卷二十八
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十二调五十八体,一百字
御带花一体
定风波慢四体
芳 草五体<span ss="q">又名凤箫吟
念奴娇十二体<span ss="q">又名大江东去、酹江月、赤壁词、酹月、壶中天慢、大江西上曲、太平欢、寿南枝、古梅曲、湘月、淮甸春、白雪词、百字令、百字谣、无俗念、千秋岁、庆长春、杏花天
解语花三体
绕佛阁一体
渡江云三体<span ss="q">又名三儿犯渡江云
腊梅香二体
大 椿一体
八音谐一体
绛都春八体
琴琶仙一体
换巢鸾凤一体
东风第一枝四体
高阳台三体<span ss="q">又名庆春泽慢、庆宫春
春夏两相期一体
垂 杨二体
采绿吟一体
长寿仙一体
雪夜渔舟一体
惜寒梅一体
惜花春起早慢一体
御带花 调见《六一居士词》。
御带花 <span ss="q">双调一百字,前段九句四仄韵,后段十句四仄韵 欧阳修
青春何处风光好<span ss="q">句帝里偏爱元夕<span ss="q">韵万重缯彩<span ss="q">句搆一屏峰岭<span ss="q">句半空金碧<span ss="q">韵宝檠银釭<span ss="q">句耀绛幕<span ss="q">读龙腾
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虎掷<span ss="q">韵沙堤远<span ss="q">读雕轮绣毂<span ss="q">句争走五侯宅<span ss="q">韵 雍雍熙熙作昼<span ss="q">句会乐府神姬<span ss="q">句海洞仙客<span ss="q">句曳香摇
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翠<span ss="q">句称执手行歌<span ss="q">句锦街天陌<span ss="q">韵月淡寒轻<span ss="q">句渐向晓<span ss="q">读漏声寂寂<span ss="q">韵当年少<span ss="q">读狂心未已<span ss="q">句不醉怎归得<span ss="q">韵
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此调只有此词,无别首可校。
定风波 此调有两体,一百字者,柳永词注林钟商,张翥词注商角调,有《梅苑》词可校;一百五字者,柳永词注夹钟商,无宋词可校。
定风波 <span ss="q">双调一百字,前段十一句六仄韵,后段十一句七仄韵 柳 永
自春来<span ss="q">读惨绿愁红<span ss="q">句芳心是事可可<span ss="q">韵日上花稍<span ss="q">句莺穿柳带<span ss="q">句犹压香衾卧<span ss="q">韵暖酥销<span ss="q">句腻云亸<span ss="q">韵终日
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厌厌倦梳裹<span ss="q">韵无那<span ss="q">韵恨薄情一去<span ss="q">句音书无个<span ss="q">韵 早知恁般么<span ss="q">韵悔当初<span ss="q">读不把雕鞍锁<span ss="q">韵向鸡窗<span ss="q">句
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只与鸾笺象管<span ss="q">句拘束教吟和<span ss="q">韵镇相随<span ss="q">句莫抛躲<span ss="q">韵针线闲拈伴伊坐<span ss="q">韵和我<span ss="q">韵免使少年<span ss="q">句光阴虚过<span ss="q">韵
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此调创自此词,张词及《梅苑》词,俱从此出,故可平可仄,悉参二词。 此《定风波》慢词,虽押两短韵,实与《定风波令》不同。
又一体 <span ss="q">双调九十九字,前段十一句六仄韵,后段十一句七仄韵 张 翥
恨行云<span ss="q">读特地高寒<span ss="q">句牢笼好梦不定<span ss="q">韵婉晚年华<span ss="q">句凄凉客况<span ss="q">句泥酒浑成病<span ss="q">韵画阑深<span ss="q">句碧窗静<span ss="q">韵一树
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瑶花可怜影<span ss="q">韵低映<span ss="q">韵怕明月照见<span ss="q">句青禽相并<span ss="q">韵 素衾正冷<span ss="q">韵又寒香<span ss="q">读枕上熏愁醒<span ss="q">韵甚银床霜
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冻<span ss="q">句山童未起<span ss="q">句谁汲墙阴井<span ss="q">韵玉箫残<span ss="q">句锦书迥<span ss="q">韵应是多情道薄幸<span ss="q">韵争肯<span ss="q">韵等闲孤负<span ss="q">句西湖春兴<span ss="q">韵
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此与柳词同,惟换头句减一字,第三句五字、第四句四字异。
又一体 <span ss="q">双调一百一字,前段十一句六仄韵,后段十一句七仄韵 <span ss="q">《梅苑》无名氏
漏新春<span ss="q">读消息前村<span ss="q">句数枝楚梅轻绽<span ss="q">韵正雪艳精神<span ss="q">句冰肤淡泞<span ss="q">句姑射依稀见<span ss="q">韵冷香凝<span ss="q">句金蕊浅<span ss="q">韵
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青女饶伊妒无限<span ss="q">韵堪羡<span ss="q">韵似寿阳妆阁<span ss="q">句初匀粉面<span ss="q">韵 纤条绿染<span ss="q">韵异群葩<span ss="q">读不似和风扇<span ss="q">韵向深
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冬<span ss="q">句免使游蜂舞蝶<span ss="q">句撩拨春心乱<span ss="q">韵水亭边<span ss="q">句山驿畔<span ss="q">韵立马行人暗肠断<span ss="q">韵吟恋<span ss="q">韵又忍随羌管<span ss="q">句飘
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零千片<span ss="q">韵
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此亦与柳词同,惟前段第三句、后段第十句,各添一衬字,换头句亦减一字异。
又一体 <span ss="q">双调一百五字,前段九句四仄韵,后段十一句六仄韵 柳 永
伫立长亭<span ss="q">句澹荡晚风起<span ss="q">韵骤雨歇<span ss="q">读极目萧疏<span ss="q">句塞柳万株<span ss="q">句掩映箭波千里<span ss="q">韵走舟车向此<span ss="q">句人人奔名
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竞利<span ss="q">韵念荡子<span ss="q">读终日驱驰<span ss="q">句争觉乡关转迢递<span ss="q">韵 何意<span ss="q">韵绣阁轻抛<span ss="q">句锦字难逄<span ss="q">句等闲度岁<span ss="q">韵奈泛
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泛旅迹<span ss="q">句厌厌病绪<span ss="q">韵近来谙尽<span ss="q">读宦游滋味<span ss="q">韵此情怀<span ss="q">读纵写香笺<span ss="q">句凭谁寄与<span ss="q">韵算孟光<span ss="q">读安得知我<span ss="q">句
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继日添憔悴<span ss="q">韵
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此词前后段不押短韵,与“自春来”词,宫调不同,其句读亦别,因调名同,故为类列。
芳 草 晁补之词,名《凤箫吟》。
芳 草 <span ss="q">双调一百字,前段十句四平韵,后段十句五平韵 韩 缜
锁离愁<span ss="q">句连绵无际<span ss="q">句来时陌上初薰<span ss="q">韵绣闱人念远<span ss="q">句暗垂珠露泣<span ss="q">句送征轮<span ss="q">韵长行长在眼<span ss="q">句更重重<span ss="q">读
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远水孤村<span ss="q">韵但望极<span ss="q">读楼高尽日<span ss="q">句目断王孙<span ss="q">韵 消魂<span ss="q">韵池塘从别后<span ss="q">句曾行处<span ss="q">读绿妒轻裙<span ss="q">韵恁时
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携素手<span ss="q">句乱花飞絮里<span ss="q">句缓步香茵<span ss="q">韵朱颜空自改<span ss="q">句向年年<span ss="q">读芳意长新<span ss="q">韵遍绿野<span ss="q">读嬉游醉眠<span ss="q">句莫负青
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春<span ss="q">韵
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此调前段起句不用韵者,以韩词为正体;前段起句用韵者,以晁词为正体。可平可仄,悉参所采诸词,不复详注。
又一体 <span ss="q">双调一百字,前段十句四平韵,后段十一句五平韵 奚 淢
笑湖山<span ss="q">句纷纷歌舞<span ss="q">句花边如梦如薰<span ss="q">韵响烟惊落日<span ss="q">句长桥芳草外<span ss="q">句客愁醒<span ss="q">韵天风吹送远<span ss="q">句向两山<span ss="q">读
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唤醒痴云<span ss="q">韵犹自有<span ss="q">读迷林去鸟<span ss="q">句不信黄昏<span ss="q">韵 销凝<span ss="q">韵油车归后<span ss="q">句一眉新月<span ss="q">句独印湖心<span ss="q">韵蕊宫相
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答处<span ss="q">句空岩虚谷应<span ss="q">句猿语香林<span ss="q">韵正酣红紫梦<span ss="q">句便市朝<span ss="q">读有耳谁听<span ss="q">韵怪玉兔金乌不换<span ss="q">句只换游人<span ss="q">韵
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此与韩词同,惟后段第二、三句,俱四字异。
