卷十九

3个月前 作者: 陈廷敬
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    目  录 <span ss="q">十九调六十一体,起八十字至八十三字


    过涧歇三体


    瑶阶草一体


    安公子六体


    应景乐一体


    柳初新二体


    斗百花三体<span ss="q">又名夏州


    皂罗特髻一体


    最高楼十一体<span ss="q">又名醉高春


    倒垂柳二体


    彩凤飞一体<span ss="q">又名彩凤舞


    拂霓裳二体


    柳腰轻一体


    爪茉莉一体


    蓦山溪十三体<span ss="q">又名上阳春


    千秋岁引四体<span ss="q">又名千秋岁令、千秋万岁


    早梅芳三体<span ss="q">又名早梅芳近


    新荷叶四体<span ss="q">又名折新荷引、泛兰舟


    南州春色一体


    过涧歇  《乐章集》注:中吕调。


    过涧歇 <span ss="q">双调八十字,前段八句五仄韵,后段八句三仄韵           柳 永


    淮楚<span ss="q">韵旷望极<span ss="q">读千里火云烧空<span ss="q">句尽日西郊无雨<span ss="q">韵厌行旅<span ss="q">韵数幅轻帆旋落<span ss="q">句檥棹兼葭浦<span ss="q">韵避畏


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    景<span ss="q">句两两舟人夜深语<span ss="q">韵   此际争可<span ss="q">句便恁奔名竞利去<span ss="q">韵九衢尘里<span ss="q">句衣冠冒炎暑<span ss="q">韵回首江


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    乡<span ss="q">句月观风亭<span ss="q">句水边石上<span ss="q">句幸有散发披襟处<span ss="q">韵


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    ·


    此调以此词为正体,若晁词换头之句读小异,柳词别首前段之摊破句法、后段之多押一韵,皆变格也。 此词后段第二句,《啸余谱》刻“便恁奔名利”,脱去二字,今从《乐章集》订定。 此调只有柳词二首及晁词,故此词可平可仄,悉参下词。


    又一体 <span ss="q">双调八十字,前段七句四仄韵、一叠韵,后段八句三仄韵       晁补之


    归去<span ss="q">韵奈故人<span ss="q">读尚作青眼相期<span ss="q">句未许明时归去<span ss="q">叠放怀处<span ss="q">韵买得东皋数亩<span ss="q">句静爱园林趣<span ss="q">韵任过


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    客<span ss="q">读剥啄相呼昼扃户<span ss="q">韵   堪笑儿童事业<span ss="q">句华颠向谁语<span ss="q">韵草堂人悄<span ss="q">句圆荷过微雨<span ss="q">韵都付邯


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    郸<span ss="q">句一枕清风<span ss="q">句好梦初觉<span ss="q">句砌下槐影方停午<span ss="q">韵


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    此与柳词“淮楚”词同,惟前段第三句,即叠首句韵,后段起句六字,第二句五字异。


    又一体 <span ss="q">双调八十字,前段九句六仄韵,后段八句四仄韵           柳 永


    酒醒<span ss="q">韵梦才觉<span ss="q">读小阁香炭成烬<span ss="q">韵洞户银蟾移影<span ss="q">韵人寂静<span ss="q">韵夜永清寒<span ss="q">句翠瓦霜凝<span ss="q">句疏帘风动<span ss="q">句漏


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    声隐隐<span ss="q">韵飘来转愁听<span ss="q">韵  怎向心绪<span ss="q">句近日厌厌长似病<span ss="q">韵凤楼咫尺<span ss="q">句佳期杳难定<span ss="q">韵展转无眠<span ss="q">句


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    粲枕冰冷<span ss="q">韵香虬烟断<span ss="q">句是谁与把重衾整<span ss="q">韵


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    此词见《花草粹编》,《乐章集》不载,其体调亦与“淮楚”词同,惟前段第五、六句添一字,摊破六字一句、五字一句,作四字三句,第七、八句减一字,摊破三字一句、七字一句,作四字一句、五字一句,前段第二句及后段第六句多押一韵异。


    瑶阶草  调见《书舟词》。


    瑶阶草 <span ss="q">双调八十字,前段八句四仄韵,后段九句六仄韵           程 垓


    空山子规叫<span ss="q">句月破黄昏冷<span ss="q">韵帘幕风轻<span ss="q">句绿暗红又尽<span ss="q">韵自从别后<span ss="q">句粉消香减<span ss="q">句一春成病<span ss="q">韵那堪昼


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    闲日永<span ss="q">韵  恨难整<span ss="q">韵起来无语<span ss="q">句绿萍破处池光净<span ss="q">韵闷理残妆<span ss="q">句照花独自怜瘦影<span ss="q">韵睡来又怕<span ss="q">句


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    饮来越醉<span ss="q">韵醒来却闷<span ss="q">韵看谁似我孤另<span ss="q">韵


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    《花草粹编》本,前段第三句,作“又还帘幕风轻”,多二字,后段第八句,作“醒来越闷”,今从本集订正。其字句平仄,无别首宋词可校。


    安公子  唐教坊曲名。《碧鸡漫志》云:据《理道要诀》,唐时《安公子》在太簇角。今已不传,其见于世者,中吕调有《安公子近》,般涉调有《安公子慢》。按,柳永“长川波潋滟”词,自注中吕调,“远岸收残雨”词,自注般涉调,但蒋氏十三调谱,采柳永“长川波潋滟”词,又注正宫。


    安公子 <span ss="q">双调八十字,前段八句四仄韵,后段七句三仄韵           柳 永


    长川波潋滟<span ss="q">韵楚乡淮岸迢递<span ss="q">句一霎烟汀雨过<span ss="q">句芳草青如染<span ss="q">韵驱驱携书剑<span ss="q">韵当此好天好景<span ss="q">句自觉


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    多愁多病<span ss="q">句行役心情厌<span ss="q">韵  望处旷野沈沈<span ss="q">句暮云黯黯<span ss="q">韵行侵夜色<span ss="q">句又是急桨投村店<span ss="q">韵认去程


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    将近<span ss="q">句舟子相呼<span ss="q">句遥指渔灯一点<span ss="q">韵


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    此调柳永有两体,八十字者前后段句读参差,无宋人别词可校;一百六字者,宋人添字、减字,颇有异同,故谱内可平可仄,俱详注一百六字词下。


    又一体 <span ss="q">双调一百六字,前后段各八句,六仄韵              柳 永


    远岸收残雨<span ss="q">韵雨残稍觉江天暮<span ss="q">韵拾翠汀洲人寂静<span ss="q">句立双双鸥鹭<span ss="q">韵望几点<span ss="q">读渔灯掩映蒹葭浦<span ss="q">韵停


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    画桡<span ss="q">读两两舟人语<span ss="q">韵道去程今夜<span ss="q">句遥指前村烟树<span ss="q">韵  游宦成羇旅<span ss="q">韵短樯吟倚闲凝伫<span ss="q">韵万水千


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    山迷远近<span ss="q">句想乡关何处<span ss="q">韵自别后<span ss="q">读风亭月榭孤欢聚<span ss="q">韵刚断肠<span ss="q">读惹得离情苦<span ss="q">韵听杜宇声声<span ss="q">句劝人


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    不如归去<span ss="q">韵


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    此调一百六字者,以此词为正体,柳词别首“梦觉清宵”词,晁补之“少日狂游”词,与此同。若袁词之句读小异,晁词、陆词之减字,杜词之摊破句法,皆变格也。 此词前后段第四句、第七句,俱作上一下四句法,各家皆然。 按,晁词,前段第二句“阆苑花间同低帽”,苑字仄声,花字、间字俱平声;第七句“镇琼楼归卧”,琼字平声;柳词别首,后段第二句“当初不合轻分散”,当字平声,不字仄声;第三、四句“及至厌厌独自个,却眼穿肠断”,独字、眼字俱仄声。谱内可平可仄据此,余参下所采诸词。


    又一体 <span ss="q">双调一百六字,前后段各九句,六仄韵              袁去华


    弱柳丝千缕<span ss="q">韵嫩黄匀遍鸦啼处<span ss="q">韵寒入罗衣春尚浅<span ss="q">句过一番风雨<span ss="q">韵问燕子来时<span ss="q">句绿水桥边路<span ss="q">韵曾


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    画楼<span ss="q">读见个人人否<span ss="q">韵料静掩云窗<span ss="q">句尘满哀弦危柱<span ss="q">韵  庾信愁如许<span ss="q">韵为谁都著眉端聚<span ss="q">韵独立东


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    风弹泪眼<span ss="q">句寄烟波东去<span ss="q">韵念永昼春闲<span ss="q">句人倦如何度<span ss="q">韵闲傍枕<span ss="q">读百啭黄鹂语<span ss="q">韵唤觉来厌厌<span ss="q">句残照


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    依然花坞<span ss="q">韵


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    此与柳词同,惟前后段第五句,作五字两句异。


    又一体 <span ss="q">双调一百四字,前后段各八句,六仄韵              晁补之


    柳老荷花尽<span ss="q">韵夜来霜落平湖净<span ss="q">韵征雁横天鸥舞乱<span ss="q">句鱼游清镜<span ss="q">韵又还是<span ss="q">读当年我向江南兴<span ss="q">韵移画


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    船<span ss="q">读深渚蒹葭映<span ss="q">韵对半篙碧水<span ss="q">句满眼青山魂凝<span ss="q">韵  一番伤华鬓<span ss="q">韵放歌狂饮犹堪逞<span ss="q">韵水驿孤帆


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    明夜事<span ss="q">句此欢重省<span ss="q">韵梦回处<span ss="q">读诗塘春草愁难整<span ss="q">韵官情与<span ss="q">读归思终朝竞<span ss="q">韵记他年相访<span ss="q">句认取斜川


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    三径<span ss="q">韵


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    此亦与柳词同,惟前后段第四句俱减一字,作四字句异。


    又一体 <span ss="q">双调一百六字,前后段各十句,七仄韵              杜安世


    又是春将半<span ss="q">韵杏花零落闲庭院<span ss="q">韵天气有时阴淡淡<span ss="q">句绿杨轻软<span ss="q">韵连画阁<span ss="q">读绣帘半卷<span ss="q">韵招新燕<span ss="q">韵残


