卷二十七
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十一调五十七体,九十九字
声声慢十四体<span ss="q">又名胜胜慢、人在楼上
紫玉箫一体
无 闷一体
月下笛五体
玲珑四犯七体
丁香结一体
琐窗寒五体<span ss="q">一名锁寒窗
大 有一体
燕山亭一体
聒龙谣二体
金菊对芙蓉一体
催 雪一体
十月桃三体<span ss="q">又名十月梅
蜀溪春一体
秋宵吟一体
三姝媚三体
凤池吟一体
新雁过妆楼四体<span ss="q">又名雁过妆楼、瑶台聚八仙、八宝妆、百宝妆
月华清一体
国 香二体<span ss="q">又名国香慢
飞龙宴一体
声声慢 蒋氏九宫谱注:仙吕调。晁补之词,名《胜胜慢》;吴文英词,有“人在小楼”句,名《人在楼上》。 此调有平韵、仄韵两体,平韵者,以晁补之、吴文英、王沂孙词为正体;仄韵者,以高观国词为正体。
声声慢 <span ss="q">双调九十九字,前段九句四平韵,后段八句四平韵 晁补之
朱门深掩<span ss="q">句摆荡春风<span ss="q">句无情镇欲轻飞<span ss="q">韵断肠如雪撩乱<span ss="q">句去点人衣<span ss="q">韵朝来半和细雨<span ss="q">句向谁家<span ss="q">读东馆
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西池<span ss="q">韵算未肯<span ss="q">读似桃含红蕊<span ss="q">句留待郎归<span ss="q">韵 还记章台往事<span ss="q">句别后纵<span ss="q">读青青似旧时垂<span ss="q">韵灞岸行人
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多少<span ss="q">句竟折柔枝<span ss="q">韵而今恨啼露叶<span ss="q">句镇香街<span ss="q">读抛掷因谁<span ss="q">韵又争可<span ss="q">读妒郎夸春草<span ss="q">句步步相随<span ss="q">韵
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此调采平韵词八首,以晁、吴、王三词为正体,贺词以下,皆变体也。 此词前后结皆七字一句、四字一句,周密“琼壶敲月”词,与此同。谱内可平可仄,悉参所采平韵七词句法同者。
又一体 <span ss="q">双调九十七字,前段十句四平韵,后段九句四平韵 贺 铸
园林幕翠<span ss="q">句燕寝凝香<span ss="q">句华池缭绕飞廊<span ss="q">韵坐按吴娃清丽<span ss="q">句楚调圆长<span ss="q">韵歌阑横流美眄<span ss="q">句乍疑生<span ss="q">读绮席
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辉光<span ss="q">韵文园属意<span ss="q">句玉卮交劝<span ss="q">句宝瑟高张<span ss="q">韵 南薰难消幽恨<span ss="q">句金徽上<span ss="q">读殷勤彩凤求凰<span ss="q">韵便许卷收
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行雨<span ss="q">句不恋高唐<span ss="q">韵东山胜游在眼<span ss="q">句待纫兰撷菊相将<span ss="q">韵双栖安稳<span ss="q">句五云溪<span ss="q">句是故乡<span ss="q">韵
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此即晁词体,惟前结四字三句,后结四字一句、三字两句异。曹组“重檐飞峻”词,与此同。
又一体 <span ss="q">双调九十七字,前后段各十句,四平韵 曹 勋
素商吹景<span ss="q">句西真赋巧<span ss="q">句桂子秋借蟾光<span ss="q">韵层层翠葆<span ss="q">句深隐幽艳清香<span ss="q">韵占得秀岩分种<span ss="q">句天教微露染
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娇黄<span ss="q">韵珍庭晓<span ss="q">句透肌破鼻<span ss="q">句细细芬芳<span ss="q">韵 应是月中倒影<span ss="q">句喜余叶婆娑<span ss="q">句灏色迎凉<span ss="q">韵移根上
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苑<span ss="q">句雅称曲槛回廊<span ss="q">韵趁取蕊珠密缀<span ss="q">句与收花雾著宫裳<span ss="q">韵帘栊静<span ss="q">句好围四坐<span ss="q">句对赏瑶觞<span ss="q">韵
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此亦晁词体,惟前段第四、五句,作六字一句、四字一句,第七句句法不折腰,前后段第八句俱减一字,作三字一句、四字一句,后段第二、三句作五字一句、四字一句异。
又一体 <span ss="q">双调九十七字,前段十句四平韵,后段八句四平韵 吴文英
檀栾金碧<span ss="q">句婀娜蓬莱<span ss="q">句游云不蘸芳洲<span ss="q">韵露柳霜莲<span ss="q">句十分点缀残秋<span ss="q">韵新弯画眉未稳<span ss="q">句似含羞<span ss="q">读低
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度墙头<span ss="q">韵愁送远<span ss="q">句驻西台车马<span ss="q">句共惜临流<span ss="q">韵 知道池亭多宴<span ss="q">句掩庭花<span ss="q">读长是惊落秦讴<span ss="q">韵腻粉
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阑干<span ss="q">句犹闻凭袖香留<span ss="q">韵输他翠涟拍甃<span ss="q">句瞰新妆<span ss="q">读终日凝眸<span ss="q">韵帘半卷<span ss="q">句带黄花<span ss="q">读人在小楼<span ss="q">韵
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此亦晁词体,惟后段第七句减五字,第八句添三字异。宋辛弃疾、赵长卿、周密、王沂孙,元伊济翁及《梅苑》二词,俱如此填。
又一体 <span ss="q">双调九十七字,前段十句四平韵,后段九句四平韵 王沂孙
啼螿门静<span ss="q">句落叶阶深<span ss="q">句秋声又入吾庐<span ss="q">韵一枕新凉<span ss="q">句西窗晚雨疏疏<span ss="q">韵旧香旧色换却<span ss="q">句但满川<span ss="q">读残
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柳荒蒲<span ss="q">韵茂陵远<span ss="q">句任岁华苒苒<span ss="q">句老尽相如<span ss="q">韵 昨夜西风初起<span ss="q">句想蓴边呼棹<span ss="q">句橘后思书<span ss="q">韵短景
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凄然<span ss="q">句残歌空扣铜壶<span ss="q">韵当时送行共约<span ss="q">句雁归时<span ss="q">读人赋归与<span ss="q">韵雁归也<span ss="q">句问人归<span ss="q">读如雁归无<span ss="q">韵
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此即吴文英词体,惟后段第二句五字,第三句四字,仍照晁词体异。宋、元人如此填者甚多。
又一体 <span ss="q">双调九十八字,前段十句四平韵,后段九句四平韵 周 密
妆额黄轻<span ss="q">句舞衣红浅<span ss="q">句西风又到人间<span ss="q">韵小雨新霜<span ss="q">句萍池藓径生寒<span ss="q">韵输他汉宫姊妹<span ss="q">句粲星钿<span ss="q">读露佩
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珊珊<span ss="q">韵凉意早<span ss="q">句正金盘露洁<span ss="q">句翠盖香残<span ss="q">韵 三十六宫秋色好<span ss="q">句看扶疏仙影<span ss="q">句伴月长闲<span ss="q">韵宝络风
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流<span ss="q">句何如细蕊堪餐<span ss="q">韵幽香未应便减<span ss="q">句傲清霜<span ss="q">读正是宜看<span ss="q">韵吟思远<span ss="q">句负东篱<span ss="q">读还赋小山<span ss="q">韵
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此与吴文英词同,惟换头句添一字,第二、三句照王词体异。
又一体 <span ss="q">双调九十六字,前段九句四平韵,后段八句四平韵 石孝友
花前月下<span ss="q">句好景良辰<span ss="q">句厮守日许多时<span ss="q">韵正美之间<span ss="q">句何事便有轻离<span ss="q">韵无端珠泪暗蔌<span ss="q">句染征衫<span ss="q">读点点
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红滋<span ss="q">韵最苦是<span ss="q">读殷勤密约<span ss="q">句做就相思<span ss="q">韵 咿哑橹声离岸<span ss="q">句魂断处<span ss="q">读高城隐隐天涯<span ss="q">韵万水千山<span ss="q">句
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一去定失花期<span ss="q">韵东君斗来无赖<span ss="q">句散春红<span ss="q">读点破梅枝<span ss="q">韵病成也<span ss="q">句到而今<span ss="q">读著个甚医<span ss="q">韵
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此与吴文英词同,惟前段第八句减一字异。
又一体 <span ss="q">双调九十六字,前后段各九句,四平韵 元好问
林间鸡犬<span ss="q">句江上村墟<span ss="q">句扁舟处处经过<span ss="q">韵袖里新诗<span ss="q">句买断古木沧波<span ss="q">韵山中一花一草<span ss="q">句也留教<span ss="q">读老子
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婆娑<span ss="q">韵任人笑<span ss="q">读风云气少<span ss="q">句儿女情多<span ss="q">韵 不待求田问舍<span ss="q">句被朝吟暮醉<span ss="q">句惯得蹉跎<span ss="q">韵百尺高楼<span ss="q">句
