span ss="q">读入遥空<span ss="q">句见山色<span ss="q">韵金鼎丹成去也<span ss="q">句晋朝高客<span ss="q">韵百花岩下遗孙在<span ss="q">句赋何人<span ss="q">读离


    ●○●● ●●● ●○○ ●○● ○●○○●● ●○○● ●○○●○○● ●○○ ○


    尘风骨<span ss="q">韵翠微缘近<span ss="q">句希夷志远<span ss="q">句洞天踪迹<span ss="q">韵  近却有<span ss="q">读为龙信息<span ss="q">韵怪潭上灵光<span ss="q">句雷电相击<span ss="q">韵尤


    ○○● ●○○● ○○●● ●○○●   ●●● ○○●● ●○●○○ ○●○● ○


    好风波乍霁<span ss="q">句鹭汀斜日<span ss="q">韵倚阑白尽行人发<span ss="q">句但沈沈<span ss="q">读群岫凝碧<span ss="q">韵利名休事龙头<span ss="q">句飞舠送君南北<span ss="q">韵


    ●○○●● ●○○● ●○●●○○● ●○○ ○●○● ●○○●○○ ○○●○○●


    ·


    此亦王词体,惟前段第二、三句,作三字三句,后段第四句六字,第五句四字,第八、九、十句,作六字两句异。


    锦堂春慢  调见《青箱杂记》,《梅苑》词名《锦堂春》。


    锦堂春慢 <span ss="q">双调一百一字,前后段各十句,四平韵             司马光


    红日迟迟<span ss="q">句虚廊影转<span ss="q">句槐阴迤逦西斜<span ss="q">韵彩笔工夫难状<span ss="q">句晚景烟霞<span ss="q">韵蝶尚不知春去<span ss="q">句漫绕幽砌寻


    ⊙●○○ ○○●● ○○◎●○○ ◎●○○⊙● ●●○○ ◎●○○⊙● ◎◎⊙●○


    花<span ss="q">韵奈猛风过后<span ss="q">句纵有残红<span ss="q">句飞向谁家<span ss="q">韵  始知青春无价<span ss="q">句叹飘零宦路<span ss="q">句荏苒年华<span ss="q">韵今日笙


    ○ ●◎○◎● ◎●○○ ⊙●○○   ◎⊙○⊙⊙● ●○○●● ◎●○○ ⊙●⊙


    歌丛里<span ss="q">句特地咨嗟<span ss="q">韵席上青衫湿透<span ss="q">句算感旧<span ss="q">读何止琵琶<span ss="q">韵怎不教人易老<span ss="q">句多少离愁<span ss="q">句散在天涯<span ss="q">韵


    ○⊙● ◎●○○ ●●○○◎● ●●◎ ⊙●○○ ●●○○◎● ⊙●○○ ●●○○


    ·


    此调始自此词,宋人减字、添字者,俱从此出,但前后段第七句或六字、或七字,第八句或五字、或六字,当以前后整齐者为正格。 此词可平可仄,悉参所采四词。


    又一体 <span ss="q">双调一百一字,前后段各十句,四平韵              黄 裳


    天女多情<span ss="q">句梨花剪碎<span ss="q">句人间赠与多才<span ss="q">韵渐瑶池潋滟<span ss="q">句粉翘徘徊<span ss="q">韵回旋不禁风力<span ss="q">句背人飞去还来<span ss="q">韵


    ○●○○ ○○●● ○○●●○○ ●●○○● ●●○○ ○●●○○● ●○○●○○


    最是清虚好处<span ss="q">句遥度幽香<span ss="q">句不掩寒梅<span ss="q">韵  岁华多幸呈瑞<span ss="q">句泛寒光一样<span ss="q">句仙子楼台<span ss="q">韵虽喜朱颜


    ●●○○●● ○●○○ ●●○○   ●○○●○● ●○○●● ○●○○ ○●○○


    可照<span ss="q">句时更相催<span ss="q">韵细认沙汀鹭下<span ss="q">句静看烟渚潮回<span ss="q">韵为遣青蛾趁拍<span ss="q">句斗献轻盈<span ss="q">句且更传杯<span ss="q">韵


    ●● ○●○○ ●●○○●● ●○○●○○ ●●○○●● ●●○○ ●●○○


    ·


    此与司马词同,惟前段第八句添一字,后段第七句减一字异。


    又一体 <span ss="q">双调一百一字,前后段各十句,四平韵           <span ss="q">《梅苑》无名氏


    腊雪初晴<span ss="q">句冰销凝泮<span ss="q">句寻幽闲赏名园<span ss="q">韵时向长亭登眺<span ss="q">句倚遍朱阑<span ss="q">韵拂面严风冻薄<span ss="q">句满阶前<span ss="q">读霜叶


    ●●○○ ○○●● ○○○●○○ ○●○○○● ●●○○ ●●○○●● ●○○ ○●


    声乾<span ss="q">韵见小台深处<span ss="q">句数叶江梅<span ss="q">句漏泄春权<span ss="q">韵  百花休恨开晚<span ss="q">句奈韶华瞬息<span ss="q">句常放教先<span ss="q">韵非是东


    ○○ ●●○○● ●●○○ ●●○○   ●○○●○● ●○○●● ○●○○ ○●○


    君私语<span ss="q">句和煦恩偏<span ss="q">韵欲寄江南音耗<span ss="q">句念故人<span ss="q">读隔阔云烟<span ss="q">韵一枝赠春色<span ss="q">句待把金刀<span ss="q">句剪倩人传<span ss="q">韵


    ○○● ○●○○ ●●○○○● ●●○ ●●○○ ●○●○● ●●○○ ●●○○


    ·


    此亦与司马词同,惟前段第七句添一字,后段第八句减一字异。


    又一体 <span ss="q">双调九十九字,前后段各十句,四平韵               葛立方


    气应三阳<span ss="q">句氛澄六幕<span ss="q">句翔乌初上云端<span ss="q">韵问朝来何事<span ss="q">句喜动门阑<span ss="q">韵田父占来好岁<span ss="q">句星翁说道宜官<span ss="q">韵


