卷二十三

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">二十二调五十二体,起九十三字至九十五字


    凄凉犯三体<span ss="q">又名瑞鹤仙影


    浣溪纱慢一体<span ss="q">又名浣溪沙慢


    四犯剪梅花三体<span ss="q">又名辘轳金井、三犯锦园春、月城春、锦园春


    高平探芳新一体


    临江仙慢一体


    雪明鳷鹊夜一体


    玉漏迟七体


    尾犯五体<span ss="q">又名碧芙蓉


    驻马听一体


    雪梅香二体


    六幺令三体<span ss="q">又名绿腰、乐世、录要


    保寿乐一体


    惜秋华五体


    古香慢一体


    芙蓉月一体


    一枝春二体


    梅子黄时雨一体


    如鱼水一体


    赏松菊一体


    二色莲一体


    塞孤二体


    水调歌头八体<span ss="q">又名元会曲、凯歌


    凄凉犯  白石调注:仙吕调,犯商调,一名《瑞鹤仙影》。其自序曰:合肥巷陌皆种柳,秋风夕起,骚骚然,余客居阖户,时闻马嘶,出城四顾,则荒烟野草,不胜凄黯,乃著此解。琴有《凄凉调》,假以为名。凡曲言犯者,谓以宫犯商、商犯宫之类,如道调宫上字住,双调亦上字住,所住字同,故道调曲中犯双调,或于双调曲中犯道调,其他准此。唐人《乐书》云:“犯有正旁偏侧,宫犯宫为正,宫犯商为旁,宫犯角为偏,宫犯羽为侧。”此说非也,十二宫所住字各不同,不容相犯。十二宫特可犯商、角、羽耳。


    凄凉犯 <span ss="q">双调九十三字,前段九句六仄韵,后段九句四仄韵          姜 夔


    绿杨巷陌<span ss="q">韵西风起<span ss="q">读边城一片离索<span ss="q">韵马嘶渐远<span ss="q">句人归甚处<span ss="q">句戍楼吹角<span ss="q">韵情怀正恶<span ss="q">韵更衰草寒烟淡


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    薄<span ss="q">韵似当时<span ss="q">读将军部曲<span ss="q">句迤逦度沙漠<span ss="q">韵  追念西湖上<span ss="q">句小舫携歌<span ss="q">句晚花行乐<span ss="q">韵旧游在否<span ss="q">句想如


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    今<span ss="q">读翠凋红落<span ss="q">韵漫写羊裙<span ss="q">句等新雁来时系著<span ss="q">韵怕忽忽<span ss="q">读不肯寄与<span ss="q">句误后约<span ss="q">韵


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    此调为姜夔自度曲,自应以此词为正体,吴文英“空江浪阔”词,正与此同,若张词之前段第一、二句,句读小异,或添一字,皆变体也。 按,吴词,前段起句“空江浪阔”,空字平声;第五句“露搔泪湿”,泪字仄声;后段起句“樊姊玉奴恨”,玉字仄声;第八句“倚瑶台、十二金钱”,钱字平声。谱内可平可仄据此,余参张词二首。


    又一体 <span ss="q">双调九十三字,前段九句五仄韵,后段九句四仄韵          张 炎


    西风暗剪荷衣碎<span ss="q">句柔丝不解重缉<span ss="q">韵荒烟断浦<span ss="q">句晴晖历乱<span ss="q">句半江摇碧<span ss="q">韵悠悠望极<span ss="q">韵忍独听<span ss="q">读秋声渐


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    急<span ss="q">韵更怜他<span ss="q">读柳发萧条<span ss="q">句相为动愁色<span ss="q">韵  老态今如此<span ss="q">句犹自留连<span ss="q">句醉筇游屐<span ss="q">韵不堪瘦影<span ss="q">句渺天


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    涯<span ss="q">读尽成行客<span ss="q">韵因甚忘归<span ss="q">句漫吹裂<span ss="q">读山阳夜篴<span ss="q">韵梦三十六陂流水<span ss="q">句去未得<span ss="q">韵


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    ·


    此亦姜词体,惟前段起句七字,不押韵,第二句六字,后段第八句不折腰异。


    又一体 <span ss="q">双调九十四字,前段九句五仄韵,后段九句四仄韵          张 炎


    萧疏野柳嘶寒马<span ss="q">句芦花深<span ss="q">读还见游猎<span ss="q">韵山势北来<span ss="q">句甚时曾到<span ss="q">句醉魂飞越<span ss="q">韵酸风自咽<span ss="q">韵拥吟鼻<span ss="q">读征


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    衣暗裂<span ss="q">韵正凄迷<span ss="q">读天涯羁旅<span ss="q">句不似灞桥雪<span ss="q">韵  谁念而今老<span ss="q">句懒赋长杨<span ss="q">句倦怀休说<span ss="q">韵空怜断梗<span ss="q">句


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    梦依依<span ss="q">读岁华轻别<span ss="q">韵待击歌壶<span ss="q">句怕如意<span ss="q">读和冰冻折<span ss="q">韵且行行<span ss="q">读平沙万里<span ss="q">句尽是月<span ss="q">韵


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    此与“西风暗剪”词同,惟前段第二句添一字,作上三下四句法异。


    浣溪沙慢  调见《片玉集》,亦名《浣溪纱慢》。


    浣溪沙慢 <span ss="q">双调九十三字,前段九句五仄韵,后段十句五仄韵         周邦彦


    水竹旧院落<span ss="q">句莺引新雏过<span ss="q">韵嫩英翠幄<span ss="q">句红杏交榴火<span ss="q">韵心事暗卜<span ss="q">句叶底寻双朵<span ss="q">韵深夜归青琐<span ss="q">韵灯尽


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    酒醒时<span ss="q">句晓窗明<span ss="q">读钗横鬓亸<span ss="q">韵  怎生那<span ss="q">韵被间阻时多<span ss="q">句奈愁肠数叠<span ss="q">句幽恨万端<span ss="q">句好梦还惊破<span ss="q">韵


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    可怪近来<span ss="q">句传语也无个<span ss="q">韵莫是瞋人呵<span ss="q">韵果若是瞋人<span ss="q">句却因何<span ss="q">读逢人问我<span ss="q">韵


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    此词《清真集》不载,故方千里、杨泽民、陈允平皆无和词。 前段第二句,坊刻作“樱笋新蔬果”,今依《苕溪词话》订正。


    四犯剪梅花  调见《龙洲词》,前后段首句不押韵者,名《四犯剪梅花》,押韵者,名《轳辘金井》;卢祖皋词,名《月城春》,又名《锦园春》,一名《三犯锦园春》。


    四犯剪梅花 <span ss="q">双调九十三字,前段九句五仄韵,后段十句五仄韵        刘 过


    水殿风凉<span ss="q">句赐环归<span ss="q">读正是梦熊华旦<span ss="q">韵叠雪罗轻<span ss="q">句称云章题扇<span ss="q">韵西清侍宴<span ss="q">韵望黄伞<span ss="q">读日华笼辇<span ss="q">韵金


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    券三王<span ss="q">句玉堂四世<span ss="q">句帝恩偏眷<span ss="q">韵  临安记<span ss="q">读龙飞凤舞<span ss="q">句信神明有后<span ss="q">句竹梧阴满<span ss="q">韵笑折花看<span ss="q">句裛


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    荷香红浅<span ss="q">韵功名岁晚<span ss="q">韵带河与<span ss="q">读砺山长远<span ss="q">韵麟脯杯行<span ss="q">句狨鞯坐稳<span ss="q">句内家宣劝<span ss="q">韵


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    此调前后段第一、二句,即《解连环》之第一、二、三句,第三、四句,即《醉蓬莱》之第四、五句,第五、六句,即《雪狮儿》之第六、七句,第七、八、九句,即《醉蓬莱》之第九、第十、第十一句;后段第一、二、三句,即《解连环》之第一、二、三句,第四、五句,即《醉蓬莱》之第五、六句,第六、七句,即《雪狮儿》之第六、七句,第八、九、十句,即《醉蓬莱》之第十、第十一、第十二句。凡集四调,故曰“四犯”,本属三调,故又曰“三犯”,细辩句读,应以卢词为合格,若刘词之前后段起句不押韵,第二句作上三下六句法,后段起句又多一字,似与《解连环》不合,因相传已久,故仍列刘词于前,以备参考,其可平可仄,则注于卢词之下,以见此调之正体也。


    又一体 <span ss="q">双调九十三字,前段九句六仄韵,后段十句六仄韵          刘 过


    翠眉重扫<span ss="q">韵后房深<span ss="q">读自唤小蛮娇小<span ss="q">韵绣带罗垂<span ss="q">句报浓妆才了<span ss="q">韵堂虚夜悄<span ss="q">韵但依约<span ss="q">读鼓箫声闹<span ss="q">韵一


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    曲梅花<span ss="q">句尊前舞彻<span ss="q">句梨园新调<span ss="q">韵  高阳醉<span ss="q">读玉山未倒<span ss="q">韵看鞋飞凤翼<span ss="q">句玉钗微袅<span ss="q">韵秋满东湖<span ss="q">句更


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    西风凉早<span ss="q">韵桃源路杳<span ss="q">韵记流水<span ss="q">读泛舟曾到<span ss="q">韵桂子香浓<span ss="q">句梧桐影转<span ss="q">句月寒天晓<span ss="q">韵


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    ·


    此与“水殿风凉”词同,惟前段起句及换头句,皆押韵异。


    又一体 <span ss="q">双调九十二字,前后段各十句,六仄韵               卢祖皋


    五云腾晓<span ss="q">韵望凝香画戟<span ss="q">句恍然蓬岛<span ss="q">韵玉露冰壶<span ss="q">句照神仙风表<span ss="q">韵诗书坐啸<span ss="q">韵唤淮楚<span ss="q">读满城春好<span ss="q">韵雨


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    谷催耕<span ss="q">句风帘戏鼓<span ss="q">句家家欢笑<span ss="q">韵  南湖细吟未了<span ss="q">韵看金莲夜直<span ss="q">句丹凤飞诏<span ss="q">韵鬓影青青<span ss="q">句办功名