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更问平地如何<span ss="q">韵朝来斜风细雨<span ss="q">句喜红尘<span ss="q">读不到渔蓑<span ss="q">韵一尊酒<span ss="q">句唤元龙<span ss="q">读来听浩歌<span ss="q">韵
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此即石孝友词体,惟后段第二句五字,第三句四字异。
又一体 <span ss="q">双调九十七字,前段十句四仄韵,后段八句四仄韵 高观国
壶天不夜<span ss="q">句宝炬生香<span ss="q">句光风荡摇金碧<span ss="q">韵月滟水痕<span ss="q">句花外峭寒无力<span ss="q">韵歌传翠帘尽卷<span ss="q">句误惊回<span ss="q">读瑶
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台仙迹<span ss="q">韵禁漏促<span ss="q">句拌千金一刻<span ss="q">句未酬佳夕<span ss="q">韵 卷地香尘不断<span ss="q">句最得意<span ss="q">读输他五陵狂客<span ss="q">韵楚柳
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吴梅<span ss="q">句无限眼边春色<span ss="q">韵鲛绡暗中寄与<span ss="q">句待重寻<span ss="q">读行云消息<span ss="q">韵乍醉醒<span ss="q">句怕南楼<span ss="q">读吹断晓笛<span ss="q">韵
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此调采仄韵词六首,以此词为正体,刘泾、李演、蔡松年词,俱照此填。陈词以下,皆变体也。 按,李词,前段第二句“柔屐烟堤”,柔字平声;第三句“六年遗赏新续”,六字仄声,遗字平声;第五句“惟有寒沙鸥熟”,寒字平声,蔡词“忆得伴人良夕”,忆字仄声;刘词,第七句“露荷翻、千点珠滴”,点字仄声;蔡词,第八句“梨花泪”,梨花二字俱平声;李词,结句“暮山自绿”,自字仄声;后段第三句“渔歌樵曲”,渔字平声;刘词,第五句“朋侪闲歌白雪”,闲字平声。谱内可平可仄据此,余参赵、陈、李三词。 谱内所采李词,前段第六句“盏”字仄声,查宋词此字,从无用仄者。又,李词,后段第四句“得”字入声,何词,后段第五句“十”字入声,都是以入作平,概不注可仄。
又一体 <span ss="q">双调九十九字,前后段各十句,四仄韵 赵长卿
金风玉露<span ss="q">句绿橘黄橙<span ss="q">句商秋爽气飘逸<span ss="q">韵南斗腾光<span ss="q">句应是间生贤出<span ss="q">韵照人紫芝眉宇<span ss="q">句更仙风<span ss="q">读谁
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能俦匹<span ss="q">韵细屈指<span ss="q">句到小春时候<span ss="q">句恰则三日<span ss="q">韵 莫论早年富贵<span ss="q">句也休问文章<span ss="q">句有如椽笔<span ss="q">韵尧舜
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逢君<span ss="q">句启沃定知多术<span ss="q">韵而今且张锦幄<span ss="q">句麝煤泛<span ss="q">读暖香郁郁<span ss="q">韵华堂里<span ss="q">句听瑶琴轻弄<span ss="q">句水仙新律<span ss="q">韵
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此与高词同,惟后结添二字异。
又一体 <span ss="q">双调九十七字,前段十句四仄韵,后段八句五仄韵 陈 合
澄空初霁<span ss="q">句暑退银塘<span ss="q">句冰壶雁程寥寞<span ss="q">韵天阙清芬<span ss="q">句何事早飘岩壑<span ss="q">韵花神更裁丽质<span ss="q">句涨江波<span ss="q">读一
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奁梳掠<span ss="q">韵凉影里<span ss="q">句算素娥仙队<span ss="q">句似曾相约<span ss="q">韵 闲把雨花商略<span ss="q">韵开时候<span ss="q">读羞趁观桃阶药<span ss="q">韵绿幕
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黄帘<span ss="q">句好顿胆瓶儿著<span ss="q">韵年年粟金万斛<span ss="q">句拒严霜<span ss="q">读绵丝围幄<span ss="q">韵秋富贵<span ss="q">句又何妨<span ss="q">读与民同乐<span ss="q">韵
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·
此与高词同,惟换头句押韵异。
又一体 <span ss="q">双调九十七字,前段十句五仄韵,后段八句五仄韵 张 翥
西风坠绿<span ss="q">韵唤起春娇<span ss="q">句嫣然困倚修竹<span ss="q">韵落帽人来<span ss="q">句花艳乍惊郎目<span ss="q">韵相思尚带旧恨<span ss="q">句甚凄凉<span ss="q">读未
○○●● ●●○○ ○○●●○● ●●○○ ○●●○○● ○○●●●● ●○○ ●
忺妆束<span ss="q">韵吟鬓底<span ss="q">句俾寒香一朵<span ss="q">句并簪黄菊<span ss="q">韵 却待金盘华屋<span ss="q">韵园林静<span ss="q">读多情怎禁幽独<span ss="q">韵蛱蝶
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应愁<span ss="q">句明日落红难触<span ss="q">韵那堪雁霜渐重<span ss="q">句怕黄昏<span ss="q">读欲睡未足<span ss="q">韵翠袖冷<span ss="q">句且莫辞<span ss="q">读花下秉烛<span ss="q">韵
○○ ○●●○○● ○○●○●● ●○○ ●●●● ●●● ●●○ ○●●●
·
此亦与高词同,惟前后段两起句,俱用韵异。
又一体 <span ss="q">双调九十七字,前段九句五仄韵,后段八句五仄韵 李清照
寻寻觅觅<span ss="q">韵冷冷清清<span ss="q">句凄凄惨惨戚戚<span ss="q">韵乍暖还寒<span ss="q">句时候正难将息<span ss="q">韵三杯两盏淡酒<span ss="q">句怎敌他<span ss="q">读晚
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来风急<span ss="q">韵雁过也<span ss="q">句正伤心<span ss="q">读却是旧时相识<span ss="q">韵 满地黄花堆积<span ss="q">韵憔悴损<span ss="q">读如今有谁忺摘<span ss="q">韵守著
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窗儿<span ss="q">句独自怎生得黑<span ss="q">韵梧桐更兼细雨<span ss="q">句到黄昏<span ss="q">读点点滴滴<span ss="q">韵这次第<span ss="q">句怎一个<span ss="q">读愁字了得<span ss="q">韵
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·
此词前后段起句亦皆用韵,其前结三字一句、九字一句,又与张词不同。
又一体 <span ss="q">双调九十五字,前段九句五仄韵,后段八句五仄韵 何梦桂
人间六月<span ss="q">韵好是王母瑶池<span ss="q">句吹下冰雪<span ss="q">韵一片清凉<span ss="q">句仙界蕊宫珠阙<span ss="q">韵金猊水沈未冷<span ss="q">句看瑶阶<span ss="q">读九开
○○●● ●●○●○○ ○●○● ●●○○ ○●●○○● ○○●○●● ●○○ ●○
蓂荚<span ss="q">韵尚记得<span ss="q">句那年时<span ss="q">读手种蟠桃千叶<span ss="q">韵 庭下阿儿痴绝<span ss="q">韵争戏舞<span ss="q">读绿袍环玦<span ss="q">韵笑捧金卮<span ss="q">句满
○● ●●● ●○○ ●●○○○● ○●●○○● ○●● ●○○● ●●○○ ●
砌兰芽初茁<span ss="q">韵七十古来稀有<span ss="q">句且高歌<span ss="q">读万事休说<span ss="q">韵天未老<span ss="q">句尚看他<span ss="q">读儿辈事业<span ss="q">韵
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·
此即李词体,惟前段第二句六字,第三句四字,后段第二、三句减二字异。
紫玉箫 《宋史·乐志》:歇指调。
紫玉箫 <span ss="q">双调九十九字,前段十一句四平韵,后段十句四平韵 晁补之
罗绮围中<span ss="q">句笙歌丛里<span ss="q">句眼狂初认轻盈<span ss="q">韵无花解比<span ss="q">句似一钩新月<span ss="q">句云际初生<span ss="q">韵算不虚得<span ss="q">句郎占与<span ss="q">读
○●○○ ○○○● ●○○●○○ ○○●● ●●○○● ○●○○ ●●○● ○●●
第一佳名<span ss="q">韵轻归去<span ss="q">句那知有人<span ss="q">句别后牵情<span ss="q">韵 襄王自是春梦<span ss="q">句休谩说东墙<span ss="q">句事更难凭<span ss="q">韵谁教慕
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宋<span ss="q">句要题诗<span ss="q">读曾倚宝柱低声<span ss="q">韵似瑶台晓<span ss="q">句空暗想<span ss="q">读众里飞琼<span ss="q">韵余香冷<span ss="q">句犹在小窗<span ss="q">句一到魂惊<span ss="q">韵
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·
此调只此一词,无别首可校。
无 闷 调见《书舟词》,汲古阁本刻《闺怨无闷》者误。
无 闷 <span ss="q">双调九十九字,前段九句五仄韵,后段十句七仄韵 程 垓
天与多才<span ss="q">句不合更与<span ss="q">句殢柳怜花情分<span ss="q">韵甚总为才情<span ss="q">句恼人方寸<span ss="q">韵早是春残花褪<span ss="q">韵也不料<span ss="q">读一春都
○●○○ ●●●● ●●○○○● ●●●○○ ●○○● ●●○○○● ●●● ●○○
成病<span ss="q">韵自失笑<span ss="q">读因甚腰围半减<span ss="q">句泪珠频搵<span ss="q">韵 难省<span ss="q">韵也怨天<span ss="q">句也自恨<span ss="q">韵怎免千般思忖<span ss="q">韵倩人说