    ●●○○ ○○●● ○○○●○○ ●○○○● ●●○○ ○●○○●● ○○●●○○


    拟更凭高望远<span ss="q">句春在烟波<span ss="q">句春在晴峦<span ss="q">韵  歌管雕堂宴喜<span ss="q">句任重帘不卷<span ss="q">句交护春寒<span ss="q">韵况金钗整


    ●●○○●● ○●○○ ○●○○   ○●○○●● ●○○●● ○●○○ ●○○●


    整<span ss="q">句玉树团团<span ss="q">韵柏叶轻浮重醑<span ss="q">句梅枝巧缀新幡<span ss="q">韵共祝年年如愿<span ss="q">句寿过松椿<span ss="q">句寿过彭聃<span ss="q">韵


    ● ●●○○ ●●○○○● ○○●●○○ ●●○○○● ●●○○ ●●○○


    ·


    此与黄词同,惟前后段第四句,各减一字异。


    又一体 <span ss="q">双调九十八字,前后段各十句,四平韵               王梦应


    浅帻分秋<span ss="q">句凉尊试月<span ss="q">句西风未雁犹蝉<span ss="q">韵看芙蓉影里<span ss="q">句绿鬓年年<span ss="q">韵日上云颿压海<span ss="q">句尘清玉马行天<span ss="q">韵


    ●●○○ ○○●● ○○●●○○ ●○○●● ●●○○ ●●○○●● ○○●●○○


    更烟楼凤举<span ss="q">句风幙麟游<span ss="q">句锦后珠前<span ss="q">韵  绿阴池馆如画<span ss="q">句记春晴药径<span ss="q">句雨晓芝田<span ss="q">韵已办一年笑


    ●○○●● ○●○○ ●●○○   ●○○●○● ●○○●● ●●○○ ●●●○●


    语<span ss="q">句小聚云边<span ss="q">韵舞称香围艳锦<span ss="q">句歌迟酒落红船<span ss="q">韵早群仙醉去<span ss="q">句柳掖花扶<span ss="q">句似雾非烟<span ss="q">韵


    ● ●●○○ ●●○○●● ○○●●○○ ●○○●● ●●○○ ●●○○


    ·


    此与葛词同,惟前后段第八句,各减一字异。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>


    喜朝天  调见张先词集,送蔡襄还朝作。按,唐教坊有《朝天曲》,《宋史·乐志》有越调《朝天乐》曲,此盖借旧曲名,翻新声也。


    喜朝天 <span ss="q">双调一百一字,前段十句五平韵,后段十句四平韵         张 先


    晓云开<span ss="q">韵睨仙馆陵虚<span ss="q">句步入蓬莱<span ss="q">韵玉宇琼甃<span ss="q">句对青林近<span ss="q">句归鸟徘徊<span ss="q">韵风月从今清暑<span ss="q">句带江山野


    ●○○ ●○●○○ ●●○○ ●●○● ●○○● ○●○○ ○●○○⊙● ●○○◎


    色助诗才<span ss="q">韵萧鼓宴<span ss="q">读璇题宝字<span ss="q">句浮动持杯<span ss="q">韵  天多送目无际<span ss="q">句识渡舟帆小<span ss="q">句时见潮回<span ss="q">韵故国


    ◎●○○ ○●● ⊙○◎● ○●○○   ○○●●○● ●●○○● ○●○○ ●●


    千里<span ss="q">句共十万室<span ss="q">句日日春台<span ss="q">韵睢社朝京未远<span ss="q">句正和羹<span ss="q">读民口渴盐梅<span ss="q">韵佳景在<span ss="q">读吴侬还望<span ss="q">句分阃


    ○● ●●●● ●●○○ ⊙●○○●● ●○⊙ ○◎●○○ ○◎● ○○○● ⊙●


    重来<span ss="q">韵


    ○○


    ·


    此调创自此词,应以此词为正体,若晁词之添字,乃变格也。 此词只有晁词可校,谱内可平可仄悉参之。


    又一体 <span ss="q">双调一百三字,前段十句五平韵,后段十句四平韵          晁补之


    众芳残<span ss="q">韵海棠正轻盈<span ss="q">句绿鬓朱颜<span ss="q">韵碎锦繁绣<span ss="q">句更柔柯映碧<span ss="q">句纤縐匀殷<span ss="q">韵谁与将红间白<span ss="q">句采熏笼<span ss="q">读


    ●○○ ●○●○○ ●●○○ ●●○● ●○○●● ○●○○ ○●○○●● ●○○


    仙衣覆斑斓<span ss="q">韵如有意<span ss="q">读淡妆浓抹<span ss="q">句斜倚阑干<span ss="q">韵  妖饶向晚春后<span ss="q">句惯困敧晴景<span ss="q">句愁怕朝寒<span ss="q">韵纵有


    ○○●○○ ○●● ●○○● ○●○○   ○○●●○● ●●○○● ○●○○ ●●


    狂雨<span ss="q">句便离披瘦损<span ss="q">句不奈幽闲<span ss="q">韵素李来禽总俗<span ss="q">句谩遮映<span ss="q">读终羞格疏顽<span ss="q">韵谁采顾<span ss="q">读斜风教舞<span ss="q">句月下


    ○● ●○○●● ●●○○ ●●○○●● ●○● ○○●○○ ○○● ○○○● ●●


    庭间<span ss="q">韵


    ○○


    ·


    此与张词同,惟前后段第五句,各添一字异。


    剪牡丹  《宋史·乐志》:女弟子舞队,第四曰佳人剪牡丹队。调名本此。


    剪牡丹 <span ss="q">双调一百一字,前段十句四仄韵,后段十句七仄韵          张 先


    野绿连空<span ss="q">句天青垂水<span ss="q">句素色溶漾都净<span ss="q">韵柔柳摇摇<span ss="q">句坠轻絮无影<span ss="q">韵汀洲日落人归<span ss="q">句修巾薄袂<span ss="q">句撷香