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    黛敛<span ss="q">读独倚阑干遍<span ss="q">韵暗思前事<span ss="q">句月下风流<span ss="q">句狂踪无限<span ss="q">韵  惜恐莺花晚<span ss="q">韵更堪容易相抛远<span ss="q">韵离


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    恨结成心上病<span ss="q">句几时消散<span ss="q">韵空际有<span ss="q">读断云片片<span ss="q">韵遥峰暖<span ss="q">韵闻杜宇<span ss="q">读终日哀啼怨<span ss="q">韵暮烟芳草<span ss="q">句写


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    望迢迢<span ss="q">句甚时重见<span ss="q">韵


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    此亦与柳词同,惟前后段第四句各减一字、作四字句,第五句作七字一句、三字一句,多押一韵,两结各添一字,作四字三句异。


    又一体 <span ss="q">双调一百二字,前后段各九句,六仄韵              陆 游


    风雨初经社<span ss="q">韵子规声里春光谢<span ss="q">韵最是无情<span ss="q">句零落尽<span ss="q">读蔷薇一架<span ss="q">韵况我今年<span ss="q">句憔悴幽窗下<span ss="q">韵人尽


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    怪<span ss="q">读诗酒消声价<span ss="q">韵向药炉经卷<span ss="q">句忘却莺窗柳榭<span ss="q">韵   万事收心也<span ss="q">韵粉痕犹在香罗帕<span ss="q">韵恨月愁


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    花<span ss="q">句争信道<span ss="q">读如今都罢<span ss="q">韵空忆前身<span ss="q">句便面章台马<span ss="q">韵因自来<span ss="q">读禁得心肠怕<span ss="q">韵纵遇歌逢酒<span ss="q">句但说京


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    都旧话<span ss="q">韵


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    此亦与柳词同,惟前后段第三、四句减一字,俱作四字一句、七字一句,第五、六句减一字,俱作四字一句、五字一句异。


    应景乐  词见《花草粹编》。


    应景乐 <span ss="q">双调八十字,前段八句五仄韵,后段八句四仄韵           萧 回


    金陵故国<span ss="q">韵极目长江<span ss="q">读浩渺千重隔<span ss="q">韵山无际<span ss="q">句临壖怒涛碛<span ss="q">韵俯春城苇寂<span ss="q">韵芳昼迤逦<span ss="q">句一簇烟村


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    将晚<span ss="q">句严光旧台侧<span ss="q">韵   何处倦游客<span ss="q">韵对此景<span ss="q">读惹起离怀<span ss="q">句顿觉旧日意<span ss="q">句魂黯愁积<span ss="q">韵幽恨绵


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    绵<span ss="q">句何计消溺<span ss="q">韵回首洛城东<span ss="q">句千里暮云碧<span ss="q">韵


    ○ ○●○● ○●●○○ ○●●○●


    ·


    此词《花草粹编》所载,疑有脱误,今从蕉雪堂钞本。


    柳初新  宋周密“天基圣节乐次”,第十三盏,觱篥起柳初新慢。《乐章集》注:大石调。


    柳初新 <span ss="q">双调八十一字,前后段各七句,五仄韵              柳 永


    东郊向晓星杓亚<span ss="q">韵报帝里<span ss="q">读春来也<span ss="q">韵柳抬烟眼<span ss="q">句花匀露脸<span ss="q">句渐觉绿娇红姹<span ss="q">韵妆点层台芳榭<span ss="q">韵运


    ⊙○◎●○○● ◎●● ○○● ◎○○● ○○●● ●●●○○● ○●○○⊙● ●


    神功<span ss="q">读丹青无价<span ss="q">韵  别有尧阶试罢<span ss="q">韵新郎君<span ss="q">读成行如画<span ss="q">韵杏园风细<span ss="q">句桃花浪暖<span ss="q">句竞喜羽迁鳞


    ○○ ○○○●   ●●○○●● ⊙○○ ⊙○○● ◎○○● ○○●● ◎●●○○


    化<span ss="q">韵遍九陌<span ss="q">读相将游冶<span ss="q">韵骤香尘<span ss="q">读宝鞍骄马<span ss="q">韵


    ● ●◎◎ ○○⊙● ●○⊙ ◎○○●


    ·


    此词前段第六句六字,后段第六句七字,沈会宗“楚天来驾”词,正与此同。按,沈词,前段第一句“楚天来驾春相送”,楚字仄声;第六句“谁拂瑶琴巧弄”,巧字仄声;后段第三旬“桃花溪上”,桃字平声;第五句“愁掩五云真洞”,愁字平声;第六句“算曾揖、飞鸾双控”,曾字平声;结句“等闲入、襄王春梦”,入字仄声,襄字平声。谱内可平可仄据此,余参无名氏词。


    又一体 <span ss="q">双调八十二字,前后段各七句,五仄韵           <span ss="q">《梅苑》无名氏


    千林凋谢严凝日<span ss="q">韵青帝许<span ss="q">读梅花坼<span ss="q">韵孤根回暖<span ss="q">句前村雪里<span ss="q">句昨夜一枝凝白<span ss="q">韵天匠与<span ss="q">读雕琼镂


    ○○○●○○● ○●● ○○● ○○○● ○○●● ●●●○○● ○●● ○○●


    玉<span ss="q">韵淡然非<span ss="q">读人间标格<span ss="q">韵  别有神仙第宅<span ss="q">韵绣帘垂<span ss="q">读碧纱窗隔<span ss="q">韵月明风送<span ss="q">句清香苒苒<span ss="q">句著


    ● ●○○ ○○○●   ●●○○●● ●○○ ●○○● ●○○● ○○●● ●


    摸美人词客<span ss="q">韵向晓来<span ss="q">读芳苞乍摘<span ss="q">韵对菱花<span ss="q">读倍添姿色<span ss="q">韵


    ●●○○● ●●○ ○○●● ●○○ ●○○●


    ·


    此词前后段第六句俱七字,与柳词小异。


    斗百花  《乐章集》注:正宫。晁补之词,一名《夏州》。


    斗百花 <span ss="q">双调八十一字,前段八句五仄韵,后段七句三仄韵          柳 永


    煦色韶光明媚<span ss="q">韵轻霭低笼芳树<span ss="q">韵池塘浅蘸烟芜<span ss="q">句帘幕闲垂风絮<span ss="q">韵春困厌厌<span ss="q">句抛掷斗草工夫<span ss="q">句冷


    ◎●○○○● ⊙●○○⊙● ○⊙◎◎⊙⊙ ⊙◎○⊙○● ⊙◎⊙⊙ ○◎●●○○ ◎


    落踏春心绪<span ss="q">韵终日扃朱户<span ss="q">韵  远恨绵绵<span ss="q">句淑景迟迟难度<span ss="q">韵年少傅粉<span ss="q">句依前醉眠何处<span ss="q">韵深院无


    ●◎○⊙● ⊙●○○●   ◎●⊙⊙ ●◎○⊙⊙● ○●●◎ ⊙⊙●⊙○● ⊙●○


    人<span ss="q">句黄昏乍拆秋千<span ss="q">句空锁满庭花雨<span ss="q">韵


    ○ ○○●●○○ ⊙●◎⊙○●


    ·


    此调以此词为正体,柳永“满搦宫腰”词,晁补之“小小盈盈”词,又“脸色朝霞”词,正与此同。若柳词别首之少押两韵,晁词别首之多押一韵,皆变格也。 按,“满搦宫腰”词,后段第四句“不肯便入鸳被”,不肯二字俱仄声;结句“却道你但先睡”,但字仄声。又,“小小盈盈”词,前段第二句“忆得眉长眼细”,眼字仄声;结句“转更添姿媚”,转字仄声。又,“脸色朝霞”词,后段起二句“低问石上,凿井何由及底”,石字仄声。谱内可平可仄据此,余参下二词。 《词律》论后段第三句第三字,必要仄声,观宋词或作平仄仄平,或作平仄仄仄可见,填者审之。


    又一体 <span ss="q">双调八十一字,前段八句三仄韵,后段七句三仄韵          柳 永


    飒飒霜飘鸳瓦<span ss="q">句翠幕轻寒微透<span ss="q">句长门深锁悄悄<span ss="q">句满庭秋色将晚<span ss="q">韵眼看菊蕊<span ss="q">句重阳泪落如珠<span ss="q">句长


    ●●○○○● ●●○○○● ○○○●●● ●○○●○● ●○●● ○○●●○○ ○


    是淹残粉面<span ss="q">韵鸾辂音尘远<span ss="q">韵  无限幽恨<span ss="q">句寄情空殢纨扇<span ss="q">韵应是帝王<span ss="q">句当初怪妾辞辇<span ss="q">韵陡顿今


    ●○○●● ○●○○●   ○●○● ●○○●○● ○●●○ ○○●●○● ●●○


    来<span ss="q">句宫中第一妖娆<span ss="q">句却道昭阳飞燕<span ss="q">韵


    ○ ○○●●○○ ●●○○○●


    ·


    此与“煦色韶光”词同,惟前段第一、二、三句,俱不押韵异。


    又一体 <span ss="q">双调八十一字,前段八句六仄韵,后段七句三仄韵          晁补之


    斜日东风深院<span ss="q">韵绣幕低迷归燕<span ss="q">韵潇洒小屏娇面<span ss="q">韵彷佛灯前初见<span ss="q">韵与选筵中<span ss="q">句银盆半坼姚黄<span ss="q">句插


    ○●○○○● ●●○○○● ○●●○○● ●●○○○● ●●○○ ○○●●○○ ●


    向凤凰钗畔<span ss="q">韵微笑遮纨扇<span ss="q">韵  教展香茵<span ss="q">句看舞霓裳促遍<span ss="q">韵红飐翠翻<span ss="q">句惊鸿乍拂秋岸<span ss="q">韵柳困花


    ●●○○● ○●○○●   ○●○○ ●●○○●● ○●●○ ○○●●○● ●●○


    慵<span ss="q">句盈盈自整罗巾<span ss="q">句须劝倒垂金盏<span ss="q">韵


    ○ ○○●●○○ ○●●○○●


    ·


    此亦与柳永“煦色韶光”词同,惟前段第三句,多押一韵异。


    皂罗特髻  调见宋苏轼词,词中有“髻鬟初合”句,亦赋题也。


    皂罗特髻 <span ss="q">双调八十一字,前段九句四仄韵,后段六句三仄韵        苏 轼


    采菱拾翠<span ss="q">句算似此佳名<span ss="q">句阿谁消得<span ss="q">韵采菱拾翠<span ss="q">句称使君知客<span ss="q">韵千金买<span ss="q">读采菱拾翠<span ss="q">句更罗裙<span ss="q">读满