又一体 <span ss="q">双调一百一字,前段十句五平韵,后段十一句五平韵 晁补之
晓曈昽<span ss="q">韵风和雨细<span ss="q">句南园次第春融<span ss="q">韵岭梅犹妒雪<span ss="q">句露桃云杏<span ss="q">句已绽碧呈红<span ss="q">韵一年春正好<span ss="q">句助人
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狂<span ss="q">读飞燕游蜂<span ss="q">韵更吉梦良辰<span ss="q">句对花忍负金钟<span ss="q">韵 香浓<span ss="q">韵博山沈水<span ss="q">句小楼清旦<span ss="q">句佳气葱葱<span ss="q">韵旧
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游应未改<span ss="q">句武陵花似锦<span ss="q">句笑语如逢<span ss="q">韵蕊宫传妙诀<span ss="q">句小金丹<span ss="q">读同换冰容<span ss="q">韵况共有<span ss="q">读芝田旧约<span ss="q">句归
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去双峰<span ss="q">韵
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此词前段起句用韵,第五句四字,第六句五字,结作五字一句、六字一句,后段第二、三句,作四字两句,与韩词异。
又一体 <span ss="q">双调一百一字,前段十句五平韵,后段十一句五平韵 曹 勋
列旂常<span ss="q">韵中宵天净<span ss="q">句郊丘展采圆苍<span ss="q">韵肇禋三岁礼<span ss="q">句圣天子为民<span ss="q">句致福穰穰<span ss="q">韵凝旒亲奠至<span ss="q">句粲珠
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联<span ss="q">读星斗垂芒<span ss="q">韵渐月转燔柴<span ss="q">句露重烟断坛旁<span ss="q">韵 欢康<span ss="q">韵青霞催晓<span ss="q">句六乐均调<span ss="q">句响逐新阳<span ss="q">韵辇
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回天仗肃<span ss="q">句庆千官抃舞<span ss="q">句绣锦成行<span ss="q">韵鸡竿双凤阙<span ss="q">句肆颁宣<span ss="q">读恩动荣光<span ss="q">韵赞永御<span ss="q">读萝图霈泽<span ss="q">句常
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抚殊方<span ss="q">韵
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此与晁词同,惟前段第五句五字,第六句四字异。
又一体 <span ss="q">双调一百一字,前后段各十句,五平韵 王之道
雨溟濛<span ss="q">韵年年今日<span ss="q">句农夫共卜新丰<span ss="q">韵登高随处好<span ss="q">句银瓶突兀<span ss="q">句南峙对三公<span ss="q">韵真珠漙露菊<span ss="q">句更芙
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蓉<span ss="q">读照水匀红<span ss="q">韵但华发衰颜<span ss="q">句不堪频鉴青铜<span ss="q">韵 相逢<span ss="q">韵行藏休借问<span ss="q">句且徘徊<span ss="q">读目送飞鸿<span ss="q">韵十
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年湖海<span ss="q">句千里云山<span ss="q">句几番残照凄风<span ss="q">韵蟹螫粗似臂<span ss="q">句金英碎<span ss="q">读琥珀香浓<span ss="q">韵请细读离骚<span ss="q">句为君一饮
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千钟<span ss="q">韵
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此亦与晁词同,惟后段第二句五字,第三、四句作七字一句,第五、六句作四字两句,第七句作六字一句异。
念奴娇 《碧鸡漫志》云:大石调,又转入道调宫,又转入高宫大石调。姜夔词注:双调;元高拭词注:大石调,又大吕调。苏轼“赤壁怀古”词,有“大江东去,一樽还酹江月”句,因名《大江东去》,又名《酹江月》,又名《赤壁词》,又名《酹月》;曾觌词,名《壶中天慢》;戴复古词,有“大江西上”句,名《大江西上曲》;姚述尧词,有“太平无事,欢娱时节”句,名《太平欢》;韩淲词,有“年年眉寿,坐对南枝”句,名《寿南枝》,又名《古梅曲》;姜夔词,名《湘月》,自注即《念奴娇》鬲指声;张辑词,有“柳花淮甸春冷”句,名《淮甸春》;米友仁词,名《白雪词》;张翥词,名《百字令》,又名《百字谣》;丘长春词,名《无俗念》;游文仲词,名《千秋岁》;《翰墨全书》词,名《庆长春》,又名《杏花天》。 此调有平韵、仄韵二体,凡句读参差、大同小异者,谱内各以类列。
念奴娇 <span ss="q">双调一百字,前后段各十句,四仄韵 苏 轼
凭空眺远<span ss="q">句见长空万里<span ss="q">句云无留迹<span ss="q">韵桂魄飞来光射处<span ss="q">句冷浸一天秋碧<span ss="q">韵玉宇琼楼<span ss="q">句乘鸾来去<span ss="q">句
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人在清凉国<span ss="q">韵江山如画<span ss="q">句望中烟树历历<span ss="q">韵 我醉拍手狂歌<span ss="q">句举杯邀月<span ss="q">句对影成三客<span ss="q">韵起舞徘
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徊风露下<span ss="q">句今夕不知何夕<span ss="q">韵便欲乘风<span ss="q">句翻然归去<span ss="q">句何用骑鹏翼<span ss="q">韵水晶宫里<span ss="q">句一声吹断横笛<span ss="q">韵
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此调仄韵词,以此词为正体,若苏词别首“大江东去”词、姜夔“五湖旧约”词,句读参差;姜夔“闹红一舸”词、张炎“行行且止”词,多押一韵;张炎“长流万里”词,多押两韵;及张辑、赵长卿词之添字,皆变体也。 此词前段第二句五字,后段第二句四字,第八句五字,前后段第四句皆七字,宋、元人多如此填。 按,辛弃疾词,前段第二、三句“问阿谁堪比,太真颜色”,阿字、太字俱仄声;张元幹词,第六句“荷芰波生”,荷字平声;赵师侠词,后段第四句“回首重城天样远”,回字平声;第五句“独拥闲衾展转”,独字仄声。谱内可平可仄据此,余参所采仄韵诸词。若沈公述词,前段第五句“难托春心脉脉”,上脉字入声;黄庭坚词,第八句“驾此一轮玉”,一字入声;赵师侠词,第九句“蜂闲蝶怨”,蝶字入声;赵长卿词,后段起句“竹外孤袅一枝”,一字入声;赵师侠词,第五句“只管声声历历”,上历字入声;第九句“愁遮不断”,不字入声;张词,第十句“翠楼空锁十二”,十字入声;及谱内所采张炎词,前段第三句“平分一水”,一字入声;姜词,前结“画桡不点清镜”,后结“旧家乐事谁省”,不字、乐字俱入声。此俱以入作平,故不注可仄。 又,本词前结中上历字,亦是以入替平,填者勿混用上、去声字。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段十句五仄韵 苏 轼
大江东去<span ss="q">句浪淘尽<span ss="q">读千古风流人物<span ss="q">韵故垒西边<span ss="q">句人道是<span ss="q">读三国周郎赤壁<span ss="q">韵乱石穿空<span ss="q">句惊涛拍岸<span ss="q">句
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卷起千堆雪<span ss="q">韵江山如画<span ss="q">句一时多少豪杰<span ss="q">韵 遥想公瑾当年<span ss="q">句小乔初嫁了<span ss="q">句雄姿英发<span ss="q">韵羽扇纶
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巾<span ss="q">句谈笑处<span ss="q">读樯艣灰飞烟灭<span ss="q">韵故国神游<span ss="q">句多情应笑我<span ss="q">句早生华发<span ss="q">韵人间如寄<span ss="q">句一尊还酹江月<span ss="q">韵
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此词前段第二句三字,第三句六字,后段第二句五字,第三句四字,前后段第四句俱四字,第五句俱九字,与前词异。宋、元人如此填者甚少,故以前词作谱。 《容斋随笔》载此词云:“大江东去,浪声沈、千古风流人物。故垒西边,人道是、三国孙吴赤壁。乱石崩云,惊涛掠岸,卷起千堆雪。江山如画,一时多少豪杰。 遥想公瑾当年,小乔初嫁了,雄姿英发。羽扇纶巾,谈笑处、樯艣灰飞烟灭。故国神游,多情应是、笑我生华发。人间如梦,一尊还酹江月。”《词综》云,他本是“浪声沈”作“浪淘尽”,与调未协;“孙吴”作“周郎”,犯下“公瑾”;“崩云”作“穿空”,“掠岸”作“拍岸”,又“多情应是、笑我生华发”作“多情应笑我,早生华发”,益非;而“小乔初嫁”宜绝句,以“了”字属下句乃合。按,《容斋》洪迈,南渡词家,去苏轼不远,又本黄鲁直手书,必非伪托。《词综》所论,最为谛当,但此词传诵已久,采之以备一体。
又一体 <span ss="q">双调一百字,前后段各十句,四仄韵 姜 夔
五湖旧约<span ss="q">句问经年底事<span ss="q">句长负清景<span ss="q">韵暝入西山<span ss="q">句渐唤我<span ss="q">读一叶夷犹乘兴<span ss="q">韵倦网都收<span ss="q">句归禽时度<span ss="q">句
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月上汀洲冷<span ss="q">韵中流客与<span ss="q">句画桡不点清镜<span ss="q">韵 谁解唤起湘灵<span ss="q">句烟鬟雾鬓<span ss="q">句理哀弦鸿阵<span ss="q">韵玉尘清
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谈<span ss="q">句叹坐客<span ss="q">读多少风流名胜<span ss="q">韵暗柳萧萧<span ss="q">句飞萤冉冉<span ss="q">句夜久知秋信<span ss="q">韵鲈鱼应好<span ss="q">句旧家乐事谁省<span ss="q">韵
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此与“凭空眺远”词同,惟前后段第四句四字,第五句九字异。 按,此词第四、五句句读,即“大江东去”词体,因姜夔自注《念奴娇》之鬲指声,转入双调,采以备体。
又一体 <span ss="q">双调一百字,前段十句四仄韵,后段十一句五仄韵 姜 夔
