卷二十四

3个月前 作者: 陈廷敬
    <tr>


    <td>


    目  录 <span ss="q">二


    十二调五十一体,起九十五字至九十六字


    扫地游三体<span ss="q">又名扫花游


    满庭芳七体<span ss="q">又名锁阳台、满庭霜、潇湘夜雨、话桐乡、江南好、满庭花、转调满庭芳


    白 雪一体


    徵 招三体


    双瑞莲一体


    玉京秋一体


    小圣乐一体<span ss="q">又名骤雨打新荷


    玉女迎春慢一体


    玉梅香慢一体


    金浮图一体


    阳台路一体


    黄莺儿三体


    天 香八体


    熙州慢一体


    汉宫春十体<span ss="q">又名汉宫春慢


    倦寻芳二体<span ss="q">又名倦寻芳慢


    剑器近一体


    秋兰香一体


    凤鸾双舞一体


    行香子慢一体


    甘露滴乔松一体


    庆千秋一体


    扫地游  调见《清真词》,因词有“占地持杯,扫花寻路”句,取以为名,又名《扫花游》。


    扫地游 <span ss="q">双调九十五字,前段十一句六仄韵,后段十句七仄韵         周邦彦


    晓阴翳日<span ss="q">句正雾霭烟横<span ss="q">句远迷平楚<span ss="q">韵暗黄万缕<span ss="q">韵听鸣禽按曲<span ss="q">句小腰欲舞<span ss="q">韵细绕回堤<span ss="q">句驻马河桥避


    ◎○●● ●●●○○ ◎○○● ●○●● ●○○◎● ●○◎● ●●⊙○ ●●⊙○○


    雨<span ss="q">韵信流去<span ss="q">韵问一叶怨题<span ss="q">句今到何处<span ss="q">韵  春事能几许<span ss="q">韵任占地持杯<span ss="q">句扫花寻路<span ss="q">韵泪珠溅俎<span ss="q">韵叹


    ● ●○● ●◎◎●○ ⊙◎○●   ⊙◎⊙◎● ●◎●○○ ◎⊙⊙● ◎○●● ●


    将愁度日<span ss="q">句病伤幽素<span ss="q">韵恨入金徽<span ss="q">句见说文君更苦<span ss="q">韵黯凝伫<span ss="q">韵掩重关<span ss="q">读遍城钟鼓<span ss="q">韵


    ⊙⊙◎◎ ●○○● ●●○○ ◎●⊙○◎● ◎○● ●○○ ●○⊙●


    ·


    此调以此词为正体,若杨词之多押一韵,王词之减字,皆变体也。 宋、元人填此调者,其字、句、韵悉同,惟王沂孙词,前后段第五、六句“但匆匆,暗里换将花去”、“想参差,渐满野塘山路”,吴文英词,前段第五、六句“想玉人,误惜章台春色”,张炎词,后段第五、六句“步仙风,怕有采芝人到”,俱作上三下六句法,与此词小异。 按,前段第一句,王沂孙词“商飚乍发”,商字平声;第三句,王词“萧萧还住”,上萧字平声;第五、六句,张翥词“怅香销尘土,泪殷玉井”,尘字平声;第七句,张炎词“几日不来”,不字仄声;第八句,张半湖词“料想酒阑歌罢”,酒字仄声,歌字平声;第十句,吴文英词“似山阴夜晴”,山阴二字俱平声;第十一句,吴词“胜看花好”,胜字仄声,看字平声;后段第一句,陈允平词“后期重细许”,后字仄声,期字平声,吴词“芳架雪未扫”,扫字仄声,张半湖词“窗外竹声打”,声字平声;第二、三句,张炎词“听虚籁泠泠,飞下孤峭”,虚字、飞字俱平声,下字仄声,吴词“和风筑东风,宴歌曲水”,曲字仄声;第四句,张炎词“山空翠老”,山字平声;第五句,张半湖词“唤石鼎烹茶”,石鼎二字俱仄声,烹茶二字俱平声;第八句,张炎词“芳草不除更好”,芳字平声,不字仄声,张半湖词“天外新蟾低挂”,低字平声;第九句,张半湖词“凉无价”,凉字平声;第十句,吴词“掩重城、暮钟不到”,不字仄声。谱内可平可仄据此,余参下词。


    又一体 <span ss="q">双调九十五字,前段十一句七仄韵,后段十句七仄韵         杨无咎


    乳莺啭午<span ss="q">句好梦正初醒<span ss="q">句小轩清楚<span ss="q">韵水沈细缕<span ss="q">韵趁游丝落絮<span ss="q">句缓随风舞<span ss="q">韵罥起春心<span ss="q">句又是愁云怨


    ●●●● ●●●○○ ●○○● ●○●● ●○○●● ●○○● ●●○○ ●●○○●


    雨<span ss="q">韵玉人去<span ss="q">韵遍徙倚旧时<span ss="q">句曾并肩处<span ss="q">韵  相望知几许<span ss="q">韵纵远隔云山<span ss="q">句不遮愁路<span ss="q">韵捧杯荐俎<span ss="q">韵记


    ● ●○● ●●●●○ ○●○●   ○●○●● ●●●○○ ●○○● ●○●● ●


    低歌丽曲<span ss="q">句共论心素<span ss="q">韵薄恨斜阳<span ss="q">句不道离情最苦<span ss="q">韵正凝伫<span ss="q">韵向谯门<span ss="q">读又催笳鼓<span ss="q">韵


    ○○●● ●○○● ●●○○ ●●○○●○ ●○● ●○○ ●○○●


    ·


    此和周词也,惟前段起句多用一韵异。


    又一体 <span ss="q">双调九十四字,前段十一句六仄韵,后段十句七仄韵         王沂孙


    小庭荫碧<span ss="q">句遇骤雨疏风<span ss="q">句剩红如扫<span ss="q">韵翠交径小<span ss="q">韵问攀条弄蕊<span ss="q">句有谁重到<span ss="q">韵漫说青青<span ss="q">句比似花时更


    ●○●● ●●●○○ ●○○● ●○●● ●○○●● ●○○● ●●○○ ●●○○●


    好<span ss="q">韵怎知道<span ss="q">韵一别汉南<span ss="q">句遗恨多少<span ss="q">韵  清昼人悄悄<span ss="q">韵任密护帘寒<span ss="q">句暗迷窗晓<span ss="q">韵旧盟误了<span ss="q">韵又新


    ● ●○● ●●●○ ○●○●   ○●○●● ●●●○○ ●○○● ●○●● ●○


    枝嫩子<span ss="q">句总随春老<span ss="q">韵渐隔相思<span ss="q">句极目长亭路杳<span ss="q">韵搅怀抱<span ss="q">韵听蒙茸<span ss="q">读数声啼鸟<span ss="q">韵


    ○●● ●○○● ●●○○ ●●○○●● ●○● ●○○ ●○○●


    ·


    此亦与周词同,惟前段第十句,减一字异。


    满庭芳  此凋有平韵、仄韵两体。平韵者,周邦彦词,名《锁阳台》;葛立方词,有“要看黄昏庭院,横斜映霜月朦胧”句,名《满庭霜》;晁补之词,有“堪与潇湘暮雨,图上画扁舟”句,名《潇湘夜雨》;韩淲词,有“甘棠遗爱,留与话桐乡”句,名《话桐乡》;吴文英词,因苏轼词有“江南好,千钟美酒,一曲满庭芳”句,名《江南好》;张埜词,名《满庭花》;《太平乐府》注中吕宫,高拭词注中吕调。仄韵者,《乐府雅词》名《转调满庭芳》。


    满庭芳 <span ss="q">双调九十五字,前后段各十句,四平韵              晏几道


    南苑吹花<span ss="q">句西楼题叶<span ss="q">句故园欢事重重<span ss="q">韵凭阑秋思<span ss="q">句闲记旧相逢<span ss="q">韵几处歌云梦雨<span ss="q">句可怜便<span ss="q">读流水西


    ⊙●○○ ⊙○⊙● ◎○⊙●○○ ⊙○⊙● ⊙●●○○ ◎●⊙○◎● ◎⊙● ⊙●○


    东<span ss="q">韵别来久<span ss="q">句浅情未有<span ss="q">句锦字系征鸿<span ss="q">韵  年光还少味<span ss="q">句开残槛菊<span ss="q">句落尽溪桐<span ss="q">韵漫留得<span ss="q">句尊前淡


    ○ ◎○● ◎○◎● ◎●●○○   ⊙○○●● ⊙○◎● ◎●○○ ●⊙◎ ⊙○◎


    月西风<span ss="q">韵此恨谁堪共说<span ss="q">句清愁付<span ss="q">读绿酒杯中<span ss="q">韵佳期在<span ss="q">句归时待把<span ss="q">句香袖看啼红<span ss="q">韵


    ●○○ ◎●⊙○◎● ⊙⊙● ◎●○○ ○○● ⊙○◎● ⊙●●○○


    ·


    此调以此词及周词为正体,若黄词之减字,程、赵、元三词之添字,与无名氏词之转调,皆变体也。 此词换头句不藏短韵,宋、元人如此填者亦多。 前段第三句,舒亶词“楼台半在云间”,楼字平声;第九句,周邦彦词“全胜瀛海”,瀛字平声;后段第一、二、三句,葛立方词“北枝方半吐,水边疏影,绰约娉婷”,北字仄声,疏字平声;第四、五句,周紫芝词“且细看,八砖花影迟迟”,细字仄声;第六句,向子諲词“常被此花相恼”,此字仄声,相字平声;第九句,周邦彦词“笛声吹彻”,笛字仄声,吹字平声。谱内可平可仄据此,余参所采平韵五词。 此调前后段第八句,例作平平仄平平仄,此词前段第八句别字,以入替平。如毛滂词之后段第八句“北窗晚”北字,又一首“玉台畔”玉字,亦是以入替平,不可泛填上、去声字。又,苏轼词,前段第三句“算只君与长江”,又“万里烟波云帆”,第二字俱用仄声,查别首宋词,无用仄声者,故不注可仄。


    又一体 <span ss="q">双调九十五字,前段十句四平韵,后段十一句五平韵         周邦彦


    风老莺雏<span ss="q">句雨肥梅子<span ss="q">句午阴嘉树清圆<span ss="q">韵地卑山近<span ss="q">句衣润费炉烟<span ss="q">韵人静鸟鸢自乐<span ss="q">句小桥外<span ss="q">读新绿溅