○● ●●● ○●○○●● ●○○● ○● ●●○ ●●● ●●○○○● ●○●
与<span ss="q">句又却不忍<span ss="q">韵拌了一生愁闷<span ss="q">韵又只恐<span ss="q">读愁多无人问<span ss="q">韵到这里<span ss="q">读天也怜人<span ss="q">句看他稳也不稳<span ss="q">韵
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·
《词律》以此词与《催雪》类编。按,《催雪》前结四字三句,已自不同,后段句读押韵,尤为迥别,特为分列。 宋人只此一词,无别首可校。
月下笛 调始周邦彦《片玉词》,因词有“凉蟾莹彻”及“静倚官桥吹笛”句,取以为名。
月下笛 <span ss="q">双调九十九字,前段十句五仄韵,后段十句四仄韵 周邦彦
小雨收尘<span ss="q">句凉蟾莹彻<span ss="q">句水光浮璧<span ss="q">韵谁知怨抑<span ss="q">韵静倚官桥吹笛<span ss="q">韵映宫墙<span ss="q">读风叶乱飞<span ss="q">句品高调侧人未
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识<span ss="q">韵想开元旧谱<span ss="q">句柯亭遗韵<span ss="q">句尽传胸臆<span ss="q">韵 阑干空四绕<span ss="q">句听折柳徘徊<span ss="q">句数声终拍<span ss="q">韵寒灯陋馆<span ss="q">句
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最感平阳孤客<span ss="q">韵夜沈沈<span ss="q">读雁啼正哀<span ss="q">句片云尽卷清漏滴<span ss="q">韵暗凝魂<span ss="q">句但觉龙吟<span ss="q">句万壑天籁息<span ss="q">韵
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·
此词前段第四句押韵,后段第四句不押韵,前后段第六句七字折腰,第七句七字不折腰,后结三字一句、四字一句、五字一句,宋人无如此填者,故以张炎词作谱。
又一体 <span ss="q">双调九十九字,前段十句五仄韵,后段十一句七仄韵 张 炎
千里行秋<span ss="q">句支筇背锦<span ss="q">句顿怀清友<span ss="q">韵殊乡聚首<span ss="q">韵爱吟犹自诗瘦<span ss="q">韵山人不解思猿鹤<span ss="q">句笑问我<span ss="q">读韦娘
⊙●○○ ⊙○◎● ●○○● ○○●● ●○○●○● ⊙○●●○○● ●●● ○○
在否<span ss="q">韵记长堤画舫<span ss="q">句花柔春闹<span ss="q">句几番携手<span ss="q">韵 别后<span ss="q">韵都依旧<span ss="q">韵但靖节门前<span ss="q">句近来无柳<span ss="q">韵盟鸥
◎● ●○○◎● ○○⊙● ●⊙○● ◎● ○○● ●◎●○○ ◎○○● ○○
尚有<span ss="q">韵可怜西塞渔叟<span ss="q">韵断肠不恨江南老<span ss="q">句恨落叶<span ss="q">读飘零最久<span ss="q">韵倦游处<span ss="q">句减羇愁<span ss="q">句犹未消磨是酒<span ss="q">韵
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·
此词换头句藏短韵,前后段第四句俱押韵,第七句俱七字不折腰,第八句俱七字折腰,后结三字两句、六字一句,宋元人俱如此填,为此调正体。 按,陶宗仪词,前段第六、七句“阿谁底事频横笛,不道是、江南摇落”,阿字仄声,摇字平声;后段第七、八句“有时巧缀双蛾绿,天做就、宫妆绰约”,天字平声。谱内可平可仄据此,余参所采诸词。
又一体 <span ss="q">双调一百字,前段十句五仄韵,后段十一句七仄韵 张 炎
万里孤云<span ss="q">句清游渐远<span ss="q">句故人何处<span ss="q">韵寒窗梦里<span ss="q">韵曾记经行旧时路<span ss="q">韵连昌约略无多柳<span ss="q">句第一是<span ss="q">读难听
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夜雨<span ss="q">韵漫惊回凄悄<span ss="q">句相看烛影<span ss="q">句拥衾谁语<span ss="q">韵 张绪<span ss="q">韵归何暮<span ss="q">韵伴零落依依<span ss="q">句短桥鸥鹭<span ss="q">韵天涯倦
●● ●○○○● ○○●● ●○○● ○● ○○● ●○●○○ ●○○● ○○●
旅<span ss="q">韵此时心事良苦<span ss="q">韵只愁重洒西州泪<span ss="q">句问杜曲<span ss="q">读人家在否<span ss="q">韵恐翠袖<span ss="q">句正天寒<span ss="q">句犹倚梅花那树<span ss="q">韵
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·
此与“千里行秋”词同,惟前段第五句添一字异。
又一体 <span ss="q">双调九十九字,前段十句五仄韵,后段十一句六仄韵 曾允元
吹老杨花<span ss="q">句浮萍点点<span ss="q">句一溪春色<span ss="q">韵闲寻旧迹<span ss="q">韵认溪头<span ss="q">读浣纱碛<span ss="q">韵柔条折尽成轻别<span ss="q">句向空外<span ss="q">读瑶簪
○●○○ ○○●● ●○○● ○○●● ●○○ ●○● ○○●●○○● ●○● ○○
一掷<span ss="q">韵算无情更苦<span ss="q">句莺巢暗叶<span ss="q">句啼破幽寂<span ss="q">韵 凝立<span ss="q">韵阑干侧<span ss="q">韵记露饮东园<span ss="q">句联镳西陌<span ss="q">韵容销鬓
●● ●○○●● ○○●● ○●○● ○● ○○● ●●●○○ ○○○● ○○●
减<span ss="q">句相逢应自难识<span ss="q">韵东风吹得愁如海<span ss="q">句漫点染<span ss="q">读空阶自碧<span ss="q">韵独归晚<span ss="q">句解说心中事<span ss="q">句月下短笛<span ss="q">韵
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·
此亦“千里行秋”词体,惟前段第五句六字折腰,后段第四句不押韵,结处三字一句、五字一句、四字一句异。
又一体 <span ss="q">双调九十七字,前段十句五仄韵,后段十句四仄韵 彭元逊
江上行人<span ss="q">句竹间茅屋<span ss="q">句下临深窈<span ss="q">韵春风袅袅<span ss="q">韵翠鬟窥树犹小<span ss="q">韵遥吟近倚归还顾<span ss="q">句分付横枝未了<span ss="q">韵
○●○○ ●○○● ●○○● ○○●● ●○○●○● ○○●●○○● ○●○○●●
扁舟却去<span ss="q">句中流回首<span ss="q">句惊散飞鸟<span ss="q">韵 重踏新亭履齿<span ss="q">句耿山抱孤城<span ss="q">句月来华表<span ss="q">韵鸡声人语<span ss="q">句隔江
○○●● ○○○● ○●○● ○●○○●● ●○●○○ ●○○● ○○○● ●○
相伴歌笑<span ss="q">韵壮游历历同高李<span ss="q">句未拟诗成草草<span ss="q">韵长桥外<span ss="q">句有醒人吹笛<span ss="q">句并在霜晓<span ss="q">韵
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·
此与曾词同,惟前段第八句减一字,换头句添一字,前后段第七句各减一字异。
玲珑四犯 此调创自周邦彦《清真集》,方千里、杨泽民、陈允平俱有和词,姜夔又有自度黄钟商曲,与周词句读迥别,因调名同,故亦类列。
玲珑四犯 <span ss="q">双调九十九字,前后段各九句,五仄韵 周邦彦
秾李夭桃<span ss="q">句是旧日潘郎<span ss="q">句亲试春艳<span ss="q">韵自别河阳<span ss="q">句长负露房烟脸<span ss="q">韵憔悴鬓点吴霜<span ss="q">句细念想<span ss="q">读梦魂
⊙●○○ ●●●○○ ⊙●○● ●●○○ ⊙●●○○● ⊙●●●○○ ●●● ●○
飞乱<span ss="q">韵叹画阑玉砌都换<span ss="q">韵才始有缘重见<span ss="q">韵 夜深偷展香罗荐<span ss="q">韵暗窗前<span ss="q">读醉眠葱蒨<span ss="q">韵浮花浪蕊
○● ●◎○◎●○● ⊙◎◎○○● ●○⊙●○○● ●○○ ●⊙○● ⊙○●●
都相识<span ss="q">句谁更曾抬眼<span ss="q">韵休问旧色旧香<span ss="q">句但认取<span ss="q">读芳心一点<span ss="q">韵又片时一阵<span ss="q">句风雨恶<span ss="q">句吹分散<span ss="q">韵
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·
此词前段第八句押韵,结镍五字一句、三字两句,方、杨、陈和词皆然,为此调正体。若曹、史、高、张、周诸词,或添字,或减字,皆变体也。 前段第八句,方词“怅平生把鉴惊换”,平字平声;结句,史词“不离淡烟衰草”,离字平声。其余参下所采五词。
又一体 <span ss="q">双调一百一字,前段九句四仄韵,后段九句五仄韵 曹 邍
一架幽芳<span ss="q">句自过了梅花<span ss="q">句独占清绝<span ss="q">韵露叶檀心<span ss="q">句香满万条晴雪<span ss="q">韵肌素净洗铅华<span ss="q">句似弄玉<span ss="q">读乍离
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瑶阙<span ss="q">韵看翠虬白凤飞舞<span ss="q">句不管暮烟啼鴃<span ss="q">韵 酒中风格天然别<span ss="q">韵记唐宫<span ss="q">读赐樽芳冽<span ss="q">韵玉蕤唤得
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余春住<span ss="q">句犹醉迷飞蝶<span ss="q">韵天气乍雨乍晴<span ss="q">句长是伴<span ss="q">读牡丹时节<span ss="q">韵夜散琼楼宴<span ss="q">句金铺深掩<span ss="q">句一庭春月<span ss="q">韵
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·
此与周词同,惟前段第八句不押韵,后结添二字,作五字一句、四字两句异。
又一体 <span ss="q">双调一百一字,前段九句四仄韵,后段八句四仄韵 史达祖
雨入愁边<span ss="q">句翠树晚无人<span ss="q">句风叶如剪<span ss="q">韵竹尾通凉<span ss="q">句却怕小帘低卷<span ss="q">韵孤坐便怯诗悭<span ss="q">句念俊赏<span ss="q">读旧曾题