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    多少<span ss="q">韵持杯满釂<span ss="q">韵听千里<span ss="q">读咸歌难老<span ss="q">韵试问尊前<span ss="q">句蟠桃次第<span ss="q">句红芳犹小<span ss="q">韵


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    此词前段第一句押韵,第二句五字,第三句四字,后段第一句六字押韵,方与《解连环》调句读合,卢词三首并同。 按,卢词别首,前段第四、五句“丝雨濛晴,放珠帘高卷”,丝字平声;后段第一、二、三句“洛阳画图旧见,向天香深处,犹认娇面”,洛字仄声,深字平声;第四、五句“露榖霞绡,闻绮罗裁剪”,闻字平声,绮字仄声。余参刘词,惟前段起句,刘词第一首不押韵,换头句刘词俱七字,不便参校,因不据作谱。


    高平探芳新  调见《梦窗词》,吴文英自度高平调曲。


    高平探芳新 <span ss="q">双调九十三字,前段十二句一叶韵四仄韵,后段十二句五仄韵   吴文英


    九街头<span ss="q">叶正软尘酥润<span ss="q">句雪销残溜<span ss="q">韵褉赏只园<span ss="q">句花艳云阴笼昼<span ss="q">韵层梯峭<span ss="q">句空麝散<span ss="q">句拥凌波<span ss="q">句萦翠


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    袖<span ss="q">韵叹年端<span ss="q">句连环转<span ss="q">句烂漫游人如绣<span ss="q">韵   肠断回廊伫久<span ss="q">韵便写意溅波<span ss="q">句传愁蹙岫<span ss="q">韵渐没飘


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    红<span ss="q">句空惹闲情春瘦<span ss="q">韵椒杯香<span ss="q">句乾醉醒<span ss="q">句怕西窗<span ss="q">句人散后<span ss="q">韵暮寒深<span ss="q">句迟回处<span ss="q">句自攀庭柳<span ss="q">韵


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    此调渊源,似出《探芳讯》,但摊破句法,移换宫调,自成新声,即与《探芳讯》不同,故另编一体。 此词可平可仄,亦无别首可校。


    临江仙慢  《乐章集》注:仙吕调。


    临江仙慢 <span ss="q">双调九十三字,前段十一句五平韵,后段十一句六平韵       柳 永


    梦觉小庭院<span ss="q">句冷风淅淅<span ss="q">句疏雨萧萧<span ss="q">韵绮窗外<span ss="q">读秋声败叶狂飘<span ss="q">韵心摇<span ss="q">韵奈寒漏永<span ss="q">句孤帏悄<span ss="q">句泪烛空


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    烧<span ss="q">韵无端处<span ss="q">句是绣衾鸳枕<span ss="q">句闲过清宵<span ss="q">韵  萧条<span ss="q">韵牵情系恨<span ss="q">句争向年少偏饶<span ss="q">韵觉新来<span ss="q">读憔悴旧日


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    风标<span ss="q">韵魂消<span ss="q">韵念欢娱事<span ss="q">句烟波阻<span ss="q">句后约方遥<span ss="q">韵还经岁<span ss="q">句问怎生禁得<span ss="q">句如许无聊<span ss="q">韵


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    此调只有此词,平仄无别首可校。 此词押三短韵,前后段第六句作上一下三句法,第十句作上一下四句法,当是体便,填者审之。


    雪明鳷鹊夜  调见《花草粹编》。


    雪明鳷鹊夜 <span ss="q">双调九十四字,前段十句四仄韵,后段八句四仄韵        宋徽宗


    望五云多处<span ss="q">句探春开阆苑<span ss="q">句别就瑶岛<span ss="q">韵正梅雪韵清<span ss="q">句桂月光皎<span ss="q">韵凤帐龙帘萦嫩风<span ss="q">句御座深<span ss="q">读翠金


    ●●○○● ●○○●● ●●○● ●○●●○ ●●○● ●●○○○●○ ●●○ ●○


    间绕<span ss="q">韵半天中<span ss="q">句香泛千花<span ss="q">句灯挂百宝<span ss="q">韵  圣时观风重腊<span ss="q">句有箫鼓沸空<span ss="q">句锦绣匝道<span ss="q">韵竞呼卢气贯


    ●● ●○○ ○●○○ ○●●●   ●○○○●● ●○●●○ ●●●● ●○○●●


    调欢笑<span ss="q">韵暗里金钱掷下<span ss="q">句来侍宴<span ss="q">读歌太平睿藻<span ss="q">韵愿年年此际<span ss="q">句迎春不老<span ss="q">韵


    ○○● ●●○○●● ○●● ○●○●● ●○○●● ○○●●


    ·


    此调仅见此词,无别首可校。


    玉漏迟  蒋氏九宫谱:黄钟宫。


    玉漏迟 <span ss="q">双调九十四字,前段十句五仄韵,后段九句五仄韵          宋 祁


    杏香飘禁苑<span ss="q">句须知自昔<span ss="q">句皇都春早<span ss="q">韵燕子来时<span ss="q">句绣陌渐熏芳草<span ss="q">韵蕙圃妖桃过雨<span ss="q">句弄碎影<span ss="q">读红筛清


    ◎○○●● ⊙○◎● ⊙○○● ◎●⊙○ ◎●◎○○● ◎●○○◎● ◎◎◎ ⊙○○


    沼<span ss="q">韵深院悄<span ss="q">韵绿杨巷陌<span ss="q">句莺声争巧<span ss="q">韵  早是赋得多情<span ss="q">句更遇酒临花<span ss="q">句镇辜欢笑<span ss="q">韵数曲阑干<span ss="q">句故


    ● ○●● ◎⊙◎◎ ⊙○○●   ◎◎◎●○○ ◎◎●○○ ●○○● ◎●⊙○ ◎


    国漫劳登眺<span ss="q">韵汉外微云尽处<span ss="q">句乱峰锁<span ss="q">读一竿斜照<span ss="q">韵归路杳<span ss="q">韵东风泪零多少<span ss="q">韵


    ●◎○○● ◎●⊙○◎● ◎⊙● ◎○○● ○●● ⊙⊙●○○●


    ·


    此词前段起句不押韵,北宋词俱照此填。按,前段起句,葛立方词“窗户明环堵”,窗字平声;第二、三句,刘因词“人生何必,武陵溪上”,何字平声;第六句,刘词“不似东山高卧”,高字平声;第七句,周密词“惊醉语、香红围绕”,惊字平声;第九句,张炎词“诗梦正迷”,诗字平声,梦字仄声,迷字平声;后段起句,周词“雨窗短梦无凭”,窗字平声,张词“幽趣尽属闲僧”,幽字平声;第二句,张词“浑未识人间”,浑字平声;第四句,何梦桂词“何处玉堂”,玉字仄声;第五句,何词“满地苍苔不扫”,苍字平声;第六句,刘词“天设四时佳兴”,佳字平声;第九句,张词“那更好游人老”,那更二字俱仄声。谱内可平可仄据此,余参所采六词。若吴文英词之前段结句“分秋一半”,张埜词之后段结句“忘却镜中白发”,又何梦桂词之后段第五句“满地苍苔不扫”,一字、白字、不字俱入声,此以入替平,不注可仄。又,何梦桂词,前段起句“问春先开未”,元好问第六句“不如麒麟画里”,开字、如字平声,查宋、元词,此二字并无用平声者,故亦不注可平。


    又一体 <span ss="q">双调九十四字,前段十句六仄韵,后段九句五仄韵          吴文英


    絮花寒食路<span ss="q">韵晴丝罥日<span ss="q">句绿阴吹雾<span ss="q">韵客帽欺风<span ss="q">句愁满画船烟浦<span ss="q">韵彩挂秋千散后<span ss="q">句恨尘销<span ss="q">读燕帘莺


    ●○○●● ○○●● ●○○● ●●○○ ○●●○○● ●●○○●● ●○○ ●○○


    户<span ss="q">韵从间阻<span ss="q">韵梦云无准<span ss="q">句鬓霜如许<span ss="q">韵  夜永绣阁藏娇<span ss="q">句记掩扇传歌<span ss="q">句剪灯留语<span ss="q">韵月约星期<span ss="q">句细


    ● ○●● ●○○● ●○○●   ●●●●○○ ●●●○○ ●○○● ●●○○ ●


    把花须频数<span ss="q">韵弹指一襟怨恨<span ss="q">句漫空倩<span ss="q">读啼鹃声诉<span ss="q">韵深院宇<span ss="q">韵黄昏杏花微雨<span ss="q">韵


    ●○○○● ○●●○●● ●○● ○○○● ○●● ○○●○○●


    ·


    此与宋祁词同,惟前段起句押韵异。按,南宋人词,俱如此填。


    又一体 <span ss="q">双调九十四字,前后段各十句,六仄韵              张 翥


    病怀因酒恼<span ss="q">韵依稀梦里<span ss="q">句吴娃娇小<span ss="q">韵金缕歌残<span ss="q">句人去月斜云杳<span ss="q">韵怕见栖香燕晚<span ss="q">句又怕听<span ss="q">读啼花莺


    ●○○●● ○○●● ○○○● ○●○○ ○●●○○● ●●○○●● ●●● ○○○


    晓<span ss="q">韵庭院悄<span ss="q">韵生衣欲试<span ss="q">句风寒犹峭<span ss="q">韵  窈窕<span ss="q">韵青粉墙底<span ss="q">句送影过秋千<span ss="q">句蓦然闲笑<span ss="q">韵半朵棠梨<span ss="q">句


    ● ○●● ○○●● ○○○●   ●● ○●○○ ●●●○○ ●○○● ●●○○


    微露凤钗红袅<span ss="q">韵近日琴心倦写<span ss="q">句更远信<span ss="q">读西沈青鸟<span ss="q">韵虚负了<span ss="q">韵花月一春多少<span ss="q">韵


    ○●●○○● ●●○○●● ●●● ○○○● ○●● ○●●○○●


    ·


    此与吴词同,惟换头句多押一短韵.按,白朴词,“缥缈。露阁云窗,恨梦断青鸾,夜深寒峭”;又,刘因词,“且唱。一曲渔歌,当无复当年,缺壶悲壮”;张埜词,“浪走。紫陌红尘,笑底用腰间,印金悬斗。”元词无不藏短韵者,正与此同。