    ●○●● ●●●○○ ●○○● ●○●● ●●○○● ○○● ●○●● ●○○ ●


    把珍珠结<span ss="q">韵采菱拾翠<span ss="q">句正髻鬟初合<span ss="q">韵  真个采菱拾翠<span ss="q">句但深怜轻拍<span ss="q">韵一双手<span ss="q">读采菱拾翠<span ss="q">句绣


    ●○○● ●○●● ●●○○●   ○●●○●● ●○○○● ●○● ●○●● ●


    衾下<span ss="q">读抱著俱香滑<span ss="q">韵采菱拾翠<span ss="q">句待到京寻觅<span ss="q">韵


    ○● ●●○○● ●○●● ●●○○●


    ·


    此调无别词可校。按,词中凡七用“采菱拾翠”句,想其体例应然,填者依之。


    最高楼  此调押平声韵,或押仄声韵,但宋、金、元词,押平韵者居多,其中有前段起句三字、第三句五字者,有前段起句三字、第三句六字者,有前段起句四字、第三句六字者,例于后段第一、二句,俱间押仄韵,此为定格。或后段第一、二句三声叶韵,或第一句押平韵、第二句不押韵,或第一句不押韵、第二句仍押平韵,或第一、二句俱不押韵,均属变格。若全押仄韵,则惟无名氏一词,见之《梅苑》,宋、金、元无填此体者。


    最高楼 <span ss="q">双调八十一字,前段八句四平韵,后段八句两仄韵、三平韵      辛弃疾


    花知否<span ss="q">句花一似何郎<span ss="q">平韵又似沈东阳<span ss="q">韵瘦棱棱地天然白<span ss="q">句冷清清地许多香<span ss="q">韵笑东君<span ss="q">句还又向<span ss="q">句


    ○⊙● ⊙●●○○<span ss="q">  ◎●●○○ ◎○○●●○● ◎○○●●○○ ●○○ ○●◎


    北枝忙<span ss="q">韵  著一阵<span ss="q">读霎时间底雪<span ss="q">仄韵更一个<span ss="q">读缺些儿底月<span ss="q">韵山下路<span ss="q">读水边墙<span ss="q">平韵风流怕有人


    ●○○   ◎◎● ◎○○●●<span ss="q">  ●◎● ◎○○●● ⊙◎● ●○○<span ss="q">  ○○●●○


    知处<span ss="q">句影儿守定竹旁厢<span ss="q">韵且饶他<span ss="q">句桃李趁<span ss="q">句少年场<span ss="q">韵


    ○● ◎○◎●●○○ ●○○ ○●● ●○○


    ·


    此调前段起句三字,第三句五字者,以此词为正体,辛词五首并同,宋、金、元词俱照此填,若方词、司马词之添字,元词之减字,皆变格也。 按,司马别首“花信紧”词,后段第一、二句“按秦筝、学弄相思调,写幽情、恨杀知音少”,与各家平仄全异,注明以备参考,不可校勘平仄,惟前段第一、二句“花信紧,二十四番风”,信字、二字俱仄声;又后段第三句“向何处、说风流”,向字仄声,何字平声。谱内可平可仄据此,其余参下类列三词。


    又一体 <span ss="q">双调八十五字,前段八句四平韵,后段八句两仄韵、三平韵      方 岳


    秋崖底<span ss="q">句云卧欲生苔<span ss="q">平韵无梦到公台<span ss="q">韵有月锄晓带乌犍去<span ss="q">句与烟蓑夜钓白鱼来<span ss="q">韵问谁能<span ss="q">句供酒


    ○○● ○●●○○<span ss="q">  ○●●○○ ●●○●●○○● ●○○●●●○○ ●○○ ○●


    料<span ss="q">句办诗材<span ss="q">韵  君莫笑<span ss="q">读闲忙綦得势<span ss="q">仄韵也莫笑<span ss="q">读浮沈鱼得计<span ss="q">韵胸次老<span ss="q">读雪崔嵬<span ss="q">平韵付老夫


    ● ●○○   ○●● ○○○●●<span ss="q">  ●●● ○○○●● ○●● ●○○<span ss="q">  ●●○


    小小鸬鹚杓<span ss="q">句尽诸公衮衮凤凰台<span ss="q">韵且容将<span ss="q">句多种竹<span ss="q">句胜栽梅<span ss="q">韵


    ●●○○● ●○○●●●○○ ●○○ ○●● ●○○


    ·


    此与辛词同,惟前后段第四、五句,各添一衬字异。


    又一体 <span ss="q">双调八十字,前段八句四平韵,后段八句两仄韵、三平韵       元好问


    商於路<span ss="q">句山远客来稀<span ss="q">平韵鸡犬静柴扉<span ss="q">韵东家欢饮姜芽脆<span ss="q">句西家留宿芋魁肥<span ss="q">韵觉重来<span ss="q">句猿与鹤<span ss="q">句


    ○○● ○●●○○<span ss="q">  ○●●○○ ○○○●○○● ○○○●●○○ ●○○ ○●●


    总忘机<span ss="q">韵  问华屋高赀<span ss="q">读谁不恋<span ss="q">仄韵美食大官<span ss="q">读谁不羡<span ss="q">韵风浪里<span ss="q">读竟忘归<span ss="q">平韵云山既不求吾


    ●○○   ●○●○○ ○●●<span ss="q">  ●●●○ ○●● ○●● ●○○<span ss="q">  ○○●●○○


    是<span ss="q">句林泉又不责吾非<span ss="q">韵任年年<span ss="q">句藜藿饭<span ss="q">句芰荷衣<span ss="q">韵


    ● ○○●●●○○ ●○○ ○●● ●○○


    ·


    此亦与辛词同,惟后段第二句减一字异。


    又一体 <span ss="q">双调八十三字,前段八句四平韵,后段八句两仄韵、三平韵     司马昂父


    登高懒<span ss="q">句且平地过重阳<span ss="q">平韵风雨又何妨<span ss="q">韵问牛山悲泪又何苦<span ss="q">句龙山佳会又何狂<span ss="q">韵笑渊明<span ss="q">句便去


    ○○● ●○●●○○<span ss="q">  ○●●○○ ●○○○●●○● ○○○●●○○ ●○○ ○●


    来<span ss="q">句又何忙<span ss="q">韵  也休说<span ss="q">读玉堂金马乐<span ss="q">仄韵也休说<span ss="q">读竹篱茅舍恶<span ss="q">韵花与酒<span ss="q">读一般香<span ss="q">平韵西风莫


    ○ ●○○   ●○● ●○○●●<span ss="q">  ●○● ●○○●● ○●● ●○○<span ss="q">  ○○●


    放秋容老<span ss="q">句时时留待客徜徉<span ss="q">韵便百年<span ss="q">句浑是醉<span ss="q">句几千场<span ss="q">韵


    ●○○● ○○○●●○○ ●●○ ○●● ●○○


    ·


    此亦辛词体,惟前后段第二句、第四句各添一衬字异。


    以上四词,俱前段起句三字,第三句五字者,特为类聚,以备勘谱。


    又一体 <span ss="q">双调八十二字,前段九句四平韵,后段九句两仄韵、三平韵      毛 滂


    微雨过<span ss="q">句深院芰荷中<span ss="q">韵香冉冉<span ss="q">句绣重重<span ss="q">韵玉人共倚阑干角<span ss="q">句月华犹在小池东<span ss="q">韵入人怀<span ss="q">句吹鬓


    ○●● ○●●○○ ○●● ●○○ ●○●●○○● ●○○●●○○ ●○○ ○●


    影<span ss="q">句可怜风<span ss="q">韵  分散去<span ss="q">读轻如云与雪<span ss="q">仄韵剩下了<span ss="q">读许多风与月<span ss="q">韵侵枕簟<span ss="q">句冷帘栊<span ss="q">平韵刚能


    ● ●○○   ○●● ○○○●●<span ss="q">  ●●● ●○○●● ○●● ●○○<span ss="q">  ○○


    小睡还惊觉<span ss="q">句略成轻醉早惺忪<span ss="q">韵仗行云<span ss="q">句将此恨<span ss="q">句到眉峰<span ss="q">韵


    ●●○○● ●○○●●○○ ●○○ ○●● ●○○


    ·


    此调前段起句三字,第三句六字者,以此词为正体,若陈词之换头三声叶韵,及毛词别首之换头不叶韵,皆变格也。


    又一体 <span ss="q">双调八十二字,前段八句四平韵,后段八句两叶韵、三平韵      陈 亮


    春乍透<span ss="q">句香早暗偷传<span ss="q">平韵深院落<span ss="q">读斗清妍<span ss="q">韵紫檀枝似流苏带<span ss="q">句黄金须胜辟寒钿<span ss="q">韵更朝朝<span ss="q">句琼树


    ○●● ○●●○○<span ss="q">  ○●● ●○○ ●○○●○○● ○○○●●○○ ●○○ ○●


    好<span ss="q">句笑当年<span ss="q">韵  花不向<span ss="q">读沈香亭上看<span ss="q">叶树不著<span ss="q">读连昌宫里玩<span ss="q">叶衣带水<span ss="q">读隔风烟<span ss="q">平韵铅华不御


    ● ●○○   ○●● ○○○●● ●●● ○○○●● ○●● ●○○<span ss="q">  ○○●●


    凌波处<span ss="q">句蛾眉澹扫至尊前<span ss="q">韵管如今<span ss="q">句浑似了<span ss="q">句更堪怜<span ss="q">韵


    ○○● ○○●●●○○ ●○○ ○●● ●○○


    ·


    此与毛词同,惟换头处用三声叶韵异。 按,寒、先本系通韵,词中所叶“看”字、“玩”字,俱在十五翰部内,即十四寒之去声也。


    又一体 <span ss="q">双调八十二字,前段九句四平韵,后段八句三平韵         毛 滂


    新睡起<span ss="q">句熏过绣罗衣<span ss="q">韵梳洗了<span ss="q">句百般宜<span ss="q">韵东风淡荡垂杨院<span ss="q">句一春心事有谁知<span ss="q">韵苦留人<span ss="q">句娇不