    ●●○○ ○○○● ●●○●○● ○●○○ ●○●○● ○○●●○○ ○○●● ●○


    拾翠相竞<span ss="q">韵如解凌波<span ss="q">句泊烟渚春暝<span ss="q">韵  彩绦朱索新整<span ss="q">韵宿绣屏<span ss="q">读画船风定<span ss="q">韵金凤响双槽<span ss="q">句弹出


    ●●○● ○●○○ ●○●○●   ●○○●○● ●●○ ●○○● ○●●○○ ○●


    今古幽思谁省<span ss="q">韵玉盘大小乱珠迸<span ss="q">韵酒上妆面<span ss="q">句花艳媚相并<span ss="q">韵重听<span ss="q">韵尽汉妃一曲<span ss="q">句江空月静<span ss="q">韵


    ●○○●○● ●○●●●○● ●●○● ○●●○● ○● ●●○●● ○○●●


    ·


    此调以此词为正体,《花草粹编》李词后段句读不同,故不校注平仄。


    又一体 <span ss="q">双调九十八字,前段十句四仄韵,后段九句四仄韵          李致远


    破镜重圆<span ss="q">句分钗合钿<span ss="q">句重寻绣户珠箔<span ss="q">韵说与从前<span ss="q">句不是我情薄<span ss="q">韵都缘利役名牵<span ss="q">句飘蓬无定<span ss="q">句翻成


    ●●○○ ○○●● ○○●●○● ●●○○ ●●●○● ○○●●○○ ○○○● ○○


    轻诺<span ss="q">韵别后情怀<span ss="q">句有万千牢落<span ss="q">韵  经时最苦分携<span ss="q">句都为伊<span ss="q">读甘心寂寞<span ss="q">韵纵满眼<span ss="q">读闲花媚柳<span ss="q">句终


    ○● ●●○○ ●●○○●   ○○●●○○ ○●○ ○○●● ●●● ○○●● ○


    是强欢不乐<span ss="q">韵待凭鳞羽<span ss="q">句说与相思<span ss="q">句水远天长又难托<span ss="q">韵而今幸已再逢<span ss="q">句把轻离断却<span ss="q">韵


    ●●○●● ●○○● ●●○○ ●●○○●○● ○○●●●○ ●○○●●


    ·


    此词见《花草粹编》,误刻《碧牡丹》,细为校对,后段第二句以上,俱与张先词同,的系《剪牡丹》别体,因为类列。


    马家春慢  调见《东山乐府》。


    马家春慢 <span ss="q">双调一百一字,前段九句四仄韵,后段十句五仄韵        贺 铸


    珠箔风轻<span ss="q">句绣帘浪卷<span ss="q">句乍入人间蓬岛<span ss="q">韵斗玉阑干<span ss="q">句渐庭馆帘栊春晓<span ss="q">韵天许奇葩贵品<span ss="q">句异繁杏夭


    ○●○○ ●○●● ●●○○○● ●●○○ ●○●○○○● ○●○○●● ●○●○


    桃轻巧<span ss="q">韵命化工倾国风流<span ss="q">句与一枝纤妙<span ss="q">韵  樽前五陵年少<span ss="q">韵纵丹青异格<span ss="q">句难倣颜貌<span ss="q">韵惹露凝


    ○○● ●●○○●○○ ●●○○●   ○○●○○● ●○○●● ○●○● ●●○


    烟<span ss="q">句困红娇额<span ss="q">句微颦低笑<span ss="q">韵须信浓香易歇<span ss="q">句更莫惜<span ss="q">读醉攀吟绕<span ss="q">韵待舞蝶游蜂<span ss="q">句细把芳心都告<span ss="q">韵


    ○ ●○○● ○○○● ○●○○●● ●●● ●○○● ●●●○○ ●●○○○●


    ·


    此调只此一词,无他首可校。


    梅香慢  调见《东山乐府》。


    梅香慢 <span ss="q">双调一百一字,前段十一句四仄韵,后段十一句五仄韵        贺 铸


    高阁寒轻<span ss="q">句映万朵芳梅<span ss="q">句乱堆香雪<span ss="q">韵未待江南信<span ss="q">句冠百花先占<span ss="q">句一阳佳节<span ss="q">韵剪彩凝酥<span ss="q">句无处学<span ss="q">读


    ○●○○ ●●●○○ ●○○● ●●○○● ●●○○● ●○○● ●●○○ ○●●


    天然奇绝<span ss="q">韵便寿阳妆<span ss="q">句工夫费尽<span ss="q">句艳姿终别<span ss="q">韵   风里弄轻盈<span ss="q">句掩珠英明莹<span ss="q">句麝腊飘烈<span ss="q">韵莫放


    ○○○● ●●○○ ○○●● ●○○●    ○●●○○ ●○○○● ●●○● ●●


    芳菲歇<span ss="q">韵剩永宵欢赏<span ss="q">句酒酣吟折<span ss="q">韵倒玉何妨<span ss="q">句且听取<span ss="q">读尊前新阕<span ss="q">韵怕篴声长<span ss="q">句行云散尽<span ss="q">句漫悲风


    ○○● ●●○○● ●○○● ●●○○ ●●● ○○○● ●●○○ ○○●● ●○○


    月<span ss="q">韵


    ●


    ·


    此词无他首可校。后段第五句,东山词作“剩夜来欢赏”,今从《梅苑》本。


    玉烛新  调始《清真乐府》,《尔雅》云,四时和,谓之玉烛,取以为名。


    玉烛新 <span ss="q">双调一百一字,前段九句五仄韵,后段九句六仄韵          周邦彦


    溪源新腊后<span ss="q">韵见数朵江梅<span ss="q">句剪裁初就<span ss="q">韵晕酥砌玉<span ss="q">句芳英嫩<span ss="q">读故把春心轻漏<span ss="q">韵前村昨夜<span ss="q">句想弄月黄


    ○○○●● ●●●○○ ●○○● ◎○◎● ○○● ●●○○○● ⊙○◎● ◎●●○


    昏时候<span ss="q">韵孤岸峭<span ss="q">读疏影横斜<span ss="q">句浓香暗沾襟袖<span ss="q">韵  尊前赋与多才<span ss="q">句问岭外风光<span ss="q">句故人知否<span ss="q">韵寿阳


