卷二十五

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">二十五调五十五体,


    起九十六字至九十七字


    塞垣春四体


    望云间一体


    步 月二体


    早梅香一体


    八声甘州七体<span ss="q">又名甘州、萧萧雨、宴瑶池


    迷神引二体


    醉蓬莱二体<span ss="q">又名雪月交光、冰玉风月


    凤凰台上忆吹箫六体<span ss="q">又名忆吹箫


    夜合花五体


    采明珠一体


    庆清朝四体<span ss="q">又名庆清朝慢


    黄鹂绕碧树一体


    帝台春一体


    瑶台第一层三体


    暗 香二体<span ss="q">又名红情


    梦芙蓉一体


    西子妆慢一体


    玉京谣一体


    被花恼一体


    绿盖舞风轻一体


    月边娇一体


    松梢月一体


    四槛花一体


    长亭怨慢四体


    玉簟凉一体


    塞垣春  调见《片玉词》。


    塞垣春<span ss="q"> 双调九十六字,前段九句六仄韵,后段八句四仄韵          周邦彦


    暮色分平野<span ss="q">韵傍苇岸<span ss="q">读征帆卸<span ss="q">韵烟村极浦<span ss="q">句树藏孤馆<span ss="q">句秋景如画<span ss="q">韵渐别离气味难禁也<span ss="q">韵更物象<span ss="q">读


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    供潇洒<span ss="q">韵念多才<span ss="q">读浑衰减<span ss="q">句一怀幽恨难写<span ss="q">韵  追念绮窗人<span ss="q">句天然自<span ss="q">读风韵闲雅<span ss="q">韵竟夕起相思<span ss="q">句


    ○○● ●○○ ○○● ●○○●○●   ⊙●●○○ ○○● ○●○● ●●●○○


    漫嗟怨遥夜<span ss="q">韵又还将<span ss="q">读两袖珠泪<span ss="q">句沈吟向<span ss="q">读寂寥寒灯下<span ss="q">韵玉骨为多感<span ss="q">句瘦来无一把<span ss="q">韵


    ◎○●○● ●○○ ◎●○● ○○● ●○○○● ◎●●○● ●○○●●


    ·


    此调以此词为正体,若方、杨和词之减字,吴词之添字,皆变体也。 按,陈允平词,与此句韵悉同,惟后段第四句“啼螀叹凉夜”,不作上一下四句法,其“啼”字平声,亦与此异。其余可平可仄,悉校方、杨、吴三词。 吴词,后段第二句“看争拜东风”,因与此词字句不同,故不参校平仄。


    又一体<span ss="q"> 双调九十五字,前段九句六仄韵,后段八句四仄韵          方千里


    四远天垂野<span ss="q">韵向晚景<span ss="q">读雕鞍卸<span ss="q">韵吴蓝滴草<span ss="q">句塞绵藏柳<span ss="q">句风物堪画<span ss="q">韵对雨收雾霁初晴也<span ss="q">韵正陌上<span ss="q">读


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    烟光洒<span ss="q">韵听黄鹂<span ss="q">读啼红树<span ss="q">句短长音如写<span ss="q">韵  怀抱几多愁<span ss="q">句年时趁<span ss="q">读欢会幽雅<span ss="q">韵尽日足相思<span ss="q">句奈


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    春昼难夜<span ss="q">韵念征尘<span ss="q">读堆满襟袖<span ss="q">句那堪更<span ss="q">读独游花阴下<span ss="q">韵一别鬓毛减<span ss="q">句镜中霜满把<span ss="q">韵


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    ·


    此与周词同,惟前段结句减一字异。《词律》谓此句必脱一字,但按杨泽民词,亦作五字句,或宋人另有此体,故为编入。


    又一体<span ss="q"> 双调九十五字,前段九句六仄韵,后段九句四仄韵          杨泽民


    绣阁临芳野<span ss="q">韵向晚把<span ss="q">读花枝卸<span ss="q">韵奇容艳质<span ss="q">句世间寻觅<span ss="q">句除是图画<span ss="q">韵这欢娱已系人心也<span ss="q">韵更翰墨<span ss="q">读


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    亲挥洒<span ss="q">韵展蛮笺<span ss="q">读明窗底<span ss="q">句把心事都写<span ss="q">韵  谢女与檀郎<span ss="q">句清才对真态俱雅<span ss="q">韵凤枕乐春宵<span ss="q">句绛帷


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    度秋夜<span ss="q">韵便同云黯淡<span ss="q">句冰霰纵横<span ss="q">句也共眠<span ss="q">读鸳衾下<span ss="q">韵假使过炎暑<span ss="q">句共将罗帕把<span ss="q">韵


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    ·


    此亦与周词同,惟前段结句减一字,后段第五、六句作五字、四字、六字三句异。


    又一体<span ss="q"> 双调九十八字,前段九句六仄韵,后段十句四仄韵          吴文英


    漏瑟侵琼管<span ss="q">韵润鼓借<span ss="q">读烘炉暖<span ss="q">韵藏钩怯冷<span ss="q">句画鸡临晓<span ss="q">句邻语莺啭<span ss="q">韵殢绿窗<span ss="q">读细咒浮梅盏<span ss="q">韵换蜜


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    炬<span ss="q">读花心短<span ss="q">韵梦惊回<span ss="q">读林鸦起<span ss="q">句曲屏春事天远<span ss="q">韵   迎路柳丝裙<span ss="q">句看争拜东风<span ss="q">句盈灞桥岸<span ss="q">韵


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    髻落宝钗寒<span ss="q">句恨花胜迟燕<span ss="q">韵渐街帘影转<span ss="q">句还似新年<span ss="q">句过邮亭<span ss="q">读一相见<span ss="q">韵南陌又灯火<span ss="q">句绣囊尘香


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    浅<span ss="q">韵


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    ·


    此亦与周词同,惟后段第二句添二字,作五字一句、四字一句,其第五、六句,亦作五字、四字、六字三句异。 后段结句“香”字平声,查别首宋词,此字俱用仄声,恐非定格,故周词不注可平。


    望云间  调见《翰墨全书》,赵可登代州南楼,自度此腔。


    望云间<span ss="q"> 双调九十六字,前后段各十句,四平韵               赵 可


    云朔南陲<span ss="q">句全赵宝符<span ss="q">句河山襟带名藩<span ss="q">韵有朱楼缥缈<span ss="q">句千雉回旋<span ss="q">韵云度飞孤绝险<span ss="q">句天围紫塞高寒<span ss="q">韵


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    吊兴亡遗迹<span ss="q">句咫尺西陵<span ss="q">句烟树苍然<span ss="q">韵  时移事改<span ss="q">句极目春心<span ss="q">句不堪独倚危阑<span ss="q">韵惟是年年飞雁<span ss="q">句


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    霜雪知还<span ss="q">韵楼上四时长好<span ss="q">句人生一世谁闲<span ss="q">韵故人有酒<span ss="q">句一尊高兴<span ss="q">句不减东山<span ss="q">韵


    ○●○○ ○●●○○● ○○●●○○ ●○●● ●○○● ●●○○


    ·


    此调惟此一词,无别首可校。


    步 月  此调有平韵、仄韵两体。平韵者,见史达祖《梅溪词》;仄韵者,见施岳《梅川词》。


    步 月<span ss="q"> 双调九十六字,前段九句四平韵,后段十句五平仄韵         史达祖


    剪柳章台<span ss="q">句问梅东阁<span ss="q">句醉中携手初归<span ss="q">韵逗香帘下<span ss="q">句瑞璨缕金衣<span ss="q">韵正依约<span ss="q">读冰丝射眼<span ss="q">句更荏苒<span ss="q">读蟾


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    玉西飞<span ss="q">韵轻尘外<span ss="q">读双鸳细蹙<span ss="q">句谁赋洛滨妃<span ss="q">韵  霏霏<span ss="q">韵红雾绕<span ss="q">句步摇共鬓影<span ss="q">句吹入花围<span ss="q">韵管弦将


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    散<span ss="q">句人静烛笼稀<span ss="q">韵泥私语<span ss="q">读香樱乍破<span ss="q">句怕夜寒<span ss="q">读罗袜先知<span ss="q">韵归来也<span ss="q">句相偎未肯入重帏<span ss="q">韵


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    ·


    此词押平韵,前结七字一句、五字一句,后结三字一句、七字一句,换头句藏短韵,较仄韵词多二字,前段少押一韵。


    又一体<span ss="q"> 双调九十四字,前后段各九句,五仄韵               施 岳


    玉宇薰风<span ss="q">句宝阶明月<span ss="q">韵翠丛万点晴雪<span ss="q">韵炼霜不就<span ss="q">句散广寒霏屑<span ss="q">韵采珠蓓<span ss="q">读绿萼露滋<span ss="q">句嗔银艳<span ss="q">读小


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    莲冰洁<span ss="q">韵花魂在<span ss="q">读纤指嫩痕<span ss="q">句素英重结<span ss="q">韵  枝头香未绝<span ss="q">韵还是过中秋<span ss="q">句丹桂时节<span ss="q">韵醉乡冷境<span ss="q">句


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    怕翻成消歇<span ss="q">韵玩芳味<span ss="q">读春焙旋熏<span ss="q">句贮秾韵<span ss="q">读水沈频爇<span ss="q">韵堪怜处<span ss="q">句输与夜凉睡蝶<span ss="q">韵


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    ·


    此词押仄韵,前结七字一句、四字一句,后结三字一句、六字一句,较平韵词少两字,前段次句押韵,换头句不押短韵,而押于句末,较平韵词多一韵。


    早梅香  调见《梅苑》,因词中有“探得早梅”及“乱飞香雪”句,故名。


    早梅香<span ss="q"> 双调九十六字,前段十一句四仄韵,后段十句四仄韵      <span ss="q">《梅苑》无名氏


    北帝收威<span ss="q">句又探得早梅<span ss="q">句漏春消息<span ss="q">韵粉蕊琼苞<span ss="q">句拟将胭脂<span ss="q">句轻染颜色<span ss="q">韵素质盈盈<span ss="q">句终不许<span ss="q">读雪霜


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    欺得<span ss="q">韵奈化工<span ss="q">句偏宜赋与<span ss="q">句寿阳妆饰<span ss="q">韵   独自逞冰姿<span ss="q">句比夭桃繁杏殊别<span ss="q">韵为报山翁<span ss="q">句逢此有


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    花<span ss="q">句樽前且须攀折<span ss="q">韵醉赏吟恋<span ss="q">句莫辜负<span ss="q">读好天风月<span ss="q">韵恐笛声悲<span ss="q">句纷纷便似<span ss="q">句乱飞香雪<span ss="q">韵


    ○ ○○●○○● ●●○● ●○● ●○○● ●●○○ ○○●● ●○○●


    ·


    此调只此一词,无别首可校。


    八声甘州  《碧鸡漫志·甘州》,仙吕调,有曲破,有八声,有慢,有令。按,此调前后段八韵,故名《八声》,乃慢词也,与《甘州遍》之曲破,《甘州子》之令词不同。《乐章集》亦注仙吕调。周密词名《甘州》;张炎词因柳词有“对萧萧暮雨洒江天”句,更名《萧萧雨》;白朴词,名《宴瑶池》。