    ○●○○ ●○○● ●○○●○○ ●○○● ○●●○○ ○●○○●● ●○● ○●○


    溅<span ss="q">韵凭阑久<span ss="q">句黄芦苦竹<span ss="q">句拟泛九江船<span ss="q">韵  年年<span ss="q">韵如社燕<span ss="q">句飘流瀚海<span ss="q">句来寄修椽<span ss="q">韵且莫思身外<span ss="q">句


    ○ ○○● ○○●● ●●●○○   ○○ ○●● ○○●● ○●○○ ●●○○●


    长近尊前<span ss="q">韵憔悴江南倦客<span ss="q">句不堪听<span ss="q">读急管繁弦<span ss="q">韵歌筵畔<span ss="q">句先安枕簟<span ss="q">句容我醉时眠<span ss="q">韵


    ○●○○ ○●○○●● ●○● ●●○○ ○○● ○○●● ○●●○○


    ·


    此与晏词同,惟后段第四、五句,作五字一句、四字一句,又换头句藏短韵异。


    又一体 <span ss="q">双调九十三字,前段十句四平韵,后段十一句五平韵         黄公度


    一径叉分<span ss="q">句三亭鼎峙<span ss="q">句小园别是清幽<span ss="q">韵曲阑低槛<span ss="q">句春色四时留<span ss="q">韵怪石参差卧虎<span ss="q">句长松偃蹇拏虬<span ss="q">韵


    ●●○○ ○○●● ●○●●○○ ●○○● ○●●○○ ●●○○●● ○○●●○○


    携筇晚<span ss="q">句风来万里<span ss="q">句冷撼一天秋<span ss="q">韵  优游<span ss="q">韵销永昼<span ss="q">句琴尊左右<span ss="q">句宾主风流<span ss="q">韵且偷闲<span ss="q">句不妨身在


    ○○● ○○●● ●●●○○   ○○ ○●● ○○●● ○●○○ ●○○ ●○○●


    南州<span ss="q">韵故国归帆隐隐<span ss="q">句西昆往事悠悠<span ss="q">韵都休问<span ss="q">句金钗十二<span ss="q">句满酌听轻讴<span ss="q">韵


    ○○ ●●○○●● ○○●●○○ ○○● ○○●● ●●●○○


    ·


    此与周词同,惟前后段第七句各减一字,作六字句,及后段第四、五句,仍用晏词体异。 按,此词前后段第六、七句,俱作对偶,填者遵之。


    又一体 <span ss="q">双调九十六字,前后段各十句,四平韵              程 垓


    南月惊乌<span ss="q">句西风破雁<span ss="q">句又还是<span ss="q">读秋满平湖<span ss="q">韵采莲人静<span ss="q">句寒色战菰蒲<span ss="q">韵旧信江南好景<span ss="q">句一万里<span ss="q">读轻


    ○●○○ ○○●● ●○● ○●○○ ●○○● ○●●○○ ●●○○●● ●●● ○


    觅蓴鲈<span ss="q">韵谁知道<span ss="q">句吴侬未识<span ss="q">句蜀客已情孤<span ss="q">韵   凭高增怅望<span ss="q">句湘云尽处<span ss="q">句都是平芜<span ss="q">韵问故乡何


    ●○○ ○○● ○○●● ●●●○○<span ss="q">    ○○○●● ○○●● ○●○○ ●●○○


    日<span ss="q">句重见吾庐<span ss="q">韵纵有荷纫芰制<span ss="q">句终不似<span ss="q">读菊短篱疏<span ss="q">韵归情远<span ss="q">句三更雨梦<span ss="q">句依旧绕庭梧<span ss="q">韵


    ● ○●○○ ●●○○●● ○●● ●●○○ ○○● ◎○●● ○●●○○


    ·


    此与晏词同,惟前段第三句,添一衬字异。 按,此词起句“南月惊乌”,与晁端礼词之“雪满貂裘”、向子諲词之“月窟蟠根”、石孝友词之“修竹挼蓝”等句同,偶然合韵,旧谱误注用韵,不知此词两句对起,必无首句用韵之理,填者辨之。


    又一体 <span ss="q">双调九十六字,前后段各十句,四平韵              赵长卿


    斜点银釭<span ss="q">句高擎莲炬<span ss="q">句夜寒不奈微风<span ss="q">韵重重帘幕<span ss="q">句掩映画堂中<span ss="q">韵香渐远<span ss="q">读长烟袅穟<span ss="q">句光不定<span ss="q">读寒


    ○●○○ ○○○● ●○●●○○ ○○○● ●●●○○ ○●● ○○●● ○●● ○


    影摇红<span ss="q">韵偏奇处<span ss="q">句当庭月暗<span ss="q">句吐焰亘如虹<span ss="q">韵  红裳呈艳丽<span ss="q">句翠娥一见<span ss="q">句无奈狂踨<span ss="q">韵试烦纤手<span ss="q">句


    ●○○ ○○● ○○●● ●●●○○   ○○○●● ●○●● ○●○○ ●○○●


    卷上纱笼<span ss="q">韵开正好<span ss="q">读银花照夜<span ss="q">句堆不尽<span ss="q">读金粟凝空<span ss="q">韵叮咛语<span ss="q">句频将好事<span ss="q">句来报主人公<span ss="q">韵


    ●●○○ ○●● ○○●● ○●● ○●○○ ○○● ○○●● ○●●○○


    ·


    此与晏词同,惟前后段第六句,各添一字作七字句,后段第四、五句减一字,作四字两句异。 按,此词前后段第六、七句,亦用对偶,填者遵之。 汲古阁刻《惜香乐府》,此词颇有脱误,今依《词纬》本校定。


    又一体 <span ss="q">双调九十六字,前后段各十句,四平韵              元好问


    天上殷韩<span ss="q">句解羁官府<span ss="q">句烂游舞榭歌楼<span ss="q">韵开花酿酒<span ss="q">句来看帝王州<span ss="q">韵常见牡丹开后<span ss="q">句独占断<span ss="q">读穀雨风


    ○●○○ ●○○● ●○●●○○ ○○●● ○●●○○ ○●●○○● ●●● ●●○


    流<span ss="q">韵仙家好<span ss="q">句霜天槁叶<span ss="q">句秾艳破春柔<span ss="q">韵  狂僧谁借手<span ss="q">句一杯唤起<span ss="q">句绿怨红愁<span ss="q">韵天香国艳<span ss="q">句梅菊


    ○ ○○● ○○●● ○●●○○   ○○○●● ●○●● ●●○○ ○○●● ○●


    背人羞<span ss="q">韵尽揭纱笼护日<span ss="q">句容光动<span ss="q">读玉斝琼舟<span ss="q">韵都人士女<span ss="q">句年年十月<span ss="q">句常记遇仙楼<span ss="q">韵


    ●○○ ●●○○●● ○○● ●●○○ ○○●● ○○●● ○●●○○


    ·


    此亦与晏词同,惟前后段第四、五句,俱作四字、五字,其后段第八句,亦添一衬字异。


    又一体 <span ss="q">双调九十六字,前段十句四仄韵,后段九句四仄韵      <span ss="q">古今词话无名氏


    风急霜浓<span ss="q">句天低云淡<span ss="q">句过来孤雁声切<span ss="q">韵雁儿且住<span ss="q">句略听自家说<span ss="q">韵你为离群到此<span ss="q">句我共个<span ss="q">读人人才


    ○●○○ ○○○● ●○○●○● ●○●● ●●●○● ●●○○●● ●●● ○○○


    别<span ss="q">韵松江岸<span ss="q">句黄芦丛里<span ss="q">句天更待飞雪<span ss="q">韵  声声肠欲断<span ss="q">句和我也<span ss="q">读点点珠泪成血<span ss="q">韵这一江流水<span ss="q">句


    ● ○○● ○○○● ○●●○●   ○○○●● ○●● ●●○●○● ●●○○●


    流也呜咽<span ss="q">韵告你高飞远举<span ss="q">句前程事<span ss="q">读永没磨折<span ss="q">韵休烦恼<span ss="q">句飘零聚散<span ss="q">句终有见时节<span ss="q">韵


    ○●○● ●●○○●● ○○● ●○○● ○○● ○○●● ○●●○●


    ·


    此词见《乐府雅词》,又见《古今词话》,押仄声韵,与晏词平韵体同,惟后段第二、三句,添一字,作九字一句异。 《乐府雅词》抄本,与此小异,今从《花草粹编》所采《古今词话》原本。


    白 雪  调见《逃禅集》,杨无咎自制曲,题本赋雪,故即以《白雪》名调。


    白 雪 <span ss="q">双调九十五字,前段九句五平韵,后段九句四平韵          杨无咎


    檐收雨脚<span ss="q">句云乍敛<span ss="q">读依然又满长空<span ss="q">韵纹蜡焰低<span ss="q">句熏炉烬冷<span ss="q">句寒衾拥尽重重<span ss="q">韵隔帘栊<span ss="q">韵听撩乱<span ss="q">读扑


    ○○●● ○●● ○○●●○○ ○●●○ ○○●● ○○●●○○ ●○○ ●○● ●


    漉青虫<span ss="q">韵晓来见<span ss="q">读玉楼珠殿<span ss="q">句恍若在蟾宫<span ss="q">韵  长爱越水泛舟<span ss="q">句蓝关立马<span ss="q">句画图中<span ss="q">韵怅望几多诗


    ●○○ ●○● ●○○● ●●●○○   ○●●●●○ ○○●● ●○○ ●●●○○


    思<span ss="q">句无句可形容<span ss="q">韵谁与问<span ss="q">读已经三白<span ss="q">句或是报年丰<span ss="q">韵未应真个<span ss="q">句情多老却天公<span ss="q">韵


    ● ○●●○○ ○●● ●○○● ●●●○○ ●○○● ○○●●○○


    ·


    汲古阁本,后段第四句缺一字,又结句,或作“扫除阴翳,惟祈红日生东”,今照《花草粹编》校定。 此词无别首可校,其平仄须遵之。


    徵 招  《宋史·乐志》:政和间,诏以大晟雅乐,施于燕飨,御殿按试,补徵、角二调,播之教坊。调名始此。


    徵 招 <span ss="q">双调九十五字,前段九句五仄韵,后段八句五仄韵          赵以夫


    玉壶冻裂琅玕折<span ss="q">句骎骎逼人衣袂<span ss="q">韵暖絮涨空飞<span ss="q">句失前山横翠<span ss="q">韵欲低还又起<span ss="q">韵似妆点<span ss="q">读满园春意<span ss="q">韵