    又一体 <span ss="q">双调九十四字,前段十句五仄韵,后段九句五仄韵          吴文英


    雁边风信小<span ss="q">句飞琼望杳<span ss="q">句碧云先晚<span ss="q">韵露冷阑干<span ss="q">句定怯藕丝冰腕<span ss="q">韵净洗浮云片玉<span ss="q">句胜花影<span ss="q">读春灯相


    ●○○●● ○○●● ●○○● ●●○○ ●●●○○● ●●○○●● ●○● ○○○


    乱<span ss="q">韵秦镜满<span ss="q">韵素娥未肯<span ss="q">句分秋一半<span ss="q">韵  每圆处<span ss="q">读即良宵<span ss="q">句甚此夕偏饶<span ss="q">句对歌临怨<span ss="q">韵万里婵娟<span ss="q">句


    ● ○●● ●○●● ○○●●   ●○● ●○○ ●●●○○ ●○○● ●●○○


    几许雾屏云幔<span ss="q">韵孤兔凄凉照水<span ss="q">句晓风起<span ss="q">读银河西转<span ss="q">韵摩泪眼<span ss="q">韵瑶台梦回人远<span ss="q">韵


    ●●●○○● ○●○○●● ●○● ○○○● ○●● ○○●○○●


    ·


    此亦与宋词同,惟换头作六字折腰句法异。


    又一体 <span ss="q">双调九十六字,前段十句五仄韵,后段九句五仄韵          程 垓


    一春浑不见<span ss="q">句那堪又是<span ss="q">句花飞时节<span ss="q">韵忍对危阑数曲<span ss="q">句暮云千叠<span ss="q">韵门外星星柳眼<span ss="q">句看谁是<span ss="q">读当时风


    ●○○●● ●○●● ○○○● ●●○○●● ●○○● ○●○○●● ●○● ○○○


    月<span ss="q">韵愁万结<span ss="q">韵凭谁问我<span ss="q">句殷勤低说<span ss="q">韵  不是惯却春心<span ss="q">句奈新燕传情<span ss="q">句旧莺饶舌<span ss="q">韵冷篆余香<span ss="q">句莫


    ● ○●● ○○●● ○○○●   ●●●●○○ ●○●○○ ●○○● ●●○○ ●


    放等闲消歇<span ss="q">韵纵使繁红褪尽<span ss="q">句犹自有<span ss="q">读酴醾堪折<span ss="q">韵魂梦切<span ss="q">韵如今不奈<span ss="q">读飞来蝴蝶<span ss="q">韵


    ●●○○● ●●○○●● ○●● ○○○● ○●● ○○●● ○○○●


    ·


    北亦与宋词同,惟前段第四句六字,第五句四字,后段结句添二字,作八字句异。


    又一体 <span ss="q">双调九十三字,前段十句六仄韵,后段九句五仄韵          蒋 捷


    翠鸳双穗冷<span ss="q">韵莺声唤转<span ss="q">句春风芳景<span ss="q">韵花涌袖香<span ss="q">句此度徐妆偏称<span ss="q">韵水月仙人院宇<span ss="q">句到处有<span ss="q">读西湖如


    ●○○●● ○○●● ○○○● ○●●○ ●●○○○● ●●○○●● ●●● ○○○


    镜<span ss="q">韵烟岫暝<span ss="q">韵纤葱误指<span ss="q">句莲峰篁岭<span ss="q">韵  料想小阁初逢<span ss="q">句正浪拍红猊<span ss="q">句袖飞金饼<span ss="q">韵楼倚斜晖<span ss="q">句胜


    ● ○●● ○○●● ○○○●   ●●●○○○ ●●●○○ ●○○● ○●○○ ●


    把佳期重省<span ss="q">韵万种惺忪笑语<span ss="q">句一点温柔情性<span ss="q">韵钗倦整<span ss="q">韵盈盈背灯娇影<span ss="q">韵


    ●○○○● ●●○○●● ●●○○○● ○●● ○○●○○●


    ·


    此与吴文英“絮花寒食”词同,惟后段第七句减一字异。


    又一体 <span ss="q">双调九十字,前段九句六仄韵,后段八句五仄韵           滕 宾


    问谁争乞巧<span ss="q">韵谁知巧处成烦恼<span ss="q">韵天上佳期<span ss="q">句底事别多欢少<span ss="q">韵雨梦云情半晌<span ss="q">句又早被<span ss="q">读西风吹晓<span ss="q">韵


    ●○○●● ○○●●○○● ○●○○ ●●●○○● ●●○○●● ●●● ○○○●


    愁未了<span ss="q">韵星桥隔断<span ss="q">句银河深沓<span ss="q">韵   可笑儿女浮名<span ss="q">句似瓜果<span ss="q">读丝萦绕<span ss="q">韵百拙无能<span ss="q">句赢得自家华


    ○●● ○○●● ○○○●    ●●○●○○ ●○● ○○● ●●○○ ○●●○○


    晧<span ss="q">韵我笑嫦娥解事<span ss="q">句但岁岁<span ss="q">读峨眉空老<span ss="q">韵归去好<span ss="q">韵江上绿波烟草<span ss="q">韵


    ● ●●○○●● ●●● ○○○● ○●● ○●●○○●


    ·


    宾此见凤林书院元词,亦吴词体,惟前段第二、三句减一字、作七字一句,后段第二、三句减三字,作六字一句异。


    尾 犯  调见《乐章集》,“夜雨滴空阶”词注正宫,“晴烟羃羃”词注林钟商。秦观词名《碧芙蓉》。


    尾 犯 <span ss="q">双调九十四字,前段十句四仄韵,后段八句四仄韵          柳 永


    夜雨滴空阶<span ss="q">句孤馆梦回<span ss="q">句情绪萧索<span ss="q">韵一片闲愁<span ss="q">句想丹青难貌<span ss="q">韵秋渐老<span ss="q">读蛩声正苦<span ss="q">句夜将阑<span ss="q">读灯花


    ◎●●○○ ○●●○ ○●○● ◎●○○ ●○○○● ⊙◎● ○○●● ●○○ ⊙○


    渐落<span ss="q">韵最无端处<span ss="q">句忍把良宵<span ss="q">句只恁孤眠却<span ss="q">韵  佳人应怪我<span ss="q">句别后寡信轻诺<span ss="q">韵记得当时<span ss="q">句剪香云


    ●● ◎○○● ◎●⊙○ ◎●⊙○●   ⊙○○●● ◎●●◎○● ◎●○○ ●○○


    为约<span ss="q">韵甚时向<span ss="q">读幽闺深处<span ss="q">句按新词<span ss="q">读流霞共酌<span ss="q">韵再同欢笑<span ss="q">句肯把金玉珠珍博<span ss="q">韵


    ○● ●⊙● ○○○● ●⊙⊙ ○○●● ◎○⊙● ●●⊙◎○○●


    ·


    此调九十四字者,以此词为正体,秦观、吴文英、赵以夫诸词,俱如此填。若蒋词之后段第二句添一字、结句句法不同,乃变体也。 沈伯时《乐府指迷》论此词结句“金”字,应用去声,按吴文英“绀海掣微云”词,“满地桂阴无人惜”,赵义夫词,“殷勤更把茱萸嘱”,桂字、更字去声,但吴词“阴”字平声,赵词“殷勤”二字平声;吴词别首,“远梦越来溪上月”,上字仄声,则又与此词不同。今以“满地桂阴”句为定格,盖“阴”字平声,可以“玉”字入声替也。 按,赵词,前段第一句“长啸蹑高寒”,长字平声;第六句“引光禄、清吟兴动”,引字仄声,光字平声;第七句“忆龙山旧游梦断”,旧字仄声;秦词,第八、九、十句“阑干闲倚,庭院无人,颠倒飘黄叶”,阑字、庭字、颠字俱平声;吴词,第九、十句“忍向夜深,帘户照陈迹”,夜字、照字俱仄声;秦词,后段第一、二句“故园当此际,遥想弟兄罗列”,故字仄声,遥字、兄字俱平声;第三句“携酒登高”,携字平声;吴词,第五句“二十五声声秋点”,十字仄声;第六句“梦不认、屏山路窄”,不字、认字俱仄声;秦词,第七句“长吟抱膝”,长字平声,换字仄声。谱内可平可仄据此,余参蒋词。 此词前段第五句、后段第四句,例作上一下四句法,如秦词之“喜秋光清绝”、“把茱萸簪彻”,吴词之“想清光先得”、“记年时相识”,又“冷霜波成缬”、“渺平芜烟阔”,赵词之“与斜阳天远”、“觅东篱幽伴”,皆然,填者辨之。


    又一体 <span ss="q">双调九十五字,前段十句四仄韵,后段八句四仄韵          蒋 捷


    夜倚读书床<span ss="q">句敲碎唾壶<span ss="q">句灯晕明灭<span ss="q">韵多事西风<span ss="q">句把斋铃频掣<span ss="q">韵人笑语<span ss="q">读温温芋火<span ss="q">句雁孤飞<span ss="q">读萧萧


    ●●●○○ ○●●○ ○●○● ○●○○ ●○○○● ○●● ○○●● ●○○ ○○


    稷雪<span ss="q">韵遍阑干外<span ss="q">句万顷鱼天<span ss="q">句未了予愁绝<span ss="q">韵  鸡边长剑舞<span ss="q">句念不到<span ss="q">读此样豪杰<span ss="q">韵瘦骨稜稜<span ss="q">句但


    ●● ●○○● ●●○○ ●●○○●   ○○○●● ●●● ●●○● ●●○○ ●


    凄其衾铁<span ss="q">韵是非梦<span ss="q">读无痕堪记<span ss="q">句似双瞳<span ss="q">读缤纷翠缬<span ss="q">韵浩然心在<span ss="q">句我逢著<span ss="q">读梅花便说<span ss="q">韵


    ○○○● ●○● ○○○● ●○○ ○○●● ●○○● ●○● ○○●●


    ·


    此与柳词同,惟后段第二句添一字,结句作上三下四句法异。


    又一体 <span ss="q">双调九十八字,前段十句五仄韵,后段十句六仄韵          柳 永


    晴烟羃羃<span ss="q">韵渐东郊芳草<span ss="q">句染成轻碧<span ss="q">韵野塘风暖<span ss="q">句游鱼动触<span ss="q">句冰澌微坼<span ss="q">韵几行断雁<span ss="q">句旋次第<span ss="q">读归霜