    ○⊙● ⊙●● ⊙●○○ ○○●○○●   ○○●●○○ ●◎●○○ ●○○● ◎○


    漫斗<span ss="q">韵终不似<span ss="q">读照水一枝清瘦<span ss="q">韵风娇雨秀<span ss="q">韵好乱插繁花盈首<span ss="q">韵须信道<span ss="q">读羌笛无情<span ss="q">句看看又奏<span ss="q">韵


    ◎● ○◎● ●●◎○○● ⊙○●● ◎●●○○○● ○●● ○●○○ ○○●●


    ·


    此调以此词为正体,若杨词之多押两韵,乃变格也。 按,赵文词,前段第四句“洞房花烛”,花字平声;赵以夫词,第八句“又不是、南国花迟”,又字仄声;赵文词,后段第二句“问堂上萱花”,堂字平声;第四句“功名浪斗”,功字平声;赵以夫词,第六句“酒尊澹泊”,酒字仄声。谱内可平可仄据此,余参所采杨词。 赵以夫词,前段首句“寒空一雁落”,一字入声,此以入作平,故不注可仄。


    又一体 <span ss="q">双调一百一字,前段九句七仄韵,后段九句六仄韵          杨无咎


    荒山藏古寺<span ss="q">韵见傍水梅开<span ss="q">句一枝三四<span ss="q">韵兰枯蕙死<span ss="q">韵登临处<span ss="q">读慰我魂消惟此<span ss="q">韵可堪红紫<span ss="q">韵曾不解<span ss="q">读


    ○○○●● ●●●○○ ●○○● ○○●● ○○● ●●○○○● ●○○● ○●●


    和羹结子<span ss="q">韵高压尽<span ss="q">读百卉千葩<span ss="q">句因君合修花史<span ss="q">韵   韶华且莫吹残<span ss="q">句待浅揾松煤<span ss="q">句写教形似<span ss="q">韵


    ○○●● ○●● ●●○○ ○○●○○●    ○○●●○○ ●●●○○ ●○○●


    此时胸次<span ss="q">韵凝冰雪<span ss="q">读洗尽从前尘滓<span ss="q">韵吟安个字<span ss="q">韵拌不寐<span ss="q">读勾牵幽思<span ss="q">韵谁伴我<span ss="q">读香宿蜂媒<span ss="q">句光浮月


    ●○○● ○○● ●●○○○● ○○●● ○●● ○○○● ○●● ○●○○ ○○●


    姊<span ss="q">韵


    ●


    ·


    此词前段第四句、第六句俱押韵,与周词异。


    六花飞  调见《松隐集》。


    六花飞 <span ss="q">双调一百一字,前后段各十句,四仄韵               曹 勋


    寅杓乍正<span ss="q">句瑞云开晓<span ss="q">句罩紫霄宫殿<span ss="q">韵圣孝虔恭<span ss="q">句率宸庭冠剑<span ss="q">韵上徽称<span ss="q">读天明地察<span ss="q">句奉玉简<span ss="q">句璇曜


    ○○●● ●○○● ●●○○● ●●○○ ●○○○● ●○○ ○○●● ●●● ○●


    金辉非常典<span ss="q">韵仰吾君<span ss="q">读亲被衮龙<span ss="q">句当槛俯旒冕<span ss="q">韵  中兴圣天子<span ss="q">句舜心温凊<span ss="q">句示未尝闲燕<span ss="q">韵礼无


    ○○○○● ●○○ ○●●○ ○●●○●   ○○●○● ●○○● ●●○○● ●○


    前比<span ss="q">句出渊衷深念<span ss="q">韵赞木父金母至乐<span ss="q">句万亿载<span ss="q">句日月荣光俱欢忭<span ss="q">韵喜春风罗绮<span ss="q">句管弦开寿宴<span ss="q">韵


    ○● ●○○○● ●●●○●●● ●●● ●●○○○○● ●○○○● ●○○●●


    ·


    此调只此一词,无他首可校。 前后段第三句、第五句,例作上一下四句法,填者依之。


    清风满桂楼  调见《松隐集》。


    清风满桂楼 <span ss="q">双调一百一字,前段九句五仄韵,后段九句六仄韵        曹 勋


    凉飚霁雨<span ss="q">韵万叶吟秋<span ss="q">句团团翠深红聚<span ss="q">韵芳桂月中来<span ss="q">句应是染<span ss="q">读仙禽顶砂匀注<span ss="q">韵晴光助绛色<span ss="q">句更都


    ○○●● ●●○○ ○○●○○● ○●●●○ ○●● ○○●○○● ○○●●● ●○


    润<span ss="q">读丹霄风露<span ss="q">韵连朝看<span ss="q">读枝间粟粟<span ss="q">句巧裁霞缕<span ss="q">韵  烟姿照琼宇<span ss="q">韵上苑移时<span ss="q">句根连海山佳处<span ss="q">韵回


    ● ○○○● ○○● ○○●● ●○○●   ○○●○● ●●○○ ○○●○○● ○


    看碧岩边<span ss="q">句薇露过<span ss="q">读残黄韵低尘污<span ss="q">韵诗人漫自许<span ss="q">韵道曾向<span ss="q">读蟾宫折取<span ss="q">韵斜枝戴<span ss="q">句惟称瑶池伴侣<span ss="q">韵


    ●●○○ ○●● ○○●○○● ○○●●● ●○● ○○●● ○○● ○●○○●●


    ·


    此调只此一词,无他作可校。


    映山红慢  调见元载词,咏牡丹作。


    映山红慢 <span ss="q">双调一百一字,前段九句五仄韵,后段八句五仄韵        元 载


    谷雨风前<span ss="q">句占淑景<span ss="q">读名花独秀<span ss="q">韵露国色仙姿<span ss="q">句品流第一<span ss="q">句春工成就<span ss="q">韵罗帏护日金泥皱<span ss="q">韵映霞腮动