    八声甘州<span ss="q"> 双调九十七字,前后段各九句,四平韵             柳 永


    对潇潇暮雨洒江天<span ss="q">句一番洗清秋<span ss="q">韵渐霜风凄紧<span ss="q">句关河冷落<span ss="q">句残照当楼<span ss="q">韵是处红衰翠减<span ss="q">句苒苒物


    ●⊙○◎●●○○ ◎⊙●○○ ●⊙○⊙● ⊙○◎● ⊙●○○ ◎●⊙○◎● ◎●●


    华休<span ss="q">韵惟有长江水<span ss="q">句无语东流<span ss="q">韵  不忍登高临远<span ss="q">句望故乡渺渺<span ss="q">句归思难收<span ss="q">韵叹年来踪迹<span ss="q">句何


    ○○ ⊙●⊙○● ⊙●○○   ◎●⊙○⊙● ●◎○◎● ⊙●○○ ●⊙○⊙● ⊙


    事苦淹留<span ss="q">韵想佳人<span ss="q">读妆楼长望<span ss="q">句误几回<span ss="q">读天际识归舟<span ss="q">韵争知我<span ss="q">读倚阑干处<span ss="q">句正恁凝愁<span ss="q">韵


    ●●○○ ●⊙⊙ ⊙●⊙● ●◎○ ⊙●●○○ ○○● ◎○⊙● ◎●○○


    ·


    此调以此词为正体,若张词之添声,刘过以下五词之减字,皆变体也。 按,此词后段第六句,作上三下四句法,宋词俱照此填,惟程垓词“纵使梁园赋犹在”,句法异,注明不另录。 周密词,前段起二句“渐萋萋芳草绿江南,轻晖弄春容”芳字平声;后段起句“还是春光梦晓”,还字平声,谱内可平据此,其余平仄,悉参所采六词。 萧词,前段起句“可怜生飘零到酴醿”,零字平声;郑词,后段第四句“赖东君能容”,容字平声,与诸家不同,此自成一体,谱内不注可平。


    又一体<span ss="q"> 双调九十七字,前段九句五平韵,后段九句四平韵          张 炎


    记玉关踏雪事清游<span ss="q">韵寒气脆貂裘<span ss="q">韵傍枯林古道<span ss="q">句长河饮马<span ss="q">句此意悠悠<span ss="q">韵短梦依然江表<span ss="q">句老泪洒


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    西州<span ss="q">韵一字无题处<span ss="q">句落叶都愁<span ss="q">韵  载取白云归去<span ss="q">句问谁留楚佩<span ss="q">句弄影中洲<span ss="q">韵折芦花赠远<span ss="q">句零


    ○○ ●●○○● ●●○○   ●●●○○● ●○○●● ●●○○ ●○○●● ○


    落一身秋<span ss="q">韵向寻常<span ss="q">读野桥流水<span ss="q">句待招来<span ss="q">读不是旧沙鸥<span ss="q">韵空怀感<span ss="q">读有斜阳处<span ss="q">句却怕登楼<span ss="q">韵


    ●●○○ ●○○ ●○○● ●○○ ●●●○○ ○○● ●○○● ●●○○


    ·


    此与柳词同,惟前段起句押韵异。


    又一体<span ss="q"> 双调九十五字,前段八句四平韵,后段九句四平韵          刘 过


    问紫岩去后汉公卿<span ss="q">句不知几貂蝉<span ss="q">韵谁能借留侯箸<span ss="q">句著祖生鞭<span ss="q">韵依旧尘沙万里<span ss="q">句河洛黯风烟<span ss="q">韵谁


    ●●○●●●○○ ●○●○○ ○○●○○● ●●○○ ○●○○●● ○●●○○ ○


    识道山客<span ss="q">句衣钵曾传<span ss="q">韵   共记玉堂对策<span ss="q">句欲先明大义<span ss="q">句次第筹边<span ss="q">韵况重湖八桂<span ss="q">句袖手已多


    ●●○● ○●○○    ●●●○●● ●○○●● ●●○○ ●○○●● ●●●○


    年<span ss="q">韵望中原<span ss="q">读驱驰去也<span ss="q">句拥十州<span ss="q">读牙纛正翩翩<span ss="q">韵春风早<span ss="q">读看东南王气<span ss="q">句飞绕星躔<span ss="q">韵


    ○ ●○○ ○○●● ●●○ ○●●○○ ○○● ●○○●● ○●○○


    ·


    此与柳词同,惟前段第三、四句减三字,作六字一句,后段第八句添一字、作八字句异。


    又一体<span ss="q"> 双调九十五字,前后段各九句,四平韵              汤 恢


    摘青梅荐酒<span ss="q">句甚残寒<span ss="q">读犹怯苎萝衣<span ss="q">韵正柳腴花瘦<span ss="q">句绿云冉冉<span ss="q">句红雪霏霏<span ss="q">韵隔屋秦筝依约<span ss="q">句谁品春


    ●○○●● ●○○ ○●●○○ ●●○○● ●○●● ○●○○ ●●○○○● ○●○


    词<span ss="q">韵回首繁华梦<span ss="q">句流水斜晖<span ss="q">韵  寄隐孤山山下<span ss="q">句但一瓢饮水<span ss="q">句深掩苔扉<span ss="q">韵羡青山有思<span ss="q">句白鹤忘


    ○ ○●○○● ○●○○   ●●○○○● ●●○●● ○●○○ ●○○●● ●●○


    机<span ss="q">韵怅年华<span ss="q">读不禁搔首<span ss="q">句又天涯<span ss="q">读弹泪送春归<span ss="q">韵销魂远<span ss="q">读千山啼鴃<span ss="q">句十里酴醿<span ss="q">韵


    ○ ●○○ ●○○● ●○○ ○●●○○ ○○● ○○○● ●●○○


    ·


    此与柳词同,惟前段第一句五字,第二句八字,第七句减一字、作四字句,后段第五句亦减一字、作四字句异。


    又一体<span ss="q"> 双调九十五字,前段九句四平韵,后段十句四平韵          萧 列


    可怜生<span ss="q">读飘零到酴醿<span ss="q">句依然旧销魂<span ss="q">韵残春几许<span ss="q">句风风雨雨<span ss="q">句客里又黄昏<span ss="q">韵无奈一江烟雾<span ss="q">句腥浪卷


    ●○○ ○○●○○ ○○●○○ ○○●● ○○●● ●●●○○ ○●●○○● ○●●


    河豚<span ss="q">韵身世忽如叶<span ss="q">句那是清晖<span ss="q">韵  莫厌悲歌笑语<span ss="q">句奈天涯有梦<span ss="q">句白发无根<span ss="q">韵怕相思别后<span ss="q">句无字


    ○○ ○●●○● ●●○○   ●●○○●● ●○○●● ●●○○ ●○○●● ○●


    写回文<span ss="q">韵更月明洲渚<span ss="q">句杜鹃声里<span ss="q">句立向临分<span ss="q">韵三生石<span ss="q">读情缘千里<span ss="q">句风月柴门<span ss="q">韵


    ●○○ ●●○○● ●○○● ●●○○ ○○● ○○○● ○●○○


    ·


    此亦与柳词同,惟前段第三句减一字,第五句添一字,后段第六、七句减二字,作五字一句、四字两句异。


    又一体<span ss="q"> 双调九十八字,前段九句五平韵,后段九句四平韵          姚云文


    卷丝丝<span ss="q">读雨织半晴天<span ss="q">韵棹歌发清舷<span ss="q">韵甚苍虯怒跃<span ss="q">句灵鼍急吼<span ss="q">句云涌平川<span ss="q">韵楼外榴裙几点<span ss="q">句描破绿


    ●○○ ●●●○○ ●○●○○ ●○○●● ○○●● ○●○○ ○●○○●● ○●●


    杨烟<span ss="q">韵把画罗遥指<span ss="q">句助啸争先<span ss="q">韵  憔悴潘郎<span ss="q">句曾记得<span ss="q">读青龙千舸<span ss="q">句采石矶边<span ss="q">韵叹内家帖子<span ss="q">句闲


    ○○ ●●○○● ●●○○   ○●○○ ○●● ○○○● ●●○○ ●●○●● ○


    却缕金笺<span ss="q">韵觉素标<span ss="q">读插头如许<span ss="q">句尽风情<span ss="q">读终不似斗赢船<span ss="q">韵人声断<span ss="q">读云斋半掩<span ss="q">句月印枯禅<span ss="q">韵


    ●●○○ ●●○ ●○○● ●○○ ○●●●○○ ○○● ○○●● ●●○○


    ·


    此亦与柳词同,惟前段起句八字、添一韵,与张炎“记玉关”词同,后段起句四字,第二句七字,第七句九字,添一衬字异。


    又一体<span ss="q"> 双调九十六字,前后段各九句,四平韵               郑子玉


    渐莺声近也<span ss="q">句探年芳<span ss="q">读河畔扼轻轮<span ss="q">韵旋东风染绿<span ss="q">句绵绵平野<span ss="q">句无际烟春<span ss="q">韵最苦夕阳天外<span ss="q">句愁损倚


    ●○○●● ●○○ ○●●○○ ●○○●● ○○○● ○●○○ ●●●○○● ○●●


    阑人<span ss="q">韵无奈潇湘杳<span ss="q">句留滞王孙<span ss="q">韵  冷落池塘残梦<span ss="q">句是送君归后<span ss="q">句南浦销魂<span ss="q">韵赖东君能容<span ss="q">句醉卧


    ○○ ○●○○● ○●○○   ●●○○○● ●●○○● ○●○○ ●○○○○ ●●


    展香裀<span ss="q">韵尽教更<span ss="q">读行人远也<span ss="q">句相伴连水复连云<span ss="q">韵关山道<span ss="q">读算无今古<span ss="q">句客恨长新<span ss="q">韵


    ●○○ ●○● ○○●● ○●○●●○○ ○○● ●○○● ●●○○


    ·


    此亦与柳词同,惟后段第七句减一字,作七字拗句异。


    迷神引  《乐章集》注:中吕调。


    迷神引<span ss="q"> 双调九十七字,前段十一句六仄韵,后段十三句六仄韵        柳 永


    红板桥头秋光暮<span ss="q">韵淡月映烟方煦<span ss="q">韵寒溪蘸碧<span ss="q">句绕垂杨路<span ss="q">韵重分飞<span ss="q">句携纤手<span ss="q">句泪如雨<span ss="q">韵波急隋堤


    ⊙●○○○○● ●●◎○○● ○○●● ●○○● ●○○ ○○● ●○● ⊙●○○


    远<span ss="q">句片帆举<span ss="q">韵倏忽年华改<span ss="q">句向期阻<span ss="q">韵   暗觉春残<span ss="q">句渐渐飘花絮<span ss="q">韵好晚凉天<span ss="q">句长孤负<span ss="q">韵洞房