    ○●● ○●●○○ ○●● ●○○ ○○●●○○● ●○○●●○○ ●○○ ○●


    尽<span ss="q">句曲眉低<span ss="q">韵  漫良夜月圆<span ss="q">读空好意<span ss="q">句恐落花流水<span ss="q">读终寄恨<span ss="q">句悲欢往往相随<span ss="q">韵凤台痴望双


    ● ●○○   ●○●●○ ○●● ●●○○● ○●● ○○●●○○ ●○○●○


    双羽<span ss="q">句高唐愁著梦回时<span ss="q">韵又争如<span ss="q">句遵大路<span ss="q">句合逢伊<span ss="q">韵


    ○● ○○○●●○○ ●○○ ○●● ●○○


    ·


    此即前一首毛词体,惟换头处不押韵,诸家从无此体,恐有错误,姑录以备参考。


    以上三词,俱前段起句三字,第二句六字者。


    又一体 <span ss="q">双调八十三字,前段八句四平韵,后段八句两仄韵、三平韵      程 垓


    旧时心事<span ss="q">句说著两眉羞<span ss="q">平韵长记得<span ss="q">读凭肩游<span ss="q">韵缃裙罗袜桃花岸<span ss="q">句薄衫轻扇杏花楼<span ss="q">韵几番行<span ss="q">句几


    ●○○● ●●●○○<span ss="q">  ○●● ●○○ ○○○●○○● ●○○●●○○ ●○○ ●


    番醉<span ss="q">句几番留<span ss="q">韵  也谁料<span ss="q">读春风吹已断<span ss="q">仄韵又谁料<span ss="q">读朝云飞亦散<span ss="q">韵天易老<span ss="q">读恨难酬<span ss="q">平韵蜂儿


    ○● ●○○   ●○● ○○○●●<span ss="q">  ●○● ○○○●● ○●● ●○○<span ss="q">  ○○


    不解知人苦<span ss="q">句燕儿不解说人愁<span ss="q">韵旧情怀<span ss="q">句销不尽<span ss="q">句几时休<span ss="q">韵


    ●●○○● ●○●●●○○ ●○○ ○●● ●○○


    ·


    此调前段起句四字、第三句六字者,以此词为正体,若柳词之句读参差,无名氏词之不押仄韵,皆变格也。


    又一体 <span ss="q">双调八十三字,前后段各八句,四平韵         <span ss="q">《全芳备祖》无名氏


    司春有序<span ss="q">句排次到荼醿<span ss="q">韵还预报<span ss="q">读在庭知<span ss="q">韵蕊珠宫里晨妆罢<span ss="q">句披香殿下晓班齐<span ss="q">韵探花人<span ss="q">句驱使


    ○○●● ○●●○○ ○●● ●○○ ●○○●○○● ○○●●●○○ ●○○ ○●


    问<span ss="q">句采花期<span ss="q">韵  元不逊<span ss="q">读梅花浮月影<span ss="q">句也知妒<span ss="q">读梨花带雨枝<span ss="q">韵偏恨柳<span ss="q">读绿条垂<span ss="q">韵与其向晚包


    ● ●○○   ○●● ○○○●● ●○● ○○●●○ ○●● ●○○ ●○●●○


    团絮<span ss="q">句不如对酒坼芳蕤<span ss="q">韵谢东君<span ss="q">句收拾在<span ss="q">句牡丹时<span ss="q">韵


    ○● ●○●●●○○ ●○○ ○●● ●○○


    ·


    此与程词同,惟后段起句不押仄韵,第二句仍押平韵异。


    又一体 <span ss="q">双调七十八字,前后段各八句,四平韵              柳 富


    人间最苦<span ss="q">句最苦是分离<span ss="q">韵伊爱我<span ss="q">读我怜伊<span ss="q">韵青草岸头人独立<span ss="q">句画船东去橹声迟<span ss="q">韵楚天低<span ss="q">句回望


    ○○●● ●●●○○ ○●● ●○○ ○●●○○●● ●○○●●○○ ●○○ ○●


    处<span ss="q">句两依依<span ss="q">韵   后会也难期<span ss="q">韵未知何日重欢会<span ss="q">句心下事<span ss="q">读乱如丝<span ss="q">韵好天良夜还虚过<span ss="q">句辜负


    ● ●○○    ●●●○○ ●○○●○○● ○●● ●○○ ●○○●○○● ○●


    我<span ss="q">读两心知<span ss="q">韵愿伊家<span ss="q">句衷肠在<span ss="q">句一双飞<span ss="q">韵


    ● ●○○ ●○○ ○○● ●○○


    ·


    此词见《青琐高议》,前段字句与程词同,惟后段起句减三字、押平韵,第五句减一字、作六字折腰句法异。《情史》云:东都柳富,别王幼玉作,名《醉高春》。


    以上三词,俱前段起句四字,第三句六字者。


    又一体 <span ss="q">双调八十二字,前段八句四仄韵,后段八句五仄韵      <span ss="q">《梅苑》无名氏


    梅花好<span ss="q">句千万君须爱<span ss="q">韵比杏兼桃犹百倍<span ss="q">韵分明学得嫦娥样<span ss="q">句不施朱粉天然态<span ss="q">韵蟾宫里<span ss="q">句银河


    ○○● ○●○○● ●●○○○●● ○○●●○○● ●○○●○○● ○○● ○○


    畔<span ss="q">句风霜耐<span ss="q">韵  岭上故人千里外<span ss="q">韵寄去一枝君要会<span ss="q">韵表江南信相思晒<span ss="q">韵清香素艳应难对<span ss="q">句


    ● ○○●   ●●●○○●● ●●●○○●● ●○○●○○● ○○●●○○●


    满头宜向尊前戴<span ss="q">韵岁寒心<span ss="q">句春消息<span ss="q">句年年在<span ss="q">韵


    ●○○●○○● ●○○ ○○● ○○●


    ·


    此调全押仄声韵者,只此一词,句读与程垓词同,惟前后段第三句,各添一字,后段第一、二句,各减一字,无别首宋词可校。


    倒垂柳  唐教坊曲名。


    倒垂柳 <span ss="q">双调八十一字,前段八句四仄韵,后段八句五仄韵          杨无咎


    晓来烟露重<span ss="q">句为重阳<span ss="q">读增胜致<span ss="q">韵记一年好处<span ss="q">句无似此天气<span ss="q">韵东篱白衣至<span ss="q">句南陌芳筵启<span ss="q">韵风流曾


    ◎○○●● ●○○ ⊙●● ◎◎○◎● ○●●○● ⊙○◎⊙● ⊙●○○● ○○○


    未远<span ss="q">句登临都在眼底<span ss="q">韵   人生如寄<span ss="q">韵漫把茱萸看子细<span ss="q">韵击节听高歌<span ss="q">句痛饮莫辞醉<span ss="q">韵乌帽任


    ●● ○○○●◎●    ○○⊙● ●●○○○●● ●●●○○ ●●●○● ○◎●


    教<span ss="q">句颠倒风里坠<span ss="q">韵黄花明日<span ss="q">句纵好无情味<span ss="q">韵


    ⊙ ○●○◎● ○○○● ●●○○●


    ·


    此调惟《逃禅集》有词二首,无别首宋词可校,平仄参下“南州初会”词。


    又一体 <span ss="q">双调八十一字,前后段各八句,五仄韵              杨无咎


    南州初会遇<span ss="q">韵记惺惺<span ss="q">读说底语<span ss="q">韵而今精神爽<span ss="q">句倾下越风措<span ss="q">韵雍门人独夜<span ss="q">句客舍停杯处<span ss="q">韵余香应


    ○○○●● ●○○ ●●● ○○○○● ○●●○● ●○○●● ●●○○● ○○○


    未泯<span ss="q">句凭君重唱金缕<span ss="q">韵   移宫易羽<span ss="q">韵纵有离愁休怨诉<span ss="q">韵客里忒凄凉<span ss="q">句怕听断肠句<span ss="q">韵情山曲


    ●● ○○○●○●    ○○●● ●●○○○●● ●●●○○ ●●●○● ○○●


    海<span ss="q">句君已心相许<span ss="q">韵骖鸾乘月<span ss="q">句正好同归去<span ss="q">韵


    ● ○●○○● ○○○● ●●○○●


    ·


    此与“晓来烟露”词同,惟前段起句用韵异。


    彩凤飞  一作《彩凤舞》。


    彩凤飞 <span ss="q">双调八十一字,前段七句三仄韵,后段七句五仄韵         陈 亮


    人立玉<span ss="q">句天如水<span ss="q">句特地如何撰<span ss="q">韵海南沈<span ss="q">读烧著欲寒犹暖<span ss="q">韵算从头<span ss="q">句有多少<span ss="q">读厚德阴功<span ss="q">句人家


    ○●● ○○● ●●○○● ●○○ ○●●○○● ●○○ ●○● ●●○○ ○○


    上<span ss="q">读一一旧时香案<span ss="q">韵  煞经惯<span ss="q">韵小住吾州才尔<span ss="q">句依然欢声满<span ss="q">韵莫也教<span ss="q">读公子王孙眼见<span ss="q">韵这


    ● ●●●○○●   ●○● ●●○○○● ○○○○● ●●○ ○●○○●● ●


    些儿<span ss="q">读颖脱处<span ss="q">句高出书卷<span ss="q">韵经纶自入手<span ss="q">句不了判断<span ss="q">韵


    ○○ ●●● ○●○● ○○●●● ●●●●


    ·


    此见《龙川词》,无别首宋词可校。


    <h5 style="MARGIN: auto 0cm auto 21pt; TEXT-INDENT: 0cm"> </h5>


    有有令  调见《惜香乐府》。


    有有令 <span ss="q">双调八十一字,前段八句四仄韵,后段八句七仄韵         赵长卿


    前山减翠<span ss="q">韵疏竹度轻风<span ss="q">句日移金影碎<span ss="q">韵还又年华暮<span ss="q">句看看是<span ss="q">读新春至<span ss="q">韵那更堪<span ss="q">读有个人人<span ss="q">句似