闹红一舸<span ss="q">句记来时<span ss="q">句尝与鸳鸯为侣<span ss="q">韵三十六陂人未到<span ss="q">句水佩风裳无数<span ss="q">韵翠叶吹凉<span ss="q">句玉容消酒<span ss="q">句更
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洒菰蒲雨<span ss="q">韵嫣然摇动<span ss="q">句冷香飞上诗句<span ss="q">韵 日暮<span ss="q">韵青盖亭亭<span ss="q">句情人不见<span ss="q">句争忍凌波去<span ss="q">韵只恐舞衣
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寒易落<span ss="q">句愁入西风南浦<span ss="q">韵高柳垂阴<span ss="q">句老鱼吹浪<span ss="q">句留我花间住<span ss="q">韵田田多少<span ss="q">句几回沙际归路<span ss="q">韵
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此亦与“凭空眺远”词同,惟前段第二、三句,仍照“大江东去”词体,及换头句押短韵异。 按,刘克庄“老夫白首”词,后段起句“尝试,铨次群芳,梅花差可,伯仲之间耳”,正与此同。
又一体 <span ss="q">双调一百字,前段九句五仄韵,后段十句四仄韵 张 炎
行行且止<span ss="q">韵把乾坤<span ss="q">读收入篷窗深里<span ss="q">韵星散白鸥三四点<span ss="q">句数笔横塘秋意<span ss="q">韵岸嘴冲波<span ss="q">句篱根受月<span ss="q">句
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野径通村市<span ss="q">韵疏风迎面<span ss="q">句湿衣原是空翠<span ss="q">韵 堪叹敲雪门荒<span ss="q">句争棋墅冷<span ss="q">句苦竹鸣山鬼<span ss="q">韵纵使如
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今犹有晋<span ss="q">句无复清游如此<span ss="q">韵落日黄沙<span ss="q">句远天云淡<span ss="q">句弄影芦花外<span ss="q">韵几时归去<span ss="q">句剪取一半烟水<span ss="q">韵
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此亦与“凭空眺远”词同,惟前段起句,即用韵异。 按,刘儗词,“西风何事,为行人、扫荡襟烦如洗”;黄机词,“春愁几许,似春云霭霭,连空无数”;方岳词,“花风初逗,喜边亭依旧,春闲营柳”,俱与此同。
又一体 <span ss="q">双调一百字,前段十句五仄韵,后段十一句五仄韵 张 炎
长流万里<span ss="q">韵与沈沈沧海<span ss="q">句平分一水<span ss="q">韵孤白争流蟾不没<span ss="q">句影落潜蛟腾起<span ss="q">韵莹玉悬秋<span ss="q">句绿房迎晓<span ss="q">句楼
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观光凝洗<span ss="q">韵紫箫声袅<span ss="q">句四檐吹下清气<span ss="q">韵 遥睇<span ss="q">韵浪击空明<span ss="q">句古愁休问<span ss="q">句消长盈虚理<span ss="q">韵风入芦花
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歌忽断<span ss="q">句知有渔舟闲檥<span ss="q">韵露已沾衣<span ss="q">句沤犹栖草<span ss="q">句一片潇湘意<span ss="q">韵人方酣梦<span ss="q">句长翁元自如此<span ss="q">韵
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此亦与“凭空眺远”词同,惟前段起句用韵,后段起句藏短韵异。
又一体 <span ss="q">双调一百一字,前后段各十句,四仄韵 张 辑
嫩凉生晓<span ss="q">韵怪得今朝<span ss="q">句湖上秋风无迹<span ss="q">韵古寺桂香山色外<span ss="q">句肠断幽丛金碧<span ss="q">韵骤雨俄来<span ss="q">句苍烟不见<span ss="q">句
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苔径孤吟屐<span ss="q">韵系船高柳<span ss="q">句晚蝉嘶破愁寂<span ss="q">韵 且约携酒高歌<span ss="q">句与鸥相好<span ss="q">句分坐渔矶石<span ss="q">韵算只藕
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花知我意<span ss="q">句犹把红芳留客<span ss="q">韵楼阁空濛<span ss="q">句管弦清润<span ss="q">句一水盈盈隔<span ss="q">韵不如休去<span ss="q">句月悬良夜千尺<span ss="q">韵
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此亦与“凭空眺远”词,惟前段第二句添一衬字异。
又一体 <span ss="q">双调一百二字,前后段各十句,四仄韵 赵长卿
银蟾光满<span ss="q">句弄余辉<span ss="q">读冷浸江梅无力<span ss="q">韵缓引柔条浮素蕊<span ss="q">句横在闲窗虚壁<span ss="q">韵染纸挥毫<span ss="q">句粉涂墨晕<span ss="q">句不
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似今端的<span ss="q">韵天然造化<span ss="q">句别是一般<span ss="q">句清瘦踪迹<span ss="q">韵 今夜翠葆堂深<span ss="q">句梦回风定<span ss="q">句因月才相识<span ss="q">韵先自
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离愁<span ss="q">句那更被<span ss="q">读晓角残更催逼<span ss="q">韵曙色将分<span ss="q">句轻阴移尽<span ss="q">句过眼难寻觅<span ss="q">韵江南图上<span ss="q">句画工应为描得<span ss="q">韵
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此亦与“凭空眺远”词同,惟前段结句添二衬字,作四字两句异。
又一体 <span ss="q">双调一百字,前后段各十句,四平韵 陈允平
汉江露冷<span ss="q">句是谁将瑶瑟<span ss="q">句弹向云中<span ss="q">韵一曲清泠声渐杳<span ss="q">句月高人在珠宫<span ss="q">韵晕额黄轻<span ss="q">句涂腮粉艳<span ss="q">句
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罗带织青葱<span ss="q">韵天香吹散<span ss="q">句佩环犹自丁东<span ss="q">韵 回首杜若汀洲<span ss="q">句金钿玉镜<span ss="q">句何日得相逢<span ss="q">韵独立飘
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飘烟浪远<span ss="q">句罗袜羞溅春红<span ss="q">韵渺渺予怀<span ss="q">句迢迢良夜<span ss="q">句三十六陂风<span ss="q">韵九嶷何处<span ss="q">句断云飞度千峰<span ss="q">韵
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此调平韵词,以此词为正体。若张词、叶词之句读参差,又换头句押韵,曹词之前后段第六句押韵,皆变体也。 此词有陈词、叶词别首可校。按,陈词别首,前段第三句“荻絮初残”,荻字仄声;第七句“水融沙甃”,水字仄声;第九句“风灯渐暗”,渐字仄声,叶词别首,“酒阑歌罢”,酒字仄声;后段第四句“闲踏轻澌来荐菊”,闲字平声;第五句“半潭新涨微澜”,半字仄声;第六、七句“红叶无情,黄花有恨”,红字平声,有字仄声;第九句“归心如醉”,归字平声。谱内可平可仄据此,余参所采三词。
又一体 <span ss="q">双调一百字,前后段各十句,四平韵 张元幹
吴淞初冷<span ss="q">句记垂虹南望<span ss="q">句残日西沈<span ss="q">韵秋入青冥三万顷<span ss="q">句蟾影吞尽湖阴<span ss="q">韵玉斧为谁<span ss="q">句冰轮如许<span ss="q">句
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宫阙想寒深<span ss="q">韵人间奇观<span ss="q">句古今豪士悲吟<span ss="q">韵 苍髯丹颊仙翁<span ss="q">句淮山风露底<span ss="q">句曾赋幽寻<span ss="q">韵老去专
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城仍好客<span ss="q">句时拥歌吹登临<span ss="q">韵坐揖龙江<span ss="q">句举杯相属<span ss="q">句桂子落波心<span ss="q">韵一声猿啸<span ss="q">句醉来虚籁千林<span ss="q">韵
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·
此与陈词同,惟后段第二句五字,第三句四字异。
又一体 <span ss="q">双调一百字,前段十句四平韵,后段十句五平韵 叶梦得
故山渐近<span ss="q">句念渊明归意<span ss="q">句萧然谁论<span ss="q">韵归去来兮<span ss="q">句秋已老<span ss="q">读松菊三径犹存<span ss="q">韵稚子欢迎<span ss="q">句飘飘风袂<span ss="q">句
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依约旧衡门<span ss="q">韵琴书萧散<span ss="q">句更欣有酒盈尊<span ss="q">韵 惆怅萍梗无根<span ss="q">韵天涯行已遍<span ss="q">句空负田园<span ss="q">韵去矣何
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之<span ss="q">句窗户小<span ss="q">读容膝聊倚南轩<span ss="q">韵倦鸟知还<span ss="q">句晚云遥映<span ss="q">句山气欲黄昏<span ss="q">韵此中真意<span ss="q">句故应欲辨忘言<span ss="q">韵
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·
此亦与陈词同,惟后段第二句五字,第三句四字,又前后段第四句四字,第五句九字,换头句押韵异。
又一体 <span ss="q">双调一百字,前段九句五平韵,后段十句六平韵 曹 勋
半阴未雨<span ss="q">句洞房深<span ss="q">读门掩清润芳晨<span ss="q">韵古鼎金炉<span ss="q">句烟细细<span ss="q">读飞起一缕轻云<span ss="q">韵罗绮娇春<span ss="q">韵争拢翠袖<span ss="q">句