    ○○●● ●○○○● ●○⊙● ●○⊙● ○○◎● ⊙○○● ◎○●● ◎●● ○○


    碛<span ss="q">韵咏新诗<span ss="q">读手撚江梅<span ss="q">句故人增我春色<span ss="q">韵  似此光阴催逼<span ss="q">韵念浮生<span ss="q">句不满百<span ss="q">韵虽照人轩冕<span ss="q">句润


    ● ●○○ ◎●○○ ●○⊙●○●   ●●○○○● ●○○ ◎●● ○●○○● ●


    屋金珠<span ss="q">句於身何益<span ss="q">韵一种劳心力<span ss="q">韵图利禄<span ss="q">读殆非长策<span ss="q">韵除是恁<span ss="q">读点检笙歌<span ss="q">句访寻罗绮消得<span ss="q">韵


    ◎○⊙ ○○⊙● ◎●○○● ○●● ●○○● ⊙●● ◎●○○ ●○⊙●○●


    ·


    此调九十八字者,以此词为正体,若晁词之添一字、无名氏词之添二字,皆变体也。 此词可平可仄,即参下晁词及无名氏词。


    又一体 <span ss="q">双调九十九字,前段九句五仄韵,后段十句六仄韵          晁补之


    庐山小隐<span ss="q">韵渐年来疏懒<span ss="q">句浸浓归兴<span ss="q">韵彩桥飞过深溪<span ss="q">句池底奔雷余韵<span ss="q">韵香炉照日<span ss="q">句望处与<span ss="q">读青霄


    ○○●● ●○○○● ●○○● ●○○●○○ ○●○○○● ○○●● ●●● ○○


    近<span ss="q">韵想群仙<span ss="q">读呼我应还<span ss="q">句怪晓来<span ss="q">读鬓丝垂镜<span ss="q">韵  海上云车回轫<span ss="q">韵少姑传<span ss="q">句金母信<span ss="q">韵森翠裾琼


    ● ●○○ ○●○○ ●●○ ●○○●   ●●○○○● ●○○ ○●● ○●○○


    佩<span ss="q">句落日初霞<span ss="q">句纷纭相映<span ss="q">韵谁见湖中景<span ss="q">韵花洞里<span ss="q">读杳然渔艇<span ss="q">韵别是个<span ss="q">读潇洒乾坤<span ss="q">句世情尘土休


    ● ●●○○ ○○○● ○●○○● ○●● ●○○● ●●● ○●○○ ●○○●○


    问<span ss="q">韵


    ●


    ·


    此与柳词同,惟前段第四、五、六句,作六字两句,结句添一字,作上三下四七字句异。


    又一体 <span ss="q">双调一百字字,前段十句六仄韵,后段九句六仄韵        <span ss="q">梅苑无名氏


    轻风淅淅<span ss="q">韵正园林萧索<span ss="q">句未回暖律<span ss="q">韵岭头昨夜<span ss="q">句寒梅初发<span ss="q">句一枝消息<span ss="q">韵香苞渐坼<span ss="q">韵天不许<span ss="q">读雪


    ○○●● ●○○○● ●○●● ●○●● ○○○● ●○○● ○○●● ○●● ●


    霜欺得<span ss="q">韵望东吴<span ss="q">读驿使西来<span ss="q">句为谁折赠春色<span ss="q">韵  玉莹冰清容质<span ss="q">韵迥不同<span ss="q">读群花品格<span ss="q">韵如晓妆


    ○○● ●○○ ●●○○ ●○●●○●   ●●○○○● ●●○ ○○●● ○●○


    匀罢<span ss="q">句寿阳香脸<span ss="q">句徐妃粉额<span ss="q">韵好把琼英摘<span ss="q">韵频醉赏<span ss="q">读舞筵歌席<span ss="q">韵休待听<span ss="q">读呜咽临风<span ss="q">句数声月下


    ○● ●○○● ○○●● ●●○○● ○●● ●○○● ○●● ○●○○ ●○●●


    羌笛<span ss="q">韵


    ○●


    ·


    此亦与柳词同,惟前段第八句、后段第二句,校柳词各添一字异。


    驻马听  《乐章集》注:林钟商。


    驻马听 <span ss="q">双调九十四字,前段十句六平韵,后段九句四平韵          柳 永


    凤枕鸳帏<span ss="q">韵二三载<span ss="q">读如鱼似水相知<span ss="q">韵良天好景<span ss="q">句深怜多爱<span ss="q">句无非尽意依随<span ss="q">韵奈何伊<span ss="q">韵恣性灵<span ss="q">读忒


    ●●○○ ●○● ○○●●○○ ○○●● ○○○● ○○●●○○ ●○○ ●●○ ●


    杀些儿<span ss="q">韵无事孜煎<span ss="q">句万回千度<span ss="q">句怎免分离<span ss="q">韵  而今渐行渐远<span ss="q">句渐觉虽悔难追<span ss="q">韵漫恁寄消传息<span ss="q">句


    ●○○ ○●○○ ●○○● ●●○○   ○○●○●● ●●○●○○ ●●●○○●


    终久奚为<span ss="q">韵也拟重论缱绻<span ss="q">句争奈翻覆思惟<span ss="q">韵纵再会<span ss="q">句只恐恩情<span ss="q">句难似当时<span ss="q">韵


    ○●○○ ●●○○●● ○●○●○○ ●●● ●●○○ ○●○○


    ·


    此调惟见《乐章集》一词,其平仄当遵之。


    雪梅香  《乐章集》注:正宫。


    雪梅香 <span ss="q">双调九十四字,前段九句四平韵,后段十一句五平韵         柳 永


    景萧索<span ss="q">句危楼独立面晴空<span ss="q">韵动悲秋情绪<span ss="q">句当时宋玉应同<span ss="q">韵渔市孤烟袅寒碧<span ss="q">句水村残叶舞愁红<span ss="q">韵楚


    ●○● ○○◎●●○○ ●○○○● ⊙○●●○○ ○●⊙○●○● ●○○●●○○ ◎


    天阔<span ss="q">句浪浸斜阳<span ss="q">句千里溶溶<span ss="q">韵  临风<span ss="q">韵想佳丽<span ss="q">句别后愁颜<span ss="q">句镇敛眉峰<span ss="q">韵可惜当年<span ss="q">句顿乖雨迹云


    ○● ●●○○ ⊙●○○   ○○ ●○● ●●○○ ●●○○ ◎●○○ ●○●●○


    踪<span ss="q">韵雅态妍姿正欢洽<span ss="q">句落花流水忽西东<span ss="q">韵无憀意<span ss="q">句尽把相思<span ss="q">句分付征鸿<span ss="q">韵


    ○ ◎●○○●○● ●○○●●○○ ○○● ●●○○ ⊙●○○


    ·


    此词前段第五句、后段第七句,例作拗体,填者辨之。可平可仄,参下无名氏词。


    又一体 <span ss="q">双调九十四字,前段九句四平韵,后段十句四平韵        <span ss="q">梅苑无名氏


    岁将暮<span ss="q">句云帆风卷正凄凉<span ss="q">韵见梅花呈瑞<span ss="q">句素英澹薄含芳<span ss="q">韵千片逞姿向江国<span ss="q">句一枝无力倚邻墙<span ss="q">韵


    ●○● ○○○●●○○ ●○○○● ●○●●○○ ○●●○●○● ●○○●●○○


    凝眸望<span ss="q">句昨夜前村<span ss="q">句雅态难忘<span ss="q">韵  争妍斗鲜洁<span ss="q">句皓彩寒辉<span ss="q">句冷艳清香<span ss="q">韵姑射真人<span ss="q">句更兼傅粉


    ○○● ●●○○ ●●○○   ○○●○● ●●○○ ●●○○ ○●○○ ●○●●


    容光<span ss="q">韵梁苑奇才动佳句<span ss="q">句汉宫娇态学严妆<span ss="q">韵无憀恨<span ss="q">句独对光辉<span ss="q">句别岸垂杨<span ss="q">韵


    ○○ ○●○○●○● ●○○●●○○ ○○● ●●○○ ●●○○


    ·


    此与柳词同,惟换头句不藏短韵异。


    六幺令  《碧鸡漫志》:《六幺》一名《绿腰》,一名《乐世》,一名《录要》。或云,此曲折无过六字者,故曰《六幺》。今《六幺》行于世者,曰黄钟羽,即俗呼般涉调;曰夹钟羽,即俗呼中吕调;曰林钟羽,即俗呼高平调;曰夷则羽,即俗呼仙吕调,皆羽调也。按,今《乐章集》,柳永九十四字词,原注仙吕调,即《碧鸡漫志》所云羽调之一。


    六幺令 <span ss="q">双调九十四字,前后段各九句,五仄韵               柳 永


    澹烟残照<span ss="q">句摇曳溪光碧<span ss="q">韵溪边浅桃深杏<span ss="q">句迤逦染春色<span ss="q">韵昨夜扁舟泊处<span ss="q">句枕簟当滩碛<span ss="q">韵波声渔笛<span ss="q">韵


    ◎○⊙● ⊙●⊙○● ⊙○◎⊙○● ⊙●◎○● ◎●○○●● ◎●○○● ⊙○○●


    惊回好梦<span ss="q">句梦里欲归怎归得<span ss="q">韵  展转翻成无寐<span ss="q">句因此伤行役<span ss="q">韵思念多媚多娇<span ss="q">句咫尺千里隔<span ss="q">韵都


    ⊙○◎● ◎●◎○●○●   ●●○○○● ⊙●○○● ⊙●⊙●○○ ●●○◎● ⊙


    为深情密爱<span ss="q">句不忍轻离拆<span ss="q">韵好天良夕<span ss="q">韵鸳帏寂静<span ss="q">句算得也应暗思忆<span ss="q">韵