    ● ◎⊙● ◎●○○● ●○●    ●●○○ ●●○○● ●●○○ ○○● ●○


    闲掩<span ss="q">句小屏空<span ss="q">读无心觑<span ss="q">韵指归云<span ss="q">句仙乡杳<span ss="q">句在何处<span ss="q">韵遥夜香衾暖<span ss="q">句算谁与<span ss="q">韵知他深深约<span ss="q">句记得


    ◎● ●○⊙ ○○● ●○○ ○○● ◎○● ○●○○● ◎⊙● ○○○○● ●◎


    否<span ss="q">韵


    ●


    ·


    此调以此词为正体,有柳词别首可校。若朱词之多押两韵,乃变体也。 此词前段起句“桥头秋光”四字,俱平声,如柳词别首“一叶扁舟轻帆卷”,朱词“白玉楼高云光绕”,俱与此同,惟晁补之词“黯黯青山红日暮”,日字以入作平;后段第十三句“知他深深”四字,俱平声,柳词别首“佳人无消息”,朱词“飞英难拘束”,俱与此同,惟晁词“烛暗不成眠”,烛字、不字以入作平,暗字去声独异,至前段第四句、后段第三句,俱作上一下三句法,如柳词别首之“引金笳怨”、“觉客程劳”,朱词之“霁梅林道,觉璧华轻”,晁词之“向烟波路,党阮途穷”,俱与此同。 晁词,前段第八、九句“几点渔灯小,迷近坞”,几字、近字俱仄声,迷字平声。谱内可平可仄据此,余参朱词。又,晁词,前段第十句“一片客帆低”,后段第七句“怪竹枝”,第十句“猿鸟一时啼”,第十二句“烛暗不成眠”,客字、竹字以入作平,不注可仄,其低字、啼字、眠字俱用平声,与诸家异,亦不注可平。 晁词句读,正与此同,因汲古阁刻晁词前段第四句,多一“回”字,后段第八句多一“声”字,《词律》误编入九十九字内,若以柳词二首、朱词一首参校,便可正其句读矣。


    又一体<span ss="q"> 双调九十七字,前段十一句八仄韵,后段十三句六仄韵        朱 雍


    白玉楼高云光绕<span ss="q">韵望极新蟾同照<span ss="q">韵前村暮雪<span ss="q">句霁梅林道<span ss="q">韵涧风平<span ss="q">句波声渺<span ss="q">韵喜登眺<span ss="q">韵疏影寒枝


    ●●○○○○● ●●○○○● ○○●● ●○○● ●○○ ○○● ●○● ○●○○


    袅<span ss="q">韵太春早<span ss="q">韵临水凝清浅<span ss="q">句靓妆巧<span ss="q">韵   瘦体伤离<span ss="q">句向此萦怀抱<span ss="q">韵觉璧华轻<span ss="q">句冰痕小<span ss="q">韵倦听


    ● ●○● ○●○○● ●○●    ●●○○ ●●○○● ●●○○ ○○● ●○


    塞管<span ss="q">句转呜咽<span ss="q">读令人老<span ss="q">韵素光回<span ss="q">句长亭静<span ss="q">句无尘到<span ss="q">韵烟销横塘暖<span ss="q">句香径悄<span ss="q">韵飞英难拘束<span ss="q">句任春


    ●● ●○● ○○● ●○○ ○○● ○○● ○●○○● ○●● ○○○○● ●○


    晓<span ss="q">韵


    ●


    ·


    此与柳词同,惟前段第六句、第八句押韵异。


    醉蓬莱  《乐章集》注:林钟商。赵磻老词,有“璧月流光,雪消寒峭”句,名《雪月交光》;韩淲词,有“玉作山前,冰为水际,几多风月”句,名《冰玉风月》。


    醉蓬莱<span ss="q"> 双调九十七字,前段十一句四仄韵,后段十二句四仄韵        柳 永


    渐亭皋叶下<span ss="q">句陇首云飞<span ss="q">句素秋新霁<span ss="q">韵华阙中天<span ss="q">句锁葱葱佳气<span ss="q">韵嫩菊黄深<span ss="q">句拒霜红浅<span ss="q">句近宝阶香


    ●⊙○◎● ◎●○○ ◎○○● ⊙●○○ ●⊙○○● ◎●○○ ◎○⊙● ●◎○○


    砌<span ss="q">韵玉宇无尘<span ss="q">句金茎有露<span ss="q">句碧天如水<span ss="q">韵  正值升平<span ss="q">句万几多暇<span ss="q">句夜色澄鲜<span ss="q">句漏声迢递<span ss="q">韵南极


    ● ◎●○○ ⊙○◎● ◎○○●   ◎●○○ ◎○⊙● ◎●○○ ●○○● ⊙●


    星中<span ss="q">句有老人呈瑞<span ss="q">韵此际宸游<span ss="q">句凤辇何处<span ss="q">句度管弦清脆<span ss="q">韵太液波翻<span ss="q">句披香帘卷<span ss="q">句月明风细<span ss="q">韵


    ○○ ●◎○○● ◎●○○ ◎◎⊙● ●◎○○● ●◎○⊙ ⊙○⊙● ◎○○●


    ·


    此调以此词为正体,若苏词之句读小异,乃变格也。 此词前段起句、第五句、第八句,后段第六句、第九句,例作上一下四句法,惟刘圻父词,前段第五句“一点和羹信”,第八句“瑞启千年运”,后段第九句“万宇同歌咏”,又王沂孙词,前段第八句“聊慰登临眼”,后段第六句“谁念幽芳远”,仍作五言,俱无领字,此亦间一为之,不可从。 前段第一句,刘一止词“正五云飞仗”,五字仄声,飞字平声;第三句,吕渭老词“裙腰芳草”,裙字平声;第四句,万俟咏词“绛烛银灯”,绛字仄声;第五句,黄庭坚词“锁楚宫佳丽”,楚字仄声;第六句,刘圻父词“淮海维扬”,淮字平声;第七句,谢薖词“归心暗折”,归字平声,暗字仄声;第八句,杨无咎词“冠中州双井”,中字平声;第九句,赵彦端词“东阁诗成”,东字平声;第十句,谢词“锦袍何处”,锦字仄声,何字平声;结句,刘词“高空真侣”,高字平声;后段第一、二句,万俟词“金阙南边,采山北面”,金字平声,北字仄声,谢词“好在南邻,诗盟酒社”,诗字平声;第三句,叶梦得词“弦管风高”,弦字平声;第五句,叶词“曲水流觞”,曲字仄声;第六句,叶词“有山中行处”,山字平声;第八句,无名氏词“山中古寺”,山中二字俱平声,古字仄声;第九句,赵磻老词“映山河多少”,山字平声;第十句、十一句,万俟词“太平无事,君臣宴乐”,平字平声,事字、宴字俱仄声;结句,叶词“重翻新曲”,重字平声。谱内可平可仄据此,余参苏词。至前段第三句,杨无咎词“地灵境胜”,境字仄声;第四句,陈瓘词“狼山相望”,山字平声,望字仄声,无名氏词“小雨弄晴”,弄字仄声;第六句,万俟词“明月逐人”,逐字入声;后段第四句,赵词“笑花寂寞”,寂字入声;第六句,无名氏词“作江南一瑞”,一字入声;结句,谢词“又成浩叹”,浩字仄声。或以入作平,或偶然误用,俱不校注平仄。


    又一体<span ss="q"> 双调九十七字,前后段各十一句,四仄韵              苏 轼


    笑劳生一梦<span ss="q">句羇旅三年<span ss="q">句又还重九<span ss="q">韵华发萧萧<span ss="q">句对荒园搔首<span ss="q">韵赖有多情<span ss="q">句好饮无事<span ss="q">句似古人贤


    ●○○●● ○●○○ ●○○● ○●○○ ●○○○● ●●○○ ●●○● ●●○○


    守<span ss="q">韵岁岁登高<span ss="q">句年年落帽<span ss="q">句物华依旧<span ss="q">韵  此会应须烂醉<span ss="q">句仍把紫菊茱萸<span ss="q">句细看重嗅<span ss="q">韵摇落霜


    ● ●●○○ ○○●● ●○○●   ●●○○●● ○●●●○○ ●○○● ○●○


    风<span ss="q">句有手栽双柳<span ss="q">韵来岁今朝<span ss="q">句为我西顾<span ss="q">句酹羽觞江口<span ss="q">韵会与州人<span ss="q">句饮公遗爱<span ss="q">句一江醇酎<span ss="q">韵


    ○ ●●○○● ○●○○ ●●○● ●●○○● ●●○○ ●○○● ●○○●


    ·


    此与柳词同,惟换头四字三句,作六字两句异。 此词前段第七句,“饮”字仄声,查宋词此字无用仄声者,或是“吟”字之讹,故前谱内不注可仄。


    凤凰台上忆吹箫  《列仙传拾遗》云:萧史善吹箫,作鸾凤之声,秦穆公有女弄玉,善吹箫,公以妻之,遂教弄玉作凤鸣,居十数年,凤凰来止,公为作凤台,夫妇止其上,数年,弄玉乘凤,萧史乘龙去。调名取此。《高丽史·乐志》一名《忆吹箫》。


    凤凰台上忆吹箫<span ss="q"> 双调九十七字,前段十句四平韵,后段九句四平韵      晁补之


    千里相思<span ss="q">句况无百里<span ss="q">句何妨暮往朝还<span ss="q">韵又正是<span ss="q">读梅初淡伫<span ss="q">句莺未绵蛮<span ss="q">韵陌上相逢缓辔<span ss="q">句风细细<span ss="q">读


    ⊙●○○ ◎○◎● ⊙○◎●○○ ◎●● ○○●● ⊙●○○ ◎◎⊙○◎● ⊙◎◎


    云日斑斑<span ss="q">韵新晴好<span ss="q">句得意未妨<span ss="q">句行尽青山<span ss="q">韵   应携后房小妓<span ss="q">句来为我<span ss="q">句盈盈对舞花间<span ss="q">韵便拌


    ⊙●○○ ⊙○● ◎◎●⊙ ⊙●○○    ○⊙◎○◎● ○◎● ⊙○◎●○○ ●⊙


    却<span ss="q">读松醪翠满<span ss="q">句蜜炬红残<span ss="q">韵谁信轻鞍射虎<span ss="q">句清世里<span ss="q">读曾有人闲<span ss="q">韵都休说<span ss="q">句帘外夜久春寒<span ss="q">韵


    ● ○○●● ◎●○○ ⊙●⊙○◎● ⊙◎◎ ⊙●○○ ⊙○● ⊙◎●●○○


    ·


    此调以晁词为正体,若曹词以下,或添声、或减字,皆变体也。 此词前后段第四句,皆上三下四七字,前结三字一句、四字两句,后结三字一句、六字一句,权无染、侯寘、张炎、彭履道词,俱如此填。 按,张词,前段第四句“犹记得、琵琶半面”,犹字平声;权词,后段第一句“应是飞琼弄玉”,飞字平声;侯词,第二、三句“湘裙窄,一钩龙麝随鞍”,一字仄声,龙字平声;彭词,第八、九句“石城晓,数声又递寒砧”,石字仄声。谱内可平可仄据此,余参下词。惟张台卿词,起二句平仄全异,故不校注。