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笑语惹兰芬<span ss="q">韵歌筵初罢<span ss="q">句最宜斗帐黄昏<span ss="q">韵 楼上念远佳人<span ss="q">韵心随沈水<span ss="q">句学兰灺俱焚<span ss="q">韵事与人
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非<span ss="q">句争似此<span ss="q">读些子香气常存<span ss="q">韵记得临分<span ss="q">韵罗巾余赠<span ss="q">句尽日把浓熏<span ss="q">韵一回开看<span ss="q">句一回肠断重闻<span ss="q">韵
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·
此亦与陈词同,惟前段第二、三句,作九字一句,前后段第四句四字,第五句九字,又前后段第六句及换头句,俱押韵异。
解语花 王行词注:林钟羽。
解语花 <span ss="q">双调一百字,前段九句六仄韵,后段九句七仄韵 秦 观
窗涵月影<span ss="q">句瓦冷霜华<span ss="q">句深院重门悄<span ss="q">韵画楼雪杪<span ss="q">韵谁家篴<span ss="q">读弄彻梅花新调<span ss="q">韵寒灯凝照<span ss="q">韵见锦帐<span ss="q">读双
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鸾飞绕<span ss="q">韵当此时<span ss="q">读倚几沈吟<span ss="q">句好景都成恼<span ss="q">韵 曾过云山烟岛<span ss="q">韵当绣襦甲帐<span ss="q">句亲逢一笑<span ss="q">韵人间年
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少<span ss="q">韵多情子<span ss="q">读惟恨相逢不早<span ss="q">韵如今见了<span ss="q">韵却又惹<span ss="q">读许多愁抱<span ss="q">韵算此情<span ss="q">读除是青禽<span ss="q">句为我殷勤报<span ss="q">韵
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·
此调以此词为正体,若施词之减字,周词之添字,皆变格也。周邦彦、杨泽民、吴文英、方千里、张炎、陈允平、王行诸词,俱如此填。惟王行词,前后段两结句“折暗香盈袖”、“镇年年如旧”,俱作上一下四句法,与各家小异。 按,周词,前段第五句“纤云散、耿耿素娥欲下”,欲字仄声;王词,第六句“浅黄晕柳”,浅字仄声;周词,第七句“几曾放、春好闲子”,好字仄声;王词,第八句“最爱他、纤指轻轻”,最字仄声;后段起句“艳质固应低首”,固字仄声;周词,第二句“望千门如昼”,如字平声;吴词,第七句“应剪断、红情绿意”,绿字仄声;第八句“年少时、偏爱轻怜”,年字平声;王词,结句“镇年年如旧”,上年字平声。谱内可平可仄据此,余参施词、周词。
又一体 <span ss="q">双调九十八字,前段十一句六仄韵,后段十句七仄韵 施 岳
云容冱雪<span ss="q">句暮色添寒<span ss="q">句楼台共登眺<span ss="q">韵翠丛深窅<span ss="q">韵无人处<span ss="q">句数蕊弄春犹小<span ss="q">韵幽姿漫好<span ss="q">韵遥相望<span ss="q">读含
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情一笑<span ss="q">韵花解语<span ss="q">句因甚无言<span ss="q">句心事应难表<span ss="q">韵 莫待墙阴暗老<span ss="q">韵称琴边月夜<span ss="q">句笛里霜晓<span ss="q">韵护香须
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早<span ss="q">韵东风度<span ss="q">句咫尺画阑琼沼<span ss="q">韵归来梦绕<span ss="q">韵歌云坠<span ss="q">读依然惊觉<span ss="q">韵想恁时<span ss="q">读小几银屏<span ss="q">句冷未了<span ss="q">韵
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·
此与秦词同,惟后段结句减二字异。
又一体 <span ss="q">双调一百一字,前段九句四仄韵,后段九句五仄韵 周 密
晴丝罥蝶<span ss="q">句暖蜜酣蜂<span ss="q">句重檐卷春寂寂<span ss="q">韵雨萼烟梢<span ss="q">句压阑干<span ss="q">读花雨染衣红湿<span ss="q">韵金鞍误约<span ss="q">句空极目<span ss="q">读
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天涯草色<span ss="q">韵阆苑玉箫人去后<span ss="q">句惟有莺知得<span ss="q">韵 余寒犹掩翠户<span ss="q">句梁燕乍归<span ss="q">句芳信未端的<span ss="q">韵浅薄
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东风<span ss="q">句莫因循<span ss="q">读轻把杏钿狼籍<span ss="q">韵尘侵锦瑟<span ss="q">韵残日绿窗春梦窄<span ss="q">韵睡起折枝无意绪<span ss="q">句斜倚秋千立<span ss="q">韵
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·
此亦与秦词同,惟前后段第三句各添一字,前段第四句、第六句及后段起句、第四句俱不押韵,又前段第八句、后段第七、八句俱不作折腰句法异。
绕佛阁 调见《清真乐府》。
绕佛阁 <span ss="q">双调一百字,前段十一句八仄韵,后段九句六仄韵 周邦彦
暗尘四敛<span ss="q">韵楼观回出<span ss="q">句高映孤馆<span ss="q">韵清漏将短<span ss="q">韵厌闻夜久<span ss="q">读签声动书幔<span ss="q">韵桂花又满<span ss="q">韵闲步露草<span ss="q">句偏
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爱幽远<span ss="q">韵花气清婉<span ss="q">韵望中迤逦<span ss="q">句城阴度河岸<span ss="q">韵 倦客最萧索<span ss="q">句醉倚斜阳穿柳线<span ss="q">韵还似卞堤<span ss="q">读虹
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梁横水面<span ss="q">韵看浪飏春灯<span ss="q">句舟下如箭<span ss="q">韵此行重见<span ss="q">韵叹故友难逢<span ss="q">句羁思空乱<span ss="q">韵两眉愁<span ss="q">读向谁舒展<span ss="q">韵
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·
此词只有此体,吴文英、陈允平词,俱如此填。 按,吴词,前段第四句“红翠万缕”,万字仄声;第九句“赋情缥缈”,赋字、缥字俱仄声,情字平声;陈词,第十句“重怀执手”,重字平声;吴词,结句“花絮惹衣袂”,絮字仄声;陈词,后段起句“料想凤楼人”,人字平声;吴词,第二句“人老春深莺晓处”,人字平声;陈词,第三句“憔悴泪渍、香销娇粉面”,渍字仄声;第五句“隙驹流箭”,驹字平声。谱内可平可仄据此。
渡江云 周密词,名《三犯渡江云》。 此调后段第四句,例用仄韵,亦是三声叶,乃一定之格,宋、元人俱如此填。惟陈允平有全押平韵、全押仄韵二体。
渡江云 <span ss="q">双调一百字,前段十句四平韵,后段九句一叶韵四平韵 周邦彦
晴岚低楚甸<span ss="q">句暖回雁翼<span ss="q">句阵势起平沙<span ss="q">韵骤惊春在眼<span ss="q">句借问何时<span ss="q">句委屈到山家<span ss="q">韵涂香晕色<span ss="q">句盛粉
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饰<span ss="q">读争作妍华<span ss="q">韵千万丝<span ss="q">读陌头杨柳<span ss="q">句渐渐可藏鸦<span ss="q">韵 堪嗟<span ss="q">韵清江东注<span ss="q">句画舸西流<span ss="q">句指长安日
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下<span ss="q">叶愁宴阑<span ss="q">读风翻旗尾<span ss="q">句潮溅乌纱<span ss="q">韵今宵正对初弦月<span ss="q">句傍水驿<span ss="q">读深檥蒹葭<span ss="q">韵沈恨处<span ss="q">读时时自剔
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灯花<span ss="q">韵
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·
此调以此词为正体,若陈词之全押平韵、全押仄韵,皆变体也。 此词后段第四句叶仄韵,宋杨泽民、陈允平、吴文英、卢祖皋、张炎,元吴澄、詹正诸词,皆如此填。 按,张词,前段起句“锦香缭绕地”,锦字仄声;詹词,第二句“相量清苦”,清字平声;张词,第三句“空自带愁归”,空自平声;第四句“乱水流花外”,水字仄声;第六句“都自可怜时”,都字平声;别首,第八句“还记得、前度秦嘉”,还字平声;吴词,第九句“尽夜游、不妨秉烛”,尽字、秉字俱仄声,张词,“犹记得、当年深隐”,得字仄声,当字平声;吴词,后段第二句“一年一度”,两一字俱仄声;张词,第四句“做不成春意”,不字仄声;第五句“浑未省、谁家芳草”,省字仄声;吴词,第五、六句“但要教、啼莺语燕不怨卢郎”,语字、不字俱仄声;吴词,第七句“问春春道何曾去”,问字仄声,下春字平声;陈词,第八句“南浦恨、风苇烟葭”,南字平声,张词,“傍清池、足可幽栖”,清池二字俱平声,足字仄声;张词,结句“闲趣好、白鸥尚识天随”,白字仄声,吴词,“君看取、年年潘令河阳”,潘字平声。谱内可平可仄据此,余参陈平韵词。
又一体 <span ss="q">双调一百字,前段十句四平韵,后段九句五平韵 陈允平
桐花寒食近<span ss="q">句青门紫陌<span ss="q">句不禁绿杨烟<span ss="q">韵正长眉仙客<span ss="q">句来向人间<span ss="q">句听鹤语溪泉<span ss="q">韵清和天气<span ss="q">句为栽
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培<span ss="q">读种玉心田<span ss="q">韵莺昼长<span ss="q">读一尊芳酒<span ss="q">句容与看芝山<span ss="q">韵 庭闲<span ss="q">韵东风榆荚<span ss="q">句夜雨苔痕<span ss="q">句满地欲流
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钱<span ss="q">韵爱墙阴<span ss="q">读成蹊桃李<span ss="q">句春自无言<span ss="q">韵殷勤晓鹊凭檐喜<span ss="q">句丹凤下<span ss="q">读红药阶前<span ss="q">韵兰砌绕<span ss="q">读香飘舞袖