    ●○○●● ◎●○○● ◎○○● ⊙○◎● ◎●◎○●○●


    ·


    此调以此词为正体,若贺词之多押三韵,辛词、陈词之句读或异,皆变体也。 此词前段第三句,或作平平仄仄平仄,或作仄平仄平平仄,或作平平平仄平仄,若贺词之平平仄仄仄仄,此亦偶误,不必从。又,换头句,晏几道词“遥想疏梅此际”,此字仄声,周邦彦词“华堂花艳对列”,华堂二字平声。艳字、对字俱仄声,填者或宗一体,不可三体合而为一。 按,周密词,前段起句“痴云剪素”,痴字平声,剪字仄声;晏几道词,第二句“唤起懒妆束”,唤字仄声;第三句,“晚来翠眉宫样”,晚字仄声,又“年年花落时候”,花字平声,落字仄声;周词,第六句“寒鹊争枝晓”,寒字平声;晏词,第八句“彩弦声里”,彩字仄声,声字平声;李琳词,后段第三句“翠袖折取娇红”,翠词、折字俱仄声;晏词,第五句“莫道伤高恨远”,莫字仄声。谱内可平可仄据此,余参贺词、陈词。 李琳词,前段第五句“依约天涯芳草”,芳字平声;辛弃疾词,第七句“故人欲接”,欲字仄声,查宋、元词,并无同此者,故不注可平可仄。


    又一体 <span ss="q">双调九十四字,前段九句六仄韵,后段九句七仄韵          贺 铸


    暮云消散<span ss="q">句帘卷画堂晓<span ss="q">韵残薰烬蜡隐映<span ss="q">句绮席金壶倒<span ss="q">韵尘送行鞭袅袅<span ss="q">韵醉指长安道<span ss="q">韵波平天杳<span ss="q">韵


    ●○○● ○●●○● ○○●●●● ●●○○● ○●○○●● ●●○○● ○○○●


    兰舟欲上<span ss="q">句回首离愁满芳草<span ss="q">韵  身外浮名扰扰<span ss="q">韵已负狂年少<span ss="q">韵无奈风月多情<span ss="q">句此去应相笑<span ss="q">韵心


    ○○●● ○●○○●○●   ○●○○●● ●●○○● ○●○●○○ ●●○○● ○


    记歌声缥缈<span ss="q">韵翻是相思调<span ss="q">韵明年春早<span ss="q">韵宛溪杨柳<span ss="q">句依旧青青为谁好<span ss="q">韵


    ●○○●● ○●○○● ○○○● ●○○● ○●○○●○●


    ·


    此与柳词同,惟前后段第五句及换头句俱押韵异。按,周密词,前后段第五句“白战清冷未了,玉鉴新眉未雪”,换头句“交映虚窗净沼”,正与此同。


    又一体 <span ss="q">双调九十四字,前后段各九句,五仄韵               陈允平


    授衣时节<span ss="q">句犹未定寒燠<span ss="q">韵长空雨收云霁<span ss="q">句湛碧秋容沐<span ss="q">韵还是鲈肥蟹美<span ss="q">句橡粟村村熟<span ss="q">韵不堪追逐<span ss="q">韵


    ●○○● ○●●○● ○○●○○● ●●○○● ○●○○●● ●●○○● ●○○●


    龙山梦远<span ss="q">句惆怅田园自黄菊<span ss="q">韵  醉中还念倦旅<span ss="q">句触景伤心目<span ss="q">韵羞破帽<span ss="q">读把茱萸<span ss="q">句更忆尊前玉<span ss="q">韵


    ○○●● ○●○○●○●   ●○○●●● ●●○○● ○●● ●○○ ●●○○●


    愁立梧桐影下<span ss="q">句月转回廊曲<span ss="q">韵归期将卜<span ss="q">韵西风吹雁<span ss="q">句懒寄斜封但相嘱<span ss="q">韵


    ○●○○●● ●●○○● ○○○● ○○○● ●●○○●○●


    ·


    此亦与柳词同,惟后段第三句六字折腰句法异。


    <h5 style="margin-left: 36pt; margin-right: 0cm; margin-top: auto; margin-bottom: 6pt"> </h5>


    保寿乐  周密天基圣节乐次,再坐第六盏,觱篥独吹商角调,筵前保寿乐。


    保寿乐 <span ss="q">双调九十四字,前段十句四仄韵,后段九句五仄韵          曹 勋


    和气暖回元日<span ss="q">句四海充庭琛贡至<span ss="q">韵仗卫俨东朝<span ss="q">句郁郁葱葱<span ss="q">句响传环佩<span ss="q">韵凤历无穷<span ss="q">句庆慈闱上寿<span ss="q">句


    ○●●○○● ●●○○○●● ●●●○○ ●●○○ ●○○● ●●○○ ●○○●●


    皇情与天俱喜<span ss="q">韵念永锡难老<span ss="q">句在昔难比<span ss="q">韵  六宫嫔嫱罗绮<span ss="q">韵奉圣德<span ss="q">读坤宁俱至<span ss="q">韵箫韶动钧奏<span ss="q">句


    ○○●○○● ●●●○● ●●○●   ●○○○○● ●●● ○○○● ○○●○●


    花似锦<span ss="q">句广筵启<span ss="q">韵同祝宴赏处<span ss="q">句从教月明风细<span ss="q">韵亿载享温凊<span ss="q">句长生久视<span ss="q">韵


    ○●● ●○● ○●●●● ○○●○○● ●●●○● ○○●●


    ·


    此调仅见《松隐集》一词,无他作可校。


    惜秋华  吴文英自度曲。


    惜秋华 <span ss="q">双调九十四字,前段八句五仄韵,后段九句六仄韵          吴文英


    思渺西风<span ss="q">句怅行踪<span ss="q">读浪逐南飞高雁<span ss="q">韵怯上翠微<span ss="q">句危楼更堪凭晚<span ss="q">韵蓬莱对起幽云<span ss="q">句澹埜色山容愁


    ●●○○ ●○○ ●●○○○● ◎●●○ ○○●○○● ○○●●○○ ●◎●○○⊙


    卷<span ss="q">韵清浅<span ss="q">韵瞰沧波<span ss="q">读静衔秋痕一线<span ss="q">韵  十载寄吴苑<span ss="q">韵惯东篱深处<span ss="q">句把露黄偷剪<span ss="q">韵移莫影<span ss="q">读照


    ● ○● ●○○ ●⊙○○◎●   ◎●●○● ●⊙⊙⊙◎ ●●○○● ⊙◎● ◎


    越镜<span ss="q">句意销香断<span ss="q">韵秋娥赋得闲情<span ss="q">句倚翠尊<span ss="q">读小眉初展<span ss="q">韵深劝<span ss="q">韵待明朝<span ss="q">读醉巾重岸<span ss="q">韵


    ●● ●○○● ○○●●○○ ●●⊙ ◎○○● ○● ●○○ ◎○⊙●


    ·


    此调见《梦窗词》,凡五首,句读韵脚,互有异同,故悉载以尽其变。 此词可平可仄,即参下四词句法同者,惟“路远仙城”词,后段第六句“愁边暮合碧云”,碧字入声;“数日西风”词,后段第五句“已近紫霄尺五”,尺字入声;结句“问别来、解相思否”,别字入声,此皆以入作平,不注可仄。


    又一体 <span ss="q">双调九十三字,前段十句四仄韵、一叶韵,后段九句六仄韵      吴文英


    路远仙城<span ss="q">句自玉郎去却<span ss="q">韵芳卿憔悴<span ss="q">韵锦段镜空<span ss="q">句重铺步幢新绮<span ss="q">韵凡花瘦不禁秋<span ss="q">句幻腻玉腴红鲜


    ●●○○ ●●○●● ○○○● ●●●○ ○○●○○● ○○●●○○ ●●●○○○


    丽<span ss="q">韵相携<span ss="q">叶试新妆乍毕<span ss="q">句交扶轻醉<span ss="q">韵  长记断桥外<span ss="q">韵骤玉骢过处<span ss="q">句千娇凝睇<span ss="q">韵昨梦顿醒<span ss="q">句依


    ● ○○ ●○○●● ○○○●   ○●●○● ●●○●● ○○○● ●●●○ ○


    约旧时眉翠<span ss="q">韵愁边暮合碧云<span ss="q">句倩唱入<span ss="q">读六ㄠ声里<span ss="q">韵风起<span ss="q">韵舞斜阳<span ss="q">读阑干十二<span ss="q">韵


    ●●○○● ○○●●●○ ●●● ●○○● ○● ●○○ ○○●●


    ·


    此与“思渺西风”词同,惟后段第三句减一字,第五句不作六字折腰句法异。又,“思渺西风”词,前段第八句短韵,仍押仄声韵,此用平声,乃本部三声叶。


    又一体 <span ss="q">双调九十三字,前段八句四仄韵,后段九句六仄韵          吴文英


    细响残蛩<span ss="q">句傍灯前<span ss="q">读似说深秋怀抱<span ss="q">韵怕上翠微<span ss="q">句伤心乱烟残照<span ss="q">韵西湖镜掩尘沙<span ss="q">句翳晓影<span ss="q">读秦鬟云


    ●●○○ ●○○ ●●○○○● ●●●○ ○○●○○● ○○●●○○ ●●● ○○○


    扰<span ss="q">韵新鸿<span ss="q">句唤凄凉<span ss="q">读渐入红萸乌帽<span ss="q">韵   江上故人老<span ss="q">韵视东篱秀色<span ss="q">句依然娟好<span ss="q">韵晚梦趁<span ss="q">读邻杵


    ● ○○ ●○○ ●●○○○●    ○●●○● ●○○●● ○○○● ●●● ○●


    断<span ss="q">句乍将愁到<span ss="q">韵秋娘泪湿黄昏<span ss="q">句又满城<span ss="q">读雨轻风小<span ss="q">韵闲了<span ss="q">韵看芙蓉<span ss="q">读画船多少<span ss="q">韵


    ● ●○○● ○○●●○○ ●●○ ●○○● ○● ●○○ ●○○●


    ·


    此亦与“思涉西风”词同,惟前段第八句不押短韵,后段第三句亦减一字异。


    又一体 <span ss="q">双调九十三字,前段十句四仄韵,后段九句六仄韵          吴文英


    数日西风<span ss="q">句打秋林枣熟<span ss="q">句还催人去<span ss="q">韵瓜果夜深<span ss="q">句斜河拟看星度<span ss="q">韵匆匆便倒离尊<span ss="q">句怅遇合<span ss="q">读云销萍


