卷二十六
3个月前 作者: 陈廷敬
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目 录 <span ss="q">二十六调六
十五体,起九十八字至九十九字
留客住二体
昼夜乐二体
雨中花慢十三体
万年欢十一体
燕春台四体<span ss="q">又名夏初临
逍遥乐一体
八节长欢二体
忆东坡一体
粉蝶儿慢一体
并蒂芙蓉一体
黄河清慢一体
春草碧一体
芰荷香二体
绣停针一体
扬州慢三体
舞杨花一体
双双燕二体
孤 鸾四体
云仙引一体
玲珑玉一体
陌上花一体
福寿千春一体
夏日紫黉堂二体
水晶帘一体
三部乐四体
梦扬州一体
留客住 唐教坊曲名。《乐章集》注:林钟商。
留客住 <span ss="q">双调九十八字,前段九句四仄韵,后段十句五仄韵 柳 永
偶登眺<span ss="q">韵凭小楼<span ss="q">读艳阳时节<span ss="q">句乍晴天气<span ss="q">句是处闲花野草<span ss="q">韵遥山万叠云散<span ss="q">句涨海千里<span ss="q">句潮平波浩
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渺<span ss="q">韵烟村院落<span ss="q">句是谁家<span ss="q">读绿树数声啼鸟<span ss="q">韵 旅情悄<span ss="q">韵念远信沈沈<span ss="q">句离魂杳杳<span ss="q">韵对景伤怀<span ss="q">句度
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日无言谁表<span ss="q">韵惆怅旧欢何处<span ss="q">句后约难凭<span ss="q">句看看春又老<span ss="q">韵盈盈泪眼<span ss="q">句望仙乡<span ss="q">读隐隐断霞残照<span ss="q">韵
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此调惟柳、周二词,但周词减字,其句读亦异,故不校注平仄。
又一体 <span ss="q">双调九十四字,前段九句三仄韵,后段九句五仄韵 周邦彦
嗟乌兔<span ss="q">韵正茫茫<span ss="q">读相催无定<span ss="q">句只恁东生西没<span ss="q">句半均寒暑<span ss="q">韵昨见花红柳绿<span ss="q">句处处林茂<span ss="q">句又睹霜前
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篱畔<span ss="q">句菊散余香<span ss="q">句看看又还秋暮<span ss="q">韵 忍思虑<span ss="q">韵念古往贤愚<span ss="q">句终归何处<span ss="q">韵争似高堂<span ss="q">句日夜笙歌
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齐举<span ss="q">韵选甚连宵彻昼<span ss="q">句再三留住<span ss="q">韵待拟沈醉扶上马<span ss="q">句怎生向<span ss="q">读主人未肯教去<span ss="q">韵
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此校柳词,前段第三句添二字,第四句减二字,第七句添一字、少一韵,结句减三字,后段第七句多一韵,第八句添二字、少一韵,第九句减四字。 柳词前段四韵,此词前段三韵,《词律》误认北音,以没字、绿字为韵,不知宋人长调,以韵多者为急曲子,韵少者为慢词,原不必强注韵脚也。
昼夜乐 《乐章集》注:中吕宫。
昼夜乐 <span ss="q">双调九十八字,前段八句六仄韵,后段八句五仄韵 柳 永
洞房记得初相遇<span ss="q">韵便只合<span ss="q">读长相聚<span ss="q">韵何期小会幽欢<span ss="q">句变作离情别绪<span ss="q">韵况值阑珊春色暮<span ss="q">韵对满目<span ss="q">读
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乱花狂絮<span ss="q">韵直恐好风光<span ss="q">句尽随伊归去<span ss="q">韵 一场寂寞凭谁诉<span ss="q">韵算前言<span ss="q">读总轻负<span ss="q">韵早知恁地难拌<span ss="q">句
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悔不当初留住<span ss="q">韵其奈风流端正外<span ss="q">句更别有<span ss="q">读系人心处<span ss="q">韵一日不思量<span ss="q">句也攒眉千度<span ss="q">韵
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此调创自柳永,有前段第五句俱押韵者,有前段第五句押韵、后段第五句不押韵者,此词后段第五句不押韵,黄庭坚词,正与此同。 按,黄词,前段第二句“说花时、归来去”,时字平声;第五、六句“其奈佳音无定据,约云朝、又还雨暮”,其字平声,雨字仄声;结两句“将泪入鸳衾,总不成行步”,将字平声,不字仄声;后段起句“元来也解知思虑”,元字平声;第三句“情知玉帐堪欢”,情字平声;第五句“直待腰金拖紫后”,直字仄声;第六句“有夫人县君相与”,人字平声,又柳词别首,“这欢娱渐入佳境”,入字仄声;第七句“争奈会分疏”,争字平声。谱内可平可仄据此,余参《梅苑》无名氏词。 此词前后段两结句,俱上一下四句法,与第七句只作五言者不同。
又一体 <span ss="q">双调九十八字,前后段各八句,六仄韵 <span ss="q">《梅苑》无名氏
一阳生后风光好<span ss="q">韵百花瘁<span ss="q">读群木槁<span ss="q">韵南枝探暖欺寒<span ss="q">句嘉卉争先占早<span ss="q">韵晓来风送清香杳<span ss="q">韵映园林<span ss="q">读
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报春来到<span ss="q">韵素艳自超群<span ss="q">句似姑射容貌<span ss="q">韵 画堂开宴邀朋友<span ss="q">韵赏琼英<span ss="q">读同欢笑<span ss="q">韵陇头寄信叮咛<span ss="q">句
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楼上新妆斗巧<span ss="q">韵对景乘兴倾芳酒<span ss="q">韵拌沈醉<span ss="q">读玉山频倒<span ss="q">韵结实用和羹<span ss="q">句是真奇国宝<span ss="q">韵
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此与柳词同,惟后段第五句押韵异。 按,柳词别首,前后段第六句“爱把歌喉当筵逞”、“无限狂心乘酒兴”,亦各押韵,因词俚不录。 此词后段起句“友”字,第六句“酒”字,萧尤同押,用古韵。
雨中花慢 此词有平韵、仄韵两体。平韵者,始自苏轼;仄韵者,始自秦观。柳永平韵词,《乐章集》注林钟商。
雨中花慢 <span ss="q">双调九十八字,前段十一句四平韵,后段十句四平韵 苏 轼
今岁花时深院<span ss="q">句尽日东风<span ss="q">句荡飏茶烟<span ss="q">韵但有绿苔芳草<span ss="q">句柳絮榆钱<span ss="q">韵闻道城西<span ss="q">句长林古寺<span ss="q">句甲第名
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园<span ss="q">韵有国艳带酒<span ss="q">句天香染袂<span ss="q">句为我留连<span ss="q">韵 清明过了<span ss="q">句残红无处<span ss="q">句对此泪洒尊前<span ss="q">韵秋向晚<span ss="q">读一
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枝何事<span ss="q">句向我依然<span ss="q">韵高会聊追短景<span ss="q">句清商不假余妍<span ss="q">韵不如留取<span ss="q">句十分春态<span ss="q">句付与明年<span ss="q">韵
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此调平韵词九首,惟吴礼之一体,宋人依此填者颇多,故可平可仄,校注吴词之下,若柳词之一百字,刘词之九十九字,虽句读整齐,无别首可校,亦不注可平可仄。 此词前段第六、七句,作四字三句,与各家稍异。宋人仄韵词,亦有如此填者,平韵词则只此一体耳。
又一体 <span ss="q">双调九十八字,前后段各十句,四平韵 张孝祥
一叶凌波<span ss="q">句十里御风<span ss="q">句烟鬟雾鬓萧萧<span ss="q">韵认得江皋玉佩<span ss="q">句水馆冰绡<span ss="q">韵秋净明霞乍吐<span ss="q">句曙凉宿霭初
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消<span ss="q">韵恨微颦不语<span ss="q">句欲进还休<span ss="q">句凝伫迢遥<span ss="q">韵 神交冉冉<span ss="q">句愁思盈盈<span ss="q">句断魂欲遣谁招<span ss="q">韵还似待<span ss="q">读
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青鸾传信<span ss="q">句乌鹊成桥<span ss="q">韵怅望胎仙琴叠<span ss="q">句羞看翡翠兰苕<span ss="q">韵梦回人远<span ss="q">句红云一片<span ss="q">句天际笙箫<span ss="q">韵
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此词前段第六、七句,作六字两句。按,《于湖集》有“一舸凌风”词,与此同。
又一体 <span ss="q">双调九十九字,前后段各十句,四平韵 刘 褒
缥蒂缃枝<span ss="q">句玉叶翡英<span ss="q">句百梢争赴春忙<span ss="q">韵正雨后<span ss="q">读蜂粘落絮<span ss="q">句燕扑晴香<span ss="q">韵遗策谁家荡子<span ss="q">句唾花何处
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新妆<span ss="q">韵想流红有恨<span ss="q">句拾翠无心<span ss="q">句往事凄凉<span ss="q">韵 春愁如海<span ss="q">句客思翻空<span ss="q">句带围只看东阳<span ss="q">韵更那堪<span ss="q">读
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玉笙度曲<span ss="q">句翠羽传觞<span ss="q">韵红泪不胜闺怨<span ss="q">句白云应老他乡<span ss="q">韵梦回敧枕<span ss="q">句风惊庭树<span ss="q">句月在西厢<span ss="q">韵
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此词前段第四句七字,较张词添一字,句读整齐,但宋词无如此填者。
又一体 <span ss="q">双调一百字,前后段各十句,四平韵 柳 永
坠髻慵梳<span ss="q">句愁蛾懒画<span ss="q">句心绪事事阑珊<span ss="q">韵觉新来憔悴<span ss="q">句金缕衣宽<span ss="q">韵认得这<span ss="q">读疏狂意下<span ss="q">句向人诮<span ss="q">读譬
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如闲<span ss="q">韵把芳容陡顿<span ss="q">句恁地轻孤<span ss="q">句争忍心安<span ss="q">韵 依前过了旧约<span ss="q">句甚当初赚我<span ss="q">句偷剪香鬟<span ss="q">韵几时得