    又一体<span ss="q"> 双调九十七字,前段十句四平韵,后段十句五平韵          曹 勋


    碧玉烟塘<span ss="q">句绛罗艳卉<span ss="q">句朱清炎驭升阳<span ss="q">韵正应运<span ss="q">读真人诞节<span ss="q">句宝绪灵光<span ss="q">韵海宇均颁湛露<span ss="q">句环佩拱<span ss="q">读


    ●●○○ ●○●● ○○○●○○ ●●● ○○●● ●●○○ ●●○○●● ○●●


    北极称觞<span ss="q">韵欢声浃<span ss="q">句三十六宫<span ss="q">句齐奉披香<span ss="q">韵  芬芳<span ss="q">韵宝熏如霭<span ss="q">句仙仗捧<span ss="q">读椒扉秀绕嫔嫱<span ss="q">韵上万


    ●●○○ ○○● ○●●○ ○●○○   ○○ ●○○● ○●● ○○●●○○ ●●


    寿<span ss="q">读双鬟妙舞<span ss="q">句一部丝簧<span ss="q">韵花满蓬莱殿里<span ss="q">句光照坐<span ss="q">读尊俎生凉<span ss="q">韵南山祝<span ss="q">句常对化日舒长<span ss="q">韵


    ● ○○●● ●●○○ ○●○○●● ○●● ○●○○ ○○● ○●●●○○


    ·


    此词句读悉同晁词,惟换头句藏短韵异。


    又一体<span ss="q"> 双调九十七字,前段十句四平韵,后段九句四平韵          张台卿


    长天霞散<span ss="q">句远浦潮平<span ss="q">句危阑注目江皋<span ss="q">韵长记年年荣遇<span ss="q">句同是今朝<span ss="q">韵金銮两回命相<span ss="q">句对清光<span ss="q">读频许


    ○○○● ●●○○ ○○●●○○ ○●○○○● ○●○○ ○○●○●● ●○○ ○●


    挥毫<span ss="q">韵雍容久<span ss="q">句正茶杯初赐<span ss="q">句香袖时飘<span ss="q">韵  归去玉堂深夜<span ss="q">句泥封罢<span ss="q">句金莲一寸才烧<span ss="q">韵帝语丁宁


    ○○ ○○● ●○○○● ○●○○   ○●●○○● ○○● ○○●●○○ ●●○○


    曾被<span ss="q">句华衮亲褒<span ss="q">韵如今漫劳梦想<span ss="q">句叹尘迹<span ss="q">读杳隔仙鳌<span ss="q">韵无聊意<span ss="q">句强当歌对酒怎消<span ss="q">韵


    ○● ○●○○ ○○●○●● ●○● ●●○○ ○○● ●○○●●●○


    ·


    此与晁词同,惟前后段第四句各减一字,第九句各添一字异。 此词前段起二句第二字,平仄与各家异,若起句作第二句,便与晁词同,恐有传写之讹,故不汇校入图。


    又一体<span ss="q"> 双调九十六字,前段十句四平韵,后段九句四平韵          吴元可


    更不成愁<span ss="q">句何曾是醉<span ss="q">句豆花雨后轻阴<span ss="q">韵似此心情自可<span ss="q">句多了闲吟<span ss="q">韵秋在西楼西畔<span ss="q">句秋较浅<span ss="q">读不似


    ●●○○ ○○●● ●○●●○○ ●●○○●● ○●○○ ○●○○○● ○●● ●●


    情深<span ss="q">韵夜来月<span ss="q">句为谁瘦小<span ss="q">句尘镜羞临<span ss="q">韵  弹筝旧家伴侣<span ss="q">句记雁啼秋水<span ss="q">句下指成音<span ss="q">韵听未稳<span ss="q">读当


    ○○ ●○● ●○●● ○●○○   ○○●○●● ●●○○● ●●○○ ●●● ○


    时自误<span ss="q">句又况如今<span ss="q">韵那是柔肠易断<span ss="q">句人间事<span ss="q">读独此难禁<span ss="q">韵雕笼近<span ss="q">句数声别似春禽<span ss="q">韵


    ○●● ●●○○ ●●○○●● ○○● ●●○○ ○○● ●○●●○○


    ·


    此亦与晁词同,惟前段第四句减一字异。


    又一体<span ss="q"> 双调九十五字,前段十句四平韵,后段十一句五平韵         李清照


    香冷金猊<span ss="q">句被翻红浪<span ss="q">句起来慵自梳头<span ss="q">韵任宝奁尘满<span ss="q">句日上帘钩<span ss="q">韵生怕离怀别苦<span ss="q">句多少事<span ss="q">读欲说还


    ○●○○ ●○○● ●○○●○○ ●●○○● ●●○○ ○●○○●● ○●● ●●○


    休<span ss="q">韵新来瘦<span ss="q">句非干病酒<span ss="q">句不是悲秋<span ss="q">韵   休休<span ss="q">韵这回去也<span ss="q">句千万遍阳关<span ss="q">句也则难留<span ss="q">韵念武陵人


    ○ ○○● ○○●● ●●○○    ○○ ●○●● ○●●○○ ●●○○ ●●○○


    远<span ss="q">句烟锁秦楼<span ss="q">韵惟有楼前流水<span ss="q">句应念我<span ss="q">读终日凝眸<span ss="q">韵凝眸处<span ss="q">句从今又添<span ss="q">句一段新愁<span ss="q">韵


    ● ○●○○ ○●○○○● ○●● ○●○○ ○○● ○○●○ ●●○○


    ·


    此与晁词同,惟前后段第四句各减二字,换头句藏短韵,后段结句添二字、作四字两句异。 按,赵文“白玉搓成”词,前后段第四、五句“羡司花神女,有此清闲”、“怪天上冰轮,移下尘寰”,换头句“凭阑,几回澹月”,后结三句“聊寄与,诗人案头,冰雪相看”,正与此同。


    又一体<span ss="q"> 双调九十五字,前后段各十句,四平韵               张 翥


    琪树锵鸣<span ss="q">句春冰碎落<span ss="q">句玉盘珠泻还停<span ss="q">韵渐一丝风袅<span ss="q">句照飏青冥<span ss="q">韵疑把红牙趁节<span ss="q">句想有人<span ss="q">读记豆银


    ○●○○ ○○●● ●○○●○○ ●●○○● ●●○○ ○●○○●● ●●○ ●●○


    屏<span ss="q">韵何须教<span ss="q">句琵琶汉女<span ss="q">句锦瑟湘灵<span ss="q">韵  追思旧时胜赏<span ss="q">句醉几度西湖<span ss="q">句山馆池亭<span ss="q">韵惯倚歌花月<span ss="q">句


    ○ ○○● ○○●● ●●○○   ○○●○●● ●●●○○ ○●○○ ●●○○●


    按舞娉婷<span ss="q">韵岁晚相逢客里<span ss="q">句且一尊<span ss="q">读同慰漂零<span ss="q">韵君休惜<span ss="q">句吴音朔调<span ss="q">句尽与吹听<span ss="q">韵


    ●●○○ ●●○○●● ●●○ ○●○○ ○○● ○○●● ●●○○


    ·


    此与李词同,惟换头句不藏短韵异。


    夜合花  调见《琴趣外篇》。按,夜合花,合欢树也,唐韦应物诗:“夜合花开香满庭”,调名取此。


    夜合花<span ss="q"> 双调九十七字,前段十句五平韵,后段十句六平韵          晁补之


    百紫千红<span ss="q">句占春多少<span ss="q">句共推绝世花王<span ss="q">韵西都万户<span ss="q">句擅名不为姚黄<span ss="q">韵漫肠断巫阳<span ss="q">韵对沈香亭北新


    ●●○○ ●○○● ●○●●○○ ○○●● ●○●●○○ ●○●○○ ●○○○●○


    妆<span ss="q">韵记清平调<span ss="q">句词成进了<span ss="q">句一梦仙乡<span ss="q">韵   天葩秀出无双<span ss="q">韵倚朝晖<span ss="q">句半如酣醉成狂<span ss="q">韵无言自


    ○ ●○○● ○○●● ●●○○    ○○●●○○ ●○○ ●○○●○○ ○○●


    省<span ss="q">句檀心一点偷芳<span ss="q">韵念往事情伤<span ss="q">韵又新艳曾说滁阳<span ss="q">韵纵归来晚<span ss="q">句君王殿后<span ss="q">句别是风光<span ss="q">韵


    ● ○○●●○○ ●●●○○ ●○●○●○○ ●○○● ○○●● ●●○○


    ·


    此调始于此词,前后段第六句俱五字,换头第二句三字,第三句六字,宋人如此填者,止此一词,无别首可校,故可平可仄,详注于添字之史词之下。 此词前后段第八句,俱作上一下三句法,如史词之“向销凝里”、“把间言语”,曹词之“庆天申旦”、“献南天寿”,最为合法。


    又一体<span ss="q"> 双调一百字,前段十一句五平韵,后段十一句六平韵         史达祖


    冷截龙腰<span ss="q">句偷拏鸾爪<span ss="q">句楚山长锁秋云<span ss="q">韵梅华未落<span ss="q">句年年怨入江城<span ss="q">韵千嶂碧<span ss="q">句一声清<span ss="q">韵枉人间<span ss="q">读儿


    ◎●○○ ⊙○⊙● ●○○●○○ ⊙○●● ○⊙●●○○ ⊙●● ●○○ ●⊙⊙ ⊙


    女箫笙<span ss="q">韵共苍凉处<span ss="q">句琵琶湓浦<span ss="q">句长啸苏门<span ss="q">韵  当时低度西邻<span ss="q">韵天澹阑干欲暮<span ss="q">句曾赋高情<span ss="q">韵子期


    ●○○ ◎○○● ⊙○⊙● ⊙●○○   ○⊙⊙●○○ ⊙●○○●● ⊙●○○ ◎⊙


    老矣<span ss="q">句不堪殢酒重听<span ss="q">韵纤手静<span ss="q">句七星明<span ss="q">韵有新声<span ss="q">读应更魂惊<span ss="q">韵梦回人世<span ss="q">句寥寥夜月<span ss="q">句空照天津<span ss="q">韵


    ●● ◎○◎●○○ ⊙●● ●○○ ●⊙⊙ ⊙○○○ ●○○● ⊙○●● ○●○○


    ·


    此词前后段第六句,俱作三字两句,较晁词添二字,换头句第二句六字,第三句四字,较晁词添一字。史词别首“柳锁莺魂”词,周密“月地无尘”词,俱与此同。按,周词,前段第五句“仙子误入唐昌”,子字仄声;吴文英词,第八句“剪腊花壶箭催忙”,腊字仄声;周词,第九句“梨花云暖”,梨字平声;后段第三句“素手相将”,素字仄声;第五句“指痕犹映瑶房”,犹字平声。谱内可平可仄据此,余参所采四词。