    ●●○○ ●○○●● ○○○● ○●●○ ○○●○○● ○○●●○○ ●●● ○○○


    聚<span ss="q">韵留连<span ss="q">句有残蝉韵晚<span ss="q">句时歌金缕<span ss="q">韵  绿水暂如许<span ss="q">韵奈南墙冷落<span ss="q">句竹烟槐雨<span ss="q">韵此去杜曲<span ss="q">句已近


    ● ○○ ●○○●● ○○○●   ●●●○● ●○○●● ●○○● ●●●● ●●


    紫霄尺五<span ss="q">韵扁舟夜宿吴江<span ss="q">句正水佩霓裳无数<span ss="q">韵眉妩<span ss="q">韵问别来<span ss="q">读解相思否<span ss="q">韵


    ●○●● ○○●●○○ ●●●○○○● ○● ●●○ ●○○●


    ·


    此与“细响残蛩”词同,惟后段第五句不作折腰句法异。


    又一体 <span ss="q">双调九十三字,前段九句四仄韵,后段九句六仄韵          吴文英


    露罥蛛丝<span ss="q">句小楼阴堕月<span ss="q">句秋惊华鬓<span ss="q">韵宫漏未央<span ss="q">句当时钿钗遗恨<span ss="q">韵人间梦隔西风<span ss="q">句算天上<span ss="q">读年华一


    ●●○○ ●○○●● ○○○● ○●●○ ○○●○○● ○○●●○○ ●○● ○○●


    瞬<span ss="q">韵相逢<span ss="q">句纵相疏<span ss="q">读胜却巫阳无准<span ss="q">韵   何处动凉讯<span ss="q">韵听露井梧桐<span ss="q">句楚骚成韵<span ss="q">韵彩云断<span ss="q">读翠羽


    ● ○○ ●○○ ●●○○○●    ○●●○● ●●●○○ ●○○● ●○● ●●


    散<span ss="q">句此情难问<span ss="q">韵银河万古秋声<span ss="q">句但望中<span ss="q">读嫠星清润<span ss="q">韵轻俊<span ss="q">韵度金针<span ss="q">读漫牵方寸<span ss="q">韵


    ● ●○○● ○○●●○○ ●●○ ●○○● ○● ●○○ ●○○●


    ·


    此与“数日西风”词同,惟前段第九句,作上三下五句法,后段第四句折腰句法异。


    古香慢  吴文英自度曲,原注夷则商,犯无射宫。


    古香慢 <span ss="q">双调九十四字,前段九句四仄韵,后段九句五仄韵          吴文英


    怨娥坠柳<span ss="q">句离佩摇葓<span ss="q">句霜讯南浦<span ss="q">韵漫忆佳人<span ss="q">句倚竹袖寒日暮<span ss="q">韵还问月中游<span ss="q">句梦飞过<span ss="q">读金风翠羽<span ss="q">韵


    ●○●● ○●○○ ○●○● ●●○○ ●●●○●● ○●●○○ ●○● ○○●●


    把残云剩水万顷<span ss="q">句暗熏冷麝凄苦<span ss="q">韵  渐浩渺<span ss="q">读凌山高处<span ss="q">韵秋澹无光<span ss="q">句残照谁主<span ss="q">韵露粟侵肌<span ss="q">句夜


    ●○○●●●● ●○●●○●   ●●● ○○○● ○●○○ ○●○● ●●○○ ●


    约羽林轻误<span ss="q">韵剪碎惜秋心<span ss="q">句更肠断<span ss="q">读珠尘藓露<span ss="q">韵怕重阳<span ss="q">句又催近<span ss="q">读满城风雨<span ss="q">韵


    ●●○○● ●●●○○ ●○● ○○●● ●○○ ●○● ●○○●


    ·


    此吴文英自度腔,其平仄当悉依之。


    芙蓉月  调见《虚斋乐府》,盖咏芙蓉,因词中有“残月澹”句,故名《芙蓉月》。


    芙蓉月 <span ss="q">双调九十四字,前段九句四仄韵,后段十一句六仄韵         赵以夫


    黄叶舞空碧<span ss="q">句临水处<span ss="q">读照眼红葩齐吐<span ss="q">韵柔情媚态<span ss="q">句伫立西风如诉<span ss="q">韵遥想仙家城阙<span ss="q">句十万绿衣童


    ○●●○● ○●● ●●○○○● ○○●● ●●○○○● ○●○○○● ●●●○○


    女<span ss="q">韵云缥缈<span ss="q">句玉娉婷<span ss="q">句隐隐彩鸾飞舞<span ss="q">韵  尊前更风度<span ss="q">韵记天香国色<span ss="q">句曾占春暮<span ss="q">韵依然好在<span ss="q">句


    ● ○●● ●○○ ●●●○○●   ○○●○● ●○○●● ○●○● ○○●●


    还伴清霜凉露<span ss="q">韵一曲阑干敲遍<span ss="q">句悄无语<span ss="q">韵空相顾<span ss="q">韵残月澹<span ss="q">句酒阑时<span ss="q">句满城钟鼓<span ss="q">韵


    ○●○○○● ●●○○○● ●○● ○○● ○●● ●○○ ●○○●


    ·


    此赵自度曲,无别首可校。


    一枝春  调见杨缵词,其自度曲也。


    一枝春 <span ss="q">双调九十四字,前段八句四仄韵,后段八句五仄韵          杨 缵


    竹爆惊春<span ss="q">句竞喧阗<span ss="q">读夜起千门箫鼓<span ss="q">韵流苏帐暖<span ss="q">句翠鼎缓腾香雾<span ss="q">韵停杯未举<span ss="q">句奈刚要<span ss="q">读送年新句<span ss="q">韵


    ◎●○○ ●○○ ●●○○○● ○○●● ●●●○○● ○○●● ●○● ●○○●


    应自有<span ss="q">读歌字清圆<span ss="q">句未夸上林莺语<span ss="q">韵  从他岁穷日暮<span ss="q">韵纵闲愁<span ss="q">读怎减刘郎风度<span ss="q">韵屠苏办了<span ss="q">句迤


    ○●◎ ○●○○ ●⊙●○○●   ○⊙●○◎● ●○○ ●●○○○● ○○●● ⊙


    逦柳欺梅妒<span ss="q">韵宫壶未晓<span ss="q">句早骄马绣车盈路<span ss="q">韵还又把<span ss="q">读月夜花朝<span ss="q">句自今细数<span ss="q">韵


    ●●○⊙● ○○●● ◎⊙●●○○● ○●◎ ◎●○○ ●○●●


    ·


    此调始于此词,当以此词为正体,若张炎词之多押一韵,乃变体也。 此词前后段第二句,俱作上三下六句法,张词则俱作上一下四五字一句、四字一句,他如周密词之前段第二句“柳眠醒、似怯朝来疏雨”,后段第二句“爱歌云袅袅,低随金缕”,张翥词之前段第二句“向云窗斗巧,宫罗轻剪”,后段第二句“闹春风、簇定冠儿争转”,宋、元人间一为之,亦无不可。 按,周词前段起句“帘影移阴”,帘字平声;第七句“空自伤、杨柳风流”,伤字平声;后段第六句“曾记是倚娇成妒”,曾字平声,记字仄声;第七句“深院悄、门掩梨花”,门字平声。谱内可平可仄据此,余参所采张词。


    又一体 <span ss="q">双调九十四字,前段十句五仄韵,后段九句五仄韵          张 炎


    竹外横枝<span ss="q">句并阑干试数<span ss="q">句风才一信<span ss="q">韵幺禽对语<span ss="q">句仿佛醉眠初醒<span ss="q">韵遥知是雪<span ss="q">句甚都把<span ss="q">读暮寒消尽<span ss="q">韵


    ●●○○ ●○○●● ○○●● ○○●● ●●●○○● ○○●● ●○● ●○○●


    清更润<span ss="q">韵明月飞来<span ss="q">句瘦却旧时疏影<span ss="q">韵  东阁漫撩诗兴<span ss="q">韵料西湖树老<span ss="q">句难认和靖<span ss="q">韵晴窗自好<span ss="q">句胜


    ○●● ○●○○ ●●●○○●   ○●●○○● ●○○●● ○●○● ○○●● ●


    事每来独领<span ss="q">韵融融向暖<span ss="q">句笑尘世<span ss="q">读万花犹冷<span ss="q">韵须酿成<span ss="q">读一点春腴<span ss="q">句暗香在鼎<span ss="q">韵


    ●●○●● ○○●● ●○● ●○○● ○●○ ●●○○ ●○●●


    ·


    此与杨词同,惟前后段第二句,俱作五字一句、四字一句,前段第八句多押一韵异。


    梅子黄时雨  调见《山中白云词》。


    梅子黄时雨 <span ss="q">双调九十四字,前段十句五仄韵,后段十句七仄韵        张 炎


    流水孤村<span ss="q">句爱尘事顿消<span ss="q">句来访深隐<span ss="q">韵向醉里谁扶<span ss="q">句满身花影<span ss="q">韵鸥鹭相看如此瘦<span ss="q">句近来不是伤春


    ○●○○ ●○●●○ ○●○● ●●●○○ ●○○● ○●○○○●● ●○●●○○


    病<span ss="q">韵嗟流景<span ss="q">韵竹外野桥<span ss="q">句犹系烟艇<span ss="q">韵  谁引<span ss="q">韵斜川归兴<span ss="q">韵便啼鹃纵少<span ss="q">句无奈时听<span ss="q">韵待棹系空


    ● ○○● ●●●○ ○●○●   ○● ○○○● ●○○●● ○●○● ●●●○


    明<span ss="q">句鱼波千顷<span ss="q">韵弹到琵琶留不住<span ss="q">句最愁人是黄昏近<span ss="q">韵江风紧<span ss="q">韵一行柳丝吹暝<span ss="q">韵