    ●○◎●○○● ○○●○○● ◎●●○○ ●⊙○○● ◎○○●● ●○● ◎○○●


    记忆当时<span ss="q">句剡中情味<span ss="q">句一溪云水<span ss="q">韵  天际绝人行<span ss="q">句高吟处<span ss="q">读依稀灞桥邻里<span ss="q">韵更翦翦梅花<span ss="q">句落云


    ●●○○ ●○○● ●○○●   ⊙●●○○ ○○● ○○●○○● ●●●○○ ●○


    阶月砌<span ss="q">韵化工真解事<span ss="q">韵强勾引<span ss="q">读老来诗思<span ss="q">韵楚天暮<span ss="q">读驿使不来<span ss="q">句怅曲阑频倚<span ss="q">韵


    ○◎● ◎○○●● ◎⊙● ●○○● ◎○● ●●◎○ ●●○○●


    ·


    此调以此词为正体,周密“江篱摇落”词、张炎“秋风吹碎”词,俱如此填。若张词别首之少押两韵,彭词之句读小异,皆变格也。 此词前后段第四句,及后段结句,例作上一下四句法,填者依之。 此词后段第四句,“月”字入声,以入替平,观周词之“吹”字、张词之“空”字可见,第七句“不”字,亦以入替平,观周词之“难”字、张词之“纷”字可见。 按,周密词,前段第四句“奈曲终人杳”,曲字仄声;张炎词,第五句“余音犹在耳”,余字平声;后段起句“客里可消忧”,客字仄声;第五句“心尘聊更洗”,心字平声。谱内可平可仄据此,余参张词。 彭词平仄,自成一体,故不校注。 此词前段第二句、后段第二句下六字,俱作平平仄平平仄,周密词“霜空雁程初到”、“寂寂怨琴凄调”,张炎词“石床自听流水”、“寥寥几年无此”,寂寂字、石字,俱以入作平,故不注可仄。


    又一体 <span ss="q">双调九十五字,前段九句四仄韵,后段八句四仄韵          张 炎


    可怜张绪门前柳<span ss="q">句相看顿非年少<span ss="q">韵三径已荒凉<span ss="q">句更如今怀抱<span ss="q">韵薄游浑是感<span ss="q">句满烟水<span ss="q">读东风残照<span ss="q">韵


    ●○○●○○● ○○●○○● ○●●○○ ●○○○● ●○○●● ●○○ ○○○●


    古调谁弹<span ss="q">句古音谁赏<span ss="q">句岁华空老<span ss="q">韵  京洛染缁尘<span ss="q">句悠然意<span ss="q">读独对南山一笑<span ss="q">韵只在此山中<span ss="q">句甚相


    ●●○○ ●○○● ●○○●   ○●●○○ ○○● ●●○○●● ●●●○○ ●○


    逢不早<span ss="q">韵瘦吟心共苦<span ss="q">句知几度<span ss="q">读剪灯窗小<span ss="q">韵何时更<span ss="q">读听雨巴山<span ss="q">句赋草池春晓<span ss="q">韵


    ○●● ●○○●● ○●● ●○○● ○○● ●●○○ ●●○○●


    ·


    此与赵词同,惟前后段第五句,俱不押韵异。 此词后段第二句,“一”字以入作平,“对”字用去声,与诸家不同。


    又一体 <span ss="q">双调九十五字,前段九句四仄韵,后段八句四仄韵          彭元逊


    人间无欠秋风处<span ss="q">句偏到霜根月杪<span ss="q">韵细雨船篷<span ss="q">韵日夜风波未了<span ss="q">韵忽潮生海立<span ss="q">句又天阔江清欲晓<span ss="q">韵孤


    ○○○●○○● ○●○○●● ●●○○ ●●○○●● ●○○●● ●○●○○●● ○


    迥幽深<span ss="q">句激扬悲壮<span ss="q">句浮沈浩渺<span ss="q">韵  行路古来难<span ss="q">句貂裘敝<span ss="q">读匹马关山人老<span ss="q">韵锦字未成<span ss="q">句寒到君边


    ●○○ ●○○● ○○●●   ○●●○○ ○○● ●●○○○● ●●●○ ○●○○


    书到<span ss="q">韵料倚门回首<span ss="q">句更儿女<span ss="q">读灯前欢笑<span ss="q">韵早斟酌<span ss="q">读万里封侯<span ss="q">句怕镜霜催照<span ss="q">韵


    ○● ●●○○● ●○● ○○○● ●○● ●●○○ ●●○○●


    ·


    此与张词同,惟前后段第三句俱四字,第四句俱六字异。 后段第六句,《花草粹编》脱一字,今从凤林书院元词增定。 此词平仄,颇与各家不同,前后段第二句,月字、匹字,皆以入作平。


    双瑞莲  调见《虚斋乐府》,词咏并头莲,即以为名。


    双瑞莲 <span ss="q">双调九十五字,前段十句六仄韵,后段九句五仄韵          赵以夫


    千机云锦里<span ss="q">韵看并蒂新房<span ss="q">句骈头芳蕊<span ss="q">韵清标艳态<span ss="q">句两两翠裳霞袂<span ss="q">韵似是商量心事<span ss="q">句倚绿盖<span ss="q">读无言


    ○○○●● ●●●○○ ○○○● ○○●● ●●●○○● ●●○○○● ●●● ○○


    相对<span ss="q">韵天蘸水<span ss="q">韵彩舟过处<span ss="q">句鸳鸯惊起<span ss="q">韵  缥缈漾影摇香<span ss="q">句想刘阮风流<span ss="q">句双仙姝丽<span ss="q">韵闲情不断<span ss="q">句


    ○● ○●● ●○●● ○○○●   ●●●●○○ ●○●○○ ○○○● ○○●●


    犹恋人间欢会<span ss="q">韵莫待西风吹老<span ss="q">句荐玉醴<span ss="q">读碧筩拌醉<span ss="q">韵清露底<span ss="q">韵月照一襟归思<span ss="q">韵


    ○●○○○● ●●○○○● ●●● ●○○● ○●● ●●●○○●


    ·


    此调近《玉漏迟》,但前段第二句多一字,前后段第四句平仄不同耳,然无别首宋词可校。


    玉京秋  调见《苹洲渔笛谱》。


    玉京秋 <span ss="q">双调九十五字,前段十一句六仄韵,后段九句六仄韵         周 密


    烟水阔<span ss="q">韵高林弄残照<span ss="q">句晚蜩凄切<span ss="q">韵画角吹寒<span ss="q">句碧砧度韵<span ss="q">句银床飘叶<span ss="q">韵衣湿桐阴露冷<span ss="q">句采凉花<span ss="q">读时


    ○●● ○○●○● ●○○● ●●○○ ●○●● ○○○● ○●○○●● ●○○ ○


    赋秋雪<span ss="q">韵叹轻别<span ss="q">韵一襟幽事<span ss="q">句砌蛩能说<span ss="q">韵  客思吟商还怯<span ss="q">韵怨歌长<span ss="q">读琼壶暗缺<span ss="q">韵翠扇阴疏<span ss="q">句红


    ●○● ○○● ●○○● ●○○●   ●●○○○● ●○○ ○○●● ●●○○ ○


    衣香褪<span ss="q">句翻成销歇<span ss="q">韵玉骨西风<span ss="q">句恨最恨<span ss="q">读闲却新凉时节<span ss="q">韵楚箫咽<span ss="q">韵谁倚西楼淡月<span ss="q">韵


    ○○● ○○○● ●●○○ ●●● ○●○○○● ●○● ○●○○●●


    ·


    此周密自度腔,无别首宋词可校,其平仄当依之。 《词律》前段第四句,脱“画角吹寒”四字,后段第三句“翠扇阴疏”,脱阴字,今从《词纬》校正。


    小圣乐  金元好问自度曲,《太平乐府》、《太和正音谱》,俱注双调;蒋氏九宫谱目,入小石调。因词中前结有“骤雨过,打遍新荷”句,更名《骤雨打新荷》。


    小圣乐 <span ss="q">双调九十五字,前段十句三平韵、一叶韵,后段十句四平韵      元好问


    绿叶阴浓<span ss="q">句遍池亭水阁<span ss="q">句偏趁凉多<span ss="q">韵海榴初绽<span ss="q">句朵朵蹙红罗<span ss="q">韵乳燕雏莺弄语<span ss="q">句对高柳<span ss="q">读鸣蝉相


    ●●○○ ●○○●● ○●○○ ●○○● ●●●○○ ●●○○●● ●○● ○○○


    和<span ss="q">叶骤雨过<span ss="q">句似琼珠乱撒<span ss="q">句打遍新荷<span ss="q">韵   人生百年有几<span ss="q">句念良辰美景<span ss="q">句休放虚过<span ss="q">韵穷贫前


    ● ●●● ●○○●● ●●○○    ○○●○●● ●○○●● ○●○○ ●○○


    定<span ss="q">句何用苦奔波<span ss="q">韵命友邀宾宴赏<span ss="q">句饮芳醑<span ss="q">读浅斟低歌<span ss="q">韵且酩酊<span ss="q">句从教二轮<span ss="q">句来往如梭<span ss="q">韵


    ● ○●●○○ ●●○○●● ●○● ●○○○ ●●● ○○●○ ○●○○


    ·


    此元曲也,旧谱亦编入词调,故为采入。 前段和字韵,亦是三声叶,盖以五歌与二十二个叶也。


    玉女迎春慢  调见凤林书院元词。


    玉女迎春慢 <span ss="q">双调九十五字,前段九句六仄韵,后段九句五仄韵        彭元逊


    才入新年<span ss="q">句逢人日<span ss="q">读拂拂淡烟无雨<span ss="q">韵叶底妖禽自语<span ss="q">韵小啄幽香还吐<span ss="q">韵东风辛苦<span ss="q">韵便怕有<span ss="q">读踏青人


    ○●○○ ○○● ●●●○○● ●●○○●● ●●○○○● ○○○● ●●● ●○○


    误<span ss="q">韵清明寒食<span ss="q">句消得渡江<span ss="q">句黄翠千缕<span ss="q">韵   看临小帖宜春<span ss="q">句填轻晕湿<span ss="q">句碧花生雾<span ss="q">韵为说钗头袅


    ● ○○○● ○●●○ ○●○●    ○○●●○○ ○○●● ●○○● ●●○○●


    袅<span ss="q">句系著轻盈不住<span ss="q">韵问郎留否<span ss="q">韵似昨夜<span ss="q">读教成鹦鹉<span ss="q">韵走马章台<span ss="q">句忆得画眉归去<span ss="q">韵