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归来<span ss="q">句香阁深关<span ss="q">韵待伊要<span ss="q">读尤云殢雨<span ss="q">句缠绣衾<span ss="q">读不与同欢<span ss="q">韵尽更深款款<span ss="q">句问伊今后<span ss="q">句更敢无端<span ss="q">韵
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此词换头三句,前后段第六、七句,句读与各家异,虽有宫调,因无别首可校,故不注可平可仄。
又一体 <span ss="q">双调九十七字,前后段各十句,四平韵 吴礼之
眷浓恩重<span ss="q">句长离永别<span ss="q">句凭谁为返香魂<span ss="q">韵忆湘裙霞袖<span ss="q">句杏脸樱唇<span ss="q">韵眉扫春山淡淡<span ss="q">句眼裁秋水盈盈<span ss="q">韵
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便如何忘得<span ss="q">句温柔情态<span ss="q">句恬静天真<span ss="q">韵 凭栏念及<span ss="q">句夕阳西下<span ss="q">句暮烟四起江村<span ss="q">韵渐入夜<span ss="q">读疏星映
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柳<span ss="q">句新月笼云<span ss="q">韵酝造一生清瘦<span ss="q">句能消几个黄昏<span ss="q">韵断肠时候<span ss="q">句帘垂深院<span ss="q">句人掩重门<span ss="q">韵
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此词前段第四、五句,校张词减一字。 按,辛弃疾“马上三年”词、“旧雨常来”词,苏泂“十载尊前”词,俱与此同,此词可平可仄,即参谱内所采平韵诸词句法同者。
又一体 <span ss="q">双调九十六字,前后段各十句,四平韵 京 镗
玉局祠前<span ss="q">句铜壶阁畔<span ss="q">句锦城药市争奇<span ss="q">韵正紫萸缀席<span ss="q">句黄菊浮卮<span ss="q">韵巷陌联镳并辔<span ss="q">句楼台吹竹弹丝<span ss="q">韵
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登高望远<span ss="q">句一年好景<span ss="q">句九日佳期<span ss="q">韵 自怜行客<span ss="q">句犹对嘉宾<span ss="q">句留连岂是贪痴<span ss="q">韵谁会得<span ss="q">读心驰北
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阙<span ss="q">句兴寄东篱<span ss="q">韵惜别未催鷁首<span ss="q">句追欢且醉蛾眉<span ss="q">韵明年此会<span ss="q">句他乡今日<span ss="q">句总是相思<span ss="q">韵
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此与吴词同,惟前段第八句减一字异。 按,张才翁“万缕青青”词,《松坡集》“跨鹤仙姿”词,俱与此同。
又一体 <span ss="q">双调九十八字,前后段各十句,四平韵 高观国
旆拂西风<span ss="q">句客应星汉<span ss="q">句行参玉节征鞍<span ss="q">韵缓带轻裘<span ss="q">句争看盛世衣冠<span ss="q">韵吟倦西湖风月<span ss="q">句去看北塞关
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山<span ss="q">韵过离宫禾黍<span ss="q">句故垒烟尘<span ss="q">句有泪应弹<span ss="q">韵 文章俊伟<span ss="q">句颖露囊锋<span ss="q">句名动万里呼韩<span ss="q">韵知素有<span ss="q">读
○ ●○○○● ●●○○ ●●○○ ○○●● ●●○○ ○●●●○○ ○●●
平戎手段<span ss="q">句小试何难<span ss="q">韵情寄吴梅香冷<span ss="q">句梦随陇雁霜寒<span ss="q">韵立勋未晚<span ss="q">句归来依旧<span ss="q">句酒社诗坛<span ss="q">韵
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·
此与张词同,惟前段第四句四字,第五句六字异。
又一体 <span ss="q">双调九十七字,前后段各十句,四平韵 葛立方
寄径睢阳<span ss="q">句陌上忽看<span ss="q">句夭桃秾李争春<span ss="q">韵又见楚宫<span ss="q">句行雨洗芳尘<span ss="q">韵红艳霞光夕照<span ss="q">句素华琼树朝新<span ss="q">韵
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为奇姿芳润<span ss="q">句拟倩游丝<span ss="q">句留住东君<span ss="q">韵 拾遗杜老<span ss="q">句犹爱南塘<span ss="q">句寄情萝薜山村<span ss="q">韵争似此<span ss="q">读花如姝
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丽<span ss="q">句獭髓轻匀<span ss="q">韵不数江陵玉杖<span ss="q">句休夸花岛红云<span ss="q">韵少须澄霁<span ss="q">句一番清影<span ss="q">句更待冰轮<span ss="q">韵
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·
此词前段第四句四字、第五句五字,与各家异。 按,《归愚集》有“壮岁嬉游”词,与此同。
又一体 <span ss="q">双调九十六字,前后段各十句,四平韵 <span ss="q">《玉照新志》无名氏
事往人离<span ss="q">句还似暮峡归云<span ss="q">句陇上流泉<span ss="q">韵奈向分围镜<span ss="q">句已断幺弦<span ss="q">韵长记酒阑歌罢<span ss="q">句难忘月夕花前<span ss="q">韵
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相携手处<span ss="q">句琼楼朱户<span ss="q">句触目依然<span ss="q">韵 从来惯共<span ss="q">句绣帏罗帐<span ss="q">句镇效比翼文鸳<span ss="q">韵谁念我<span ss="q">读而今清
○○●● ○○○● ●●○○ ○○●● ●○○● ●●●●○○ ○●● ○○○
夜<span ss="q">句常是孤眠<span ss="q">韵入户不如飞絮<span ss="q">句傍怀争及炉烟<span ss="q">韵这回休也<span ss="q">句一生心事<span ss="q">句为你萦牵<span ss="q">韵
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·
此与京镗词同,惟前段第二句六字、第三句四字异。 以上九词,皆押平韵。
又一体 <span ss="q">双调九十八字,前后段各十句,四仄韵 秦 观
指点虚无征路<span ss="q">句醉乘斑虯<span ss="q">句远访西极<span ss="q">韵见天风吹落<span ss="q">句满空寒白<span ss="q">韵玉女明星迎笑<span ss="q">句何苦自淹尘域<span ss="q">韵
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正火轮飞上<span ss="q">句雾卷烟开<span ss="q">句洞观金碧<span ss="q">韵 重重观阁<span ss="q">句横枕鳌峰<span ss="q">句水面倒衔苍石<span ss="q">韵随处有<span ss="q">读奇香幽
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火<span ss="q">句杳然难测<span ss="q">韵好是蟠桃熟后<span ss="q">句阿环偷报消息<span ss="q">韵在青天碧海<span ss="q">句一枝难遇<span ss="q">句占取春色<span ss="q">韵
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·
吴礼之平韵词,句读与此同,所小异者,惟前起三句耳。此词可平可仄,即参所采仄韵诸词句法同者。
又一体 <span ss="q">双调九十八字,前段十一句四仄韵,后段十句四仄韵 <span ss="q">《梅苑》无名氏
梦破江南春信<span ss="q">句渐入江梅<span ss="q">句暗香初发<span ss="q">韵乞与横斜疏影<span ss="q">句为怜清绝<span ss="q">韵梁苑相如<span ss="q">句平生有赋<span ss="q">句未甘华
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发<span ss="q">韵便广寒争遣<span ss="q">句韶华惊怨<span ss="q">句讵妨轻折<span ss="q">韵 扬州歌吹<span ss="q">句二十四桥<span ss="q">句不道画楼声歇<span ss="q">韵生怕有<span ss="q">读江
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边一树<span ss="q">句要堆轻雪<span ss="q">韵老去苦无欢事<span ss="q">句凌波空有纤袜<span ss="q">韵恨无好语<span ss="q">句何郎风味<span ss="q">句定教难说<span ss="q">韵
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·
此与秦词同,惟前后段第四句多一字,第六、七句作四字三句,后段第八句少一字异。 按,苏轼平韵词,句读与此同。
又一体 <span ss="q">双调九十七字,前段十一句四仄韵,后段十句四仄韵 黄庭坚
正乐中和<span ss="q">句夷夏燕喜<span ss="q">句官梅乍传消息<span ss="q">韵待新年欢计<span ss="q">句断送春色<span ss="q">韵桃李成阴<span ss="q">句甘棠少讼<span ss="q">句又移旌
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戟<span ss="q">韵念画楼朱阁<span ss="q">句风流高会<span ss="q">句顿冷谈席<span ss="q">韵 西川纵有<span ss="q">句舞裙歌板<span ss="q">句谁共茗邀棋敌<span ss="q">韵归来未<span ss="q">读
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先沾离袖<span ss="q">句管弦催滴<span ss="q">韵乐事赏心易散<span ss="q">句良辰美景难得<span ss="q">韵会须醉倒<span ss="q">句玉山扶起<span ss="q">句更倾春碧<span ss="q">韵
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·
此与《梅苑》无名氏词同,惟前段起二句句读小异,第四句减一字异。
又一体 <span ss="q">双调九十七字,前段十一句五仄韵,后段九句五仄韵 <span ss="q">《高丽史·乐志》无名氏