    ○○●● ○●●○○ ●○○●● ○●○○● ○○● ○○● ●●○ ●●○○ ●


    花似玉<span ss="q">句温柔伶俐<span ss="q">韵  准拟<span ss="q">韵恩情海似<span ss="q">韵拈弄上<span ss="q">读则人难比<span ss="q">韵我也诚心一片<span ss="q">句你也争些气<span ss="q">韵


    ○●● ○○○●   ●● ○○●● ○●● ●○○● ●●○○●● ●●○○●


    大家到底如此<span ss="q">韵美中更美<span ss="q">韵厮守定<span ss="q">读共伊百岁<span ss="q">韵


    ●○●●○● ●○●● ●●● ●○●●


    ·


    此本谑词,因此调无别词可录,故采以备体。


    拂霓裳  唐教坊曲名。《碧鸡漫志》:拂霓裳,般涉调。《宋史·乐志》,女弟子舞队第五,有拂霓裳队。


    拂霓裳 <span ss="q">双调八十二字,前段八句六平韵,后段八句五平韵          晏 殊


    乐秋天<span ss="q">韵晚荷花缀露珠圆<span ss="q">韵风日好<span ss="q">句数行新雁贴寒烟<span ss="q">韵银簧调脆管<span ss="q">句琼柱拨清弦<span ss="q">韵捧觥船<span ss="q">韵一


    ●○○ ●○○●●○○ ○◎● ●○○●●○○ ⊙⊙○◎● ⊙◎●⊙○ ●○○ ●


    声声<span ss="q">读齐唱太平年<span ss="q">韵   人生百岁<span ss="q">句离别易<span ss="q">读会逢难<span ss="q">韵无事日<span ss="q">句剩呼宾友启芳筵<span ss="q">韵星霜催绿


    ⊙○ ○●●○○    ○○●● ⊙●● ●○○ ○●● ●○○●●○○ ⊙○○●


    鬓<span ss="q">句风露损朱颜<span ss="q">韵惜清欢<span ss="q">韵又何妨<span ss="q">读沈醉玉尊前<span ss="q">韵


    ● ⊙●●○○ ●○○ ●○○ ○●●○○


    ·


    此调以此词为正体,晏词别首“庆生辰”词,正与此同。若“喜秋成”词之添一字衬字、押韵异同,亦变格也。 此调前后段第五、六句,例作五言对句,《珠玉集》三首皆然。 按,晏词别首“庆生辰”词,前段第六句“玉色受丝纶”,玉字仄声;结句“望九重、天上拜尧云”,九字仄声;后段第五、六句“一声檀板动,一炷蕙香焚”,两一字俱仄声。谱内可平可仄据此,余参下词。


    又一体 <span ss="q">双调八十三字,前段八句五平韵,后段八句六平韵          晏 殊


    喜秋成<span ss="q">韵见千门万户乐升平<span ss="q">韵金风细<span ss="q">句玉池波浪縠文生<span ss="q">韵宿露沾罗幕<span ss="q">句微凉入画屏<span ss="q">韵张绮宴<span ss="q">句


    ●○○ ●○○●●●○○ ○○● ●○○●●○○ ●●○○● ○○●●○ ○●●


    傍熏炉蕙炷<span ss="q">读和新声<span ss="q">韵  神仙雅会<span ss="q">句会此日<span ss="q">读象蓬瀛<span ss="q">韵管弦清<span ss="q">韵旋翻红袖学飞琼<span ss="q">韵光阴无暂


    ●○○●● ●○○   ○○●● ●●● ●○○ ●○○ ●○○●●○○ ○○○●


    住<span ss="q">句欢醉有闲情<span ss="q">韵祝辰星<span ss="q">韵愿百千万寿<span ss="q">读献瑶觥<span ss="q">韵


    ● ○●●○○ ●○○ ●●○●● ●○○


    ·


    此与“乐秋天”词同,惟前段第二句添一衬字,第七句少押一韵,后段第三句多押一韵异。


    柳腰轻  调见《乐章集》,注中吕宫,因词有“英英妙舞腰肢软,章台柳,昭阳燕”句,取以为名。


    柳腰轻 <span ss="q">双调八十二字,前段八句四仄韵,后段七句四仄韵         柳 永


    英英妙舞腰肢软<span ss="q">韵章台柳<span ss="q">句昭阳燕<span ss="q">韵锦衣冠盖<span ss="q">句绮堂筵会<span ss="q">句是处千金争选<span ss="q">韵顾香砌<span ss="q">读丝管初


    ○○●●○○● ○○● ○○● ●○○● ●○○● ●●○○○● ●○● ○●○


    调<span ss="q">句倚轻风<span ss="q">读佩环微颤<span ss="q">韵  乍入霓裳促遍<span ss="q">韵逞盈盈<span ss="q">读渐催檀板<span ss="q">韵慢垂霞袖<span ss="q">句急趋莲步<span ss="q">句进


    ○ ●○○ ●○○●   ●●○○●● ●○○ ●○○● ●○○● ●○○● ●


    退奇容千变<span ss="q">韵笑何止<span ss="q">读倾国倾城<span ss="q">句暂回眸<span ss="q">读万人肠断<span ss="q">韵


    ●○○○● ●○● ○●○○ ●○○ ●○○●


    ·


    调近《柳初新》,但《柳初新》调,前后段第六句押韵,此不押韵。又,柳词所注宫调不同,自应各为一体,无宋词别首可校。


    爪茉莉  调见《花草粹编》,《乐章集》不载。


    爪茉莉 <span ss="q">双调八十二字,前段八句四仄韵,后段八句五仄韵          柳 永


    每到秋来<span ss="q">句转添甚况味<span ss="q">韵金风动<span ss="q">读冷清清地<span ss="q">韵残蝉噪晚<span ss="q">句甚聒得<span ss="q">读人心欲碎<span ss="q">韵更休道<span ss="q">读宋玉多


    ●●○○ ●○●●● ○○● ●○○● ○○●● ●●● ○○●● ●○● ●●○


    悲<span ss="q">句石人也<span ss="q">读须下泪<span ss="q">韵  衾寒枕冷<span ss="q">句夜迢迢<span ss="q">读更无寐<span ss="q">韵深院静<span ss="q">读月明风细<span ss="q">韵巴巴望晓<span ss="q">句怎生


    ○ ●○● ○●●   ○○●● ●○○ ●○● ○●● ●○○● ○○●● ●○


    捱<span ss="q">读更迢递<span ss="q">韵料可儿<span ss="q">读只在枕头根底<span ss="q">韵等人睡<span ss="q">句来梦里<span ss="q">韵


    ○ ○○● ●●○ ●●●○○● ●○● ○●●


    ·


    此调无别词可校,其平仄宜依之。


    蓦山溪  《翰墨全书》,名《上阳春》;《金词》注:大石调。


    蓦山溪 <span ss="q">双调八十二字,前后段各九句,三仄韵               程 垓


    老来风味<span ss="q">句是事都无可<span ss="q">韵只爱小书舟<span ss="q">句剩围著<span ss="q">读琅玕几个<span ss="q">韵呼风约月<span ss="q">句随分乐生涯<span ss="q">句不羡富<span ss="q">句


    ◎○⊙● ◎●○○● ◎◎●○○ ◎⊙◎ ⊙○◎● ⊙○◎● ⊙●●○○ ◎◎◎


    不忧贫<span ss="q">句不怕乌蟾堕<span ss="q">韵  三杯径醉<span ss="q">句转觉乾坤大<span ss="q">韵醉后百篇诗<span ss="q">句尽从他<span ss="q">读龙吟鹤和<span ss="q">韵升沈万


    ◎⊙⊙ ◎●○○●   ⊙○◎● ◎●○○● ◎●●○○ ◎⊙⊙ ⊙○◎● ⊙○◎


    事<span ss="q">句还与本来天<span ss="q">句青云上<span ss="q">句白云间<span ss="q">句一任安排我<span ss="q">韵


    ● ⊙●●○○ ⊙⊙◎ ●○○ ◎●○○●


    ·


    宋词填此调者,其字句并同,惟押韵各异。此词前后段起句及第七、八句,俱不押韵,宋人如此者甚多,自应编为正体,以下悉为类列,以备参考,其可平可仄,即参所采各词,故不复注。


    又一体 <span ss="q">双调八十二字,前段九句四仄韵,后段九句三仄韵          姜 夔


    与鸥为客<span ss="q">韵绿野留吟屐<span ss="q">韵两行柳垂阴<span ss="q">句是当年<span ss="q">读仙翁手植<span ss="q">韵一亭寂寞<span ss="q">句烟外带愁横<span ss="q">句荷冉冉<span ss="q">句


    ●○○● ●●○○● ●○●○○ ●○○ ○○●● ●○●● ○●●○○ ○●●


    展凉云<span ss="q">句横卧虹千尺<span ss="q">韵  才因老尽<span ss="q">句秀句君休觅<span ss="q">韵万绿正迷人<span ss="q">句更愁入<span ss="q">读山阳夜笛<span ss="q">韵百年心


    ●○○ ○●○○●   ○○●● ●●○○● ●●●○○ ●○● ○○●● ●○○


    事<span ss="q">句惟有玉阑知<span ss="q">句吟未了<span ss="q">句放船回<span ss="q">句月下空相忆<span ss="q">韵


    ● ○●●○○ ○●● ●○○ ●●○○●


    ·


    此词前段起句押韵,后段起句不押韵,按,葛胜仲“出门西笑”词,张表臣“楼横北固”词,沈会宗“想伊不住”词,杨无咎“天姿雅素”词,吴儆清“清晨早起”词,张埜“洞庭珍味”词,皆与此同。


    又一体 <span ss="q">双调八十二字,前段九句三仄韵,后段九句四仄韵          张 震


    青梅如豆<span ss="q">句断送春归去<span ss="q">韵小绿间长红<span ss="q">句看几处<span ss="q">读云歌柳舞<span ss="q">韵偎花识面<span ss="q">句对月共论心<span ss="q">句携素手<span ss="q">句


    ○○○● ●●○○● ●●●○○ ○●● ○○●● ○○●● ●●●○○ ○●●


    采香游<span ss="q">句踏遍西池路<span ss="q">韵  水边朱户<span ss="q">韵曾记销魂处<span ss="q">韵小立背秋千<span ss="q">句空怅望<span ss="q">读娉婷韵度<span ss="q">韵杨花扑