    ● ●●○○●● ●○○● ●●● ●○○● ●●○○ ●●●○○●


    ·


    此词无别首可校,其平仄须遵之。


    玉梅香慢  调见《梅苑》,与《梅香慢》、《早梅香》、《雪梅香》不同。


    玉梅香慢 <span ss="q">双调九十五字,前段十一句五仄韵,后段八句五仄韵      <span ss="q">梅苑无名氏


    寒色犹高<span ss="q">句春力尚怯<span ss="q">韵微律先催梅坼<span ss="q">韵晓日轻烘<span ss="q">句清风频触<span ss="q">句凝散疏林残雪<span ss="q">韵嫩英妒粉<span ss="q">句嗟素


    ○●○○ ○●●● ○●○○○● ●●○○ ○○○● ○●○○○● ●○●● ○●


    艳<span ss="q">读有蜂蝶<span ss="q">韵全似人人<span ss="q">句向我依然<span ss="q">句顿成离缺<span ss="q">韵  徘徊寸肠万结<span ss="q">韵又因花<span ss="q">读暗成凝咽<span ss="q">韵撚蕊


    ● ●○● ○●○○ ●●○○ ●○○●   ○○●○●● ●○○ ●○○● ●●


    怜香<span ss="q">句不禁恨深难绝<span ss="q">韵若是芳心解语<span ss="q">句应共把<span ss="q">读此情细细说<span ss="q">韵泪满阑干<span ss="q">句无言强折<span ss="q">韵


    ○○ ●●●○○● ●●○○●● ○●● ●○●●● ●●○○ ○○●●


    ·


    此调惟有此词,无别首可校。


    金浮图  调见《尊前集》。


    金浮图 <span ss="q">双调九十六字,前后段各十句,七仄韵              尹 鹗


    繁华地<span ss="q">韵王孙富贵<span ss="q">韵玳瑁筵开<span ss="q">句下朝无事<span ss="q">韵压红裀<span ss="q">读凤舞黄金翅<span ss="q">韵玉立纤腰<span ss="q">句一片揭天歌吹<span ss="q">韵满


    ○○● ○○●● ●●○○ ●○○● ●○○ ●●○○● ●●○○ ●●●○○● ●


    目绮罗珠翠<span ss="q">韵和风淡荡<span ss="q">句偷送沈檀气<span ss="q">韵  堪判醉<span ss="q">韵韶光正媚<span ss="q">韵折尽牡丹<span ss="q">句艳迷人意<span ss="q">韵纵金张许


    ●●○○● ○○●● ○●○○●   ○○● ○○●● ●●●○ ●○○● ●○○●


    史应难比<span ss="q">韵贪恋欢娱<span ss="q">句不觉金乌西坠<span ss="q">韵还惜会难别易<span ss="q">韵金船更劝<span ss="q">句勒住花骢辔<span ss="q">韵


    ●○○● ○●○○ ●●○○○● ○●●○●● ○○●● ●●○○●


    ·


    后段第五句“纵”字,第七句“西”字,从《词纬》本增入。 此词无别首可校,《词律》以前后段对注平仄,毕竟无据。


    阳台路  《乐章集》注:林钟商。


    阳台路 <span ss="q">双调九十六字,前段九句六仄韵,后段八句四仄韵          柳 永


    楚天晚<span ss="q">韵坠冷枫败叶<span ss="q">句疏红零乱<span ss="q">韵冒征尘<span ss="q">读匹马驱驱<span ss="q">句愁见水遥山远<span ss="q">韵追念年时<span ss="q">句正恁凤帏<span ss="q">读倚


    ●○● ●●○●● ○○○● ●○○ ●●○○ ○●●○○● ○●○○ ●●●○ ●


    香偎暖<span ss="q">韵嬉游惯<span ss="q">韵又岂知<span ss="q">读前欢云雨分散<span ss="q">韵  此际空劳回首<span ss="q">句望帝里<span ss="q">读难收泪眼<span ss="q">韵暮烟衰草<span ss="q">句


    ○○● ○○● ●●○ ○○○●○●   ●●○○○● ●●● ○○●● ●○○●


    算暗锁<span ss="q">读路歧无限<span ss="q">韵今宵又<span ss="q">读依前寄宿<span ss="q">句甚处苇村山馆<span ss="q">韵寒灯半夜厌厌<span ss="q">句凭何消遣<span ss="q">韵


    ●●● ●○○● ○○● ○○●● ●●●○○● ○○●●○○ ○○○●


    ·


    此调只有此词,无别首可校。柳词俱入宫调,其句读平仄须遵之。


    黄莺儿  调见《乐章集》,原注正宫,即咏黄莺儿,取以为名。


    黄莺儿 <span ss="q">双调九十六字,前段十句四仄韵,后段十句五仄韵          柳 永


    园林晴昼谁为主<span ss="q">韵暖律潜催<span ss="q">句幽谷暄和<span ss="q">句黄鹂翩翩<span ss="q">句乍迁芳树<span ss="q">韵观露湿缕金衣<span ss="q">句叶映如簧语<span ss="q">韵晓


    ⊙○○●○○● ◎●○○ ○●○○ ⊙⊙○○ ◎⊙○● ○●●●○○ ●●○○● ●


    来枝上绵蛮<span ss="q">句似把芳心<span ss="q">句深意低诉<span ss="q">韵   无据<span ss="q">韵乍出暖烟来<span ss="q">句又趁游蜂去<span ss="q">韵恣狂踪迹<span ss="q">句两两相


    ○○●○○ ●●○○ ○●○●    ○● ●●●○○ ●●○○● ●○○◎ ●●○


    呼<span ss="q">句终朝雾吟风舞<span ss="q">韵当上苑柳浓时<span ss="q">句别馆花深处<span ss="q">韵此际海燕偏饶<span ss="q">句都把韶光与<span ss="q">韵


    ○ ○○◎⊙○● ○●●●○○ ●●○○● ●◎◎●○○ ⊙●○○●


    ·


    此调以此词为正体,王诜、陈允平词,正与此同,若晁词之句读小异,无名氏词之减字,皆变体也。 按,此词前段第二句至第五句,与王诜词“北圃人来,传道江梅,依稀芳姿,数枝新发”,陈允平词“南陌嘤嘤,乔木初迁,纱窗无眠,画阑凭晓”,句读平仄如一,俱作四字四句,《词律》点作六字一句、四字一句、又六字一句者误。至前段第六句作上一下五句法,第七句即与上句作五字对偶,王词“夸嫩脸著胭脂,腻骨凝香雪”,陈词“看止宿暗黄深,织雾金梭小”,后段第二、三句亦作五言对偶,第六、七句与前段同,五首皆然,当是此调体例,填者辨之。 陈词,前段起句“六波烟黛浮空杳”,六字仄声;第二句“南陌嘤嘤”,南字平声。谱内可平可仄据此,余参下晁词、《梅苑》词。


    又一体 <span ss="q">双调九十七字,前段九句四仄韵,后段十句五仄韵          晁补之


    南园佳致偏宜暑<span ss="q">韵两两三三<span ss="q">句修篁新笋出初齐<span ss="q">句猗猗过檐侵户<span ss="q">韵听乱点芰荷风<span ss="q">句细洒梧桐雨<span ss="q">韵午


    ○○○●○○● ●●○○ ○○○●●○○ ○○●○○● ○●●●○○ ●●○○● ●


    余帘影参差<span ss="q">句远树蝉声<span ss="q">句幽梦残处<span ss="q">韵   凝伫<span ss="q">韵既往尽成空<span ss="q">句暂过何曾住<span ss="q">韵算人间事<span ss="q">句岂足追


    ○○●○○ ●●○○ ○●○●    ○● ●●●○○ ●●○○● ●○○● ●●○


    思<span ss="q">句依依梦中情绪<span ss="q">韵观数点茗浮花<span ss="q">句一缕香萦炷<span ss="q">韵怪来人道陶潜<span ss="q">句做得羲皇侣<span ss="q">韵


    ○ ○○●○○● ○●●●○○ ●●○○● ●○○●○○ ●●○○●


    ·


    此与柳词同,惟前段第三、四、五句添一字,作七字一句、六字一句异。此词第二句至第五句,悉遵《琴趣》原本,《词律》改“篁”字为“竹”字,连上作六字句,删去“出”字,点作四字句,叶谓“竹”字叶“主”字,与柳词“谷”字叶“古”字,皆中州韵,不知中州韵,始自元时,全为作北曲而发,若填词自依古韵,岂有宋词在前,反遵后世曲韵之理,此论纰缪,不可从。


    又一体 <span ss="q">双调九十五字,前段九句四仄韵,后段十句五仄韵        <span ss="q">梅苑无名氏


    香梢匀蕊先回暖<span ss="q">韵点点胭脂<span ss="q">句轻衬红苞<span ss="q">句隐映疏篁<span ss="q">句红翠相间<span ss="q">韵方瑞雪乍晴时<span ss="q">句爱日初添线<span ss="q">韵五


    ○○○●○○● ●●○○ ○●○○ ●●○○ ○●○● ○●●●○○ ●●○○● ●


    云楼上遥看<span ss="q">句似睹溪边<span ss="q">句仙子妆面<span ss="q">韵   堪羡<span ss="q">韵影转玉枝斜<span ss="q">句艳拂朝霞浅<span ss="q">韵就中妖娆<span ss="q">句独得芬


    ○○●○○ ●●○○ ○●○●    ○● ●●●○○ ●●○○● ●○○○ ●●○


    芳<span ss="q">句偏教容易开遍<span ss="q">韵又报一阳时<span ss="q">句不似莺声唤<span ss="q">韵肯与桃脸争春<span ss="q">句靓笑群芳晚<span ss="q">韵


    ○ ○○○●○● ●●●○○ ●●○○● ●●○●○○ ●●○○●


    ·


    此与柳词同,惟后段第七句减一字异。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>


    天 香  《法苑珠林》云:天童子天香甚香,调名本此。


    天 香 <span ss="q">双调九十六字,前段十句五仄韵,后段八句六仄韵          贺 铸


    烟络横林<span ss="q">句山沈远照<span ss="q">句逦迤黄昏钟鼓<span ss="q">韵烛映帘栊<span ss="q">句蛩催机杼<span ss="q">句共惹清秋风露<span ss="q">韵不眠思妇<span ss="q">韵齐应


    ⊙●○○ ⊙○◎● ⊙◎⊙⊙○● ◎●○○ ⊙○⊙● ●●⊙○○● ◎○⊙● ⊙◎


    和<span ss="q">读几声砧杵<span ss="q">韵惊动天涯倦客<span ss="q">句骎骎岁华行暮<span ss="q">韵  当年酒狂自负<span ss="q">韵谓东君<span ss="q">读以春相付<span ss="q">韵流浪