宴阕倚阑郊外<span ss="q">句乍别芳姿<span ss="q">句醉登长陌<span ss="q">韵渐觉联绵离绪<span ss="q">句淡薄秋色<span ss="q">韵宝马频嘶<span ss="q">句寒蝉噪晚<span ss="q">句正伤行
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客<span ss="q">韵念少年踪迹<span ss="q">韵风流声价<span ss="q">句泪珠偷滴<span ss="q">韵 从前与<span ss="q">读酒朋花侣<span ss="q">句镇赏画楼瑶席<span ss="q">韵今夜里<span ss="q">读清风
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明月<span ss="q">句水村山驿<span ss="q">韵往事悠悠似梦<span ss="q">句新愁苒苒如织<span ss="q">韵断肠望极<span ss="q">韵重逢何处<span ss="q">句暮云凝碧<span ss="q">韵
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·
此亦与《梅苑》无名氏词同,惟换头作七字一句、六字一句,前段第九句、后段第八句多押两韵异。 以上四词,皆押仄韵。
万年欢 唐教坊曲名。《宋史·乐志》:中吕宫;《高丽史·乐志》,名《万年欢慢》;《元史·乐志》:舞队曲。此调有三体,平韵者始自王安礼,仄韵者始自晁补之,平仄韵互叶者始自元赵孟頫。
万年欢 <span ss="q">双调九十八字,前段九句五平韵,后段九句四平韵 王安礼
雅出群芳<span ss="q">韵占春前信息<span ss="q">句腊后风光<span ss="q">韵野岸邮亭<span ss="q">句繁似万点轻霜<span ss="q">韵清浅溪流倒影<span ss="q">句更黯淡<span ss="q">读月色笼
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香<span ss="q">韵浑疑是<span ss="q">读姑射冰姿<span ss="q">句寿阳粉面初妆<span ss="q">韵 多情对景易感<span ss="q">句况淮天庾岭<span ss="q">句迢递相望<span ss="q">韵愁听龙吟
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凄绝<span ss="q">句画角悲凉<span ss="q">韵念昔因谁醉赏<span ss="q">句向此际<span ss="q">读空恼回肠<span ss="q">韵终须待<span ss="q">读结实恁时<span ss="q">句佳味堪尝<span ss="q">韵
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·
此调押平韵者,以此词为正体,余皆变格也。此词可平可仄,即参下平韵词。
又一体 <span ss="q">双调一百字,前后段各九句,五平韵 <span ss="q">《高丽史·乐志》无名氏
禁禦初晴<span ss="q">韵见万年枝上<span ss="q">句巧啭莺声<span ss="q">韵藻殿连云<span ss="q">句萍曦高照檐楹<span ss="q">韵好是帘开丽景<span ss="q">句袅金炉<span ss="q">读香暖烟
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轻<span ss="q">韵传呼道<span ss="q">读天跸来临<span ss="q">句两行拱引簪缨<span ss="q">韵 看看筵敞三清<span ss="q">韵洞宝玉杯中<span ss="q">句满酌犀觥<span ss="q">韵烂熳芳
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葩<span ss="q">句斜簪庆快春情<span ss="q">韵更有箫韶九奏<span ss="q">句簇鱼龙<span ss="q">读百戏俱呈<span ss="q">韵吾皇愿<span ss="q">读永保洪图<span ss="q">句四方长乐升平<span ss="q">韵
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·
此与王词同,惟换头句押韵,第四、五句作四字一句、六字一句,结句添二字异。
又一体 <span ss="q">双调一百一字,前后段各十句,四平韵 赵师侠
电绕神枢<span ss="q">句虹流华渚<span ss="q">句诞弥良用佳辰<span ss="q">韵万宇讴歌归舞<span ss="q">句宝历增新<span ss="q">韵四七年间盛事<span ss="q">句皇威畅<span ss="q">读边鄙
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无尘<span ss="q">韵仁恩被<span ss="q">句华夏咸安<span ss="q">句太平极治欢声<span ss="q">韵 重华道隆德茂<span ss="q">句亘古今希有<span ss="q">句揖逊重闻<span ss="q">韵圣子三
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宫欢聚<span ss="q">句两世慈亲<span ss="q">韵幸际千秋圣旦<span ss="q">句沾镐宴<span ss="q">读普率惟均<span ss="q">韵封人祝<span ss="q">句亿万斯年<span ss="q">句寿皇尊并高真<span ss="q">韵
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·
此亦与王词同,惟前段起句不用韵,第二句四字、第三句六字,前段第四句六字、第五句四字异。
又一体 <span ss="q">双调一百二字,前段九句四平韵,后段十句四平韵 贺 铸
淑质柔情<span ss="q">句靓妆艳笑<span ss="q">句未容桃李争妍<span ss="q">韵红粉墙东<span ss="q">句曾记窥宋三年<span ss="q">韵不问云朝雨暮<span ss="q">句向西楼南馆
●●○○ ●○●● ●○○●○○ ○●○○ ○●○●○○ ●●○○●● ●○○○●
留连<span ss="q">韵何尝信<span ss="q">读美景良辰<span ss="q">句赏心乐事难全<span ss="q">韵 青门解袂<span ss="q">句画桥回首<span ss="q">句初沈汉佩<span ss="q">句永断湘弦<span ss="q">韵
○○ ○○● ●●○○ ●○●●○○ ○○●● ●○○● ○○●● ●●○○
漫写浓愁幽恨<span ss="q">句封寄鱼笺<span ss="q">韵拟话当时旧好<span ss="q">句问同谁<span ss="q">读与醉尊前<span ss="q">韵除非是<span ss="q">读明月清风<span ss="q">句向人今夜
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依然<span ss="q">韵
○○
·
此与赵词同,惟前段第四、五句,仍照王词体,换头添一字,作四字四句异。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段九句五仄韵 晁补之
十里环溪<span ss="q">句记当年并游<span ss="q">句依旧风景<span ss="q">韵彩舫红妆<span ss="q">句重泛九秋清镜<span ss="q">韵莫叹歌台蔓草<span ss="q">句喜相逢<span ss="q">读欢情犹
◎●○○ ●⊙○◎⊙ ⊙◎⊙● ◎●○○ ⊙●◎○⊙● ◎●⊙○◎● ◎⊙⊙ ⊙○⊙
胜<span ss="q">韵苹洲畔<span ss="q">读横玉惊鸾<span ss="q">句半天云正愁凝<span ss="q">韵 中秋醉魂未醒<span ss="q">韵又佳辰授衣<span ss="q">句良会堪更<span ss="q">韵蚤岁功
● ⊙⊙◎ ⊙●○○ ◎⊙○◎○● ⊙○●⊙◎● ●⊙○●⊙ ⊙◎⊙● ◎●○
名<span ss="q">句豪气尚凌汝颍<span ss="q">韵能致黄金百镒<span ss="q">句也莫负<span ss="q">读鸱夷高兴<span ss="q">韵别有个<span ss="q">读潇洒田园<span ss="q">句醉乡天地同永<span ss="q">韵
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·
此调押仄韵者,以晁词二首为正体,若程词之换头句六字折腰,程词别首之后段第七句添字,史词及晁词别首之前后段第四、五句句读参差,皆变格也。 按,程大昌词,前段第二句“放两枝三朵”,三字平声;第六句“七十古稀今独”,古字仄声,胡浩然词,“花艳惊郎醉目”,花字平声;程词,第七句“花钗底髻云堆绿”,花字平声;《梅苑》词,结句“才说清香寻得”,才字、香字俱平声,说字仄声;后段起句“别来又经岁隔”,别字仄声;结句“偏与群芳春色”,偏字、芳字俱平声,与字仄声。其余可平可仄,即参所采五词。
又一体 <span ss="q">双调一百字,前段九句五仄韵,后段九句六仄韵 晁补之
心忆春归<span ss="q">句似佳人未来<span ss="q">句香径无迹<span ss="q">韵雪里江梅<span ss="q">句因甚早知消息<span ss="q">韵百卉芳心正寂<span ss="q">韵夜不寐<span ss="q">读幽姿脉
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脉<span ss="q">韵图清晓<span ss="q">读先作宫妆<span ss="q">句似防人见偷得<span ss="q">韵 真香媚情动魄<span ss="q">韵算当时寿阳<span ss="q">句无此标格<span ss="q">韵应寄扬
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州<span ss="q">句何郎旧曾相识<span ss="q">韵花似何郎鬓白<span ss="q">韵恐多笑<span ss="q">读逢花羞摘<span ss="q">韵那堪听<span ss="q">读羌管惊心<span ss="q">句也随繁杏抛掷<span ss="q">韵
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·
此词前后段第六句俱押韵。 按,《梅苑》“北陆风回”词、“天气严凝”词,胡浩然“灯月交光”词,俱与此同。 汲古阁刻本,后段第八句脱一字,今从《梅苑》增入。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段十句五仄韵 程大昌
岁岁梅花<span ss="q">句向寿尊画阁<span ss="q">句长报春起<span ss="q">韵恰似今朝<span ss="q">句分外香肥萼韡<span ss="q">韵杂佩珊珊就列<span ss="q">句映蓝袂<span ss="q">读宝熏擎
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跽<span ss="q">韵道这回<span ss="q">读屋舍团栾<span ss="q">句四时风月桃李<span ss="q">韵 回头处<span ss="q">句无限思<span ss="q">韵看秋前药里<span ss="q">句而今鼎七<span ss="q">韵须把康
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强<span ss="q">句收作玳筵欢喜<span ss="q">韵况是鬓云全绿<span ss="q">句顶珈笄<span ss="q">读笑陪星履<span ss="q">韵新年动是拥新祺<span ss="q">句有孙来捧醪醴<span ss="q">韵
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·
此即“十里环溪”词体,惟换头句作三字两句异。 按,程词别首“诗翁笑,但休问”,又一首“星辰履,阶庭玉”,俱与此同。
又一体 <span ss="q">双调一百一字,前段九句五仄韵,后段十句六仄韵 程大昌
老钝迂疏<span ss="q">句尽世间乐事<span ss="q">句不忺不觑<span ss="q">韵痴向韦编<span ss="q">句根究卦爻来处<span ss="q">韵浑沌包中天地<span ss="q">韵谢东家<span ss="q">读从头指