    ●●○○ ●●● ○○●● ●●●○○ ●○●● ○○○● ○○●●○○● ●○○●


    檀痕溜<span ss="q">韵长记得天上<span ss="q">句瑶池阆苑曾有<span ss="q">韵  千匝绕<span ss="q">读红玉阑干<span ss="q">句愁只恐<span ss="q">读朝云难久<span ss="q">韵须款折<span ss="q">读绣


    ○○● ○●●○● ○○●●○●   ○●● ○●○○ ○●● ○○○● ○●● ●


    囊剩戴<span ss="q">句细把蜂须频嗅<span ss="q">韵佳人再拜抬娇面<span ss="q">句敛红巾<span ss="q">读捧金杯酒<span ss="q">韵献千千寿<span ss="q">韵愿长恁<span ss="q">读天香满袖<span ss="q">韵


    ○●● ●●○○○● ○○●●○○● ●○○●○○● ●○○● ●○● ○○●●


    ·


    此词无他作可校。前后段第六句“平平仄仄平平仄”,第七句“仄平平仄平平仄”,此元载自度曲,当是音律所寓,填者审之。


    真珠帘  调见放翁词。


    真珠帘 <span ss="q">双调一百一字,前段九句六仄韵,后段十句七仄韵         陆 游


    山村水馆参差路<span ss="q">韵感羁游<span ss="q">读正似残春风絮<span ss="q">韵掠地穿帘<span ss="q">句知是竟归何处<span ss="q">韵镜里新霜空自悯<span ss="q">句问几


    ○○●●○○● ●○○ ●●○○○● ●●○○ ○●●○○● ●●○○○●● ●●


    时<span ss="q">读鸾台鳌署<span ss="q">韵迟暮<span ss="q">韵漫凭高怀远<span ss="q">句书空独语<span ss="q">韵   自古<span ss="q">韵儒冠多误<span ss="q">韵悔当年<span ss="q">读早不扁舟归


    ○ ○○○● ○● ●○○○● ○○●●    ●● ○○○● ●○○ ●●○○○


    去<span ss="q">韵醉下白苹洲<span ss="q">句看夕阳鸥鹭<span ss="q">韵菰菜鲈鱼都弃了<span ss="q">句只换得<span ss="q">读青衫尘土<span ss="q">韵休顾<span ss="q">韵早收身江上<span ss="q">句一


    ● ●●●○○ ●●○○● ○●○○○●● ●●● ○○○● ○● ●○○○● ●


    蓑烟雨<span ss="q">韵


    ○○●


    ·


    此调始自此词,前后段第四、五句例作五言两句,第五句例作上一下四句法,宋词俱如此填。此词前段参差,聊采以备一体,其可平可仄,详见周词。


    又一体 <span ss="q">双调一百一字,前后段各十句,六仄韵              周 密


    宝阶斜转春宵翳<span ss="q">韵云屏敞<span ss="q">句雾卷东风新霁<span ss="q">韵光照万星寒<span ss="q">句曳冷云垂地<span ss="q">韵暗忆连昌游冶事<span ss="q">句照炫


    ◎○⊙●○○● ○○● ○●○○○● ⊙●●○○ ●◎○○● ●●○○○●● ●◎


    转<span ss="q">读荧煌珠翠<span ss="q">韵难比<span ss="q">韵是鲛人织就<span ss="q">句冰绡渍泪<span ss="q">韵  独记<span ss="q">韵梦入瑶台<span ss="q">句正玲珑透月<span ss="q">句琼扉十二<span ss="q">韵


    ◎ ⊙○○● ⊙● ●⊙⊙◎◎ ○○⊙●   ⊙● ●●○○ ●○○●● ⊙○●●


    金缕逗浓香<span ss="q">句接翠蓬云气<span ss="q">韵缟夜梨花生暖白<span ss="q">句浸潋滟一池春水<span ss="q">韵乘醉<span ss="q">韵况归时<span ss="q">读人在明河影里<span ss="q">韵


    ◎●●○○ ●◎○○● ◎●⊙○○●● ●●●◎○○● ⊙● ●○○ ○●⊙○◎●


    ·


    此即陆词体,惟换头第二句不押韵异。 前后段第四、五句,后段第五、六句,俱作五字两句,最为合格,故此调以此词作谱。 按,朱昴孙词,前段第四句“海燕已寻踪”,海字仄声;第七句“待天气、十分新霁”,天字平声;张翥词,后段第五句“烟雨隔垂虹”,烟字平声;陆游词,结句“待从今、须与好花为主”,好字仄声,为字平声。谱内可平可仄据此,余参陆词、张词。 吴文英词,前段结句“学得腰小”,学字、得字俱以入作平,故不注可仄。


    又一体 <span ss="q">双调一百一字,前段句五仄韵一叠韵,后段十句四仄韵一叠韵     张 炎


    云深别有深庭宇<span ss="q">韵小帘栊<span ss="q">读占取芳菲多处<span ss="q">韵花暗曲房春<span ss="q">句润几番酥雨<span ss="q">韵见说苏堤晴未稳<span ss="q">句便懒


    ○○●●○○● ●○○ ●●○○○● ○●●○○ ●●○○● ●●○○○●● ●●


    趁<span ss="q">读踏青人去<span ss="q">韵休去<span ss="q">叠且料理琴书<span ss="q">句夷犹今古<span ss="q">韵  谁见静里闲心<span ss="q">句纵荷衣未葺<span ss="q">句雪巢未赋<span ss="q">韵醉


    ● ●○○● ○● ●●●○○ ○○○●   ○●●●○○ ●○○●● ●○●● ●


    醒一乾坤<span ss="q">句任此情何许<span ss="q">韵茂树石床同坐久<span ss="q">句又却被<span ss="q">读清风留住<span ss="q">韵欲住<span ss="q">叠奈帘影妆楼<span ss="q">句剪灯人语<span ss="q">韵