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斑斓<span ss="q">韵
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·
此词全押平韵。
又一体 <span ss="q">双调一百字,前段十句四仄韵,后段九句五仄韵 陈允平
风流三径远<span ss="q">句此君澹泊<span ss="q">句谁与伴清足<span ss="q">韵岁寒人自得<span ss="q">句傍石锄云<span ss="q">句闲里种苍玉<span ss="q">韵琅玕翠立<span ss="q">句爱细雨
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疏烟初沐<span ss="q">韵春昼长<span ss="q">读秋风不断<span ss="q">句洗红尘凡俗<span ss="q">韵 高独<span ss="q">韵虚心共许<span ss="q">句淡节相期<span ss="q">句几人间棋局<span ss="q">韵堪
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爱处<span ss="q">读月明琴院<span ss="q">句雪晴书屋<span ss="q">韵心盟更许青松结<span ss="q">句笑四时<span ss="q">读梅礬兰菊<span ss="q">韵庭砌绕<span ss="q">读东风渐添新绿<span ss="q">韵
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·
此词全押仄韵。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
腊梅香 此调有平韵、仄韵二体。仄韵者,有吴、喻两词;平韵者,只《梅苑》无名氏一词。
腊梅香 <span ss="q">双调一百字,前段十一句四仄韵,后段十句四仄韵 吴师益
锦里阳和<span ss="q">句看万木凋时<span ss="q">句早梅独秀<span ss="q">韵珍馆琼楼畔<span ss="q">句正绛跗初吐<span ss="q">句秾华将茂<span ss="q">韵国艳天葩<span ss="q">句真淡泞<span ss="q">读
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雪肌清瘦<span ss="q">韵似广寒宫<span ss="q">句铅华未御<span ss="q">句自然妆就<span ss="q">韵 凝睇倚朱阑<span ss="q">句喷清香暗度<span ss="q">句易袭襟袖<span ss="q">韵好与花
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为主<span ss="q">句宜秉烛<span ss="q">读频观泛湘酎<span ss="q">韵莫待南枝<span ss="q">句随乐府<span ss="q">读新声吹后<span ss="q">韵对赏心人<span ss="q">句良辰好景<span ss="q">句须信难偶<span ss="q">韵
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·
此词有喻明仲词可校。 按,喻词,前段第三句“小寒天气”,天字平声;第四句“未报春消息”,未字仄声;第六句“浅苞纤蕊”,浅字仄声;第八句“天付与、风流标致”,风字平声;后段第二、三句“倚朱楼凝盼,素英如坠”,凝字、英字俱平声;第五句“度几声、羌管惹愁思”,度字仄声,声字平声,管字仄声;第八句“且频欢赏”,频字平声,赏字仄声;结句“满簪同醉”,满字仄声,簪字平声。谱内可平可仄据此。
又一体 <span ss="q">双调一百一字,前后段各十一句,六平韵 <span ss="q">《梅苑》无名氏
爱日初长<span ss="q">韵正园林<span ss="q">句才见万木凋黄<span ss="q">韵槛外朝来<span ss="q">句已见数枝<span ss="q">句复欲掩映回廊<span ss="q">韵赐与东皇<span ss="q">韵付芳信<span ss="q">读
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妆点江乡<span ss="q">韵想玉楼中<span ss="q">句谁家艳质<span ss="q">句试学新妆<span ss="q">韵 桃杏苦寻芳<span ss="q">韵纵成蹊<span ss="q">句岂能似恁清香<span ss="q">韵素艳
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妖娆<span ss="q">句应是尽夜<span ss="q">句曾与明月风光<span ss="q">韵瑞雪浓霜<span ss="q">韵浑疑是<span ss="q">读粉蝶轻狂<span ss="q">韵待拌吟赏<span ss="q">句休听画阁<span ss="q">句横篴悲
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伤<span ss="q">韵
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此与仄韵词体同,惟前后段第四、五、六句,句读异。
大 椿 调见《松隐集》,盖应制寿词也,取庄子大椿句为名。
大 椿 <span ss="q">双调一百字,前后段各九句,四仄韵 曹 勋
梅拥繁枝<span ss="q">句香飘翠帘<span ss="q">句钧奏严陈华宴<span ss="q">韵诚孝感南极<span ss="q">句正老人星现<span ss="q">韵垂眷东朝功庆远<span ss="q">句享五福<span ss="q">读
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长乐金殿<span ss="q">韵兹时寿协七旬<span ss="q">句庆古今来稀见<span ss="q">韵 慈颜绿发看更新<span ss="q">句玉色粹温<span ss="q">句体力加健<span ss="q">韵导引
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冲和气<span ss="q">句觉春生酒面<span ss="q">韵龙章亲献龟台祝<span ss="q">句与中宫<span ss="q">读同诚欢忭<span ss="q">韵亿万斯年<span ss="q">句当蓬莱<span ss="q">读海波清浅<span ss="q">韵
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此调只此一词,无别首可校。
八音谐 调见曹勋《松隐集》,自注以八曲声合成,故名。
八音谐 <span ss="q">双调一百字,前后段各九句,四仄韵 曹 勋
芳景到横塘<span ss="q">句官柳阴低覆<span ss="q">句新过疏雨<span ss="q">韵望处藕花密<span ss="q">句映烟汀沙渚<span ss="q">韵波静翠展琉璃<span ss="q">句似伫立<span ss="q">读飘飘
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川上女<span ss="q">韵弄晓色<span ss="q">读正鲜妆照影<span ss="q">句幽香潜度<span ss="q">韵 水阁薰风对万姝<span ss="q">句共泛泛红绿<span ss="q">句闹花深处<span ss="q">韵移棹
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采初开<span ss="q">句嗅金缨留取<span ss="q">韵趁时凝赏池边<span ss="q">句预后约<span ss="q">读淡云低护<span ss="q">韵未饮且凭阑<span ss="q">句更待满<span ss="q">读荷珠露<span ss="q">韵
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·
此调只此一词,无别首可校。
绛都春 蒋氏九宫谱注:黄钟宫。此调有平韵、仄韵两体,宋词多填仄韵,其用平韵者,惟陈允平一词。
绛都春 <span ss="q">双调一百字,前段十句六仄韵,后段九句六仄韵 吴文英
情黏舞线<span ss="q">韵怅驻马灞桥<span ss="q">句天寒人远<span ss="q">韵旋剪露痕<span ss="q">句移得春娇栽琼苑<span ss="q">韵流莺常语烟中怨<span ss="q">韵恨三月<span ss="q">读飞
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花零乱<span ss="q">韵艳阳归后<span ss="q">句红藏翠掩<span ss="q">句小坊幽院<span ss="q">韵 谁见<span ss="q">韵新腔按彻<span ss="q">句背灯暗<span ss="q">读共倚宝屏葱蒨<span ss="q">韵绣被
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梦轻<span ss="q">句金屋妆深沈香换<span ss="q">韵梅花重洗春风面<span ss="q">韵正溪上<span ss="q">读参横月转<span ss="q">韵并禽飞上金沙<span ss="q">句瑞香雾暖<span ss="q">韵
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此调以此词及蒋词为正体,若赵词之后段起句不押短韵,刘词之前段起句不押韵,《梅苑》词之换头句押韵,张、京二词之减字,皆变体也。 此词有吴词别首及翁元龙、朱淑真词可校。 按,翁词,前段第三句“同醉深院”,醉字仄声;朱词,第八句“化工不管”,不字仄声;吴词别首,结句“镜空不见”,不字仄声;翁词,后段第四句“霜被睡浓”,霜字平声;朱词,第七句“更莫待、笛声吹老”,笛字仄声。谱内可平可仄据此,余参所采仄韵词。 此调前后段第五句,例作拗体。如吴词之别首“玉勒争驰都门道”、“飘满人间闲嬉笑”,又一首“分得红兰滋吴苑”、“花底天宽春无限”,又一首“啼湿宫黄池塘雨”、“招得花奴来尊俎”,又一首“街马冲尘东风细”、“争掷金钱游人醉”,正与此词同。若各家则有出入矣。谱内校对诸词,不得不详注可平可仄,填者能悉如吴词,始格律谨严也。
又一体 <span ss="q">双调一百字,前段九句六仄韵,后段九句五仄韵 赵彦端
平生相遇<span ss="q">韵算未有<span ss="q">读笑语闽山佳处<span ss="q">韵旧日文章<span ss="q">句如今风味浑如许<span ss="q">韵眼前都是蓬莱路<span ss="q">韵但莫道<span ss="q">读有
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人曾住<span ss="q">韵异时天上<span ss="q">句种种风流<span ss="q">句待君如故<span ss="q">韵 此是君家旧物<span ss="q">句看九万清风<span ss="q">句为君掀举<span ss="q">韵举上青
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云<span ss="q">句却忆梅花如旧否<span ss="q">韵故人衰病今无绪<span ss="q">韵只种得<span ss="q">读梅花盈圃<span ss="q">韵待君一过山家<span ss="q">句共斟露醑<span ss="q">韵
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·
此与吴词同,惟前段第二、三句,作九字一句,换头句不藏短韵,第二句作五字、四字两句异。