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示<span ss="q">韵便和那<span ss="q">读八八机关<span ss="q">句并将匙钥分付<span ss="q">韵 行年数<span ss="q">句六十四<span ss="q">韵把一年一卦<span ss="q">句恰好相拟<span ss="q">韵妙道生
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生<span ss="q">句既济还存未济<span ss="q">韵身愿河图比似<span ss="q">韵每演九后<span ss="q">读重从一始<span ss="q">韵待人问<span ss="q">读甲子何其<span ss="q">句剩书亥字为戏<span ss="q">韵
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·
此与“岁岁梅花”词同,惟后段第七句添一衬字异。其前后段第六句押韵,照晁词“心忆春归”一首填。
又一体 <span ss="q">双调一百字,前段八句四仄韵,后段九句五仄韵 史达祖
两袖梅风<span ss="q">句谢桥边<span ss="q">读岸痕犹带阴雪<span ss="q">韵过了匆匆灯市<span ss="q">句草根青发<span ss="q">韵燕子春愁未醒<span ss="q">句误几处<span ss="q">读芳音辽
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绝<span ss="q">韵烟溪上<span ss="q">读采绿人归<span ss="q">句定应愁沁花骨<span ss="q">韵 非干厚情易歇<span ss="q">韵奈燕台句老<span ss="q">句难道离别<span ss="q">韵小径吹
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衣<span ss="q">句曾记故园风物<span ss="q">韵多少惊心旧事<span ss="q">句第一是<span ss="q">读侵阶罗袜<span ss="q">韵如今但<span ss="q">读柳发晞春<span ss="q">句夜来和露梳月<span ss="q">韵
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·
此亦“十里环溪”词体,惟前段第二、三句作九字一句,第四句六字,第五句四字异。
又一体 <span ss="q">双调一百字,前段九句四仄韵,后段九句五仄韵 晁补之
忆昔论心<span ss="q">句尽青云少年<span ss="q">句燕赵豪俊<span ss="q">韵二十南游<span ss="q">句曾上会稽千仞<span ss="q">韵振袂江中往岁<span ss="q">句有骚人<span ss="q">读兰荪遗
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韵<span ss="q">韵嗟管鲍<span ss="q">读当日贫交<span ss="q">句半成翻手难信<span ss="q">韵 君如未遇元礼<span ss="q">句肯抽身盛时<span ss="q">句寻我幽隐<span ss="q">韵此事谈何
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容易<span ss="q">句骥才方骋<span ss="q">韵彩舫红妆围定<span ss="q">句笑西风<span ss="q">读黄花班鬓<span ss="q">韵君欲问<span ss="q">读投老生涯<span ss="q">句醉乡岐路偏近<span ss="q">韵
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·
此亦“十里环溪”词体,惟后段第四句六字,第五句四字异。 此词换头句不押韵,与赵师侠平韵词体同。
又一体 <span ss="q">双调一百字,前段九句四平韵一叶韵,后段九句两平韵三叶韵 赵孟頫
天上春来<span ss="q">韵正阳和布泽<span ss="q">句斗柄初回<span ss="q">韵一朵祥云捧日<span ss="q">句万象生辉<span ss="q">韵帝德光昭四表<span ss="q">句玉帛尽<span ss="q">读梯航来
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会<span ss="q">叶彤庭敞<span ss="q">读花覆千官<span ss="q">句紫霄鸳鹭徘徊<span ss="q">韵 仁风遍满九垓<span ss="q">韵望霓旌缓引<span ss="q">句宝扇齐开<span ss="q">韵喜动龙
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颜<span ss="q">句和气蔼然交泰<span ss="q">叶九奏箫韶舜乐<span ss="q">句兽尊举<span ss="q">读麒麟香叆<span ss="q">叶从今数<span ss="q">读亿万斯年<span ss="q">句圣主福如天大<span ss="q">叶
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·
此词以灰、贿、队,佳、蟹、泰三声叶韵,句读与无名氏平韵词同。 按,赵孟頫又有“阊阖初开”词,亦三声叶,与此同,惟后段第三句仄韵,第五句结句平韵,与此稍异,注明不录。
燕春台 此调始自张先,盖春宴词也,因黄裳有夏宴词,刘泾改名《夏初临》,旧谱或以《燕春台》与《夏初临》两列者误。
燕春台 <span ss="q">双调九十八字,前段十句五平韵,后段十一句五平韵 张 先
丽日千门<span ss="q">句紫烟双阙<span ss="q">句琼林又报春回<span ss="q">韵殿阁风微<span ss="q">句当时去燕还来<span ss="q">韵五侯池馆屏开<span ss="q">韵探芳菲<span ss="q">读走马
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天街<span ss="q">韵重帘人语<span ss="q">句辚辚车幰<span ss="q">句远近轻雷<span ss="q">韵 雕觞霞滟<span ss="q">句翠幕云飞<span ss="q">句楚腰舞柳<span ss="q">句宫面妆梅<span ss="q">韵金猊
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夜暖<span ss="q">句罗衣暗裛香煤<span ss="q">韵洞府人归<span ss="q">句拥笙歌<span ss="q">读灯火楼台<span ss="q">韵下蓬莱<span ss="q">韵犹有花上月<span ss="q">句清影徘徊<span ss="q">韵
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·
此调后段第七句不押韵,第十句五字,凡调名燕春台者,俱如此填。 按,赵以夫词二首,与此句读如一,惟前段第八句“此时新事”,此字仄声;后段起句“锦帆开晓”,锦字仄声;第四句“月淡天低”,月字仄声;第十句“金鼎调羹也”,羹字平声。又,曹冠词,前段起句“琴拂虞薰”,琴字平声;后段第八句“任玉山频醉花前”,玉字仄声。又,洪咨夔词,后段第二句“冰粉光中”,冰字平声;第七句“凉入琵琶”,凉字平声。谱内可平可仄据此,余参所采三词。
又一体 <span ss="q">双调九十八字,前段十句五平韵,后段十一句五平韵 王之道
翠竹扶疏<span ss="q">句丹葵隐映<span ss="q">句绿窗朱户萦回<span ss="q">韵帘卷虾须<span ss="q">句清风时自南来<span ss="q">韵题舆好客筵开<span ss="q">韵俨新妆<span ss="q">读深出
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云街<span ss="q">韵歌珠累贯<span ss="q">句一时倾坐<span ss="q">句全胜腰雷<span ss="q">韵 金猊袅碧<span ss="q">句玉兕浮红<span ss="q">句令传三杏<span ss="q">句情寄双梅<span ss="q">韵楼头
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漏促<span ss="q">句笼纱暗落花煤<span ss="q">韵锦里遗音<span ss="q">句忆当年<span ss="q">读曾赋春台<span ss="q">韵醉蓬莱<span ss="q">韵归欤无寐<span ss="q">句想余韵徘徊<span ss="q">韵
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·
此和张词,惟后段第十句四字,结句五字异。
又一体 <span ss="q">双调九十七字,前段十句五平韵,后段十一句六平韵 黄 裳
夏景舒长<span ss="q">句麦天清润<span ss="q">句高低万木成阴<span ss="q">韵晓意寒轻<span ss="q">句一声未放蝉吟<span ss="q">韵但闻莺友同音<span ss="q">韵宴华堂<span ss="q">读绿水
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中心<span ss="q">韵芙蓉都没<span ss="q">句红妆信息<span ss="q">句终待重寻<span ss="q">韵 清泠相照<span ss="q">句邂逅俱欢<span ss="q">句翠娥簇拥<span ss="q">句芳酝强斟<span ss="q">韵笙歌
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引步<span ss="q">句登临更向遥岑<span ss="q">韵卧影沈沈<span ss="q">韵好风来<span ss="q">读与客披襟<span ss="q">韵纵更深<span ss="q">韵洞府迟归<span ss="q">句红烛如林<span ss="q">韵
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·
此词后段第七句押韵,第十句四字,凡调名《夏初临》者,俱如此填。 按,刘泾、洪咨夔、曹冠词,与此句读如一,惟前段第九句,后段第十句,平仄稍异。 此调前段第九句以上、后段第十句以上,其可平可仄,与张先词同。
又一体 <span ss="q">双调九十七字,前段十句五平韵,后段十一句五平韵 曹 冠
翠入烟岚<span ss="q">句绿铺槐幄<span ss="q">句薰风初扇微和<span ss="q">韵茂樾扶疏<span ss="q">句绛榴花映庭柯<span ss="q">韵瀑泉飞下层坡<span ss="q">韵间新篁<span ss="q">读夹径
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青莎<span ss="q">韵良辰佳景<span ss="q">句登临隽游<span ss="q">句清兴何多<span ss="q">韵 流觞高会<span ss="q">句不减兰亭<span ss="q">句感怀书事<span ss="q">句聊寄吟哦<span ss="q">韵升沈
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变化<span ss="q">句任它造物如何<span ss="q">韵蹑磴攀萝<span ss="q">韵上冲霄<span ss="q">读满饮高歌<span ss="q">韵醉还醒<span ss="q">句重宴画楼<span ss="q">句赏玩金波<span ss="q">韵
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·
此与黄词同,惟后段第九句不押韵异。 按,《燕喜词》别首,“醉挥毫,知音为我,发兴高歌”,与此同。
<h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>
逍遥乐 调见黄庭坚《琴趣外篇》,即赋本意。
逍遥乐 <span ss="q">双调九十八字,前段十一句六仄韵,后段九句五仄韵 黄庭坚