    又一体<span ss="q"> 双调一百字,前段十一句五平韵,后段十一句七平韵         高观国


    斑驳云开<span ss="q">句濛松雨过<span ss="q">句海棠花外寒轻<span ss="q">韵湖山翠暖<span ss="q">句东风正要新晴<span ss="q">韵又唤醒<span ss="q">句旧游情<span ss="q">韵记年时<span ss="q">读


    ○●○○ ○○●● ●●○●○○ ○○●● ○○●●○○ ●●● ●○○ ●○○


    今日清明<span ss="q">韵隔花阴浅<span ss="q">句香随笑语<span ss="q">句特地逢迎<span ss="q">韵   人生<span ss="q">韵好景难并<span ss="q">韵依旧秋千巷陌<span ss="q">句花月蓬


    ○●○○ ●○○● ○○●● ●●○○    ○○ ●●○○ ○●○○●● ○●○


    瀛<span ss="q">韵春衫抖擞<span ss="q">句余香半染芳尘<span ss="q">韵念嫩约<span ss="q">句杳难凭<span ss="q">韵被几声<span ss="q">读啼鸟惊心<span ss="q">韵一庭芳草<span ss="q">句危阑晚日<span ss="q">句


    ○ ○○●● ○○●●○○ ●●● ●○○ ●●○ ○●○○ ●○○● ○○●●


    无限消凝<span ss="q">韵


    ○●○○


    ·


    此与史词添字体同,惟换头句藏短韵异。


    又一体<span ss="q"> 双调一百字,前后段各十句,五平韵                曹 勋


    星拱尧眉<span ss="q">句日临云幄<span ss="q">句晓天初静炎曦<span ss="q">韵香凝翠扆<span ss="q">句花笼禁殿风迟<span ss="q">韵彩山高与云齐<span ss="q">韵奉明主<span ss="q">读玉斝


    ○●○○ ●○○● ●○○●○○ ○○●● ○○●●○○ ●○○●○○ ●○● ●●


    交挥<span ss="q">韵庆天申旦<span ss="q">句九州四海<span ss="q">句同咏昌时<span ss="q">韵  今年麦有双岐<span ss="q">韵别有琅玕并节<span ss="q">句深秀联枝<span ss="q">韵丰世瑞


    ○○ ●○○● ●○●● ○●○○   ○○●●○○ ●●○○●● ○●○○ ○●●


    物<span ss="q">句嘉祥效祉熙熙<span ss="q">韵坐中莫惜沈醉<span ss="q">句仰三圣<span ss="q">读玉德光辉<span ss="q">韵献南山寿<span ss="q">句严宸万载<span ss="q">句永奉垂衣<span ss="q">韵


    ● ○○●●○○ ●○●●○● ●○● ●●○○ ●○○● ○○●● ●●○○


    ·


    此亦史词添字体,惟前后段第六、七句合作一句,后段第六句又少押一韵异。


    又一体<span ss="q"> 双调九十九字,前段十一句五平韵,后段十一句六平韵        孙惟信


    风叶敲窗<span ss="q">句露蛩吟甃<span ss="q">句谢娘庭院秋宵<span ss="q">韵凤屏半掩<span ss="q">句钗花映烛红摇<span ss="q">韵润玉暖<span ss="q">句腻云娇<span ss="q">韵染芳情<span ss="q">读香


    ○●○○ ●○○● ●○○●○○ ●○●● ○○●●○○ ●●● ●○○ ●○○ ○


    透鲛绡<span ss="q">韵断魂留梦<span ss="q">句烟迷楚驿<span ss="q">句月落蓝桥<span ss="q">韵  谁念卖药文箫<span ss="q">韵望仙城路杳<span ss="q">句莺燕迢迢<span ss="q">韵罗衫暗


    ●○○ ●○○● ○○●● ●●○○   ○●●●○○ ●○○●● ○●○○ ○○●


    摺<span ss="q">句兰痕粉迹都销<span ss="q">韵流水远<span ss="q">句乱花飘<span ss="q">韵苦相思<span ss="q">读宽尽春腰<span ss="q">韵几时重恁<span ss="q">句玉骢过处<span ss="q">句小袖轻招<span ss="q">韵


    ● ○○●●○○ ○●● ●○○ ●○○ ○●○○ ●○○● ●○●● ●●○○


    ·


    此亦史词添字体,惟后段第二句减一字异。 按,吴文英“柳暝河桥”词,后起三句“十年一梦凄凉,似西湖燕去,吴馆巢荒”,正与此同。


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    采明珠  曹植《洛神赋》:“或采明珠”,调名取此。《宋史·乐志》:曲破中吕调,采明珠。


    采明珠<span ss="q"> 双调九十七字,前段九句四仄韵,后段十一句七仄韵         杜安世


    雨乍收<span ss="q">读小院尘消<span ss="q">句云淡天高露冷<span ss="q">韵坐看月华生<span ss="q">句射玉楼清莹<span ss="q">韵蟋蟀鸣金井<span ss="q">韵下帘帏<span ss="q">读悄悄空


    ●●○ ●●○○ ○●○○●● ●●●○○ ●●○○● ●●○○● ●○○ ●●○


    阶<span ss="q">句败叶坠风<span ss="q">句惹动闲愁<span ss="q">句千端万绪难整<span ss="q">韵  秋夜永<span ss="q">韵凉天迥<span ss="q">韵可不念光景<span ss="q">韵嗟薄命<span ss="q">韵倏忽


    ○ ●●●○ ●●○○ ○○●●○●   ○●● ○○● ●●●○● ○●● ●●


    少年<span ss="q">句忍教孤另<span ss="q">韵灯闪红窗影<span ss="q">韵步回廊<span ss="q">读懒入香闺<span ss="q">句暗落泪珠满面<span ss="q">句谁人知我<span ss="q">句为伊成病<span ss="q">韵


    ●○ ●○○● ○●○○● ●○○ ●●○○ ●●●○●● ○○○● ●○○●


    ·


    此调惟此一词,无别首可校。


    庆清朝  一作《庆清朝慢》。


    庆清朝<span ss="q"> 双调九十七字,前后段各十句,四平韵              王 观


    调雨为酥<span ss="q">句催冰做水<span ss="q">句东君分付春还<span ss="q">韵何人便将轻暖<span ss="q">句点破残寒<span ss="q">韵结伴踏青去好<span ss="q">句平头鞋子小


    ○●○○ ○○●● ○○○●○○ ○○●○○● ●●○○ ●●●○●● ○○○●●


    双鸾<span ss="q">韵烟郊外<span ss="q">句望中秀色<span ss="q">句如有无间<span ss="q">韵  晴则个<span ss="q">读阴则个<span ss="q">句饾饤得天气<span ss="q">句有许多般<span ss="q">韵须教撩


    ○○ ○○● ●○●● ○●○○   ○●● ○●● ●○●○● ●●○○ ○○○


    花拨柳<span ss="q">句争要先看<span ss="q">韵不道吴绫绣袜<span ss="q">句香泥斜沁几行斑<span ss="q">韵东风巧<span ss="q">句尽收翠绿<span ss="q">句吹上眉山<span ss="q">韵


    ○●● ○●○○ ●●○○●● ○○○●●○○ ○○● ●○●● ○●○○


    ·


    此调前后段第四、五句,惟王词作上六下四,宋人如此填者甚少,史词作上四下六,曹词、李词前段用王词体,后段用史词体,而宋人依史词体者为多,故可平可仄,详注史词之下。 谱内四词,字数、韵脚俱同,惟句法有异耳。今各注明,分为四体编入。 此词前后段第四、五句,俱上六下四,换头句六字折腰。


    又一体<span ss="q"> 双调九十七字,前后段各十句,四平韵              史达祖


    坠絮孳萍<span ss="q">句狂鞭孕竹<span ss="q">句偷移红紫池亭<span ss="q">韵余花未落<span ss="q">句似供残蝶经营<span ss="q">韵赋得送春诗了<span ss="q">句夏帷撺断绿


    ●●○○ ⊙○●● ⊙⊙⊙●○○ ○○●● ◎⊙⊙●○○ ◎●◎○⊙● ◎○○●●


    阴成<span ss="q">韵桑麻外<span ss="q">句乳鸠穉燕<span ss="q">句别样芳情<span ss="q">韵   荀令旧香易冷<span ss="q">句叹俊游疏懒<span ss="q">句枉自销凝<span ss="q">韵尘侵谢


    ○○ ○○● ●○●● ◎●○○    ⊙●◎○◎● ●●○○● ●●○○ ⊙○●


    屐<span ss="q">句幽径斑驳苔生<span ss="q">韵便觉寸心尚老<span ss="q">句故人前度漫丁宁<span ss="q">韵空相误<span ss="q">句祓兰曲水<span ss="q">句挑菜东城<span ss="q">韵


    ● ○◎⊙●○○ ◎●◎○◎● ●○⊙●●○○ ○⊙● ◎⊙◎● ⊙●○○


    ·


    此词前后段第四、五句,俱上四下六,换头句六字不折腰,李居厚、王沂孙、张炎三词,俱与此同。 按,李词,前段第二句“地钟上瑞”,地字仄声;第五句“几曾鹤发貂冠”,鹤字仄声;王词,第六句“前度绿阴载酒”,前字平声;李词,后段起句“运庆今朝初度”,运字仄声,今字、初字俱平声;王词,第六句“颠倒绛英满径”,颠字平声;张词,第七句“好诗尽在夕阳山”,尽字仄声。谱内可平可仄据此,余参曹、李二词。 曹词,前段起句,平仄与诸家异,不为参校;第九句“幄”字入声,张词后段第二句“待携琴独去”,独字入声,俱以入作平,亦不注可仄。


    又一体<span ss="q"> 双调九十七字,前后段各十句,四平韵              曹 勋


    绛罗萦色<span ss="q">句茸金丽蕊<span ss="q">句秀格压尽群芳<span ss="q">韵人间第一娇妩<span ss="q">句深紫轻黄<span ss="q">韵乍过夜来縠雨<span ss="q">句盈盈明艳惹


    ●●○● ○○●● ●●●●○○ ○○●●○● ○●○○ ●●●○●● ○○○●●


    天香<span ss="q">韵春风暖<span ss="q">句宝幄竞倚<span ss="q">句名称花王<span ss="q">韵   朝槛五云拥秀<span ss="q">句护晓日<span ss="q">句偏宜翠幕高张<span ss="q">韵秾姿露


    ○○ ○○● ●●●● ○●○○    ○●●○●● ●●● ○○●●○○ ○○●


    叶<span ss="q">句临赏须趁韶光<span ss="q">韵最喜鉴鸾初试<span ss="q">句一枝姚魏插宫妆<span ss="q">韵燃绛蜡<span ss="q">句共花拌醉<span ss="q">句莫靳瑶觞<span ss="q">韵