    ● ◎○⊙● ⊙●⊙○◎● ○⊙◎⊙○●   ⊙⊙◎○◎● ●○○ ◎⊙○● ⊙●


    征骖北道<span ss="q">句客樯南浦<span ss="q">韵幽恨无人晤语<span ss="q">韵赖明月<span ss="q">读曾知旧游处<span ss="q">韵好伴云来<span ss="q">句还将梦去<span ss="q">韵


    ⊙○◎● ●○○● ⊙●○○●● ●⊙● ○○◎⊙● ◎●○○ ○○●●


    ·


    此调以贺、王、毛、吴四词为正体,南宋人则填吴词体为多,若刘词之减字,吴词别首、景词二首之句读不同,皆变体也。 按,吴文英词,前段第二句“罗囊闲斗”,闲字平声,吕同老词“水沈换骨”,水字仄声;第三句“蜿蜒梦断瀛岛”,蜿字仄声;周密词,第九、十句“金饼著衣余润,银叶透帘微袅”,著字、叶字俱仄声;后段起句,“素被琼篝夜悄”,素字仄声,琼字平声;无名氏词,第二句“绣罗纬、依旧痕少”,依字平声,旧字仄声。谱内可平可仄据此,余参所采诸词。


    又一体 <span ss="q">双调九十六字,前段十句四仄韵,后段八句五仄韵          王 观


    霜瓦鸳鸯<span ss="q">句风帘翡翠<span ss="q">句今年较是寒早<span ss="q">韵矮钉明窗<span ss="q">句侧开朱户<span ss="q">句断莫乱教人到<span ss="q">韵重阴未解<span ss="q">句云共


    ○●○○ ○○●● ○○●●○● ●●○○ ●○○● ●●●○○● ○○●● ○●


    雪<span ss="q">读商量未了<span ss="q">韵青帐垂毡要密<span ss="q">句红炉围炭宜小<span ss="q">韵  呵梅弄妆试巧<span ss="q">韵绣罗衣<span ss="q">读瑞云芝草<span ss="q">韵伴我


    ● ○○●● ○●○○●● ○○○●○●   ○○●○●● ●○○ ●○○● ●●


    语时同语<span ss="q">句笑时同笑<span ss="q">韵已被金尊劝酒<span ss="q">句又唱个<span ss="q">读新词故相恼<span ss="q">韵尽道穷冬<span ss="q">句元来恁好<span ss="q">韵


    ●○○● ●○○● ●●○○●● ●●● ○○●○● ●●○○ ○○●○


    ·


    此与贺词同,惟前段第七句、后段第五句,俱不押韵异。 《花草粹编》后段第六句脱一字,今从《乐府雅词》校定。 《词律》前段讹二字、脱一字,后段第三句亦脱一字,乃引毛词残缺者,曲为之说,以驳草堂,不知草堂前结,原作六字两句,后段第三句,亦六字,但“炉”字讹作“窗”字,“戾”字讹作“放”字耳,句读依然不失也。


    又一体 <span ss="q">双调九十六字,前段十句四仄韵,后段八句六仄韵          毛 滂


    进止详华<span ss="q">句文章尔雅<span ss="q">句金銮恩异群彦<span ss="q">韵尘断银台<span ss="q">句天低鳌禁<span ss="q">句最是玉皇香案<span ss="q">韵燕公视草<span ss="q">句星斗


    ●●○○ ○○●● ○○○●○● ○●○○ ○○○● ●●●○○● ○○●● ○●


    动<span ss="q">读昭回云汉<span ss="q">韵对罢宵分还又<span ss="q">句金莲烛引归院<span ss="q">韵  年来偃藩江畔<span ss="q">韵赖湖山<span ss="q">读慰公心眼<span ss="q">韵碧瓦


    ● ○○○● ●●○○○● ○○●●○●   ○○●○○● ●○○ ●○○● ●●


    千家<span ss="q">句共惜袴襦余暖<span ss="q">韵黄气珠庭渐满<span ss="q">韵望红日<span ss="q">读长安殊不远<span ss="q">韵缓辔端门<span ss="q">句青春未晚<span ss="q">韵


    ○○ ●●●○○● ○●○○●● ●○● ○○○●● ●●○○ ○○●●


    ·


    此与贺词同,惟前段第七句不押韵,后段第三句四字、第四句六字异。按,周密“碧脑浮冰”词,前段第七、八句“浓熏浅注,疑醉度、千花春晓”,后段第三、四句“一缕旧情,空趁断烟飞绕”,正与此同。 汲古阁本,前段第九句脱一字,今从《词纬》校定。


    又一体 <span ss="q">双调九十六字,前段十句四仄韵,后段八句六仄韵          吴文英


    碧藕藏丝<span ss="q">句红莲并蒂<span ss="q">句荷塘水暖香斗<span ss="q">韵窈窕文窗<span ss="q">句深沈书幔<span ss="q">句锦瑟岁华依旧<span ss="q">韵洞箫韵里<span ss="q">句共跨


    ●●○○ ○○●● ○○●●○● ●●○○ ○○○● ●●●○○● ●○●● ●●


    鹤<span ss="q">读青田碧岫<span ss="q">韵菱镜妆台挂玉<span ss="q">句芙蓉艳褥铺绣<span ss="q">韵  西邻障蓬漂手<span ss="q">韵并华朝<span ss="q">读梦兰分秀<span ss="q">韵未冷


    ● ○○●● ○●○○●● ○○●●○●   ○○●○○● ●○○ ●○○● ●●


    绮帘犹卷<span ss="q">句浅冬时候<span ss="q">韵秋到霜黄半亩<span ss="q">韵便准拟<span ss="q">读携花就君酒<span ss="q">韵花酒年华<span ss="q">句天长地久<span ss="q">韵


    ●○○● ●○○● ○●○○●● ●●● ○○●○● ○●○○ ○○●●


    ·


    此与贺词同,惟前段第七句不押韵异。吴词别首“殊络玲珑”词,正与此同。按,宋《乐府补题》咏龙涎香诸词,俱本此填。


    又一体 <span ss="q">双调九十五字,前段十句四仄韵,后段八句四仄韵          刘 儗


    漠漠江皋<span ss="q">句迢迢驿路<span ss="q">句天教为春传信<span ss="q">韵万木丛边<span ss="q">句百花头上<span ss="q">句不管雪飞风紧<span ss="q">韵寻交访旧<span ss="q">句惟翠竹


    ●●○○ ○○●● ○○●○○● ●●○○ ●○○● ●●●○○● ○○●● ○●●


    寒松相认<span ss="q">韵不意牵丝动兴<span ss="q">句何必衬妆添晕<span ss="q">韵  孤标最甘冷落<span ss="q">句不许蝶亲蜂近<span ss="q">韵直自从来洁白<span ss="q">句


    ○○○● ●●○○●● ○○●○○●   ○○●○●● ●●●○○● ●●○○●●


    个中清韵<span ss="q">韵尽做重闻塞管<span ss="q">句也何害<span ss="q">读香销粉痕尽<span ss="q">韵待到和羹<span ss="q">句才明底蕴<span ss="q">韵


    ●○○● ●●○○●● ●○● ○○●○● ●●○○ ○○●●


    ·


    此与王观词同,惟后段起句不押韵,第二句减一字异。


    又一体 <span ss="q">双调九十六字,前段十一句四仄韵,后段八句六仄韵         吴文英


    蝉叶黏霜<span ss="q">句蝇苞缀冻<span ss="q">句生香远带风峭<span ss="q">韵岭上寒多<span ss="q">句溪头月冷<span ss="q">句北枝瘦<span ss="q">句南枝小<span ss="q">韵玉奴有姊<span ss="q">句先占


    ○●○○ ○○●● ○○●●○● ●●○○ ○○●● ●○● ○○● ●○●● ○●


    立<span ss="q">读墙阴春早<span ss="q">韵初试宫黄澹薄<span ss="q">句偷分寿阳纤巧<span ss="q">韵  银烛泪深未晓<span ss="q">韵酒钟悭<span ss="q">读贮愁多少<span ss="q">韵记得短


    ● ○○○● ○●○○●● ○○●○○●   ○●●○●● ●○○ ●○○● ●●●


    亭归马<span ss="q">句暮衙蜂闹<span ss="q">韵豆蔻钗梁恨袅<span ss="q">韵但怅望<span ss="q">读天涯岁华老<span ss="q">韵远信难封<span ss="q">句吴云雁杳<span ss="q">韵


    ○○● ●○○● ●●○○●● ●●● ○○●○● ●●○○ ○○●●


    ·


    此与“碧藕藏丝”词同,惟前段第六句作三字两句异。


    又一体 <span ss="q">双调九十六字,前段十一句四仄韵,后段八句五仄韵         景 覃


    市远人稀<span ss="q">句林深犬吠<span ss="q">句山连水村幽寂<span ss="q">韵田里安闲<span ss="q">句东邻西舍<span ss="q">句准拟醉时欢适<span ss="q">韵社祈雩祷<span ss="q">句有箫


    ●●○○ ○○●● ○○●○○● ○●○○ ○○○● ●●●○○● ●○○● ●○


    鼓<span ss="q">读喧天吹击<span ss="q">韵宿雨新晴<span ss="q">句陇头间看<span ss="q">句露桑风陌<span ss="q">韵  无端晴亭暮驿<span ss="q">韵恨连年<span ss="q">读此时行役<span ss="q">韵何


    ● ○○○● ●●○○ ●○○● ●○○●   ○○●○●● ●○○ ●○○● ○


    似临流萧散<span ss="q">句缓衣轻帻<span ss="q">韵炊黍烹鸡自劳<span ss="q">句有脆绿甘红荐芳液<span ss="q">韵梦里春泉<span ss="q">句糟床夜滴<span ss="q">韵


    ●○○○● ●○○● ○●○○●● ●●●○○●○● ●●○○ ○○●●


    ·


    此与王观词同,惟前结作四字三句异。


    又一体 <span ss="q">双调九十六字,前段十一句四仄韵,后段八句五仄韵         景 覃


    百岁中分<span ss="q">韵流年过半<span ss="q">韵尘劳系人无尽<span ss="q">韵桑柘周围<span ss="q">句菅茅低架<span ss="q">句且喜水亲山近<span ss="q">韵倦飞高鸟<span ss="q">句算也