春意渐归芳草<span ss="q">韵故国佳人<span ss="q">句千里信沈音杳<span ss="q">韵雨润烟光<span ss="q">句晚景澄明<span ss="q">句极目危栏斜照<span ss="q">韵梦当年少<span ss="q">韵对
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樽前<span ss="q">读上客邹枚<span ss="q">句小鬟燕赵<span ss="q">韵共舞雪歌尘<span ss="q">句醉里谈笑<span ss="q">韵 花色枝枝争好<span ss="q">韵鬓丝年年渐老<span ss="q">韵如今
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遇风景<span ss="q">句空瘦损<span ss="q">读向谁道<span ss="q">韵东君幸赐与<span ss="q">句天幕翠遮红绕<span ss="q">韵休休醉乡岐路<span ss="q">句华胥蓬岛<span ss="q">韵
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此调只此一词,无别首可校。
八节长欢 调见《东堂词》。
八节长欢 <span ss="q">双调九十八字,前段九句五平韵,后段八句五平韵 毛 滂
名满人间<span ss="q">韵记黄金殿<span ss="q">句旧试清闲<span ss="q">韵才高鹦鹉赋<span ss="q">句风凛惠文冠<span ss="q">韵波涛何处试蛟鳄<span ss="q">句到白头<span ss="q">读犹守溪
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山<span ss="q">韵且做龚黄样度<span ss="q">句留与人看<span ss="q">韵 桃溪柳曲阴圆<span ss="q">韵离唱断<span ss="q">读旌旗却卷春还<span ss="q">韵襦胯寄余温<span ss="q">句双石
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畔<span ss="q">读惟闻吏胆长寒<span ss="q">韵诗翁去<span ss="q">句谁细绕<span ss="q">读屈曲阑干<span ss="q">韵从今后<span ss="q">读南来幽梦<span ss="q">句应随月度云端<span ss="q">韵
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此词平仄参下毛词别首,惟前段第八句句法不同,因不参校。
又一体 <span ss="q">双调九十九字,前段九句五平韵,后段八句五平韵 毛 滂
泽国秋深<span ss="q">韵绣楹天近<span ss="q">句坐久魂清<span ss="q">韵溪山绕尊酒<span ss="q">句云雾浥衣襟<span ss="q">韵余霞孤雁送乡愁<span ss="q">句寄寒闺<span ss="q">读一点离
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心<span ss="q">韵杜陵老<span ss="q">读两峰秀处<span ss="q">句短发疏巾<span ss="q">韵 佳人为折寒英<span ss="q">韵罗袖湿<span ss="q">读真珠露冷钿金<span ss="q">韵幽艳为谁妍<span ss="q">句
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东篱下<span ss="q">读却教醉倒渊明<span ss="q">韵君但饮<span ss="q">句莫觑他<span ss="q">读落日芜城<span ss="q">韵从教夜<span ss="q">读龙山明月<span ss="q">句端的更解留人<span ss="q">韵
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此与前词同,惟前段第八句添一字异。
忆东坡 调见《相山居士词》,盖忆东坡作也,即以题为调名。
忆东坡 <span ss="q">双调九十八字,前后段各九句,四仄韵 王之道
雪霁柳舒容<span ss="q">句日薄梅摇影<span ss="q">韵新岁换符来天上<span ss="q">句初见颁桃梗<span ss="q">韵试问我酬君唱<span ss="q">句何如博塞欢娱<span ss="q">句百
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万呼卢胜<span ss="q">韵投珠报玉<span ss="q">句须放骚人遣春兴<span ss="q">韵 诗成谈笑<span ss="q">句写出无穷景<span ss="q">韵不妨时作颠草<span ss="q">句驰骋张
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芝圣<span ss="q">韵谁念杜陵野老<span ss="q">句心同流水西东<span ss="q">句,与物初无竞<span ss="q">韵公侯应有种哉<span ss="q">句倾否由天命<span ss="q">韵
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此相山自度曲,无别首可校。
粉蝶儿慢 调见《片玉词》。
粉蝶儿慢 <span ss="q">双调九十八字,前段九句四仄韵,后段九句六仄韵 周邦彦
宿雾藏春<span ss="q">句余寒带雨<span ss="q">句占得群芳开晚<span ss="q">韵艳姿初弄秀<span ss="q">句倚东风娇懒<span ss="q">韵隔叶黄鹂传好音<span ss="q">句唤入深丛
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中探<span ss="q">韵数枝新<span ss="q">句比昨朝<span ss="q">读又早红稀香浅<span ss="q">韵 眷恋<span ss="q">韵重来倚槛<span ss="q">韵当韶华<span ss="q">读未可轻辜双眼<span ss="q">韵赏心
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随分乐<span ss="q">句有清尊檀板<span ss="q">韵每岁嬉游能几日<span ss="q">句莫使一声歌欠<span ss="q">韵忍因循<span ss="q">读一片花飞<span ss="q">句又成春减<span ss="q">韵
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汲古阁刻,前段第四句脱一字,后结脱一字,今从《词纬》本增入。 此调只此一首,方千里、杨泽民、陈允平皆无和词,故平仄无可校。
并蒂芙蓉 《能改斋漫录》:政和癸已,大晟乐成,蔡京以晁端礼荐,诏乘驿赴阙。端礼至都,会禁中嘉莲生,遂属词以进,名《并蒂芙蓉》。
又一体 <span ss="q">双调九十八字,前后段各九句,五仄韵 晁端礼
太液波澄<span ss="q">句向鉴中照影<span ss="q">句芙蓉同蒂<span ss="q">韵千柄绿荷深<span ss="q">句并丹脸争媚<span ss="q">韵天心眷临圣日<span ss="q">句殿宇分明献嘉
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瑞<span ss="q">韵弄香嗅蕊<span ss="q">韵愿君王<span ss="q">读寿与南山齐比<span ss="q">韵 池边屡回翠辇<span ss="q">句拥群仙醉赏<span ss="q">句凭阑凝思<span ss="q">韵萼绿揽
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飞琼<span ss="q">句共波上游戏<span ss="q">韵西风又看露下<span ss="q">句更结双双新莲子<span ss="q">韵斗妆竞美<span ss="q">韵问鸳鸯<span ss="q">读向谁留意<span ss="q">韵
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此调只此一词,无别首可校。
黄河清慢 《铁围山丛谈》云:宣和初,燕乐初成,八音告备,有曲名《黄河清》,音调极韶美,天下无问遐迩大小,皆争唱之。
黄河清慢 <span ss="q">双调九十八字,前段八句五仄韵,后段八句四仄韵 晁端礼
晴景初升风细细<span ss="q">韵云收天淡如洗<span ss="q">韵望外凤凰城阙<span ss="q">句葱葱佳气<span ss="q">韵朝罢香烟满袖<span ss="q">句侍臣报<span ss="q">读天颜有
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喜<span ss="q">韵夜来连得封章<span ss="q">句奏大河<span ss="q">读彻底清泚<span ss="q">韵 君王寿与天齐<span ss="q">句馨香动<span ss="q">读上穹频降祥瑞<span ss="q">韵大晟奏
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功<span ss="q">句六乐初调角徵<span ss="q">韵合殿薰风乍转<span ss="q">句万花覆<span ss="q">读千官尽醉<span ss="q">韵内家传诏<span ss="q">句重开宴<span ss="q">读未央宫里<span ss="q">韵
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此调只此一词,无别首可校。
春草碧 调见《大声集》,自注中管高宫。按,《唐书·礼乐志》,有中管之名,而不详其义,至宋仁宋《乐髓新经》,始云大吕宫为高宫,太簇宫为中管高宫,盖以太簇宫与大吕宫同字谱,故谓之中管也,俗谱以中管高为调名者误。 姜夔集有太簇宫《喜迁莺》词,自注:俗呼中管高宫。
春草碧 <span ss="q">双调九十八字,前段十一句四仄韵,后段十二句五仄韵 万俟咏
又随芳绪生<span ss="q">句看翠连霁空<span ss="q">句愁满征路<span ss="q">韵东风里<span ss="q">句谁望断西塞<span ss="q">句恨迷南浦<span ss="q">韵天涯地角<span ss="q">句意不尽<span ss="q">读消
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沈万古<span ss="q">韵曾是送别<span ss="q">句长亭下<span ss="q">句细绿暗烟雨<span ss="q">韵 何处<span ss="q">韵乱红铺绣茵<span ss="q">句有醉眠荡子<span ss="q">句拾翠游女<span ss="q">韵王
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孙远<span ss="q">句柳外共残照<span ss="q">句断云无语<span ss="q">韵池塘梦生<span ss="q">句谢公后<span ss="q">读还能继否<span ss="q">韵独上画楼<span ss="q">句春山暝<span ss="q">句雁飞去<span ss="q">韵
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·
此词即咏春草,亦以题为调名。宋词仅见此首,无别首可校。
芰荷香 调见《大声集》。金词注双调。
芰荷香 <span ss="q">双调九十八字,前段十句六平韵,后段十句五平韵 万俟咏
小潇湘<span ss="q">韵正天影倒碧<span ss="q">句波面容光<span ss="q">韵水仙朝罢<span ss="q">句间列绿盖红幢<span ss="q">韵吹风细雨<span ss="q">句荡十顷<span ss="q">读浥浥清香<span ss="q">韵人
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在水晶中央<span ss="q">韵霜绡雾穀<span ss="q">句襟袂收凉<span ss="q">韵 款放轻舟闹红里<span ss="q">句有蜻蜓点水<span ss="q">句交颈鸳鸯<span ss="q">韵翠阴密处<span ss="q">句