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遍<span ss="q">韵更暗尘<span ss="q">读偷锁鸾影<span ss="q">句心事屡羞团扇<span ss="q">韵 卖花门馆生秋草<span ss="q">句怅弓弯<span ss="q">读几时重见<span ss="q">韵前欢尽属风
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流梦<span ss="q">句天共朱楼远<span ss="q">韵闻道秀骨病多<span ss="q">句难自任<span ss="q">读从来恩怨<span ss="q">韵料也和<span ss="q">读前度金笼鹦鹉<span ss="q">句说人情浅<span ss="q">韵
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·
此亦与周词同,惟前段第八句、后段起句,俱不押韵,后结添二字,作九字一句、四字一句异。按,史词别首,后结“待雁来、先寄新词归去,且教知道”,正与此同,或点五字一句、四字两句者误。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段八句四仄韵 高观国
水外轻阴<span ss="q">句做弄得飞云<span ss="q">句吹断晴絮<span ss="q">韵驻马桥西<span ss="q">句还系旧时芳树<span ss="q">韵不见翠陌寻春<span ss="q">句问著小桃无语<span ss="q">韵
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恨燕莺<span ss="q">读不识闲情<span ss="q">句却隔乱红飞去<span ss="q">韵 少年曾失春风意<span ss="q">句到如今<span ss="q">读怨恨难诉<span ss="q">韵魂惊冉冉江南
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远<span ss="q">句烟草愁如许<span ss="q">韵此意待写翠笺<span ss="q">句奈断肠<span ss="q">读都无新句<span ss="q">韵问甚时<span ss="q">读舞凤歌鸾<span ss="q">句花里再看仙侣<span ss="q">韵
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·
此即史词体,惟前段第七句减一字,后结作七字一句、六字一句异。
又一体 <span ss="q">双调一百字,前后段各九句,五仄韵 张 炎
流水人家<span ss="q">句乍过了斜阳<span ss="q">句一片苍树<span ss="q">韵怕听秋声<span ss="q">句却是旧愁来处<span ss="q">韵因甚尚客殊乡<span ss="q">句自笑我<span ss="q">读被谁留
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住<span ss="q">韵问种桃<span ss="q">读莫是前度<span ss="q">韵不拟桃花轻误<span ss="q">韵 少年未识相思苦<span ss="q">韵最难禁<span ss="q">读此时情绪<span ss="q">韵行云暗与风
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流散<span ss="q">句方信别泪如雨<span ss="q">韵何况帐空夜鹤<span ss="q">句怎奈向<span ss="q">读如今归去<span ss="q">韵更可怜闲里<span ss="q">句白了头<span ss="q">句还知否<span ss="q">韵
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·
此亦与周词同,惟后段第四句添一字,作六字句异。
又一体 <span ss="q">双调九十九字,前段九句四仄韵,后段九句五仄韵 周 密
波暖尘香<span ss="q">句正嫩日轻阴<span ss="q">句摇荡清昼<span ss="q">韵几日新晴<span ss="q">句初展绮窗纹绣<span ss="q">韵年少忍负才华<span ss="q">句尽占断<span ss="q">读艳歌芳
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酒<span ss="q">韵奈翠帘<span ss="q">读蝶舞蜂喧<span ss="q">句催趁禁烟时候<span ss="q">韵 杏腮红透梅钿皱<span ss="q">韵燕归时<span ss="q">读海棠厮勾<span ss="q">韵寻芳较晚东
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风约<span ss="q">句还约刘郎归后<span ss="q">韵凭问柳陌情人<span ss="q">句比似垂杨谁瘦<span ss="q">韵倚画阑无语<span ss="q">句春恨远<span ss="q">句频回首<span ss="q">韵
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·
此与张词同,惟前段第八句不押韵,后段第六句减一字异。
又一体 <span ss="q">双调九十九字,前段十句五仄韵,后段九句六仄韵 姜 夔
叠鼓夜寒<span ss="q">句垂灯春浅<span ss="q">句忽忽时事如许<span ss="q">韵倦游欢意少<span ss="q">句俯仰悲今古<span ss="q">韵江淹又吟恨赋<span ss="q">韵记当时<span ss="q">读送君
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南浦<span ss="q">韵万里乾坤<span ss="q">句百年身世<span ss="q">句唯有此情苦<span ss="q">韵 扬州柳<span ss="q">读垂官路<span ss="q">韵有轻盈换马<span ss="q">句端正窥户<span ss="q">韵酒醒
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明月下<span ss="q">句梦逐潮声去<span ss="q">韵文章信美知何用<span ss="q">句漫赢得<span ss="q">读天涯羇旅<span ss="q">韵教说与<span ss="q">韵春来要<span ss="q">读寻花伴侣<span ss="q">韵
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·
此姜夔自度曲,与周词不同,宋人亦无依此填者。
丁香结 调见《清真集》,古诗有“丁香结恨新”,调名本此。
丁香结 <span ss="q">双调九十九字,前段九句五仄韵,后段十句五仄韵 周邦彦
苍藓延阶<span ss="q">句冷萤粘屋<span ss="q">句庭树望秋先陨<span ss="q">韵渐雨凄风迅<span ss="q">韵澹暮色<span ss="q">读倍觉园林清润<span ss="q">韵汉姬纨扇在<span ss="q">句重吟
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玩<span ss="q">读弃掷未忍<span ss="q">韵登山临水<span ss="q">句此恨自古销磨不尽<span ss="q">韵 牵引<span ss="q">韵记醉酒归时<span ss="q">句对月同看雁阵<span ss="q">韵宝幄香
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缨<span ss="q">句熏炉象尺<span ss="q">句夜寒灯晕<span ss="q">韵谁念留滞故国<span ss="q">句旧事劳方寸<span ss="q">韵惟丹青相伴<span ss="q">韵那更尘昏蠹损<span ss="q">韵
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·
此调只有此体,吴文英及方千里、杨泽民、陈允平和词,俱如此填。 按,方词,前段第三句“为谁翠消红陨”,为字仄声,谁字平声;吴词,第七句“故园梦里”,园字平声;陈词,后段第三句“几度柳围花阵”,柳字仄声,花字平声;吴词,第九句“怀春情不断”,不字仄声,陈词“念纤腰柔弱”,念字仄声;结句,吴词“犹带相思旧字”,犹字平声。谱内可平可仄据此。 此词前结,作四字一句、八字一句,若方词之“青青榆荚满地,纵买春光难尽”,陈词之“莲塘风露渐入,粉艳红衣落尽”,句法又与此异,注明不录。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
琐寒窗 一名《锁寒窗》,调见《片玉集》,盖寒食词也。因词有“静锁一庭愁雨”及“故人剪烛西窗雨”句,取以为名。
琐寒窗 <span ss="q">双调九十九字,前段十句四仄韵,后段十句六仄韵 周邦彦
暗柳啼鸦<span ss="q">句单衣伫立<span ss="q">句小帘朱户<span ss="q">韵桐花半亩<span ss="q">句静锁一庭愁雨<span ss="q">韵洒空阶<span ss="q">读更阑未休<span ss="q">句故人剪烛西窗
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语<span ss="q">韵似楚江暝宿<span ss="q">句风灯零乱<span ss="q">句少年羁旅<span ss="q">韵 迟暮<span ss="q">韵嬉游处<span ss="q">韵正店舍无烟<span ss="q">句禁城百五<span ss="q">韵旗亭唤
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酒<span ss="q">句付与高阳俦侣<span ss="q">韵想东园<span ss="q">读桃李自春<span ss="q">句小唇秀靥今在否<span ss="q">韵到归时<span ss="q">读定有残英<span ss="q">句待客携尊俎<span ss="q">韵
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·
此调以此词及张词为正体,若张词别首及杨词之添字,程词之减字,皆变体也。 此词前结五字一句、四字两句,方千里、杨泽民、陈允平和词及吴文英、王沂孙、抱素词,皆依此填。 按,萧允之词,第八、九、十句“奈柳边占得,一庭新暝,又还留住”,一字仄声,陈词,“叹十年南北,西湖倦客,曲江行旅”,南字平声;陈词,后段第七、八句“念旧游、九陌香尘,倡条冶叶还在否”,九字仄声,香字平声。谱内可平可仄据此,余参所采诸词。 陈词,后段起句“日暮花深处”,日字入声;第五、六句“携樽共约,诗酒云朋月侣”,月字入声。此以入作平,不注可仄。萧词,后段第七句“倚阑干、斜阳又西”,阳字平声,此偶误,亦不必从。
又一体 <span ss="q">双调九十九字,前段九句四仄韵,后段十句六仄韵 张 炎
乱雨敲春<span ss="q">句深烟带晚<span ss="q">句水窗慵凭<span ss="q">韵空帘慢卷<span ss="q">句数日更无花影<span ss="q">韵怕依然<span ss="q">读旧时燕归<span ss="q">句定应未识江南
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冷<span ss="q">韵最怜他<span ss="q">读树底嫣红<span ss="q">句不语背人吹尽<span ss="q">韵 清润<span ss="q">韵通幽径<span ss="q">韵待移灯剪韭<span ss="q">句试香温鼎<span ss="q">韵分明醉