又一体 <span ss="q">双调一百字,前后段各十句,六仄韵 蒋 捷
春愁怎画<span ss="q">韵正莺背带绿<span ss="q">句酴醾花谢<span ss="q">韵细雨院深<span ss="q">句淡月廊斜重帘挂<span ss="q">韵归时记约烧灯夜<span ss="q">韵早拆尽<span ss="q">读秋
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千红架<span ss="q">韵纵然归近<span ss="q">句风光又是<span ss="q">句翠阴初夏<span ss="q">韵 娅姹<span ss="q">韵颦青泫白<span ss="q">句恨玉佩罢舞<span ss="q">句芳尘凝榭<span ss="q">韵几拟
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倩人<span ss="q">句付与兰香秋罗帕<span ss="q">韵知他堕策斜拢马<span ss="q">韵在底处<span ss="q">读垂杨楼下<span ss="q">韵无言暗拥娇鬟<span ss="q">句凤钗溜也<span ss="q">韵
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此亦与吴词同,惟后段第三句五字,第四句四字异。按,翁元龙词,“怕离柱断弦,惊破金雁”,正与此同。
又一体 <span ss="q">双调一百字,前段十句五仄韵,后段九句六仄韵 刘 镇
和风乍扇<span ss="q">句又还是去年<span ss="q">句清明重到<span ss="q">韵喜见燕子<span ss="q">句巧说千般如人道<span ss="q">韵墙道陌上青梅小<span ss="q">韵是处有<span ss="q">读闲
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花芳草<span ss="q">韵偶然思想<span ss="q">句前欢醉赏<span ss="q">句牡丹时候<span ss="q">韵 当此三春媚景<span ss="q">句好连宵恣乐<span ss="q">句情怀歌酒<span ss="q">韵纵有珠
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珍<span ss="q">句难买红颜长年少<span ss="q">韵从他乌兔茫茫走<span ss="q">韵更莫待<span ss="q">读花残莺老<span ss="q">韵恁时欢笑<span ss="q">韵休把万金换了<span ss="q">韵
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·
此与蒋词同,惟前段起句不用韵,换头句不藏短韵,后结四字一句、六字一句,又多押一韵异。
又一体 <span ss="q">双调一百字,前段十句六仄韵,后段九句六仄韵 <span ss="q">《梅苑》无名氏
东君运巧<span ss="q">韵向枝头点缀<span ss="q">句琼英虽小<span ss="q">韵全是一般<span ss="q">句风味花中最轻妙<span ss="q">韵横斜疏影当池沼<span ss="q">韵似弄粉<span ss="q">读初
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临鸾照<span ss="q">韵众芳皆有<span ss="q">句深红浅白<span ss="q">句岂能争早<span ss="q">韵 莫厌金尊频倒<span ss="q">韵把芳酒赏花<span ss="q">句追陪欢笑<span ss="q">韵有愿告
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天<span ss="q">句愿天多情休教老<span ss="q">韵奇花也愿休残了<span ss="q">韵免乐事<span ss="q">读离多欢少<span ss="q">韵易老难叙衷肠<span ss="q">句算天怎表<span ss="q">韵
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此亦与蒋词同,惟换头句押韵,不藏短韵异。
又一体 <span ss="q">双调九十八字,前段十句六仄韵,后段九句六仄韵 张 榘
平山老柳<span ss="q">韵寄多少胜游<span ss="q">句春愁诗瘦<span ss="q">韵万叠翠屏<span ss="q">句一抹江烟浑如旧<span ss="q">韵晴空阑槛今何有<span ss="q">韵寂寞文章
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身后<span ss="q">韵唤回奇事<span ss="q">句青油上客<span ss="q">句放怀尊酒<span ss="q">韵 知否<span ss="q">韵全淮万里<span ss="q">句羽书静<span ss="q">读草绿长亭津堠<span ss="q">韵小队
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出郊<span ss="q">句花底赓酬闲时候<span ss="q">韵和薰筹幕垂春昼<span ss="q">韵坐看蓉池波皱<span ss="q">韵主宾同会风云<span ss="q">句盛名可久<span ss="q">韵
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·
此亦与吴词同,惟前后段第七句俱六字,各减一字异。 按,毛滂“余寒尚峭”词,与此正同,但后段第三、四句“种雕菰向熟,碧桃犹小”。句法与此又不同。
又一体 <span ss="q">双调九十八字,前后段各十句,六仄韵 京 镗
升平似旧<span ss="q">韵正锦里元夕<span ss="q">句轻寒时候<span ss="q">韵十里轮蹄<span ss="q">句万户帘帷香风透<span ss="q">韵火城灯市争辉照<span ss="q">韵谁撒满空
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星斗<span ss="q">韵玉箫声里<span ss="q">句金莲影下<span ss="q">句月明如昼<span ss="q">韵 知否<span ss="q">韵良辰美景<span ss="q">句丰岁乐国<span ss="q">句从来希有<span ss="q">韵坐上两
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贤<span ss="q">句白玉为山联翩秀<span ss="q">韵笙歌一片围红袖<span ss="q">韵切莫遣<span ss="q">读铜壶催漏<span ss="q">韵杯行且与邦人<span ss="q">句共开笑口<span ss="q">韵
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·
此亦与吴词同,惟前段第七句减一字,后段第三句减一字、作四字两句异。
又一体 <span ss="q">双调九十八字,前段十句四平韵一叶韵,后段九句四平韵一叶韵 陈允平
秋千倦倚<span ss="q">句正海棠半坼<span ss="q">句不耐春寒<span ss="q">韵殢雨弄晴<span ss="q">句飞梭庭院绣帘闲<span ss="q">韵梅妆欲试芳情懒<span ss="q">叶翠颦愁入
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眉弯<span ss="q">韵雾蝉香冷<span ss="q">句霞绡泪揾<span ss="q">句恨袭湘兰<span ss="q">韵 悄悄池台步晚<span ss="q">句任红薰杏靥<span ss="q">句碧沁苔痕<span ss="q">韵燕子未
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来<span ss="q">句东风无语又黄昏<span ss="q">韵琴心不度春云远<span ss="q">叶断肠难托啼鹃<span ss="q">韵夜深犹倚<span ss="q">句垂杨二十四阑<span ss="q">韵
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·
此平韵体,创自陈允平,宋、元人无如此填者。 此词前后段第六句两叶韵,用本部三声叶,盖因仄韵体于此二句,例必押韵也,填者宜依之。
琵琶仙 姜夔自度黄钟商曲。
琵琶仙 <span ss="q">双调一百字,前段九句四仄韵,后段八句四仄韵 姜 夔
双桨来时<span ss="q">句有人似<span ss="q">读旧曲桃根桃叶<span ss="q">韵歌扇轻约飞花<span ss="q">句蛾眉正奇绝<span ss="q">韵春渐远<span ss="q">读汀洲自绿<span ss="q">句更添了<span ss="q">读
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几声啼鴃<span ss="q">韵十里扬州<span ss="q">句三生杜牧<span ss="q">句前事休说<span ss="q">韵 又还是<span ss="q">读宫烛分烟<span ss="q">句奈愁里<span ss="q">读匆匆换时节<span ss="q">韵都
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把一襟芳思<span ss="q">句与空阶榆荚<span ss="q">韵千万缕<span ss="q">读藏鸦细柳<span ss="q">句为玉尊<span ss="q">读起舞回雪<span ss="q">韵想见西出阳关<span ss="q">句故人初别<span ss="q">韵
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·
此调只有此词,无别首可校。
换巢鸾凤 调见《梅溪词》,史达祖自制曲,因词中有“换巢鸾凤教偕老”句,取以为名。或云,前段用平韵,后段叶仄韵,换巢之义,疑出于此。
换巢鸾凤 <span ss="q">双调一百字,前段九句五仄韵一叶韵,后段十一句六叶韵 史达祖
人若梅娇<span ss="q">韵正愁横断坞<span ss="q">句梦绕溪桥<span ss="q">韵倚风融汉粉<span ss="q">句坐月怨秦箫<span ss="q">韵相思因甚到纤腰<span ss="q">韵定知我今无
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魂可销<span ss="q">韵佳期晚<span ss="q">句漫几度<span ss="q">读泪痕相照<span ss="q">叶 人悄<span ss="q">叶天渺渺<span ss="q">叶花外语香<span ss="q">句时透郎怀抱<span ss="q">叶暗握荑苗<span ss="q">句
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乍尝樱颗<span ss="q">句犹恨侵阶芳草<span ss="q">叶天念王昌忒多情<span ss="q">句换巢鸾凤教偕老<span ss="q">叶温柔乡<span ss="q">句醉芙蓉<span ss="q">读一帐春晓<span ss="q">叶
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·
此词前段用平韵,结句叶仄韵,后段全叶仄韵,盖本部三声叶也。或以后段第五句“暗握荑苗”,苗字点作平韵,不知此句,与“乍尝樱颗”句对,无押韵之理。 此调只有史词一体,无别首宋词可校。
东风第一枝 蒋氏九宫谱注:大石调。
东风第一枝 <span ss="q">双调一百字,前段九句四仄韵,后段八句五仄韵 史达祖