    ● ○●○●○○ ○●●○○● ●○○●●○○ ○●● ●○○● ●●○○


    ·


    此词前段用王词体,后段用史词体,惟后段第二句三字、第三句六字异。


    又一体<span ss="q"> 双调九十七字,前后段各十句,四平韵              李清照


    禁幄低张<span ss="q">句彤阑巧护<span ss="q">句就中独占残春<span ss="q">韵容华淡伫绰约<span ss="q">句俱见天真<span ss="q">韵待得群花过后<span ss="q">句一番风露晓


    ●●○○ ○○●● ●○●●○● ○○●●●● ○●○○ ●●○○●● ●○○●●


    妆新<span ss="q">韵妖娆态<span ss="q">句妒风笑月<span ss="q">句长殢东君<span ss="q">韵   东城边<span ss="q">读南陌上<span ss="q">句正日烘池馆<span ss="q">句竟走香轮<span ss="q">韵绮筵


    ○○ ○○● ●○●● ○●○○    ○○○ ●●● ●●○○● ●●○○ ●○


    散日<span ss="q">句谁人可继芳尘<span ss="q">韵更好明光宫殿<span ss="q">句几枝先近日边匀<span ss="q">韵金尊倒<span ss="q">句拌了尽烛<span ss="q">句不爱黄昏<span ss="q">韵


    ●● ○○●●○○ ●●○○○● ●○○●●○○ ○○● ○●●● ●●○○


    ·


    此与曹词同,惟换头作三字两句,第二、三句作五字一句、四字一句,仍用王词体异。


    黄鹂绕碧树  调见《清真乐府》。


    黄鹂绕碧树<span ss="q"> 双调九十七字,前段十句四仄韵,后段八句五仄韵        周邦彦


    双阙笼佳气<span ss="q">句寒威日晚<span ss="q">句岁华将暮<span ss="q">韵小院闲庭<span ss="q">句对寒梅照雪<span ss="q">句淡烟凝素<span ss="q">韵忍当迅景<span ss="q">句动无限<span ss="q">读伤


    ○●○○● ○○●● ●○○● ●●○○ ●○○●● ●○○● ●○●● ●○● ○


    春情绪<span ss="q">韵犹赖是<span ss="q">读上苑风光渐好<span ss="q">句芳容将煦<span ss="q">韵  草荚兰芽渐吐<span ss="q">韵且寻芳<span ss="q">读更休思虑<span ss="q">韵这浮世<span ss="q">读


    ○○● ○●● ●●○○●● ○○○●   ●●○○●● ●○○ ●○○● ●○●


    甚驱驰利禄<span ss="q">句奔竞尘土<span ss="q">韵纵有魏珠照乘<span ss="q">句未买得流年住<span ss="q">韵争如盛饮流霞<span ss="q">句醉偎琼树<span ss="q">韵


    ●○○●● ○●○● ●●●○●● ●●●○○● ○○●●○○ ●○○●


    ·


    按,方千里、杨泽民、陈允平皆无和词,宋人亦无填此调者,其句读、平仄宜依之。


    帝台春  唐教坊曲名,《宋史·乐志》,琵琶曲有《帝台春》,属无射宫。


    帝台春<span ss="q"> 双调九十七字,前段十句五仄韵,后段十一句七仄韵         李 甲


    芳草碧色<span ss="q">韵萋萋遍南陌<span ss="q">韵暖絮乱红<span ss="q">句也似知人<span ss="q">句春愁无力<span ss="q">韵忆得盈盈拾翠侣<span ss="q">句共携赏<span ss="q">读凤城寒


    ○●●● ○○●○● ●●●○ ●●○○ ○○○● ●●○○●●● ●○● ●○○


    食<span ss="q">韵到今来<span ss="q">句海角逢春<span ss="q">句天涯倦客<span ss="q">韵  愁旋释<span ss="q">韵还似织<span ss="q">韵泪暗拭<span ss="q">韵又偷滴<span ss="q">韵漫倚遍危阑<span ss="q">句尽


    ● ●○○ ●●○○ ○○●●   ○●● ○●● ●●● ●○● ●●●○○ ●


    黄昏<span ss="q">句也只是<span ss="q">读暮云凝碧<span ss="q">韵拌则而今已拌了<span ss="q">句忘则怎生便忘得<span ss="q">韵又还问鳞鸿<span ss="q">句试重寻消息<span ss="q">韵


    ○○ ●●● ●○○● ○●○○●○● ○●●○●○● ●○●○○ ●○○○●


    ·


    此调惟此一词,无他首可校。


    瑶台第一层  宋陈师道《后山诗话》:武才人出庆寿宫,裕陵得之,会教坊献新声,为作词,号《瑶台第一层》。


    瑶台第一层<span ss="q"> 双调九十七字,前段十句四平韵,后段十一句六平韵       张元幹


    宝历祥开<span ss="q">句飞练上<span ss="q">读青冥万里光<span ss="q">韵石城形胜<span ss="q">句秦淮风景<span ss="q">句威凤来翔<span ss="q">韵腊余春色早<span ss="q">句兆钓璜<span ss="q">读贤佐


    ◎●○○ ○●● ○○●●○ ●○○● ○○⊙● ⊙●○○ ●○○●● ●●⊙ ⊙●


    兴王<span ss="q">韵对熙旦<span ss="q">句正格天同德<span ss="q">句全魏分疆<span ss="q">韵  荧煌<span ss="q">韵五云深处<span ss="q">句化钧独运斗魁旁<span ss="q">韵绣裳龙尾<span ss="q">句千


    ○○ ◎○● ●◎○○● ⊙●○○   ○○ ◎○⊙● ●○◎●●○○ ●○○● ⊙


    官师表<span ss="q">句万事平章<span ss="q">韵景钟文瑞世<span ss="q">句醉尚方<span ss="q">读难老天浆<span ss="q">韵庆垂裳<span ss="q">韵看云屏间坐<span ss="q">句象笏堆床<span ss="q">韵


    ○⊙● ◎●○○ ●○○●● ●●⊙ ⊙●○○ ●○○ ●○○○● ●●○○


    ·


    此词平仄只有张词别首及赵词可校。


    又一体<span ss="q"> 双调九十八字,前段十句四平韵,后段十一句六平韵         张元幹


    江左风流<span ss="q">句钟间气<span ss="q">读洲分二水长<span ss="q">韵凤凰台畔<span ss="q">句投怀玉燕<span ss="q">句照社神光<span ss="q">韵豆花初秀雨<span ss="q">句散暑空<span ss="q">读洗出


    ○●○○ ○●● ○○●●○ ●○○● ○○●● ●●○○ ●○○●● ●●○ ●●


    秋凉<span ss="q">韵庆生诞<span ss="q">句正圆蟾呈瑞<span ss="q">句仙粟飘香<span ss="q">韵  眉扬<span ss="q">韵掞文摛藻<span ss="q">句看乘云驾鹤下鵷行<span ss="q">韵紫枢将命<span ss="q">句


    ○○ ●○● ●○○○● ○●○○   ○○ ●○○● ●○○●●●○○ ●○○●


    紫微加綍<span ss="q">句常近君王<span ss="q">韵旧山同梓里<span ss="q">句荷月旦<span ss="q">读久巳平章<span ss="q">韵九霞觞<span ss="q">韵荐刀圭丹饵<span ss="q">句衮绣朝裳<span ss="q">韵


    ●○○● ○●○○ ●○○●● ●●● ●●○○ ●○○ ●○○○● ●●○○


    ·


    此与“宝历祥开”词同,惟后段第三句添一字异。


    又一体<span ss="q"> 双调九十八字,前段十句五平韵,后段十一句六平韵         赵与御


    嶰管声催<span ss="q">韵人报道<span ss="q">读嫦娥步月来<span ss="q">韵凤灯鸾炬<span ss="q">句寒轻帘箔<span ss="q">句光泛楼台<span ss="q">韵万年正春未老<span ss="q">句更傍那<span ss="q">读日


    ●●○○ ○●● ○○●●○ ●○○● ○○○● ○●○○ ●○●○●● ●●● ●


    月蓬莱<span ss="q">韵从仙仗<span ss="q">句看星河银界<span ss="q">句锦绣天街<span ss="q">韵  欢陪<span ss="q">韵千官万骑<span ss="q">句九霄人在五云堆<span ss="q">韵赭袍光里<span ss="q">句


    ●○○ ○○● ●○○○● ●●○○   ○○ ○○●● ●○○●●○○ ●○○●


    星球宛转<span ss="q">句花影徘徊<span ss="q">韵未央宫漏永<span ss="q">句散异香<span ss="q">读龙阙崔嵬<span ss="q">韵翠舆回<span ss="q">韵奏仙韶歌吹<span ss="q">句宝殿尊罍<span ss="q">韵


    ○○●● ○●○○ ●○○●● ●●○ ○●○○ ●○○ ●○○○● ●●○○


    ·


    此亦与“宝历祥开”词同,惟前段起句用韵,第六句添一字异。


    暗 香  宋姜夔自度仙吕宫曲,咏梅花作也。张炎以此调咏荷花,更名《红情》。


    暗 香<span ss="q"> 双调九十七字,前段九句五仄韵,后段十句七仄韵          姜 夔


    旧时月色<span ss="q">韵算几番照我<span ss="q">句梅边吹笛<span ss="q">韵唤起玉人<span ss="q">句不管清寒与攀摘<span ss="q">韵何逊而今渐老<span ss="q">句都忘却<span ss="q">读春风


    ◎○◎● ●◎○◎● ⊙○○● ●●◎○ ◎●○○●○● ⊙●⊙○●● ⊙⊙◎ ⊙○


    词笔<span ss="q">韵但怪得<span ss="q">读竹外疏花<span ss="q">句香冷入瑶席<span ss="q">韵   江国<span ss="q">韵正寂寂<span ss="q">韵叹寄与路遥<span ss="q">句夜雪初积<span ss="q">韵翠尊易


    ○● ◎◎◎ ◎●○○ ⊙●●○●    ⊙● ●◎● ●●◎◎○ ◎◎○● ●○●


    泣<span ss="q">韵红萼无言耿相忆<span ss="q">韵长记曾携手处<span ss="q">句千树压<span ss="q">读西湖寒碧<span ss="q">韵又片片<span ss="q">读吹尽也<span ss="q">句几时见得<span ss="q">韵


    ● ○●⊙○●○● ⊙●○○◎● ⊙◎◎ ⊙○○● ●◎◎ ○●● ●○◎●


    ·


    此调始自此词,有赵以夫、吴文英、陈允平、张炎诸词可校。 按,张词,前段第二、三句“抱孤琴思远,几番弹彻”,孤字、思字俱平声;陈词,第五句“闲数星河手堪摘”,闲字平声;赵词,第六句“为问玉堂富贵”,玉字仄声;张词,第七句“黯销魂、恨听啼鴃”,黯字仄声,魂字平声;张词,第八句“想少陵、还叹飘零”,还字平声,陈词,“烟溆阔、云远波平”,烟字平声;张词,后段第一、二句“忆昨,更情恶”,忆字仄声;第三句“漫认著梅花”,梅字平声;赵词,第四句“云弄疏影”,云字平声;张词,第七句“一自飘零去后”,一字仄声,赵词,“将见青青如豆”,如字平声;张词,第八句“有羁怀、未须轻说”,有字、未字俱仄声,羁字、怀字俱平声;张词,第九、十句“莫相忘、堤上柳,此时共折”,相忘二字俱平声,又一首“便到此、归未得,几曾忘却”,忘字平声。谱内可平可仄据此,余参下词。 此词后段第八句,陈词作“古今但、双流一碧”,一字以入作平,故不参校入谱。