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里<span ss="q">句过了几番风信<span ss="q">韵想竹间<span ss="q">读高阁半闲<span ss="q">句小车未来犹自等<span ss="q">韵傍新晴<span ss="q">读隔柳呼船<span ss="q">句待教潮信稳<span ss="q">韵
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·
此与周词同,惟前结作七字一句、六字一句异。按,杨泽民词,前结“似向人、欲说离愁,因念未归行旅”;萧允之词,前结“怅佳人、有约难来,绿遍满庭芳草”,正与此同。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段十句七仄韵 杨无咎
柳暗藏鸦<span ss="q">句花深见蝶<span ss="q">句物华如绣<span ss="q">韵情多思远<span ss="q">句又是一番清瘦<span ss="q">韵忆前回<span ss="q">读庭树未春<span ss="q">句个人预约同携
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手<span ss="q">韵恨迟留<span ss="q">读载酒期程<span ss="q">句孤负踏青时候<span ss="q">韵 搔首<span ss="q">韵双眉暗斗<span ss="q">韵况无似今年<span ss="q">句一春晴昼<span ss="q">韵风僝雨
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僽<span ss="q">韵直得恁时迤逗<span ss="q">韵想闲窗<span ss="q">读针线倦拈<span ss="q">句寂寞细撚酴醿嗅<span ss="q">韵待还家<span ss="q">读定是冤人<span ss="q">句泪粉零襟袖<span ss="q">韵
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·
此与周词同,惟后段起句添一字,第四句多押一韵异。 汲古阁刻,换头句作“忽双眉暗斗”,脱“搔首”二字,多一“忽”字;第七句“直得迤逗”,脱“恁时”二字,今依《词纬》校正。 后段第五句,僝字仄声,恐是误用,不注入谱。
又一体 <span ss="q">双调一百字,前段十句五仄韵,后段十句七仄韵 张 炎
断碧分山<span ss="q">句空帘剩月<span ss="q">句故人天外<span ss="q">韵香留酒殢<span ss="q">韵蝴蝶一生花里<span ss="q">韵想如今<span ss="q">读醉魂未醒<span ss="q">句夜台梦语秋
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声碎<span ss="q">韵自中仙去后<span ss="q">句词笺赋笔<span ss="q">句便无清致<span ss="q">韵 都是<span ss="q">韵凄凉意<span ss="q">韵怅玉笥埋云<span ss="q">句锦袍归水<span ss="q">韵形
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容憔悴<span ss="q">韵料应也<span ss="q">读孤吟山鬼<span ss="q">韵那知人<span ss="q">读弹折素弦<span ss="q">句黄金铸出相思泪<span ss="q">韵但柳枝<span ss="q">读门掩枯阴<span ss="q">句候蛩
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啼暗苇<span ss="q">韵
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此与周词同,惟前段第四句、后段第五句,多押一韵,第六句添一字,作上三下四句法异。
又一体 <span ss="q">双调九十八字,前段十句四仄韵,后段九句五仄韵 程 先
雨洗红尘<span ss="q">句云迷翠麓<span ss="q">句小车难去<span ss="q">韵凄凉感慨<span ss="q">句未有今年春暮<span ss="q">韵想曲江<span ss="q">读水边丽人<span ss="q">句影沈香歇谁为
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主<span ss="q">韵但兔葵燕麦<span ss="q">句风前摇荡<span ss="q">句径花成土<span ss="q">韵 空被多情苦<span ss="q">韵庆会难逢<span ss="q">句少年几许<span ss="q">韵纷纷沸鼎<span ss="q">句负
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了青阳凡五<span ss="q">韵待何时<span ss="q">读重享太平<span ss="q">句典衣贳酒相尔汝<span ss="q">韵算兰亭<span ss="q">读有此欢娱<span ss="q">句又却悲今古<span ss="q">韵
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·
此亦周词体,惟换头句不藏短韵,第二句减一字异。
大 有 调见《片玉集》。
大 有 <span ss="q">双调九十九字,前段八句四仄韵,后段十句五仄韵 潘希白
戏马台前<span ss="q">句采花篱下<span ss="q">句问岁华<span ss="q">读还是重九<span ss="q">韵恰归来<span ss="q">读南山翠色依旧<span ss="q">韵帘栊昨夜听风雨<span ss="q">句都不是<span ss="q">读
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登临时候<span ss="q">韵一片宋玉情怀<span ss="q">句十分卫郎清瘦<span ss="q">韵 红萸佩<span ss="q">句空对酒<span ss="q">韵砧杆动微寒<span ss="q">句暗欺罗袖<span ss="q">韵秋色
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无多<span ss="q">句早是败荷衰柳<span ss="q">韵强整帽檐攲侧<span ss="q">句曾经向<span ss="q">读天涯搔首<span ss="q">韵几回忆<span ss="q">读故国蓴鲈<span ss="q">句霜前雁后<span ss="q">韵
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·
此调始自周邦彦词,其后段第七句押韵,因词欠雅驯,故采此词作谱。按,周词,前段第三句“见傍人、惊怪消瘦”,傍字平声;第五句“都缘薄幸赋情浅”,赋字仄声;第六句“许多时,不成欢偶”,许字仄声,多时二字俱平声,不字仄声;前结“何须负这心口”,何字平声,这字仄声;后段第三句“断了更思量”,断字仄声;第四句“没心永守”,永字仄声。谱内可平可仄据此。
燕山亭 “燕”或作“宴”,然与《山亭宴》无涉。
燕山亭 <span ss="q">双调九十九字,前段十一句五仄韵,后段十句五仄韵 曾 觌
河汉风清<span ss="q">句庭户夜凉<span ss="q">句皓月澄秋时候<span ss="q">韵冰鉴乍开<span ss="q">韵跨海飞来<span ss="q">句光掩满天星斗<span ss="q">韵四卷珠帘<span ss="q">句渐移
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影<span ss="q">读宝阶鸳甃<span ss="q">韵还又<span ss="q">韵看岁岁婵娟<span ss="q">句向人依旧<span ss="q">韵 朱邸高宴簪缨<span ss="q">句正歌吹瑶台<span ss="q">句舞翻宫袖<span ss="q">韵
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银管竞酬<span ss="q">句棣萼相辉<span ss="q">句风流古来谁有<span ss="q">韵玉笛横空<span ss="q">句更听彻<span ss="q">读霓裳三奏<span ss="q">韵难偶<span ss="q">韵拌醉倒<span ss="q">读参横晓
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漏<span ss="q">韵
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此调只此一体,有宋徽宋、毛圱、王之道、张雨诸词可校。 前段起句,毛词“暖霭辉迟”,暖字仄声;第二句,张词“蝟肌粟聚”,蝟字、聚字俱仄声,肌字平声;第三句,毛词“帘外春风徐转”,帘字平声;第六句,毛词“亭亭万枝开遍”,下亭字平声,张词,“脉脉红泉流齿”,上脉字仄声,红字平声;第七句,王词“娇软酴醿”,娇字平声;第八句,毛词“犹记有、画图曾见”,犹字平声,记字仄声,张词,“笑尚带、儒酸风味”,儒字平声;第十句,王词“对佳时媚景”,佳时二籽俱平声,媚景二字俱仄声;第十一句,毛词“弄妆日晚”,日字仄声;后段起句,王词“曾约小桃春宴”,小字、宴字俱仄声,桃字平声,张词,“君家几度尊前”,家字平声;第二句,王词“有蜂媒蝶使”,媒字平声,蝶字、使字俱仄声;第三句,毛词“贪新双燕”,贪字平声;第四句,宋徽宗词“地远天遥”,地字仄声,天字平声;第五句,王词“东坡苏老”,东坡二字俱平声,老字仄声;第六句,王词“道也道应难尽”,道也二字俱仄声;第七、八句,毛词“银烛光中,且更待、夜深重看”,银字平声,夜字仄声,张词,“珍果同时,惟醉写、来禽青李”,惟字平声;第十句,毛词“愁酒醒、绯桃千片”,千字平声。谱内可平可仄据此。
聒龙谣 调见朱敦儒《樵歌词》,因词有“聒龙啸”句,取以为名。
聒龙谣 <span ss="q">双调九十九字,前后段各十句,四仄韵 朱敦儒
肩拍洪厓<span ss="q">句手携子晋<span ss="q">句梦里暂辞尘宇<span ss="q">韵高步层霄<span ss="q">句俯人间如许<span ss="q">韵算蜗战<span ss="q">读多少功名<span ss="q">句问蚁聚<span ss="q">读
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几回今古<span ss="q">韵度银潢<span ss="q">读展尽参旗<span ss="q">句桂华淡<span ss="q">句月飞去<span ss="q">韵 天风紧<span ss="q">句玉楼斜<span ss="q">句舞万女霓袖<span ss="q">句光摇金
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缕<span ss="q">韵明廷燕阕<span ss="q">句倚青冥回顾<span ss="q">韵过瑶池<span ss="q">读重惜双成<span ss="q">句就楚岫<span ss="q">读更邀巫女<span ss="q">韵转云车<span ss="q">读指点虚无<span ss="q">句引
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蓬莱路<span ss="q">韵