    ●○○ ●●○○●   ●○○● ○●○○● ●●●○○ ○●● ○○●● ○○●


    面<span ss="q">句香糁一帘风<span ss="q">句情脉脉<span ss="q">句酒厌厌<span ss="q">句回首斜阳暮<span ss="q">韵


    ● ○●●○○ ○●● ●○○ ○●○○●


    ·


    此词前段起句不押韵,后段起句押韵。按,晁补之“金尊玉酒”词,刘子翚“浮烟冷雨”词,袁去华“蕊珠宫阙”词,谢懋“厌厌睡起”词,皆与此同。


    又一体 <span ss="q">双调八十二字,前后段各九句,四仄韵              张 震


    春光如许<span ss="q">韵春到江南路<span ss="q">韵柳眼弄晴晖<span ss="q">句笑梅花<span ss="q">读落英无数<span ss="q">韵峭寒庭院<span ss="q">句罗幕护窗纱<span ss="q">句金鸭暖<span ss="q">句


    ○○○● ○●○○● ●●●○○ ●○○ ●○○● ●○○● ○●●○○ ○●●


    锦屏深<span ss="q">句曾记看承处<span ss="q">韵  云边尺素<span ss="q">韵何计传心缕<span ss="q">韵无处说相思<span ss="q">句空惆怅<span ss="q">读朝云暮雨<span ss="q">韵曲阑干


    ●○○ ○●○○●   ○○●● ○●○○● ○●●○○ ○○● ○○●● ●○○


    外<span ss="q">句小立近黄昏<span ss="q">句心下事<span ss="q">句眼边愁<span ss="q">句借问春知否<span ss="q">韵


    ● ●●●○○ ○●● ●○○ ●●○○●


    ·


    此调前后段起句皆押韵。按,黄庭坚“山围江暮”词,王千秋“清明池馆”词,皆与此同。


    又一体 <span ss="q">双调八十二字,前后段各九句,四仄韵              易 祓


    海棠枝上<span ss="q">句留得娇莺语<span ss="q">韵双燕几时来<span ss="q">句并飞入<span ss="q">读东风院宇<span ss="q">韵梦回芳草<span ss="q">句绿遍旧池塘<span ss="q">句梨花雪<span ss="q">句


    ●○○● ○●○○● ○●●○○ ●○● ○○●● ●○○● ●●●○○ ○○●


    桃花雨<span ss="q">韵毕竟春谁主<span ss="q">韵  东郊拾翠<span ss="q">句襟袖霑飞絮<span ss="q">韵宝马趁雕轮<span ss="q">句乱红中<span ss="q">读香尘满路<span ss="q">韵十千斗


    ○○● ●●○○●   ○○●● ○●○○● ●●●○○ ●○○ ○○●● ●○●


    酒<span ss="q">句相与买春闲<span ss="q">句吴姬唱<span ss="q">句秦娥舞<span ss="q">韵拌醉青楼暮<span ss="q">韵


    ● ○●●○○ ○○● ○○● ○●○○●


    ·


    此词前后段第八句押韵,其两起句不押韵,宋词惟此一首。


    又一体 <span ss="q">双调八十二字,前后段各九句,五仄韵              周邦彦


    楼前疏柳<span ss="q">句柳外无穷路<span ss="q">韵翠色四天垂<span ss="q">句数峰青<span ss="q">读高城阔处<span ss="q">韵江湖病眼<span ss="q">句偏向此山明<span ss="q">句愁无语<span ss="q">韵


    ○○○● ●●○○● ●●●○○ ●○○ ○○●● ○○●● ○●●○○ ○○●


    空凝伫<span ss="q">韵两两昏鸦去<span ss="q">韵  平康巷陌<span ss="q">句往事如花雨<span ss="q">韵十载却归来<span ss="q">句倦追寻<span ss="q">读酒旗戏鼓<span ss="q">韵今宵幸


    ○○● ●●○○●   ○○●● ●●○○● ●●●○○ ●○○ ●○●● ○○●


    有<span ss="q">句人似月婵娟<span ss="q">句霞袖举<span ss="q">韵杯深注<span ss="q">韵一曲黄金缕<span ss="q">韵


    ● ○●●○○ ○●● ○○● ●●○○●


    ·


    此词前后段第七、八句俱押韵,其两起句不押韵。按,李之仪“青楼薄幸”词,晁补之“扬州全盛”词,周紫芝“月眉星眼”词,皆与此同。


    又一体 <span ss="q">双调八十二字,前段九句五仄韵,后段九句四仄韵         贺 铸


    楚乡新岁<span ss="q">韵不放残寒退<span ss="q">韵月晓桂娥闲<span ss="q">句弄珠英<span ss="q">读因风委坠<span ss="q">韵清淮铺练<span ss="q">句十二玉峰前<span ss="q">句上帘栊<span ss="q">句


    ●○○● ●●○○● ●●●○○ ●○○ ○○●● ○○○● ●●●○○ ●○○


    招佳丽<span ss="q">韵置酒成高会<span ss="q">韵  江南芳信<span ss="q">句目断何人寄<span ss="q">韵应占镜边春<span ss="q">句想晨妆<span ss="q">读膏浓压翠<span ss="q">韵此时乘


    ○○● ●●○○●   ○○○● ●●○○● ○●●○○ ●○○ ○○●● ●○○


    兴<span ss="q">句半道忍回桡<span ss="q">句五云溪<span ss="q">句门深闭<span ss="q">韵璧月长相对<span ss="q">韵


    ● ●●●○○ ●○○ ○○● ●●○○●


    ·


    此词前段起句及前后段第八句,皆押韵。


    又一体 <span ss="q">双调八十二字,前后段各九句,五仄韵              万俟咏


    芳菲叶底<span ss="q">韵谁会秋工意<span ss="q">韵深绿护轻黄<span ss="q">句怕青女<span ss="q">读霜侵憔悴<span ss="q">韵开分早晚<span ss="q">句都占九秋天<span ss="q">句花四出<span ss="q">句


    ○○●● ○●○○● ○●●○○ ●○● ○○○● ○○●● ○●●○○ ○●●


    香十里<span ss="q">韵独步珠宫里<span ss="q">韵  佳名岩桂<span ss="q">韵却是因遗子<span ss="q">韵不自月中来<span ss="q">句又那得<span ss="q">读萧萧风味<span ss="q">韵霓裳旧


    ○●● ●●○○●   ○○○● ●●○○● ●●●○○ ●○● ○○○● ○○●


    曲<span ss="q">句休问广寒人<span ss="q">句飞大白<span ss="q">句酬仙蕊<span ss="q">韵香外无香比<span ss="q">韵


    ● ○●●○○ ○●● ○○● ○●○○●


    ·


    此词前后段起句及前后段第八句,皆押韵。


    又一体 <span ss="q">双调八十二字,前段九句五仄韵,后段九句六仄韵          黄庭坚


    鸳鸯翡翠<span ss="q">句小小思珍偶<span ss="q">韵眉黛敛秋波<span ss="q">句尽湖南<span ss="q">读山明水秀<span ss="q">韵婷婷袅袅<span ss="q">句恰近十三余<span ss="q">句春未透<span ss="q">韵


    ○○●● ●●○○● ○●●○○ ●○○ ○○●● ○○●● ●●●○○ ○●●


    花枝瘦<span ss="q">韵正是愁时候<span ss="q">韵  寻花载酒<span ss="q">韵肯落谁人后<span ss="q">韵只恐远归来<span ss="q">句绿成阴<span ss="q">读青梅如豆<span ss="q">韵心期得


    ○○● ●●○○●   ○○●● ●●○○● ●●●○○ ●○○ ○○○● ○○●


    处<span ss="q">句每自不由人<span ss="q">句长亭柳<span ss="q">韵君知否<span ss="q">韵千里犹回首<span ss="q">韵


    ● ●●●○○ ○○● ○○● ○●○○●


    ·


    此词前后段第七、八句及换头句,皆押韵。


    又一体 <span ss="q">双调八十二字,前段九句六仄韵,后段九句五仄韵          晁端礼


    轻衫短帽<span ss="q">韵重入长安道<span ss="q">韵屈指十年中<span ss="q">句一回来<span ss="q">读一回渐老<span ss="q">韵朋游在否<span ss="q">句落托更能无<span ss="q">句朱弦悄<span ss="q">韵


    ○○●● ○●○○● ●●●○○ ●○○ ●○●● ○○●● ●●●○○ ○○●


    知音少<span ss="q">韵拨断相思调<span ss="q">韵  花边柳外<span ss="q">句潇洒愁重到<span ss="q">韵深院锁春风<span ss="q">句悄无人<span ss="q">读桃花自笑<span ss="q">韵金钗一


    ○○● ●●○○●   ○○●● ○●○○● ○●●○○ ●○○ ○○●● ○○●


    股<span ss="q">句拟欲问音尘<span ss="q">句天杳杳<span ss="q">韵波渺渺<span ss="q">韵何处寻蓬岛<span ss="q">韵


    ● ●●●○○ ○●● ○●● ○●○○○


    ·


    此词前段起句及前后段第七、八句,皆押韵。


    又一体 <span ss="q">双调八十二字,前后段各九句,六仄韵              石孝友


    莺莺燕燕<span ss="q">韵摇荡春光懒<span ss="q">韵时节近清明<span ss="q">句雨初晴<span ss="q">读娇云弄暖<span ss="q">韵醉红湿翠<span ss="q">句春意酿成愁<span ss="q">句花似染<span ss="q">韵


    ○○●● ○●○○● ○●●○○ ●○○ ○○●● ●○●● ○●●○○ ○●●


    草如剪<span ss="q">韵已是春强半<span ss="q">韵  小鬟微盼<span ss="q">韵分付多情管<span ss="q">韵痴騃不知愁<span ss="q">句想怕晚<span ss="q">读贪春未惯<span ss="q">韵主人好


    ●○● ●●○○●   ●○○● ○●○○● ○●●○○ ●●● ○○●● ●○●


    事<span ss="q">句应许玳筵开<span ss="q">句歌眉敛<span ss="q">韵舞腰软<span ss="q">韵怎便轻分散<span ss="q">韵