    ●●○○ ●●○○● ●●●○○●● ●●● ○○○● ●● ●○●○○ ●○○●


    ·


    此与周词同,惟换头不藏短韵,前段第七句、后段第八句,俱叠上韵,结句作五字一句、四字一句异。


    又一体 <span ss="q">双调一百一字,前后段各九句,五仄韵              张 炎


    绿房几夜迎清晓<span ss="q">句光摇动<span ss="q">读素月溶溶如水<span ss="q">韵惆怅一株寒<span ss="q">句记东阑闲倚<span ss="q">韵近日花边无旧雨<span ss="q">句便寂


    ●○●●○○● ○○● ●●○○○● ○●●○○ ●○○○● ●●○○○●● ●●


    寞<span ss="q">读何曾吹泪<span ss="q">韵烛外<span ss="q">韵漫羞得红妆<span ss="q">句而今犹睡<span ss="q">韵  琪树皎立风前<span ss="q">句万尘空<span ss="q">读独挹飘然清气<span ss="q">韵雅


    ● ○○○● ●● ●○●○○ ○○○●   ○●●●○○ ●○○ ●●○○○● ●


    淡不成娇<span ss="q">句拥玲珑春意<span ss="q">韵落寞云深诗梦浅<span ss="q">句但一似唐昌宫里<span ss="q">韵元是<span ss="q">韵是分明错认<span ss="q">句当时玉蕊<span ss="q">韵


    ●●○○ ●○○○● ●●○○○●● ●●●○○○● ○● ●○○●● ○○●●


    ·


    此与“云深别有”词同,惟前段起句不押韵,第七句与后段第八句不叠韵异。


    曲江秋  韩玉词注:正宫。


    曲江秋 <span ss="q">双调一百一字,前段十二句六仄韵,后段十一句六仄韵        杨无咎


    香消烬歇<span ss="q">韵换沈水重燃<span ss="q">句熏炉犹热<span ss="q">韵银汉坠怀<span ss="q">句冰轮转影<span ss="q">句冷光侵毛发<span ss="q">韵随分且宴设<span ss="q">韵小槽酒<span ss="q">句


    ○○●● ●⊙●⊙○ ⊙○○● ⊙●●○ ○○●● ◎⊙○○● ○●●◎● ◎○●


    真珠滑<span ss="q">韵渐觉夜阑<span ss="q">句乌纱露濡<span ss="q">句画帘风揭<span ss="q">韵   清绝<span ss="q">韵轻纨弄月<span ss="q">韵缓歌处<span ss="q">读眉山怨叠<span ss="q">韵持杯须


    ○○● ◎●◎○ ○○●⊙ ●○○●    ⊙● ○○●● ●○● ○○●● ⊙○○


    我醉<span ss="q">句香红映脸<span ss="q">句双腕凝霜雪<span ss="q">韵饮散晚归来<span ss="q">句花梢指点流萤灭<span ss="q">韵睡未稳<span ss="q">句东窗渐明<span ss="q">句远树又闻鶗


    ●● ○○◎● ○●○○● ●●●○○ ○○◎●⊙○● ●◎● ○○◎○ ●●●○○


    鴃<span ss="q">韵


    ●


    ·


    此调始自此词,以此词为正体。若韩词之添字,乃变格也。杨词三首,句韵悉同,惟后段结句,其一首“伫望久、空叹无才可赋,厌听鶗鴃”,句读与此小异,盖此十三字,一气贯下,蝉联不断,或作三句,或作两句,俱不妨也。注明不另列体。 按,杨词别首,前段第二句“对急雨过云”,过字仄声;第三句“暗风吹热”,暗字仄声;第四句“漠漠稻田”,上漠字仄声;第六句“新沐青丝发”,新字平声,沐字仄声;第七句“楼上素琴设”,琴字平声;第八句“珊瑚瘦”,珊字平声;第十句“深炷龙涎”,深字、龙字俱平声;第十一句“浓熏绣幕”,幕字仄声;后段第四句“恍然身在处”,恍字仄声;第五句“浑疑同泛”,同字平声;第八句“人家灯火渐明灭”,渐字仄声;第九、十句“正携手,无端惊回”,携字、惊字俱平声。谱内可平可仄据此,余参韩词。 韩词,前段第三句“泽”字,后段第六句“十”字,俱以入作平,故谱中不注可仄。


    又一体 <span ss="q">双调一百三字,前段十二句六仄韵,后段十句六仄韵         韩 玉


    明轩快目<span ss="q">韵正雨过湘溪<span ss="q">句秋来泽国<span ss="q">韵波面鉴开<span ss="q">句山光淀沸<span ss="q">句竹声摇寒玉<span ss="q">韵鸥鹭戏晚浴<span ss="q">韵芰荷动<span ss="q">句


    ○○●● ●●●○○ ○○●● ○●●○ ○○●● ●○○○● ○●●●● ●○●


    香红蔌<span ss="q">韵千古兴亡意<span ss="q">句凄凉飏舟<span ss="q">句望迷南北<span ss="q">韵  仿佛<span ss="q">韵烟笼雾簇<span ss="q">韵认何处<span ss="q">读当年绣毂<span ss="q">韵沈香花


    ○○● ○●○○● ○○●○ ●○○●   ●● ○○●● ●○● ○○●● ○○○


    萼事<span ss="q">句潇然伤感<span ss="q">句宫殿三十六<span ss="q">韵忍听向晚菱歌<span ss="q">句依稀犹似新翻曲<span ss="q">韵试与问<span ss="q">读如今新蒲细柳<span ss="q">句为谁


    ●● ○○○● ○●○●● ●○●●○○ ○○○●○○● ●●● ○○○○●● ●○


    摇绿<span ss="q">韵


    ○●


    ·


    此与杨词同,惟前段第十句添一字,后段第七句添一字,结处句读亦异。


    翠楼吟  姜夔自度夹钟商曲。


    翠楼吟 <span ss="q">双调一百一字,前段十一句六仄韵,后段十二句七仄韵        姜 夔


    月冷龙沙<span ss="q">句尘清虎落<span ss="q">句今年汉酺初赐<span ss="q">韵新翻胡部曲<span ss="q">句听毡幕元戎歌吹<span ss="q">韵层楼高峙<span ss="q">韵看槛曲萦红<span ss="q">句