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此词前段第二句不用韵,宋徽宋、汪莘词,与此同。 按,徽宗词,前段第一、二句“紫阁岧峣,绀宇邃深”,紫字、宇字俱仄声,深字平声,汪词,“梦下瑶台,神飞阆苑”,神字平声;第三句,汪词“自叹尘寰久客”,尘字平声,久字仄声;第五句“望皇居帝宅”,帝字仄声;徽宗词,第七句“玳瑁筵、玉钩云卷”,筵字平声;第八句“动深思、清籁萧萧”,清字平声;汪词,结句“天垂晚,月生魄”,天字平声;后段第一句“故人少”,故字仄声;第三句“引壶觞自酌”,壶觞二字俱平声,自字仄声;第八句“遇鸿濛、顿超元默”,鸿字平声;徽宗词,第九句“从宸游、前后争趋”,前字平声。谱内可平可仄据此,余参下词。
又一体 <span ss="q">双调九十九字,前段十句五仄韵,后段十句四仄韵 朱敦儒
凭月携箫<span ss="q">句溯空秉羽<span ss="q">韵梦踏绛绡仙去<span ss="q">韵花冷街榆<span ss="q">句悄中天风露<span ss="q">韵并真官<span ss="q">读蕊佩芬芳<span ss="q">句望帝所<span ss="q">读
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紫云容与<span ss="q">韵享钓天<span ss="q">读九奏传觞<span ss="q">句聒龙啸<span ss="q">句看鸾舞<span ss="q">韵 惊尘世<span ss="q">句悔平生<span ss="q">句叹万感千恨<span ss="q">句谁怜深
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素<span ss="q">韵群仙念我<span ss="q">句好人间难住<span ss="q">韵劝阿母<span ss="q">读遍与金桃<span ss="q">句教酒星<span ss="q">读剩斟琼醑<span ss="q">韵醉归时<span ss="q">读手授丹经<span ss="q">句指
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长生路<span ss="q">韵
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此与前词同,惟前起第二句用韵异。
金菊对芙蓉 蒋氏九宫谱:中吕引子。
金菊对芙蓉 <span ss="q">双调九十九字,前段十句四平韵,后段十句五平韵 康与之
梧叶飘黄<span ss="q">句万山空翠<span ss="q">句断霞流水争辉<span ss="q">韵正金风西起<span ss="q">句海燕东归<span ss="q">韵凭阑不见南来雁<span ss="q">句望故人<span ss="q">读消息
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迟迟<span ss="q">韵木樨开后<span ss="q">句不应误我<span ss="q">句好景良时<span ss="q">韵 只念独守孤帏<span ss="q">韵把枕前嘱付<span ss="q">句一旦分飞<span ss="q">韵上秦楼游
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赏<span ss="q">句酒殢花迷<span ss="q">韵谁知别后相思苦<span ss="q">句悄为伊<span ss="q">读瘦损香肌<span ss="q">韵花前月下<span ss="q">句黄昏院落<span ss="q">句珠泪偷垂<span ss="q">韵
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此调只此一体,宋词俱如此填。 按,辛弃疾词,前段第一、二句“远水生光,遥山耸翠”,远字、耸字俱仄声,遥字平声;第四句“正零瀼玉露”,玉字仄声;刘清夫词,第六句“素弦瑶轸调新韵”,素字仄声,瑶字平声;苏轼词,第七句“潇洒处、旖旎非常”,潇字平声,处字、旖字俱仄声;辛词,第八句“重阳佳致”,重字平声;刘词,第九句“轻挑慢摘”,轻字平声,冯取洽词,“满怀冰雪”,冰字平声;冯词,第十句“云海弥茫”,云字平声;刘词,后段起句“泛商刻羽无穷”,商字平声;第二句“似和鸣鸾凤”,和字、鸾字俱平声,辛词,“叹少年胸襟”,襟字平声;冯词,第四、五句“听小楼哀管,伦弄初凉”,小字仄声,偷字平声;第六句“夜深欢极忘归去”,夜字仄声,欢字平声;辛词,第七句“座中拥、红粉娇容”,中字、红字俱平声,拥字仄声;冯词,第八句“对花无语”,对字仄声,无字平声;刘词,第九句“琴心三叠”,三字平声;冯词,结句“不似张郎”,不字仄声。谱内可平可仄据此。
催 雪 此调始自姜夔,本催雪词也,即以为名。吴文英、王沂孙俱有此调词,与《无闷》调不同,《词律》类列者误。
又一体 <span ss="q">双调九十九字,前段十句四仄韵,后段九句六仄韵 姜 夔
风急还收<span ss="q">句云冻未解<span ss="q">句海阔无人剪水<span ss="q">韵算六出工夫<span ss="q">句怎教容易<span ss="q">韵刚被郢歌楚舞<span ss="q">句镇独向<span ss="q">读尊前飘
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轻细<span ss="q">韵谢庭诗咏<span ss="q">句梁园宴赏<span ss="q">句未成欢计<span ss="q">韵 天意<span ss="q">韵是则是<span ss="q">韵便下得控持<span ss="q">句柳梢梅蕊<span ss="q">韵又争奈<span ss="q">读
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看看渐回春意<span ss="q">韵好趁东君未觉<span ss="q">句便先把<span ss="q">读园林都装缀<span ss="q">韵看是处<span ss="q">读玉树琼枝<span ss="q">句胜却万红千紫<span ss="q">韵
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此调只有此体,吴文英、王沂孙词,俱如此填。 按,王词,前段第二句“寒度雁门”,门字平声;第三句“西北高楼独倚”,西字平声;第六句“欲唤飞琼起舞”,欲字仄声,飞字平声;第八句“冻云一片”,一字仄声;后段第二句“悄无似”,无字平声;第三句“有照水南枝”,南字平声;第五句“误几度、凭阑莫愁凝睇”,几字仄声;第六句“应是梨花梦好”,应字平声;第七句“未肯放、东风来人世”,肯字仄声;吴词,第八句“还怕掩、深院梨花”,还字、深字俱平声。谱内可平可仄据此。 前后段第七句“尊前飘轻”、“园林都装”八字,俱平声,如吴词之“瑶笙飞环”、“重寒侵罗”,王词之“纷纷银河”、“东风来人”,皆然,恐是音律所关,填者当依之。
十月桃 调见《乐府雅词》,赋十月桃,即以为名。《梅苑》无名氏词,咏十月梅,即名《十月梅》。
十月桃 <span ss="q">双调九十九字,前段十句四平韵,后段十句五平韵 张元幹
年华催晚<span ss="q">句听尊前偏唱<span ss="q">句冲暖欺寒<span ss="q">韵乐府谁知<span ss="q">句分付点化金丹<span ss="q">韵中原旧游何在<span ss="q">句频入梦<span ss="q">读老眼
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空潸<span ss="q">韵撩人冷蕊<span ss="q">句浑似当时<span ss="q">句无语低鬟<span ss="q">韵 有多情多病文园<span ss="q">韵向雪后寻春<span ss="q">句醉里凭阑<span ss="q">韵独步
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群芳<span ss="q">句此花风度天然<span ss="q">韵罗浮淡妆素质<span ss="q">句呼翠凤<span ss="q">读飞舞斓斑<span ss="q">韵参横月落<span ss="q">句留恨醒来<span ss="q">句满地香残<span ss="q">韵
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·
此调只有《乐府雅词》及《梅苑》词可校,故可平可仄,悉参二词。
又一体 <span ss="q">双调九十九字,前段十句四平韵,后段九句五平韵 <span ss="q">《乐府雅词》无名氏
东篱菊尽<span ss="q">句遍园林败叶<span ss="q">句满地寒荄<span ss="q">韵露井平明<span ss="q">句破香笼粉初开<span ss="q">韵佳人共喜芳意<span ss="q">句呵手剪<span ss="q">读密插鸾
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钗<span ss="q">韵无言有艳<span ss="q">句不避繁霜<span ss="q">句变作春媒<span ss="q">韵 问武陵溪上谁栽<span ss="q">韵分付与<span ss="q">读南园舞榭歌台<span ss="q">韵恰似凝酥
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衬玉<span ss="q">句点缀装裁<span ss="q">韵东君自是为主<span ss="q">句先暖信<span ss="q">读律管飞灰<span ss="q">韵从今雪里<span ss="q">句一番花信<span ss="q">句休话江梅<span ss="q">韵
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·
此与张词同,惟后段第三句六字,第四句四字异。
又一体 <span ss="q">双调九十八字,前段十句四平韵,后段九句五平韵 <span ss="q">《梅苑》无名氏
千林凋尽<span ss="q">句一阳未报<span ss="q">句已绽南枝<span ss="q">韵独对霜天<span ss="q">句冒寒先占花期<span ss="q">韵清香映月浮动<span ss="q">句临浅水<span ss="q">读疏影斜
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敧<span ss="q">韵孤标不似<span ss="q">句绿李夭桃<span ss="q">句取次成蹊<span ss="q">韵 纵寿阳妆脸偏宜<span ss="q">韵应未笑<span ss="q">读天然雅态冰肌<span ss="q">韵寄语高
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楼<span ss="q">句凭阑羌管休吹<span ss="q">韵东君自是为主<span ss="q">句调鼎鼐<span ss="q">读终负他时<span ss="q">韵从今点缀<span ss="q">句百草千花<span ss="q">句须待春归<span ss="q">韵
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·
此亦与张词同,惟前段第二句减一字异。
蜀溪春 调见《松隐集》,咏黄蔷薇花。因词有“蜀景风迟,浣花溪边”,“占上苑,留住春”句,取以为名。
蜀溪春 <span ss="q">双调九十九字,前后段各十一句,四平韵 曹 勋
蜀景风迟<span ss="q">句浣花溪边<span ss="q">句谁种芬芳<span ss="q">韵天与蔷薇<span ss="q">句露华匀脸<span ss="q">句繁蕊竞拂娇黄<span ss="q">韵枝上标韵别<span ss="q">句浑不染<span ss="q">读
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铅粉红妆<span ss="q">韵念杜陵<span ss="q">句曾见时<span ss="q">句也为赋篇章<span ss="q">韵 如今盛开禁掖<span ss="q">句千万朵莺羽<span ss="q">句先借朝阳<span ss="q">韵待得君