    ● ○●●○○ ○○● ●○● ●●○○●


    ·


    此词前后段起句及第七、八句,皆押韵,石词别首“醉魂初醒”词,正与此同。


    又一体 <span ss="q">双调八十二字,前段九句三仄韵,后段九句五仄韵         欧阳修


    新正初破<span ss="q">句三五银蟾满<span ss="q">韵纤手染香罗<span ss="q">句剪红莲<span ss="q">读满城开遍<span ss="q">韵楼台上下<span ss="q">句歌管咽春风<span ss="q">句驾香轮<span ss="q">句


    ○○○● ○●○○● ○●●○○ ●○○ ●○○● ○○●● ○●●○○ ●○○


    停宝马<span ss="q">句只待金乌晚<span ss="q">韵  帝城今夜<span ss="q">句罗绮谁为伴<span ss="q">韵应下紫姑神<span ss="q">句问归期<span ss="q">读相思望断<span ss="q">韵天涯情


    ○●● ●●○○●   ●○○● ○●○○● ○●●○○ ●○○ ○○●● ○○○


    绪<span ss="q">句对酒且开颜<span ss="q">句春宵短<span ss="q">韵春寒浅<span ss="q">韵莫待金杯暖<span ss="q">韵


    ● ●●●○○ ○○● ○○● ●●○○●


    ·


    此词前段第七、八句不用韵,后段第七、八句用韵。按,毛滂“东堂先晓”词,朱敦儒“东风不住”词,吴儆“园林何有”词,皆与此同。 按,此调宋人押韵,颇有异同,如黄庭坚词,两结“斜枝倚,风尘里,不带风尘气”、“书漫写,梦空来,只有相思是”,前段第七、八句俱押韵,后段第七、八句却不用韵。张孝祥词,两结“绣工慵,围棋倦,香篆频销印”、“禽声喜,流云尽,明日春游俊”,前段第七、八句,后段第七句,俱不押韵,惟第八句押韵。周邦彦词,两结“山四倚,云渐起,鸟度屏风里”、“因甚个,烟霞底,偏爱尊羹美”,前段第七、八句,后段第八句押韵,惟第七句不押韵,皆韵脚参差,不可为法,故不编入。


    又一体 <span ss="q">双调八十三字,前后段各九句,三仄韵              陆 游


    穷山孤垒<span ss="q">句腊尽春初破<span ss="q">韵寂寞掩空斋<span ss="q">句好一个<span ss="q">读无聊赖底我<span ss="q">韵啸台龙岫<span ss="q">句随分有云山<span ss="q">句临浅


    ○○○● ●●○○● ●●●○○ ●●● ○○●●● ●○○● ○●●○○ ○●


    濑<span ss="q">句荫长松<span ss="q">句闲据交床坐<span ss="q">韵  三杯径醉<span ss="q">句不觉纱巾堕<span ss="q">韵画角唤人归<span ss="q">句落梅村<span ss="q">读篮舆夜过<span ss="q">韵


    ● ●○○ ○●○○●   ○○●● ●●○○● ●●●○○ ●○○ ○○●●


    城门渐近<span ss="q">句几点妓衣红<span ss="q">句官驿外<span ss="q">句酒垆前<span ss="q">句也有闲灯火<span ss="q">韵


    ○○●● ●●●○○ ○●● ●○○ ●●○○●


    ·


    此词前段第四句五字,较各家多一字,盖衬字也,减去赖字,即是程垓词体。


    千秋岁引  《高丽史·乐志》,名《千秋岁令》;李冠词,名《千秋万岁》。


    千秋岁引 <span ss="q">双调八十二字,前段八句四仄韵,后段八句五仄韵        王安石


    别馆寒砧<span ss="q">句孤城画角<span ss="q">韵一派秋声入寥廓<span ss="q">韵东归燕从海上去<span ss="q">句南来雁向沙头落<span ss="q">韵楚台风<span ss="q">句庾楼


    ◎●⊙○ ○○●● ●●○○●○● ○○●⊙◎◎● ⊙○●●○○● ◎⊙⊙ ◎⊙


    月<span ss="q">句宛如昨<span ss="q">韵  无奈被些名利缚<span ss="q">韵无奈被他情担阁<span ss="q">韵可惜风流总闲却<span ss="q">韵当初漫留华表语<span ss="q">句


    ◎ ◎⊙●   ⊙●◎○○●● ⊙●◎○○⊙● ◎◎○⊙◎○● ⊙○◎⊙○◎●


    而今误我秦楼约<span ss="q">韵梦阑时<span ss="q">句酒醒后<span ss="q">句思量著<span ss="q">韵


    ○○●●○○● ◎⊙⊙ ◎◎◎ ○○●


    ·


    此即《千秋岁》调,添字减字、摊破句法,自成一体,与《千秋岁》较,惟前段第二句减一字,后段第一句、第二句各添二字,第三句添一字,前后段第四、五句各添两字,结句各减一字、摊破作三字两句,其源实出于《千秋岁》。《词律》疏于考据,类列于《千秋岁》后,又云两调迥别。故为两列而论之如此。 此调始于此词,自应以此词为定格,若李冠一词,无名氏二词,则又从此词添字耳,可平可仄,即参下三词句法同者。


    又一体 <span ss="q">双调八十四字,前段八句四仄韵,后段八句五仄韵         李 冠


    杏花好<span ss="q">句子细君须辨<span ss="q">韵比早梅深<span ss="q">读夭桃浅<span ss="q">韵把鲛绡<span ss="q">读淡拂鲜红色<span ss="q">句蜡融紫萼重重现<span ss="q">韵烟外悄<span ss="q">句


    ●○● ●●○○● ●●○○ ○○● ●○○ ●●○○● ●○●●○○● ○●●


    风中笑<span ss="q">句香满院<span ss="q">韵  欲绽全开俱可羡<span ss="q">韵粹美妖娇无处选<span ss="q">韵除卿卿是寻常见<span ss="q">韵倚天真<span ss="q">读艳冶轻


    ○○● ○●●   ●●○○○●● ●●○○○●● ○○○●○○● ●○○ ●●○


    朱粉<span ss="q">句分明洗出胭脂面<span ss="q">韵追往事<span ss="q">句绕芳榭<span ss="q">句千千遍<span ss="q">韵


    ○● ○○●●○○● ○●● ●○● ○○●


    ·


    此即王词体,惟前段起句三字,第二句五字,第三句上四下三、作折腰句法,前后段第四句各添一衬字异。


    又一体 <span ss="q">双调八十五字,前段八句五仄韵,后段八句七仄韵、一叠韵                             <span ss="q">《高丽史·乐志》无名氏


    想风流态<span ss="q">句种种般般媚<span ss="q">韵恨别离时太容易<span ss="q">韵香笺欲写相思意<span ss="q">韵相思泪滴香笺字<span ss="q">韵画堂深<span ss="q">句银烛


    ●○○● ●●○○● ●●○○●○● ○○●●○○● ○○●●○○● ●○○ ○●


    暗<span ss="q">句重门闭<span ss="q">韵   似当日欢娱何日遂<span ss="q">韵愿早早相逢重设誓<span ss="q">韵美景良辰莫轻弃<span ss="q">韵鸳鸯帐里鸳鸯


    ● ○○●    ●○●○○○●● ●●●○○○●● ●●○○●○● ○○●●○○


    被<span ss="q">韵鸳鸯枕上鸳鸯睡<span ss="q">韵似恁地<span ss="q">韵长恁地<span ss="q">叠千秋岁<span ss="q">韵


    ● ○○●●○○● ●●● ○●● ○○●


    ·


    此亦王词体,惟前段第二句添一字,后段第一、二句各添一衬字,前后段第四句各多押一韵,后段第六、七句多一押韵、叠韵异。


    又一体 <span ss="q">双调八十七字,前段八句四仄韵,后段八句五仄韵    <span ss="q">《翰墨全书》无名氏


    词赋伟人<span ss="q">句当代一英杰<span ss="q">韵信独步儒林<span ss="q">读蟾宫客<span ss="q">韵名登雁塔正青春<span ss="q">句更不历<span ss="q">读郡县徒劳力<span ss="q">韵即趋


    ○●●○ ○●●○● ●●●○○ ○○● ○○●●●○○ ●●● ●●○○● ●○


    朝<span ss="q">句典文衡<span ss="q">句居花掖<span ss="q">韵  得雋词科推第一<span ss="q">韵便掌丝纶天上尺<span ss="q">韵见说庆生辰<span ss="q">读当此日<span ss="q">韵翠蓂三


    ○ ●○○ ○○●   ●●○○○●● ●●○○○●● ●●●○○ ○●● ●○○


    四叶方新<span ss="q">句况朱明<span ss="q">读正属清和节<span ss="q">韵行作个<span ss="q">句黑头公<span ss="q">句专调燮<span ss="q">韵


    ●●○○ ●○○ ●●○○● ○●● ●○○ ○○●


    ·


    此亦王词体,惟前段第二句添一字,前后段第三句、第五句各多一衬字异。


    早梅芳  一名《早梅芳近》。


    早梅芳 <span ss="q">双调八十二字,前后段各九句,五仄韵              周邦彦


    缭墙深<span ss="q">句丛竹绕<span ss="q">韵宴席临清沼<span ss="q">韵微呈纤履<span ss="q">句故隐烘帘自嬉笑<span ss="q">韵粉香妆晕薄<span ss="q">句带紧腰围小<span ss="q">韵看鸿


    ◎⊙○ ⊙◎● ◎●○○● ⊙○⊙● ◎●⊙○●○● ◎○○●● ◎●○○● ●○


    惊凤翥<span ss="q">句满座叹轻妙<span ss="q">韵  酒醒时<span ss="q">句会散了<span ss="q">韵回首城南道<span ss="q">韵河阴高转<span ss="q">句露脚斜飞夜将晓<span ss="q">韵异乡


    ○●● ◎●●○●   ●○○ ◎●● ⊙●○○● ○○⊙● ●●○○●○● ◎○


    淹岁月<span ss="q">句醉眼迷登眺<span ss="q">韵路迢迢<span ss="q">句恨满千里草<span ss="q">韵


    ○●● ◎●○○● ●○○ ◎◎○●●


    ·


    此调以此词为正体,周词别首“花竹深”词,陈允平和词二首,正与此同,若李词、无名氏词之句读异同,皆变格也。 吕渭老词,后段结句“佳期定,约期了”,疑有脱字,故不编入。 此词前后段第五句,例作拗句,第六、七句,例作五言对偶,填者仍之。 按,周词别首,前段起句“花竹深”,花字平声,竹字仄声;吕词。第四句“风声约雨”,约字仄声;陈词,第六句“风帘银烛暗”,风字平声;吕词,第七句“匀脸霞相照”,匀字平声;吕词,后段第六句“犀心通密语”,犀字平声;陈词,结句“琼箫声满杳”,琼字、箫字俱平声。谱内可平可仄据此,余参所采二词。 李词,前段结句第三字平声,后段结句第四字平声,查诸和周词,此两字无不用仄者,故此词不与参校。