    ●●○○ ○○●● ○○●○○● ○○○●● ●○●○○○● ○○○● ●●●○○


    檐牙飞翠<span ss="q">韵人姝丽<span ss="q">韵粉香吹下<span ss="q">句夜寒风细<span ss="q">韵  此地<span ss="q">韵宜有神仙<span ss="q">句拥素云黄鹤<span ss="q">句与君游戏<span ss="q">韵玉梯


    ○○○● ○○● ●○○● ●○○●   ●● ○●○○ ●●○○● ●○○● ●○


    凝望久<span ss="q">句叹芳草萋萋千里<span ss="q">韵天涯情味<span ss="q">韵仗酒祓清愁<span ss="q">句花消英气<span ss="q">韵西山外<span ss="q">韵晚来还卷<span ss="q">句一帘秋霁<span ss="q">韵


    ○●● ●○●○○○● ○○○● ●●●○○ ○○○● ○○● ●○○● ●○○●


    ·


    此调只此一词,无他作可校。


    霓裳中序第一  唐白居易《霓裳羽衣舞歌》云:散序六奏未动衣,阳台宿云慵不飞。中序擘騞初入拍,秋竹吹裂春冰坼。自注云:散序六遍无拍故不舞,中序始有拍,亦名拍序。宋沈括《笔谈》云,《霓裳曲》凡十二叠,前六叠无拍,至第七叠,方谓之叠遍,自此始有拍而舞。按此知《霓裳曲》十二叠,至七叠中序始舞,故以第七叠为中序第一,盖舞曲之第一遍也。


    霓裳中序第一 <span ss="q">双调一百一字,前段十句七仄韵,后段十一句八仄韵      姜 夔


    亭皋正望极<span ss="q">韵乱落红莲归未得<span ss="q">韵多病怯无气力<span ss="q">韵况纨扇渐疏<span ss="q">句罗衣初索<span ss="q">韵流光过隙<span ss="q">韵叹杏梁双


    ○○●●● ●●○○○●● ⊙●◎○◎● ●⊙●◎○ ⊙○○● ⊙○●● ●●○○


    燕如客<span ss="q">韵人何在<span ss="q">句一帘淡月<span ss="q">句彷佛照颜色<span ss="q">韵  幽寂<span ss="q">韵乱蛩吟壁<span ss="q">韵动庾信清愁似织<span ss="q">韵沈思年少浪


    ●○● ○○● ◎○◎● ●●●○●   ○● ◎○⊙● ●◎●⊙○◎● ○○⊙●◎


    迹<span ss="q">韵篴里关山<span ss="q">句柳下坊陌<span ss="q">韵坠红无信息<span ss="q">韵漫暗水涓涓溜碧<span ss="q">韵漂零久<span ss="q">句而今何意<span ss="q">句醉卧酒垆侧<span ss="q">韵


    ● ◎●○○ ◎◎○● ●○○●● ◎●●○○●● ○○● ⊙○○● ●●●○●


    ·


    此调始自此词,周、尹二词,皆从此添字,填此调者,应以此词为正体。 按,姜个翁词,前段第三句“草满旧家行迹”,草字仄声,行字平声;应法孙词,第六句“玉纤胜雪”,玉字仄声;姜词,第九句“飘零如此”,飘字平声;后段第二句“当年第一”,第字仄声;第四句“余葩选甚颜色”,选字仄声,颜字平声;第五句“羞撚江南”,羞字平声;第八句“翻些入啼鹃夜泣”,翻字平声。谱内可平可仄据此,余参周、尹二词。 又按,姜个翁词,前段第七句“煞憔悴墙根堪惜”,第八句“可念我”及詹正词,平仄与诸家不同,概不校注。


    又一体 <span ss="q">双调一百二字,前段十句七仄韵,后段十一句八仄韵         周 密


    湘屏展翠叠<span ss="q">韵恨入宫沟流怨叶<span ss="q">韵釭冷金花暗结<span ss="q">韵又雁影带霜<span ss="q">句蛩音凄月<span ss="q">韵珠宽腕雪<span ss="q">韵叹锦笺芳


    ○○●●● ●●○○○●● ○●○○●● ●●●●○ ○○○● ○○●● ●●○○


    字盈箧<span ss="q">韵人何在<span ss="q">句玉箫旧约<span ss="q">句忍对素娥说<span ss="q">韵  愁绝<span ss="q">韵衣砧幽咽<span ss="q">韵任帐底沈烟渐灭<span ss="q">韵红兰谁采


    ●○● ○○● ●○●● ●●●○●   ○● ○○○● ●●●○○●● ○○○●


    赠别<span ss="q">韵怅洛浦分绡<span ss="q">句汉皋遗玦<span ss="q">韵舞鸾光半缺<span ss="q">韵最怕听<span ss="q">读离弦乍阕<span ss="q">韵凭阑久<span ss="q">句一庭香露<span ss="q">句桂影弄


    ●● ●●●○○ ●○○● ●○○●● ●●● ○○●● ○○● ●○○● ●●●


    凄蝶<span ss="q">韵


    ○●


    ·


    此与姜词同,惟后段第五句添一字异。


    又一体 <span ss="q">双调一百三字,前段十句七仄韵,后段十一句八仄韵         尹 焕


    青颦粲素靥<span ss="q">韵海国仙人偏耐热<span ss="q">韵早餐尽<span ss="q">读风香露屑<span ss="q">韵便万里凌空<span ss="q">句肯凭莲叶<span ss="q">韵盈盈步月<span ss="q">韵悄似


    ○○●●● ●●○○○●● ●○● ○○●● ●●●○○ ●○○● ○○●● ●●


    怜<span ss="q">读轻去瑶阙<span ss="q">韵人何在<span ss="q">句忆渠痴小<span ss="q">句点点爱轻绝<span ss="q">韵  愁绝<span ss="q">韵旧游轻别<span ss="q">韵忍重看<span ss="q">读锁香金箧<span ss="q">韵