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王<span ss="q">句看花明艳<span ss="q">句都道赭袍同光<span ss="q">韵须趁为幕席<span ss="q">句偏宜带<span ss="q">读疏雨笼香<span ss="q">韵占上苑<span ss="q">句留住春<span ss="q">句奉玉觞<span ss="q">韵
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此曹勋自度曲,无别词可校。
秋宵吟 宋姜夔自度越调曲。
秋宵吟 <span ss="q">双调九十九字,前段十句六仄韵,后段十句五仄韵 姜 夔
古帘空<span ss="q">句坠月皎<span ss="q">韵坐久西窗人悄<span ss="q">韵蛩吟苦<span ss="q">读渐漏永丁丁<span ss="q">句箭壶催晓<span ss="q">韵引凉颸<span ss="q">句动翠葆<span ss="q">韵露脚斜飞
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云表<span ss="q">韵因嗟念<span ss="q">读似去国情怀<span ss="q">句暮帆烟草<span ss="q">韵 带眼消磨<span ss="q">句为近日<span ss="q">读愁多顿老<span ss="q">韵卫娘何在<span ss="q">句宋玉归
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来<span ss="q">句两地暗萦绕<span ss="q">韵摇落江枫早<span ss="q">韵嫩约无凭<span ss="q">句幽梦又杳<span ss="q">韵但盈盈<span ss="q">读泪洒单衣<span ss="q">句今夕何夕恨未了<span ss="q">韵
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·
此词前段十句,后五句与前五句句读、平仄全同,如《瑞龙吟》调之所谓拽头也,或是此调体例宜然,填者辨之。此词亦无别首可校。
三姝媚 调见《梅溪集》。
三姝媚 <span ss="q">双调九十九字,前段十一句五仄韵,后段十句五仄韵 史达祖
烟光摇缥瓦<span ss="q">韵望晴檐多风<span ss="q">句柳花如洒<span ss="q">韵锦瑟横床<span ss="q">句想泪痕尘影<span ss="q">句凤弦长下<span ss="q">韵倦出犀帷<span ss="q">句频梦见<span ss="q">读
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王孙骄马<span ss="q">韵讳道相思<span ss="q">句偷理绡裙<span ss="q">句自惊腰衩<span ss="q">韵 惆怅南楼遥夜<span ss="q">韵记翠箔张灯<span ss="q">句枕肩歌罢<span ss="q">韵又入
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铜驼<span ss="q">句遍旧家门巷<span ss="q">句首询声价<span ss="q">韵可惜东风<span ss="q">句将恨与<span ss="q">读闲花俱谢<span ss="q">韵记取崔徽模样<span ss="q">句归来暗写<span ss="q">韵
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·
此调以史词为正体,如吴词之添字,薛词之句读不同,皆变体也。 按,此词前段第二句“晴檐多风”,四字俱平声,如吴文英词之“清波明眸”及“王孙重来”与“春衫啼痕”,王沂孙词之“金铃枝深”及“西窗凄凄”等句,皆然。惟张炎词,作“卸却单衣”及“雪窦高寒”,卸却、雪窦四字俱仄声。又,后段结句“归来暗写”,用去、上二字,宋词多如此填,惟詹正词,“江南烟雨”,烟字平声。 按,詹词,前段第一句“一篷儿别哭”,一字仄声;王词,第三句“瑶阶多少”,瑶字平声;第五句“漫相看华发”,相字平声;张词,第七、八句“记得小楼,听一夜、江南春雨”,小字仄声;王词,第九句“何况如今”,何字平声;詹词,第十句“舞袖笼香”,舞字仄声;吴词,后段起句“曲榭芳亭初扫”,曲字仄声,王词,“今夜山高水浅”,水字仄声;詹词,第四、五句“金屋银屏,被西风将换”,金字、西字俱平声;张词,第八句“试与问、酒家何处”,试字、酒字俱仄声;第九句“曾醉梢头双果”,曾字平声。谱内可平可仄据此,余参吴、薛二词。 张炎“芙蓉城畔”词,前后段第五、六句“细看来,浑似阮郎前度”、“带笑痕,来伴柳枝娇舞”,俱作三字、六字句,宋词如此等句法,往往不拘,故不复分体。 又,张炎“苍潭枯海”词,后结“待得相逢,却说巴山夜雨”,作四字一句、六字一句,与此不同,因薛词有此句法,故不复列。
又一体 <span ss="q">双调一百一字,前后段各十一句,五仄韵 吴文英
酣春青镜里<span ss="q">韵照晴波明眸<span ss="q">句暮云秋思<span ss="q">韵半绿垂丝<span ss="q">句正楚腰纤瘦<span ss="q">句舞衣初试<span ss="q">韵燕客飘零<span ss="q">句烟树冷<span ss="q">读
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青骢曾系<span ss="q">韵画馆朱桥<span ss="q">句还把清尊<span ss="q">句慰春憔悴<span ss="q">韵 离苑幽芳深闭<span ss="q">韵恨浅薄东风<span ss="q">句褪香销腻<span ss="q">韵彩
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箑翻歌<span ss="q">句最赋情偏在<span ss="q">句笑红颦翠<span ss="q">韵暗拍阑干<span ss="q">句看散尽<span ss="q">读斜阳船市<span ss="q">韵付与娇莺<span ss="q">句金衣清晓<span ss="q">句花深未
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起<span ss="q">韵
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·
此与史词同,惟后结添二字,作四字三句异。
又一体 <span ss="q">双调九十九字,前段十一句五仄韵,后段十句五仄韵 薛梦桂
蔷薇花谢去<span ss="q">韵更无情<span ss="q">句连夜送春风雨<span ss="q">韵燕子呢喃<span ss="q">句似念人憔悴<span ss="q">句往来朱户<span ss="q">韵涨绿烟深<span ss="q">句早零落<span ss="q">读
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点池萍絮<span ss="q">韵暗忆年华<span ss="q">句罗帐分钗<span ss="q">句又惊春暮<span ss="q">韵 芳草凄迷征路<span ss="q">韵待去也<span ss="q">句还将画轮留住<span ss="q">韵纵使
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重来<span ss="q">句怕粉容销腻<span ss="q">句却羞郎觑<span ss="q">韵细数盟言犹在<span ss="q">句怅青楼何处<span ss="q">韵绾尽垂杨<span ss="q">句争似相思寸缕<span ss="q">韵
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·
此与史词同,惟后段第七句六字、第八句五字异。至前后段第二句三字、第三句六字,按詹正词“是谁家,花前月地儿女”,又“怎知道,人间匆匆今古”,正与此同。
凤池吟 调见《梦窗词》。
凤池吟 <span ss="q">双调九十九字,前段十一句四平韵,后段十句四平韵 吴文英
万丈巍台<span ss="q">句碧罘罳外<span ss="q">句衮衮野马游尘<span ss="q">韵旧文书几阁<span ss="q">句昏朝醉暮<span ss="q">句覆雨翻云<span ss="q">韵忽变清明<span ss="q">句紫垣敕使
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下星辰<span ss="q">韵经年事静<span ss="q">句公门如水<span ss="q">句帝甸阳春<span ss="q">韵 长安父老相语<span ss="q">句几百年见此<span ss="q">句独驾冰轮<span ss="q">韵又凤鸣
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黄幕<span ss="q">句玉霄平溯<span ss="q">句鹊锦新恩<span ss="q">韵画省中书<span ss="q">句半红梅子荐盐新<span ss="q">韵归来晚<span ss="q">句待赓吟<span ss="q">读殿阁南薰<span ss="q">韵
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·
此调只此一词,无别首可校。
新雁过妆楼 一名《雁过妆楼》;张炎词,名《瑶台聚八仙》;陈允平词,名《八宝妆》;《高丽史·乐志》,名《百宝妆》。
新雁过妆楼 <span ss="q">双调九十九字,前段九句六平韵,后段十句四平韵 吴文英
阆苑高寒<span ss="q">韵金枢动<span ss="q">读冰宫桂树年年<span ss="q">韵翦秋一半<span ss="q">句难破万户连环<span ss="q">韵织锦相思楼影下<span ss="q">句钿钗暗约小
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帘间<span ss="q">韵共无眠<span ss="q">韵素娥惯得<span ss="q">句西坠阑干<span ss="q">韵 谁知壶中自乐<span ss="q">句正醉围夜玉<span ss="q">句浅斗婵娟<span ss="q">韵雁风自
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劲<span ss="q">句云气不上凉天<span ss="q">韵红牙润沾素手<span ss="q">句听一曲清歌双雾鬟<span ss="q">韵徐郎老<span ss="q">句恨断肠声在<span ss="q">句离镜孤鸾<span ss="q">韵
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·
此调以此词为正体,若吴词别首及张词之少押一韵,无名氏词之添字,皆变体也。 此词前段起句、第七句,皆用韵,有张炎词四首可校。 张词,前段第二句“千日酒、乐意稍稍渔樵”,日字、乐字俱仄声;第三、四句“散迹苔茵,墨晕浄洗铅华”,茵字平声,墨字仄声;后段起句“三十六梯眺远”,六字仄声,又“竹篱几番倦倚”,竹字仄声;第二句“看垂垂短发”,上垂字平声;第七句“又知在烟波第几桥”,第字仄声;第九句“有天开仙境”,天字平声。谱内可平可仄据此,余参下二词。 谱内所采吴文英词,后段结句“月”字入声;张炎词,前段起句“不”字入声,后段第九句“不”字入声,及张词别首,前段结句“来问寂寥”,寂字入声,后段起句“十”字入声,俱以入作平。查宋词诸字,从无用上去声者,故不注可仄。
又一体 <span ss="q">双调九十九字,前段九句五平韵,后段十句四平韵 吴文英