    ●●○○ ○○●● ○○●○○● ○●○○ ○○○● ●●●○○● ●○○● ●●


    有<span ss="q">读闲枝栖稳<span ss="q">韵纸帐绸衾<span ss="q">句日高睡起<span ss="q">句懒梳蓬鬓<span ss="q">韵  闲阶土花碧润<span ss="q">韵缓芒鞋<span ss="q">读恐伤蜗蚓<span ss="q">韵倒


    ● ○○○● ●●○○ ●○●● ●○○●   ○○●○●● ●○○ ●○○● ●


    掩衡门<span ss="q">句空解草元谁信<span ss="q">韵俗驾轻云易散<span ss="q">句赖独有<span ss="q">读莲峰破孤闷<span ss="q">韵世事悠悠<span ss="q">句从教莫问<span ss="q">韵


    ●○○ ○●●○○● ●●○○●● ●●● ○●●○● ●●○○ ○○●●


    ·


    此亦与王观词同,惟后段第三句四字,第四句六字异。


    熙州慢  《唐书·礼乐志》:天宝乐曲,皆以边地名,若伊州、甘州、凉州之类。按,宋改镇洮军为熙州,本秦、汉时陇西郡,亦边地也。调名《熙州》,义或取此。


    熙州慢 <span ss="q">双调九十六字,前段十句三仄韵、一叶韵,后段八句六仄韵      张 先


    武林乡<span ss="q">读占第一湖山<span ss="q">句咏画争巧<span ss="q">韵鹫石飞来<span ss="q">句倚翠楼烟霭<span ss="q">句清猿啼晓<span ss="q">韵况值禁垣师师<span ss="q">句惠政流


    ●○○ ●●●○○ ●●○● ●●○○ ●●○○● ○○○● ●●●○○● ●●○


    入歌谣<span ss="q">叶朝暮万景<span ss="q">句寒潮弄月<span ss="q">句乱峰回照<span ss="q">韵  天使寻春不早<span ss="q">韵并行乐<span ss="q">读免有花愁花笑<span ss="q">韵持酒


    ●○○ ○●●● ○○●● ●○○●   ○●○○●● ●○● ●●○○○● ○●


    更听<span ss="q">句红儿肉声长调<span ss="q">韵潇湘故人未归<span ss="q">句但目送<span ss="q">读游云孤鸟<span ss="q">韵际天杪<span ss="q">韵离情尽寄芳草<span ss="q">韵


    ●○ ○○●○○● ○○●○●○ ●●● ○○○● ●○● ○○●●○●


    ·


    此调只有此词,无别首可校。 前段第七句“谣”字韵,亦用三声叶。


    汉宫春  《高丽史·乐志》名《汉宫春慢》。此调有平韵、仄韵两体,平韵词八首,仄韵词两首,皆以前后段起句用韵不用韵辨体。


    汉宫春 <span ss="q">双调九十六字,前后段各九句,四平韵               晁冲之


    黯黯离怀<span ss="q">句向东门系马<span ss="q">句南浦移舟<span ss="q">韵薰风乱飞燕子<span ss="q">句时下轻鸥<span ss="q">韵无情渭水<span ss="q">句问谁教<span ss="q">读日日东流<span ss="q">韵


    ◎●○○ ●⊙○◎● ⊙●○○ ○○◎⊙◎● ⊙●○○ ○○◎● ●⊙⊙ ◎●○○


    常是送<span ss="q">读行人去后<span ss="q">句烟波一向离愁<span ss="q">韵   回首旧游如梦<span ss="q">句记踏青殢饮<span ss="q">句拾翠狂游<span ss="q">韵无端彩云易


    ⊙●● ⊙○◎◎ ⊙○◎●○○    ⊙●◎○⊙● ●◎○●● ◎●○○ ⊙○◎⊙◎


    散<span ss="q">句覆水难收<span ss="q">韵风流未老<span ss="q">句拌千金<span ss="q">读重入扬州<span ss="q">韵应又似<span ss="q">读当年载酒<span ss="q">句依前明占青楼<span ss="q">韵


    ● ◎●○○ ○○◎● ⊙⊙⊙ ⊙●○○ ○●● ⊙○◎● ⊙○⊙●○○


    ·


    此调平韵词,前后段起句不用韵者,以晁词及《梅苑》“点点江梅”词为正体,如《梅苑》别首之换头句法不同,无名氏词之添字,彭词之减字,皆变体也。两起句用韵者,以张词为正体,如沈词之句读参差,亦变体也。前段起句用韵,后段起句不用韵者,惟京词一体,《梅苑》词、史达祖词,俱与此同。 按,李邴、辛弃疾、刘镇、陆游、周紫芝、吴文英、方岳诸词,皆如此填。辛词,前段第四句“维摩定自非病”,自字仄声,非字平声;第六句,“君如星斗”,星字平声;第七句,“觉团扇、便与人疏”,扇字仄声;第八句,“回首听月明天籁”,天字平声;第九句,“只今还有公无”,只字仄声;后段起句,“最喜阳春妙句”,最字、妙字俱仄声;第四句,“夜来归梦江上”,夜字仄声,归字平声;第六句,“荻花深处”,深字平声;第七句,“问何不鼓瑟吹竽”,不字仄声;第八句,“归去也、绝交何必”,绝字仄声。又,陆词,后段起句“何事又作南来”,来字平声;方词,前段第四句“当年东阁诗兴”,东字平声。谱内可平可仄据此,余参所采平韵诸词。至辛词前后段第六句,“白头自惜”、“荻花深处”,白字、荻字俱以入作平;前段第四句“不知云者为雨”,不字亦以入作平。查宋词此三字,无用仄声者,故不注可仄。


    又一体 <span ss="q">双调九十六字,前后段各九句,四平韵             <span ss="q">梅苑无名氏


    点点江梅<span ss="q">句对寒威强出<span ss="q">句一弄新奇<span ss="q">韵零珠碎玉<span ss="q">句为谁密上南枝<span ss="q">韵幽香冷艳<span ss="q">句纵孤高<span ss="q">读却遣谁知<span ss="q">韵


    ●●○○ ●○○●● ●●○○ ○○●● ●○●●○○ ○○●● ●○○ ●●○○


    惟只有<span ss="q">读江头驿畔<span ss="q">句征鞍独为迟迟<span ss="q">韵  聊撚粉香重问<span ss="q">句问春来甚日<span ss="q">句春去何时<span ss="q">韵移将院落<span ss="q">句算


    ○●● ○○●● ○○●●○○   ○●●○○● ●○○●● ○●○○ ○○●● ●


    应未肯头低<span ss="q">韵无人共折<span ss="q">句傍溪桥<span ss="q">读雪压霜欺<span ss="q">韵君不见<span ss="q">读长安陌上<span ss="q">句只夸桃李芳菲<span ss="q">韵


    ○●●○○ ○○●● ●○○ ●●○○ ○●● ○○●● ●○○●○○


    ·


    此与晁词同,惟前后段第四句四字,第五句六字异。


    又一体 <span ss="q">双调九十六字,前段九句四平韵,后段十句四平韵         <span ss="q">梅苑无名氏


    梅萼知春<span ss="q">句见南枝向暖<span ss="q">句一朵初芳<span ss="q">韵冰清玉丽<span ss="q">句自然赋得幽香<span ss="q">韵烟庭水榭<span ss="q">句更无花<span ss="q">读争染春光<span ss="q">韵


    ○●○○ ●○○●● ●●○○ ○○●● ●○●●○○ ○○●● ●○○ ○●○○


    休漫说<span ss="q">读桃夭杏冶<span ss="q">句年年蝶闹蜂忙<span ss="q">韵  立马伫<span ss="q">句凝情久<span ss="q">句念美人自别<span ss="q">句鳞羽茫茫<span ss="q">韵临岐记伊<span ss="q">句


    ○●● ○○●● ○○●●○○   ●●● ○○● ●●○●● ○●○○ ○○●○


    尚带宿酒残妆<span ss="q">韵云疏雨阔<span ss="q">句怎知人<span ss="q">读千里思量<span ss="q">韵除是托<span ss="q">读多情驿使<span ss="q">句殷勤折寄仙乡<span ss="q">韵


    ●●●●○○ ○○●● ●●○ ○●○○ ○●● ○○●● ○○●●○○


    ·


    此与“点点江梅”词同,惟换头句作三字两句异。按,《老学丛谈》无名氏“横笛声沈”词,换头句“情知道,山中好”,正与此同,但前后段第四句俱六字、第五句俱四字,仍如晁词体填。


    又一体 <span ss="q">双调九十七字,前后段各九句,四平韵           <span ss="q">花草粹编无名氏


    玉减香消<span ss="q">句被婵娟误我<span ss="q">句临镜妆慵<span ss="q">韵无聊强开强解<span ss="q">句蹙破眉峰<span ss="q">韵凭高望远<span ss="q">句但断肠<span ss="q">读残月初钟<span ss="q">韵


    ●●○○ ●○○●● ○●○○ ○○●○●● ●●○○ ○○●● ●●○ ○●○○


    须信道<span ss="q">读承恩不在貌<span ss="q">句如何教妾为容<span ss="q">韵  风暖鸟声和碎<span ss="q">句更日高院静<span ss="q">句花影重重<span ss="q">韵愁来待只殢


    ○●● ○○●●● ○○○●○○   ○●●○○● ●●○●● ○●○○ ○○●●●


    酒<span ss="q">句酒薄愁浓<span ss="q">韵长门怨感<span ss="q">句恨无金<span ss="q">读买赋临邛<span ss="q">韵翻动念<span ss="q">读年年女伴<span ss="q">句越溪共采芙蓉<span ss="q">韵


    ● ●●○○ ○○●● ●○○ ●●○○ ○●● ○○●● ●○●●○○


    ·


    此与晁词同,惟前段第八句添一衬字异。


    又一体 <span ss="q">双调九十四字,前后段各九句,四平韵               彭元逊


    十日春风<span ss="q">句又一番调弄<span ss="q">句怕暖愁阴<span ss="q">韵夜来风雨<span ss="q">句摇得杨柳黄深<span ss="q">韵熏篝未断<span ss="q">句梦旧寒<span ss="q">读浅醉同衾<span ss="q">韵


    ●●○○ ●●○○● ●●○○ ●○○● ○●○●○○ ○○●● ●●○ ●●○○


    便是斗灯见月<span ss="q">句看花对酒惊心<span ss="q">韵  携手满身花影<span ss="q">句香雾冉冉<span ss="q">句露湿罗襟<span ss="q">韵笙歌殢人归去<span ss="q">句回首