    又一体<span ss="q"> 双调九十七字,前段九句五仄韵,后段十句七仄韵          张 炎


    无边香色<span ss="q">韵记涉江自采<span ss="q">句锦机云密<span ss="q">韵翦翦红衣<span ss="q">句学舞波心旧曾识<span ss="q">韵一见依然似语<span ss="q">句流水远<span ss="q">读几回


    ○○○● ●●○●● ●○○● ●●○○ ●●○○●○● ●●○○●● ○●● ●○


    空忆<span ss="q">韵看亭亭<span ss="q">读倒影窥妆<span ss="q">句玉润露痕湿<span ss="q">韵   闲立<span ss="q">韵翠屏侧<span ss="q">韵爱向人弄芳<span ss="q">句背酣斜日<span ss="q">韵料应太


    ○● ●○○ ●●○○ ●●●○●    ○● ●○● ●●○●○ ●○○● ●○●


    液<span ss="q">韵三十六宫土花碧<span ss="q">韵清兴后<span ss="q">读风更爽<span ss="q">句无数满<span ss="q">读汀洲如昔<span ss="q">韵泛片叶<span ss="q">读烟浪里<span ss="q">句卧横紫笛<span ss="q">韵


    ● ○●●○●○● ○●● ○●● ○●● ○○○● ●●● ○●● ●○●●


    ·


    此与姜词同,惟后段第七句作折腰句法异。


    梦芙蓉  吴文英自度曲,题赵昌所画芙蓉作也,因词有“梦断琼仙”句,故名《梦芙蓉》。


    梦芙蓉<span ss="q"> 双调九十七字,前后段各十句,六仄韵               吴文英


    西风摇步绮<span ss="q">韵记长堤骤过<span ss="q">句紫骝十里<span ss="q">韵断桥南岸<span ss="q">句人在晚霞外<span ss="q">韵锦温花共醉<span ss="q">韵当时曾共秋被<span ss="q">韵自


    ○○○●● ●○○●● ●○●● ●○○● ○●●○● ●○○●● ○○○●○● ●


    别霓裳<span ss="q">句想红消翠冷<span ss="q">句霜枕正慵起<span ss="q">韵  惨淡西湖柳底<span ss="q">韵摇荡秋魂<span ss="q">句夜月归环佩<span ss="q">韵画图重展<span ss="q">句惊


    ●○○ ●○○●● ○●●○●   ●●○○●● ○●○○ ●●○○● ●○○● ○


    认旧梳洗<span ss="q">韵去来双翡翠<span ss="q">韵难传眼恨眉意<span ss="q">韵梦断琼仙<span ss="q">句怅云深路杳<span ss="q">句城影照流水<span ss="q">韵


    ●●○● ●○○●● ○○●●○● ●●○○ ●○○●● ○●●○●


    ·


    此调只此一词,无别首可校。


    西子妆  张炎词序:吴梦窗自制此曲。或加“慢”字。


    西子妆<span ss="q"> 双调九十七字,前段十句五仄韵,后段九句六仄韵          吴文英


    流水麴尘<span ss="q">句艳阳酷酒<span ss="q">句画舸游情如雾<span ss="q">韵笑拈芳草不知名<span ss="q">句乍凌波<span ss="q">读断桥西堍<span ss="q">韵垂杨漫舞<span ss="q">韵总不


    ⊙●◎○ ◎○●● ●●⊙○○● ◎○⊙●●○○ ●○○ ●○○● ○○●● ●◎


    解<span ss="q">读将春系住<span ss="q">韵燕归来<span ss="q">句问彩绳纤手<span ss="q">句如今何许<span ss="q">韵  欢盟误<span ss="q">韵一箭流光<span ss="q">句又趁寒食去<span ss="q">韵不堪


    ● ○○◎● ●○○ ●◎○○● ○○○●   ○○● ●●○○ ●●○◎● ◎○


    衰鬓著飞花<span ss="q">句傍绿阴<span ss="q">读冷烟深树<span ss="q">韵元都秀句<span ss="q">韵记前度<span ss="q">读刘郎曾赋<span ss="q">韵最伤心<span ss="q">句一片孤山细雨<span ss="q">韵


    ○●●○○ ●◎○ ●○○● ○○●● ◎○● ○○⊙● ●○○ ◎●○○●●


    ·


    此调始自此词,有张炎词一首可校。 按,张词,前段起三句“白浪摇天,青阴涨地,一片野怀幽意”,白字、野字俱仄声,摇字、青字俱平声;第四句“杨花点点是春心”,杨字平声,点字仄声;第七句“有谁识、朝来清气”,谁字、清字俱平声;第九句“甚流光轻掷”,流字平声;后段第三句“隔坞闲门闭”,门字平声;第四句“渔舟何似莫归来”,渔字平声;第五句“想桃源、路通人世”,桃字平声;第七句“千年事、都消一醉”,千字平声,一字仄声;结句“愁落鹃声万里”,愁字平声。谱内可平可仄据此。


    玉京谣  吴文英自度曲,自注夷则商,犯无射宫。按,《枕中书》:玉京在大罗天之上。李白诗有“手把芙蓉朝玉京”句。此文英赠陈藏一词,见《随隐漫录》,盖赋京华羁旅之况,故借玉京以为调名。


    玉京谣<span ss="q"> 双调九十七字,前段十句五仄韵,后段九句五仄韵          吴文英


    蝶梦迷清晓<span ss="q">句万里无家<span ss="q">句岁晚貂裘敝<span ss="q">韵载取琴书<span ss="q">句长安闲看桃李<span ss="q">韵烂绣锦<span ss="q">读人海花场<span ss="q">句任客燕<span ss="q">读


    ●●○○● ●●○○ ●●○○● ●●○○ ○○○●○● ●●● ○●○○ ●●●


    飘零谁计<span ss="q">韵春风里<span ss="q">韵香泥九陌<span ss="q">句文梁孤垒<span ss="q">韵  微吟怕有诗声<span ss="q">句翳镜慵看<span ss="q">句但小楼独倚<span ss="q">韵金屋千


    ○○○● ○○● ○○●● ○○○●   ○○●●○○ ●●○○ ●●○●● ○●○


    娇<span ss="q">句从他鸳暖秋被<span ss="q">韵蕙帐移<span ss="q">读烟雨孤山<span ss="q">句待对景<span ss="q">读落梅清泚<span ss="q">韵终不似<span ss="q">韵江上翠微流水<span ss="q">韵


    ○ ○○○●○● ●●○ ○●○○ ●●● ●○○● ○●● ○●●○○●


    ·


    此调创自此词,无别首可校。


    被花恼  杨缵自度曲,因词中有“被花恼”句,取以为名。


    被花恼<span ss="q"> 双调九十七字,前后段各九句,四仄韵               杨 缵


    疏疏宿雨酿轻寒<span ss="q">句帘幕静垂清晓<span ss="q">韵宝鸭微温瑞烟少<span ss="q">韵檐声不动<span ss="q">句春禽对语<span ss="q">句梦怯频惊觉<span ss="q">韵敧珀


    ○○●●●○○ ○●●○○● ●●○○●○● ○○●● ○○●● ●●○○● ○●


    枕<span ss="q">句倚银床<span ss="q">句半窗花影明东照<span ss="q">韵  惆怅夜来风<span ss="q">句生怕娇香混瑶草<span ss="q">韵披衣便起<span ss="q">句小径回廊<span ss="q">句处


    ● ●○○ ●○○●○○●   ○●●○○ ○●○○●○● ○○●● ●●○○ ●


    处都行到<span ss="q">韵正千红万紫竞芳妍<span ss="q">句又还似<span ss="q">读年时被花恼<span ss="q">韵蓦忽地<span ss="q">句省得而今双鬓老<span ss="q">韵


    ●○○● ●○○●●●○○ ●○● ○○●○● ●●● ●●○○○●●


    ·


    此调只此一词,无别首可校。


    绿盖舞风轻  调见《苹洲渔笛谱》,周密咏荷花自度曲也。


    绿盖舞风轻<span ss="q"> 双调九十七字,前段十一句四仄韵,后段十句五仄韵       周 密


    玉立照新妆<span ss="q">句翠盖亭亭<span ss="q">句凌波步秋绮<span ss="q">韵真色生香<span ss="q">句明珰摇淡月<span ss="q">句舞袖斜倚<span ss="q">韵耿耿芳心<span ss="q">句奈千缕<span ss="q">读


    ●●●○○ ●●○○ ○○●○● ○●○○ ○○○●● ●●○● ●●○○ ●○●


    晴丝萦系<span ss="q">韵恨开迟<span ss="q">句不嫁东风<span ss="q">句颦怨娇蕊<span ss="q">韵  花底<span ss="q">韵漫卜幽期<span ss="q">句素手采珠房<span ss="q">句粉艳初洗<span ss="q">韵雨湿


    ○○○● ●○○ ●●○○ ○●○●   ○● ●●○○ ●●●○○ ●●○● ●●


    铅腮<span ss="q">句碧云深<span ss="q">读暗聚软绡清泪<span ss="q">韵访藕寻莲<span ss="q">句楚江远<span ss="q">读相思谁寄<span ss="q">韵棹歌回<span ss="q">句衣露满身花气<span ss="q">韵


    ○○ ●○○ ●●●○○● ●●○○ ●○● ○○○● ●○○ ○●●○○●


    ·


    此调只此一词,无别首可校。


    月边娇  调见《苹洲渔笛谱》,周密自度曲。


    月边娇<span ss="q"> 双调九十七字,前段十句四仄韵,后段十句五仄韵          周 密


    酥雨烘晴<span ss="q">句早柳盼娇颦<span ss="q">句兰芽愁醒<span ss="q">韵九街月淡<span ss="q">句千门夜暖<span ss="q">句十里宝光花影<span ss="q">韵步袜尘凝<span ss="q">句送艳笑<span ss="q">读


    ○●○○ ●●●○○ ○○○● ●○●● ○○●● ●●●○○● ●●○○ ●●●


    争夸轻俊<span ss="q">韵笙箫迎晓<span ss="q">句翠暮卷<span ss="q">读天香宫粉<span ss="q">韵   少年韦曲疏狂<span ss="q">句絮花踪迹<span ss="q">句夜蛾心性<span ss="q">韵戏丛围


    ○○○● ○○○● ●●● ○○○●    ●○○●○○ ●○○● ●○○● ●○○


    锦<span ss="q">句灯帘转玉<span ss="q">句拌却舞勾歌引<span ss="q">韵前欢漫省<span ss="q">韵又辇路<span ss="q">读东风吹鬓<span ss="q">韵醺醺倚醉<span ss="q">句任夜深春冷<span ss="q">韵