梦醒芙蓉<span ss="q">韵风帘近<span ss="q">读浑疑佩玉丁东<span ss="q">韵翠微流水<span ss="q">句都是惜别行踪<span ss="q">韵宋玉秋风相比瘦<span ss="q">句赋情更苦似
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秋浓<span ss="q">韵小黄昏<span ss="q">句绀云暮合<span ss="q">句不见征鸿<span ss="q">韵 宜城当时放客<span ss="q">句认燕泥旧迹<span ss="q">句返照楼空<span ss="q">韵夜阑心
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事<span ss="q">句灯前败壁寒蛩<span ss="q">韵江寒夜枫怨落<span ss="q">句怕流作<span ss="q">读题情肠断红<span ss="q">韵行云远<span ss="q">句料澹蛾人在<span ss="q">句秋香月中<span ss="q">韵
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此与“阆苑高寒”词同,惟前段第七句不用韵异。
又一体 <span ss="q">双调九十九字,前段九句五平韵,后段十句四平韵 张 炎
风雨不来<span ss="q">句深院悄<span ss="q">读秋事正满东篱<span ss="q">韵杖藜重到<span ss="q">句秋气冉冉吹衣<span ss="q">韵瘦碧飘萧摇露梗<span ss="q">句腻黄秀野拂
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霜枝<span ss="q">韵忆芳时<span ss="q">韵翠微唤酒<span ss="q">句江雁初飞<span ss="q">韵 湘潭无人吊楚<span ss="q">句叹落英自采<span ss="q">句谁寄相思<span ss="q">韵淡泊生
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涯<span ss="q">句聊伴老圃斜晖<span ss="q">韵寒香应遍故里<span ss="q">句想鹤怨山空人未归<span ss="q">韵归何晚<span ss="q">句问径松不语<span ss="q">句只有花知<span ss="q">韵
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此亦与“阆苑高寒”词同,惟前段起句不押韵异。
又一体 <span ss="q">双调一百六字,前后段各九句,四平韵 <span ss="q">《高丽史·乐志》无名氏
一抹弦器<span ss="q">句初宴画堂<span ss="q">句琵琶人抱当头<span ss="q">韵髻云腰素<span ss="q">句仍占绝风流<span ss="q">韵轻拢慢撚生情态<span ss="q">句翠眉颦<span ss="q">读无
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愁漫似愁<span ss="q">韵变新声<span ss="q">读自成获索<span ss="q">句还共听<span ss="q">读一奏梁州<span ss="q">韵 弹到遍急敲颖<span ss="q">句分明似语<span ss="q">句争知指面
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纤柔<span ss="q">韵坐中无语<span ss="q">句惟断续金虬<span ss="q">韵曲终暗会王孙意<span ss="q">句转步莲<span ss="q">读徐徐卸凤钩<span ss="q">韵捧瑶觞<span ss="q">读为喜知音<span ss="q">句
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劝佳人<span ss="q">读沈醉迟留<span ss="q">韵
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此词校“阆苑高寒”词,前后段句法、添减字数,颇极参差,录备一体,不与吴词参校。
月华清 调见《空同词》。
月华清 <span ss="q">双调九十九字,前段十句五仄韵,后段十句六仄韵 洪 瑹
花影摇春<span ss="q">句虫声吟暮<span ss="q">句九霄云幕初卷<span ss="q">韵谁驾冰蟾<span ss="q">句拥出桂轮天半<span ss="q">韵素魄映<span ss="q">读青琐窗前<span ss="q">句皓彩散<span ss="q">读
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画阑干畔<span ss="q">韵凝眄<span ss="q">韵见金波滉漾<span ss="q">句分辉鹊殿<span ss="q">韵 况是风柔夜暖<span ss="q">韵正燕子新来<span ss="q">句海棠微绽<span ss="q">韵不似秋
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光<span ss="q">句只照离人肠断<span ss="q">韵恨无奈<span ss="q">读利锁名缰<span ss="q">句谁为唤<span ss="q">读舞裙歌扇<span ss="q">韵吟玩<span ss="q">韵怕铜壶催晓<span ss="q">句玉绳低转<span ss="q">韵
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此调只有一体,宋、元人俱照此填。有马庄父、朱淑真、蔡松年、《高丽史·乐志》词可校。 按,马词,前段第一句“瑟瑟秋声”,上瑟字仄声;蔡词,第三句“故国秋光如水”,国字仄声,光字平声;马词,第四句“数遍丹枫”,数字仄声;第六句“人何处、千里婵娟”,人字、何字俱平声,蔡词,“到而今、桂影寻人”,桂字仄声;朱词,第七句“清梦与、寒云寂寞”,清字、寒字俱平声,寂字仄声;无名氏词,第八句“此际”,此字仄声;蔡词,第九句“望白苹风里”,风字平声;马词,结句“碧空无际”,碧字仄声,无字平声;朱词,后段第一句“长恨晓风飘泊”,长字、飘字俱平声,晓字仄声;蔡词,第二、三句“有少年玉人,吟啸天外”,年字、吟字俱平声,玉字、啸字俱仄声;朱词,第四、五句“深杏夭桃,端得为谁零落”,深字、端字俱平声,为字仄声;马词,第六句“心里恨、莫结丁香”,心字平声,里字仄声,朱词,“况天气、装点清明”,装字平声;蔡词,第七句“空解道、人生适意”,人字平声,适字仄声,朱词,“对美景、不妨行乐”,对字仄声;马词,第八句“暗里”,暗字仄声;第九句“又悲来老却”,老字仄声;蔡词,结句“空庭鹤唳”,空字平声,鹤字仄声。谱内可平可仄据此。 蔡词,前段第四句“常记别来”,别字入声,以入作平,故不注可仄。
国 香 周密词,名《国香慢》,自注夷则商。
国 香 <span ss="q">双调九十九字,前段十句五平韵,后段十句四平韵 张 炎
空谷幽人<span ss="q">韵曳冰簪雾带<span ss="q">句古意生春<span ss="q">韵结根倦随萧艾<span ss="q">句独抱孤贞<span ss="q">韵自分生涯淡薄<span ss="q">句隐蓬蒿<span ss="q">读甘老山
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林<span ss="q">韵风烟共憔悴<span ss="q">句冷落吴宫<span ss="q">句草暗花深<span ss="q">韵 霁痕消冻雪<span ss="q">句向厓阴饮露<span ss="q">句应是知心<span ss="q">韵所思何处<span ss="q">句
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愁满楚水湘云<span ss="q">韵肯信遗芳千古<span ss="q">句尚依依<span ss="q">读泽畔行吟<span ss="q">韵香魂已成梦<span ss="q">句短操谁弹<span ss="q">句月冷瑶琴<span ss="q">韵
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此调以此词为正体,有周密词及张词别首可校,若曹词之句读参差,乃变体也。 按,周词,前段第二句“记曲屏小几”,曲字仄声,张词别首,“记未吟青子”,青字平声;周词,第四句“经年汜人重见”,经字平声;第六句“雨带风襟零落”,零字平声;第七句“步云冷、鹅管吹春”,冷字仄声;结句“仙掌凝尘”,仙字平声;张词别首,后段第三句“一朵云飞”,一字仄声;第四句“丁香枝上”,丁字平声;第五句“几度欵语深期”,几字仄声,周词,“应念礬弟梅兄”,礬字平声;周词,第七句“五十弦、愁满湘云”,十字仄声,愁字平声;张词别首,结句“犹道休归”,犹字平声。谱内可平可仄据此,余参曹词。
又一体 <span ss="q">双调九十九字,前段十句五平韵,后段十句四平韵 曹 勋
十月新阳<span ss="q">韵喜桃李秀发<span ss="q">句宫殿春香<span ss="q">韵宝历开图<span ss="q">句文母协应时康<span ss="q">韵诞庆欣逢令旦<span ss="q">句向花闺<span ss="q">读罄列嫔
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嫱<span ss="q">韵欢荣是九五<span ss="q">句侍膳芳筵<span ss="q">句翠扆龙章<span ss="q">韵 天心人共喜<span ss="q">句拱三钗瑞彩<span ss="q">句同捧瑶觞<span ss="q">韵禁中和气<span ss="q">句
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都入法部丝簧<span ss="q">韵一片神仙锦绣<span ss="q">句正珠帘<span ss="q">读高卷云光<span ss="q">韵遐龄祝亿载<span ss="q">句永奉慈颜<span ss="q">句地久天长<span ss="q">韵
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此与张词同,惟前段第四句四字,第五句六字异。
飞龙宴 调见《花草粹编》,注吴七君王姬苏小娘制。
飞龙宴 <span ss="q">双调九十九字,前段十句五仄韵,后段十句八仄韵 <span ss="q">宋媛苏 氏
炎炎暑气时<span ss="q">句流光闪烁<span ss="q">句闲扃深院<span ss="q">韵水阁凉亭<span ss="q">句半开帘幕遥看<span ss="q">韵灼灼榴花吐艳<span ss="q">韵细雨洒<span ss="q">读小荷香
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浅<span ss="q">韵树阴竹里<span ss="q">句清凉潇洒<span ss="q">句枕簟摇纨扇<span ss="q">韵 堪叹<span ss="q">韵浮世忙如箭<span ss="q">韵对良辰欢乐<span ss="q">句莫辞频劝<span ss="q">韵遇酒
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逢歌<span ss="q">句恣情遂意迷恋<span ss="q">韵须信人生聚散<span ss="q">韵奈区区<span ss="q">读利牵名绊<span ss="q">韵少年未倦<span ss="q">韵良天皓月金尊满<span ss="q">韵
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此调只此一词,无别首可校。