草脚愁苏<span ss="q">句花心梦醒<span ss="q">句鞭香拂散牛土<span ss="q">韵旧歌空忆珠帘<span ss="q">句彩笔倦题绣户<span ss="q">韵黏鸡贴燕<span ss="q">句想立断<span ss="q">读东风
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来处<span ss="q">韵暗惹起<span ss="q">读一掬相思<span ss="q">句乱若翠盘红缕<span ss="q">韵 今夜觅<span ss="q">读梦池秀句<span ss="q">韵明日动<span ss="q">读探花芳绪<span ss="q">韵寄声沽
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酒人家<span ss="q">句预约俊游伴侣<span ss="q">韵怜它梅柳<span ss="q">句乍忍后<span ss="q">读天街酥雨<span ss="q">韵待过了<span ss="q">读一月灯期<span ss="q">句日日醉扶归去<span ss="q">韵
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·
此调以此词为正体,若吴词之多押三韵,《梅苑》词之少押一韵、句读参差,皆变体也。此词有史词别首及高观国、王之道、张翥、张雨词可校。 王词,前段第二句“绛跗檀口”,绛字仄声;高词,第三句“一枝天地春早”,一字仄声;王词,第四句“嫣然照雪精神”,嫣字平声,照字仄声;张词,第五句“阳梢已含红萼”,阳梢二字俱平声,王词,“消得东群眷与”,东字平声;张词,第七句“谁惊起、晓来梳掠”,谁字、惊字俱平声;第九句“霜冷竹间幽鹤”,霜字平声;王词,后段第一句“寓心赏、还须吟醉”,心字平声;第二句“赴目成、便衣歌舞”,赴字仄声,成字平声,张词,“曾醉墮、无声腻滑”,无字平声;王词,第三句“情钟束素无华”,情字平声,束字仄声;第四句“意在含愁不语”,含字平声,张词“高韵水仙罗祙”,罗字平声;第六句“谁与赠、湘皋环块”,谁字平声;第七句“甚时得、重写鸾笺”,时字平声,王词,“折一枝、欲寄相思”,枝字平声;张词,结句“看舞素鸾回雪”,看字平声。谱内可平可仄据此,余参所采诸词。若谱内所采吴词,前段第三句独字入声,第七句洛字入声,后段结句玉字入声,皆以入作平,不注可仄。
又一体 <span ss="q">双调一百字,前段九句六仄韵,后段八句六仄韵 吴文英
倾国倾城<span ss="q">句非花非雾<span ss="q">韵春风十里独步<span ss="q">韵胜如西子妖娆<span ss="q">句更比太真淡泞<span ss="q">韵铅华不御<span ss="q">韵漫道有<span ss="q">读巫山
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洛浦<span ss="q">韵似恁地<span ss="q">读标格无双<span ss="q">句镇锁画楼深处<span ss="q">韵 曾被风<span ss="q">读容易送去<span ss="q">韵曾被月<span ss="q">读等闲留住<span ss="q">韵似花翻
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使花羞<span ss="q">句似柳任从柳妒<span ss="q">韵不教歌舞<span ss="q">韵恐化作<span ss="q">读彩云轻举<span ss="q">韵信下蔡阳城俱迷<span ss="q">句看取宋玉词赋<span ss="q">韵
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·
此与史词同,惟前段第二句、第六句,后段第五句,俱押韵异。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段八句四仄韵 <span ss="q">《梅苑》无名氏
腊雪初凝<span ss="q">句东风递暖<span ss="q">句江南梅早先坼<span ss="q">韵一枝经晓芳菲<span ss="q">句几处漏春消息<span ss="q">韵孤根寒艳<span ss="q">句料化工<span ss="q">读别施
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恩力<span ss="q">韵迥不与<span ss="q">读桃李争妍<span ss="q">句自称寿阳妆饰<span ss="q">韵 雪烂熳<span ss="q">读怨蝶未知<span ss="q">句嗟燕过<span ss="q">读画楼绮陌<span ss="q">韵暗香空
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写银笺<span ss="q">句素艳漫传妙笔<span ss="q">韵王孙轻顾<span ss="q">句便好与<span ss="q">读移栽京国<span ss="q">韵更免逐<span ss="q">读羌管凋零<span ss="q">句冷落暮山寒驿<span ss="q">韵
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·
此与史词同,惟后段起句不用韵异。
又一体 <span ss="q">双调一百字,前段十句五仄韵,后段八句三仄韵 <span ss="q">《梅苑》无名氏
溪侧风回<span ss="q">句前村雾散<span ss="q">韵寒梅一枝初绽<span ss="q">韵雪艳凝酥<span ss="q">句冰肌莹玉<span ss="q">句嫩条细软<span ss="q">韵歌台舞榭<span ss="q">句似万斛<span ss="q">读珠
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玑飘散<span ss="q">韵异众芳<span ss="q">读独占东风<span ss="q">句第一点装琼苑<span ss="q">韵 青萼点<span ss="q">读绛唇疏影<span ss="q">句潇洒喷<span ss="q">读紫檀龙麝<span ss="q">句也知
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青女娇羞<span ss="q">句寿阳懒匀粉面<span ss="q">韵江梅腊尽<span ss="q">句武陵人<span ss="q">读应知春晚<span ss="q">韵最苦是<span ss="q">读皎月临风<span ss="q">句画楼一声羌管<span ss="q">韵
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·
此亦与史词同,惟前段第四、五句作四字三句,后段第一、二句俱不押韵异。
高阳台 高拭词注:商调。刘镇词,名《庆春泽慢》;王沂孙词,名《庆春宫》。
高阳台 <span ss="q">双调一百字,前后段各十句,四平韵 刘 镇
灯火烘春<span ss="q">句楼台浸月<span ss="q">句良宵一刻千金<span ss="q">韵锦步承莲<span ss="q">句彩云簇仗难寻<span ss="q">韵蓬壶影动星球转<span ss="q">句映两行<span ss="q">读宝
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珥瑶簪<span ss="q">韵恣嬉游<span ss="q">句玉漏声催<span ss="q">句未歇芳心<span ss="q">韵 笙歌十里夸张地<span ss="q">句记年时行乐<span ss="q">句憔悴而今<span ss="q">韵客里情
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怀<span ss="q">句伴人闲笑闲吟<span ss="q">韵小桃未尽刘郎老<span ss="q">句把相思<span ss="q">读细写瑶琴<span ss="q">韵怕归来<span ss="q">句红紫欺风<span ss="q">句三径成阴<span ss="q">韵
○ ◎⊙⊙●○○ ◎⊙◎●○○● ●⊙○ ◎●○○ ●○○ ⊙●○○ ⊙●○○
·
此调以此词为正体,若蒋词之换头句押韵,张炎词之前后段第八句押韵,皆变体也。 此词有吴文英、王沂孙、李彭老、李莱老、王亿之等词可校。 按,吴词,前段第二句“雪消蕙草”,雪字仄声;李彭老词,第五句“谁念减尽芳云”,念字仄声,李莱老词,“流来疑是行云”,疑字平声;张词,第六句“鬓貂飞入平原草”,鬓字仄声,飞字平声,李彭老词,“幺凤叫晚吹晴雪”,凤字仄声;吴词,后段起句“寿阳宫里愁鸾镜”,寿字仄声,宫字平声;第二、三句“解勒回玉辇,雾掩山羞”,勒字仄声;李彭老词,第四、五句“环佩无声,草暗台榭春深”,环字平声,暗字仄声;第六句“欲倩怨笛传清谱”,倩字仄声,王词,“无端枝上啼鴃唤”,枝字平声;第七句“便等闲、孤枕惊回”,孤字平声。谱内可平可仄据此,余参下二词。
又一体 <span ss="q">双调一百字,前段十句四平韵,后段十句五平韵 蒋 捷
燕卷晴丝<span ss="q">句蜂黏落絮<span ss="q">句天教绾住闲愁<span ss="q">韵闲里清明<span ss="q">句忽忽粉湿红羞<span ss="q">韵灯摇缥晕茸窗冷<span ss="q">句语未阑<span ss="q">读娥
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影分收<span ss="q">韵好伤情<span ss="q">句春也难留<span ss="q">句人也难留<span ss="q">韵 芳尘满目悠悠<span ss="q">韵为问萦云佩响<span ss="q">句还绕谁楼<span ss="q">韵别酒才
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斟<span ss="q">句从前心事都休<span ss="q">韵飞莺纵有风吹转<span ss="q">句奈旧家<span ss="q">读苑已成秋<span ss="q">韵莫思量<span ss="q">句杨柳湾西<span ss="q">句且棹吟舟<span ss="q">韵
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·
此与刘词同,惟后段起句减一字、又押韵,第二句作六字句异。 按,王沂孙词,“篝熏鹊锦熊氊,一任粉融脂涴,犹怯痴寒”,正与此同。
又一体 <span ss="q">双调一百字,前后段各十句,五平韵 张 炎
接叶巢莺<span ss="q">句平波卷絮<span ss="q">句断桥斜日归船<span ss="q">韵能几番游<span ss="q">句看花又是明年<span ss="q">韵东风且伴蔷薇住<span ss="q">句到蔷薇<span ss="q">读春
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已堪怜<span ss="q">韵更凄然<span ss="q">韵万绿西冷<span ss="q">句一抹荒烟<span ss="q">韵 当年燕子知何处<span ss="q">句但苔深韦曲<span ss="q">句草暗斜川<span ss="q">韵见说新
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愁<span ss="q">句如今也到鸥边<span ss="q">韵无心再续笙歌梦<span ss="q">句掩重门<span ss="q">读浅醉闲眠<span ss="q">韵莫开帘<span ss="q">韵怕见飞花<span ss="q">句怕听啼鹃<span ss="q">韵
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·
此与刘词同,惟前后段第八句皆押韵异。 按,张词别首,“夜沈沈,不信归魂,不到花深”、“更关情,秋水人家,不照西泠”,李彭老词,“感凋零,残缕遗钿,迤逦成尘”、“转销凝,点点随波,望极江亭”,正与此同。
春夏两相期 调见《竹山词》。