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曾觅相并青房<span ss="q">韵晚霞散绮<span ss="q">句泛远净<span ss="q">读一叶鸣榔<span ss="q">韵拟去尽促雕觞<span ss="q">韵歌云未断<span ss="q">句月上飞梁<span ss="q">韵
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·
宋人填此调者,句读悉同,惟换头句,或七字,或六字耳。此词换头句七字,朱敦儒、曹勋、赵以夫词,俱如此填。 按,曹词,前段第五句“暑气清度薰弦”,清字平声;第六句“母仪万国”,母字仄声,赵词“怀沙人问”,人字平声;赵词,第七句“二千年犹带酸风”,千字平声;朱词,第八句“六朝浪语繁华”,六字仄声,朝字平声,曹词“阴化从此俱宣”,从字平声;曹词,第九句“六宫内壶”,六字仄声;赵词,第十句“雅调惺松”,雅词仄声;朱词,后段第一句“无奈尊前万里客”,无字平声,里字仄声;赵词,第四句“新欢往恨”,新字平声;朱词,第五句“怕听叠鼓掺挝”,叠字仄声;第六句“江浮醉眼”,江字平声;赵词,第七句“且留连、休要怱怱”,留字平声;第八句“曲终泪湿琵琶”,终字平声。谱内可平可仄据此,余参下词。
又一体 <span ss="q">双调九十七字,前段十句六平韵,后段十句五平韵 赵彦端
燕初归<span ss="q">韵正春阴暗淡<span ss="q">句客意凄迷<span ss="q">韵玉觞无味<span ss="q">句晚花雨退凝脂<span ss="q">韵多情细柳<span ss="q">句对沈腰<span ss="q">读浑不胜衣<span ss="q">韵重
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别忍见离披<span ss="q">韵江南陌上<span ss="q">句强半红飞<span ss="q">韵 乐事从今一梦<span ss="q">句纵锦囊空在<span ss="q">句金椀谁挥<span ss="q">韵舞裙歌扇<span ss="q">句故
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应闲锁幽闺<span ss="q">韵练江诗就<span ss="q">句算檥舟<span ss="q">读宁不相思<span ss="q">韵肠断莫诉离杯<span ss="q">韵青云路稳<span ss="q">句白首心期<span ss="q">韵
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·
此词换头句减一字,与万俟词异。
绣停针 调见放翁词。
绣停针 <span ss="q">双调九十八字,前段十句五仄韵,后段十句六仄韵 陆 游
叹半纪<span ss="q">句跨万里秦吴<span ss="q">句顿觉衰谢<span ss="q">韵回首鸳行<span ss="q">句英俊并游<span ss="q">句咫尺玉堂金马<span ss="q">韵气凌嵩华<span ss="q">韵负壮略<span ss="q">读纵
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横王霸<span ss="q">韵梦经洛浦梁园<span ss="q">句觉来泪流如泻<span ss="q">韵 山林定去也<span ss="q">韵却自恐说著<span ss="q">句少年时话<span ss="q">韵静院焚香<span ss="q">句
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闲倚素屏<span ss="q">句今古总成虚假<span ss="q">韵趁时婚嫁<span ss="q">韵幸自有<span ss="q">读湖边茅舍<span ss="q">韵燕归应笑<span ss="q">句客中又还过社<span ss="q">韵
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宋人无填此词者,惟元《鸣鹤余音》,有于真人词一首,因词甚鄙俚,难以入谱参校,注明不录。
扬州慢 宋姜夔自度中吕宫曲。
扬州慢 <span ss="q">双调九十八字,前段十句四平韵,后段九句四平韵 姜 夔
淮左名都<span ss="q">句竹西佳处<span ss="q">句解鞍少驻初程<span ss="q">韵过春风十里<span ss="q">句尽荠麦青青<span ss="q">韵自戎马<span ss="q">读窥江去后<span ss="q">句废池乔
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木<span ss="q">句犹厌言兵<span ss="q">韵渐黄昏<span ss="q">读清角吹寒<span ss="q">句都在空城<span ss="q">韵 杜郎俊赏<span ss="q">句算而今<span ss="q">读重到须惊<span ss="q">韵纵豆蔻词
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工<span ss="q">句青楼梦好<span ss="q">句难赋深情<span ss="q">韵二十四桥仍在<span ss="q">句波心荡<span ss="q">读冷月无声<span ss="q">韵念桥边红药<span ss="q">句年年知为谁生<span ss="q">韵
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此词创自姜夔,应以此词为正体。赵以夫、李莱老词,俱如此填,若吴元可、郑觉斋词之句读小异,乃变格也。 按,李词,前段第三句“土花池冷无人”,池字平声;第五句“传暮革金城”,传字平声;第八句“肯堕珠尘”,肯字仄声;第九句“叹而今、杜郎还见”,郎字平声,见字仄声;后段第四句“绿屏梦杳”,绿字仄声。谱内可平可仄据此,余参吴、郑二词。 此词前段第四、五句,例作上一下四句法,如赵词“看冰花剪水,拥砌玉成球”,李词“听吹箫月底,传暮革金城”,皆然。
又一体 <span ss="q">双调九十八字,前段十句四平韵,后段九句四平韵 吴元可
露叶犹青<span ss="q">句岩花初动<span ss="q">句幽幽未似秋阴<span ss="q">韵似梅风<span ss="q">读带溽暑<span ss="q">句吹度长林<span ss="q">韵记当日<span ss="q">读西廊共月<span ss="q">句小屏轻
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扇<span ss="q">句人语凉深<span ss="q">韵对清觞<span ss="q">读醉笑醒颦<span ss="q">句何似如今<span ss="q">韵 临风欲赋<span ss="q">句甚年来<span ss="q">读渐减狂心<span ss="q">韵为谁倚多
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才<span ss="q">句难凭易感<span ss="q">句早付销沈<span ss="q">韵解事张郎风致<span ss="q">句鲈鱼好<span ss="q">读归听吴音<span ss="q">韵又夜阑闻笛<span ss="q">句故人忽到幽襟<span ss="q">韵
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此与姜词同,惟前段第四、五句,作六字一句、四字一句异。
又一体 <span ss="q">双调九十八字,前段十句四平韵,后段九句四平韵 郑觉斋
弄玉轻盈<span ss="q">句飞琼淡泞<span ss="q">句袜尘步下迷楼<span ss="q">韵试新妆才了<span ss="q">句炷沈水香球<span ss="q">韵记晓剪<span ss="q">读春冰驰送<span ss="q">句金瓶露
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湿<span ss="q">句缇骑新流<span ss="q">韵甚天中月色<span ss="q">句被风吹梦南州<span ss="q">韵 尊前相见<span ss="q">句似羞人<span ss="q">读踪迹萍浮<span ss="q">韵问弄雪飘
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枝<span ss="q">句无双亭上<span ss="q">句何日重游<span ss="q">韵我欲腰缠骑鹤<span ss="q">句烟霄远<span ss="q">读旧事悠悠<span ss="q">韵但凭阑无语<span ss="q">句烟花三月春愁<span ss="q">韵
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此与姜词同,惟前结作五字一句、六字一句异。按,詹正词,前结“付潇湘渔笛,吟残今古消沈”,正与此同。
舞杨花 宋张端义《贵耳集》云:慈宁殿赏牡丹,时椒房受册,三殿极欢,上洞达音律,自制曲,赐名《舞杨花》,停觞命小臣赋词,俾贵人歌以侑玉巵为寿,左右皆呼万岁。 按,此词载康与之乐府,或与之应制拟作也。
舞杨花 <span ss="q">双调九十八字,前段八句五平韵,后段九句五平韵 康与之
牡丹半坼初经雨<span ss="q">句雕槛翠幕朝阳<span ss="q">韵困倚东风<span ss="q">句羞谢了群芳<span ss="q">韵洗烟凝露向清晓<span ss="q">句步瑶台<span ss="q">读月底霓
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裳<span ss="q">韵轻笑淡拂宫黄<span ss="q">韵浅拟飞燕新妆<span ss="q">韵 杨柳啼鸦昼永<span ss="q">句正秋千庭馆<span ss="q">句风絮池塘<span ss="q">韵三十六宫<span ss="q">句
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簪艳粉浓香<span ss="q">韵慈宁玉殿庆清赏<span ss="q">句占东君<span ss="q">读谁比君王<span ss="q">韵良夜万烛荧煌<span ss="q">韵影里留住年光<span ss="q">韵
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此调止有此词,无别首可校。 前段第四句、后段第五句,作上一下四句法,前段第五句、后段第六句第五字,必用仄声字,方成拗体,填者辨之。
双双燕 调见《梅溪集》,词咏双燕,即以为名。
双双燕 <span ss="q">双调九十八字,前段九句五仄韵,后段十句七仄韵 史达祖
过春社了<span ss="q">句度帘幕中间<span ss="q">句去年尘冷<span ss="q">韵差池欲住<span ss="q">句试入旧巢相并<span ss="q">韵还相雕梁藻井<span ss="q">韵又软语<span ss="q">读商量不
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定<span ss="q">韵飘然快拂花梢<span ss="q">句翠尾分开红影<span ss="q">韵 芳径<span ss="q">韵芹泥雨润<span ss="q">韵爱贴地争飞<span ss="q">句竞夸轻俊<span ss="q">韵红楼归晚<span ss="q">句
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看足柳昏花暝<span ss="q">韵应是栖香正稳<span ss="q">韵便忘了<span ss="q">读天涯芳信<span ss="q">韵愁损翠黛双蛾<span ss="q">句日日画阑独凭<span ss="q">韵
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此词平仄,参下吴词,惟前段老二句、后段第三句句法参差,因不校注。
又一体 <span ss="q">双调九十八字,前段九句四仄韵,后段十句七仄韵 吴文英
小桃谢后<span ss="q">句双双燕<span ss="q">句飞来几家庭户<span ss="q">韵轻烟晓暝<span ss="q">句湘水暮云遥度<span ss="q">韵帘外余寒未卷<span ss="q">句共斜入<span ss="q">读红楼深