    ○ ○○○● ○●○○○●● ●○○●○○● ○○● ●○●○○●


    ·


    此张自度曲,其平仄无他词可校。


    如鱼水  《乐章集》注:仙吕调。


    如鱼水 <span ss="q">双调九十四字,前段九句六平韵,后段九句七平韵          柳 永


    轻霭浮空<span ss="q">句乱峰倒影<span ss="q">句潋滟十里银塘<span ss="q">韵绕岸垂杨<span ss="q">韵红楼朱阁相望<span ss="q">韵芰荷香<span ss="q">韵双双戏<span ss="q">读鸂鶒鸳鸯<span ss="q">韵


    ○●○○ ●○●● ●●●●○○ ●●○○ ○○○●○○ ●○○ ○○● ○●○○


    乍雨过<span ss="q">读兰芷汀洲<span ss="q">句望中依约似潇湘<span ss="q">韵  风淡淡<span ss="q">句水茫茫<span ss="q">韵摇动一片晴光<span ss="q">韵画舫相将<span ss="q">韵盈盈红


    ●●● ○●○○ ●○○●●○○   ○●● ●○○ ○●●●○○ ●●○○ ○○○


    粉清商<span ss="q">韵紫薇郎<span ss="q">韵修禊饮<span ss="q">读且乐仙乡<span ss="q">韵便归去<span ss="q">读遍历銮坡凤沼<span ss="q">句此景也难忘<span ss="q">韵


    ●○○ ●○○ ○●● ●●○○ ●○● ●●○○●● ●●●○○


    ·


    此调只有此词,其平仄无他首可校。


    赏松菊  调见曹勋《松隐集》。


    赏松菊 <span ss="q">双调九十四字,前段九句四仄韵,后段九句五仄韵          曹 勋


    凉飙应律惊潮韵<span ss="q">句晓对彩蟾如水<span ss="q">韵庆占梦月<span ss="q">句已祥开天地<span ss="q">韵圣主中兴大业<span ss="q">句二南化<span ss="q">读恭勤辅翊<span ss="q">韵


    ○○●●○○● ●●●○○● ●○●● ●○○○● ●●○○●● ●○● ○○●●


    抚宫闱<span ss="q">句看仪型海宇<span ss="q">句尽成和气<span ss="q">韵  禁掖西瑶宴席<span ss="q">韵泛天风<span ss="q">读响钧韶空外<span ss="q">韵贵是至尊母<span ss="q">句极人


    ●○○ ●○○●● ●○○●   ●●○○●● ●○○ ●○○○● ●●●○● ●○


    间崇贵<span ss="q">韵缓引长生丽曲<span ss="q">句翠林正<span ss="q">读香传瑞桂<span ss="q">韵向灵华<span ss="q">句奉光尧<span ss="q">句同万万岁<span ss="q">韵


    ○○● ●●○○●● ●○● ○○●● ●○○ ●○○ ○●●●


    ·


    此词系曹勋自度腔,无别首可校。换头“席”字,用中原韵。


    二色莲  调见《松隐集》,即吟二色莲。


    二色莲 <span ss="q">双调九十五字,前段九句四仄韵,后段十句五仄韵          曹 勋


    凤沼湛碧<span ss="q">句莲影明洁<span ss="q">句清泛波面<span ss="q">韵素肌鉴玉<span ss="q">句烟脸晕红深浅<span ss="q">韵占得薰风弄色<span ss="q">句照醉眼<span ss="q">读梅妆相


    ●●●● ○●○● ○●○● ●○●● ○●●○○● ●●○○●● ●●● ○○○


    间<span ss="q">韵堤上柳垂轻帐<span ss="q">句飞尘尽教遮断<span ss="q">韵  重重翠荷净<span ss="q">句列向横塘暖<span ss="q">韵争映芳草岸<span ss="q">韵画船未桨<span ss="q">句


    ● ○●●○○● ○○●○○●   ○○●○● ●●○○● ○●○●● ●○●●


    清晓最宜遥看<span ss="q">韵似约鸳鸯并侣<span ss="q">句又更与<span ss="q">读舂锄为伴<span ss="q">韵频宴赏<span ss="q">句香成阵<span ss="q">句瑶池任晚<span ss="q">韵


    ○●●○○● ●●○○●● ●●● ○○○● ○●● ○○● ○○●●


    ·


    此曹自度曲,其平仄无别首可校。


    塞 孤  调见《乐章集》,原注般涉调,本名《塞孤》,《词律》编入《塞姑》词后者误。


    塞 孤 <span ss="q">双调九十五字,前段十句六仄韵,后段九句六仄韵          柳 永


    一声鸡<span ss="q">句又报残更歇<span ss="q">韵秣马巾车催发<span ss="q">韵草草主人灯下别<span ss="q">韵山路险<span ss="q">句新霜滑<span ss="q">韵瑶珂响<span ss="q">读起栖乌<span ss="q">句金


    ●○○ ●●○○● ●●○○○● ●●◎○○●● ○●● ○○● ○○● ●○○ ○


    灯冷<span ss="q">读敲残月<span ss="q">韵渐西风紧<span ss="q">句襟袖凄裂<span ss="q">韵  遥指白玉京<span ss="q">句望断黄金阙<span ss="q">韵远道何时行彻<span ss="q">韵算得佳人


    ●● ○○● ●○○● ○●○●   ○●●●○ ●●○○● ●●○○○● ◎●○○


    凝恨切<span ss="q">韵应念念<span ss="q">句归时节<span ss="q">韵相见了<span ss="q">读执柔荑<span ss="q">句幽会处<span ss="q">读偎香雪<span ss="q">韵免鸳衾<span ss="q">读两恁虚设<span ss="q">韵


    ○●● ○●● ○○● ○●● ●○○ ○●● ○○● ●○○ ●●○●


    ·


    此调只有柳词及朱词,故此词平仄,参下朱词。 按,前后段第五、六句,例作三字两句,第七、八句,例作六字折腰两句,填者辨之。


    又一体 <span ss="q">双调九十三字,前段九句六仄韵,后段八句六仄韵          朱 雍


    雪江明<span ss="q">句练静波声歇<span ss="q">韵玉浦梅英初发<span ss="q">韵隐隐瑶林堪乍别<span ss="q">韵琼路冷<span ss="q">句云阶滑<span ss="q">韵寒枝晚<span ss="q">读已黄昏<span ss="q">句铺


    ●○○ ●●○○● ●●○○○● ●●○○○●● ○●● ○○● ○○● ●○○ ○


    碎影<span ss="q">读留新月<span ss="q">韵向亭皋<span ss="q">读一任风冽<span ss="q">韵  歌起郢曲时<span ss="q">句目断秦城阙<span ss="q">韵远道冰车清彻<span ss="q">韵追念酥妆凝


    ●● ○○● ●○○ ●●○●   ○●●●○ ●●○○● ●●○○○● ○●○○○


    望切<span ss="q">韵淡伫迎佳节<span ss="q">韵应暗想<span ss="q">读日边人<span ss="q">句聊寄与<span ss="q">读同欢悦<span ss="q">韵劝清尊<span ss="q">读忍负盟设<span ss="q">韵


    ●● ●●○○● ○●● ●○○ ○●● ○○● ●○○ ●●○●


    ·


    此和柳永词韵,校柳词,前段结句少一字,后段第五、六句亦少一字,作五字一句异。


    水调歌头  《碧鸡漫志》属中吕调;毛滂词,名《元会曲》;张榘词,名《凯歌》。按,《水调》,乃唐人大曲,凡大曲有歌头,此必裁截其歌头,另倚新声也。


    水调歌头 <span ss="q">双调九十五字,前段九句四平韵,后段十句四平韵         毛 滂


    九金增宋重<span ss="q">句八玉变秦余<span ss="q">韵千年清浸<span ss="q">句先净河洛出图书<span ss="q">韵一段升平光景<span ss="q">句不但五星循轨<span ss="q">句万点共


    ◎⊙⊙◎● ◎●●○○ ⊙○○● ⊙◎○●●○○ ◎●⊙○⊙● ◎●◎○⊙● ◎●●


    连珠<span ss="q">韵垂衣本神圣<span ss="q">句补衮妙工夫<span ss="q">韵  朝元去<span ss="q">句锵环佩<span ss="q">句冷云衢<span ss="q">韵芝房雅奏<span ss="q">句仪凤矫首听笙竽<span ss="q">韵


    ○○ ⊙⊙◎○● ◎●●○○   ⊙⊙◎ ⊙⊙● ●⊙○ ⊙○◎● ⊙●◎●●○○


    天近黄麾仗晓<span ss="q">句春早红鸾扇暖<span ss="q">句迟日上金铺<span ss="q">韵万岁南山色<span ss="q">句不老对唐虞<span ss="q">韵


    ⊙●⊙○◎● ⊙●⊙○◎● ⊙●●○○ ◎●⊙○● ◎●●○○


    ·


    此调以此词及周词、苏词为正体,若贺词之偷声,王词、刘词之添字,傅词之减字,皆变体也。 此词前后段,不间入仄韵,宋词俱如此填。其前段第三、四句,后段第四、五句,俱四字一句、七字一句,其七字句,并作拗体,惟葛郯词,“翠光千顷,为谁来去为谁留”、“跳珠翻沫,轰雷掣电几时收”;吕渭老词,“醉魂何在,应骑箕尾到青天”、“黄粱未熟,经游都在梦魂间”;刘过词,“日高花困,海棠风暖想都开”,“人生行乐,且须痛饮莫辞杯”,谁字、雷字、骑字、游字、棠字、须字俱平声,与此异。又,前段起句,毛词别首“金马空故事”,辛弃疾词“四坐且勿语”,叶梦得词“修眉扫遥碧”;换头三句,毛词别首“双石健,含古色,照新堂”,石字、古字俱仄声;苏轼词“众鸟里,真彩凤,独不鸣”,彩字、不字俱仄声;辛词,“回首处,云正出,鸟倦飞”,首字、正字、倦字俱仄声,俱与此词异。谱内可平可仄据此,其余参下平韵词。


    又一体 <span ss="q">双调九十五字,前段九句四平韵,后段十句四平韵          周紫芝


    岁晚念行役<span ss="q">句江阔渺风烟<span ss="q">韵六朝文物何在<span ss="q">句回首更凄然<span ss="q">韵倚尽危楼杰观<span ss="q">句暗想琼枝璧月<span ss="q">句罗袜步