    ○ ○●○● ○○● ●○○● ●●●○●   ○● ●○○● ●○● ●○○●


    凄凉清夜簟茀<span ss="q">韵怕杳杳诗魂<span ss="q">句真化蝴蝶<span ss="q">韵冷香清到骨<span ss="q">韵梦十里梅花霁雪<span ss="q">韵归来也<span ss="q">句恹恹心事<span ss="q">句


    ○○○●●● ●●●○○ ○●○● ●○○●● ●●●○○●● ○○● ○○○●


    自共素娥说<span ss="q">韵


    ●●●○●


    ·


    此与周词同,惟前段第三句添一字异。 坊本,前段第三句无“早”字,后段第五句无“怕”字,今从《绝妙好词》增定。 又,换头短韵,即用前结韵,恐系偶误,原非定体,故不注叠韵。


    月当厅  调见《梅溪词》,史达祖自度曲也。


    月当厅 <span ss="q">双调一百一字,前段十句四平韵,后段九句四平韵          史达祖


    白璧旧带秦城梦<span ss="q">句因谁拜下<span ss="q">句杨柳楼心<span ss="q">韵正是夜分<span ss="q">句鱼钥不动香深<span ss="q">韵时有露萤自照<span ss="q">句占风裳<span ss="q">读可


    ●●●●○○● ○○●● ○●○○ ●●●○ ○●●●○○ ○●●○●● ●○○ ●


    喜影麸金<span ss="q">韵坐来久<span ss="q">句都将凉意<span ss="q">句尽付沈吟<span ss="q">韵  残云事绪无人拾<span ss="q">句恨匆匆<span ss="q">读药娥归去难寻<span ss="q">韵缀取


    ●●○○ ●○● ○○○● ●●○○   ○○●●○○● ●○○ ●○○●○○ ●●


    雾窗<span ss="q">句曾唱几拍清音<span ss="q">韵犹有老来印愁处<span ss="q">句冷光应念雪翻簪<span ss="q">韵空独对<span ss="q">句西风紧<span ss="q">句弄一井桐阴<span ss="q">韵


    ●○ ○●●●○○ ○●●○●○● ●○○●●○○ ○●● ○○● ●●●○○


    ·


    此调只此一词,无他作可校。其句法多作拗体,填者依之。


    寿楼春  调见《梅溪集》,盖自度曲也。


    寿楼春 <span ss="q">双调一百一字,前段十句六平韵,后段十一句六平韵         史达祖


    裁春衫寻芳<span ss="q">韵记金刀素手<span ss="q">句同在晴窗<span ss="q">韵几度因风残絮<span ss="q">句照花斜阳<span ss="q">韵谁念我<span ss="q">读今无裳<span ss="q">韵自少年<span ss="q">读


    ○○○○○ ●○○●● ○●○○ ●●○○○● ●○○○ ○●● ○○○ ●●○


    消磨疏狂<span ss="q">韵但听雨挑灯<span ss="q">句攲床病酒<span ss="q">句多梦睡时妆<span ss="q">韵  飞花去<span ss="q">句良宵长<span ss="q">韵有丝阑旧曲<span ss="q">句金谱新


    ○○○○ ●●●○○ ○○●● ○●●○○   ○○● ○○○ ●○○●● ○●○


    腔<span ss="q">韵最恨湘云人散<span ss="q">句楚兰魂伤<span ss="q">韵身是客<span ss="q">句愁为乡<span ss="q">韵算玉箫<span ss="q">读犹逢韦郎<span ss="q">韵近寒食人家<span ss="q">句相思未忘


    ○ ●●○○○● ●○○○ ○●● ○○○ ●●○ ○○○○ ●○●○○ ○○●○


    苹藻香<span ss="q">韵


    ○●○


    ·


    此词无他作可校。前后段多作拗句,皆连用平声字,当是音律所关,填者审之。 前段第六句,或刻作“今无肠”,今从梅溪本集。


    秋色横空  调见《天籁集》。


    秋色横空 <span ss="q">双调一百一字,前后段各十句,六平韵             白 朴


    摇落秋冬<span ss="q">韵爱南枝迥绝<span ss="q">句暖气潜通<span ss="q">韵含章睡起宫妆褪<span ss="q">句新妆淡淡丰容<span ss="q">韵冰蕤瘦<span ss="q">句蜡蒂融<span ss="q">韵便自


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    有<span ss="q">读翛然林下风<span ss="q">韵肯羡蜂喧蝶闹<span ss="q">句艳紫妖红<span ss="q">韵  何处对花兴浓<span ss="q">韵向藏春池馆<span ss="q">句透月帘栊<span ss="q">韵一


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    枝郑重天涯信<span ss="q">句肠断驿使相逢<span ss="q">韵关山路<span ss="q">句几万重<span ss="q">韵记昨夜<span ss="q">读筠筒和泪封<span ss="q">韵料马首幽香<span ss="q">句先到梦


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    中<span ss="q">韵


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    此调只有此词,无别首可校。


    舜韶新  宋王应麟玉海,正和中曹棐制徵调《舜韶新》。


    舜韶新 <span ss="q">双调一百一字,前段十句四仄韵,后段十一句四仄韵         郭子正


    香满西风<span ss="q">句催岁晚东篱<span ss="q">句黄花争吐<span ss="q">韵嫩英细蕊<span ss="q">句金艳繁妆点<span ss="q">句高秋偏富<span ss="q">韵寒地花媒少<span ss="q">句算自结<span ss="q">读


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    多情烟雨<span ss="q">韵每年年妆面<span ss="q">句谢他拒霜相顾<span ss="q">韵  宝马王孙<span ss="q">句休笑孤芳<span ss="q">句陶令因谁<span ss="q">句便思归去<span ss="q">韵负春


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    何事<span ss="q">句此恨惟才子<span ss="q">句登高能赋<span ss="q">韵千古风流在<span ss="q">句占定泛<span ss="q">读重阳芳醑<span ss="q">韵堪吟看醉赏<span ss="q">句何须杏园深处<span ss="q">韵


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    此调只有此词,无别首可校。
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