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处<span ss="q">韵相将占得雕梁<span ss="q">句似约韶光留住<span ss="q">韵 堪举<span ss="q">韵翩翩翠羽<span ss="q">韵杨柳岸<span ss="q">句泥香半和梅雨<span ss="q">韵落花风软<span ss="q">句
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戏逐乱红飞舞<span ss="q">韵多少呢喃意绪<span ss="q">韵尽日向<span ss="q">读流莺分诉<span ss="q">韵还怜又过短墙<span ss="q">句谁会万千言语<span ss="q">韵
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此与史词同,惟前段第二句三字、第三句六字,后段第三句三字、第四句六字异。
孤 鸾 调见朱敦儒《太平樵唱》。
孤 鸾 <span ss="q">双调九十八字,前后段各九句,五仄韵 朱敦儒
天然标格<span ss="q">韵是小萼堆红<span ss="q">句芳姿凝白<span ss="q">韵淡伫新妆<span ss="q">句浅点寿阳宫额<span ss="q">韵东君相留厚意<span ss="q">句借年年<span ss="q">读与传消
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息<span ss="q">韵昨日前村雪里<span ss="q">句有一枝先坼<span ss="q">韵 念故人<span ss="q">读何处水云隔<span ss="q">韵纵驿使相逢<span ss="q">句难寄春色<span ss="q">韵试问丹青
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手<span ss="q">句是怎生描得<span ss="q">韵晓来一番雨过<span ss="q">句更那堪<span ss="q">读数声羌笛<span ss="q">韵归来和羹未晚<span ss="q">句劝行人休摘<span ss="q">韵
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此调始见《太平樵唱》,故首编此词,而以马词、赵词、张词类列。 此词前后段结句,例作上一下四句法,填者辨之。 按,张榘词,前后段第一句“塞鸿来早”,塞字仄声;第五句“一点阳和先到”,阳字平声;后段第一句“算巡檐、索共梅花笑”,索字仄声;第二句“是千古风流”,千字平声。谱内可平可仄据此,余参后诸词。
又一体 <span ss="q">双调九十八字,前后段各九句,五仄韵 马庄父
沙堤香软<span ss="q">韵正宿雨初收<span ss="q">句落梅飘满<span ss="q">韵可奈东风<span ss="q">句暗逐马蹄轻卷<span ss="q">韵湖波又还涨绿<span ss="q">句粉墙阴<span ss="q">读日融烟
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暖<span ss="q">韵蓦地刺桐枝上<span ss="q">句有一声春唤<span ss="q">韵 任酒帘<span ss="q">读飞动画楼晚<span ss="q">韵便指数烧灯<span ss="q">句时节非远<span ss="q">韵陌上叫
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声<span ss="q">句好是卖花行院<span ss="q">韵玉梅对妆雪柳<span ss="q">句闹蛾儿<span ss="q">读象生娇颤<span ss="q">韵归去争先戴取<span ss="q">句倚宝钗双燕<span ss="q">韵
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此与朱词同,惟前后段第四句四字、第五句五字异。
又一体 <span ss="q">双调九十八字,前后段各九句,五仄韵 赵以夫
江头春早<span ss="q">韵问江上寒梅<span ss="q">句占春多少<span ss="q">韵自照疏星冷<span ss="q">句只许春风到<span ss="q">韵幽香不知甚处<span ss="q">句但迢迢<span ss="q">读满河烟
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草<span ss="q">韵回首谁家竹外<span ss="q">句有一枝斜好<span ss="q">韵 计当年<span ss="q">读曾共花前笑<span ss="q">韵念玉雪襟期<span ss="q">句有谁知道<span ss="q">韵唤起罗浮
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梦<span ss="q">句正参横月小<span ss="q">韵凄凉更吹塞管<span ss="q">句漫相思<span ss="q">读鬓边惊老<span ss="q">韵待觅西湖半曲<span ss="q">句待霜天清晓<span ss="q">韵
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此即马词体,惟前后段第四、五句,俱作五字两句异。
又一体 <span ss="q">双调九十八字,前段九句五仄韵,后段十句五仄韵 张 榘
荆溪清晓<span ss="q">韵问昨夜南枝<span ss="q">句几分春到<span ss="q">韵一点幽芳<span ss="q">句不待陇头音耗<span ss="q">韵亭亭水边月下<span ss="q">句胜人间<span ss="q">读等闲花
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草<span ss="q">韵此际风流谁似<span ss="q">句有孏窝诗老<span ss="q">韵 且向虚檐<span ss="q">句淡然索笑<span ss="q">韵任雪压霜欺<span ss="q">句精神越好<span ss="q">韵最喜庭除
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下<span ss="q">句映紫兰娇小<span ss="q">韵孤山好寻旧约<span ss="q">句况和羹<span ss="q">读用功宜早<span ss="q">韵移傍玉阶深处<span ss="q">句趁天香缭绕<span ss="q">韵
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此即朱词体,惟换头作四字两句异。
云仙引 冯伟寿自度曲,原注夹钟商。
云仙引 <span ss="q">双调九十八字,前段十句四平韵,后段十一句五平韵 冯伟寿
紫凤台旁<span ss="q">句红鸾镜里<span ss="q">句馡馡几度秋馨<span ss="q">韵黄金重<span ss="q">句绿云轻<span ss="q">韵丹砂鬓边滴粟<span ss="q">句翠叶玲珑烟剪成<span ss="q">韵含笑
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出帘<span ss="q">句月香满袖<span ss="q">句天雾萦身<span ss="q">韵 年时花下逢迎<span ss="q">韵有游女<span ss="q">读翩翩如五云<span ss="q">韵乱掷芳英<span ss="q">句为簪斜朵<span ss="q">句
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事事关心<span ss="q">韵长向金风<span ss="q">句一枝在手<span ss="q">句嗅蕊悲歌双黛颦<span ss="q">韵绕临溪树<span ss="q">句对初弦月<span ss="q">句露下更深<span ss="q">韵
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此调只有此词,无别首可校。
玲珑玉 调见凤林书院元词,姚云文自度曲。
玲珑玉 <span ss="q">双调九十八字,前段九句五平韵,后段十句四平韵 姚云文
开岁春迟<span ss="q">句早赢得<span ss="q">读一白萧萧<span ss="q">韵风窗淅簌<span ss="q">句梦惊鸳帐春娇<span ss="q">韵是处貂裘透暖<span ss="q">句任尊前回舞<span ss="q">句红倦柔
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腰<span ss="q">韵今朝<span ss="q">韵亏陶家<span ss="q">读茶鼎寂寥<span ss="q">韵 料得东皇戏剧<span ss="q">句怕蛾儿街柳<span ss="q">句先斗元宵<span ss="q">韵宇宙低迷<span ss="q">句倩谁
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分<span ss="q">读浅凸深凹<span ss="q">韵休嗟空花无据<span ss="q">句便真个<span ss="q">读琼雕玉琢<span ss="q">句总是虚飘<span ss="q">韵且沈醉<span ss="q">句趁楼头<span ss="q">读零片未消<span ss="q">韵
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此调只有此词,无别首可校。 一本于“且沈醉”上多叠“虚飘”二字,今从凤林书院词订正。
陌上花 《东坡词话》:钱塘人好唱《陌上花》,缓缓曲,盖吴越王遗事也。调名取此。
陌上花 <span ss="q">双调九十八字,前后段各八句,四仄韵 张 翥
关山梦里归来<span ss="q">句还又岁华催晚<span ss="q">韵马影鸡声<span ss="q">句谙尽倦游荒馆<span ss="q">韵绿笺密
寄多情事<span ss="q">句一看一回肠断<span ss="q">韵
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待殷勤<span ss="q">读寄与旧游莺燕<span ss="q">句水流云散<span ss="q">韵 满罗衫<span ss="q">读是酒痕凝处<span ss="q">句唾碧啼红相半<span ss="q">韵只恐梅花<span ss="q">句瘦倚
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夜寒谁暖<span ss="q">韵不成便没相逢日<span ss="q">句重整钗鸾筝雁<span ss="q">韵但何郎<span ss="q">读纵有春风词笔<span ss="q">句病怀浑懒<span ss="q">韵
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此调只此一词,无别首可校。
福寿千春 调见《花草粹编》。
福寿千春 <span ss="q">双调九十八字,前段十句五仄韵,后段十一句五仄韵 卢 挚
柳暗三眠<span ss="q">句蓂翻七荚<span ss="q">韵禀昴萧生时叶<span ss="q">韵信道凤毛池上种<span ss="q">句却胜河东鸑鷟<span ss="q">韵笃志典坟经旨<span ss="q">句素得
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欧阳学<span ss="q">韵妙文章<span ss="q">句赴飞黄<span ss="q">句姓名即登雁塔<span ss="q">韵 要成发轫勋业<span ss="q">韵便先教济川<span ss="q">句整顿舟楫<span ss="q">韵兆朕
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于今<span ss="q">句须从此超迁<span ss="q">句荣膺异渥<span ss="q">韵它日趣装事<span ss="q">句待还乡欢洽<span ss="q">韵颂椒觞<span ss="q">句祝遐算<span ss="q">句寿同龟鹤<span ss="q">韵