    ● ○○●● ○●●○○● ○○●● ●●● ○○○● ○○●● ●●○○●


    ·


    此调只此一词,无别首可校。


    松梢月  调见曹勋《松隐集》,因词有“喜挹蟾华当松顶”句,取以为名。


    松梢月<span ss="q"> 双调九十七字,前段十句五平韵,后段十句四平韵          曹 勋


    院静无声<span ss="q">韵天边正皓月<span ss="q">句初上重城<span ss="q">韵群木摇落<span ss="q">句松路径暖风轻<span ss="q">韵喜挹蟾华当松顶<span ss="q">句照谢阁<span ss="q">读细影


    ●●○○ ○○●●● ○●○○ ○●○● ○●●●○○ ●●○○○○● ●●● ●●


    纵横<span ss="q">韵杖策徐步<span ss="q">句空明里<span ss="q">句但襟袖皆清<span ss="q">韵  恍如临异境<span ss="q">句漾凤沿岸阔<span ss="q">句波净鱼惊<span ss="q">韵气入层汉<span ss="q">句


    ○○ ●●○● ○○● ●○●○○   ●○○●● ●●○●● ○●○○ ●●○●


    疑有素鹤飞鸣<span ss="q">韵夜色徘徊迟宫漏<span ss="q">句渐坐久<span ss="q">读露湿金茎<span ss="q">韵未忍归去<span ss="q">句闻何处<span ss="q">句更吹笙<span ss="q">韵


    ○●●●○○ ●●○○○○● ●●● ●●○○ ●●○● ○○● ●○○


    ·


    此曹勋自度曲,无别词可校。 前后段第六句,俱仄仄平平平平仄,例作拗体,填者辨之。


    四槛花  调见曹勋《松隐集》。


    四槛花<span ss="q"> 双调九十七字,前段十二句六平韵,后段十一句五平韵        曹 勋


    鸳瓦霜凝<span ss="q">韵兽炉烟冷<span ss="q">句琐窗渐明<span ss="q">韵芙蓉红晕减<span ss="q">句疏篁晓风清<span ss="q">韵睡觉犹眠<span ss="q">句怯新寒<span ss="q">句仍宿酒<span ss="q">句尚有


    ○●○○ ●○○● ●○●○ ○○○●● ○○●○○ ●●○○ ●○○ ○●● ●●


    余酲<span ss="q">韵拥闲衾<span ss="q">韵先记早梅糁糁<span ss="q">句流水泠泠<span ss="q">韵  须记岁月堪惊<span ss="q">韵最难管<span ss="q">读霜华满镜生<span ss="q">韵心地还自


    ○○ ●○○ ○●●○●● ○●○○   ○○●●○○ ●○● ○○●●○ ○●○●


    乐<span ss="q">句谁能问枯荣<span ss="q">韵一味情尘<span ss="q">句指麾尽<span ss="q">句人间世<span ss="q">句更没亏成<span ss="q">韵惟萧散<span ss="q">句眠食外<span ss="q">句且乐升平<span ss="q">韵


    ● ○○●○○ ●●○○ ●○● ○○● ●●○○ ○○● ○●● ●●○○


    ·


    此亦曹勋自度曲,无别首可校。


    长亭怨慢  姜夔自度中吕宫曲,或作《长亭怨》,无“慢”字。


    长亭怨慢<span ss="q"> 双调九十七字,前后段各九句,五仄韵             姜 夔


    渐吹尽<span ss="q">读枝头香絮<span ss="q">韵是处人家<span ss="q">句绿深门户<span ss="q">韵远浦萦回<span ss="q">句暮帆零乱向何处<span ss="q">韵阅人多矣<span ss="q">句谁得似<span ss="q">读长


    ●⊙● ⊙○⊙● ◎●○⊙ ●⊙○● ●●○○ ◎○○●●○● ●○○● ○●● ○


    亭树<span ss="q">韵树若有情时<span ss="q">句不会得<span ss="q">读青青如许<span ss="q">韵  日暮<span ss="q">韵望高城不见<span ss="q">句只见乱山无数<span ss="q">韵韦郎去也<span ss="q">句怎


    ○● ◎●●○○ ◎◎● ⊙○○●   ◎● ●○○◎● ◎●◎○○● ⊙○●● ●


    忘得<span ss="q">读玉环分付<span ss="q">韵第一是<span ss="q">读早早归来<span ss="q">句怕红萼<span ss="q">读无人为主<span ss="q">韵算空有并刀<span ss="q">句难剪离愁千缕<span ss="q">韵


    ⊙● ◎○○● ◎◎◎ ◎●○○ ●⊙● ⊙○○● ●◎●○○ ⊙●⊙○○●


    ·


    此调创自姜夔,应以此词为正体,周密、王沂孙俱照此填,若周词别首之句法小异,张词之添字、减字,皆变格也。 按,王词,前段起三句“泛孤艇、东皋过遍,尚记当日,绿阴门巷”,过字、日字俱仄声,张词,“笑海上、白鸥盟冷,飞过前滩,又顾秋影”,海字、顾字俱仄声;张词,后起三句“归去。问当初鸥鹭,几度西湖霜露”,鸥字、西字俱平声。谱内可平可仄据此,余参所采三词。 前段第五句,句法微拗,“向”字必须仄声,各家皆然。


    又一体<span ss="q"> 双调九十七字,前段九句六仄韵,后段九句五仄韵          周 密


    记千竹万荷深处<span ss="q">韵绿净池台<span ss="q">句翠凉庭宇<span ss="q">韵醉墨题香<span ss="q">句闲箫横玉尽吟趣<span ss="q">韵胜流星聚<span ss="q">韵知几诵<span ss="q">读燕台


    ●○●●○○● ●●○○ ●○○● ●●○○ ○○○●●○● ●○○● ○●● ○○


    句<span ss="q">韵零落碧云空<span ss="q">句叹转眼<span ss="q">读岁华如许<span ss="q">韵  凝伫<span ss="q">韵望潇潇一水<span ss="q">句梦到隔花窗户<span ss="q">韵十年旧事<span ss="q">句尽消


    ● ○●●○○ ●●● ●○○●   ○● ●○○●● ●●●○○● ●○●● ●○


    得<span ss="q">读庾郎愁赋<span ss="q">韵燕楼鹤表半飘零<span ss="q">句算惟有<span ss="q">读盟鸥堪语<span ss="q">韵漫倚遍河桥<span ss="q">句一片凉云吹雨<span ss="q">韵


    ● ●○○● ●○●●●○○ ●○● ○○○● ●●●○○ ●●○○○●


    ·


    此与姜词同,惟前段第六句多押一韵,后段第六句不作上三下四句法异。


    又一体<span ss="q"> 双调九十七字,前段九句六仄韵,后段九句七仄韵          张 炎


    记横笛<span ss="q">读玉关高处<span ss="q">韵万里沙寒<span ss="q">句雪深无路<span ss="q">韵破却貂裘<span ss="q">句远游归后与谁语<span ss="q">韵故人何许<span ss="q">韵浑忘了<span ss="q">读江


    ●○● ●○○● ●●○○ ●○○● ●●○○ ●○○●●○● ●○○● ○○● ○


    南旧雨<span ss="q">韵不拟重逢<span ss="q">句应笑我<span ss="q">读飘零如羽<span ss="q">韵  同去<span ss="q">韵钓珊瑚海树<span ss="q">韵底事又成行旅<span ss="q">韵烟篷断浦<span ss="q">韵更


    ○●● ●●○○ ○●● ○○○●   ○● ●○○●● ●●●○○● ○○●● ●


    几点<span ss="q">读恋人飞絮<span ss="q">韵如今又<span ss="q">读京洛寻春<span ss="q">句定应被<span ss="q">读薇花留住<span ss="q">韵且莫把孤愁<span ss="q">句说与当时歌舞<span ss="q">韵


    ●● ●○○● ○○● ○●○○ ●○● ○○○● ●●●○○ ●●○○○●


    ·


    此词前段第七句,较姜词添一字,第八句较姜词减一字,前段第六句、后段第二句、第四句皆押韵,较姜词多三韵。按,张词别首“跨匹马、东瀛烟树”词,正与此同。


    又一体<span ss="q"> 双调九十七字,前段九句四仄韵,后段九句五仄韵          张 炎


    望花外<span ss="q">读小桥流水<span ss="q">句门巷愔愔<span ss="q">句玉箫声绝<span ss="q">韵鹤去台空<span ss="q">句佩环何处弄明月<span ss="q">韵十年前事<span ss="q">句愁千折<span ss="q">读心


    ●○● ●○○● ○●○○ ●○○● ●●○○ ●○○●●○● ●○○● ○○● ○


    情顿别<span ss="q">韵露粉风香<span ss="q">句谁为主<span ss="q">读都成消歇<span ss="q">韵  凄咽<span ss="q">韵晓窗分袂处<span ss="q">句同把带鸳亲结<span ss="q">韵江空岁晚<span ss="q">句便


    ○●● ●●○○ ○○● ○○○●   ○● ●○○●● ○●●○○● ○○●● ●


    忘了<span ss="q">读尊前曾说<span ss="q">韵恨西风<span ss="q">读不庇寒蝉<span ss="q">句便扫尽<span ss="q">读一林残叶<span ss="q">韵谢杨柳多情<span ss="q">句还有绿阴时节<span ss="q">韵


    ○● ○○○● ●○○ ●●○○ ●●● ●○○● ●○●○○ ○●●○○●


    ·


    此与“横笛玉关”词同,惟前段起句不押韵,又前段第六句、后段第二句、第四句俱不押韵异。


    玉簟凉  调见《梅溪词》。


    玉簟凉<span ss="q"> 双调九十七字,前后段各十句,五平韵              史达祖


    秋是愁乡<span ss="q">韵自锦瑟断弦<span ss="q">句有泪如江<span ss="q">韵平生花里活<span ss="q">句奈旧梦难忘<span ss="q">韵蓝桥云树正绿<span ss="q">句料抱月<span ss="q">读几夜眠


    ○●○○ ●●●●○ ●●○○ ○○○●● ●●●○○ ○○○●●● ●●● ●●○


    香<span ss="q">韵河汉阻<span ss="q">句但凤音传恨<span ss="q">句阑影敲凉<span ss="q">韵  新妆<span ss="q">韵莲娇试晓<span ss="q">句梅瘦破春<span ss="q">句因甚却扇临窗<span ss="q">韵红巾衔


    ○ ○●● ●●○○● ○●○○<span ss="q">   ○○ ○○●● ○●●○ ○●●●○○ ○○○


    翠翼<span ss="q">句早弱水茫茫<span ss="q">韵柔情各自未剪<span ss="q">句问此去<span ss="q">读莫负王昌<span ss="q">韵芳信准<span ss="q">句更敢寻<span ss="q">读红杏西厢<span ss="q">韵


    ●● ●●●○○ ○○●●●● ●●● ●●○○ ○●● ●●○ ○●○○


    ·


    此调无别词可校。 前段第五句、后段第六句皆五字,例作上一下四句法,与上句五言者不同。
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