春夏两相期 <span ss="q">双调一百字,前段九句五仄韵,后段十句五仄韵 蒋 捷
听深深<span ss="q">读谢家庭馆<span ss="q">韵东风对语双燕<span ss="q">韵似说朝来<span ss="q">句天上婺星光现<span ss="q">韵金裁花诰紫泥香<span ss="q">句绣裹藤舆红
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茵软<span ss="q">韵散蜡宫辉<span ss="q">句行鳞厨品<span ss="q">句至今人羡<span ss="q">韵 西湖万柳如线<span ss="q">韵料月仙当此<span ss="q">句小停飚辇<span ss="q">韵付与长
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年<span ss="q">句教见海心波浅<span ss="q">韵萦云玉佩五侯门<span ss="q">句洗雪华桐三春苑<span ss="q">韵慢拍调莺<span ss="q">句急鼓催鸾<span ss="q">句翠阴生院<span ss="q">韵
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·
此调只有此词,无别首可校。
垂 杨 调见陈允平《日湖渔唱》,本咏垂柳,即以为名。
垂 杨 <span ss="q">双调一百字,前后段各九句,六仄韵 陈允平
银屏梦觉<span ss="q">韵渐浅黄嫩绿<span ss="q">句一声莺小<span ss="q">韵细雨轻尘<span ss="q">句建章初闭东风悄<span ss="q">韵依然千树长安道<span ss="q">韵翠云锁<span ss="q">读玉
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窗深窈<span ss="q">韵断桥人<span ss="q">读空倚斜阳<span ss="q">句带旧愁多少<span ss="q">韵 还是清明过了<span ss="q">韵任烟缕露条<span ss="q">句碧纤青袅<span ss="q">韵恨隔天
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涯<span ss="q">句几回惆怅苏堤晓<span ss="q">韵飞花满地谁为扫<span ss="q">韵甚薄幸<span ss="q">读随波缥缈<span ss="q">韵纵啼鹃<span ss="q">读不唤春归<span ss="q">句人自老<span ss="q">韵
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·
此调只有白朴词可校,故可平可仄,即参白词句法相同者。 后段第八句“纵”字,从周密《绝妙好词》添入。
又一体 <span ss="q">双调九十八字,前段九句五仄韵,后段八句五仄韵 白 朴
关山杜宇<span ss="q">韵甚年年唤得<span ss="q">句韶光归去<span ss="q">韵怕上高城望远<span ss="q">句烟水迷南浦<span ss="q">韵卖花声动天街晓<span ss="q">句总吹入<span ss="q">读东
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风庭户<span ss="q">韵正纱窗<span ss="q">读浓睡觉来<span ss="q">句惊翠蛾愁聚<span ss="q">韵 一夜狂风横雨<span ss="q">韵恨西园媚景<span ss="q">句匆匆难驻<span ss="q">韵试把芳
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菲点检<span ss="q">句莺燕浑无语<span ss="q">韵玉纤空折梨花撚<span ss="q">句对寒食<span ss="q">读厌厌心绪<span ss="q">韵问东君<span ss="q">读落花谁为主<span ss="q">韵
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·
此与陈词同,惟前后段第四句俱六字,第五句俱四字,第六句俱不押韵,后段结句减二字异。
采绿吟 宋周密自度曲,取词中起句二字为调名。
采绿吟 <span ss="q">双调一百字,前段十句三平韵一叶韵,后段九句一叶韵三平韵 周 密
采绿鸳鸯浦<span ss="q">句放画舸<span ss="q">读水北云西<span ss="q">韵槐薰入扇<span ss="q">句柳阴浮桨<span ss="q">句花露侵诗<span ss="q">韵点尘飞不到<span ss="q">句冰壶里<span ss="q">读绀霞
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浅压玻璃<span ss="q">韵想明珰<span ss="q">句凌波远<span ss="q">句依依心事寄谁<span ss="q">叶 移棹檥空明<span ss="q">句苹风度<span ss="q">读琼丝霜管清脆<span ss="q">叶咫尺挹
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幽香<span ss="q">句怅岸隔红衣<span ss="q">韵对沧洲<span ss="q">读心与鸥闲<span ss="q">句吟情渺<span ss="q">读蓬莱共分题<span ss="q">韵停杯久<span ss="q">句凉月渐生<span ss="q">句烟含翠微<span ss="q">韵
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·
此调只有此词,无别首可校。 此调前结后起两仄韵,用古韵本部三声叶。
长寿仙 调见《松雪集》。
长寿仙 <span ss="q">双调一百字,前段十句四平韵两叶韵,后段九句三平韵三叶韵 赵孟頫
瑞日当天<span ss="q">韵对绛阙蓬莱<span ss="q">句非雾非烟<span ss="q">韵翠光飞禁苑<span ss="q">句正淑景芳妍<span ss="q">韵彩仗和风细转<span ss="q">叶御香飘满黄金
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殿<span ss="q">叶万国会朝<span ss="q">句喜千官拜舞<span ss="q">句亿兆同欢<span ss="q">韵 福祉如山如川<span ss="q">韵应玉渚流虹<span ss="q">句璇枢飞电<span ss="q">叶八音奏
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舜韶<span ss="q">句庆玉烛调元<span ss="q">韵岁岁龙与凤辇<span ss="q">叶九重春醉蟠桃宴<span ss="q">叶天下太平<span ss="q">句祝吾皇<span ss="q">读寿与天地齐年<span ss="q">韵
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·
此调只有此词,无别首可校。 此平仄韵互叶,元词也,然遵古韵本部三声叶,与元曲中原音韵不同。
雪夜渔舟 调见虚靖真人词,因词中有“自棹孤舟,顺流观雪”句,取以为名。
雪夜渔舟 <span ss="q">双调一百字,前后段各十一句,六仄韵 虚靖真人
晚风歇<span ss="q">韵漫自棹孤舟<span ss="q">句顺流观雪<span ss="q">韵山耸瑶岑<span ss="q">句林森玉树<span ss="q">句高下尽无分别<span ss="q">韵襟怀澄彻<span ss="q">韵更没个<span ss="q">读
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故人堪说<span ss="q">韵恍然尘世<span ss="q">句如居天上<span ss="q">句水晶宫阙<span ss="q">韵 万尘声影绝<span ss="q">韵莹蔝空无外<span ss="q">句水天相接<span ss="q">韵一叶
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身轻<span ss="q">句三花顶聚<span ss="q">句永夜不愁寒冽<span ss="q">韵漫怜薄劣<span ss="q">韵但只解<span ss="q">读赴炎趋热<span ss="q">韵停桡失笑<span ss="q">句知心都付<span ss="q">句野梅
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江月<span ss="q">韵
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此调只有此词,无别首可校。
惜寒梅 调见《复雅歌词》,因词有“喜寒梅,却与雪期霜约”句,取以为名。
惜寒梅 <span ss="q">双调一百字,前段九句五仄韵,后段十句六仄韵 <span ss="q">《复雅歌词》无名氏
看尽千花<span ss="q">句喜寒梅<span ss="q">读暗与雪期霜约<span ss="q">韵雅态香肌<span ss="q">句迥有天然澹泊<span ss="q">韵五侯园囿姿游乐<span ss="q">韵凭阑处<span ss="q">读重
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开绣幕<span ss="q">韵秦娥妆罢<span ss="q">句自远相从<span ss="q">句艳过京洛<span ss="q">韵 天涯再见素萼<span ss="q">韵似凝愁向人<span ss="q">句玉容寂寞<span ss="q">韵江上
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飘零<span ss="q">句怎把芳心付托<span ss="q">韵那堪风雨夜来恶<span ss="q">韵便减动<span ss="q">读一分瘦削<span ss="q">韵直须沈醉<span ss="q">句尤香殢雪<span ss="q">句莫待吹落<span ss="q">韵
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·
此调只有此词,无别首可校。
惜花春起早慢 调见《高丽史·乐志》,即赋题本意。
惜花春起早慢 <span ss="q">双调一百字,前段八句四仄韵,后段九句四仄韵 <span ss="q">《高丽史·乐志》无名氏
向春来<span ss="q">句睹园林<span ss="q">读绣出满槛鲜萼<span ss="q">韵流莺海棠枝上弄舌<span ss="q">句紫燕飞绕池阁<span ss="q">韵三眠细柳<span ss="q">句垂万条<span ss="q">读罗带
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柔弱<span ss="q">韵为思量<span ss="q">读昨夜去看花<span ss="q">句犹自斑驳<span ss="q">韵 须拌尽日尊前<span ss="q">句当媚景良辰<span ss="q">句且恁欢谑<span ss="q">韵更阑夜深
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秉烛<span ss="q">句对花酌<span ss="q">读莫孤轻诺<span ss="q">韵邻鸡唱晓<span ss="q">句惊觉来<span ss="q">读连忙梳掠<span ss="q">韵向西园<span ss="q">读惜群葩<span ss="q">句恐怕狂风吹落<span ss="q">韵
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·
此调只有此词,无别首可校。