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此调只此一词,无别首可校。 前段第三句“禀昴萧生”,盖用萧何禀昴星之精,坊本以“萧”字为“肃”者误。
夏日燕黉堂 调见《乐府雅词》。
夏日燕黉堂 <span ss="q">双调九十八字,前后段各十句,五平韵 <span ss="q">《乐府雅词》无名氏
日初长<span ss="q">韵正园林换叶<span ss="q">句瓜李飘香<span ss="q">韵帘外雨过<span ss="q">句送一霎微凉<span ss="q">韵萍芜径曲凝珠颗<span ss="q">句衬汀沙<span ss="q">读细簇蜂
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房<span ss="q">韵被晚风轻飐<span ss="q">句圆荷翻水<span ss="q">句泼觉鸳鸯<span ss="q">韵 此景最难忘<span ss="q">韵趁芳樽泛蚁<span ss="q">句筠簟铺湘<span ss="q">韵兰舟棹
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稳<span ss="q">句倚何处垂杨<span ss="q">韵岂能文字成狂饮<span ss="q">句更红裙<span ss="q">读间也何妨<span ss="q">韵任醉归明月<span ss="q">句虾须帘卷<span ss="q">句几线余霜<span ss="q">韵
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此词平仄参下赵词。
又一体 <span ss="q">双调九十九字,前后段各十句,五平韵 赵必象
赤城中<span ss="q">韵奏鹤笙一曲<span ss="q">句玉佩丁东<span ss="q">韵蒲节后七日<span ss="q">句宴翠阆琼宫<span ss="q">韵年年王母来称寿<span ss="q">句醉蟠桃<span ss="q">读几度东
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风<span ss="q">韵簇花间五马<span ss="q">句轻裘短帽<span ss="q">句雪鬓吟翁<span ss="q">韵 魁宿耀三雍<span ss="q">韵曾归车共载<span ss="q">句非虎非熊<span ss="q">韵急流勇退<span ss="q">句
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渊底卧骊龙<span ss="q">韵山中不用官三品<span ss="q">句垫角巾<span ss="q">读人慕林宗<span ss="q">韵记亳州旧事<span ss="q">句画鸱夷子<span ss="q">句献与茶公<span ss="q">韵
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·
此与无名氏词同,惟前段第四句添一字异。
水晶帘 调见《翰墨全书》。
水晶帘 <span ss="q">双调九十八字,前后段各十句,五仄韵 <span ss="q">《翰墨全书》无名氏
谁道秋期远<span ss="q">韵计旬浃<span ss="q">读双星相见<span ss="q">韵雨足西帘<span ss="q">句正玉井莲开<span ss="q">句几筵初展<span ss="q">韵麈尾呼风袢暑净<span ss="q">句那更
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著<span ss="q">读纶巾羽扇<span ss="q">韵殢清歌<span ss="q">句不记杯行<span ss="q">句任深任浅<span ss="q">韵 湖边小池苑<span ss="q">韵渐苔痕草色<span ss="q">句青青如染<span ss="q">韵辨
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橘中荷屋<span ss="q">句晚方自占<span ss="q">韵蜗角虚名身外事<span ss="q">句付骰子<span ss="q">读纷纷戏选<span ss="q">韵喜时平<span ss="q">句公道开明<span ss="q">句话头正转<span ss="q">韵
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·
此调只此一词,无别首可校。
三部乐 调见东坡词。按,《唐书·礼乐志》:明皇分乐为二部,堂下立奏,谓之立部伎;堂上坐奏,谓之坐部伎;又酷爱法曲,选坐部伎弟子子弟三百,教于梨园,为法曲部。三部之名,疑出于此。
三部乐 <span ss="q">双调九十九字,前段十句五仄韵,后段九句六仄韵 苏 轼
美人如月<span ss="q">韵乍见掩暮云<span ss="q">句更增妍绝<span ss="q">韵算应无恨<span ss="q">句安用阴晴圆缺<span ss="q">韵娇羞甚<span ss="q">读空只成愁<span ss="q">句待下床又
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懒<span ss="q">句未语先咽<span ss="q">韵数日不来<span ss="q">句落尽一庭红叶<span ss="q">韵 今朝猛起置酒<span ss="q">句问为谁减动<span ss="q">句一分香雪<span ss="q">韵何事
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散花却病<span ss="q">句维摩无疾<span ss="q">韵却低眉<span ss="q">读惨然不答<span ss="q">韵唱金缕<span ss="q">读一声怨切<span ss="q">韵堪折便折<span ss="q">韵且惜取<span ss="q">读少年花发<span ss="q">韵
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此词前段起句、后段第八句,俱用韵,宋人无如此填者,故谱内可平可仄,详注周词之下,以有方、杨和词及陈亮、吴文英两词可校也。
又一体 <span ss="q">双调九十九字,前段十句四仄韵,后段九句五仄韵 周邦彦
浮玉飞琼<span ss="q">句向邃馆静轩<span ss="q">句倍增清绝<span ss="q">韵夜窗垂练<span ss="q">句何用交光明月<span ss="q">韵近闻道<span ss="q">读官阁多梅<span ss="q">句趁暗香未
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远<span ss="q">句冻蕊初发<span ss="q">韵倩谁折取<span ss="q">句寄赠情人桃叶<span ss="q">韵 回文近传锦字<span ss="q">句道为君瘦损<span ss="q">句是人都说<span ss="q">韵祗知
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染红著手<span ss="q">句膠梳黏发<span ss="q">韵转思量<span ss="q">读镇长堕睫<span ss="q">韵都只为<span ss="q">读情深意切<span ss="q">韵欲报消息<span ss="q">句无一句<span ss="q">读堪喻愁结<span ss="q">韵
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此词前段起句、后段第八句,俱不用韵,宋人俱如此填。 按,陈亮词,前段第二句“但三满三平”,两三字俱平声;第四句“人中龙虎”,人字平声;第六句“只合是端坐王朝”,合字仄声;结句“聊过旧家宫室”,聊字平声;后段第二句“把征衫著上”,征字平声,谱内可平可仄据此,余参苏、方、吴三词。
又一体 <span ss="q">双调九十九字,前段十句四仄韵,后段九句五仄韵 方千里
帘卷窗明<span ss="q">句听杜宇乍啼<span ss="q">句漏声初绝<span ss="q">韵乱云收尽<span ss="q">句天际留残月<span ss="q">韵奈相送<span ss="q">读行客将归<span ss="q">句怅去程渐促<span ss="q">句
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霁色催发<span ss="q">韵断魂别浦<span ss="q">句自上孤舟如叶<span ss="q">韵 悠悠音信易隔<span ss="q">句纵怨怀恨语<span ss="q">句到见时难说<span ss="q">韵堪嗟水
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流急景<span ss="q">句霜飞华发<span ss="q">韵想家山<span ss="q">读路穷望睫<span ss="q">韵空倚杖<span ss="q">读魂亲梦切<span ss="q">韵不似嫩朵<span ss="q">句犹能替<span ss="q">读离绪千结<span ss="q">韵
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·
此和周邦彦词,惟前段第五句减一字,后段第三句添一字异。按,杨泽民词,前段第五句“正是甤宾月”,后段第二、三句“试寻双寄意,向丽人低说”,与此同。
又一体 <span ss="q">双调九十九字,前段十句四仄韵,后段九句五仄韵 吴文英
江鶂初飞<span ss="q">句荡万里素云<span ss="q">句霁空如沐<span ss="q">韵
咏情吟思<span ss="q">句不在秦筝金屋<span ss="q">韵夜潮上<span ss="q">读明月芦花<span ss="q">句傍钓蓑梦
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远<span ss="q">句句清敲玉<span ss="q">韵翠罂汲晓<span ss="q">句欸乃一声秋曲<span ss="q">韵 片篷障雨乘风<span ss="q">句半竿渭水<span ss="q">句伴鹭汀幽宿<span ss="q">韵那知暖
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袍挟锦<span ss="q">句低帘笼烛<span ss="q">韵鼓春波<span ss="q">读载花万斛<span ss="q">韵帆鬣转<span ss="q">读银河可掬<span ss="q">韵风定浪息<span ss="q">句苍茫外<span ss="q">读天浸寒绿<span ss="q">韵
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·
此与周词同,惟前段第二句四字,第三句五字异。
梦扬州 宋秦观自制曲,取词中结句为名。
梦扬州 <span ss="q">双调九十九字,前后段各十句,五平韵 秦 观
晚云收<span ss="q">韵正柳塘花坞<span ss="q">句烟雨初休<span ss="q">韵燕子未归<span ss="q">句恻恻轻寒如秋<span ss="q">韵小阑干外东风软<span ss="q">句透绣帏<span ss="q">读阴密香
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稠<span ss="q">韵江南远<span ss="q">句人今何处<span ss="q">句鹧鸪啼破春愁<span ss="q">韵 长记曾陪燕游<span ss="q">韵酬妙舞清歌<span ss="q">句丽锦缠头<span ss="q">韵殢酒困
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花<span ss="q">句十载因谁淹留<span ss="q">韵醉鞭拂面归来晚<span ss="q">句望翠楼<span ss="q">读帘卷金钩<span ss="q">韵佳会阻<span ss="q">句离情正乱<span ss="q">句频梦扬州<span ss="q">韵
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·
此调只此一词,无别首可校。 汲古阁本,起结皆有脱误,今依《词纬》订正。