    ●●●○●● ○○●●○○   ○●●○○● ○○●● ●●○○ ○○●○○● ○●


    沈沈<span ss="q">韵人间此夜<span ss="q">句误春光<span ss="q">读一刻千金<span ss="q">韵明日问<span ss="q">读红巾青鸟<span ss="q">句苍苔自拾遗簪<span ss="q">韵


    ○○ ○○●● ●○○ ●●○○ ○●● ○○○● ○○●●○○


    ·


    此词前段与“点点江梅”词同,惟第八句减一字;后段与晁词同,惟第二句减一字,见凤林书院元词,采以备体。 以上五词,皆前后段起句不用韵者。


    又一体 <span ss="q">双调九十六字,前段十句五仄韵,后段八句六仄韵          张 先


    红粉苔墙<span ss="q">韵透新春消息<span ss="q">句梅粉先芳<span ss="q">韵奇葩异卉<span ss="q">句汉家宫额涂黄<span ss="q">韵何人斗巧<span ss="q">句运紫檀<span ss="q">读剪出蜂房<span ss="q">韵


    ○●○○ ●○○○● ○●○○ ○○●● ●○○●○○ ○○●● ●●○ ●●○○


    应为是<span ss="q">读中央正色<span ss="q">句东君别与清香<span ss="q">韵  仙姿自称霓裳<span ss="q">韵更孤标俊格<span ss="q">句霏雪淩霜<span ss="q">韵黄昏院落<span ss="q">句为


    ○●● ○○●● ○○●●○○   ○○●●○○ ◎⊙○●◎ ⊙●○○ ○○●● ●


    谁密解罗囊<span ss="q">韵银瓶注水<span ss="q">句浸数枝<span ss="q">读小阁幽窗<span ss="q">韵春睡起<span ss="q">读纤条在手<span ss="q">句厌厌宿酒残妆<span ss="q">韵


    ○●●○○ ○○●● ●●○ ●●○○ ○●● ○○●● ○○●●○○


    ·


    此即晁词体,惟前后段起句各用韵,其第四、五句俱上作四字、下作六字异。按,《高丽史·乐志》《汉宫春》慢词,正与此同,惟换头三句“光阴迅速如飞,邀酒朋共欢,且恁开眉”,邀字、欢字俱平声,酒字、且字俱仄声异。


    又一体 <span ss="q">双调九十六字,前后段各九句,五平韵               沈会宗


    别酒初醒<span ss="q">韵似一番梦觉<span ss="q">句屈指堪惊<span ss="q">韵犹疑送消寄息<span ss="q">句遇著人听<span ss="q">韵当初唤作<span ss="q">句据眼前<span ss="q">读略略看承<span ss="q">韵


    ●●○○ ●●○●● ●●○○ ○○●○●● ●●○○ ○○●● ●●○ ●●○○


    及去了<span ss="q">读从头想伊<span ss="q">句心下始觉宁宁<span ss="q">韵  黄昏画角重城<span ss="q">韵更伤高念远<span ss="q">句怀抱何胜<span ss="q">韵良时好景<span ss="q">句算


    ●●● ○○●○ ○●●●○○   ○○●●○○ ●○○●● ○●○○ ○○●● ●


    来半为愁生<span ss="q">韵幽期暂阻<span ss="q">句更就中<span ss="q">读月白风清<span ss="q">韵千万计<span ss="q">读年年断除不得<span ss="q">句是这些情<span ss="q">韵


    ○●●○○ ○○●● ●●○ ●●○○ ○●● ○○●○●● ●●○○


    ·


    此词两起句亦用韵,与张词同,但前段第四句六字、第五句四字,后段第四句四字、第五句六字,前结七字一句、六字一句,后结九字一字、四字一句,句读参差,采以备体。 以上二词,皆前后段起句用韵者。


    又一体 <span ss="q">双调九十六字,前段九句五平韵,后段九句四平韵          京 镗


    暖律初回<span ss="q">韵又烧灯市井<span ss="q">句卖酒楼台<span ss="q">韵谁将星移万点<span ss="q">句月满千街<span ss="q">韵轻车细马<span ss="q">句隘通衢<span ss="q">读蹴起香埃<span ss="q">韵


    ●●○○ ●○○●● ●●○○ ○○○○●● ●●○○ ○○●● ●○○ ●●○○


    今岁好<span ss="q">读土牛作伴<span ss="q">句挽留春色同来<span ss="q">韵   不是天公省事<span ss="q">句要一时壮观<span ss="q">句特地安排<span ss="q">韵何妨彩楼鼓


    ○●● ●○●● ●○○●○○    ●●○○●● ●●○●● ●●○○ ○○●○●


    吹<span ss="q">句绮席尊罍<span ss="q">韵良宵胜景<span ss="q">句语邦人<span ss="q">读莫惜徘徊<span ss="q">韵休笑我<span ss="q">读痴顽不去<span ss="q">句年年烂醉金钗<span ss="q">韵


    ● ●●○○ ○○●● ●○○ ●●○○ ○●● ○○●● ○○●●○○


    ·


    此与晁词同,惟前段起句用韵异。按,《梅苑》“雨打风摧”词、史达祖“花隔东垣”词及京词别首“看透尘寰”词,俱如此填,惟《梅苑》词前段第八句“须凭取、东君为我”,凭字平声;史词后段第一、二、三句“唐昌故宫何许,顿剪霞裁雾,摆落尘缘”,昌字、何字、裁字俱平声,已与晁词体内参校作图,兹不复注。


    又一体 <span ss="q">双调九十六字,前段九句四仄韵,后段九句五仄韵           康与之


    云海沈沈<span ss="q">句峭寒收建章<span ss="q">句雪残鳷鹊<span ss="q">韵华灯照夜<span ss="q">句万井禁城行乐<span ss="q">韵春随鬓影<span ss="q">句映参差<span ss="q">读柳丝梅萼<span ss="q">韵


    ○●○○ ●○○●⊙ ◎⊙○● ○○●● ●●●○○● ○○●● ●⊙⊙ ◎○○●


    丹禁杳<span ss="q">读鳌峰对耸<span ss="q">句三山上通寥廓<span ss="q">韵  春衫绣罗香薄<span ss="q">韵步金莲影下<span ss="q">句三千绰约<span ss="q">韵冰轮桂满<span ss="q">句皓


    ○●● ○○◎● ○⊙●○○●   ○○●○○● ●○○●● ⊙○◎● ○○●● ●


    色冷浸楼阁<span ss="q">韵霓裳帝乐<span ss="q">句奏升平<span ss="q">读天风吹落<span ss="q">韵留凤辇<span ss="q">读通宵宴赏<span ss="q">句莫放漏声闲却<span ss="q">韵


    ●●○○● ○○●● ●⊙⊙ ○○○● ○●● ○○●● ●●●○○●


    ·


    此词全押仄韵,其句读与张先平韵体同,有《乐府雅词》一首可校,虽用韵多少不同,均为此调正体。


    又一体 <span ss="q">双调九十四字,前段九句五仄韵,后段十句六仄韵       <span ss="q">乐府雅词无名氏


    江月初圆<span ss="q">句正新春夜永<span ss="q">句灯市行乐<span ss="q">韵芙蕖万朵<span ss="q">句向晚为谁开却<span ss="q">韵层楼画阁<span ss="q">韵尽卷上<span ss="q">读东风帘幕<span ss="q">韵


    ○●○○ ●○○●● ○●○● ○○●● ●●●○○● ○○●● ●●● ○○○●


    罗绮拥<span ss="q">读欢声和气<span ss="q">句惊破柳梢梅萼<span ss="q">韵  绰约<span ss="q">韵暗尘浮动<span ss="q">句正鱼龙曼衍<span ss="q">句戏车交作<span ss="q">韵高牙影里<span ss="q">句


    ○●● ○○○● ○●●○○●   ●● ●○○● ●○○●● ●○○● ○○●●


    缓控玉羁金络<span ss="q">韵铅华间错<span ss="q">韵更一部<span ss="q">读笙歌围著<span ss="q">韵香散处<span ss="q">读厌厌醉听<span ss="q">句南楼画角<span ss="q">韵


    ●●●○○● ○○●● ●●● ○○○● ○●● ○○●● ○○●●


    ·


    此即康词体,惟前后段第六句俱押韵,换头句藏一短韵,结句减二字异。


    倦寻芳  王雱词注:中吕宫;潘元质词,名《倦寻芳慢》。


    倦寻芳 <span ss="q">双调九十六字,前段十一句四仄韵,后段十句五仄韵         王 雱


    露晞向晓<span ss="q">句帘幕风轻<span ss="q">句小院闲昼<span ss="q">韵翠径莺来<span ss="q">句惊下乱红铺绣<span ss="q">韵倚危阑<span ss="q">句登高榭<span ss="q">句海棠著雨胭脂


    ●○●● ○●○○ ●●○● ●●○○ ○●●○○● ●○○ ○○● ●○●●○○


    透<span ss="q">韵算韶华<span ss="q">句又因循过了<span ss="q">句清明时候<span ss="q">韵  倦游燕<span ss="q">读风光满目<span ss="q">句好景良辰<span ss="q">句谁共携手<span ss="q">韵恨被榆


    ● ●○○ ●○○●● ○○○●   ●○● ○○●● ●●○○ ○●○● ●●○


    钱<span ss="q">句买断两眉长斗<span ss="q">韵忆得高阳人散后<span ss="q">韵落花流水仍依旧<span ss="q">韵这情怀<span ss="q">句对东风<span ss="q">句尽成消瘦<span ss="q">韵


    ○ ●●●○○● ●●○○○●● ●○○●○○● ●○○ ●○○ ●○○●


    ·


    此词前段第六句作三字两句,后段第六句押韵,宋词无如此填者。因有宫调,录以备体。


    又一体 <span ss="q">双调九十七字,前后段各十句,四仄韵              潘元质


    兽鐶半掩<span ss="q">句鸳甃无尘<span ss="q">句庭院潇洒<span ss="q">韵树色沈沈<span ss="q">句春尽燕娇莺姹<span ss="q">韵梦草池塘青渐满<span ss="q">句海棠轩槛红相


    ◎○◎● ⊙●○○ ⊙◎○● ◎●⊙○ ⊙●●○○● ◎●○○○●● ◎○⊙●○○


    亚<span ss="q">韵听箫声<span ss="q">句记秦楼夜约<span ss="q">句彩鸾齐跨<span ss="q">韵  渐迤逦<span ss="q">读更催银箭<span ss="q">句何处贪欢<span ss="q">句犹系骢马<span ss="q">韵旋剪灯