    ●●●○● ○●●○○ ●○○●○● ○●●○○ ●●○○●● ●●○○●● ○●●


    承莲<span ss="q">韵桃叶山前鹭<span ss="q">句无语下寒滩<span ss="q">韵  潮寂寞<span ss="q">句浸孤垒<span ss="q">句涨平川<span ss="q">韵莫愁艇子何处<span ss="q">句烟树杳无边<span ss="q">韵


    ○○ ○●○○● ○●●○○   ○●● ●○● ●○○ ●○●●○● ○●●○○


    王谢堂前双燕<span ss="q">句空绕乌衣门巷<span ss="q">句斜日草连天<span ss="q">韵只有台城月<span ss="q">句千古照婵娟<span ss="q">韵


    ○●○○○● ○●○○○● ○●●○○ ●●○○● ○●●○○


    ·


    此词前段第三句六字,第四句五字,后段第四句六字,第五句五字,与毛词异。按,苏轼词,“中年亲友离别,丝竹缓离忧”、“故乡归去千里,佳处辄迟留”,叶梦得词,“倚空千嶂横起,银阙正当中”、“遥知玉斧初斲,重到广寒宫”,正与此同。宋词如吴文英、刘克庄、方岳,金、元词如蔡松年、王庭筠、元好问、赵孟頫,皆如此填。


    又一体 <span ss="q">双调九十五字,前段九句四平韵、两仄韵,后段十句四平韵、两仄韵   苏 轼


    明月几时有<span ss="q">句把酒问青天<span ss="q">平韵不知天上宫阙<span ss="q">句今夕是何年<span ss="q">韵我欲乘风归去<span ss="q">仄韵又恐琼楼玉宇<span ss="q">韵高


    ○●●○● ●●●○○<span ss="q">  ●○○●○● ○●●○○ ●●○○○●<span ss="q">  ●●○○●● ○


    处不胜寒<span ss="q">平韵起舞弄清影<span ss="q">句何事在人间<span ss="q">韵  转朱阁<span ss="q">句低绮户<span ss="q">句照无眠<span ss="q">韵不应有恨<span ss="q">句何事长向别


    ●●○○<span ss="q">  ●●●○● ○●●○○   ●○● ○●● ●○○ ●○●● ○●○●●


    时圆<span ss="q">韵人有悲欢离合<span ss="q">换仄韵月有阴晴圆缺<span ss="q">韵此事古难全<span ss="q">平韵但愿人长久<span ss="q">句千里共婵娟<span ss="q">韵


    ○○ ○●○○○●<span ss="q">   ●●○○○● ●●●○○<span ss="q">  ●●○○● ○●●○○


    ·


    此词前段第五、六句,后段第六、七句,间入两仄韵。按,刘仲芳词,“极目平沙千里,惟见雕弓白羽”、“堂有经纶贤相,边有纵横谋将”;叶梦得词,“分付平云千里,包卷骚人遗思”、“却叹从来贤士,如我与公多矣”;辛弃疾词,“好卷垂虹千尺,只放冰壶一色”、“寄语烟波旧侣,闻道蒪鲈正美”;段克己词,“神既来兮庭宇,飒飒西风吹雨”、“风外渊渊箫鼓,醉饱满城黎庶”,正与此同。但叶梦得词“里”、“思”、“士”、“矣”,段克己词“宇”、“雨”、“鼓”、“庶”,前后段同一韵,与此词前后各韵者,又微有别。此外,又有前段第五、六句押仄韵,后段不押者,或有后段第六、七句押仄韵,前段不押者,此则偶合,不复分体。


    又一体 <span ss="q">双调九十五字,前段九句四平韵、五叶韵,后段十句四平韵、五叶韵   贺 铸


    南国本潇洒<span ss="q">叶六代浸豪奢<span ss="q">韵台城游冶<span ss="q">叶襞笺能赋属宫娃<span ss="q">韵云观登临清夏<span ss="q">叶碧月留连长夜<span ss="q">叶吟醉送


    ○●●○● ●●●○○ ○○○● ●○○●●○○ ○●○○○● ●●○○○● ○●●


    年华<span ss="q">韵回首飞鸳瓦<span ss="q">叶却羡井中蛙<span ss="q">韵  访乌衣<span ss="q">句成白社<span ss="q">叶不容车<span ss="q">韵旧时王谢<span ss="q">叶堂前双燕过谁家<span ss="q">韵


    ○○ ○●○○● ●●●○○   ●○○ ○●● ●○○ ●○○● ○○○●●○○


    楼外河横斗挂<span ss="q">叶淮上潮平霜下<span ss="q">叶樯影落寒沙<span ss="q">韵商女篷窗罅<span ss="q">叶犹唱后庭花<span ss="q">韵


    ○●○○●● ○●○○○● ○●●○○ ○●○○● ○●●○○


    ·


    此词第一句押韵,以平韵为主,其仄韵,即用本部麻、马、祃三声叶,间入平韵之内。宋人只此一体,并无别首可校。若其前段第三、四句,后段第五、六句,俱作四字一句、七字一句,则与毛词同,但不作拗体耳。


    又一体 <span ss="q">双调九十七字,前后段各十句,四平韵              王之道


    斜阳明薄暮<span ss="q">句暗雨霁凉秋<span ss="q">韵弱云狼藉<span ss="q">句晚来风起<span ss="q">句席卷更无留<span ss="q">韵天外老蟾高挂<span ss="q">句皎皎寒光照水<span ss="q">句


    ○○○●● ●●●○○ ●○○● ●○○● ●●●○○ ○●●○○● ●●○○●●


    金璧共沈浮<span ss="q">韵宾主一时兴<span ss="q">句倾动庾公楼<span ss="q">韵  渡银汉<span ss="q">句漙玉露<span ss="q">句势如流<span ss="q">韵不妨吟赏<span ss="q">句坐拥红袖舞


    ○●●○○ ○●●○● ○●●○○   ●○● ○●● ●○○ ●○○● ●●○●●


    还讴<span ss="q">韵暗祝今宵素魄<span ss="q">句助我清才逸气<span ss="q">句稳步上瀛洲<span ss="q">韵欲识瀛洲路<span ss="q">句雄据六鳌头<span ss="q">韵


    ○○ ●●○○●● ●●○○●● ●●●○○ ●●○○● ○●●○○


    ·


    此与毛词同,惟前段毛词第四句系七字,此则添二字,作四字、五字两句异。


    又一体 <span ss="q">双调九十七字,前段九句四平韵,后段十一句四平韵         张孝祥


    雪洗卤尘净<span ss="q">句风约楚云留<span ss="q">韵何人为写悲壮<span ss="q">句吹笛古城楼<span ss="q">韵湖海平生豪气<span ss="q">句关塞如今风景<span ss="q">句剪烛看


    ●●●○● ○●●○○ ○○●●○● ○●●○○ ○●○○○● ○●○○○● ●●●


    吴钩<span ss="q">韵剩喜然犀处<span ss="q">句骇浪与天浮<span ss="q">韵  忆当年<span ss="q">句周与谢<span ss="q">句富春秋<span ss="q">韵小乔初嫁<span ss="q">句香囊犹在<span ss="q">句功业故


    ○○ ●●○○● ●●●○○   ●○○ ○●● ●○○ ●○○● ○○○● ○●●


    优游<span ss="q">韵赤壁矶头落照<span ss="q">句淝水桥边衰草<span ss="q">句渺渺唤人愁<span ss="q">韵我欲乘风去<span ss="q">句击楫誓中流<span ss="q">韵


    ○○ ●●○○●● ○●○○○● ●●●○○ ●●○○● ●●●○○


    ·


    此与周词同,惟后段周词第四句系六字,此则添二字,作四字两句异。


    又一体 <span ss="q">双调九十六字,前段九句四平韵,后段十句四平韵           刘 因


    一诺与金重<span ss="q">句一笑比河清<span ss="q">韵风花不遇真赏<span ss="q">句终古未全平<span ss="q">韵前日青春归去<span ss="q">句今日尊前笑语<span ss="q">句春意满


    ●●●○● ●●●○○ ○○●●○● ○●●○○ ○●○○○● ○●○○●● ○●●


    西城<span ss="q">韵花鸟喜相对<span ss="q">句宾主眼俱明<span ss="q">韵  平生事<span ss="q">句千古意<span ss="q">句两忘情<span ss="q">韵醉眠君且去我<span ss="q">句扶我者<span ss="q">句有门


    ○○ ○●●○● ○●●○○   ○○● ○●● ●○○ ●○○●●● ○●● ●○


    生<span ss="q">韵窗下烟江白鸟<span ss="q">句空外浮云苍狗<span ss="q">句未肯便寒盟<span ss="q">韵从此洛阳社<span ss="q">句莫厌小车行<span ss="q">韵


    ○ ○●○○●● ○●○○○● ●●●○○ ○●●○● ●●●○○


    ·


    此与周词同,惟后段第五句添一字,作六字折腰句法异。


    又一体 <span ss="q">双调九十四字,前后段各九句,四平韵              傅公谋


    草草三间屋<span ss="q">句爱竹旋添栽<span ss="q">韵碧纱窗户<span ss="q">句眼前都是翠云堆<span ss="q">韵一月山翁高卧<span ss="q">句踏雪水村清冷<span ss="q">句木落远


    ●●○○● ●●●○○ ●○○● ●○○●●○○ ●●○○○● ●●●○○● ●●○


    山开<span ss="q">韵唯有平安竹<span ss="q">句留得伴寒梅<span ss="q">韵  家童开门看<span ss="q">句有谁来<span ss="q">韵客来一笑<span ss="q">句清话煮茗更传杯<span ss="q">韵有酒


    ○○ ○●○○● ○●●○○   ○○○○● ●○○ ●○●● ○●●●●○○ ●●


    只愁无客<span ss="q">句有客又愁无酒<span ss="q">句酒熟且徘徊<span ss="q">韵明日人间事<span ss="q">句天自有安排<span ss="q">韵


    ●○○● ●●●○○● ●●●○○ ○●○○● ○●●○○


    ·


    此与毛词同,惟后段第一、二句减一字,作五字句异。
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