    又一体 <span ss="q">双调八十二字,前后段各九句,五仄韵              李之仪


    雪初晴<span ss="q">句陡觉寒将变<span ss="q">韵已报梅梢暖<span ss="q">韵日边霜外<span ss="q">句迤逦枝条自柔软<span ss="q">韵嫩苞匀点缀<span ss="q">句绿萼轻裁剪<span ss="q">韵


    ●○○ ●●○○● ●●○○● ●○○● ●●○○●○● ●○○●● ●●○○●


    隐深心<span ss="q">句未许清香散<span ss="q">韵  渐融和<span ss="q">句开欲遍<span ss="q">韵密处疑无间<span ss="q">韵天然标韵<span ss="q">句不与群花斗深浅<span ss="q">韵夕阳


    ●○○ ●●○○●   ●○○ ○●● ●●○○● ○○○● ●●○○●○● ●○


    波似动<span ss="q">句曲水风犹懒<span ss="q">韵最销魂<span ss="q">句弄影无人见<span ss="q">韵


    ○●● ●●○○● ●○○ ●●○○●


    ·


    此与周词同,惟前段第二句添二字,第八句减二字异。 前后段两结句,俱作仄仄平平仄,与诸家不同。 按,汲古阁本《姑溪词》,此词前段第二句,仍作三字,第八句空白二字,今从《花草粹编》订正。


    又一体 <span ss="q">双调八十二字,前后段各九句,五仄韵          <span ss="q">《梅苑》无名氏


    冰唯清<span ss="q">句玉唯润<span ss="q">韵清润无风韵<span ss="q">韵此花风韵<span ss="q">句清润自然傅香粉<span ss="q">韵故应春意别<span ss="q">句不使凡英混<span ss="q">韵到春


    ○○○ ●○● ○●○○● ●○○● ○●●○●○● ●○○●● ●●○○● ●○


    前腊后<span ss="q">句长是寄芳信<span ss="q">韵  此情闲<span ss="q">句此意远<span ss="q">韵一点萦方寸<span ss="q">韵风亭水馆<span ss="q">句解与行人破离恨<span ss="q">韵广寒


    ○●● ○●●○●   ●○○ ●●● ●●○○● ○○●● ●●○○●○● ●○


    宫未有<span ss="q">句姑射山曾认<span ss="q">韵向雪中月下<span ss="q">句吟未尽<span ss="q">韵


    ○●● ○●○○● ●●○●● ○●●


    ·


    此亦周词体,惟后结作五字一句、三字一句异。


    新荷叶  蒋氏《九宫谱》,作正宫引子;赵抃词,名《折新荷引》,又因词中有“画桡稳,泛兰舟”句,或名《泛兰舟》,然与仄韵《泛兰舟》调迥别。


    新荷叶 <span ss="q">双调八十二字,前后段各八句,四平韵              黄 裳


    落日衔山<span ss="q">句行云载雨俄鸣<span ss="q">韵一顷新荷<span ss="q">句坐间总是秋声<span ss="q">韵烟波醉客<span ss="q">句见快哉<span ss="q">读风恼娉婷<span ss="q">韵香和清


    ◎●○○ ⊙○◎●○○ ◎●○○ ◎○◎●○○ ⊙○●● ◎◎⊙ ⊙●○○ ⊙○○


    点<span ss="q">句为人吹在衣襟<span ss="q">韵  珠佩欢言<span ss="q">句放船且向前汀<span ss="q">韵绿伞红幢<span ss="q">句自从天汉相迎<span ss="q">韵飞鸿独落<span ss="q">句芦


    ● ◎○⊙●○○   ⊙●○○ ◎○◎●○○ ◎●○○ ◎○⊙●○○ ⊙○◎● ⊙


    边对<span ss="q">读几朵繁英<span ss="q">韵侑觞人唱<span ss="q">句乍闻应似湘灵<span ss="q">韵


    ⊙◎ ◎●○○ ◎○⊙● ◎○○●○○


    ·


    此调以此词及赵彦端词为正体,宋人皆如此填,若赵抃词之句读不同,赵长卿词之句读参差,皆变格也。 此词换头句不押韵,侯寘“柳幄飞绵”词,郑斗焕“乳鸭池塘”词,正与此同。 按,侯词,前段第二句“风池烟泛新萍”,烟字平声;郑词,后段结句“鸳鸯催起歌声”,鸳字平声;辛弃疾词,前段起句“人已归来”,人字平声;第四句“游丝尽日低飞”,游字平声;第五句“兔葵燕麦”,兔字仄声;第七、八句“小窗人静,棋声似解重围”,小字仄声,棋字平声,似字仄声;后段第四句“朝来翠扑人衣”,朝字平声;第六句“问骋怀游日谁知”,骋字仄声,怀字平声。谱内可平可仄据此,余参所采诸词。至前段第二句“零落一顷为萁”,落字入声,此以入代平,查宋词此字,俱用平声,故不校注。


    又一体  <span ss="q">双调八十二字,前段八句四平韵,后段八句五平韵         赵彦端


    欲暑还凉<span ss="q">句如春有意重归<span ss="q">韵春若归来<span ss="q">句任他莺老花飞<span ss="q">韵轻雷澹雨<span ss="q">句似晚风<span ss="q">读欺得单衣<span ss="q">韵檐声惊


    ●●○○ ○○●●○○ ○●○○ ●○○●○○ ○○●● ●●○ ○●○○ ○○○


    醉<span ss="q">句起来新绿成围<span ss="q">韵  回首分携<span ss="q">韵光风冉冉菲菲<span ss="q">韵曾几何时<span ss="q">句故山疑梦还非<span ss="q">韵鸣琴再抚<span ss="q">句将


    ● ●○○●○○   ○●○○ ○○●●○○ ○●○○ ●○○●○○ ○○●● ○


    清恨<span ss="q">读都入金徽<span ss="q">韵永怀桥下<span ss="q">句系船溪柳依依<span ss="q">韵


    ○● ○●○○ ●○○● ●○○●○○


    ·


    此与黄词同,惟换头句押韵异。按,辛弃疾词四首,赵词二首,皆如此填。


    又一体  <span ss="q">双调八十二字,前后段各八句,四平韵             赵 抃


    日晚芳塘<span ss="q">句圆荷嫩绿新抽<span ss="q">韵越女轻盈<span ss="q">句画桡稳泛兰舟<span ss="q">韵波光艳粉<span ss="q">句红相间<span ss="q">读脉脉娇羞<span ss="q">韵菱歌隐


    ●●○○ ○○●●○○ ●●○○ ●○●●○○ ○○●● ○○● ●●○○ ○○●


    隐渐遥<span ss="q">句依约回眸<span ss="q">韵  堤上郎心<span ss="q">句波间妆影迟留<span ss="q">韵不觉归时<span ss="q">句暮天碧衬蟾钩<span ss="q">韵残蝉噪晚<span ss="q">句余


    ●●○ ○●○○   ○●○○ ○○○●○○ ●●○○ ●○●●○○ ○○●● ○


    霞映<span ss="q">读几点沙鸥<span ss="q">韵渔笛不道有人<span ss="q">句独倚危楼<span ss="q">韵


    ○● ●●○○ ○●●●●○ ●●○○


    ·


    此与黄词同,惟前后段两结,俱作六字一句、四字一句异。


    又一体  <span ss="q">双调八十二字,前后段各八句,四平韵             赵长卿


    冷彻蓬壶<span ss="q">句翠幢鼎鼎生香<span ss="q">韵十顷琉璃<span ss="q">句望中无限清凉<span ss="q">韵遮风掩日<span ss="q">句高低衬<span ss="q">读密护红妆<span ss="q">韵阴阴湖


    ●●○○ ●○●●○○ ●●○○ ●○○●○○ ○○●● ○○● ●●○○ ○○○


    里<span ss="q">句羡他双浴鸳鸯<span ss="q">韵  猛忆西湖<span ss="q">句当年一梦难忘<span ss="q">韵折得曾将盖雨<span ss="q">句归思如狂<span ss="q">韵水云千里<span ss="q">句不


    ● ●○○●○○   ●●○○ ○○●●○○ ●●○○●● ○●○○ ●○○● ●


    堪更<span ss="q">读回首思量<span ss="q">韵而今把酒<span ss="q">句为伊沈醉何妨<span ss="q">韵


    ○● ○●○○ ○○●● ●○○●○○


    ·


    此亦黄词体,惟后段第三句六字,第四句四字异。按,赵彦端“玉井冰壶”词,后段第三、四句“况有双轓旧谱,黄阁清油”,正与此同。


    南州春色  调见元陶豰《辍耕录》,因词中有“管取南州春色”句,取以为名。


    南州春色 <span ss="q">双调八十二字,前段九句四平韵,后段八句三平韵        汪梅溪


    清溪曲<span ss="q">句一株梅<span ss="q">韵无人偢采<span ss="q">句独立古墙隈<span ss="q">韵莫恨东风吹不到<span ss="q">句著意挽春回<span ss="q">韵一任天寒地冻<span ss="q">句南


    ○○● ●○○ ○○○● ●●●○○ ●●○○○●● ●●●○○ ●●○○●● ○


    枝香动<span ss="q">句花傍一阳开<span ss="q">韵  更待明年首夏<span ss="q">句酸心结子<span ss="q">句天自栽培<span ss="q">韵金鼎调羹<span ss="q">句仁心犹在<span ss="q">句还种


    ○○● ○●●○○   ●●○○●● ○○●● ○●○○ ○●○○ ○○○● ○●


    取<span ss="q">读无限根荄<span ss="q">韵管取南州春色<span ss="q">句都自此中来<span ss="q">韵


    ● ○●○○ ●●○○○● ○●●○○


    ·


    《花草粹编》有此词,采之《辍耕录》,为汪梅溪作,元人也,其名无考,其平仄亦无别词可校。
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