    ● ●○○ ●⊙⊙◎◎ ◎○○●   ●●● ○○⊙● ⊙●○○ ⊙◎⊙● ●●○


    花<span ss="q">句两点翠眉谁画<span ss="q">韵香灭羞回空帐里<span ss="q">句月高犹在重帘下<span ss="q">韵恨疏狂<span ss="q">句待归来<span ss="q">句碎揉花打<span ss="q">韵


    ○ ◎●●○○● ⊙●○○○●● ◎○○●○○● ●○○ ●⊙⊙ ●○○●


    ·


    此词前段第五句七字,后段第五句不押韵,宋人俱如此填。 按,前段第一、二、三句,卢祖皋词“香泥垒燕,密叶巢莺,春晴寒浅”,香字平声,密字仄声,晴字平声,汤恢词“餳箫吹暖,蜡烛分烟,春思无限”,吹字平声;第四、五句,汤词“风到楝花,二十四番吹遍”,风字平声,楝字、二字俱仄声;第六句,汤词“烟湿浓堆杨柳色”,烟字平声;第七句,卢词“秋千影落人游倦”,秋字平声;第九句,卢词“记宝帐歌慵”,宝帐二字俱仄声,歌慵二字俱平声;后段第一、二、三句,吴文英词“听细雨、琵琶幽怨,客鬓苍华,衫袖湿遍”,细字、湿字俱仄声,卢词“别来怅、光阴容易,还又酴醿,牡丹开遍”,牡字仄声,丹字平声;第五句,吴词“谁念故人游倦”,谁字平声;第七句,卢词“长安犹近归期远”,长字平声;结三句,卢词“倚危楼,但镇日,绣帘高卷”,镇日二字俱仄声。谱内本此作图,其余可平可仄,悉参王词。


    剑器近  《宋史·乐志》:教坊奏《剑器》曲,其一属中吕宫,其二属黄钟宫,又有剑器舞队,此云近者,其声调相近也。


    剑器近 <span ss="q">双调九十六字,前段八句八仄韵,后段十二句七仄韵         袁去华


    夜来雨<span ss="q">韵赖倩得<span ss="q">读东风吹住<span ss="q">韵海棠正妖娆处<span ss="q">韵且留取<span ss="q">韵悄庭户<span ss="q">韵试细听<span ss="q">读莺啼燕语<span ss="q">韵分明共人愁


    ●○● ●●● ○○○● ●○●○○● ●○● ●○● ●●● ○○●● ○○●○○


    绪<span ss="q">韵怕春去<span ss="q">韵  佳树<span ss="q">韵翠阴初转午<span ss="q">韵重帘未卷<span ss="q">句乍睡起<span ss="q">句寂寞看风絮<span ss="q">韵偷弹清泪寄烟波<span ss="q">句见江


    ● ●○●   ○● ●○○●● ○○●● ●●● ●●○○● ○○○●●○○ ●○


    头故人<span ss="q">句为言憔悴如许<span ss="q">韵彩笺无数<span ss="q">韵去却寒暄<span ss="q">句到了浑无定据<span ss="q">韵断肠落日千山暮<span ss="q">韵


    ○●○ ●○○●○● ●○○● ●●○○ ●●○○●● ●○●●○○●


    ·


    此调惟有此词,无别首可校。


    秋兰香  调见《全芳备祖》。


    秋兰香 <span ss="q">双调九十六字,前后段各九句,五平韵              陈 亮


    未老金茎<span ss="q">句些子正气<span ss="q">句东篱淡伫齐芳<span ss="q">韵分头添样白<span ss="q">句同局几般黄<span ss="q">韵向闲处<span ss="q">读须一一排行<span ss="q">韵浅深饶


    ●●○○ ○●●● ○○●●○○ ○○○●● ○●●○○ ●○● ○●●○○ ●○○


    间新妆<span ss="q">韵那陶令<span ss="q">读漉他谁酒<span ss="q">句趁醒消详<span ss="q">韵  况是此花开后<span ss="q">句便蝶乱无花<span ss="q">句管甚蜂忙<span ss="q">韵你从今<span ss="q">读


    ●○○ ●○● ●○○● ●●○○   ●●●○○● ●●●○○ ●●○○ ●○○


    采却蜜成房<span ss="q">韵秋英试商量<span ss="q">韵多少为谁<span ss="q">句甜得清凉<span ss="q">韵待说破<span ss="q">读长生真诀<span ss="q">句要饱风霜<span ss="q">韵


    ●●●○○ ○○●○○ ○●●○ ○●○○ ●●● ○○○● ●●○○


    ·


    此见《全芳备祖》,咏菊词也。《龙川集》不载,亦无别首宋词可校。


    凤鸾双舞  调见《水云词》。


    凤鸾双舞 <span ss="q">双调九十六字,前段十二句四仄韵,后段八句六仄韵        汪元量


    慈元殿<span ss="q">句薰风宝鼎<span ss="q">句喷香云飘坠<span ss="q">韵环立翠羽<span ss="q">句双歌丽调<span ss="q">句舞腰新束<span ss="q">句舞缨新缀<span ss="q">韵金莲步<span ss="q">读轻摇凤


    ○○● ○○●● ●○○○● ○●●● ○○●● ●○○● ●○○● ○○● ○○●


    儿<span ss="q">句翩翻作势<span ss="q">韵便似月里姮娥谪来<span ss="q">句人间天上<span ss="q">句一番游戏<span ss="q">韵  圣人乐意<span ss="q">韵任乐部<span ss="q">读箫韶声沸<span ss="q">韵


    ○ ○○●● ●●●●○○●○ ○○○● ●○○●   ●○●● ●●● ○○○●


    众妃欢也<span ss="q">句渐调笑微醉<span ss="q">韵竞捧霞觞<span ss="q">句深深愿<span ss="q">读圣母寿如松桂<span ss="q">韵迢递<span ss="q">韵赏更万年千岁<span ss="q">韵


    ●○○● ●○●○● ●●○○ ○○● ●●●○○● ○● ●●●○○●


    ·


    此词无别首可校,其句读平仄须从之。


    行香子慢  调见《高丽史·乐志》,此《行香子》慢词,与《行香子》小令不同。


    行香子慢 <span ss="q">双调九十六字,前段十句五平韵,后段十一句六平韵   <span ss="q">高丽史乐志无名氏


    瑞景光融<span ss="q">韵焕中天霁烟<span ss="q">句佳气葱葱<span ss="q">韵皇居崇壮丽<span ss="q">句金碧辉空<span ss="q">韵彤霄外<span ss="q">读瑶殿深处<span ss="q">句帘卷花影重


    ●●○○ ●○○●○ ○●○○ ○○○●● ○●○○ ○○● ○●○● ○●○●○


    重<span ss="q">韵迎步辇<span ss="q">句几簇真仙<span ss="q">句贺庆寿新宫<span ss="q">韵  方逢<span ss="q">韵圣主飞龙<span ss="q">韵正休盛大宁<span ss="q">句朝野欢同<span ss="q">韵何妨宴


    ○ ○●● ●●○○ ●●●○○   ○○ ●●○○ ●○●●○ ○●○○ ○○●


    赏<span ss="q">句奉宸意慈容<span ss="q">韵韶音按<span ss="q">读露觞将进<span ss="q">句蕙炉飘馥香浓<span ss="q">韵长愿承颜<span ss="q">句千秋万岁<span ss="q">句明月清风<span ss="q">韵


    ● ●○●○○ ○○● ○○○● ●○○●○○ ○●○○ ○○●● ○●○○


    ·


    此调亦无别首可校。


    甘露滴乔松  调见《翰墨全书》。


    甘露滴乔松 <span ss="q">双调九十六字,前段十句四仄韵一叶韵,


    <span ss="q">后段九句四仄韵一叶韵               <span ss="q">翰墨全书无名氏


    沙堤路近<span ss="q">句喜五年相遇<span ss="q">句朱颜依旧<span ss="q">韵尽道名世半千<span ss="q">句公望三九<span ss="q">韵是今日<span ss="q">读富民侯<span ss="q">叶早生聚<span ss="q">读考堂


    ○○●● ●●○○● ○○○● ●●○●●○ ○●○● ●○● ●○○ ●○● ●○


    户口<span ss="q">韵谁欤兼致<span ss="q">句文章燕许<span ss="q">句歌辞苏柳<span ss="q">韵   更饶万卷图书<span ss="q">句把藤笈芸编<span ss="q">句遍题青镂<span ss="q">韵一经传


    ●● ○○○● ○○○● ○○○●<span ss="q">    ●○●●○○ ●○●○○ ●○○● ●○○


    得<span ss="q">句旧事韦平先后<span ss="q">韵试衮衮<span ss="q">读数英游<span ss="q">叶问好事<span ss="q">读如今能否<span ss="q">韵曲车正满<span ss="q">句自酌太和春酒<span ss="q">韵


    ● ●●○○○● ●●● ●○○ ●●● ○○●● ●○●● ●●●○○●


    ·


    此词前后段第六句,叶两平韵,是本部三声叶,有《鸣鹤余音》词可校,因词甚鄙俚,其可平可仄,均不足据,故不校注作谱。


    庆千秋  调见《翰墨全书》,周密《天基圣节乐次》云:第十盏,笛独吹高平调《庆千秋》。


    庆千秋 <span ss="q">双调九十六字,前后段各九句,四平韵           <span ss="q">翰墨全书无名氏


    点检尧蓂<span ss="q">句自元宵过了<span ss="q">句两荚初飞<span ss="q">韵葱葱郁郁<span ss="q">句佳气喜溢庭闱<span ss="q">韵谁知降<span ss="q">读月里姮娥<span ss="q">句欣对良时<span ss="q">韵


    ●●○○ ●○○●● ●●○○ ○○●● ○●●●○○ ○○● ●●○○ ○●○○


    但见婺星腾瑞彩<span ss="q">句年年辉映南箕<span ss="q">韵  好是庭阶兰玉<span ss="q">句伴一枝丹桂<span ss="q">句戏舞莱衣<span ss="q">韵椒觞迭将捧献<span ss="q">句


    ●●●○○●● ○○○●○○   ●●○○○● ●●○○● ●●○○ ○○●○●●


    歌曲吟诗<span ss="q">韵如王母<span ss="q">读款对群仙<span ss="q">句同宴瑶池<span ss="q">韵萱草茂<span ss="q">读长春不老<span ss="q">句百千祝寿无期<span ss="q">韵


    ○●○○ ○○● ●●○○ ○●○○ ○●● ○○●● ●○●●○○


    ·


    此调平仄,无别首可校。
关闭
最近阅读